diff --git a/cdc.pdf b/cdc.pdf deleted file mode 100644 index 932c8f0..0000000 Binary files a/cdc.pdf and /dev/null differ diff --git a/cdur.pdf b/cdur.pdf deleted file mode 100644 index 2210ac0..0000000 Binary files a/cdur.pdf and /dev/null differ diff --git a/example.pdf b/example.pdf deleted file mode 100644 index 2b7d45d..0000000 Binary files a/example.pdf and /dev/null differ diff --git a/musixtex/README b/musixtex/README deleted file mode 100644 index eef46a1..0000000 --- a/musixtex/README +++ /dev/null @@ -1,90 +0,0 @@ -This is MusiXTeX, version 1.35 (2021-08-30). -MusiXTeX is a TeX-based system for typesetting music. - -The main author was Daniel Taupin, who died in a climbing -accident in 2003; other authors credited in the MusiXTeX -manual are Andreas Egler and Ross Mitchell. MusiXTeX is now -being maintained by - -Don Simons dsimons(at)roadrunner(dot)com -Hiroaki Morimoto CQX05646(at)nifty(dot)com -Bob Tennent rdt(at)cs(dot)queensu(dot)ca - -The package includes - - + Postscript slur support, due to Stanislav Kneifl - - + musixlyr support for lyrics, due to Rainer Dunker - - + musixcrd support for chord symbols, due to Robert Hennig - - + support for music text in Palatino, Helvetica, Times - and EC fonts - - + several other extension packages - - + a script musixflx.lua for the 2nd-pass processing - - + a script musixtex.lua that uses pre-processors prepmx, - pmxab or autosp, as necessary, and automates the 3-pass - etex -> musixflx -> [pdf]etex process, possibly - followed by calls to dvips and ps2pdf (or dvipdfm) to - convert the output to Portable Document Format (PDF) - - + wrapper scripts musixflx.bat and musixtex.bat for use on Windows - -MusiXTeX fonts, including both the original metafont sources -and Type 1 versions by Takanori Uchiyama, and specialized -fonts frenchtab and MuseJazzText have been moved to a -separate musixtex-fonts package, which must be installed -before using the MusiXTeX macros. - -musixtex-install.{pdf,tex} is a more-detailed version of the -following instructions: - -To install (on TDS-compliant TeX systems): - - + unzip mirror.ctan.org/install/macros/musixtex.tds.zip at the root of a - texmf tree and, if necessary, update the filename database; - e.g., texhash texmf. - - + on Windows: move the scripts in Windows to a folder - on the executable PATH (or add that folder to the PATH) - - + on any Unix-like system: install symbolic links musixflx - and musixtex in a directory on the executable PATH to - scripts/musixtex/musixflx.lua and scripts/musixtex/musixtex.lua, - respectively. - -Documentation for MusiXTeX and friends is installed under - -doc/generic/musixtex - -Documentation for the musixflx and musixtex scripts are in - -doc/generic/musixtex/scripts - -Many users, especially beginners, will find it easier to -use the PMX and M-Tx pre-processors, which accept a simpler -input language than MusiXTeX itself. Another pre-processor, -autosp, simplifies input to MusiXTeX by automatically -generating note-spacing commands. These pre-processor -packages may be found at CTAN under support. Additional -documentation, additional add-on packages, and many examples -of MusiXTeX typesetting may be found at the Werner Icking -Music Archive at - -http://icking-music-archive.org/ - -Support for users of MusiXTeX and related software may be -obtained via the MusiXTeX mail list at - -http://tug.org/mailman/listinfo/tex-music - -MusiXTeX may be freely copied, duplicated and used in -conformance to the GNU General Public License (Version 2, -1991, see included file gpl.txt) or (at your option) any -later version. - -This distribution is maintained by Bob Tennent -rdt(at)cs(dot)queensu(dot)ca. diff --git a/musixtex/doc/ChangeLog-114.txt b/musixtex/doc/ChangeLog-114.txt deleted file mode 100644 index 3e77097..0000000 --- a/musixtex/doc/ChangeLog-114.txt +++ /dev/null @@ -1,98 +0,0 @@ -<<< Changelog of MusiXTeX since T.113 >>> - -------------------------------------------------------------------------- -Version T.114 [official release: 26 Dec 2009] -(1) \cclp, \zccup, \zcclp are moved from musixpoi.tex to musixtex.tex. -[14 June 2008, Hiroaki. T114-beta1] - -(2) musixpoi.tex does not work since T.111. -[14 June 2008, Hiroaki. T114-beta1] - -(3) musixmad.tex is inessential for typesetting musixdoc.tex, thus excluded from musixdoc.sty (see the next item) -[14 June 2008, Hiroaki. T114-beta1] - -(4) the stem length of \metron (at T.113 manual section 2.17.3: Metronomic indications) is too short when musixadd.tex/musixmad.tex is excluded. -[14 June 2008, Hiroaki. T114-beta1] - -(5) spacing problem when you change the music size. (\clef@skip\z@) -[16 June 2008, known bug pointed out by Daniel Taupin on 3 June 2003 before his accident. T114-beta2] - -(6) in \ttie and \tleg definition, #1 isn't braced in the expansion which causes a problem at ID>9. - * \def\ttie#1{\let\T@i\@c \t@slur{-\p@ne}{#1}\@ne} - * \def\tleg#1{\let\T@i\@c \tslur{#1}\@ne} -[1 Feb 2009, reported by David Allsopp. T114-beta4] - -(7) Create readme1st.txt -[16 Oct 2009, Don Simons and Andre Van Ryckeghem. T114 official] - -(8) Create changelog.txt (this file) -[16 Oct 2009, Hiroaki Morimoto. T114 official] - -(9) Updated musixdoc.pdf and its source code. -[16 Oct 2009, Don Simons and Andre Van Ryckeghem. T114 official] - -(10) Included the repository of music-notation mistakes, contributed by Jean-Pierre Coulon. -[16 Oct 2009, T114 official] - -(11) Create an install manual for MiKTeX on Win32: mxinsuse.{pdf|tex}. -[16 Oct 2009, Andre Van Ryckeghem and Don Simons. T114 official] - -(12) Create install batchfiles for MiKTeX on Win32. -[16 Oct 2009, Don Simons and Andre Van Ryckeghem. T114 official] - -(13) Create some MS-Win/DOS batch files for easy use: musixtex.bat, mudvi.bat, mudviall.bat, lapsview.bat, lapdfview.bat. -[16 Oct 2009, Don Simons and Andre Van Ryckeghem. T114 official] - -(14) utility: add flip.exe, flip.txt to musixtexadd folder instead of former utod.exe and dtou.exe (they don't work in XP). Run flip.exe on musixtex.bat. -[16 Oct 2009, Don Simons and Andre Van Ryckeghem. T114 official] - -(15) Changing directory structure. Add-in tex files are located in musixtexadd directory. - * musixlyr (by Rainer Dunker) - * musixps (by Stanislav Kneifl) -[16 Oct 2009, Don Simons and Andre Van Ryckeghem. T114 official] - -(16) Added some well-known add-ins to musixtexadd directory. - * curly.tex (by Mthimkhulu Molekwa,19 May 1999) - * musixdbr.tex (by Rainer Dunker, 23 February 2002) - * musixtmr.tex & musixesf.tex (by Hiroaki Morimoto, updated 2009-10-15) - * tuplet.tex. (by Col. G. L. Sicherman. 2003-05-17)... under GNU GPL -[16 Oct 2009, Don Simons, Andre Van Ryckeghem. T114 official] - -------------------------------------------------------------------------- -Version T.113 [19-Apr-2006] -no funtional change from 30 July 2005; just a maintenance of archive file and recompiling musicdoc. - -------------------------------------------------------------------------- -Version T.113 [28 June 2005, (rev.1)17 July 2005, (rev.2)30 July 2005] -(1) Include the contents of following packages. - * PostScript Type1 fonts. (by Uchiyama)... under LPPL. - * musixlyr ver.2.1c. (by Rainer Dunker)... under GNU GPL v.2. - * musixps ver.0.92a. (by Stanislav Kneifl)... under a unique license; see the file. -Note that some of these package have different license than GNU GPL v.2. - -(2) \Ioctfin[up | down] do not work when \sepbarrules is assigned. -musixtex.tex line 2259, \def\rul@sep#1 - -(3) Correction of a bug in the definition of choir bracket (l.1688-1698) - -(4) Added following macros. - * \lwp - * \rwp - * \lwpp - * \rwpp - * \lhp - * \rhp - * \lhpp - * \rhpp - -(5) bug: \catcode`\@=11 at external level in case using musixmad.tex without prior specifying of musixadd.tex. -[30 July 2005, T113-rev.2] - -(6) bug: \immediate\write10{...} in many files are corrected into \immediate\write16{...}. -[30 July 2005, T113-rev.2] - -------------------------------------------------------------------------- -Version T.112 [dated on 3 Jan. 2003, published on 9 Jan. 2003] -The final milestone by Daniel Taupin himself. - -------------------------------------------------------------------------- diff --git a/musixtex/doc/ChangeLog-115.txt b/musixtex/doc/ChangeLog-115.txt deleted file mode 100644 index be49e54..0000000 --- a/musixtex/doc/ChangeLog-115.txt +++ /dev/null @@ -1,270 +0,0 @@ -Changes from MusiXTeX 114 to 115: - -replace the changed tex files to T.115. Includes musixbbm.tex, version from Hiroaki's beta3, dtd 11/19/210 - -replace musixper.tex to the fixed one, posted by David Fritzsche on 19 Oct. (version number may be T.60a, is this ok?) Used file emailed to DAS by J-P Coulon, 1/26/11, - -MusiXTeX T.115 -Hiroaki MORIMOTO - -<<>> -(1) all-new registers allocation routines, ready for - 12>> -(1) In case of use with M-Tx, users can change the font format of -instrument names dinamically by redefining \mtxInstrfont in filename.mod. -(for example, writing \def\mtxInstrfont{\relax} in foo.mod.) - - -<<>> -(1) If you load musixper.tex and musixdia.tex is not yet loaded then -the catcode of @ will not be reset correctly, because musixdia will -overwrite the definition of \catcodeat. (reported by David Fritzsche) - -(2) Other internal macros. - - -------------------------------------------------------------------------------- -<<>> - -<<>> -\maxinstruments - Separate from the number of slurs. - It is defined with \chardef and now a kind of internal values. - Read-accecible anywhere; but it should not be set directly by a user. - See below for the number of other items. - -\mxversion - The expanded string of version string elements. - See also \mxvernumber and \mxversuffix. - -\setname - Using \def instead of \edef. This allows users to change the font - format of instrument names dynamically by redefining \mtxInstrfont - in filename.mod in case of use with M-Tx. - -\resetlayout -\resetclefsymbols - Let them compatible to >12 instruments. - - -<<>> -\mxvernumber - Major version number of the MusiXTeX kernel. (make it possible to use - \ifnum) - -\mxversuffix - Suffix of the version. "-beta1", etc. Optional; it must be empty - in case of completed version. - -\setmaxinstruments#1 -\setmaxcxxviiibeams#1 -\setmaxcclvibeams#1 -\setmaxgroups#1 -\setmaxslurs#1 -\setmaxtrills#1 -\setmaxoctlines#1 - set the available numbers of the elements to #1 and allocate - corresponding registers required. - -\maxcxxviiibeams -\maxcclvibeams -\maxgroups -\maxslurs -\maxtrilles -\maxtrills -\maxoctlines - They are now dynamically defined by \chardef and now a kind of internal - values. - Read-accecible anywhere; but they should not be set directly by a user. - - -\smalltrebleoct -\smalltreclelowoct -\smallbassoct -\smallbasslowoct - Reqested by Hermann Hinsch. (beta4) - - -<<>> -\test@num@slur -\test@num@beam -\s@l@ctslur -\s@l@ctbeam - Let them be independent from each other. - -\z@suspend - The change in cutslur section; to make the number of slurs independent - from the number of instruments. - Note: some other extension packages which overrides this macro will - confuse the internal status of linen-breaking font-based slurs. - - -<<>> -\noexpand@newcount -\noexpand@newdimen -\noexpand@newskip -\noexpand@newtoks - \new... for usage inside the loop, for plain TeX. - -\roman@c@ - A shortcut. - -\@oldmaxinstruments -\@oldmaxcxxviiibeams -\@oldmaxcclvibeams -\@oldmaxgroups -\@oldmaxslurs -\@oldmaxtrills -\@oldmaxoctlines - Individual element numbers in previous allocation; set by \chardef. - - -------------------------------------------------------------------------------- -<<>> -Completely the same of ver T.114-T.103. It goes on original TeX. -\input musixtex -\input musixmad -... -\input musixlyr -\input musixps <- this is optional -... - -Note that you can use musixps.tex (by Stanislav Kneifl) at your option, -without any problem. You can get the benefit of the increase of voices, -beams, groups, octave lines, trills. - - -<<>> -(a) without using musixadd/musixmad (recommended) ----- -\input musixtex -\setmaxinstruments{12} -\setmaxgroups{4} -\setmaxslurs{12} -... ----- -This example is equivalent to musixmad.tex. - - -(b) with musixadd/musixmad ----- -\input musixtex -\input musixmad -\setmaxgroups{6} -\setmaxslurs{24} -... ----- -From this version T.115, the maximum number of slurs becomes independent -of the maximum number of instruments. - - -(c) with musixps.tex by S. Kneifl, efficient usage for TeX's main memory ----- -\input musixtex -\setmaxinstruments{12} -\setmaxgroups{4} -\input musixlyr -\input musixps -... ----- -Note that there is no need to write \setmaxslurs{12}, because musixps.tex -0.92a requires pre-allocated registers for font-based slur ID 0-5 -(internally i-vi) only. - - -------------------------------------------------------------------------------- -<<>> - -[beta1: 2010/05/05] private test version, not published. -Drastic change from T.114. - _readme_T115-beta1.txt : this file - musixtex.tex : T.115 kernel - musixadd.tex : changed version for T.115 - musixmad.tex : changed version for T.115 - musixbm.tex : changed version for T.115 - musixbbm.tex : changed version for T.115 - musixper.tex : changed version for T.115 - - -[beta2: 2010/06/24] -musixtex.tex -Additions: -* error message for n>maxinstruments to \s@l@ctinstr, to avoid - the strange error message invoked at \startpiece. -* error message for n>100 to \setmax...{n}. -Fixes: -* \C@acc: adding \expandafter before \@Ti. - \@Ti (dynamically let to other instances) can't take any arguments - since T.109 due to \check@staff. - This is not a bug, however, it is more appropriate to close - \check@staff-\fi conditional clause before encountering \@Ti. - This fix make it compatible with T.107 and T.108, and MusixExp (need to - modify), without any harm. -Others: - Some old codes are deleted. - -_readme_T115-beta2.txt -Others: -* Typo corrections. - - -[beta3: 2010/06/27] -musixbbm.tex -Fixes: -* musixbbm does not work. - - -[beta4: 2011/01/01] -musixper.tex -Fixes: -* If you load musixper.tex and musixdia.tex is not yet loaded then - the catcode of @ will not be reset correctly, because musixdia will - overwrite the definition of \catcodeat. (reported by David Fritzsche) -musixtex.tex -Additions: - \smalltrebleoct, \smalltreblelowoct, \smallbassoct, \smallbasslowoct - (requested by Hermann Hinsch) - -------------------------------------------------------------------------------- -[End of File] diff --git a/musixtex/doc/ChangeLog-116.txt b/musixtex/doc/ChangeLog-116.txt deleted file mode 100644 index e57225c..0000000 --- a/musixtex/doc/ChangeLog-116.txt +++ /dev/null @@ -1,35 +0,0 @@ -Changes from MusiXTeX 115 to 116: - - (2015-04-21) RDT corrected the definitions of \nnotes and \nnnotes - - HM corrected the definitions for cautionary small accidentals - - RDT added \check@staff ... \fi to \@qa h, \@mca, \hs, \qqs - so that \qa, \ca, \ha, etc. can be "hidden" using \setstaffs{n}{0} - - RDT incorporated tuplet.tex (approved by George Sicherman) - and introduced \txtfont to allow changing size or style - - RDT introduced - \qqsk, a one-quarter notehead skip - \tqu and \tql, synonyms for \tqh and \tqb - \ztqu and \ztql, synonyms for \ztqh and \ztqb - \hpp, \qpp, \dsp, \qsp, \hsp, \qqsp for pointed rests - \nnotes, \nnnotes: abbreviations with \multnoteskip\smallvalue - and \multnoteskip\tinyvalue spacing - - RDT incorporated curly.tex (approved by Mthimkhulu Molekwa) - - RDT modernized the treatment of text fonts - meterfonts must be bf, even if titling fonts are rm or sc - added dynamic-mark macros \sfz \sfzp - - Added to the extension library: musixppff.tex (HM), musixadf (HM), - musixplt (RDT), musixec (RDT), musixhv (RDT) - - RDT extended musixtmr - - Stanislav Kneifl fixed a bug in musixps. - - - diff --git a/musixtex/doc/ChangeLog-117.txt b/musixtex/doc/ChangeLog-117.txt deleted file mode 100644 index 08bb03d..0000000 --- a/musixtex/doc/ChangeLog-117.txt +++ /dev/null @@ -1,12 +0,0 @@ -Changes from MusiXTeX 116 to 117: - -2015-05-25 - re-defined \txtfont for non-normal staff sizes - defined \tinyppff and \ppfftwelve, and re-defined \ppff to be staffsize dependent - introduced abbreviations \tqqb \tqqh \tqqqb \tqqqh - and synonyms \tqql \tqqu \tqqql \tqqqu - introduced ornaments \tr, \trt - re-defined \triolet to be consistent with musixdoc (prints \txt, not nec. 3) - introduced \cpause etc. and corrected definitions of \centerpause etc. - introduced double-dotted rests \qppp, \dspp, \qspp, etc. - diff --git a/musixtex/doc/ChangeLog-118.txt b/musixtex/doc/ChangeLog-118.txt deleted file mode 100644 index cb5fbde..0000000 --- a/musixtex/doc/ChangeLog-118.txt +++ /dev/null @@ -1,11 +0,0 @@ -Changes from MusiXTeX 117 to 118: - -2015-07-25 - - moved definitions of \raggedstoppiece and \slide - from musixtext.tex to musixtex.tex. - \xppff musicsize-dependent as well as staffsize-dependent - revised musixtmr.tex, musixplt.tex and musixhv.tex to allow - traditional accented characters for etex - increased the length of beam stems - diff --git a/musixtex/doc/ChangeLog-119.txt b/musixtex/doc/ChangeLog-119.txt deleted file mode 100644 index 11871f1..0000000 --- a/musixtex/doc/ChangeLog-119.txt +++ /dev/null @@ -1,7 +0,0 @@ -Changes from MusiXTeX 118 to 119: - -2015-11-29 - - definitions for tremolo commands \trml, \trmu, etc. - corrected typos in the definition of \comput@fonts affecting ppff fonts for - \Largemusicsize diff --git a/musixtex/doc/ChangeLog-120.txt b/musixtex/doc/ChangeLog-120.txt deleted file mode 100644 index 5b9b796..0000000 --- a/musixtex/doc/ChangeLog-120.txt +++ /dev/null @@ -1,6 +0,0 @@ -Changes from MusiXTeX 119 to 120: - -2015-12-13 - - re-defined tremolo commands \trml, \trmu, etc. to allow for numerical - pitches diff --git a/musixtex/doc/ChangeLog-121.txt b/musixtex/doc/ChangeLog-121.txt deleted file mode 100644 index 2a24644..0000000 --- a/musixtex/doc/ChangeLog-121.txt +++ /dev/null @@ -1,16 +0,0 @@ -Changes from MusiXTeX 120 to 121: - - + adjusted the offsets and/or vertical positions for some tremolos - - + moved \lastbarpos\lin@pos after calls to \Writ@meters - to correct \centerbar positioning - - + copied the definition of \Hpause from musixlit.tex - - + introduced \Changeclefs, \cHpause and \centerHpause - - + replaced \smalltype\it by \txtfont in octave clef commands - - + moved definitions of \txtfont into \comput@fonts - - + added support for piano-pedal bracket notation diff --git a/musixtex/doc/ChangeLog-122.txt b/musixtex/doc/ChangeLog-122.txt deleted file mode 100644 index 87a76a6..0000000 --- a/musixtex/doc/ChangeLog-122.txt +++ /dev/null @@ -1,8 +0,0 @@ - -Changes from MusiXTeX 121 to 122: - - + bi and sc font definitions added; sl and tt definitions for musixsty moved - + explicit font choices for \txtfont replaced by generic commands - \smalltype\it etc. - + \pdlud \halfwidthbigwedge and \raise height font-dependent - + \zbreath and \cbreath use BIGtype rather than BIGfont diff --git a/musixtex/doc/ChangeLog-123.txt b/musixtex/doc/ChangeLog-123.txt deleted file mode 100644 index 4ffcfed..0000000 --- a/musixtex/doc/ChangeLog-123.txt +++ /dev/null @@ -1,6 +0,0 @@ - -Changes from MusiXTeX 122 to 123: - - + added \xtr and \ptr ornaments - + adjusted spacing of \tr - + corrected definition of \C@Inter for \nblines > 6 diff --git a/musixtex/doc/ChangeLog-124.txt b/musixtex/doc/ChangeLog-124.txt deleted file mode 100644 index 0a2beb1..0000000 --- a/musixtex/doc/ChangeLog-124.txt +++ /dev/null @@ -1,10 +0,0 @@ - -Changes from MusiXTeX 123 to 124: - - + preserve changes to \transpose in an hboxed tremolo command - + test that musixtex.tex has already been loaded in some extensions: - + musixps, musixec, musixhv, musixplt, musixtmr, musixppff - + changed from \it to \ppff in several places - + support new command \setinterstaff{n}{m} - + define \largenotesize, \Largenotesize - + corrected typos \twtybf[g] \svtbf[g] diff --git a/musixtex/doc/ChangeLog-125.txt b/musixtex/doc/ChangeLog-125.txt deleted file mode 100644 index 9e392be..0000000 --- a/musixtex/doc/ChangeLog-125.txt +++ /dev/null @@ -1,6 +0,0 @@ - -Changes from MusiXTeX 124 to 125: - -* included a "dummy" tuplet.tex in the distribution -* added \ignorespaces in musixltx.tex -* defined \qap, \qapp, \tqsk diff --git a/musixtex/doc/ChangeLog-126.txt b/musixtex/doc/ChangeLog-126.txt deleted file mode 100644 index 1c16206..0000000 --- a/musixtex/doc/ChangeLog-126.txt +++ /dev/null @@ -1,5 +0,0 @@ - -Changes from MusiXTeX 125 to 126: - -* Corrected minor bugs in the implementation of - \setinterstaff that were causing Overfull hboxes. diff --git a/musixtex/doc/ChangeLog-127.txt b/musixtex/doc/ChangeLog-127.txt deleted file mode 100644 index 399d5a2..0000000 --- a/musixtex/doc/ChangeLog-127.txt +++ /dev/null @@ -1,15 +0,0 @@ - -Changes from MusiXTeX 126 to 127: - -* introduced \meterN, \xxtuplet - -* introduced \nqqb \nqqh \nqqqb \nqqqh abbreviations and - synonyms \nqql \nqqu \nqqql \nqqqu - -* introduced \hap, \happ analogous to \qap, \qapp - -* introduced \hbsk analogous to \hsk - -* introduced \bqsk, \bhsk, \btsk analogous to \qsk, \hqsk, \tqsk - -* eliminated \ds@oup diff --git a/musixtex/doc/ChangeLog-128.txt b/musixtex/doc/ChangeLog-128.txt deleted file mode 100644 index 39c5fa7..0000000 --- a/musixtex/doc/ChangeLog-128.txt +++ /dev/null @@ -1,7 +0,0 @@ - -Changes from MusiXTeX 127 to 128: - - * introduced \z[left|right|leftright]repeat, for use *within* a bar - and \zz...repeat, to force to the end of a system - - * corrected definition of \C@Inter for \nblines < 4 diff --git a/musixtex/doc/ChangeLog-129.txt b/musixtex/doc/ChangeLog-129.txt deleted file mode 100644 index 780d4ce..0000000 --- a/musixtex/doc/ChangeLog-129.txt +++ /dev/null @@ -1,6 +0,0 @@ - -Changes from MusiXTeX 128 to 129: - - * introduced support for tablature notation: \tabfnt, - \tabcleffnt, \tabstringfnt, \tabstylespace, \tab, \ztab, - etc. diff --git a/musixtex/doc/ChangeLog-130.txt b/musixtex/doc/ChangeLog-130.txt deleted file mode 100644 index 69dae51..0000000 --- a/musixtex/doc/ChangeLog-130.txt +++ /dev/null @@ -1,5 +0,0 @@ - -Changes from MusiXTeX 129 to 130: - - * defined \zdoublebar for use within a bar - * defined \hbp and \hbpp diff --git a/musixtex/doc/ChangeLog-131.txt b/musixtex/doc/ChangeLog-131.txt deleted file mode 100644 index 93fac60..0000000 --- a/musixtex/doc/ChangeLog-131.txt +++ /dev/null @@ -1,4 +0,0 @@ - -Changes from MusiXTeX 130 to 131: - - * defined \zzdoublebar, \zzbar, \zendpiece diff --git a/musixtex/doc/ChangeLog-132.txt b/musixtex/doc/ChangeLog-132.txt deleted file mode 100644 index 2d288c9..0000000 --- a/musixtex/doc/ChangeLog-132.txt +++ /dev/null @@ -1,6 +0,0 @@ - -Changes from MusiXTeX 131 to 132: - - * commented out spurious \let\doublebar\doublebar@II - * forbid line-breaking at \zdoublebar - * new add-on musixvbm.tex to support vectorized beams diff --git a/musixtex/doc/ChangeLog-133.txt b/musixtex/doc/ChangeLog-133.txt deleted file mode 100644 index 226ded7..0000000 --- a/musixtex/doc/ChangeLog-133.txt +++ /dev/null @@ -1,8 +0,0 @@ - -Changes from MusiXTeX 132 to 133a: - - * \tabfnt etc. now uses (Helvetica) bold for tablature notes - * replace ledger lines by slashes (/) or numbers for tablature notes below the staff - * new commands \tzqu, \tzcup, etc. for tiny notes to indicate duration, for use in - tablature - diff --git a/musixtex/doc/ChangeLog-134.txt b/musixtex/doc/ChangeLog-134.txt deleted file mode 100644 index fb19280..0000000 --- a/musixtex/doc/ChangeLog-134.txt +++ /dev/null @@ -1,9 +0,0 @@ - -Changes from MusiXTeX 133 to 134: - - * new extension library musixftab.tex to support traditional French - tablature using script letters instead of numerals - - * \tabfnt ... commands re-defined to allow re-definition in - musixftab.tex - diff --git a/musixtex/doc/ChangeLog-135.txt b/musixtex/doc/ChangeLog-135.txt deleted file mode 100644 index ae00d0c..0000000 --- a/musixtex/doc/ChangeLog-135.txt +++ /dev/null @@ -1,8 +0,0 @@ - -Changes from MusiXTeX 134 to 135: - - * new extension library musixjt.tex to support using the handwriting - font MuseJazzText for all textual elements of a MusiXTeX score. - - * Aug. 30, 2021: moved frenchtab and MuseJazzText fonts and - associated support files to the musixtex-fonts package diff --git a/musixtex/doc/ChangeLog-musixdoc.txt b/musixtex/doc/ChangeLog-musixdoc.txt deleted file mode 100644 index aea36ae..0000000 --- a/musixtex/doc/ChangeLog-musixdoc.txt +++ /dev/null @@ -1,30 +0,0 @@ -2016-11-12 RDT - - Expanded treatment of big cautionary accidentals - -2016-06-06 RDT - - Revised the material on page layout. - -2015-02-20 RDT - - Clean up title page and preface(s). - Three-pass system material revised. - Link to WIMA for installation instructions. - Extracting-parts material (DT) restored from T114. - Chapter 3 (Acquiring, Installing, and Using MusiXTeX) deleted. - musixdoc.sty revamped to allow use of Times or Palatino fonts. - musixdoc.tex broken up into separate chapter files for use with includeonly. - Many corrections and improvements, too numerous to list. - -2011-04 - - Musixdoc: Update links to CTAN in 3.1. - - Musixdoc: Set link for musixtex.zip once we decide if it should be 1.15 - - Musixdoc: Edit 128th beam stuff. - - Musixdoc: Add smalltreblelowoct etc. - - Musixdoc: Explain where musixflx source and binaries are. diff --git a/musixtex/doc/examples/adagio.tex b/musixtex/doc/examples/adagio.tex deleted file mode 100644 index 1d63294..0000000 --- a/musixtex/doc/examples/adagio.tex +++ /dev/null @@ -1,446 +0,0 @@ -\ifx\mxversion\undefined - \input musixtex - \input musixcpt - \input musixsty -\fi -\title{Adagio} -\subtitle{(pour orgue)} -\headtitle{I. Adagio} -\csname titremorceautoc\endcsname -\shortauthor{D. Taupin} -\fullauthor{Daniel TAUPIN\\organiste \`{a} Gif-sur-Yvette} -\othermention{Compos\'{e} en 1989} -% -% - -\maketitle -\parindent 18mm -% -% calcul de \elemskip en fonction de la largeur de page pour eviter les glues -% -\def\znotes{\vnotes 0\elemskip}% - - -\tracingstats=1\relax -% -\nbporteesii=2\relax -\def\nbinstruments{2} -\global\cleftoksii={{6}{0}{0}{0}}% -\global\cleftoksi={{6}{0}{0}{0}}% -% -\signaturegenerale{-1}\relax % un bemol a la clef -\def\quatretemps{\generalmeter{\meterfrac{4}{4}}}% -\def\troistemps{\generalmeter{\meterfrac{3}{4}}}% -%\check -\def\instrumenti{16', 8'} - \def\instrumentii{\vbox{\hsize=\parindent\centerline{cornet}\vskip \interportee -\vskip -10pt\centerline{fl\^ute 8'}}}% -%\check -%\elemskip=10pt\relax -%\normal -\def\gluemaxskip{7pt}% -% -% formes frequentes -% deux croches hautes -\def\dqb#1#2#3{\ibl0{#2}{#1}\qb0{#2}\tbl0\qb0{#3}}% -\def\dqh#1#2#3{\ibu0{#2}{#1}\qh0{#2}\tbu0\qu0{#3}}% -\def\doubler{\multiply\noteskip by 2\relax}% -% -\noautolines -\quatretemps -% -\debutmorceau -\hyphenpenalty -50\relax -\global\cleftoksii={{0}{0}{0}{0}}% -\changeclefs\zglu -\notes&|\uptext{\raise 1.5\Interligne\hbox{\kern -14mm\moyen Adagio \bf \metron{\qu}{60}}}\enotes -% mesure 1 -\zglu\notes\itenl1K\wh K&\zq f\zqu h\itenl2d\wh d|\ibbu0h0\qh0h\tbbu0\qh0g\enotes -\Notes&|\tbu0\itenu0h\qh0h\enotes -\NOTes&\zq f\qu h|\tten0\hu h\enotes -\temps\NOTes&\zq f\qu h\enotes -\temps\NOTes&\zq f\qu h|\qu i\enotes -% mesure 2 -\barre\NOTes\tten1\hu K&\zq e\zqu g\qsk\tten2\wh d|\hu g\enotes -\temps\NOTes&\zq e\qu g\enotes -\temps\NOTes\soupir&\zq e\qu g|\soupir\enotes -\temps\Notes\qu K&\zq e\qu g|\ibu0h3\qh0g\enotes -\notes&|\nbbu0\qh0h\enotes -\notes&|\tbu0\qh0i\enotes -% mesure 3 -\barre\Notes\wh{^J}&\rlap{\wh{^c}}\zq e\qu g|\ibu0i{-3}\qh0i\tbu0\qh0h\enotes -\temps\Notes &\zq e\qu g|\ibu0h{-3}\qh0h\tbu0\qh0g\enotes -\temps\Notes &\zq e\qu g|\ibu0g{-3}\qh0g\tbu0\qh0f\enotes -\temps\Notes &\zq e\qu h|\ibu0f{-3}\qh0f\tbu0\qh0e\enotes -% mesure 4 -%\etroit -\barre\NOTes\hup K&\zw d\zq f\zqu h|\qup f\enotes -\temps\Notes&\zq f\qu h|\sk\cu e\enotes -\temps\NOTes&\zq f\qu h|\qup d\enotes -\temps\Notes\soupir&\zq f\qu h|\sk\demisoupir\enotes -% mesure 5 -\barre\notes\wh K&\itenl1d\zq f\zqu h\wh d|\ibbu0h0\qh0h\tbbu0\qh0g\enotes -\Notes&|\tbu0\itenl0h\qh0h\enotes -\NOTes&\zq f\qu h|\tten0\hu h\enotes -\temps\NOTes&\zq f\qu h\enotes -\temps\NOTes&\zq f\qu h|\qu j\enotes -% mesure 6 -\barre\nspace\NOTes\wh{=I}&\tten1\lsh g\zw d\zq f\rq g\qu{=i}|\itenl2i\hu{=i}\enotes -\temps\NOTes&\zq f\rq g\qu i\enotes -\temps\Notes&\zq f\rq g\qu i|\tten2\ibl0i3\qb0i\enotes -\notes&|\nbbl0\qb0j\tbl0\qb0k\enotes -\temps\NOTes&\zq{eg}\qu i|\qu{^g}\enotes -% mesure 7 -\barre\NOTes\wh{^J}&\itenl1c\zq e\zqu h\wh{^c}|\itenl0h\hu h\enotes -\temps\NOTes&\zq e\qu h|\enotes -\temps\Notes&\zq e\qu h|\tten0\ibu0h{-3}\qh0h\tbu0\qh0{=g}\enotes -\temps\Notes&\zq e\qu h|\ibu0h{-4}\qh0h\tbu0\qh0f\enotes -% mesure 8 -\barre\NOTes\wh H&\tten1\zq e\zqu g\wh{^c}|\itenl0g\hu g\enotes -\temps\NOTes&\zq e\qu g|\enotes -\temps\Notes&\zq e\qu g|\tten0\ibu0g{-3}\qh0g\tbu0\qh0f\enotes -\temps\Notes&\zq e\qu g|\ibu0g{-4}\qh0g\tbu0\qh0e\enotes -% mesure 9 -\barre\NOTes\hup K&\rlap{\wh a}\zq d\qu f|\qup f\enotes -\temps\Notes&\zq d\qu f|\sk\cu e\enotes -\temps\NOTes&\zq d\qu f|\qup d\enotes -\temps\Notes\soupir&\zq d\qu f|\sk\demisoupir\enotes -% mesure 10 -\barre\notes\wh K&\rlap{\wh d}\zq f\qu h|\ibbu0h0\qh0h\tbbu0\qh0g\enotes -\Notes&|\tbu0\itenl0h\qh0h\enotes -\NOTes&\zq f\qu h|\tten0\hu h\enotes -\temps\NOTes&\zq f\qu h\enotes -\temps\NOTes&\zq f\qu h|\qu i\enotes -%\check -% mesure 11 -\barre\NOTes \wh J&\zw c\zq{^f}\qu h|\hu j\enotes -\temps\NOTes&\zq f\qu h\enotes -\temps\NOTes&\zq f\qu h|\soupir\enotes -\temps\Notes&\zq f\qu h|\ibl0i3\qb0j\enotes -\notes &|\nbbl0\qb0k\tbl0\qb0{_l}\enotes -%\check -% mesure 12 -\barre\Notes\wh K&\itenl0d\zq{^f}\zqu h\wh d|\ibl0l{-3}\qb0{_l}\tbl0\qb0k\enotes -\temps\Notes &\zq f\qu h|\ibl0k{-3}\qb0k\tbl0\qb0j\enotes -\temps\Notes &\zq f\qu h|\ibl0j{-3}\qb0j\tbl0\qb0i\enotes -\temps\Notes&\zq f\qu h|\ibl0i{-3}\qb0i\tbl0\qb0h\enotes -%\check -% mesure 13 -\barre\NOTes\wh N&\tten0\zw d\zq g\qu i|\qlp i\enotes -\temps\Notes&\zq g\qu i|\sk\cu h\enotes -\temps\NOTes&\zq g\qu i|\qup g\enotes -\temps\Notes&\zq g\qu i|\sk\ds \enotes -%\check -% mesure 14 -\barre\nspace\NOTes\wh L&\lna e\zw{^c}\zq e\qu h|\rlap{\hl{^j}}\zcharnote - n{\Trille{2\noteskip}}\relax -\zcharnote q{\ \ (*)}\enotes -\footnote{}{(*) Trilles commenc\'es sur la note et finissant sans -terminaison sur la note suivante.}\relax - \temps\NOTes&\zq e\qu h\enotes -\temps\NOTes&\zq e\qu h|\ql j\enotes -\temps\Notes&\zq e\qu h|\ibl0i3\qb0{=i}\tbl0\qb0j\enotes -%\check -% mesure 15 -\barre\NOTes\wh K&\rlap{\wh d}\zq f\qu h|\rlap{\hl k}\zcharnote n{\Trille{2\noteskip}}\enotes -\temps\NOTes&\zq f\qu h\enotes -\temps\NOTes&\zq f\qu h|\ql k\enotes -\temps\Notes&\zq f\qu h|\ibl0j3\qb0{^j}\tbl0\qb0k\enotes -%\check -% mesure 16 -\barre\NOTes\wh{^J}&\rlap{\wh e}\zq g\qu i|\rlap{\hl l}\zcharnote n{\Trille{2\noteskip}}\enotes -\temps\NOTes&\zq g\qu i\enotes -\temps\Notes&\zq g\qu i|\ibl0l0\qb0l\enotes -\notes&|\nbbl0\qb0m\tbl0\qb0l\enotes -\temps\Notes&\zq g\qu i|\ibl0k3\qb0k\tbl0\qb0l\enotes -%\check -% mesure 17 -\barre\NOTes\wh K&\zw d\zq f\qu h|\hlp m\enotes -\temps\NOTes&\zq f\qu h\enotes -\temps\NOTes&\zq f\qu h\enotes -\temps\NOTes&\zq f\qu h|\soupir\enotes -%\check -% mesure 18 -\barre\NOTes\wh J&\zw{=c}\zq{^f}\qu h|\rlap{\hl{^m}}% -\zcharnote p{\Trille{2\noteskip}}\enotes -\temps\NOTes&\zq f\qu h\enotes -\temps\NOTes&\zq f\qu h|\ql m\enotes -\temps\Notes&\zq f\qu h|\ibl0l3\qb0l\tbl0\qb0m\enotes -%\check -% mesure 19 -\barre\NOTes\wh I&\rlap{\wh d}\zq g\qu i|\rlap{\hl n}\zcharnote p{\Trille{2\noteskip}}\enotes -\temps\NOTes&\zq g\qu i\enotes -\temps\NOTes&\zq g\qu i|\ql n\enotes -\temps\Notes&\zq g\qu i|\ibl0m3\qb0{^m}\tbl0\qb0n\enotes -%\check -% mesure 20 -\barre\NOTes\wh H&\rlap{\wh c}\zq{^f}\qu h|\rlap{\hl o}\zcharnote q{\Trille{2\noteskip}}\enotes -\temps\NOTes&\zq f\qu h\enotes -\temps\Notes&\zq f\qu h|\ibl0o0\qb0o\enotes -\notes&|\nbbl0\qb0p\tbl0\qb0o\enotes -\temps\Notes&\zq f\qu h|\ibl0n3\qb0n\tbl0\qb0o\enotes -%\check -% mesure 21 -\barre\NOTes\wh G&\zw d\zq g\qu i|\qlp p\enotes -\temps\Notes&\zq g\qu i|\sk\cl o\enotes -\temps\Notes&\zq g\qu i|\ibl0n{-3}\qb0n\tbl0\qb0m\enotes -\temps\Notes&\zq g\qu i|\ibl0l{-3}\qb0l\tbl0\qb0k\enotes -%\check -% mesure 22 -\barre\Notes\hup H&\zw{^c}\zq e\qu g|\ibl0j{-4}\qb0{^j}\tbl0\qb0h\enotes -\temps\Notes&\zq e\qu g|\ibl0i3\qb0{=i}\tbl0\qb0 j\enotes -\temps\Notes&\zq e\qu g|\ibl0k3\qb0k\tbl0\qb0l\enotes -\temps\Notes\qu G&\zq e\qu g|\ibl0m3\qb0m\tbl0\qb0n\enotes -%\check -% mesure 23 -\barre\NOTes\hu F&\zw d\zq f\qu h|\qlp o\enotes -\temps\Notes&\zq f\qu h|\sk\cl k\enotes -\temps\Notes\qu G&\zq b\qu g|\ibl0n{-3}\qb0n\tbl0\qb0m\enotes -\temps\NOTes\itenl0H\qu H&\zq a\qu f|\ql m\enotes -%\check -% mesure 24 -\barre\NOTes\tten0\wh H&\zw a\zq{^c}\qu e|\zcharnote o{\Trille{3\noteskip}}\wh l\enotes -\temps\NOTes&\zq c\qu e|\enotes -\temps\NOTes&\zq c\qu e|\enotes -\temps\Notes&\zq {ce}\qu g|\ibl0l{-3}\qb0l\tbl0\qb0k\enotes -%\check -% mesure 25 -\barre\NOTes\hup K&\zw d\zq f\qu h|\hlp k\enotes -\temps\NOTes&\zq f\qu h|\enotes -\temps\NOTes&\zq f\qu h|\enotes -\temps\NOtes\soupir&\zq f\qu h|\soupir\enotes -% mesure 26 -\barre\notes\hup K&\rlap{\hlp d}\zq f\qu h|\ibbl0k0\qb0k\tbbl0\qb0{=j}\enotes -\Notes&|\tbl0\itenl0k\qb0k\enotes -\NOTes&\zq f\qu h|\tten0\hl k\enotes -\temps\NOTes&\zq f\qu h\enotes -\temps\NOtes\qu J&\rlap{\ql c}\zq{_e}\qu h|\ql{_l}\enotes -% mesure 27 -\barre\NOtes\wh{=I}&\rlap{\zw d}\rq g\qu f|\hl m\enotes -\temps\NOtes&\rq g\qu f\enotes -\temps\NOtes&\rq g\qu f|\soupir\enotes -\temps\Notes&\rq g\qu f|\ibl0m3\qb0m\enotes -\notes&|\nbbl0\qb0n\tbl0\qb0{_o}\enotes -% mesure 28 -\barre\nspace\Notes\wh G&\rlap{\wh{=b}}\zq d\qu f|\ibl0o{-3}\qb0{_o}\tbl0\qb0n\enotes -\temps\Notes &\zq d\qu f|\ibl0n{-3}\qb0n\tbl0\qb0m\enotes -\temps\Notes &\zq d\qu f|\ibl0m{-3}\qb0m\tbl0\qb0{_l}\enotes -\temps\Notes &\zq d\zq f\qu{=i}|\ibl0l{-3}\qb0l\tbl0\qb0k\enotes -% mesure 29 -\barre\NOTes\wh J&\zw c\zq{_e}\qu g|\qlp{_l}\enotes -\temps\Notes&\zq e\qu g|\sk\cl k\enotes -\temps\NOTes&\zq e\qu g|\qlp j\enotes -\temps\Notes&\zq e\qu g|\sk\ds \enotes -%\check -% mesure 30 -\barre\NOTes\wh H&\zw c\zq{^f}\qu h|\itenu0o\hl o\enotes -\temps\NOTes&\zq f\qu h&\enotes -\temps\Notes&\zq f\qu h|\tten0\ibl0o3\qb0o\enotes -\notes&|\nbbl0\qb0p\tbl0\qb0q\enotes -\NOTes&\zq f\qu h|\ql{^m}\enotes -% mesure 31 -\barre\NOTes\wh I&\zw b\zq d\qu g|\itenu0n\hl n\enotes -\temps\NOTes&\zq d\qu g|\enotes -\temps\Notes&\zq d\qu g|\tten0\ibl0n{-3}\qb0n\tbl0\qb0{=m}\enotes -\Notes&\zq d\qu g|\ibl0n{-4}\qb0n\tbl0\qb0{_l}\enotes -%\check -% mesure 32 -\barre\NOTes\wh{=I}&\zw d\zq f\qu{=i}|\itenu0m\hl m\enotes -\temps\NOTes&\zq f\qu i|\enotes -\temps\Notes&\zq f\qu i|\tten0\ibl0m{-3}\qb0m\tbl0\qb0{_l}\enotes -\temps\Notes&\zq f\qu{_h}|\ibl0m{-4}\qb0m\tbl0\qb0k\enotes -%\check -% mesure 33 -\barre\NOTes\wh J&\zw c\zq{_e}\qu g|\fl l\qlp l\enotes -\temps\Notes&\zq e\qu g|\sk\cl k\enotes -\temps\NOTes&\zq e\qu g|\qlp j\enotes -\temps\Notes&\zq e\qu g|\sk\ds \enotes -%\check -% mesure 34 -\barre\nspace -\NOTes\wh K&\zw d\lsh f\zq f\qu{=h}|\itenu0k\hl k\enotes -\temps\NOTes&\zq f\qu h|\enotes -\temps\Notes&\zq f\qu h|\tten0\dqb3k{_l}\enotes -\temps\Notes&\zq f\qu h|\dqb{-3}kj\enotes -% mesure 35 -\barre -\Notes\wh J&\zw c\sh f\zq f\qu h|\dqb3k{=l}\enotes -\temps\Notes&\zq f\qu h|\dqb3{^m}n\enotes -\temps\Notes&\zq f\qu h|\dqb3op\enotes -\temps\Notes&\zq f\qu h|\dqb{-4}qo\enotes -% mesure 36 -\barre% -\Notes\wh I&\zw b\zq d\qu g|\dqb{-3}rq\enotes -\temps\Notes&\zq d\qu g|\dqb{-3}po\enotes -\temps\Notes&\zq d\qu g|\dqb{-3}nm\enotes -\temps\Notes&\zq d\qu g|\dqb{-4}nl\enotes -% mesure 37 -\barre -\Notes\wh H&\zw c\zq{^f}\qu h|\sh m\dqb{-3}ml\enotes -\temps\Notes&\zq f\qu h|\dqb3mn\enotes -\temps\Notes&\zq f\qu h|\dqb3op\enotes -\temps\Notes&\zq f\qu h|\dqb{-4}qo\enotes -% mesure 38 -\barre -\Notes\wh G&\itenl0d\zw d\zq g\qu i|\dqb{-3}po\enotes -\temps\Notes&\zq g\qu i|\dqb{-3}n{=m}\enotes -\temps\Notes&\zq g\qu i|\fl l\dqb{-3}lk\enotes -\temps\Notes&\zq g\qu i|\dqb{-3}ji\enotes -% mesure 39 -%\check -\barre -\NOTes\wh F&\tten0\zw d\na i\zq f\qu i|\rlap{\hl{=i}}\zcharnote n{\Trille{2\noteskip}}\enotes -\temps\NOTes&\zq f\qu i|\enotes -\temps\Notes&\zq f\qu i|\ibl0i0\qb0i\enotes -\notes&|\nbbl0\qb0j\tbl0\qb0i\enotes -\temps\Notes&\zq f\qu i|\dqb3hi\enotes -%\check -% mesure 40 -\barre\NOTes\wh E&\zw c\zq e\qu g|\zcharnote o{\Trille{2\noteskip}}\hl j\enotes -\temps\NOTes&\zq e\qu g|\enotes -\temps\Notes&\zq e\qu g|\ibl0j0\qb0j\enotes -\notes&|\nbbl0\qb0k\tbl0\qb0j\enotes -\temps\Notes&\zq e\qu g|\dqb3{=i}j\enotes -% mesure 41 -\barre\NOTes\wh H&\zw{^c}\zq e\qu g|\zcharnote o{\Trille{2\noteskip}}\hl{^j}\enotes -\temps\NOTes&\zq e\qu g|\enotes -\temps\Notes&\rlap{\midtwotext{\it rit.}}\zq e\qu g|\ibl0j0\qb0j\enotes -\notes&|\nbbl0\qb0k\tbl0\qb0j\enotes -\temps\Notes&\zq e\qu g|\dqb3{=i}j\enotes -% mesure 42 -\barre\NOTes\hup D&\rlap{\midtwotext{\it a tempo}}\zw d\zq{^f}\qu h|\hlp k\enotes -\temps\NOTes&\zq f\qu h\enotes -\temps\NOTes&\zq f\qu h\enotes -\temps\NOTes\soupir&\zq f\qu h|\soupir\enotes -%\check -% mesure 43 -\barre\notes\wh K&\rlap{\wh d}\zq{=f}\qu h|\ibbu0h0\qh0h\tbbu0\qh0g\enotes -\Notes&|\tbu0\itenl0h\qh0h\enotes -\NOTes&\zq f\qu h|\tten0\hu h\enotes -\temps\NOTes&\zq f\qu h\enotes -\temps\NOTes&\zq f\qu h|\qu i\enotes -%\check -% mesure 44 -\barre\NOTes\wh G&\zw b\zq d\qu g|\hu g\enotes -\temps\NOTes&\zq d\qu g\enotes -\temps\NOTes&\zq d\qu g|\soupir\enotes -\temps\Notes&\zq d\qu g|\ibu0h3\qh0g\enotes -\notes&|\nbbu0\qh0h\tbu0\qh0i\enotes -% mesure 45 -\barre\Notes\wh J&\rlap{\rhl b}\zq c\qu e|\ibu0i{-3}\qh0i\tbu0\qh0h\enotes -\temps\Notes &\zq c\qu e|\ibu0h{-3}\qh0h\tbu0\qh0g\enotes -\temps\Notes &\rlap{\hl c}\zq e\qu i|\ibu0g{-3}\qh0g\tbu0\qh0f\enotes -\temps\Notes &\zq e\qu i|\ibu0f{-3}\qh0f\tbu0\qh0e\enotes -%\check -% mesure 46 -\barre \NOTes\wh F&\zw a\zq c\qu f|\qup f\enotes -\temps\Notes&\zq c\qu f|\sk\cu g\enotes -\temps\NOTes&\zq c\qu f|\qup h\enotes -\temps\Notes&\zq c\qu f|\sk\ds\enotes -% mesure 47 -%\check -\large -\barre\notes\hl K&\rlap{\hl d}\zq g\qu i|\ibbu0i0\qh0{iji}\tbu0\qh0h\enotes -\temps\notes&\zq g\qu i|\ibbu0i0\qh0{igh}\tbu0\qh0{=i}\enotes -\temps\notes\hl L&\rlap{\hl{^c}}\zq e\qu g|\ibbl0j3\qb0{^jkl}\tbl0\qb0m\enotes -\temps\notes&\zq e\qu g|\ibbl0n3\qb0{no=p}\tbl0\qb0{^q}\enotes -% mesure 48 -%\check -\barre\notes\hl M&\rlap{\hl a}\zq d\qu f|\ibbl0r{-3}\qb0{r=q_p}\tbl0\qb0o\enotes -\temps\notes&\zq d\qu f|\ibbl0n{-3}\qb0{nml}\tbl0\qb0 k\enotes -\temps\notes\hl G&\rlap{\hl b}\zq e\qu g|\ibbl0n{-3}\qb0{nml}\tbl0\qb0k\enotes -\temps\notes&\zq e\qu g|\ibbl0j{-3}\qb0{^j=ih}\tbl0\qb0g\enotes -% mesure 49 -%\check -\barre\notes\hu H&\rlap{\hl a}\zq d\qu f|\ibbl0f3\qb0{fhk}\tbl0\qb0h\enotes -\temps\notes&\zq d\qu f|\ibbl0k3\qb0{mko}\tbl0\qb0m\enotes -\temps\notes\hu I&\rlap{\hl b}\zq d\qu g|\ibbl0g3\qb0{g_il}\tbl0\qb0i\enotes -\temps\notes&\zq d\qu g|\ibbl0l3\qb0{nl_p}\tbl0\qb0n\enotes -% mesure 50 -%\check -\barre\notes\hu H&\rlap{\hl d}\zq f\qu h|\ibbl0h3\qb0{hkm}\tbl0\qb0k\enotes -\temps\notes&\zq f\qu h|\ibbl0m3\qb0{omr}\tbl0\qb0o\enotes -\temps\notes\hu G&\rlap{\hl d}\zq g\qu i|\ibbl0i3\qb0{ikn}\tbl0\qb0k\enotes -\temps\notes&\zq g\qu i|\ibbl0m3\qb0{pnr}\tbl0\qb0 p\enotes -% mesure 51 -%\check -\normal -\barre\NOTes\hup F&\rlap{\hlp d}\zq f\qu h|\qlp o\enotes -\temps\Notes&\zq f\qu h|\sk\cl n\enotes -\temps\notes&\zq f\qu h|\ibl0m{-3}\qb0m\zcharnote o{\sl 3}\qb0l\tbl0\qb0k\enotes -\temps\Notes\qu G&\rlap{\ql b}\zq e\qu g|\ibl0n{-3}\qb0n\tbl0\qb0m\enotes -% mesure 52 -%\check -\barre\NOTes\wh H&\itenl0a\zw a\zq d\qu f|\ql m\enotes -\temps\NOTes&\zq{^c}\qu e|\zcharnote n{\Trille{2\noteskip}}\hl l\enotes -\temps\NOTes&\zq c\qu e|\enotes -\temps\NOtes&\zq c\qu e|\ibl0l{-3}\pt l\qb0l\enotes -\notes&|\tbbl0\tbl0\qb0k\enotes -% mesure 53 -%\check -\barre\NOTes\hup D&\tten0\zw a\zq d\qu f|\hlp k\enotes -\temps\NOTes&\zq d\qu f|\enotes -\temps\NOTes&\zq d\qu f|\enotes -\temps\NOTes\soupir&\zq d\qu f|\soupir\enotes -% mesure 54 -%\cleftoksii={{3}{0}{0}{0}}\changeclefs -\barre\notes\itenu1K\wh K&\itenl2d\zw d\zq f\qu h|\ibbu0h0\qh0h\tbbu0\qh0g\enotes -\Notes&|\tbu0\itenl0h\qh0h\enotes -\NOTes&\zq f\qu h|\tten0\hu h\enotes -\temps\NOTes&\zq f\qu h\enotes -\temps\NOTes&\zq f\qu h|\qu i\enotes -% mesure 55 -\barre\NOTes\tten1\hu K&\zq e\zqu g\qsk\tten2\wh d|\hu g\enotes -\temps\NOTes&\zq e\qu g\enotes -\temps\NOTes\soupir&\zq e\qu g|\soupir\enotes -\temps\Notes\qu K&\zq e\qu g|\ibu0h3\qh0g\enotes -\notes&|\nbbu0\qh0h\enotes -\notes&|\tbu0\qh0i\enotes -% mesure 56 -\barre\Notes\wh{^J}&\rlap{\wh{^c}}\zq e\qu g|\ibu0i{-3}\qh0i\tbu0\qh0h\enotes -\temps\Notes &\zq e\qu g|\ibu0h{-3}\qh0h\tbu0\qh0g\enotes -\temps\Notes &\zq e\qu g|\ibu0g{-3}\qh0g\tbu0\qh0{^f}\enotes -\temps\Notes &\zq e\qu h|\ibu0f{-3}\qh0f\tbu0\qh0e\enotes -% mesure 57 -\barre\NOTes\wh K&\rlap{\wh d}\zq{^f}\qu h|\qup {^f}\enotes -\temps\Notes&\zq f\qu h|\sk\cu g\enotes -\temps\NOTes&\zq f\qu h|\qup h\enotes -\temps\Notes&\zq f\qu h|\sk\ds \enotes -% mesure 58 -\barre\NOTes\qu J&\zq{=c}\rq d\qu g|\qu d\enotes -\temps\NOTes\hup I&\rlap{\hlp b}\zq d\qu g|\itenl0g\qu g\enotes -\temps\notes&\zq d\qu g|\tten0\ibbu0g{-3}\qh0{g=fe}\tbu0\qh0d\enotes -\temps\notes&\zq d\qu g|\ibbu0g{-3}\qh0{gfe}\tbu0\qh0d\enotes -% mesure 59 -%\check -\barre\notes\wh H&\doubler\itenl0a\zw a\zq{^c}\qu e|\ibbu0c0\qh0{^c=bc}\tbu0\qh0a\enotes -\temps\notes&\zq c\qu e|\ibbu0b3\qh0{bcd}\tbu0\qh0e\enotes -\temps\NOTes&\zq d\qu f|\qu f\enotes -\temps\Notes&\zq d\qu f|\ibu0f{-3}\qh0f\tbu0\qh0e\enotes -% mesure 60 -%\check -\barre\NOTes\wh H&\tten0\zw a\zq{^c}\qu e|\zcharnote n{\Trille{3\noteskip}}\hup e\enotes -\temps\NOTes&\zq c\qu e\rlap{\midtwotext{\sl rall.\ \ \ }}\enotes -\temps\NOTes&\zq c\qu e|\enotes -\temps\Notes&\zq c\qu e|\ibu0e{-3}\qh0e\tbu0\qh0d\enotes -% mesure 61 -%\check -\cleftoksii={{6}{0}{0}{0}}% -\zchangeclefs -\barre -\elemskip=1.1\elemskip -\NOTes\itenl1D\wh D&\itenu2d\zw d\zq M\ql a|\itenl0d\zw d\enotes -\temps\NOTes&\zq M\ql a|\enotes -\temps\NOTes&\zq N\ql b|\enotes -\temps\NOTes&\zq L\ql N|\enotes -% mesure 62 -\barre\nspace -\NOTEs\tten1\pointdorgue a\hu D&\tten2\zh{Ma}\pointdorgue d\hl d|\tten0\pointdorgue o\hu d\enotes -\temps\NOTEs\hpause&\hpause|\hpause\enotes -\mulooseness -2\relax -\finmorceau -\bigskip -\rightline{\it \aujourdhui} -\vfil -\eject -\bye diff --git a/musixtex/doc/examples/albinoni.tex b/musixtex/doc/examples/albinoni.tex deleted file mode 100644 index 9b30fd3..0000000 --- a/musixtex/doc/examples/albinoni.tex +++ /dev/null @@ -1,614 +0,0 @@ -\ifx\mxversion\undefined - \input musixtex - \input musixcpt - \input musixsty -\fi - \input musixadd - \title{Adagio (Albinoni)} -\csname titremorceautoc\endcsname -\fulltitle{Adagio per archi ed organo} -\title{Adagio per archi ed organo} - \author{Tomaso Albinoni\\Transcription orgue et clarinette Daniel -Taupin} - \shortauthor{Albinoni} - \subtitle{\relax} - \othermention{G.O. (I): Montre 8'+4'\\Positif (II): 8'+4'+quinte - \\R\'ecit (III): fl\^utes -8'+4'\\P\'edale : 16'\\Tirasse positif, claviers accoupl‚s.\\Gif : -2-4/9-11-13/19-22/33-37/46-47-48-49-54} - \maketitle - - -\parindent 13mm -\musicsize=20 -\normal -\relativeaccidentals -\bigaccid -\def\nbinstruments{4} -\def\instrumenti{P\'edale} -\def\instrumentii{Positif} -\def\instrumentiii{Positif} -\def\instrumentiv{Clarinette} -\def\staffspacingiv{0.64} -\generalmeter{\meterfrac34}% -\cleftoksi{6000} -\cleftoksii{6000} -\cleftoksiii{0000} -\cleftoksiv{0000} -\generalsignature{-2} - % - \def\pto#1#2#3{\Ibbbu0{#1}{#3}2\qh0{#1}\tbbu0\qh0{#2}\tbu0\itenu0{#3}\multnoteskip{1.42}\qhp0{#3}}% - \def\ptb#1#2#3{\Ibbbl0{#1}{#3}2\qb0{#1}\tbbl0\qb0{#2}\tbl0\itenu0{#3}\multnoteskip{1.42}\qbp0{#3}}% - \def\qpqu#1#2{\Ibu0{#1}{#2}2\qhp0{#1}\sk\tbbu0\tqh0{#2}} - \def\qpql#1#2{\Ibl0{#1}{#2}2\qbp0{#1}\sk\tbbl0\tqb0{#2}} - \def\Qpqu#1#2{\Ibu1{#1}{#2}2\qhp1{#1}\sk\tbbu1\tqh1{#2}} - \def\Qpql#1#2{\Ibl1{#1}{#2}2\qbp1{#1}\sk\tbbl1\tqb1{#2}} - \def\Qpqlt#1#2#3{\Ibl1{#1}{#2}2\qbp1{#1}\sk\tbbl1\tslur3{#3}\tqb1{#2}} - % - \def\grnotes{\vnotes0.7\elemskip}% 16th - \def\ggrnotes{\vnotes0.5\elemskip}% 16th - % - \def\qqb#1#2{\Ibl0{#1}{#2}1\qb0{#1}\tqb0{#2}} - \def\qqh#1#2{\Ibu0{#1}{#2}1\qh0{#1}\tqh0{#2}} - \def\qqqb#1#2#3{{\advance\transpose -13\relax\triolet #2}\Ibl0{#1}{#3}2\qb0{#1}\qb0{#2}\tqb0{#3}} - \def\qqqh#1#2#3{{\advance\transpose 8\relax\triolet #1}\Ibu0{#1}{#3}2\qh0{#1}\qh0{#2}\tqh0{#3}} - % -\debutmorceau -\NOtes\sk\pause&\lpz G\qu G\upz N\ql N\lpz G\qu G - &\roff{\itenl1b\itenl2d\itenu3g}\zhp b\zhp d\hlp g&\Uptext{\bf\kern -5mm(\metron{\qu}60)}\sk\pause\enotes - \barre %2 -\NOtes\sk\pause&\zcharnote {-7}{\it il basso staccato}\lpz F\qu F\upz M\ql -M\lpz F\qu F&\tten1\tten2\tten3\zhp b\zhp d\hlp g&\sk\pause\enotes - \barre %3 -\notes&\qu E&\roff{\itenl1b\itenl2e}\zhp b\zhlp e\pto ghi&\enotes -\NOtes\pause&\ql L&\tten0\qup i&\pause\enotes -\Notes&\qu E&\sk\cu g\enotes - \barre %4 -\NOtes&\qu D\ql K\qu D&\tten1\tten2\zhp b\zhlp e\hup g&\sk\pause\enotes - \barre %5 -\notes&\qu C&\roff{\zhp e\zhlp h}\pto hij\enotes -\NOtes\pause&\qu J\qu C&\tten0\hu j&\pause\enotes - \barre %6 -\notes&\qu {^C}&\zhp {^e}\zhlp g\pto ihi\enotes -\NOtes\pause&\qu {^J}\qu C&\tten0\hu i&\pause\enotes - \barre %7 -\notes&\qu D&\lh d\itenl1d\zhl d\pto hgh\enotes -\NOtes\pause&\ql K&\tten0\itenu0h\qu h&\pause\enotes -\Notes&\qu D&\tten1\lq{=c}\zql d\tten0\triolet p\Ibu0hf2\qh0{hg}\tqh0{^f}\enotes - \barre %8 -\NOtes\sk\pause&\qu G\ql N\qu G&\zhp b\zhlp d\hup g&\sk\pause\enotes - \setclef2\treble \changeclefs - \barre %9 - \NOtes\lpz G\qu G\upz N\ql N&\zcharnote n{{\bf III} -- fl–tes}\zhp b\hup d&\zcharnote n{{\bf II} -- quinte}\ppt5\soupir&\isluru3m\ql k\Ibl1ji1\qbp 1j\enotes - \notes&&\ccu N&\tbbl1\tqb1i\enotes - \notes\lpz G\qu G&&\Ibu0ab1\qhp0a\sk\tbbu0\tqh0b&\Ibl1hg2\qbp1h\sk\tbbl1\tslur3m\tqb1g\enotes - %\check - \barre %10 - \notes\qu H&\hup c&\qpqu cd&\isluru3m\hu g\enotes - \notes\ql a&&\qpqu ed\enotes - \notes\qu H&&\qpqu ec&\tslur3l\qu{^f}\enotes - \barre %11 - \NOtes\qu H&\qup c&\qup{^f}&\isluru3l\ql l\enotes - \notes\ql a&\sk\dsoupir&\sk\sk\ccu a&\Qpql kj\enotes - \notes\qu H&\soupir&\qpqu bc&\Qpqlt ihk\enotes - \barre %12 - \notes\qu I&\hlp d&\qpqu d{^e}&\isluru3l\hl h\enotes - \notes\ql b&&\qpqu {^f}d\enotes - \NOtes\qu I&&\qu g&\tslur3k\qu g\enotes - \barre %13 - \NOtes\qu I&\zhp d\zhlp g\hu k&\hu g&\isluru3o\ql n\enotes - \Notes\ql b&&&\Ibl1mn2\qb1m\tqb1n\enotes - \Notes\qu I&&\qu d&\triolet o\Ibl0lk2\qb0{lm}\tqb0k\enotes - \barre %14 - \NOtes\qu J&\zh e\hu g&\qu d&\tslur3n\hlp l\enotes - \Notes\ql c&&\Ibu0cd1\qh0c\tqh0d\enotes - \Notes\qu J&\soupir&\triolet M\Ibu0ba2\qh0{bc}\tqh0a\enotes - \barre %15 - \NOtes\qu H&\zh c\hu j&\hu f&\isluru3n\ql m\enotes - \Notes\ql a&&&\Ibl0lm1\qb0l\tqb0m\enotes - \Notes\qu H&\zq c\qu f&\qu c&\triolet n\Ibl0kj2\qb0{kl}\tqb0j\enotes - \barre %16 - \NOtes\qu I&\zh d\hu f&\qu c&\tslur3l\hlp k\enotes - \Notes\ql b&&\qqh bc\enotes - \Notes\qu I&\soupir&\qqqh abN\enotes - \barre %17 - \NOtes\qu G&\zh b\hu i&\hu e&\isluru3m\ql l\enotes - \Notes\ql N&&&\qqb kl\enotes - \Notes\qu G&\zq b\qu e&\qu b&\qqqb jki\enotes - \barre %18 - \NOtes\qu H&\zhp c\hup e&\qu b&\tslur3k\hl j\enotes - \Notes\ql a&&\qqh ab\enotes - \Notes\qu H&&\qqqh cba&\isluru3k\ql j\enotes - \barre %19 - \NOtes\qu I&\hu d&\zq a\qu d&\hl k\enotes - \Notes\ql b&&\Ibl1NM1\Ibu0gf1\zqb1N\qh0g\tbl1\zqb1{^M}\tqh0{^f}\enotes - \Notes\qu J&\qu e&\Ibl1Na1\Ibu0gh1\zqb1N\zql e\qh0g\tbl1\zqb1a\tqh0h&\ql l\enotes - \barre %20 - \NOTEs\pointdurgue F\hu K&\hu d&\pointdorgue n\zh {bdg}\hu i&\pointdorgue - m\tslur3l\hl k\enotes - \Notes\soupir&\soupir&\uptext{\kern -5mm\it a tempo}\soupir&\Uptext{\kern -5mm\it a tempo}\ds\cl n\enotes - \barre %21 - \Notes\sk\sk\sk\pause&\sk\sk\sk\pause&\sk\sk\sk\pause&\qqb op\qqb on\qqb {^m}n\enotes - \barre %22 - \NOTes\qu{^I}\ql{^b}&&\zh{df}\hu{_h}&\hlp{=m}\enotes - \notes\qu I&&\ibbbu0g0\zq d\qh0f\tbbu0\zq e\qh0g\zq f\qh0h\sk\nbbbu0\zq -e\qh0g\zq d\tqh0f\enotes - \barre %23 - \NOtes\qu J&&\zhp c\zhlp e\raise 2\Interligne\soupir&\isluru3m\qlp l\enotes - \Notes\ql c&&\hu g&\sk\cl j\enotes - \notes\qu J&&&\qpql ln\enotes - \barre %24 - \NOtes\qu {=I}&&\zhp N\zhlp d\raise 2\Interligne\soupir&\tslur3l\qlp k\enotes - \Notes\ql {=b}&&\hu g&\sk\isluru3l\cl i\enotes - \notes\qu I&&&\qpql kn\enotes - \barre %25 - \NOtes\qu {_H}\ql{_a}&&\zh {_a}\zhl c&\tslur3l\hl j\enotes - \notes\qu H&\zcharnote a{(III -- fl–tes)}\qu e&\ibbbu0j0\zq {_h}\qh0j\tbbu0\zq i\qh0k\zq j\qh0l\sk\nbbbu0\zq -i\qh0k\zq h\tqh0j&\isluru4k\ql j\enotes - \barre %26 - \NOtes\qu K\ql d&\hup d&\zh g\zhu i&\hlp i\enotes - \notes\qu K&&\ibbbu0i0\zq g\qh0i\tbbu0\zq {=h}\qh0j\zq i\qh0k\sk\nbbbu0\zq -h\qh0j\zq g\tqh0i\enotes - \barre %27 - \NOtes\qu K\ql d&\hup c&\zh {^f}\zhu h&\hlp h\enotes - \notes\qu K&&\ibbbu0h0\zq f\qh0h\tbbu0\zq g\qh0i\zq h\qh0j\sk\nbbbu0\zq -g\qh0i\zq f\tqh0h\enotes - \barre %28 - \NOtes\qu G\ql N\qu G&\itenl1b\hup b&\itenl2d\itenu3g\zhp d\hup g&\tslur4l\hup g\enotes - %%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%% - \barno 1\relax - \barre %2 -\NOtes\zcharnote {-7}{\it il basso staccato}\lpz F\qu F\upz M\ql -M\lpz F\qu F&\tten1\hup b&\tten2\tten3\zhp d\hup g&\sk\pause\enotes - \barre %3 -\notes\qu E&&\roff{\itenl1b\itenl2e}\zhp b\zhlp e\pto ghi&\enotes -\NOtes\ql L&&\tten0\qup i&\pause\enotes -\Notes\qu E&&\sk\cu g\enotes - \barre %4 -\NOtes\qu D\ql K\qu D&&\tten1\tten2\zhp b\zhlp e\hup g\enotes - \barre %5 -\notes\qu C&&\roff{\zhp e\zhlp h}\pto hij\enotes -\NOtes\qu J\qu C&&\tten0\hu j&\pause\enotes - \barre %6 -\notes\qu {^C}&&\zhp {^e}\zhlp g\pto ihi\enotes -\NOtes\qu {^J}\qu C&&\tten0\hu i&\pause\enotes - \barre %7 -\notes\qu D&&\lh d\itenl1d\zhl d\pto hgh\enotes -\NOtes\ql K&&\tten0\itenu0h\qu h&\pause\enotes -\Notes\qu D&&\tten1\lq{=c}\zql d\tten0\triolet p\Ibu0hf2\qh0{hg}\tqh0{^f}\enotes - \barre %8 -\NOtes\qu G\ql N\qu G&&\zhp b\zhlp d\hup g\enotes - \barre %9 - \NOtes\lpz G\qu G\upz N\ql N&\zhp b\hup d\zcharnote a{(III -- -fl–tes)}&\ppt5\soupir\zcharnote n{(II -- quinte)}&\isluru3m\ql -k\Ibl1ji1\qbp 1j\enotes - \notes&&\ccu N&\tbbl1\tqb1i\enotes - \notes\lpz G\qu G&&\Ibu0ab1\qhp0a\sk\tbbu0\tqh0b&\Ibl1hg2\qbp1h\sk\tbbl1\tslur3m\tqb1g\enotes - %\check - \barre %10 - \notes\qu H&\hup c&\qpqu cd&\isluru3m\hu g\enotes - \notes\ql a&&\qpqu ed\enotes - \notes\qu H&&\qpqu ec&\tslur3l\qu{^f}\enotes - \barre %11 - \NOtes\qu H&\qup c&\qup{^f}&\isluru3l\ql l\enotes - \notes\ql a&\sk\dsoupir&\sk\sk\ccu a&\Qpql kj\enotes - \notes\qu H&\soupir&\qpqu bc&\Qpqlt ihk\enotes - \barre %12 - \notes\qu I&\hlp d&\qpqu d{^e}&\isluru3l\hl h\enotes - \notes\ql b&&\qpqu {^f}d\enotes - \NOtes\qu I&&\qu g&\tslur3k\qu g\enotes - \barre %13 - \NOtes\qu I&\zhp d\zhlp g\hu k&\hu g&\isluru3o\ql n\enotes - \Notes\ql b&&&\Ibl1mn2\qb1m\tqb1n\enotes - \Notes\qu I&&\qu d&\triolet o\Ibl0lk2\qb0{lm}\tqb0k\enotes - \barre %14 - \NOtes\qu J&\zh e\hu g&\qu d&\tslur3n\hlp l\enotes - \Notes\ql c&&\Ibu0cd1\qh0c\tqh0d\enotes - \Notes\qu J&\soupir&\triolet M\Ibu0ba2\qh0{bc}\tqh0a\enotes - \barre %15 - \NOtes\qu H&\zh c\hu j&\hu f&\isluru3n\ql m\enotes - \Notes\ql a&&&\Ibl0lm1\qb0l\tqb0m\enotes - \Notes\qu H&\zq c\qu f&\qu c&\triolet n\Ibl0kj2\qb0{kl}\tqb0j\enotes - \barre %16 - \NOtes\qu I&\zh d\hu f&\qu c&\tslur3l\hlp k\enotes - \Notes\ql b&&\qqh bc\enotes - \Notes\qu I&\soupir&\qqqh abN\enotes - \barre %17 - \NOtes\qu G&\zh b\hu i&\hu e&\isluru3m\ql l\enotes - \Notes\ql N&&&\qqb kl\enotes - \Notes\qu G&\zq b\qu e&\qu b&\qqqb jki\enotes - \barre %18 - \NOtes\qu H&\zhp c\hup e&\qu b&\tslur3k\hl j\enotes - \Notes\ql a&&\qqh ab\enotes - \Notes\qu H&&\qqqh cba&\isluru3k\ql j\enotes - \barre %19 - \NOtes\qu I&\hu d&\zq a\qu d&\hl k\enotes - \Notes\ql b&&\Ibl1NM1\Ibu0gf1\zqb1N\qh0g\tbl1\zqb1{^M}\tqh0{^f}\enotes - \Notes\qu J&\qu e&\Ibl1Na1\Ibu0gh1\zqb1N\zql e\qh0g\tbl1\zqb1a\tqh0h&\ql l\enotes - \barre %20 - \NOTEs\pointdurgue F\hu K&\hu d&\pointdorgue n\zh {bdg}\hu i&\pointdorgue - m\tslur3l\hl k\enotes - \Notes\soupir&\soupir&\uptext{\kern -5mm\it a tempo}\soupir&\Uptext{\it a tempo}\ds\cl n\enotes - \barre %21 - \Notes\sk\sk\sk\pause&\sk\sk\sk\pause&\sk\sk\sk\pause&\qqb op\qqb on\qqb {^m}n\enotes - \barre %22 - \NOTes\qu{^I}\ql{^b}&&\zh{df}\hu{_h}&\hlp{=m}\enotes - \notes\qu I&&\ibbbu0g0\zq d\qh0f\tbbu0\zq e\qh0g\zq f\qh0h\sk\nbbbu0\zq -e\qh0g\zq d\tqh0f\enotes - \barre %23 - \NOtes\qu J&&\zhp c\zhlp e\raise 2\Interligne\soupir&\isluru3m\qlp l\enotes - \Notes\ql c&&\hu g&\sk\cl j\enotes - \notes\qu J&&&\qpql ln\enotes - \barre %24 - \NOtes\qu {=I}&&\zhp N\zhlp d\raise 2\Interligne\soupir&\tslur3l\qlp k\enotes - \Notes\ql {=b}&&\hu g&\sk\isluru3l\cl i\enotes - \notes\qu I&&&\qpql kn\enotes - \barre %25 - \NOtes\qu {_H}\ql{_a}&&\zh {_a}\zhl c&\tslur3l\hl j\enotes - \notes\qu H&\zcharnote a{(III -- -fl–tes)}\qu e&\ibbbu0j0\zq {_h}\qh0j\tbbu0\zq i\qh0k\zq j\qh0l\sk\nbbbu0\zq -i\qh0k\zq h\tqh0j&\isluru3k\ql j\enotes - \barre %26 - \NOtes\qu K\ql d&\hup d&\zh g\zhu i&\hlp i\enotes - \notes\qu K&&\ibbbu0i0\zq g\qh0i\tbbu0\zq {=h}\qh0j\zq i\qh0k\sk\nbbbu0\zq -h\qh0j\zq g\tqh0i\enotes - \barre %27 - \NOtes\qu K\ql d&\hup c&\zh {^f}\zhu h&\hlp h\enotes - \notes\qu K&&\ibbbu0h0\zq f\qh0h\tbbu0\zq g\qh0i\zq h\qh0j\sk\nbbbu0\zq -g\qh0i\zq f\tqh0h\enotes - \barno 29\relax - \barre %30 - \znotes&&&\tslur3l\enotes - \NOTEs\itenl0G\hup G&\itenl1b\itenu2f\zhp{=f}\hup{^b}&\itenl3b\itenu4g\itenl5d\zhp{^b}\zhp d\hup g&\itenu6g\hup g\enotes - \barre %31 - \znotes\tten0&\tten1\tten2&\tten3\tten4\tten5&\tten6\enotes - \NOTes\itenl0G\hup G&\zq f\qu{^b}&\itenl1b\itenl2d\itenu3g\zhp{^b}\zhp d\hup g&\qu g\enotes - \zalapage - \def\qqqq#1#2#3#4{\Ibbu0{#1}{#4}3\qh0{#1#2#3}\tqh0{#4}}% - \def\qqqqh{\qqqq}% - \def\qqqqb#1#2#3#4{\Ibbl0{#1}{#4}3\qb0{#1#2#3}\tqb0{#4}}% - \notes&&\zcharnote n{\kern -4mm{\bf III} -- fl–tes}&\ds\cu g\qqqq{_h}g{^f}g\enotes - \barre %32 - \znotes&&\tten1\tten2\tten3\zcharnote r{\kern -2mm -\it reprendre au III}\zcharnote n{\kern -2mm -\it l'accord du II accoupl‚}\enotes - \notes\tten0\itenl0G\hup G&&\itenl1d\itenl2b\itenu3g\zhp d\zhp -g\hup{^b}&\qqqq{=f}ede\qqqq fede\qqqq dc{^b}c\enotes - \barre %33 - \NOTes\tten0\hu G&&\tten1\tten2\tten3\zh d\zh g\hu{^b}&\hu d\enotes - \cleftoksii{6000}\zchangeclefs - \notes\pt5\ds\ccu G&\uptext{\bf II}\pt5\ds\ccl M&\uptext{\bf II}\pt5\ds\zq {^b}\zq d\ccu g&\soupir\enotes - \barre %34 - \NOtes\itenl0G\hup G&\ql L&\itenl1c\itenl2e\itenu3g\zhp c\zhp e\hup g&\soupir\enotes - \Notes&&\uptext{{\bf III} - fl–tes}&\ds\cu g\enotes - \notes&\hpause&&\qqqq{_h}g{^f}g\enotes - \barre %35 - \notes\tten0\itenl0G\hup G&&\tten1\tten2\tten3\itenl1c\itenl2e\zhp{ce}\hup -g&\qqqq{=f}ede\qqqq fede\qqqq edc{^b}\enotes - \barre %36 - \NOTes\pointdorgue b\tten0\itenl0G\hup G&&\pointdorgue m\tten1\tten2\itenl1c\itenl2e\zhp c\hup -e&\pointdorgue m\qu c\enotes - \Notes&&&\ds\cu N\qqh ce\enotes - \barre %37 - \notes\tten0\itenl0G\hup G&&\tten1\tten2\itenl1c\itenl2e\zhp c\hup e&\qqqq -gecN\qqqq cegj\qqqq ljge\enotes - \barre %38 - \notes\tten0\itenl0G\hup G&&\tten1\tten2\itenl1c\itenl2e\zhp c\hup e&\qqqq -gjln\qqqq qnlj\qqqq lnqs\enotes - \barre %39 - \NOTes\tten0\hu G&&\tten1\tten2\zh c\hu e&\pointdurgue c\qlp {!'n}\enotes - \notes\pt5\ds\ccu G&\uptext{\kern -5mm\bf I -- \ppff ff}\pt5\ds\ccl N&\uptext{\kern -5mm\bf I -- -\ppff ff}\pt5\ds\zq c\ccu e&\soupir\enotes - \barre %40 - \NOtes\itenl0G\hup G&\ql N&\itenl1b\roff{\itenl2c}\itenu3e\zhp b\roff{\zhp c}\hup {^e}&\soupir\enotes - \Notes&\soupir&\uptext{{\bf III} - fl–tes}&\ds\cl j\enotes - \notes&&&\qqqq{_k}j{^i}j\enotes - \barre %41 - \notes\tten0\itenl0G\hup G&&\tten1\tten2\tten3\itenl1b\roff{\itenl2c}\itenu3e\zhp b\roff{\zhp c}\hup {^e}% - &\qqqq {=i}{_h}gh\qqqq ihgh\qqqq gf{^e}f\enotes - \barre %42 - \NOTes\tten0\hu G&&\tten1\tten2\tten3\zh b\rh c\hu {^e}&\hu g\enotes - \notes\pt5\ds\ccu G&\uptext{\bf II}\pt5\ds\ccl N&\uptext{\bf II}\pt5\ds\zq -b\rq c\ccu {^e}&\soupir\enotes - \barre %43 - \NOtes\itenl0F\hup F&\ql M&\itenl1a\itenl2c\itenu3f\zhp {_a}\zhp c\hup f&\soupir\enotes - \Notes&&\uptext{{\bf III} - fl–tes}&\ds\cu j\enotes - \notes&\hpause&&\qqqq{_k}j{^i}j\enotes - \barre %44 - \notes\tten0\itenl0F\hup F&&\tten1\tten2\tten3\itenl1a\itenl2c\zhp{_a}\zhp c\hup -f&\qqqq{=i}{_h}gh\qqqq ihgh\qqqq hgf{^e}\enotes - \barre %45 - \NOTes\pointdorgue b\tten0\itenl0F\hup F&&\pointdorgue m\tten1\tten2\itenl1a\itenl2c\zhp {_a}\hup -c&\pointdorgue m\qu f\enotes - \Notes&&&\ds\cu {_a}\qqh cf\enotes - \barre %46 - \notes\tten0\itenl0F\hup F&&\tten1\tten2\itenl1a\itenl2c\zhp {_a}\hup c&\qqqq -{_h}fc{_a}\qqqq cfhj\qqqq mjhf\enotes - \barre %47 - \notes\tten0\itenl0F\hup F&&\tten1\tten2\itenl1a\itenl2c\zhp {_a}\hup c&\qqqq -{_h}jm{_o}\qqqq qomj\qqqq moqt\enotes - \barre %48 - \NOTes\tten0\hu F&&\tten1\tten2\zh {_a}\hu c&\pointdurgue e\qlp {!'_o}\enotes - \notes\pt5\ds\ccu F&\uptext{\kern -5mm\bf I -- \ppff ff}\pt5\ds\ccl -M&\uptext{\kern -5mm\bf I -- -\ppff ff}\pt5\ds\zq {ac}\ccu f&\soupir\enotes - \barre %49 - \NOtes\itenl0D\hup D&\qu K&\itenl1a\itenl2c\itenu3f\zhp {=a}\zhp c\hup {^f}&\soupir\enotes - \Notes&\soupir&\uptext{{\bf III} - fl–tes}&\ds\cl j\enotes - \Notes&&&\qqb kl\enotes - \barre %50 - \notes\tten0\hup D&&\tten1\tten2\tten3\zhp a\zhp c\hup {^f}% - &\qqqq lk{=m}l\qqqq lkkj\qqqq j{^i}ij\enotes - \barre %51 - \notes\lpz G\qu G&&\zhp N\zhp{^b}\itenu1f\hup{=f}&\ptb {^i}jk\enotes - \NOtes\upz N\ql N&&&\tten0\qlp k\enotes - \Notes\lpz N\qu G&&\tten1\qqh fe&\sk\cl j\enotes - \barre %52 - \NOtes\lpz J\qu J\upz c\ql c\upz J\qu J&&\itenl1N\itenl2c\itenu3e\zhp N\zhp -c\hup e&\hlp j\enotes - \barre %53 - \NOtes\qu{=I}\ql{=b}\qu I&\sk\uptext{\bf II}&\tten1\tten2\tten3\zhp N\zhp -c\hup e\uptext{\bf II}&\sk\pause\enotes - \barre %54 -\notes\qu {_H}&&\itenl1e\itenl2h\zhp e\zhlp {_h}\pto jkl&\enotes -\NOtes\ql {_a}&&\tten0\qup l&\pause\enotes -\Notes\qu H&&\sk\cu j\enotes - \barre %55 -\NOtes\qu G\ql N\qu G&&\tten1\tten2\zhp e\zhlp {_h}\hup j\enotes - \barre %56 -\notes\qu F&&\roff{\zhp {_h}\zhlp k}\pto klm\enotes -\NOtes\qu M\qu F&&\tten0\hu m&\pause\enotes - \barre %57 -\notes\qu {^F}&&\zhp {=h}\zhlp j\pto lkl\enotes -\NOtes\qu {^M}\qu F&\hpause\ql c&\tten0\hu l&\pause\enotes - \barre %58 -\notes\qu G&\hl c&\zhlp g\pto kjk\enotes -\NOtes\ql N&&\tten0\itenu0k\qu k&\pause\enotes -\Notes\qu G&\uptrio e2{10}\ql{^b}\sk\cl{=f}&\tten0\triolet t\Ibu0ki2\qh0{kj}\tqh0{^i}\enotes - \barre %59 -\NOtes\qu J\ql c\qu J&\hlp e\uptext{ \bf I -- \ff}&\zhlp g\hup j\uptext{ \bf I -- \ff}&\sk\pause\enotes - \barre %60 - \NOTes\qu C&&\zq g\zq j\ql l&\isluru3m\ql n\enotes - \Notes\qu J&\sk\sk\ccl N&\pt5\ds\sk\ccu c&\qpql ml\enotes - \Notes\qu C&\qpql {^b}c&\qpqu de&\qpql kj\enotes - \barre %61 - \Notes\qu D&\hl c&\qpqu fg&\hl k\enotes - \Notes\qu K&&\qpqu {_h}g\enotes - \Notes\qu D&\ql{^b}&\rlap{\sk\sk\itenl0f}\qpqu hf&\tslur3j\ql{^i}\enotes - \barre %62 - \NOTes\qu D&&\tten0\Sh i\lFl h\rq i\zq h\qu f&\isluru3p\ql {_o}\enotes - \Notes\qu K&\sk\sk\ccl {^b}&\pt5\ds\sk\ccu d&\qpql nm\enotes - \Notes\qu D&\qpql cd&\qpqu ef&\qpql lk\enotes - \barre %63 - \Notes\qu E&\hl d&\qpqu g{=h}&\hl k\enotes - \Notes\qu L&&\rlap{\sk\sk\itenl1g}\qpqu {^i}g\enotes - \Notes\qu E&\ql c&\tten1\zq g\qu j&\tslur3j\ql j\enotes - \barre %64 - \NOTes\qu E&\ql c&\zq g\qu j&\ust q\ql q\enotes - \Notes\ql L&\zhl N\Ibu1dc1\qh1d\itenu0c\tqh1c&\qqh{=i}j&\qqb{=p}q\enotes - \Notes\qu E&\tten0\itenu0c\qu c&\Fl h\rlap{\sk\sk\itenl2g}\qqqh hig&\isluru3p\Fl o\qqqb opn\enotes - \barre %65 - \NOTes\qu F&\tten0\hup c&\roff{\tten2\zql g}\hup{_h}&\tslur3p\hlp{_o}\enotes - \Notes\ql M&\qqb fg&\enotes - \Notes\qu F&\qqqb efd\enotes - \barre %66 - \NOTes\qu D&\ql b&\zq f\qu i&\ust p\ql p\enotes - \Notes\ql K&\zhl M\Ibu1cb1\qh1c\itenu0b\tqh1b&\qqh{_h}i&\qqb{_o}p\enotes - \Notes\qu D&\tten0\itenu0b\qu b&\rlap{\sk\sk\itenl2f}\qqqh ghf&\isluru3o\qqqb {n}om\enotes - \barre %67 - \NOTes\qu E&\tten0\hup b&\roff{\tten2\zql f}\hup g&\tslur3o\hlp n\enotes - \Notes\ql L&\qqb ef\enotes - \Notes\qu E&\qqqb dec\enotes - \barre %68 - \NOtes\qu C&\lh e\itenu1f\hlp f&\qu{=h}&\itenu3m\hlp m\enotes - \Notes\qu J&&\sk\cu h\enotes - \Notes\qu C&&\qpqu ij\enotes - \barre %69 - \NOtes\qu D&\zhp b\tten1\zhlp f&\hup i&\tten3\ql m\enotes - \Notes\qu K&&\uptext{\bf II}&\ds\isluru3n\cl m\enotes - \Notes\qu D&&&\qpql ki\enotes - \barre %70 - \NOtes\qu E&\hlp b&\zh e\hu g&\tslur3j\ql i\enotes - \Notes\qu L&&&\ds\isluru3j\cl {=h}\enotes - \Notes\qu E&&\qqh ge&\qpql ij\enotes - \barre %71 - \NOtes\qu D&\ql b&\qu f&\tslur3k\qlp i\enotes - \Notes\qu K&\soupir&\ds\cu f&\sk\ds\enotes - \Notes\qu D&\ql M&\qpqu db&\soupir\enotes - \barre %72 - \NOtes\qu E&\hl N&\qup b\enotes - \Notes\qu L&&\ds\cu a&\pause\enotes - \Notes\qu E&\ql N&\qpqu bc\enotes - \barre %73 - \NOtes\pointdorgue a\hup D&\hlp M\uptext{\bf III}&\pointdorgue l\hup -b\uptext{\bf III}&\sk\pointdorgue l\pause\sk\enotes - \barre %74 - \NOtes\hup D&\hlp M&\zq b\qu f&\itenu3p\ql p\enotes - \notes&&\zhl f\qu k&\tten3\qqqqb ponm\enotes - \notes&&\qu i&\qqqqb lkji\enotes - \barre %75 - \Notes\hup E&\hlp L&\zql e\zh g\hu j&\cu g\itenu3n\qlp n\enotes - \NOtes&&\zhl c&\enotes - \notes&&\zq b\qu g&\tten3\qqqb nlj\enotes - \barre %76 - \NOtes\lpz F\qu F\upz M\ql M\lpz F\qu F&\hl b\sk\ql{_a}&\zhp c\hup f&\hl i\sk\ql{_h}\enotes - \barre %77 - \NOtes\lpz D\qu D&\ql f&\hu i&\itenu3m\hl m\enotes - \NOtes\upz K\ql K&\hl b&&\enotes - \notes\lpz D\qu D&\ql {_a}&\qu f&\tten3\qqqb mki\enotes - \barre %78 - \NOtes\qu E&\roff{\zql a}\Fl a\zhp e\hlp b&\uptext{{\bf II} -- quinte}\soupir&\qu{_h}\enotes - \Notes\ql L&\hl N&\ds\cu e&\hu g\enotes - \notes\qu E&&\qpqu bN\enotes - \barre %79 - \NOtes\qu D&\hl M&\hup{^b}&\qu f\enotes - \Notes\qu K&&&\ds\cu {^b}\enotes - \notes\qu D&\ql M&&\qpqu cd\enotes - \barre %80 - \NOtes\qu E&\zhp N\hlp c&\soupir&\hup c\enotes - \Notes\ql L&&\ds\cl q\enotes - \notes\qu E&\zqp N\qlp c&\qpqu nl\enotes -% \def\grace{\catcodesmusic\grnotes&&&\grcu}% - \def\grace{\catcodesmusic\hardnotes 1.5\Interligne\notes&&&\grcu}% - \barre %81 - \grace{_a}\enotes - \NOtes\qu F&\hlp {_a}&\qup j&\hup f\enotes - \Notes\ql M&&\ds\cu {^i}\enotes - \notes\qu F&&\qpqu jk\enotes - \barre %82 - \grace{N}\enotes - \NOtes\qu E&\hlp N&\hlp j&\qup e\enotes - \Notes\ql L&&&\sk\cl j\enotes - \notes\qu E&&&\qpqu ge\enotes - \barre %83 - \NOtes\qu F&\itenu2c\zhp c\hlp {_a}&&\qup c\enotes - \Notes\ql M&&&\sk\cu {^b}\enotes - \notes\qu F&&&\qpqu cd\enotes - \barre %84 - \NOTes\qup E&\tten2\zqp c\qlp g&&\qup c\enotes - \Notes\soupir\sk\cu -E&&\ibl0c0\ibu1j0\zqb0c\qh1j\zqb0{^b}\qh1{^i}\tbl0\tbu1\zqb0c\zq g\qh1j&\ds\soupir\enotes - \barre %85 - \NOtes\qu F\ql M&&\zhl {_d}\zh {_h}\hu {_k}\enotes - \notes\qu F&&\ibbbl0f0\ibbbu1k0\zqb0d\qh1k\tbbl0\tbbu1\zqb0e\qh1l\zqb0f\qh1m\sk - \nbbbl0\nbbbu1\zqb0e\qh1l\tbl0\tbu1\zqb0d\qh1k&\pause\enotes - %\check - \barre %86 - \NOtes\pointdorgue a\hu G&&\pointdorgue m\zhl c\zh e\zh g\hu -j&\sk\pointdorgue l\hpause\enotes - \Notes\soupir&&\ds\zcl c\cu j&\ds\cl q\enotes - \barre %87 - \Notes\sk\sk\pause&&\ibl0d0\ibu1j0\rlap{\qb0{=dedc^b}\tqb0c}\qh1{=klkj^i}\tqh1j&\ibl0p0\qb0{=rsrq^p}\tqb0q\enotes - \barre %88 - \NOtes\qu{^E}\ql{^L}&&\zhl{=b}\zh{_d}\zh g\hu{=i}&\hl{=p}\enotes - \notesp\qu E&&\ibbbl0i0\zq g\qb0i\tbbl0\zq {_h}\qb0j\zq i\qb0{_k}\sk\nbbbl0\zq -h\qb0j\zq g\tqb0i&\advance\transpose 7\ibbbl0i0\qh0i\tbbl0\qh0j\qh0{_k}\sk\nbbbl0\qh0j\tqb0i\enotes - \barre %89 - \NOtes\qu F&&\zqp f\qup{_h}&\qlp{_o}\enotes - \Notes\ql M&\sk\cl {_a}&\sk\cu f&\sk\cl m\enotes - \notes\qu F&\ql c&\qpqu hj&\qpql oq\enotes - \barre %90 - \NOtes\qu {=E}&\qlp c&\qup g&\qlp n\enotes - \Notes\ql {=L}&\sk\cl N&\sk\cu e&\sk\cl l\enotes - \notes\qu E&\ql c&\qpqu gj&\qpql nq\enotes - \barre %91 - \NOtes\qu{_D}\ql{_K}&\hl{_d}&\hu f&\hl m\enotes - \notes\qu D&&\ibbbu0j0\zq {f}\zql{_h}\qh0{_k}\tbbu0\qh0l\qh0m\sk\nbbbu0\qh0l\tqh0k&\ibbbl0n0\qb0m\tbbl0\qb0n\qb0{_o}\sk\nbbbl0\qb0n\tqb0m\enotes - \barre %92 - \NOtes\qu{G}\ql{N}&&\zh {e}\zhl{g}\hu j&\hl l\enotes - \notesp\qu G&&\ibbbu0i0\zq {e}\zql{g}\qh0{j}\tbbu0&\ibbbu1m0\qh1l\tbbu1\enotes - \notes&&\qh0{=k}\qh0l\sk\nbbbu0\qh0k\tqh0j&\qh1m\qh1n\sk\nbbbu1\qh1m\tqh1l\enotes - \barre %93 - \NOtes\qu{G}\ql{N}&&\zh {d}\zhl{f}\hu {^i}&\hl k\enotes - \notes\qu G&&\ibbbu0h0\zq {d}\zql{f}\qh0i\tbbu0\qh0{j}\qh0k\sk\nbbbu0\qh0j\tqh0i&\ibbbu0l0\qh0k\tbbu0\qh0l\qh0m\sk\nbbbu0\qh0l\tqh0k\enotes - \barre %94 - \NOtes\qu{_H}\ql{_a}\qu{_H}&\zhp e\hlp c&\hup j&\itenu3j\hlp j\enotes - \barre %95 - \notes\qu G&\ptb cde&\hup j&\tten3\hlp j\enotes - \NOtes\ql N&\tten0\hl e\enotes - \NOtes\qu G\enotes - \barre %96 - \def\alldsp{\notes\pt5\ds&\pt5\ds&\pt5\ds&\pt5\ds\enotes}% - \grace e\enotes - \notesp\pointdurgue E\hu -{^F}&\Ibbl3ce2\roff{\tbbl3}\qb3c\sk\itenu0e\tbl3\qbp3e\sk&\zq{=h}\Ibbbu0jl2\qh0j\tbbu0\zq{^i}\qh0 -k\itenu1j\zqp j\itenu2l\tbu0\qhp0l\sk&\pointdorgue l\hl j\enotes - \NOTes\pointdorgue c\qu {^M}&\tten0\pointdorgue e\zq L\lSh M\lq M\zq a\ql -e&\pointdorgue s\tten1\tten2\zq j\qu l\enotes - \advance\mulooseness -1\relax - \zalapage - \alldsp\grace{j}\enotes - \notes\ccu {^F}&\ccl c\zmidtwotext{\llap{\bf I -- \ff\space\space}}&\zq e\ccu h&\ccl l\Uptext{\llap{\ppff -Solenne }}\enotes - \barre %97 - \grace j\enotes - \NOtes\hup G&\zql c&\zhp d\hup g&\ql k\enotes - \grace{^i}\enotes - \NOTes&\hl{^b}&&\hl k\enotes - \barre %98 - \grace k\enotes - \NOTes\hu{^I}&\hl{_a}&\zh d\hu f&\hl m\enotes - \alldsp\grace{k}\enotes - \notes\cu I&\ccl d&\zq f\ccu{_h}&\ccl m\enotes - \barre %99 - \grace k\enotes - \NOtes\hup J&\ql d&\zhp e\hup g&\ql l\enotes - \grace j\enotes - \NOTes&\hl c&&\hl l\enotes - \barre %100 - \grace{^l}\enotes - \NOTes\hu{^J}&\hl{=b}&\zh{^e}\hu g&\hl n\enotes - \alldsp\grace{l}\enotes - \notes\ccu J&\zq {^e}\ccl g&\ccu i&\ccl n\enotes - \barre %101 - \grace{^l}\enotes - \NOtes\hup K&\zq {^e}\ql g&\hup h&\ql n\enotes - \grace k\enotes - \NOTes&\zh f\hl d&&\hl m\enotes - \barre %102 - \grace{i}\enotes - \NOTes\hu G&\zh{b}\hl{=e}&\hu i&\hl {=l}\enotes - \alldsp\grace i\enotes - \notes\ccu G&\zq{b}\ccl{e}&\ccu i&\ccl l\enotes - \barre %103 - \grace i\enotes - \NOtes\hup H&\zq b\ql e&\hu i&\ql l\enotes - \notes&&&\enotes - \NOtes&\lSh c\zh{c}\hl{^e}&&\ql {^j}\enotes - \grace h\enotes - \Notes&&\qu h&\ibl0j0\qb0j\enotes - \grace g\enotes - \Notes&&&\tqb0j\enotes - \barre %104 - \grace f\enotes - \NOTEs\pointdurgue F\hup I&\pointdorgue d\hl d&\pointdorgue l\hup f&\pointdorgue m\hlp k\enotes - \barre %105 - \ggrnotes&&&\tinynotesize\Ibbu0ej1\qh0e\tqh0j\enotes - \NOTes\hu{^F}&\hl{=e}&\zh{hj}\hu l&\hl o\enotes - \notes\pt5\ds&\soupir&\pt5\ds&\pt5\ds\enotes - \grace j\enotes - \notes\ccu F&&\zq{hj}\ccu l&\ccl o\enotes - \barre %106 - \grace j\enotes - \NOtes\hup G&\soupir\soupir\ql b&\roff{\zql h}\zhp i\hup k\hlp g&\ql o\hl n\enotes - \barre %107 - \grnotes&&&\tinynotesize\Ibbu0dh1\qh0d\tqh0{_h}\enotes - \NOTes\hu{^I}&\hl{^b}&\zh{f_h}\hu k&\hl m\enotes - \notes\pt5\ds&\soupir&\pt5\ds&\pt5\ds\enotes - \grace h\enotes - \notes\ccu I&&\zq{fh}\ccu k&\ccl m\enotes - \barre %108 - \grace g\enotes - \NOtes\hup J&\soupir\soupir\ql c&\roff{\zhlp g}\zq f\qu k\zh e\hu j&\ql m\hl l\enotes - \barre %109 - \grace{g}\enotes - \NOTes\hu{^J}&\hl{^c}&\zh{^eg}\hu i&\hl i\enotes - \notes\pt5\ds&\soupir&\pt5\ds&\pt5\ds\enotes - \grace {=e}\enotes - \notes\ccu {^C}&&\ccl g&\ccl i\enotes - \barre %110 - \ggrnotes&&&\tinynotesize\Ibbu0Nd1\qh0N\tqh0{d}\enotes - \NOtes\qu D\qu K\qu D&&\zhp {bd}\hup g&\hlp i\enotes - \barre %111 - \notes\qu{=C}&&\pt L\zh N\roff{\zhp a}\hup e&\ptb hij\enotes - \NOtes\qu{=J}\qu C&&&\tten0\hl j\enotes - \barre %112 - \notes\qu{^C}&&\zhp b\zhp N\hup {^e}&\ptb ihi\enotes - \NOtes\qu{^J}\qu C&&&\tten0\hl i\enotes - \barre %113 - \notes\qu D&\hl N&\zh a\hup d&\pto hgh\enotes - \NOtes\qu K&&&\tten0\itenu0h\ql h\enotes - \Notes\qu D&\zql K\triolet d\ibu0L0\qh0{^MN}\tqh0M&\triolet l\Ibu0ca2\qh0c\qh0b\tqh0a&\tten0\qqqh hg{^f}\enotes - \barre %114 - \NOTes\itenl0G\hup G&\itenl1K\hlp K&\itenl2N\itenl3b\zhp N\hup b&\qup g\enotes - \notes&&&\cu N\islurd5c\qqqq bdgi\enotes - \barre %115 - \notes\tten0\hup G&\tten1\hlp K&\tten2\tten3\itenl2N\itenl3b\zhp N\hup -b&\rlap{\sk\sk\sk\tslur5c}\qqqqh gdbd\islurd5f\qqqqh gikn\tslur5n\rlap{\sk\isluru5n}\qqqqb pnpr\enotes - \barre %116 - \NOtes\pointdorgue a\hup G&\sk\pause&\pointdorgue l\tten2\tten3\zhp b\zhp d\hup -g&\pointdurgue e\tslur5u\hlp u\enotes -\mulooseness 1\relax -\finmorceau -\bigskip\rightline{\sl\aujourdhui} -\bye diff --git a/musixtex/doc/examples/angescam.tex b/musixtex/doc/examples/angescam.tex deleted file mode 100644 index f2b9156..0000000 --- a/musixtex/doc/examples/angescam.tex +++ /dev/null @@ -1,19 +0,0 @@ -\advance\staffbotmarg by 7\Interligne -% -% option pas d'accompagnement -\newcount\orgue -\orgue=0\relax -% -\def\Transpose{0}% -\def\Signature{1}\relax % un dieze a la clef -\input angescax -\signaturegenerale{0}\savesignature\barsinline=0\relax\linesinpage=0\relax -\def\Transpose{-1}\relax -\def\Signature{-1}\relax % un bemol a la clef -\input angescax -\signaturegenerale{0}\savesignature\barsinline=0\relax\linesinpage=0\relax -\def\Transpose{-2}\relax -\def\Signature{-3}\relax % un bemol a la clef -\input angescax -\bye - diff --git a/musixtex/doc/examples/angescao.tex b/musixtex/doc/examples/angescao.tex deleted file mode 100644 index e2a7b34..0000000 --- a/musixtex/doc/examples/angescao.tex +++ /dev/null @@ -1,24 +0,0 @@ -\input musixtex -\input musixcpt -\input musixsty - -\advance\staffbotmarg by 4\Interligne -% -% option accompagnement -\newcount\orgue -\orgue=1\relax -% -\interinstrument=41pt -\def\Transpose{0}% -\def\Signature{1}\relax % un dieze a la clef -\input angescax -\signaturegenerale{0}\savesignature\barsinline=0\relax\linesinpage=0\relax -\def\Transpose{-1}\relax -\def\Signature{-1}\relax % un bemol a la clef -\input angescax -\signaturegenerale{0}\savesignature\barsinline=0\relax\linesinpage=0\relax -\def\Transpose{-2}\relax -\def\Signature{-3}\relax % un bemol a la clef -\input angescax -\bye - diff --git a/musixtex/doc/examples/angescax.tex b/musixtex/doc/examples/angescax.tex deleted file mode 100644 index 6dcab81..0000000 --- a/musixtex/doc/examples/angescax.tex +++ /dev/null @@ -1,366 +0,0 @@ -\tenpoint -% -\catcodesmusic -\ifnum\orgue=1\relax - \def\org#1\\{#1&}\relax -% \def\cadrage{\vrule width 0pt height 40mm}\relax - \def\cadrage{\vrule width 0pt height 1mm}\relax -\else - \def\org#1\\{}\relax - \def\cadrage{\vrule width 0pt height 10mm}\relax -\fi -% -\title{Les anges dans nos campagnes} -\subtitle{No\"el du XIII\umero\ si\`ecle} -\fullauthor{Harmonisation - Fran\c cois-Auguste GEVAERT\\1828 -- 1908\ifnum\orgue>0\\ - Partition d'orgue Daniel TAUPIN\fi} -\shortauthor{F.-A. Gevaert, D. Taupin} -\maketitle -% -\parindent 12mm -\sepbarrules -% deux croches hautes -\def\dql#1#2#3{\ibl0{#2}{#1}\qb0{#2}\tbl0\qb0{#3}}% -\def\dqu#1#2#3{\ibu0{#2}{#1}\qh0{#2}\tbu0\qh0{#3}}% -\def\dqh{\dqu}\def\dqb{\dql}% -% -% quatre croches -\def\qqbh#1#2#3#4#5{\ibu0{#2}{#1}\qh0{#2}\qh0{#3}\qh0{#4}\tqh0{#5}}\relax -\def\qqbH#1#2#3#4#5#6{\ibu0{#2}{#1}\qh0{#3}\qh0{#4}\qh0{#5}\tqh0{#6}}\relax -\def\qqbl#1#2#3#4#5{\ibl0{#2}{#1}\qb0{#2}\qb0{#3}\qb0{#4}\tqb0{#5}}\relax -\def\qqbL#1#2#3#4#5#6{\ibl0{#2}{#1}\qb0{#3}\qb0{#4}\qb0{#5}\tqb0{#6}}\relax -%\check -%\bigskip -% -% soufflets crescendo et decrescendo -% -\def\soufflcr#1{\zcharnote{#1}{\kern -1cm\Cresc}}% -\def\Soufflcr#1{\zcharnote{#1}{\kern -1cm\CREsc}}% -% -\def\souffldim#1{\zcharnote{#1}{\kern -1cm\Dimin}}% -\def\Souffldim#1{\zcharnote{#1}{\kern -1cm\DIMin}}% -% -%\check -\ifnum\orgue=0\relax - \def\nbinstruments{4}\global\nbporteesi=1\relax - \global\nbporteesii=1\relax - \global\nbporteesiii=1\relax - \global\nbporteesiv=1\relax - \global\cleftoksi={{6}{0}{0}{0}}\relax - \global\cleftoksii={{0}{0}{0}{0}}\relax - \global\cleftoksiii={{0}{0}{0}{0}}\relax - \global\cleftoksiv={{0}{0}{0}{0}}\relax - \def\instrumenti{Basses}\relax - \def\instrumentii{T\'enors}\relax - \def\instrumentiii{Altos}\relax - \def\instrumentiv{Sopran.}\relax - \interinstrument=30pt - \songbottom{1} % to be used to make heavy bars at staff left - \songtop{4} % to be used to make heavy bars at staff left -\else - \interinstrument=25pt - \def\interinstrumenti{0pt} - \def\nbinstruments{6}\global\nbporteesi=1\relax - \global\nbporteesii=2\relax - \global\nbporteesiii=1\relax - \global\nbporteesiv=1\relax - \global\nbporteesv=1\relax - \global\nbporteesvi=1\relax - \global\cleftoksi={{6}{0}{0}{0}}\relax - \global\cleftoksii={{0}{0}{0}{0}}\relax - \global\cleftoksiii={{6}{0}{0}{0}}\relax - \global\cleftoksiv={{0}{0}{0}{0}}\relax - \global\cleftoksv={{0}{0}{0}{0}}\relax - \global\cleftoksvi={{0}{0}{0}{0}}\relax - \def\instrumenti{P\'edale}\relax - \def\instrumentii{Manuel}\relax - \def\instrumentiii{Basses}\relax - \def\instrumentiv{T\'enors}\relax - \def\instrumentv{Altos}\relax - \def\instrumentvi{Sopran.}\relax - \def\staffspacingiii{0.7}\relax - \def\staffspacingiv{0.7}\relax - \def\staffspacingv{0.7}\relax - \def\staffspacingvi{0.7}\relax - \songbottom{3} % to be used to make heavy bars at staff left - \songtop{6} % to be used to make heavy bars at staff left -\fi -%\check -% -\signaturegenerale{\Signature}% -\relativeaccidentals -\generalmeter{\meterfrac{4}{4}} -%\check -\def\interfacteur{9}% -%\check -\def\respire{\notes\org&\\&&&\zbreath\enotes}% -% -%\check -\catcode`\@=13 -%\ifx\ninerm\undefined\font\ninerm=\fontid r9\fi - -\def@#1|#2|#3*{\zcharnote{-11}{\vbox to 0pt{\ninerm - \vss\lineskiplimit=0pt -\baselineskip 9.5pt\parindent 0pt\parskip 0pt\rlap{\vphantom{\'EQ}#3} -\rlap{\vphantom{\'EQ}#2}\rlap{\vphantom{\'EQ}#1}\relax -\vss}}}% -% -\barsinline=0\relax -\linesinpage=0\relax -\debutmorceau\def\dmtp{}\def\dmtph{}\def\!{\kern -4pt}% -\ifnum\orgue=0\relax - \autolines {8}42\relax -\else - \autolines {8}42\relax - \advance\linesinpage 1\relax -\fi -\transpose=\Transpose -\znotes\org&\zmidtwotext{\moyen III}\\&&&\Uptext{\moyen Allegretto}\enotes -% -\dmtp\def\txt{@\!Ber-|\!\!Cher-|\!Les*}\Notes\org&\qu g|\ql i\\\relax - &\txt\ql n&\txt\qu g&\txt\ql i\enotes -\dmtp\def\txt{@gers,|\!chons|an-*}\Notes\org&\qu f|\ql i\\&\txt\ql m\relax - &\txt\qu g&\txt\ql i\enotes -\dmtph\def\txt{@quit-|tous|ges*}\Notes\org\pause&\qu e|\ql i\\\pause - &\txt\ql l&\txt\qu g&\txt\ql i\enotes -\dmtp\def\txt{@tez|l'heu-|dans*}\notes\org&\qu d|\dql3ik\\&\txt\ql k\relax - &\txt\dqu3gi&\txt\dql3ik\enotes -% -%\check -% mesure 2 -\barre\def\txt{@vos|reux|nos*}\Notes\org&\qu e|\qlp k\\&\txt\qlp k\relax - &\txt\qu i&\txt\qlp k\enotes -\dmtp\def\txt{@re-|vil-|cam-*}\notes\org&\qu f|\sk\cl j\\\hpause - &\sk\txt\cl k\qsk&\txt\qu f&\sk\txt\cl j\qsk\enotes -\dmtph\def\txt{@trai-|la-|pa-*}\notes\org\pause&\qu g|\ql i\\\qp - &\txt\dql{-3}kj&\txt\dqu{-4}ge&\txt\ql i\enotes -\dmtp\def\txt{@tes|ge|gnes*}\Notes\org&\qu d|\ql g\\@U--|Qui--|Ont--*\itenu0N\ql N\relax - &\txt\ql i&\txt\qu d&\txt\ql g\enotes -% -%\check -% mesure 3 -\barre\def\txt{@U-|Qui|Ont*}\Notes\org&\qu g|\ql i\\\tten0\ql N\relax - &\txt\ql k&\txt\qu g&\txt\ql i\enotes -\dmtp\def\txt{@nis-|l'a|en-*}\notes\org&\qu f|\rlap{\dql{-2}ih}\\\txt\cl M\relax - &\txt\cl k&\txt\cu g&\txt\cl i\enotes -\dmtp\def\txt{@sez-|vu|ton-*}\notes\org&|\\\txt\cl M\relax - &\txt\cl k&\txt\cu g&\txt\cl h\enotes -\dmtph\def\txt{@vous|na\^\i-|n\'e*}\notes\org\pause&\qu e|\ql i\\\txt\ql L\relax - &\txt\qu g&\txt\dqu{-2}gf&\txt\ql i\enotes -\dmtp\def\txt{@\`a--|tre--|l'hym--*}\notes\org&\dqu2ef|\dql3ik\\\txt\dql2LM\relax - &\txt\dqu2gh&\txt\dqu{-2}ed&\txt\dql3ik\enotes -% -%\check -% mesure 4 -\barre\def\txt{@leurs|sous|ne*}\Notes\org&\qu f|\qlp k\\\txt\ql M\relax - &\txt\ql h&\txt\qu d&\txt\qlp k\enotes -\dmtp\def\txt{@con-|ses|des*}\notes\org&\qu d|\sk\cl j\\\txt\ql K\sk - &\txt\dql5hk&\txt\qu f&\sk\rlap{\!\txt}\cl j\enotes -\dmtph\def\txt{@\!certs,|\!toits;|\!Cieux,*}\notes\org\pause - &\qu b|\zqu i\dql{-6}gd\\\txt\ql N\relax - &\txt\ql k&\txt\qu g&\txt\ql i\qsk\enotes -\dmtp\def\txt{@Et|Of-|Et*}\notes\org&\soupir|\rlap{\dql2ef}\soupir\\\soupir\relax - &\txt\cl l&\soupir&\soupir\enotes -\dmtp\def\txta{@que|\!frons|l'\'e*}\notes\org&|\\\relax - &\txta\cl m&&\enotes -% -%\check -% mesure 5 -\def\txtb{@vos-|lui|cho*}% -\ifnum\orgue=0\relax - \barre -\else - \global\cleftoksii={{6}{0}{0}{0}}\changeclefs\alapage% barre -\fi -\Notes\org&\ql N|\zql g\qu i\\&\txtb\ql n&\txt\qu g&\txt\ql i\enotes -\dmtp\Notes\org&\ql M|\zql g\qu i\\&\txta\ql m&\txta\qu g&\txta\ql i\enotes -\dmtph\Notes\org\pause&\ql L|\zql g\qu i\\\pause - &\txtb\ql l&\txtb\qu g&\txtb\ql i\enotes -\dmtp\def\txt{@ten-|le|de*}\notes\org&\ql K|\rlap{\dql3gi}\dqu3ik\\\relax - &\txt\ql k&\txt\dqu3gi&\txt\dql3ik\cadrage\enotes -% -%\check -% mesure 6 -\barre -\def\txt{@dres|\!\!tendre|nos*}\Notes\org&\hl K|\zql i\qup k\\&\txt\qlp k\relax - &\txt\qu i&\txt\qlp k\enotes -\dmtp\def\txt{@mu-|hom-|mon-*}\notes\org&|\ql f\cu j\\\hpause - &\sk\txt\cl k\qsk&\txt\qu f&\sk\txt\cl j\qsk\enotes -\dmtph\def\txt{@set-|ma-|ta-*}\notes\org\pause - &\dql{-3}KJ|\zqu i\dql{-4}ge\\\soupir - &\txt\dql{-3}kj&\txt\dqu{-4}ge&\txt\ql i\enotes -\def\txta{@Fas-|Et|Re-*}\relax -\dmtp\def\txt{@tes|ge|gnes*}\Notes\org&\ql I|\zql d\qu g\\\txta\ql N\relax - &\txt\ql i&\txt\qu d&\txt\ql g\enotes -% -%\check -% mesure 7 -\def\txtb{@\!sent|de|dit*}% -\barre - \Notes\org&\ql N|\zql d\qu i\\\txtb\ql N&\txta\qu i\relax - &\txta\qu d&\txta\ql i\enotes -\dmtp\def\txt{@re-|nos|ce*}\notes\org&\ql M|\rlap{\dqu{-2}ih}\qlp{^d}\\\txt\ql M\relax - &\txtb\cu h&\txtb\cu{^d}&\txtb\cl i\enotes -\dmtp\notes\org&|\\\relax - &\txt\cu h&\txt\cu d&\txt\cl h\enotes -\dmtph\def\txt{@ten-|c\oe urs|chant*}\notes\org\pause - &\dql{-2}ML|\qu i\cl e\\\relax - \txt\dql{-2}ML&\txt\dqu{-2}hg&\txt\dqu2de&\txt\ql i\enotes -\dmtp\def\txt{@tir--|et--|m\'e--*}\notes - \org&\dql{-6}LI|\rlap{\dql{-2}gf}\dqu3ik\\\txt\dql{-6}LI\relax - &\txt\dqu4gi&\txt\dqu{-2}gf&\txt\dql3ik\enotes -% -%\check -% mesure 8 -\barre\def\txt{@dans|de|lo-*}\Notes\org&\ql J|\zql e\qup k\\\txt\ql J\relax - &\txt\ql i&\txt\qu e&\txt\qlp k\enotes -\dmtp\def\txt{@les|nos|di-*}\notes\org&\ql K|\ql f\cu j\\\txt\ql K\sk - &\txt\qu h&\txt\qu f&\sk\txt\cl j\enotes -\dmtph\def\txt{@airs:|voix.|eux.*}\Notes\org\pause&\ql N|\zql{=d}\qu i\\\txt\ql N\relax - &\txt\ql i&\txt\qu{=d}&\txt\ql i\enotes -\temps\Notes\org&\soupir|\soupir\\\soupir\relax - &\soupir&\soupir&\soupir\enotes -\ifnum\orgue=0\relax -\else - \global\cleftoksii={{0}{0}{0}{0}}\changeclefs -\fi -\suspmorceau -%\eject -\catcodesmusic -% -%\check -\def@#1|#2|#3*{\zcharnote{-5}{\vbox to 0pt{\vss\lineskiplimit=0pt -\baselineskip 10pt\parindent 0pt\parskip 0pt\rlap{\vphantom{\'EQ}#3} -\rlap{\vphantom{\'EQ}#2}\rlap{\vphantom{\'EQ}#1}\relax -\vss}}} -\ifnum\orgue=0\relax - \autolines {8}43\relax -\linesinpage=0\relax -\barsinline=0\relax - \interinstrument=6pt -\else - \interinstrument=5pt - \def\interinstrumenti{0pt} -\fi -% -% -% mesure 9 -\def\xx{@|---|*}% -\reprmorceau\def\Glo{@|Glo -|*}\Notes\org&\zcharnote{-5}{\moyen II}\hpause - |\uptext{\moyen I}\hl k\\&&\sk\hpause&\Glo\hl k\enotes -\temps\notes\org\pause&\hu g\relax - |\qqbl{-2}lkji\\\pause&\pause - &\Glo\hu g&\xx\qqbl{-2}lkji\cadrage\enotes -% -% mesure 10 -\barre\notes\org&\qqbh{-2}hgfe|\hl j\\&&\xx\qqbh{-2}hgfe&\xx\hl j\enotes -\temps\notes\org\pause&\hu f|\qqbl{-2}kjih\\\pause&\pause&\xx\hu f&\xx\qqbl{-2}kjih\enotes -% -% mesure 11 -\barre\notes\org&\qqbh{-2}gfed|\hl i\\&&\xx\qqbh{-2}gfed&\xx\hl i\enotes -\temps\def\Ri{@|ri-|*}\notes\org\pause&\hu e|\qqbl{-2}jihg\\\pause&\pause - &\xx\qup e\sk\sk\Ri\cu e&\xx\qqbl{-2}jihg\enotes -% -% mesure 12 -%\check -\barre\def\txta{@|a|*}\def\Txta{@|a--|*}% -\notes\org&\qqbh{-1}fede|\qup h\sk\sk\cu h\\&\soupir\sk\Glo\hl k\relax - &\Txta\qqbh{-1}fede&\xx\qup h\sk\sk\Ri\cu h\enotes -\temps\notes\org\pause&\qu f\sk\soupir|\rlap{\ql d\sk\ql c}\qqbH0gfghf\\\pause - &\xx\sk\sk\Ri\cl j\txta\cl j\relax - &\xx\qqbH0gfghf&\txta\qu d\sk\soupir\enotes -\ifnum\orgue=0\relax -\else - \global\cleftoksii={{6}{0}{0}{0}}\changeclefs -\fi -% -% mesure 13 -\barre\def\In{@|in|*}\NOtes\org&\qu K|\zq{bd}\upz g\ql g\\&\In\ql i\relax - &\xx\qu d&\In\lpz g\qu g\enotes -\dmtp\def\Ex{@|ex-|*}\notes\org&\zql J\qu M|\zq{cf}\upz h\ql h\\&\Ex\dql{-4}jh\relax - &\In\cu e\Ex\cu f&\Ex\lpz h\qu h\enotes -\temps\def\txt{@|cel-|*}\notes\org\pause&\zql I\qu N|\zq{eg}\upz i\ql i\\\pause\relax - &\txt\dql{-2}lk&\txt\qu g&\txt\upz i\ql i\enotes -\dmtp\def\txt{@|sis|*}\Notes\org&\zql J\qu L|\zq{eh}\upz j\ql j\\&\txt\ql j&\txt\itenl0h\qu h\relax - &\txt\upz j\ql j\enotes -% -% mesure 14 -\barre\def\De{@|De-|*}\Notes\org&\hu K|\zw d\zh g\hu i\\\relax - &\De\ql k&\tten0\qu h&\De\hl i\enotes -\dmtp\Notes\org&|\\&@|o!|*\ql k&\De\hu g&\xx\enotes -\temps\notes\org\pause&\zcharnote{-6}{\moyen I}\qqbl{-2}MLKJ|\zh f\hu h\\\pause&\Glo\qqbl{-2}kjih\relax - &\sk\sk@|o!|*\qu f&@|o!|*\hl h\cadrage\enotes -% -% mesure 15 -\barre\notes\org\ql N\sk\ql M&\hu I|\zw g\zh i\hu k\\\sk\hpause - &\xx\hlp i&\Glo\qqbh{-2}ihgf&\Glo\hl k\enotes -\temps\notes\org\hl L&\hl N|\qqbh{-2}lkji\\\Glo\hl N&\xx\sk\sk\dql{-2}lk\relax - &\xx\itenl0e\hu e&\xx\qqbl{-2}lkji\enotes -%\check -% mesure 16 -% -\barre\notes\org\ql M\sk\ql L&\qqbl{-2}aNML|\zh e\zh h\hu j\relax - \\\xx\qqbl{-2}aNML&\xx\dql{-2}ji\hl h\relax - &\xx\tten0\qu e\sk\dqu{-2}hg&\xx\qu j\enotes -\temps\notes\org\hl K&\hl K|\zh f\zhl h\rlap{\qqbh{-2}kjih}\relax - \\\xx\hl M&\sk\sk&\xx\dqh{-2}fe\relax - &\xx\rlap{\qqbl{-2}kjih}\enotes -\dmtp\notes\org&|\\&\xx\dql{-2}kj&\itenl0d\qu d&\enotes -% -% mesure 17 -\barre -%\autolines 753 -\notes\org\ql L\sk\ql K&\qqbl{-2}NMLK|\zw e\zw g\hu i\relax - \\\xx\qqbl{-2}NMLK&\dqh{-2}ih\xx\hu g\relax - &\tten0\qu d\zbreath\sk\dqh{-2}gf&\xx\hl i\enotes -\temps\notes\org\hl J&\hl J|\rlap{\qqbh{-2}jihg}\relax - \\\xx\hl L&\sk\sk&\xx\dqh{-2}ed\relax - &\xx\rlap{\qqbh{-2}jihg}\enotes -\dmtp\notes\org&|\\&\dql{-2}ji&\itenl0c\qu c&\cadrage\enotes -% -% mesure 18 -\barre\notes\org\bigaccid\hu{^J}&\qqbl{-1}MLKL\relax - |\bigaccid\Sh c\zhl c\zqp f\qup h\relax - \sk\sk\zq f\cu h\\\xx\qqbl{-1}MLKL&\xx\dqh{-2}hg\Ri\dqh2fg\relax - &\tten0\dqh0c{^c}\Ri\dqh{-2}dc\relax - &\xx\qup h\sk\sk\Ri\cu h\enotes -\def\txt{@|a--|*}% -\temps\notes\org\hu K&\qqbl0MNaM|\zhu d\hl d\\\xx -\qqbl0MNaM&\qqbH0ihi{=j}h\relax - &\txt\qqbH0edefe&\txt\qu d\sk\soupir\enotes -% -%mesure 19 -\barre\def\Ex{@|ex-|*}\relax -\notes\org\qu I\sk\qu H&\ql N\sk\ql M|\zq b\zq d\upz g\ql g\sk\bigaccid -\zq{=c}\zq f\upz h\ql h\relax - \\\xx\qqbl{-1}bcba&\In\upz k\ql k\sk\Ex\upz j\ql j\relax - &\In\lpz d\qu d\sk\Ex\lpz f\qu f\relax - &\In\lpz g\qu g\sk\Ex\lpz h\qu h\enotes -\temps\def\Cel{@|cel-|*}\NOtes\org\qu I&\ql N|\zq d\zq g\upz i\ql i\relax - \\\Ri\ql N&\Cel\upz k\ql k\relax - &\Cel\lpz g\qu g&\Cel\upz i\ql i\enotes -\dmtp\def\Sis{@|sis|*}\Notes\org\qu{=J}\relax - &\qu L|\zq e\zq h\upz j\ql j\relax - \\@|a|*\qu J&\Sis\upz l\ql l\relax - &\Sis\itenl0h\qu h&\Sis\upz j\ql j\enotes -% mesure 20 -\barre\Notes\org\hu K&\qu K|\zh d\zhl i\qsk\qu h\relax - \\\De\ql K&\De\itenu1k\hl k&\tten0\qu h&\De\hl i\enotes -\temps\notes\org&\dqb5Nb|\qu g\\\dqb5Nb&&\De\qu g&\enotes -\temps\notes\org\hu D&\qqbL{-2}bdcbc|\zh f\hu h\sk\itenl2d\ql d\sk\relax - \\\xx\hl d&\tten1\xx\qqbl{-1}kjij&\xx\hu f&\xx\hl h\sk\enotes -% mesure 21 -\xbarre\def\txt{@|o!|*}\NOTes\org\pointdorgue a\hu G\relax - &\pointdorgue b\zh N\hl b|\tten2\pointdorgue n\zh d\hu g\relax - \\\txt\pointdorgue a\hl N\relax - &\txt\pointdorgue l\hl i&\txt\pointdorgue l\hu d\relax - &\txt\pointdorgue m\hu g\enotes -\temps\Notes\org&|\\\hpause&\hpause&\hpause&\hpause\enotes -% -\finmorceau -\medskip\rightline{\it le \aujourdhui} -\absoluteaccidentals -\eject - -\endinput diff --git a/musixtex/doc/examples/avemaria.tex b/musixtex/doc/examples/avemaria.tex deleted file mode 100644 index 67348d0..0000000 --- a/musixtex/doc/examples/avemaria.tex +++ /dev/null @@ -1,18 +0,0 @@ -\ifx\mxversion\undefined - \input musixtex - \input musixcpt - \input musixsty -\fi -\tracingstats=2\relax -\hsize=185mm -\vsize=270mm -\hoffset -1.70cm -\voffset -1.54cm -\barsinline=0\relax -\linesinpage=0\relax -\resetfacteurs -\computewidths -\sepbarrules -% -\input avemarix -\bye diff --git a/musixtex/doc/examples/avemarid.tex b/musixtex/doc/examples/avemarid.tex deleted file mode 100644 index e190c12..0000000 --- a/musixtex/doc/examples/avemarid.tex +++ /dev/null @@ -1,1016 +0,0 @@ -\ifx\mxversion\undefined - \input musixtex - \input musixcpt - \input musixsty -\fi - \title{Ave Maria (Gounod)} -\csname titremorceautoc\endcsname -\fulltitle{M\'editation -- Ave Maria} -\title{M\'editation -- Ave Maria} - \author{Charles Gounod \& J.-S. Bach\\Transcription Orgue solo Daniel -Taupin\\\& Markus Veittes} - \shortauthor{C. Gounod, J.-S. Bach, D. Taupin} - \subtitle{\relax} - \othermention{G.O.: fl\^ute 8' [+4']\\R\'ecit : fl\^utes 8'+4' [+nasard ou -chalumeau {\it ad lib.}]\\Positif : quinte\\P\'edale : 16', acc. -G.O.\\Gif : 2/9-11-12/20-23/33-37-45/50-52-54} -\maketitle - -\staffbotmarg\Interligne -% -\parindent 13mm -\musicsize=20 -\normal -\relativeaccidentals -\generalsignature{2} -\transpose=1 -\def\oct{\advance\transpose by 7\relax} -\def\nbinstruments{3} -\def\instrumenti{P\'edale} -\def\instrumentii{G.O.} -%\def\interinstrumenti{-2\Interligne} -%\def\interinstrumentii{-2\Interligne} -\def\instrumentiii{Positif} -\nbporteesi=1\relax -\nbporteesii=1\relax -\nbporteesiii=1\relax - -\generalmeter{\meterC}% -\cleftoksi{{6}{0}{0}{0}} -\cleftoksii{{0}{0}{0}{0}} -\cleftoksiii{{0}{0}{0}{0}} -%\raggedlinestrue % uncomment for ragged right lines - - -\debutmorceau -\def\OrgNotes#1\enotes{\Notes#1&\relax#5\enotes}% -\autolines{25}{3}{5}% - %\check -%Takt 1 -\OrgNotes\zhl c\raise 5.5\Interligne \hbox{\qs}\qupp e&\ds&&&&\enotes -\OrgNotes&\ibbl0j3\qb0g\tqb0j&&&&\enotes -\OrgNotes&\ibbl1k0\qb1l\qb1g\qb1j\tqb1l&&&&\enotes -\temps\OrgNotes\zhl c\raise 5.5\Interligne \hbox{\qs}\qupp e&\ds&\pause&&\pause&\enotes -\OrgNotes&\ibbl2j3\qb2g\tqb2j&&&&\enotes -\OrgNotes&\ibbl3k0\qb3l\qb3g\qb3j\tqb3l&&&&\enotes -\barre - %\check -%Takt 2 -\OrgNotes\zhl c\raise 5.5\Interligne \hbox{\qs}\qupp d&\ds&&&&\enotes -\OrgNotes&\ibbl1j3\qb1h\tqb1k&&&&\enotes -\OrgNotes&\ibbl2k0\qb2m\qb2h\qb2k\tqb2m&&&&\enotes -\temps\OrgNotes\zhl c\raise 5.5\Interligne \hbox{\qs}\qupp d&\ds&\pause&&\pause&\enotes -\OrgNotes&\ibbl1j3\qb1h\tqb1k&&&&\enotes -\OrgNotes&\ibbl2k0\qb2m\qb2h\qb2k\tqb2m&&&&\enotes -\barre - %\check -%Takt 3 -\OrgNotes\zhl b\raise 5.5\Interligne \hbox{\qs}\qupp d&\ds&&&&\enotes -\OrgNotes&\ibbl1j3\qb1g\tqb1k&&&&\enotes -\OrgNotes&\ibbl2k0\qb2m\qb2g\qb2k\tqb2m&&&&\enotes -\temps\OrgNotes\zhl b\raise 5.5\Interligne \hbox{\qs}\qupp d&\ds&\pause&&\pause&\enotes -\OrgNotes&\ibbl1j3\qb1g\tqb1k&&&&\enotes -\OrgNotes&\ibbl2k0\qb2m\qb2g\qb2k\tqb2m&&&&\enotes -\barre - %\check -%Takt 4 -\OrgNotes\zhl c\raise 5.5\Interligne \hbox{\qs}\qupp e&\ds&&&&\enotes -\OrgNotes&\ibbl0j3\qb0g\tqb0j&&&&\enotes -\OrgNotes&\ibbl1k0\qb1l\qb1g\qb1j\tqb1l&&&&\enotes -\temps\OrgNotes\zhl c\raise 5.5\Interligne \hbox{\qs}\qupp e&\ds&\pause&&\pause&&&&\enotes -\OrgNotes&\ibbl2j3\qb2g\tqb2j&&&&\enotes -\OrgNotes&\ibbl3k0\qb3l\qb3g\qb3j\tqb3l&&&&\enotes -\barre - %\check -%Takt 5 -\OrgNotes\zhl c\raise 5.5\Interligne \hbox{\qs}\qupp e&\ds&\wh l&A\rlap{---}&\wh e&&&&\enotes -\OrgNotes&\ibbl0j3\qb0g\tqb0j&&&&&&&\enotes -\OrgNotes&\ibbl1k0\qb1l\qb1g\qb1j\tqb1l&&&&&&&\enotes -\temps\OrgNotes\zhl c\raise 5.5\Interligne \hbox{\qs}\qupp e&\ds&&&&&&&\enotes -\OrgNotes&\ibbl2j3\qb2g\tqb2j&&&&&&&\enotes -\OrgNotes&\ibbl3k0\qb3l\qb3g\qb3j\tqb3l&&&&&&&\enotes -\barre - %\check -%Takt 6 -\OrgNotes\zhl c\raise 5.5\Interligne \hbox{\qs}\qupp d&\ds&\wh m&ve&\hupp f&&&&\enotes -\OrgNotes&\ibbl1j3\qb1h\tqb1k&&&&\enotes -\OrgNotes&\ibbl2k0\qb2m\qb2h\qb2k\tqb2m&&&&\enotes -\temps\OrgNotes\zhl c\raise 5.5\Interligne \hbox{\qs}\qupp d&\ds&&&&&&&\enotes -\OrgNotes&\ibbl1j3\qb1h\tqb1k&&&&\enotes -\OrgNotes&\ibbl2k0\qb2m\qb2h&&&&\enotes -\OrgNotes&\qb2k\tqb2m&&Ma-&\cu f&&&&\enotes -\barre - %\check -%Takt 7 -\OrgNotes\zhl b\raise 5.5\Interligne \hbox{\qs}\qupp d&\ds&\hlp n&ri\rlap{---}&\hup g&&&&\enotes -\OrgNotes&\ibbl1j3\qb1g\tqb1k&&&&\enotes -\OrgNotes&\ibbl2k0\qb2m\qb2g\qb2k\tqb2m&&&&\enotes -\temps\OrgNotes\zhl b\raise 5.5\Interligne \hbox{\qs}\qupp d&\ds&&&&\enotes -\OrgNotes&\ibbl1j3\qb1g\tqb1k&&&&\enotes -\OrgNotes&\ibbl2k0\qb2m\qb2g\qb2k\tqb2m&\ql k&\rlap{---}&\qu d&&&&\enotes -\barre - %\check -%Takt 8 -\OrgNotes\zhl c\raise 5.5\Interligne \hbox{\qs}\qupp e&\ds&\hlp l&a,&\hup e&&&&\enotes -\OrgNotes&\ibbl0j3\qb0g\tqb0j&&&&\enotes -\OrgNotes&\ibbl1k0\qb1l\qb1g\qb1j\tqb1l&&&&\enotes -\temps\OrgNotes\zhl c\raise 5.5\Interligne \hbox{\qs}\qupp e&\ds&&&&&&&\enotes -\OrgNotes&\ibbl2j3\qb2g\tqb2j&&&&&&&\enotes -\OrgNotes&\ibbl3k0\qb3l\qb3g\qb3j\tqb3l&\qp&&\qp&&&&\enotes -\barre - %\check -%Takt 9 -\OrgNotes\zhl c\raise 5.5\Interligne \hbox{\qs}\qupp e&\ds&\oct - \itenu5h\hl h&gra\rlap{---}&\itenl4h\hu h&&&&\enotes -\OrgNotes&\ibbl0j3\qb0h\tqb0l&&&&\enotes -\OrgNotes&\ibbl1k0\qb1o\qb1h\qb1l\tqb1o&&&&\enotes -\temps\OrgNotes\zhl c\raise 5.5\Interligne \hbox{\qs}\qupp e&\ds&\oct - \tten5\ibl4c0\qb4h&&\tten4\cu h&&&&\enotes -\OrgNotes&\ibbl0j3\qb0h\tqb0l&\oct\qb4a&\rlap{---}&\Ibu5ac4\qh5a&&&&\enotes -\OrgNotes&\ibbl1k0\qb1o\qb1h&\oct\qb4b&ti-&\qh5b&&&&\enotes -\OrgNotes&\qb1l\tqb1o&\oct\tqb4c&a&\tqh5c&&&&\enotes -\barre - %\check -%Takt 10 -\OrgNotes\zhl c\raise 5.5\Interligne \hbox{\qs}\qupp d&\ds&\oct - \qlp d&ple\rlap{---}&\qup d&&&&\enotes -\OrgNotes&\ibbu1g3\bigaccid\qh1{^f}\tqh1h&&&&\enotes -\OrgNotes&\ibbu2i0\qh2k\qh2f&&&&\enotes -\OrgNotes&\qh2h\tqh2k&\oct \cl e&&\cu e&&&&\enotes -\temps\OrgNotes\zhl c\raise 5.5\Interligne \hbox{\qs}\qupp d&\ds&\oct - \ql d&na,&\qu d&&&&\enotes -\OrgNotes&\ibbu1g3\qh1f\tqh1h&&&&\enotes -\OrgNotes&\ibbu2i0\qh2k\qh2f\qh2h\tqh2k&\qp&&\qp&&&&\enotes -\barre - %\check -%Takt 11 -\OrgNotes\zhl b\raise 5.5\Interligne \hbox{\qs}\qupp d&\ds&\oct - \itenu5g\hl g&Do\rlap{---}&\itenu4g\hu g&&&&\enotes -\OrgNotes&\ibbl1j3\qb1g\tqb1k&&&&\enotes -\OrgNotes&\ibbl2k0\qb2n\qb2g\qb2k\tqb2n&&&&\enotes -\temps\OrgNotes\zhl b\raise 5.5\Interligne \hbox{\qs}\qupp d&\ds&\oct - \tten5\ibl4b0\qb4g&&\tten4\cu g&&&&\enotes -\OrgNotes&\ibbl1j3\qb1g\tqb1k&\oct - \qb4N&\rlap{---}&\Ibu5Nb4\qh5N&&&&\enotes -\OrgNotes&\ibbl2k0\qb2n\qb2g&\oct - \qb4a&mi-&\qh5a&&&&\enotes -\OrgNotes&\qb2k\tqb2n&\oct - \tqb4b&nus&\tqh5b&&&&\enotes -\def\atnextline{\autolines{25}35}\relax -\barre - %\check -%Takt 12 -\OrgNotes\zhl b\raise 5.5\Interligne \hbox{\qs}\qupp c&\ds&\oct - \qlp c&te\rlap{---}&\qup c&&&&\enotes -\OrgNotes&\ibbu1f3\qh1e\tqh1g&&&&\enotes -\OrgNotes&\ibbu2i0\qh2j\qh2e&&&&\enotes -\OrgNotes&\qh2g\tqh2j&\oct - \cl d&&\cu d&&&&\enotes -\temps\OrgNotes\zhl b\raise 5.5\Interligne \hbox{\qs}\qupp c&\ds&\oct - \ql c&cum,&\qu c&&&&\enotes -\OrgNotes&\ibbu1f3\qh1e\tqh1g&&&&\enotes -\OrgNotes&\ibbu2i0\qh2j\qh2e\qh2g\tqh2j&\qp&&\qp&&&&\enotes -% -\def\atnextline{\autolines{25}35}\relax -\barre - %\check -%Takt 13 -\OrgNotes\zhl a\raise 5\Interligne\hbox{\qs}\qupp c&\ds&\oct - \itenu5j\hl j&be\rlap{---}&\itenu4j\hu j&&&&\enotes -\OrgNotes&\ibbu1f3\qh1e\tqh1g&&&&\enotes -\OrgNotes&\ibbu2i0\qh2j\qh2e\qh2g\tqh2j&&&&\enotes -\temps\OrgNotes\zhl a\raise 5\Interligne\hbox{\qs}\qupp c&\ds&\oct - \tten5\ibl4c0\qb4j&&\tten4\cu j&&&&\enotes -\OrgNotes&\ibbu1f3\qh1e\tqh1g&\oct - \qb4c&\rlap{---}&\Ibu5ce4\qh5c&&&&\enotes -\OrgNotes&\ibbu2i0\qh2j\qh2e&\oct - \qb4d&ne\rlap{---}&\qh5d&&&&\enotes -\OrgNotes&\qh2g\tqh2j&\oct - \tqb4e&&\tqh5e&&&&\enotes -\barre - %\check -%Takt 14 -\OrgNotes\zhl K\raise 3.5\Interligne\hbox{\qs}\qupp a&\ds&\oct\bigaccid - \qlp{^f}&\rlap{dic---}&\bigaccid\qup {^f}&&&&\enotes -\OrgNotes&\ibbu1f3\qh1d\bigaccid\qsk\tqh1{^f}&&&&\enotes -\OrgNotes&\ibbu2i0\qh2j\qh2d&&&&\enotes -\OrgNotes&\qh2f\tqh2j&\oct - \cl e&&\cu e&&&&\enotes -\temps\OrgNotes\zhl K\raise 3.5\Interligne\hbox{\qs}\qupp a&\ds&\oct - \ql d&\rlap{---}&\qu d&&&&\enotes -\OrgNotes&\ibbu1f3\qh1d\tqh1f&&&&\enotes -\OrgNotes&\ibbu2i0\qh2j\qh2d\qh2f\tqh2j&\oct - \ql a&ta&\qu a&&&&\enotes -\barre - %\check -%Takt 15 -\def\atnextline{\staffbotmarg3\Interligne}% -\OrgNotes\zhl N\raise 4.2\Interligne\hbox{\qs}\qupp b&\ds&\oct - \hl b&tu&\hu b&&&&\enotes -\OrgNotes&\ibbu1f3\qh1d\tqh1g&&&&\enotes -\OrgNotes&\ibbu2i0\qh2i\qh2d\qh2g\tqh2i&&&&\enotes -\temps\OrgNotes\zhl N\raise 4.2\Interligne\hbox{\qs}\qupp b&\ds&\qp&&\qp&&&&\enotes -\OrgNotes&\ibbu1f3\qh1d\tqh1g&&&&\enotes -\OrgNotes&\ibbu2i0\qh2i\qh2d\qh2g\tqh2i&\oct - \ql d&in&\qu d&&&&\enotes -\barre - %\check -%Takt 16 -\OrgNotes\zhl N\raise 4.2\Interligne\hbox{\qs}\bigaccid\qsk\qupp{_b}&\ds&\oct - \itenu5e\hl e&mu\rlap{---}&\itenl4e\hu e&&&&\enotes -\OrgNotes&\ibbu1f3\qh1e\tqh1g&&&&\enotes -\OrgNotes&\bigaccid\qsk\ibbu2i0\qh2{^j}\qh2e\qh2g\tqh2j&&&&\enotes -\temps\OrgNotes\zhl N\raise 4.2\Interligne\hbox{\qs}\qupp b&\ds&\oct - \tten5\ibl5e1\qb5e&&\tten4\cu e&&&&\enotes -\OrgNotes&\ibbu1f3\qh1e\tqh1g&\oct - \qb5e&li\rlap{---}&\Ibu4eg4\qh4e&&&&\enotes -\OrgNotes&\ibbu2i0\qh2j\qh2e&\oct - \qb5f&&\qh4f&&&&\enotes -\OrgNotes&\qh2g\tqh2j&\oct - \tqb5g&&\tqh4g&&&&\enotes -\barre - %\check -%Takt 17 -\OrgNotes\zhl M\raise 3.8\Interligne\hbox{\qs}\qupp a&\ds&\oct - \hl h&e\rlap{---}&\ppt h\qu h&&&&\enotes -\OrgNotes&\ibbu1g3\qh1d\tqh1h&&&&\enotes -\OrgNotes&\ibbu2i0\qh2k\qh2d\qh2h&&&&\enotes -\OrgNotes&\tqh2k&&ri-&\ccu a&&&&\enotes -\temps\OrgNotes\zhl M\raise 3.8\Interligne\hbox{\qs}\qupp a&\ds&\oct - \ql a&bus&\qu a&&&&\enotes -\OrgNotes&\ibbu1g3\qh1d\tqh1h&&&&\enotes -\OrgNotes&\ibbu2i0\qh2k\qh2d\qh2h\tqh2k&\qp&&\qp&&&&\enotes -\barre - %\check -%Takt 18 -\OrgNotes\zhl M\raise 3.8\Interligne\hbox{\qs}\bigaccid\qsk\qupp{_a}&\ds&\oct - \itenu5d\hl d&et\rlap{---}&\itenl4d\hu d&&&&\enotes -\OrgNotes&\ibbu1f3\qh1d\tqh1f&&&&\enotes -\OrgNotes&\ibbu2i0\qh2i\qh2d\qh2f\tqh2i&&&&\enotes -\temps\OrgNotes\zhl M\raise 3.8\Interligne\hbox{\qs}\qupp a&\ds&\oct - \tten5\ibl4d1\qb4d&&\tten4\cu d&&&&\enotes -\OrgNotes&\ibbu1f3\qh1d\tqh1f&\oct - \qb4d&be\rlap{---}&\Ibu5df4\qh5d&&&&\enotes -\OrgNotes&\ibbu2i0\qh2i\qh2d&\oct - \qb4e&&\qh5e&&&&\enotes -\OrgNotes&\qh2f\tqh2i&\oct - \tqb4f&ne-&\tqh5f&&&&\enotes -\barre - %\check -%Takt 19 -\OrgNotes\zhl L\raise 3.5\Interligne\hbox{\qs}\qupp N&\ds&\oct - \hl g&\rlap{dic---}&\hu g&&&&\enotes -\OrgNotes&\ibbu1f3\qh1c\tqh1g&&&&\enotes -\OrgNotes&\ibbu2i0\qh2j\qh2c\qh2g\tqh2j&&&&\enotes -\temps\OrgNotes\zhl L\raise 3.5\Interligne\hbox{\qs}\qupp N&\ds&\oct - \qu N&tus&\qu N&&&&\enotes -\OrgNotes&\ibbu1f3\qh1c\tqh1g&&&&\enotes -\OrgNotes&\ibbu2i0\qh2j\qh2c\qh2g\tqh2j&\qp&&\qp&&&&\enotes -\barre - %\check -%Takt 20 -\OrgNotes\zhl L\raise 3.5\Interligne\hbox{\qs}\qupp M&\ds&\oct - \itenu5c\hl c&fruc\rlap{---}&\itenl4c\hu c&&&&\enotes -\OrgNotes&\ibbu1c3\qh1a\tqh1c&&&&\enotes -\OrgNotes&\ibbu2e0\qh2f\qh2a\qh2c\tqh2f&&&&\enotes -\temps\OrgNotes\zhl L\raise 3.5\Interligne\hbox{\qs}\qupp M&\ds&\oct - \tten5\ibl4c1\qb4c&&\tten4\cu c&&&&\enotes -\OrgNotes&\ibbu1c3\qh1a\tqh1c&\oct - \qb4c&tus&\Ibu5ce4\qh5c&&&&\enotes -\OrgNotes&\ibbu2e0\qh2f\qh2a&\oct - \qb4d&&\qh5d&&&&\enotes -\OrgNotes&\qh2c\tqh2f&\oct - \tqb4e&&\tqh5e&&&&\enotes -\barre - %\check -%Takt 21 -\OrgNotes\zhl K\raise 3\Interligne\hbox{\qs}\qupp M&\ds&\oct - \itenu5f\hl f&vent\rlap{---}&\itenl4f\hu f&&&&\enotes -\OrgNotes&\ibbu1c3\qh1a\tqh1c&&&&\enotes -\OrgNotes&\ibbu2e0\qh2f\qh2a\qh2c\tqh2f&&&&\enotes -\temps\OrgNotes\zhl K\raise 3\Interligne\hbox{\qs}\qupp M&\ds&\oct - \tten5\ibl4f1\qb4f&&\tten4\cu f&&&&\enotes -\OrgNotes&\ibbu1c3\qh1a\tqh1c&\oct - \qb4f&ris&\Ibu5fh4\qh5f&&&&\enotes -\OrgNotes&\ibbu2e0\qh2f\qh2a&\oct - \qb4g&&\qh5g&&&&\enotes -\OrgNotes&\qh2c\tqh2f&\oct - \tqb4h&&\tqh5h&&&&\enotes -\barre - %\check -%Takt 22 -\OrgNotes\zhl G\raise 1.6\Interligne\hbox{\qs}\qupp K&\ds&\oct - \qlp i&tu--&\qlp i&&&&\enotes -\OrgNotes&\ibbu1b3\qh1N\tqh1b&&&&\enotes -\OrgNotes&\ibbu2e0\qh2f\qh2N&&&&\enotes -\OrgNotes&\qh2b\tqh2f&\oct - \cl h&i,&\cl h&&&&\enotes -\temps\OrgNotes\zhl G\raise 1.6\Interligne\hbox{\qs}\qupp K&\ds&\oct - \ql g&\rlap{Je---}&\qu g&&&&\enotes -\OrgNotes&\ibbu1b3\qh1N\tqh1b&&&&\enotes -\OrgNotes&\ibbu2e0\qh2f\qh2N\qh2b\tqh2f&\oct - \ql d&&\qu d&&&&\enotes -\barre - %\check -%Takt 23 -\OrgNotes\zhl J\raise 2\Interligne\hbox{\qs}\qupp L&\ds&\oct - \hlp e&sus.&\hup e&&&&\enotes -\OrgNotes&\ibbu1b3\qh1N\tqh1c&&&&\enotes -\OrgNotes&\ibbu2d0\qh2e\qh2N\qh2c\tqh2e&&&&\enotes -\temps\OrgNotes\zhl J\raise 2\Interligne\hbox{\qs}\qupp L&\ds&\oct - &&&&&&\enotes -\OrgNotes&\ibbu1b3\qh1N\tqh1c&\oct - &&&&&&\enotes -\OrgNotes&\ibbu2d0\qh2e\qh2N\qh2c\tqh2e&\oct - \pt a\ds\sk\sk\cl e&&\qp&&&&\enotes -\barre - %\check -%Takt 24 -\OrgNotes\zhl J\raise 2\Interligne\hbox{\qs}\qupp N&\ds&\oct - \hl g&\rlap{Sanc---}&\hu g&&&&\enotes -\OrgNotes&\bigaccid\ibbu1b3\qh1{_b}\tqh1c&&&&\enotes -\OrgNotes&\ibbu2d0\qh2e\qh2b\qh2c\tqh2e&&&&\enotes -\temps\OrgNotes\zhl J\raise 2\Interligne\hbox{\qs}\qupp N&\ds&\oct - \ql e&ta&\qu e&&&&\enotes -\OrgNotes&\ibbu1b3\qh1b\tqh1c&&&&\enotes -\OrgNotes&\ibbu2d0\qh2e\qh2b\qh2c&\oct - \pt a\ds&&\pt h\ds&&&&\enotes -\OrgNotes&\tqh2e&\oct - \ccl e&\rlap{\kern -\Interligne Ma-}&\ccu e&&&&\enotes -\barre - %\check -%Takt 25 -\OrgNotes\zhl F\raise 2\Interligne\hbox{\qs}\qupp M&\ds&\oct - \hl h&ri\rlap{---}&\hu h&&&&\enotes -\OrgNotes&\ibbu1b3\qh1a\tqh1c&&&&\enotes -\OrgNotes&\ibbu2d0\qh2e\qh2a\qh2c\tqh2e&&&&\enotes -\temps\OrgNotes\zhl F\raise 2\Interligne\hbox{\qs}\qupp M&\ds&\oct - \ql a&a,&\qu a&&&&\enotes -\OrgNotes&\ibbu1b3\qh1a\tqh1c&&&&\enotes -\OrgNotes&\ibbu2d0\qh2e\qh2a\qh2c\tqh2e&\oct - \qp&&\qp&&&&\enotes -\barre - %\check -%Takt 26 -\OrgNotes\bigaccid\zhl {^F}\raise\Interligne\hbox{\qs}\qupp J&\ds&\oct - \hl h&\rlap{sanc---}&\hu h&&&&\enotes -\OrgNotes&\ibbu1b3\qh1a\tqh1c&&&&\enotes -\OrgNotes&\bigaccid\qsk\ibbu2d0\qh2{_e}\qh2a\qh2c\tqh2e&&&&\enotes -\temps\OrgNotes\zhl F\raise\Interligne\hbox{\qs}\qupp J&\ds&\oct - \ql c&ta&\qu c&&&&\enotes -\OrgNotes&\ibbu1b3\qh1a\tqh1c&&&&\enotes -\OrgNotes&\ibbu2d0\qh2e\qh2a\qh2c&\oct\qsk - \pt a\ds&&\qsk\pt h\ds&&&&\enotes -\OrgNotes&\tqh2e&\oct - \ccl h&\rlap{\kern -\Interligne Ma-}&\ccu h&&&&\enotes -\barre - %\check -%Takt 27 -\OrgNotes\zhl G\raise 1.6\Interligne\hbox{\qs}\qsk\bigaccid\qupp {_L}&\ds&\oct - \hl j&ri\rlap{---}&\hl j&&&&\enotes -\OrgNotes&\ibbu1b3\qh1b\tqh1c&&&&\enotes -\OrgNotes&\bigaccid\qsk\ibbu2d0\qh2{_e}\qh2b\qh2c\tqh2e&&&&\enotes -\temps\OrgNotes\zhl G\raise 1.6\Interligne\hbox{\qs}\qupp L&\ds&\oct - \bigaccid\ql{_e}&a,&\bigaccid\qu{_e}&&&&\enotes -\OrgNotes&\ibbu1b3\qh1b\tqh1c&&&&\enotes -\OrgNotes&\ibbu2d0\qh2e\qh2b\qh2c&\oct - \pt a\ds&&\pt j\ds&&&&\enotes -\OrgNotes&\tqh2e&\oct - \ccl j&\rlap{\kern -\Interligne Ma-}&\ccl j&&&&\enotes -\barre - %\check -%Takt 28 -\OrgNotes\bigaccid\zhl {_H}\raise 2\Interligne\hbox{\qs}\qupp M&\ds&\oct - \hl j&ri\rlap{---}&\hl j&&&&\enotes -\OrgNotes&\ibbu1b3\qh1b\tqh1c&&&&\enotes -\OrgNotes&\ibbu2d0\qh2d\qh2b\qh2c\tqh2d&&&&\enotes -\temps\OrgNotes\zhl H\raise 2\Interligne\hbox{\qs}\qupp M&\ds&\oct - \ql d&a!&\qu d&&&&\enotes -\OrgNotes&\ibbu1b3\qh1b\tqh1c&&&&\enotes -\OrgNotes&\ibbu2d0\qh2d\qh2b\qh2c\tqh2d&\oct - \pt a\ds\sk\sk\ccl d&&\qp&&&&\enotes -\barre - %\check -%Takt 29 -\OrgNotes\zhl G\raise 2\Interligne\hbox{\qs}\qupp M&\ds&\oct - \itenu5d\hl d&O\rlap{---}&\itenl4d\hu d&&&&\enotes -\OrgNotes&\ibbu1b3\qh1N\tqh1b&&&&\enotes -\OrgNotes&\ibbu2d0\qh2d\qh2N\qh2b\tqh2d&&&&\enotes -\temps\OrgNotes\zhl G\raise 2\Interligne\hbox{\qs}\qupp M&\ds&\oct - \tten5\ibl4d{-1}\qb4d&&\tten4\cu d&&&&\enotes -\OrgNotes&\ibbu1b3\qh1N\tqh1b&\oct - \qb4d&ra&\Ibu5db4\qh5d&&&&\enotes -\OrgNotes&\ibbu2d0\qh2d\qh2N&\oct - \qb4c&&\qh5c&&&&\enotes -\OrgNotes&\qh2b\tqh2d&\oct - \tqb4b&pro&\tqh5 b&&&&\enotes -\barre - %\check -%Takt 30 -\OrgNotes\zhl G\raise 2\Interligne\hbox{\qs}\qupp L&\ds&\oct - \qlp g&no\rlap{---}&\qup g&&&&\enotes -\OrgNotes&\ibbu1b3\qh1N\tqh1c&&&&\enotes -\OrgNotes&\ibbu2d0\qh2e\qh2N&&&&\enotes -\OrgNotes&\qh2c\tqh2e&\oct - \cl e&&\cu e&&&&\enotes -\temps\OrgNotes\zhl G\raise 2\Interligne\hbox{\qs}\qupp L&\ds&\oct - \ql c&bis,&\qu c&&&&\enotes -\OrgNotes&\ibbu1b3\qh1N\tqh1c&&&&\enotes -\OrgNotes&\ibbu2d0\qh2e\qh2N\qh2c\tqh2e&\oct - \qp&&\qp&&&&\enotes -\barre - %\check -%Takt 31 -\OrgNotes\zhl G\raise 1.6\Interligne\hbox{\qs}\qupp K&\ds&\oct - \itenu5f\hl f&no\rlap{---}&\itenl4f\hu f&&&&\enotes -\OrgNotes&\ibbu1b3\qh1N\tqh1c&&&&\enotes -\OrgNotes&\ibbu2e0\qh2f\qh2N\qh2c\tqh2f&&&&\enotes -\temps\OrgNotes\zhl G\raise 1.6\Interligne\hbox{\qs}\qupp K&\ds&\oct - \tten5\ibl4f{-1}\qb4f&&\tten4\cu f&&&&\enotes -\OrgNotes&\ibbu1b3\qh1N\tqh1c&\oct - \qb4f&bis&\Ibu5fd4\qh5f&&&&\enotes -\OrgNotes&\ibbu2e0\qh2f\qh2N&\oct - \qb4e&pec-&\qh5e&&&&\enotes -\OrgNotes&\qh2c\tqh2f&\oct - \tqb4d&ca-&\tqh5d&&&&\enotes -\barre - %\check -%Takt 32 -\OrgNotes\zhl G\raise 1.6\Interligne\hbox{\qs}\qupp K&\ds&\oct - \qlp k&to\rlap{---}&\qlp k&&&&\enotes -\OrgNotes&\ibbu1b3\qh1N\tqh1b&&&&\enotes -\OrgNotes&\ibbu2e0\qh2f\qh2N&&&&\enotes -\OrgNotes&\qh2b\tqh2f&\oct - \cl i&ri-&\cl i&&&&\enotes -\temps\OrgNotes\zhl G\raise 1.6\Interligne\hbox{\qs}\qupp K&\ds&\oct - \ql g&bus,&\qu g&&&&\enotes -\OrgNotes&\ibbu1b3\qh1N\tqh1b&&&&\enotes -\OrgNotes&\ibbu2e0\qh2f\qh2N\qh2b\tqh2f&\oct - \qp&&\qp&&&&\enotes -\barre - %\check -%Takt 33 -\OrgNotes\zhl G\raise 1.6\Interligne\hbox{\qs}\bigaccid\qsk\qupp {_L}&\ds&\oct - \itenu5h\hl h&nunc&\itenl4h\hu h&&&&\enotes -\OrgNotes&\ibbu1b3\qh1a\tqh1c&&&&\enotes -\OrgNotes&\bigaccid\qsk\ibbu2e0\qh2{^f}\qh2a\qh2c\tqh2f&&&&\enotes -\temps\OrgNotes\zhl G\raise 1.6\Interligne\hbox{\qs}\qupp L&\ds&\oct - \tten5\ibl4h1\qb4h&&\tten4\cu h&&&&\enotes -\OrgNotes&\ibbu1b3\qh1a\tqh1c&\oct - \qb4h&et\rlap{---}&\Ibu5hj4\qh5h&&&&\enotes -\OrgNotes&\ibbu2e0\qh2f\qh2a&\oct - \qb4i&&\qh5i&&&&\enotes -\OrgNotes&\qh2c\tqh2f&\oct - \tqb4j&in&\tqh5j&&&&\enotes -\barre - %\check -%Takt 34 -\OrgNotes\zhl G\raise 1.6\Interligne\hbox{\qs}\bigaccid\qsk\qupp {=L}&\ds&\oct - \itenu5l\hl l&\raise 3\internote\hbox{ho---}&\itenu4l\hl l&&&&\enotes -\OrgNotes&\ibbu1b3\qh1N\tqh1c&&&&\enotes -\OrgNotes&\ibbu2e0\qh2g\qh2N\qh2c\tqh2g&&&&\enotes -\temps\OrgNotes\zhl G\raise 1.6\Interligne\hbox{\qs}\qupp L&\ds&\oct - \tten5\ibl4j{-4}\qb4l&&\tten4\cl l&&&&\enotes -\OrgNotes&\ibbu1b3\qh1N\tqh1c&\oct - \qb4j&--&\Ibu5je4\qh5j&&&&\enotes -\OrgNotes&\ibbu2e0\qh2g\qh2N&\oct - \qb4g&ra,&\qh5g&&&&\enotes -\OrgNotes&\qh2c\tqh2g&\oct - \tqb4e&in&\tqh5e&&&&\enotes -\barre - %\check -%Takt 35 -\OrgNotes\zhl G\raise 1.6\Interligne\hbox{\qs}\qupp K&\ds&\oct - \itenu5d\hl d&ho\rlap{---}&\itenl4d\hu d&&&&\enotes -\OrgNotes&\ibbu1b3\qh1N\tqh1c&&&&\enotes -\OrgNotes&\ibbu2e0\qh2f\qh2N\qh2c\tqh2f&&&&\enotes -\temps\OrgNotes\zhl G\raise 1.6\Interligne\hbox{\qs}\qupp K&\ds&\oct - \tten5\ibl4d3\qb4d&&\tten4\ibu5g3\qh5d&&&&\enotes -\OrgNotes&\ibbu1b3\qh1N\tqh1c&\oct - \qb4h&&\tqh5h&&&&\enotes -\OrgNotes&\ibbu2e0\qh2f\qh2N&\oct - \qb4i&ra&\ibu5i{-1}\qh5i&&&&\enotes -\OrgNotes&\qh2c\tqh2f&\oct - \tqb4h&&\tqh5h&&&&\enotes -\barre - %\check -%Takt 36 -\OrgNotes\zhl G\raise 1.6\Interligne\hbox{\qs}\qupp K&\ds&\oct - \ibl4h{-3}\usf h\qb4h&\rlap{mor---}&\ibu5j2\qh5g&&&&\enotes -\OrgNotes&\ibbu1b3\qh1N\tqh1b&\oct - \usf g\qb4g&&\tqh5k&&&&\enotes -\OrgNotes&\ibbu2e0\qh2f\qh2N&\oct - \usf f\qb4f&tis&\ibu5i{-2}\qh5i&&&&\enotes -\OrgNotes&\qh2b\tqh2f&\oct - \usf d\tqb4d&&\tqh5g&&&&\enotes -\temps\OrgNotes\zhl G\raise 1.6\Interligne\hbox{\qs}\qupp K&\ds&\relax - \lsf i\ibu4i{-3}\qh4i&nos-&\ibu5f{-2}\qh5f&&&&\enotes -\OrgNotes&\ibbu1b3\qh1N\tqh1b&\relax - \lsf h\qh4h&&\tqh5d&&&&\enotes -\OrgNotes&\ibbu2e0\qh2f\qh2N&\relax - \lsf f\qh4f&tr\ae.&\ibu5b{-2}\qh5b&&&&\enotes -\OrgNotes&\qh2b\tqh2f&\relax - \lsf d\tqh4d&&\tqh5N&&&&\enotes -\barre - %\check -%Takt 37 -\OrgNotes\zhu C\raise\Interligne\hbox{\qs}\qupp J&\ds&\relax - \hup c&A\rlap{---}&\itenl4c\hu c&&&&\enotes -\OrgNotes&\ibbu1b3\qh1N\tqh1c&&&&&\enotes -\OrgNotes&\ibbu2d0\qh2e\qh2N\qh2c\tqh2e&&&&\enotes -\temps\OrgNotes\zhl J\raise2\Interligne\hbox{\qs}\qupp L&\ds&&\rlap{men.}&\tten4\qu c&&&&\enotes -\OrgNotes&\ibbu1b3\qh1N\tqh1c&&&\uptext{R\'ecit (doux)}&&&&\enotes -\OrgNotes&\ibbu2d0\qh2e\qh2N\qh2c\tqh2e&\qp&&\qp&&&&\enotes -\barre - %\check -%Takt 38 -\def\orgNotes#1\enotes{\Notes#1&\relax#4\enotes}% -\def\orgNOTes#1\enotes{\NOTes#1&\relax#4\enotes}% -\orgNotes\zhl c\raise 5.5\Interligne\qs\qupp e&\ds&&\wh l&A\rlap{---}&&&&&\enotes -\orgNotes&\ibbl0j3\qb0g\tqb0j&&&&&&\enotes -\orgNotes&\ibbl1k0\qb1l\qb1g\qb1j\tqb1l&&\raise -2\Interligne\hpause&&&&&\enotes -\temps\orgNotes\zhl c\raise 5.5\Interligne\qs\qupp e&\ds&&\hl g&&&&&&\enotes -\orgNotes&\ibbl2j3\qb2g\tqb2j&&&&&&&\enotes -\orgNotes&\ibbl3k0\qb3l\qb3g\qb3j\tqb3l&&&&&&&\enotes -\barre - %\check -%Takt 39 -\orgNotes\zhl c\raise 5.5\Interligne \hbox{\qs}\qupp d&\ds&&\wh m&ve&&&&&&&\enotes -\orgNotes&\ibbl1j3\qb1h\tqb1k&&&&&&&&\enotes -\orgNotes&\ibbl2k0\qb2m\qb2h\qb2k\tqb2m&&\raise -2\Interligne\hpause&&&&&\enotes -\temps\orgNotes\zhl c\raise 5.5\Interligne\qs\qupp d&\ds&&\hl h&&&&&&&&&\enotes -\orgNotes&\ibbl1j3\qb1h\tqb1k&&&&&&&\enotes -\orgNotes&\ibbl2k0\qb2m\qb2h&&&&&&&\enotes -\orgNotes&\qb2k\tqb2m&&&\rlap{\kern -\Interligne Ma-}&\cu f&&&&&&\enotes -\barre - %\check -%Takt 40 -\orgNotes\zhl b\raise 5.5\Interligne \hbox{\qs}\qupp d&\ds&\itenu3g\wh g&\zhl i\hup n&&&&&&&\enotes -\orgNotes&\ibbl1j3\qb1g\tqb1k&&&&&&\enotes -\orgNotes&\ibbl2k0\qb2m\qb2g\qb2k\tqb2m&&&&&&\enotes -\temps\orgNotes\zhl b\raise 5.5\Interligne\qs\qupp d&\ds&&\hl f&&&&&&\enotes -\orgNotes&\ibbl1j3\qb1g\tqb1k&&&&&&\enotes -\orgNotes&\ibbl2k0\qb2m\qb2g\qb2k\tqb2m&&\qu k&&&&&&\enotes -\barre - %\check -%Takt 41 -\orgNotes\zhl c\raise 5.5\Interligne \hbox{\qs}\qupp e&\ds&\tten3\zw e\wh - g&\zhlp g\hup l&&&&&&&&&\enotes -\orgNotes&\ibbl0j3\qb0g\tqb0j&&&&&&&&\enotes -\orgNotes&\ibbl1k0\qb1l\qb1g\qb1j\tqb1l&&&&&&&&\enotes -\temps\orgNotes\zhl c\raise 5.5\Interligne \hbox{\qs}\qupp e&\ds&&&&&&&&&&&\enotes -\orgNotes&\ibbl2j3\qb2g\tqb2j&&&&&&&&&&&\enotes -\orgNotes&\ibbl3k0\qb3l\qb3g\qb3j\tqb3l&&\qp&&\qp&&&&&&&&\enotes -\barre - %\check -%Takt 42 -\orgNotes\zhl c\raise 5.5\Interligne \hbox{\qs}\qupp e&\ds&\hu h&\relax - {\roffset{0.3}{\zhu j}}\oct - \itenu5h\hl h&gra\rlap{---}&\itenl4h\hu h&&&&&&&&\enotes -\orgNotes&\ibbl0j3\qb0h\tqb0l&&&&&&&&\enotes -\orgNotes&\ibbl1k0\qb1o\qb1h\qb1l\tqb1o&&&&&&&&\enotes -\temps\orgNotes\zhl c\raise 5.5\Interligne \hbox{\qs}\qupp -e&\ds&&{\roffset {0.3}{\zhu l}}\oct - \tten5\ibl4a0\qb4h&&\tten4\ibu5g{-3}\qh5h&&&&&&&&\enotes -\orgNotes&\ibbl0j3\qb0h\tqb0l&&\oct\qb4a&\rlap{---}&\tqh5a&&&&&&&&\enotes -\orgNotes&\ibbl1k0\qb1o\qb1h&&\oct\qb4b&ti-&\cu b&&&&&&&&\enotes -\orgNotes&\qb1l\tqb1o&&\oct\tqb4c&a&\cu c&&&&&&&&\enotes -\barre - %\check -%Takt 43 -\orgNotes\zhl c\raise 5.5\Interligne \hbox{\qs}\qupp d&\ds&\bigaccid\zw{^f}&\itenu5o{\zhu o}\oct - \qlp d&ple\rlap{---}&\Ilegu4k\qup d&&&&&&&&\enotes -\orgNotes&\ibbu1g3\bigaccid\qh1{^f}\tqh1h&&&&&&&&\enotes -\orgNotes&\ibbu2i0\qh2k\qh2f&&&&&&&&\enotes -\orgNotes&\qh2h\tqh2k&&\oct \cl e&&\tleg4\cu e&&&&&&&&\enotes -\temps\orgNotes\zhl c\raise 5.5\Interligne \hbox{\qs}\qupp d&\ds&&\tten5{\ibu3m{-2}\zqh3o}\oct - \ql d&na,&\qu d&&&&&&&&\enotes -\orgNotes&\ibbu1g3\qh1f\tqh1h&&{\qh3h}&&&&&&&\enotes -\orgNotes&\ibbu2i0\qh2k\qh2f\qh2h\tqh2k&&\raise -2\Interligne\rlap{\qp}{\qh3i\sk\tqh3j}&&\qp&&&&&&&&\enotes -\barre - %\check -%Takt 44 -\orgNotes\zhl b\raise 5.5\Interligne \hbox{\qs}\qupp d&\ds&\zw g&\relax - \rlap{\roffset{0.3}{\qupp k}}\oct - \normalnotesize\itenu5g\hl g&Do\rlap{---}&\itenu4g\hu g&&&&&&&&\enotes -\orgNotes&\ibbl1j3\qb1g\tqb1k&&&&&&&&\enotes -\orgNotes&\ibbl2k0\qb2n\qb2g\qb2k\tqb2n&&\sk\sk\sk\ccu l&&&&&&&\enotes -\temps\orgNotes\zhl b\raise 5.5\Interligne \hbox{\qs}\qupp d&\ds&&\roffset {0.5}{\zhu k}\oct - \normalnotesize\tten5\ibl4N0\qb4g&&\tten4\ibu5f{-3}\qh5g&&&&&&&&\enotes -\orgNotes&\ibbl1j3\qb1g\tqb1k&&\oct - \qb4N&\rlap{---}&\tqh5N&&&&&&&&\enotes -\orgNotes&\ibbl2k0\qb2n\qb2g&&\oct - \qb4a&mi-&\cu a&&&&&&&&\enotes -\orgNotes&\qb2k\tqb2n&&\oct - \tqb4b&nus&\cu b&&&&&&&&\enotes -\def\atnextline{\autolines{25}35}\relax -\barre - %\check -%Takt 45 -\orgNotes\zhl b\raise 5.5\Interligne \hbox{\qs}\qupp c&\ds&\itenl4e\zw e&{\itenu3n\zhu n}\oct - \qlp c&te\rlap{---}&\Ilegu2j\qup c&&&&&&&&\enotes -\orgNotes&\ibbu1f3\qh1e\tqh1g&&&&&&&&\enotes -\orgNotes&\ibbu2i0\qh2j\qh2e&&&&&&&&\enotes -\orgNotes&\qh2g\tqh2j&&\oct - \cl d&&\tleg2\cu d&&&&&&&&\enotes -\temps\orgNotes\zhl b\raise 5.5\Interligne \hbox{\qs}\qupp c&\ds&&{\tten3\ibu3l{-3}\zqh3n}\oct - \ql c&cum,&\qu c&&&&&&&&\enotes -\orgNotes&\ibbu1f3\qh1e\tqh1g&&\qh3g&&&&&&&&\enotes -\orgNotes&\ibbu2i0\qh2j\qh2e\qh2g\tqh2j&&\raise -2.5\Interligne\rlap{\qp}\qh3h\sk\tqh3i&\qp&\qp&&&&&&&&\enotes -% -\barre - %\check -%Takt 46 -\orgNotes\zhl a\raise 5\Interligne\hbox{\qs}\qupp c&\ds&\tten4\zw e&\relax - {\roffset{0.3}{\zhl j}}\oct - \itenu5j\hu j&be\rlap{---}&\itenu4j\hu j&&&&&&&&\enotes -\orgNotes&\ibbu1f3\qh1e\tqh1g&&&&&&&&\enotes -\orgNotes&\ibbu2i0\qh2j\qh2e\qh2g\tqh2j&&&&&&&&\enotes -\temps\orgNotes\zhl a\raise 5\Interligne\qs\qupp c&\ds&&{\zql h}\oct - \tten5\cu j&&\tten4\cl j&&&&&&&&\enotes -\orgNotes&\ibbu1f3\qh1e\tqh1g&&\oct - \Ibu4ce4\qh4c&\rlap{---}&\Ibl5ce4\qh5c&&&&&&&&\enotes -\orgNotes&\ibbu2i0\qh2j\qh2e&&{\zql g}\oct - \qh4d&ne\rlap{---}&\ibu5e1\qh5d&&&&&&&&\enotes -\orgNotes&\qh2g\tqh2j&&\oct - \tqh4e&&\tqh5e&&&&&&&&\enotes -\barre - %\check -%Takt 47 -\orgNotes\zhl K\raise 3.5\Interligne\hbox{\qs}\qupp a&\ds - &&\bigaccid\zhlp h\oct - \qup{^f}&\rlap{dic---}&\bigaccid\Ilegu4l\qup {^f}&&&&&&&&\enotes -\orgNotes&\ibbu1f3\qh1d\bigaccid\qsk\tqh1{^f}&&&&&&&&\enotes -\orgNotes&\ibbu2i0\qh2j\qh2d&&&&&&&&\enotes -\orgNotes&\qh2f\tqh2j&&\oct - \cu e&&\tleg4\cu e&&&&&&&&\enotes -\temps\orgNotes\zhl K\raise 3.5\Interligne\hbox{\qs}\qupp a&\ds&&\oct - \qu d&\rlap{---}&\qu d&&&&&&&&\enotes -\orgNotes&\ibbu1f3\qh1d\tqh1f&&&&&&&&\enotes -\orgNotes&\ibbu2i0\qh2j\qh2d\qh2f\tqh2j&&\oct - \zql a\qu a&ta&\qu a&&&&&&&&\enotes -\barre - %\check -%Takt 48 -\orgNotes\zhl N\raise 4.2\Interligne\hbox{\qs}\qupp b&\ds&&\relax - {\zw g}\oct \hu b&tu&\hu b&&&&&&&&\enotes -\orgNotes&\ibbu1f3\qh1d\tqh1g&&&&&&&&\enotes -\orgNotes&\ibbu2i0\qh2i\qh2d\qh2g\tqh2i&&&&&&&&\enotes -\temps\orgNotes\zhl N\raise 4.2\Interligne\qs\qupp b&\ds&&\relax - \raise\Interligne\qp&&\qp&&&&&&&&\enotes -\orgNotes&\ibbu1f3\qh1d\tqh1g&&&&&&&&\enotes -\orgNotes&\ibbu2i0\qh2i\qh2d\qh2g\tqh2i&&\oct - \qu d&in&\qu d&&&&&&&&\enotes -\barre - %\check -%Takt 49 -\orgNotes\zhl N\raise 4.2\Interligne\hbox{\qs}\bigaccid\qsk\qupp{_b}&\ds&&{\zw{^j}}\oct - \itenu5e\hu e&mu\rlap{---}&\itenl4e\hu e&&&&&&&&\enotes -\orgNotes&\ibbu1f3\qh1e\tqh1g&&&&&&&&\enotes -\orgNotes&\bigaccid\qsk\ibbu2i0\qh2{^j}\qh2e\qh2g\tqh2j&&&&&&&&\enotes -\temps\orgNotes\zhl N\raise 4.2\Interligne\hbox{\qs}\qupp b&\ds&&\oct - \tten5\cu e&&\tten4\cu e&&&&&&&&\enotes -\orgNotes&\ibbu1f3\qh1e\tqh1g&&\oct - \Ibu5eg4\qh5e&li\rlap{---}&\Ibu4eg4\qh4e&&&&&&&&\enotes -\orgNotes&\ibbu2i0\qh2j\qh2e&&\oct - \qh5f&&\qh4f&&&&&&&&\enotes -\orgNotes&\qh2g\tqh2j&&\oct - \tqh5g&&\tqh4g&&&&&&&&\enotes -\barre - %\check -%Takt 50 -\orgNotes\zhl M\raise 3.8\Interligne\hbox{\qs}\qupp a&\ds&\itenu3o\hu o&\relax - \rlap{\hlp k}\oct \itenu4h\hu h&e\rlap{---}&\ppt h\qu h&&&&&&&&\enotes -\orgNotes&\ibbu1g3\qh1d\tqh1h&&&&&&&&\enotes -\orgNotes&\ibbu2i0\qh2k\qh2d\qh2h&&&&&&&&\enotes -\orgNotes&\tqh2k&&&ri-&\ccu a&&&&&&&&\enotes -\temps\orgNotes\zhl M\raise 3.8\Interligne\qs\qupp a&\ds&\tten3&\tten4\relax - \oct \cu h&bus&\qu a&&&&&&&&\enotes -\orgNotes&\ibbu1g3\qh1d\tqh1h&&{\Ibu3hj4\qh3h}&&&&&&&\enotes -\orgNotes&\ibbu2i0\qh2k\qh2d\qh2h\tqh2k&&\qh3i\sk\tqh3j&&\qp&&&&&&&&\enotes -\barre - %\check -%Takt 51 -\orgNotes\zhl M\raise 3.8\Interligne\hbox{\qs}\bigaccid\qsk\qupp{_a}&\ds&\bigaccid - \hu r&\bigaccid\zw {=i}\oct\itenu5d\hu d&et\rlap{---}&\itenl4d\hu d&&&&&&&&\enotes -\orgNotes&\ibbu1f3\qh1d\tqh1f&&&&&&&&\enotes -\orgNotes&\ibbu2i0\qh2i\qh2d\qh2f\tqh2i&&&&&&&&\enotes -\temps\orgNotes\zhl M\raise 3.8\Interligne\hbox{\qs}\qupp a&\ds&\hu k&\oct - \tten5\cu d&&\tten4\cu d&&&&&&&&\enotes -\orgNotes&\ibbu1f3\qh1d\tqh1f&&\oct - \Ibu4df4\qh4d&be\rlap{---}&\ibu5e1\qh5d&&&&&&&&\enotes -\orgNotes&\ibbu2i0\qh2i\qh2d&&\oct - \qh4e&&\tqh5e&&&&&&&&\enotes -\orgNotes&\qh2f\tqh2i&&\oct - \tqh4f&ne-&\cu f&&&&&&&&\enotes -\barre - %\check -%Takt 52 -\orgNotes\zhl L\raise 3.5\Interligne\hbox{\qs}\qupp N&\ds&\itenu3n\hu -n&{\zhlp j}\oct - \itenu4g\hu g&\rlap{dic---}&\hu g&&&&&&&&\enotes -\orgNotes&\ibbu1f3\qh1c\tqh1g&&&&&&&&\enotes -\orgNotes&\ibbu2i0\qh2j\qh2c\qh2g\tqh2j&&&&&&&&\enotes -\temps\orgNotes\zhl L\raise 3.5\Interligne\hbox{\qs}\qupp N&\ds&\tten3\ibl3n{3}\qb3n&\oct - \tten4\cu g&tus&\qu N&&&&&&&&\enotes -\orgNotes&\ibbu1f3\qh1c\tqh1g&\qb3n&\Ibu4gi4\qh4g&&&&&&\enotes -\orgNotes&\ibbu2i0\qh2j\qh2c\qh2g\tqh2j&\qb3o\sk\tqb3p&\qh4h\sk\tqh4i&&\qp&&&&&&&&\enotes -\barre - %\check -%Takt 53 -\orgNotes\zhl L\raise 3.5\Interligne\hbox{\qs}\qupp M&\ds&\zw h\hu -q&{\zw h}\oct - \itenu5c\hu c&fruc\rlap{---}&\itenl4c\hu c&&&&&&&&\enotes -\orgNotes&\ibbu1c3\qh1a\tqh1c&&&&&&&&\enotes -\orgNotes&\ibbu2e0\qh2f\qh2a\qh2c\tqh2f&&&&&&&&\enotes -\temps\orgNotes\zhl L\raise 3.5\Interligne\hbox{\qs}\qupp M&\ds&\itenu3j\hu j&\oct - \tten5\cu c&&\tten4\cu c&&&&&&&&\enotes -\orgNotes&\ibbu1c3\qh1a\tqh1c&&\oct - \Ibu4ce4\qh4c&tus&\ibu5d1\qh5c&&&&&&&&\enotes -\orgNotes&\ibbu2e0\qh2f\qh2a&&\oct - \qh4d&&\qh5d&&&&&&&&\enotes -\orgNotes&\qh2c\tqh2f&&\oct - \tqh4e&&\tqh5e&&&&&&&&\enotes -\barre - %\check -%Takt 54 -\orgNotes\zhl K\raise 3\Interligne\hbox{\qs}\qupp M&\ds&\tten3\zw c\hu j&\relax - {\zw j}\oct - \itenu5f\hu f&vent\rlap{---}&\itenl4f\hu f&&&&&&&&\enotes -\orgNotes&\ibbu1c3\qh1a\tqh1c&&&&&&&&\enotes -\orgNotes&\ibbu2e0\qh2f\qh2a\qh2c\tqh2f&&&&&&&&\enotes -\temps\orgNotes\zhl K\raise 3\Interligne\hbox{\qs}\qupp M&\ds&&\oct - \tten5\cu f&&\tten4\cu f&&&&&&&&\enotes -\orgNotes&\ibbu1c3\qh1a\tqh1c&\hu h&\oct - \Ibu4fh4\qh4f&ris&\ibu5g1\qh5f&&&&&&&&\enotes -\orgNotes&\ibbu2e0\qh2f\qh2a&&\oct - \qh4g&&\qh5g&&&&&&&&\enotes -\orgNotes&\qh2c\tqh2f&&\oct - \tqh4h&&\tqh5h&&&&&&&&\enotes -\barre - %\check -%Takt 55 -\orgNotes\zhl G\raise 1.6\Interligne\hbox{\qs}\qupp K&\ds&\zw b\hu -g&{\zqlp n}\oct - \qup i&tu--&\Ilegu4k\qlp i&&&&&&&&\enotes -\orgNotes&\ibbu1b3\qh1N\tqh1b&&&&&&&&\enotes -\orgNotes&\ibbu2e0\qh2f\qh2N&&&&&&&&\enotes -\orgNotes&\qh2b\tqh2f&&\oct - \cu h&i,&\tleg4\cl h&&&&&&&&\enotes -\temps\orgNotes\zhl G\raise 1.6\Interligne\qs\qupp K&\ds&&\relax - \rlap{\roff{\hl m}}\oct \qu g&\rlap{Je---}&\Ilegu5l\qu g&&&&&&&&\enotes -\orgNotes&\ibbu1b3\qh1N\tqh1b&&&&&&&&\enotes -\orgNotes&\ibbu2e0\qh2f\qh2N\qh2b\tqh2f&&\oct - \qu d&&\tleg5\qu d&&&&&&&&\enotes -\barre - %\check -%Takt 56 -\orgNotes\zhl J\raise 2\Interligne\hbox{\qs}\qupp L&\ds&&{\zhlp j}\oct - \hup e&sus.&\hup e&&&&&&&&\enotes -\orgNotes&\ibbu1b3\qh1N\tqh1c&&&&&&&&\enotes -\orgNotes&\ibbu2d0\qh2e\qh2N\qh2c\tqh2e&&&&&&&&\enotes -\temps\orgNotes\zhl J\raise 2\Interligne\hbox{\qs}\qupp L&\ds&\hu g&\oct - &&&&&&&&&&\enotes -\orgNotes&\ibbu1b3\qh1N\tqh1c&&\oct - &&&&&&&&&&\enotes -\orgNotes&\ibbu2d0\qh2e\qh2N\qh2c\tqh2e&&\oct - \pt a\ds\sk\sk\ccl e&&\qp&&&&&&&&\enotes -\barre - %\check -%Takt 57 -\orgNotes\zhl J\raise 2\Interligne\hbox{\qs}\qupp N&\ds&\zw e\relax - &{\bigfl i\zhlp i}\oct \hu g&&&&&&&\enotes -\orgNotes&\ibbu1b3\bigaccid\qh1{_b}\tqh1c&&&&&&&&\enotes -\orgNotes&\ibbu2d0\qh2e\qh2b\qh2c\tqh2e&&&&&&&&\enotes -\temps\orgNotes\zhl J\raise 2\Interligne\hbox{\qs}\qupp N&\ds&\hu l&\oct - \qu e&&&&&&&&\enotes -\orgNotes&\ibbu1b3\qh1b\tqh1c&&&&&&&&\enotes -\orgNotes&\ibbu2d0\qh2e\qh2b\qh2c&&\oct - \pt a\ds&&&&&&&&&\enotes -\orgNotes&\tqh2e&&\oct - \ccl e&&&&&&\enotes -\barre - %\check -%Takt 58 -\orgNotes\zhl F\raise 2\Interligne\hbox{\qs}\qupp M&\ds&\zhl c\itenl3e\itenu4h\zh e\hu -h&\itenu2j\zh j\hl o&ri\rlap{---}&\hu h&&&&&&&&\enotes -\orgNotes&\ibbu1b3\qh1a\tqh1c&&&&&&&&\enotes -\orgNotes&\ibbu2d0\qh2e\qh2a\qh2c\tqh2e&&&&&&&&\enotes -\temps\orgNotes\zhl F\raise 2\Interligne\hbox{\qs}\qupp M&\ds&\tten3\tten4\zh e\zhl h\hu -j&\tten2\zq j\ql h&&&&&&&&\enotes -\orgNotes&\ibbu1b3\qh1a\tqh1c&&&&&&&&\enotes -\orgNotes&\ibbu2d0\qh2e\qh2a\qh2c\tqh2e&&\oct - \qp&&\qp&&&&&&&&\enotes -\barre - %\check -%Takt 59 -\orgNotes\bigaccid\zhl {^F}\raise\Interligne\hbox{\qs}\qupp J&\ds&\bigaccid - \zw h\hu{_l}&{\bigfl l\zh l}\oct - \hl h&\rlap{sanc---}&\hu h&&&&&&&&\enotes -\orgNotes&\ibbu1b3\qh1a\tqh1c&&&&&&&&\enotes -\orgNotes&\qsk\bigaccid\ibbu2d0\qh2{_e}\qh2a\qh2c\tqh2e&&&&&&&&\enotes -\temps\orgNotes\zhl F\raise\Interligne\hbox{\qs}\qupp J&\ds&\hu -o&{\zq h}\oct - \ql c&ta&\qu c&&&&&&&&\enotes -\orgNotes&\ibbu1b3\qh1a\tqh1c&&&&&&&&\enotes -\orgNotes&\ibbu2d0\qh2e\qh2a\qh2c&&\oct - \pt a\ds&&\pt h\ds&&&&&&&&\enotes -\orgNotes&\tqh2e&&\oct - \ccl h&\rlap{\kern -\Interligne Ma-}&\ccu h&&&&&&&&\enotes -\barre - %\check -%Takt 60 -\orgNotes\zhl G\raise 1.6\Interligne\hbox{\qs}\bigaccid\qsk\qupp {_L}&\ds&\zw g\zw j\hu -n&\itenl2j\zh j\oct \hl j&&&&&&&&\enotes -\orgNotes&\ibbu1b3\qh1b\tqh1c&&&&&&&&\enotes -\orgNotes&\bigaccid\qsk\ibbu2d0\qh2{_e}\qh2b\qh2c\tqh2e&&&&&&&&\enotes -\temps\orgNotes\zhl G\raise 1.6\Interligne\qs\qupp L&\ds&\bigaccid\hu{_l}&\bigaccid - \tten2\zq j\ql{_l}&&&&&&&&&\enotes -\orgNotes&\ibbu1b3\qh1b\tqh1c&&&&&&&&\enotes -\orgNotes&\ibbu2d0\qh2e\qh2b\qh2c&&\oct - \pt a\ds&&\pt j\ds&&&&&&&&\enotes -\orgNotes&\tqh2e&&\oct - \ccl j&\rlap{\kern -\Interligne Ma-}&\ccl j&&&&&&&&\enotes -\barre - %\check -%Takt 61 -\orgNotes\bigaccid\zhl {_H}\raise 2\Interligne\hbox{\qs}\qupp M&\ds&\zw f\hu -k&{\zhp l}\oct - \hl j&ri\rlap{---}&\hl j&&&&&&&&\enotes -\orgNotes&\ibbu1b3\qh1b\tqh1c&&&&&&&&\enotes -\orgNotes&\ibbu2d0\qh2d\qh2b\qh2c\tqh2d&&&&&&&&\enotes -\temps\orgNotes\zhl H\raise 2\Interligne\hbox{\qs}\qupp M&\ds&\hu j&\oct - \ql d&a!&\qu d&&&&&&&&\enotes -\orgNotes&\ibbu1b3\qh1b\tqh1c&&&&&&&&\enotes -\orgNotes&\ibbu2d0\qh2d\qh2b\qh2c\tqh2d&&\oct - \pt a\ds\sk\sk\ccl d&&\qp&&&&&&&&\enotes -\barre - %\check -%Takt 62 -\orgNotes\zhl G\raise 2\Interligne\hbox{\qs}\qupp M&\ds&\zw f\hu -i&{\zhl f}\oct - \itenu5d\hu d&O\rlap{---}&\itenl4d\hu d&&&&&&&&\enotes -\orgNotes&\ibbu1b3\qh1N\tqh1b&&&&&&&&\enotes -\orgNotes&\ibbu2d0\qh2d\qh2N\qh2b\tqh2d&&&&&&&&\enotes -\temps\orgNotes\zhl G\raise 2\Interligne\qs\qupp M&\ds&&{\zql i}\oct - \tten5\cu d&&\tten4\cu d&&&&&&&&\enotes -\orgNotes&\ibbu1b3\qh1N\tqh1b&&\oct - \Ibu4db4\qh4d&ra&\ibu5d{-1}\qh5d&&&&&&&&\enotes -\orgNotes&\ibbu2d0\qh2d\qh2N&&{\itenl4g\zql g}\oct - \qh4c&&\tqh5c&&&&&&&&\enotes -\orgNotes&\qh2b\tqh2d&&\oct - \tqh4b&pro&\cu b&&&&&&&&\enotes -\barre - %\check -%Takt 63 -\orgNotes\zhl G\raise 2\Interligne\hbox{\qs}\qupp L&\ds&\zw e\hu -g&{\tten4\zhlp g}\oct - \qup g&no\rlap{---}&\Ilegu4l\qup g&&&&&&&&\enotes -\orgNotes&\ibbu1b3\qh1N\tqh1c&&&&&&&&\enotes -\orgNotes&\ibbu2d0\qh2e\qh2N&&&&&&&&\enotes -\orgNotes&\qh2c\tqh2e&&\oct - \cu e&&\tleg4\cu e&&&&&&&&\enotes -\temps\orgNotes\zhl G\raise 2\Interligne\qs\qupp L&\ds&\itenu3j\zhl g\hu j&\oct - \qu c&bis,&\qu c&&&&&&&&\enotes -\orgNotes&\ibbu1b3\qh1N\tqh1c&&&&&&&&\enotes -\orgNotes&\ibbu2d0\qh2e\qh2N\qh2c\tqh2e&&\oct - \raise\Interligne\qp&&\qp&&&&&&&&\enotes -\barre - %\check -%Takt 64 -\orgNotes\zhl G\raise 1.6\Interligne\hbox{\qs}\qupp K&\ds&\tten3\itenl3f\zw -f&{\zhl j}\oct - \itenu5f\hu f&no\rlap{---}&\itenl4f\hu f&&&&&&&&\enotes -\orgNotes&\ibbu1b3\qh1N\tqh1c&&&&&&&&\enotes -\orgNotes&\ibbu2e0\qh2f\qh2N\qh2c\tqh2f&&&&&&&&\enotes -\temps\orgNotes\zhl G\raise 1.6\Interligne\hbox{\qs}\qupp K&\ds&\zhl c&{\zhl h}\oct - \tten5\cu f&&\tten4\cu f&&&&&&&&\enotes -\orgNotes&\ibbu1b3\qh1N\tqh1c&&\oct - \Ibu4fd4\qh4f&bis&\cu f&&&&&&&&\enotes -\orgNotes&\ibbu2e0\qh2f\qh2N&&\oct - \qh4e&pec-&\cu e&&&&&&&&\enotes -\orgNotes&\qh2c\tqh2f&&\oct - \tqh4d&ca-&\cu d&&&&&&&&\enotes -\barre - %\check -%Takt 65 -\orgNotes\zhl G\raise 1.6\Interligne\hbox{\qs}\qupp K&\ds&\tten3\zw f\zhl d\hu -i&{\zh m}\oct - \qlp k&\raise\Interligne\hbox{to---}&\Ilegu4k\qlp k&&&&&&&&\enotes -\orgNotes&\ibbu1b3\qh1N\tqh1b&&&&&&&&\enotes -\orgNotes&\ibbu2e0\qh2f\qh2N&&&&&&&&\enotes -\orgNotes&\qh2b\tqh2f&&\oct - \cl i&ri-&\tleg4\cl i&&&&&&&&\enotes -\temps\orgNotes\zhl G\raise 1.6\Interligne\hbox{\qs}\qupp K&\ds&\zhl b\hu -k&{\zq i}\oct - \ql g&bus,&\qu g&&&&&&&&\enotes -\orgNotes&\ibbu1b3\qh1N\tqh1b&&&&&&&&\enotes -\orgNotes&\ibbu2e0\qh2f\qh2N\qh2b\tqh2f&&\oct - \qp&&\qp&&&&&&&&\enotes -\barre - %\check -%Takt 66 -\def\atnextline{\autolines{25}25}\relax -\orgNotes\zhl G\raise 1.6\Interligne\hbox{\qs}\qsk\bigaccid - \qupp {_L}&\ds&\bigaccid\zhl{^f}&{\bigaccid\zw j\zhl{_l}}\oct - \itenu5h\hu h&nunc&\itenl4h\hu h&&&&&&&&\enotes -\orgNotes&\ibbu1b3\qh1a\tqh1c&&&&&&&&\enotes -\orgNotes&\qsk\ibbu2e0\bigaccid\qh2{^f}\qh2a\qh2c\tqh2f&&&&&&&&\enotes -\temps\orgNotes\zhl G\raise 1.6\Interligne\hbox{\qs}\qupp L&\ds&\bigaccid\zhl h&{\bigaccid\zhl{^m}}\oct - \tten5\cu h&&\tten4\cu h&&&&&&&&\enotes -\orgNotes&\ibbu1b3\qh1a\tqh1c&&\oct - \Ibl4hj4\qb4h&et\rlap{---}&\ibu5i1\qh5h&&&&&&&&\enotes -\orgNotes&\ibbu2e0\qh2f\qh2a&&\oct - \qb4i&&\tqh5i&&&&&&&&\enotes -\orgNotes&\qh2c\tqh2f&&\oct - \tqb4j&in&\cl j&&&&&&&&\enotes -\barre - %\check -%Takt 67 -\orgNotes\zhl G\raise 1.6\Interligne\hbox{\qs}\qsk\bigaccid\qupp {=L}&\ds&\zw g\zh j&{\zhl n}\oct - \itenu5l\hu l&\raise 3\internote\hbox{ho---}&\itenu4l\hl l&&&&&&&&\enotes -\orgNotes&\ibbu1b3\qh1N\tqh1c&&&&&&&&\enotes -\orgNotes&\ibbu2e0\qh2g\qh2N\qh2c\tqh2g&&&&&&&&\enotes -\temps\orgNotes\zhl G\raise 1.6\Interligne\hbox{\qs}\qupp L&\ds&\bigaccid\hu{=l}&{\zql{=l}}\oct - \tten5\cu l&&\tten4\ibu5j{-2}\qh5l&&&&&&&&\enotes -\orgNotes&\ibbu1b3\qh1N\tqh1c&&\oct - \Ibu4je4\qh4j&---&\tqh5j&&&&&&&&\enotes -\orgNotes&\ibbu2e0\qh2g\qh2N&&{\zql j}\oct - \qh4g&ra,&\cu g&&&&&&&&\enotes -\orgNotes&\qh2c\tqh2g&&\oct - \tqh4e&in&\cu e&&&&&&&&\enotes -\barre - %\check -%Takt 68 -\orgNotes\zhl G\raise 1.6\Interligne\hbox{\qs}\qupp K&\ds&\zw f\hu -k&{\zhl f}\oct - \itenu5d\hu d&&&&&&&&&\enotes -\orgNotes&\ibbu1b3\qh1N\tqh1c&&&&&&&&\enotes -\orgNotes&\ibbu2e0\qh2f\qh2N\qh2c\tqh2f&&&&&&&&\enotes -\temps\orgNotes\zhl G\raise 1.6\Interligne\hbox{\qs}\qupp K&\ds&\hu -h&{\zhl h}\oct - \tten5\cu d&&&&&&&&&\enotes -\orgNotes&\ibbu1b3\qh1N\tqh1c&&\oct - \Ibu4hh4\qh4h&&&&&&&\enotes -\orgNotes&\ibbu2e0\qh2f\qh2N&&\oct - \qh4i&&&&&&&&&\enotes -\orgNotes&\qh2c\tqh2f&&\oct - \tqh4h&&&&&&&&\enotes -\alaligne - %\check -%Takt 69 -\orgNotes\zhl G\raise 1.6\Interligne\hbox{\qs}\qupp K&\ds&\zw b\zw d\rh f\zhu -g&\zhl i\oct \Ibu4fc6\qh4h&&&&&&&\enotes -\orgNotes&\ibbu1b3\qh1N\tqh1b&&\oct \qh4g&&&&&&&&&&\enotes -\orgNotes&\ibbu2e0\qh2f\qh2N&&\oct - \qh4f&tis&\ibu5i{-2}\qh5i&&&&&&&&\enotes -\orgNotes&\qh2b\tqh2f&&\oct - \tqh4d&&&&&&&&&&\enotes -\temps\orgNotes\zhl G\raise 1.6\Interligne\hbox{\qs}\qupp K&\ds&\hu N&\relax - {\zhl d}\ibu4i{-3}\qh4i&&&&&&&\enotes -\orgNotes&\ibbu1b3\qh1N\tqh1b&&\relax - \qh4h&&\tqh5d&&&&&&&&\enotes -\orgNotes&\ibbu2e0\qh2f\qh2N&&\relax - \qh4f&&&&&&&\enotes -\orgNotes&\qh2b\tqh2f&&\relax - \tqh4d&&&&&&\enotes -\barre -%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%% - %\check -%Takt 70 -\orgNotes\zhu C\raise\Interligne\hbox{\qs}\qupp J&\ds - &\bigaccid\zw{_b}\roff{\itenu3c\zw c}&\roff{\itenu4c\zw c}\bigaccid\wh{_b}\relax - &&&&&&&&\enotes -\orgNotes&\ibbu1b3\qh1N\bigaccid\qsk\tqh1{_b}&&&&&&&&\enotes -\orgNotes&\ibbu2d0\qh2e\qh2N\qh2b\tqh2e&&&&&&&&\enotes -\temps\orgNotes\zhu C\raise\Interligne\qs\qupp J&\ds&&&&&&&&\enotes -\orgNotes&\ibbu1b3\qh1N\tqh1b&&&&&&&&\enotes -\orgNotes&\ibbu2d0\qh2e\qh2N\qh2b\tqh2e&&&&&&&&\enotes -\def\atnextline{\autolines{20}35}\relax -%\cleftoksii{6000}\changeclefs -\alaligne - %\check -%Takt 71 -\orgNotes\raise\Interligne\rlap{\qs}\wh C\itenl2J\qupp J&\ds&\tten3\zw a\wh -c&\tten4\zw a\wh c&&&&&&&&&\enotes -\orgNotes&\oct\ibbu1a3\qh1M\tqh1a&&&&&&&&\enotes -\orgNotes&\oct\ibbu2e0\qh2c\qh2f\qh2c\tqh2a&&&&&&&&\enotes -\temps\orgNotes\tten2\hu J&\oct\ibbu2b0\qh2c\qh2a\qh2M\tqh2a&&&&&&&&\enotes -\orgNotes&\oct\ibbu3M0\qh3M\qh3K\qh3M\tqh3K&&&&&&&&\enotes -%\cleftoksii{0000}\changeclefs -\barre - %\check -%Takt 72 -\orgNotes\zw C\qs\itenl3I\qupp I&\ds&&\bigaccid\wh{=b}&&&&&&&&&\enotes -\orgNotes&\ibbl1h3\qb1g\tqb1i&&&&&&&&\enotes -\orgNotes&\ibbl2j{-2}\qb2k\qb2m\qb2k\tqb2i&&&&&&&&\enotes -\temps\orgNotes\tten3\hu I&\ibbl2h0\qb2k\qb2i\qb2g\tqb2i&&&&&&&&&&\enotes -\orgNotes&\ibbu3e0\qh3d\qh3f\pince n\qh3e\tqh3d&&&&&&&&\enotes -\barre - %\check -%Takt 73 -\orgNOTes\pointdurgue C\zwh C\wh J&\zwh e\zwh g\pointdorgue j\wh j\relax - &&\pointdorgue f\wh c&&&&&&&&\enotes -\finmorceau -\bye - diff --git a/musixtex/doc/examples/avemaril.tex b/musixtex/doc/examples/avemaril.tex deleted file mode 100644 index ac2d11f..0000000 --- a/musixtex/doc/examples/avemaril.tex +++ /dev/null @@ -1,20 +0,0 @@ -\ifx\mxversion\undefined - \input musixtex - \input musixcpt - \input musixsty -\fi -\tracingstats=2\relax -\hsize=185mm -\vsize=270mm -\hoffset -1.70cm -\voffset -1.54cm -\barsinline=0\relax -\linesinpage=0\relax -\resetfacteurs -\computewidths -\musicsize 29 -% -\input avemarix -\bye - - diff --git a/musixtex/doc/examples/avemario.tex b/musixtex/doc/examples/avemario.tex deleted file mode 100644 index 747452c..0000000 --- a/musixtex/doc/examples/avemario.tex +++ /dev/null @@ -1,1014 +0,0 @@ -\ifx\mxversion\undefined - \input musixtex - \input musixcpt - \input musixsty -\fi - \title{Ave Maria (Gounod)} -\csname titremorceautoc\endcsname -\fulltitle{M\'editation -- Ave Maria} -\title{M\'editation -- Ave Maria} - \author{Charles Gounod \& J.-S. Bach\\Transcription Orgue solo Daniel -Taupin\\\& Markus Veittes} - \shortauthor{C. Gounod, J.-S. Bach, D. Taupin} - \subtitle{\relax} - \othermention{G.O.: fl\^ute 8' [+4']\\R\'ecit : fl\^utes 8'+4' [+nasard ou -chalumeau {\it ad lib.}]\\Positif : quinte\\P\'edale : 16', acc. -G.O.\\Gif : 2/9-11-12/20-23/33-37-45/50-52-54} -\maketitle - -\staffbotmarg\Interligne -% -\parindent 13mm -\musicsize=20 -\normal -\relativeaccidentals -\def\oct{\advance\transpose by 7\relax} -\def\nbinstruments{3} -\def\instrumenti{P\'edale} -\def\instrumentii{G.O.} -%\def\interinstrumenti{-2\Interligne} -%\def\interinstrumentii{-2\Interligne} -\def\instrumentiii{Positif} -\nbporteesi=1\relax -\nbporteesii=1\relax -\nbporteesiii=1\relax - -\generalmeter{\meterC}% -\cleftoksi{{6}{0}{0}{0}} -\cleftoksii{{0}{0}{0}{0}} -\cleftoksiii{{0}{0}{0}{0}} -%\raggedlinestrue % uncomment for ragged right lines - - -\debutmorceau -\def\OrgNotes#1\enotes{\Notes#1&\relax#5\enotes}% -\autolines{25}{3}{5}% - %\check -%Takt 1 -\OrgNotes\zhl c\raise 5.5\Interligne \hbox{\qs}\qupp e&\ds&&&&\enotes -\OrgNotes&\ibbl0j3\qb0g\tqb0j&&&&\enotes -\OrgNotes&\ibbl1k0\qb1l\qb1g\qb1j\tqb1l&&&&\enotes -\temps\OrgNotes\zhl c\raise 5.5\Interligne \hbox{\qs}\qupp e&\ds&\pause&&\pause&\enotes -\OrgNotes&\ibbl2j3\qb2g\tqb2j&&&&\enotes -\OrgNotes&\ibbl3k0\qb3l\qb3g\qb3j\tqb3l&&&&\enotes -\barre - %\check -%Takt 2 -\OrgNotes\zhl c\raise 5.5\Interligne \hbox{\qs}\qupp d&\ds&&&&\enotes -\OrgNotes&\ibbl1j3\qb1h\tqb1k&&&&\enotes -\OrgNotes&\ibbl2k0\qb2m\qb2h\qb2k\tqb2m&&&&\enotes -\temps\OrgNotes\zhl c\raise 5.5\Interligne \hbox{\qs}\qupp d&\ds&\pause&&\pause&\enotes -\OrgNotes&\ibbl1j3\qb1h\tqb1k&&&&\enotes -\OrgNotes&\ibbl2k0\qb2m\qb2h\qb2k\tqb2m&&&&\enotes -\barre - %\check -%Takt 3 -\OrgNotes\zhl b\raise 5.5\Interligne \hbox{\qs}\qupp d&\ds&&&&\enotes -\OrgNotes&\ibbl1j3\qb1g\tqb1k&&&&\enotes -\OrgNotes&\ibbl2k0\qb2m\qb2g\qb2k\tqb2m&&&&\enotes -\temps\OrgNotes\zhl b\raise 5.5\Interligne \hbox{\qs}\qupp d&\ds&\pause&&\pause&\enotes -\OrgNotes&\ibbl1j3\qb1g\tqb1k&&&&\enotes -\OrgNotes&\ibbl2k0\qb2m\qb2g\qb2k\tqb2m&&&&\enotes -\barre - %\check -%Takt 4 -\OrgNotes\zhl c\raise 5.5\Interligne \hbox{\qs}\qupp e&\ds&&&&\enotes -\OrgNotes&\ibbl0j3\qb0g\tqb0j&&&&\enotes -\OrgNotes&\ibbl1k0\qb1l\qb1g\qb1j\tqb1l&&&&\enotes -\temps\OrgNotes\zhl c\raise 5.5\Interligne \hbox{\qs}\qupp e&\ds&\pause&&\pause&&&&\enotes -\OrgNotes&\ibbl2j3\qb2g\tqb2j&&&&\enotes -\OrgNotes&\ibbl3k0\qb3l\qb3g\qb3j\tqb3l&&&&\enotes -\barre - %\check -%Takt 5 -\OrgNotes\zhl c\raise 5.5\Interligne \hbox{\qs}\qupp e&\ds&\wh l&A\rlap{---}&\wh e&&&&\enotes -\OrgNotes&\ibbl0j3\qb0g\tqb0j&&&&&&&\enotes -\OrgNotes&\ibbl1k0\qb1l\qb1g\qb1j\tqb1l&&&&&&&\enotes -\temps\OrgNotes\zhl c\raise 5.5\Interligne \hbox{\qs}\qupp e&\ds&&&&&&&\enotes -\OrgNotes&\ibbl2j3\qb2g\tqb2j&&&&&&&\enotes -\OrgNotes&\ibbl3k0\qb3l\qb3g\qb3j\tqb3l&&&&&&&\enotes -\barre - %\check -%Takt 6 -\OrgNotes\zhl c\raise 5.5\Interligne \hbox{\qs}\qupp d&\ds&\wh m&ve&\hupp f&&&&\enotes -\OrgNotes&\ibbl1j3\qb1h\tqb1k&&&&\enotes -\OrgNotes&\ibbl2k0\qb2m\qb2h\qb2k\tqb2m&&&&\enotes -\temps\OrgNotes\zhl c\raise 5.5\Interligne \hbox{\qs}\qupp d&\ds&&&&&&&\enotes -\OrgNotes&\ibbl1j3\qb1h\tqb1k&&&&\enotes -\OrgNotes&\ibbl2k0\qb2m\qb2h&&&&\enotes -\OrgNotes&\qb2k\tqb2m&&Ma-&\cu f&&&&\enotes -\barre - %\check -%Takt 7 -\OrgNotes\zhl b\raise 5.5\Interligne \hbox{\qs}\qupp d&\ds&\hlp n&ri\rlap{---}&\hup g&&&&\enotes -\OrgNotes&\ibbl1j3\qb1g\tqb1k&&&&\enotes -\OrgNotes&\ibbl2k0\qb2m\qb2g\qb2k\tqb2m&&&&\enotes -\temps\OrgNotes\zhl b\raise 5.5\Interligne \hbox{\qs}\qupp d&\ds&&&&\enotes -\OrgNotes&\ibbl1j3\qb1g\tqb1k&&&&\enotes -\OrgNotes&\ibbl2k0\qb2m\qb2g\qb2k\tqb2m&\ql k&\rlap{---}&\qu d&&&&\enotes -\barre - %\check -%Takt 8 -\OrgNotes\zhl c\raise 5.5\Interligne \hbox{\qs}\qupp e&\ds&\hlp l&a,&\hup e&&&&\enotes -\OrgNotes&\ibbl0j3\qb0g\tqb0j&&&&\enotes -\OrgNotes&\ibbl1k0\qb1l\qb1g\qb1j\tqb1l&&&&\enotes -\temps\OrgNotes\zhl c\raise 5.5\Interligne \hbox{\qs}\qupp e&\ds&&&&&&&\enotes -\OrgNotes&\ibbl2j3\qb2g\tqb2j&&&&&&&\enotes -\OrgNotes&\ibbl3k0\qb3l\qb3g\qb3j\tqb3l&\qp&&\qp&&&&\enotes -\barre - %\check -%Takt 9 -\OrgNotes\zhl c\raise 5.5\Interligne \hbox{\qs}\qupp e&\ds&\oct - \itenu5h\hl h&gra\rlap{---}&\itenl4h\hu h&&&&\enotes -\OrgNotes&\ibbl0j3\qb0h\tqb0l&&&&\enotes -\OrgNotes&\ibbl1k0\qb1o\qb1h\qb1l\tqb1o&&&&\enotes -\temps\OrgNotes\zhl c\raise 5.5\Interligne \hbox{\qs}\qupp e&\ds&\oct - \tten5\ibl4c0\qb4h&&\tten4\cu h&&&&\enotes -\OrgNotes&\ibbl0j3\qb0h\tqb0l&\oct\qb4a&\rlap{---}&\Ibu5ac4\qh5a&&&&\enotes -\OrgNotes&\ibbl1k0\qb1o\qb1h&\oct\qb4b&ti-&\qh5b&&&&\enotes -\OrgNotes&\qb1l\tqb1o&\oct\tqb4c&a&\tqh5c&&&&\enotes -\barre - %\check -%Takt 10 -\OrgNotes\zhl c\raise 5.5\Interligne \hbox{\qs}\qupp d&\ds&\oct - \qlp d&ple\rlap{---}&\qup d&&&&\enotes -\OrgNotes&\ibbu1g3\bigaccid\qh1{^f}\tqh1h&&&&\enotes -\OrgNotes&\ibbu2i0\qh2k\qh2f&&&&\enotes -\OrgNotes&\qh2h\tqh2k&\oct \cl e&&\cu e&&&&\enotes -\temps\OrgNotes\zhl c\raise 5.5\Interligne \hbox{\qs}\qupp d&\ds&\oct - \ql d&na,&\qu d&&&&\enotes -\OrgNotes&\ibbu1g3\qh1f\tqh1h&&&&\enotes -\OrgNotes&\ibbu2i0\qh2k\qh2f\qh2h\tqh2k&\qp&&\qp&&&&\enotes -\barre - %\check -%Takt 11 -\OrgNotes\zhl b\raise 5.5\Interligne \hbox{\qs}\qupp d&\ds&\oct - \itenu5g\hl g&Do\rlap{---}&\itenu4g\hu g&&&&\enotes -\OrgNotes&\ibbl1j3\qb1g\tqb1k&&&&\enotes -\OrgNotes&\ibbl2k0\qb2n\qb2g\qb2k\tqb2n&&&&\enotes -\temps\OrgNotes\zhl b\raise 5.5\Interligne \hbox{\qs}\qupp d&\ds&\oct - \tten5\ibl4b0\qb4g&&\tten4\cu g&&&&\enotes -\OrgNotes&\ibbl1j3\qb1g\tqb1k&\oct - \qb4N&\rlap{---}&\Ibu5Nb4\qh5N&&&&\enotes -\OrgNotes&\ibbl2k0\qb2n\qb2g&\oct - \qb4a&mi-&\qh5a&&&&\enotes -\OrgNotes&\qb2k\tqb2n&\oct - \tqb4b&nus&\tqh5b&&&&\enotes -\def\atnextline{\autolines{25}35}\relax -\barre - %\check -%Takt 12 -\OrgNotes\zhl b\raise 5.5\Interligne \hbox{\qs}\qupp c&\ds&\oct - \qlp c&te\rlap{---}&\qup c&&&&\enotes -\OrgNotes&\ibbu1f3\qh1e\tqh1g&&&&\enotes -\OrgNotes&\ibbu2i0\qh2j\qh2e&&&&\enotes -\OrgNotes&\qh2g\tqh2j&\oct - \cl d&&\cu d&&&&\enotes -\temps\OrgNotes\zhl b\raise 5.5\Interligne \hbox{\qs}\qupp c&\ds&\oct - \ql c&cum,&\qu c&&&&\enotes -\OrgNotes&\ibbu1f3\qh1e\tqh1g&&&&\enotes -\OrgNotes&\ibbu2i0\qh2j\qh2e\qh2g\tqh2j&\qp&&\qp&&&&\enotes -% -\def\atnextline{\autolines{25}35}\relax -\barre - %\check -%Takt 13 -\OrgNotes\zhl a\raise 5\Interligne\hbox{\qs}\qupp c&\ds&\oct - \itenu5j\hl j&be\rlap{---}&\itenu4j\hu j&&&&\enotes -\OrgNotes&\ibbu1f3\qh1e\tqh1g&&&&\enotes -\OrgNotes&\ibbu2i0\qh2j\qh2e\qh2g\tqh2j&&&&\enotes -\temps\OrgNotes\zhl a\raise 5\Interligne\hbox{\qs}\qupp c&\ds&\oct - \tten5\ibl4c0\qb4j&&\tten4\cu j&&&&\enotes -\OrgNotes&\ibbu1f3\qh1e\tqh1g&\oct - \qb4c&\rlap{---}&\Ibu5ce4\qh5c&&&&\enotes -\OrgNotes&\ibbu2i0\qh2j\qh2e&\oct - \qb4d&ne\rlap{---}&\qh5d&&&&\enotes -\OrgNotes&\qh2g\tqh2j&\oct - \tqb4e&&\tqh5e&&&&\enotes -\barre - %\check -%Takt 14 -\OrgNotes\zhl K\raise 3.5\Interligne\hbox{\qs}\qupp a&\ds&\oct\bigaccid - \qlp{^f}&\rlap{dic---}&\bigaccid\qup {^f}&&&&\enotes -\OrgNotes&\ibbu1f3\qh1d\bigaccid\qsk\tqh1{^f}&&&&\enotes -\OrgNotes&\ibbu2i0\qh2j\qh2d&&&&\enotes -\OrgNotes&\qh2f\tqh2j&\oct - \cl e&&\cu e&&&&\enotes -\temps\OrgNotes\zhl K\raise 3.5\Interligne\hbox{\qs}\qupp a&\ds&\oct - \ql d&\rlap{---}&\qu d&&&&\enotes -\OrgNotes&\ibbu1f3\qh1d\tqh1f&&&&\enotes -\OrgNotes&\ibbu2i0\qh2j\qh2d\qh2f\tqh2j&\oct - \ql a&ta&\qu a&&&&\enotes -\barre - %\check -%Takt 15 -\def\atnextline{\staffbotmarg3\Interligne}% -\OrgNotes\zhl N\raise 4.2\Interligne\hbox{\qs}\qupp b&\ds&\oct - \hl b&tu&\hu b&&&&\enotes -\OrgNotes&\ibbu1f3\qh1d\tqh1g&&&&\enotes -\OrgNotes&\ibbu2i0\qh2i\qh2d\qh2g\tqh2i&&&&\enotes -\temps\OrgNotes\zhl N\raise 4.2\Interligne\hbox{\qs}\qupp b&\ds&\qp&&\qp&&&&\enotes -\OrgNotes&\ibbu1f3\qh1d\tqh1g&&&&\enotes -\OrgNotes&\ibbu2i0\qh2i\qh2d\qh2g\tqh2i&\oct - \ql d&in&\qu d&&&&\enotes -\barre - %\check -%Takt 16 -\OrgNotes\zhl N\raise 4.2\Interligne\hbox{\qs}\bigaccid\qsk\qupp{_b}&\ds&\oct - \itenu5e\hl e&mu\rlap{---}&\itenl4e\hu e&&&&\enotes -\OrgNotes&\ibbu1f3\qh1e\tqh1g&&&&\enotes -\OrgNotes&\bigaccid\qsk\ibbu2i0\qh2{^j}\qh2e\qh2g\tqh2j&&&&\enotes -\temps\OrgNotes\zhl N\raise 4.2\Interligne\hbox{\qs}\qupp b&\ds&\oct - \tten5\ibl5e1\qb5e&&\tten4\cu e&&&&\enotes -\OrgNotes&\ibbu1f3\qh1e\tqh1g&\oct - \qb5e&li\rlap{---}&\Ibu4eg4\qh4e&&&&\enotes -\OrgNotes&\ibbu2i0\qh2j\qh2e&\oct - \qb5f&&\qh4f&&&&\enotes -\OrgNotes&\qh2g\tqh2j&\oct - \tqb5g&&\tqh4g&&&&\enotes -\barre - %\check -%Takt 17 -\OrgNotes\zhl M\raise 3.8\Interligne\hbox{\qs}\qupp a&\ds&\oct - \hl h&e\rlap{---}&\ppt h\qu h&&&&\enotes -\OrgNotes&\ibbu1g3\qh1d\tqh1h&&&&\enotes -\OrgNotes&\ibbu2i0\qh2k\qh2d\qh2h&&&&\enotes -\OrgNotes&\tqh2k&&ri-&\ccu a&&&&\enotes -\temps\OrgNotes\zhl M\raise 3.8\Interligne\hbox{\qs}\qupp a&\ds&\oct - \ql a&bus&\qu a&&&&\enotes -\OrgNotes&\ibbu1g3\qh1d\tqh1h&&&&\enotes -\OrgNotes&\ibbu2i0\qh2k\qh2d\qh2h\tqh2k&\qp&&\qp&&&&\enotes -\barre - %\check -%Takt 18 -\OrgNotes\zhl M\raise 3.8\Interligne\hbox{\qs}\bigaccid\qsk\qupp{_a}&\ds&\oct - \itenu5d\hl d&et\rlap{---}&\itenl4d\hu d&&&&\enotes -\OrgNotes&\ibbu1f3\qh1d\tqh1f&&&&\enotes -\OrgNotes&\ibbu2i0\qh2i\qh2d\qh2f\tqh2i&&&&\enotes -\temps\OrgNotes\zhl M\raise 3.8\Interligne\hbox{\qs}\qupp a&\ds&\oct - \tten5\ibl4d1\qb4d&&\tten4\cu d&&&&\enotes -\OrgNotes&\ibbu1f3\qh1d\tqh1f&\oct - \qb4d&be\rlap{---}&\Ibu5df4\qh5d&&&&\enotes -\OrgNotes&\ibbu2i0\qh2i\qh2d&\oct - \qb4e&&\qh5e&&&&\enotes -\OrgNotes&\qh2f\tqh2i&\oct - \tqb4f&ne-&\tqh5f&&&&\enotes -\barre - %\check -%Takt 19 -\OrgNotes\zhl L\raise 3.5\Interligne\hbox{\qs}\qupp N&\ds&\oct - \hl g&\rlap{dic---}&\hu g&&&&\enotes -\OrgNotes&\ibbu1f3\qh1c\tqh1g&&&&\enotes -\OrgNotes&\ibbu2i0\qh2j\qh2c\qh2g\tqh2j&&&&\enotes -\temps\OrgNotes\zhl L\raise 3.5\Interligne\hbox{\qs}\qupp N&\ds&\oct - \qu N&tus&\qu N&&&&\enotes -\OrgNotes&\ibbu1f3\qh1c\tqh1g&&&&\enotes -\OrgNotes&\ibbu2i0\qh2j\qh2c\qh2g\tqh2j&\qp&&\qp&&&&\enotes -\barre - %\check -%Takt 20 -\OrgNotes\zhl L\raise 3.5\Interligne\hbox{\qs}\qupp M&\ds&\oct - \itenu5c\hl c&fruc\rlap{---}&\itenl4c\hu c&&&&\enotes -\OrgNotes&\ibbu1c3\qh1a\tqh1c&&&&\enotes -\OrgNotes&\ibbu2e0\qh2f\qh2a\qh2c\tqh2f&&&&\enotes -\temps\OrgNotes\zhl L\raise 3.5\Interligne\hbox{\qs}\qupp M&\ds&\oct - \tten5\ibl4c1\qb4c&&\tten4\cu c&&&&\enotes -\OrgNotes&\ibbu1c3\qh1a\tqh1c&\oct - \qb4c&tus&\Ibu5ce4\qh5c&&&&\enotes -\OrgNotes&\ibbu2e0\qh2f\qh2a&\oct - \qb4d&&\qh5d&&&&\enotes -\OrgNotes&\qh2c\tqh2f&\oct - \tqb4e&&\tqh5e&&&&\enotes -\barre - %\check -%Takt 21 -\OrgNotes\zhl K\raise 3\Interligne\hbox{\qs}\qupp M&\ds&\oct - \itenu5f\hl f&vent\rlap{---}&\itenl4f\hu f&&&&\enotes -\OrgNotes&\ibbu1c3\qh1a\tqh1c&&&&\enotes -\OrgNotes&\ibbu2e0\qh2f\qh2a\qh2c\tqh2f&&&&\enotes -\temps\OrgNotes\zhl K\raise 3\Interligne\hbox{\qs}\qupp M&\ds&\oct - \tten5\ibl4f1\qb4f&&\tten4\cu f&&&&\enotes -\OrgNotes&\ibbu1c3\qh1a\tqh1c&\oct - \qb4f&ris&\Ibu5fh4\qh5f&&&&\enotes -\OrgNotes&\ibbu2e0\qh2f\qh2a&\oct - \qb4g&&\qh5g&&&&\enotes -\OrgNotes&\qh2c\tqh2f&\oct - \tqb4h&&\tqh5h&&&&\enotes -\barre - %\check -%Takt 22 -\OrgNotes\zhl G\raise 1.6\Interligne\hbox{\qs}\qupp K&\ds&\oct - \qlp i&tu--&\qlp i&&&&\enotes -\OrgNotes&\ibbu1b3\qh1N\tqh1b&&&&\enotes -\OrgNotes&\ibbu2e0\qh2f\qh2N&&&&\enotes -\OrgNotes&\qh2b\tqh2f&\oct - \cl h&i,&\cl h&&&&\enotes -\temps\OrgNotes\zhl G\raise 1.6\Interligne\hbox{\qs}\qupp K&\ds&\oct - \ql g&\rlap{Je---}&\qu g&&&&\enotes -\OrgNotes&\ibbu1b3\qh1N\tqh1b&&&&\enotes -\OrgNotes&\ibbu2e0\qh2f\qh2N\qh2b\tqh2f&\oct - \ql d&&\qu d&&&&\enotes -\barre - %\check -%Takt 23 -\OrgNotes\zhl J\raise 2\Interligne\hbox{\qs}\qupp L&\ds&\oct - \hlp e&sus.&\hup e&&&&\enotes -\OrgNotes&\ibbu1b3\qh1N\tqh1c&&&&\enotes -\OrgNotes&\ibbu2d0\qh2e\qh2N\qh2c\tqh2e&&&&\enotes -\temps\OrgNotes\zhl J\raise 2\Interligne\hbox{\qs}\qupp L&\ds&\oct - &&&&&&\enotes -\OrgNotes&\ibbu1b3\qh1N\tqh1c&\oct - &&&&&&\enotes -\OrgNotes&\ibbu2d0\qh2e\qh2N\qh2c\tqh2e&\oct - \pt a\ds\sk\sk\cl e&&\qp&&&&\enotes -\barre - %\check -%Takt 24 -\OrgNotes\zhl J\raise 2\Interligne\hbox{\qs}\qupp N&\ds&\oct - \hl g&\rlap{Sanc---}&\hu g&&&&\enotes -\OrgNotes&\bigaccid\ibbu1b3\qh1{_b}\tqh1c&&&&\enotes -\OrgNotes&\ibbu2d0\qh2e\qh2b\qh2c\tqh2e&&&&\enotes -\temps\OrgNotes\zhl J\raise 2\Interligne\hbox{\qs}\qupp N&\ds&\oct - \ql e&ta&\qu e&&&&\enotes -\OrgNotes&\ibbu1b3\qh1b\tqh1c&&&&\enotes -\OrgNotes&\ibbu2d0\qh2e\qh2b\qh2c&\oct - \pt a\ds&&\pt h\ds&&&&\enotes -\OrgNotes&\tqh2e&\oct - \ccl e&\rlap{\kern -\Interligne Ma-}&\ccu e&&&&\enotes -\barre - %\check -%Takt 25 -\OrgNotes\zhl F\raise 2\Interligne\hbox{\qs}\qupp M&\ds&\oct - \hl h&ri\rlap{---}&\hu h&&&&\enotes -\OrgNotes&\ibbu1b3\qh1a\tqh1c&&&&\enotes -\OrgNotes&\ibbu2d0\qh2e\qh2a\qh2c\tqh2e&&&&\enotes -\temps\OrgNotes\zhl F\raise 2\Interligne\hbox{\qs}\qupp M&\ds&\oct - \ql a&a,&\qu a&&&&\enotes -\OrgNotes&\ibbu1b3\qh1a\tqh1c&&&&\enotes -\OrgNotes&\ibbu2d0\qh2e\qh2a\qh2c\tqh2e&\oct - \qp&&\qp&&&&\enotes -\barre - %\check -%Takt 26 -\OrgNotes\bigaccid\zhl {^F}\raise\Interligne\hbox{\qs}\qupp J&\ds&\oct - \hl h&\rlap{sanc---}&\hu h&&&&\enotes -\OrgNotes&\ibbu1b3\qh1a\tqh1c&&&&\enotes -\OrgNotes&\bigaccid\qsk\ibbu2d0\qh2{_e}\qh2a\qh2c\tqh2e&&&&\enotes -\temps\OrgNotes\zhl F\raise\Interligne\hbox{\qs}\qupp J&\ds&\oct - \ql c&ta&\qu c&&&&\enotes -\OrgNotes&\ibbu1b3\qh1a\tqh1c&&&&\enotes -\OrgNotes&\ibbu2d0\qh2e\qh2a\qh2c&\oct\qsk - \pt a\ds&&\qsk\pt h\ds&&&&\enotes -\OrgNotes&\tqh2e&\oct - \ccl h&\rlap{\kern -\Interligne Ma-}&\ccu h&&&&\enotes -\barre - %\check -%Takt 27 -\OrgNotes\zhl G\raise 1.6\Interligne\hbox{\qs}\qsk\bigaccid\qupp {_L}&\ds&\oct - \hl j&ri\rlap{---}&\hl j&&&&\enotes -\OrgNotes&\ibbu1b3\qh1b\tqh1c&&&&\enotes -\OrgNotes&\bigaccid\qsk\ibbu2d0\qh2{_e}\qh2b\qh2c\tqh2e&&&&\enotes -\temps\OrgNotes\zhl G\raise 1.6\Interligne\hbox{\qs}\qupp L&\ds&\oct - \bigaccid\ql{_e}&a,&\bigaccid\qu{_e}&&&&\enotes -\OrgNotes&\ibbu1b3\qh1b\tqh1c&&&&\enotes -\OrgNotes&\ibbu2d0\qh2e\qh2b\qh2c&\oct - \pt a\ds&&\pt j\ds&&&&\enotes -\OrgNotes&\tqh2e&\oct - \ccl j&\rlap{\kern -\Interligne Ma-}&\ccl j&&&&\enotes -\barre - %\check -%Takt 28 -\OrgNotes\bigaccid\zhl {_H}\raise 2\Interligne\hbox{\qs}\qupp M&\ds&\oct - \hl j&ri\rlap{---}&\hl j&&&&\enotes -\OrgNotes&\ibbu1b3\qh1b\tqh1c&&&&\enotes -\OrgNotes&\ibbu2d0\qh2d\qh2b\qh2c\tqh2d&&&&\enotes -\temps\OrgNotes\zhl H\raise 2\Interligne\hbox{\qs}\qupp M&\ds&\oct - \ql d&a!&\qu d&&&&\enotes -\OrgNotes&\ibbu1b3\qh1b\tqh1c&&&&\enotes -\OrgNotes&\ibbu2d0\qh2d\qh2b\qh2c\tqh2d&\oct - \pt a\ds\sk\sk\ccl d&&\qp&&&&\enotes -\barre - %\check -%Takt 29 -\OrgNotes\zhl G\raise 2\Interligne\hbox{\qs}\qupp M&\ds&\oct - \itenu5d\hl d&O\rlap{---}&\itenl4d\hu d&&&&\enotes -\OrgNotes&\ibbu1b3\qh1N\tqh1b&&&&\enotes -\OrgNotes&\ibbu2d0\qh2d\qh2N\qh2b\tqh2d&&&&\enotes -\temps\OrgNotes\zhl G\raise 2\Interligne\hbox{\qs}\qupp M&\ds&\oct - \tten5\ibl4d{-1}\qb4d&&\tten4\cu d&&&&\enotes -\OrgNotes&\ibbu1b3\qh1N\tqh1b&\oct - \qb4d&ra&\Ibu5db4\qh5d&&&&\enotes -\OrgNotes&\ibbu2d0\qh2d\qh2N&\oct - \qb4c&&\qh5c&&&&\enotes -\OrgNotes&\qh2b\tqh2d&\oct - \tqb4b&pro&\tqh5 b&&&&\enotes -\barre - %\check -%Takt 30 -\OrgNotes\zhl G\raise 2\Interligne\hbox{\qs}\qupp L&\ds&\oct - \qlp g&no\rlap{---}&\qup g&&&&\enotes -\OrgNotes&\ibbu1b3\qh1N\tqh1c&&&&\enotes -\OrgNotes&\ibbu2d0\qh2e\qh2N&&&&\enotes -\OrgNotes&\qh2c\tqh2e&\oct - \cl e&&\cu e&&&&\enotes -\temps\OrgNotes\zhl G\raise 2\Interligne\hbox{\qs}\qupp L&\ds&\oct - \ql c&bis,&\qu c&&&&\enotes -\OrgNotes&\ibbu1b3\qh1N\tqh1c&&&&\enotes -\OrgNotes&\ibbu2d0\qh2e\qh2N\qh2c\tqh2e&\oct - \qp&&\qp&&&&\enotes -\barre - %\check -%Takt 31 -\OrgNotes\zhl G\raise 1.6\Interligne\hbox{\qs}\qupp K&\ds&\oct - \itenu5f\hl f&no\rlap{---}&\itenl4f\hu f&&&&\enotes -\OrgNotes&\ibbu1b3\qh1N\tqh1c&&&&\enotes -\OrgNotes&\ibbu2e0\qh2f\qh2N\qh2c\tqh2f&&&&\enotes -\temps\OrgNotes\zhl G\raise 1.6\Interligne\hbox{\qs}\qupp K&\ds&\oct - \tten5\ibl4f{-1}\qb4f&&\tten4\cu f&&&&\enotes -\OrgNotes&\ibbu1b3\qh1N\tqh1c&\oct - \qb4f&bis&\Ibu5fd4\qh5f&&&&\enotes -\OrgNotes&\ibbu2e0\qh2f\qh2N&\oct - \qb4e&pec-&\qh5e&&&&\enotes -\OrgNotes&\qh2c\tqh2f&\oct - \tqb4d&ca-&\tqh5d&&&&\enotes -\barre - %\check -%Takt 32 -\OrgNotes\zhl G\raise 1.6\Interligne\hbox{\qs}\qupp K&\ds&\oct - \qlp k&to\rlap{---}&\qlp k&&&&\enotes -\OrgNotes&\ibbu1b3\qh1N\tqh1b&&&&\enotes -\OrgNotes&\ibbu2e0\qh2f\qh2N&&&&\enotes -\OrgNotes&\qh2b\tqh2f&\oct - \cl i&ri-&\cl i&&&&\enotes -\temps\OrgNotes\zhl G\raise 1.6\Interligne\hbox{\qs}\qupp K&\ds&\oct - \ql g&bus,&\qu g&&&&\enotes -\OrgNotes&\ibbu1b3\qh1N\tqh1b&&&&\enotes -\OrgNotes&\ibbu2e0\qh2f\qh2N\qh2b\tqh2f&\oct - \qp&&\qp&&&&\enotes -\barre - %\check -%Takt 33 -\OrgNotes\zhl G\raise 1.6\Interligne\hbox{\qs}\bigaccid\qsk\qupp {_L}&\ds&\oct - \itenu5h\hl h&nunc&\itenl4h\hu h&&&&\enotes -\OrgNotes&\ibbu1b3\qh1a\tqh1c&&&&\enotes -\OrgNotes&\bigaccid\qsk\ibbu2e0\qh2{^f}\qh2a\qh2c\tqh2f&&&&\enotes -\temps\OrgNotes\zhl G\raise 1.6\Interligne\hbox{\qs}\qupp L&\ds&\oct - \tten5\ibl4h1\qb4h&&\tten4\cu h&&&&\enotes -\OrgNotes&\ibbu1b3\qh1a\tqh1c&\oct - \qb4h&et\rlap{---}&\Ibu5hj4\qh5h&&&&\enotes -\OrgNotes&\ibbu2e0\qh2f\qh2a&\oct - \qb4i&&\qh5i&&&&\enotes -\OrgNotes&\qh2c\tqh2f&\oct - \tqb4j&in&\tqh5j&&&&\enotes -\barre - %\check -%Takt 34 -\OrgNotes\zhl G\raise 1.6\Interligne\hbox{\qs}\bigaccid\qsk\qupp {=L}&\ds&\oct - \itenu5l\hl l&\raise 3\internote\hbox{ho---}&\itenu4l\hl l&&&&\enotes -\OrgNotes&\ibbu1b3\qh1N\tqh1c&&&&\enotes -\OrgNotes&\ibbu2e0\qh2g\qh2N\qh2c\tqh2g&&&&\enotes -\temps\OrgNotes\zhl G\raise 1.6\Interligne\hbox{\qs}\qupp L&\ds&\oct - \tten5\ibl4j{-4}\qb4l&&\tten4\cl l&&&&\enotes -\OrgNotes&\ibbu1b3\qh1N\tqh1c&\oct - \qb4j&--&\Ibu5je4\qh5j&&&&\enotes -\OrgNotes&\ibbu2e0\qh2g\qh2N&\oct - \qb4g&ra,&\qh5g&&&&\enotes -\OrgNotes&\qh2c\tqh2g&\oct - \tqb4e&in&\tqh5e&&&&\enotes -\barre - %\check -%Takt 35 -\OrgNotes\zhl G\raise 1.6\Interligne\hbox{\qs}\qupp K&\ds&\oct - \itenu5d\hl d&ho\rlap{---}&\itenl4d\hu d&&&&\enotes -\OrgNotes&\ibbu1b3\qh1N\tqh1c&&&&\enotes -\OrgNotes&\ibbu2e0\qh2f\qh2N\qh2c\tqh2f&&&&\enotes -\temps\OrgNotes\zhl G\raise 1.6\Interligne\hbox{\qs}\qupp K&\ds&\oct - \tten5\ibl4d3\qb4d&&\tten4\ibu5g3\qh5d&&&&\enotes -\OrgNotes&\ibbu1b3\qh1N\tqh1c&\oct - \qb4h&&\tqh5h&&&&\enotes -\OrgNotes&\ibbu2e0\qh2f\qh2N&\oct - \qb4i&ra&\ibu5i{-1}\qh5i&&&&\enotes -\OrgNotes&\qh2c\tqh2f&\oct - \tqb4h&&\tqh5h&&&&\enotes -\barre - %\check -%Takt 36 -\OrgNotes\zhl G\raise 1.6\Interligne\hbox{\qs}\qupp K&\ds&\oct - \ibl4h{-3}\usf h\qb4h&\rlap{mor---}&\ibu5j2\qh5g&&&&\enotes -\OrgNotes&\ibbu1b3\qh1N\tqh1b&\oct - \usf g\qb4g&&\tqh5k&&&&\enotes -\OrgNotes&\ibbu2e0\qh2f\qh2N&\oct - \usf f\qb4f&tis&\ibu5i{-2}\qh5i&&&&\enotes -\OrgNotes&\qh2b\tqh2f&\oct - \usf d\tqb4d&&\tqh5g&&&&\enotes -\temps\OrgNotes\zhl G\raise 1.6\Interligne\hbox{\qs}\qupp K&\ds&\relax - \lsf i\ibu4i{-3}\qh4i&nos-&\ibu5f{-2}\qh5f&&&&\enotes -\OrgNotes&\ibbu1b3\qh1N\tqh1b&\relax - \lsf h\qh4h&&\tqh5d&&&&\enotes -\OrgNotes&\ibbu2e0\qh2f\qh2N&\relax - \lsf f\qh4f&tr\ae.&\ibu5b{-2}\qh5b&&&&\enotes -\OrgNotes&\qh2b\tqh2f&\relax - \lsf d\tqh4d&&\tqh5N&&&&\enotes -\barre - %\check -%Takt 37 -\OrgNotes\zhu C\raise\Interligne\hbox{\qs}\qupp J&\ds&\relax - \hup c&A\rlap{---}&\itenl4c\hu c&&&&\enotes -\OrgNotes&\ibbu1b3\qh1N\tqh1c&&&&&\enotes -\OrgNotes&\ibbu2d0\qh2e\qh2N\qh2c\tqh2e&&&&\enotes -\temps\OrgNotes\zhl J\raise2\Interligne\hbox{\qs}\qupp L&\ds&&\rlap{men.}&\tten4\qu c&&&&\enotes -\OrgNotes&\ibbu1b3\qh1N\tqh1c&&&\uptext{R\'ecit (doux)}&&&&\enotes -\OrgNotes&\ibbu2d0\qh2e\qh2N\qh2c\tqh2e&\qp&&\qp&&&&\enotes -\barre - %\check -%Takt 38 -\def\orgNotes#1\enotes{\Notes#1&\relax#4\enotes}% -\def\orgNOTes#1\enotes{\NOTes#1&\relax#4\enotes}% -\orgNotes\zhl c\raise 5.5\Interligne\qs\qupp e&\ds&&\wh l&A\rlap{---}&&&&&\enotes -\orgNotes&\ibbl0j3\qb0g\tqb0j&&&&&&\enotes -\orgNotes&\ibbl1k0\qb1l\qb1g\qb1j\tqb1l&&\raise -2\Interligne\hpause&&&&&\enotes -\temps\orgNotes\zhl c\raise 5.5\Interligne\qs\qupp e&\ds&&\hl g&&&&&&\enotes -\orgNotes&\ibbl2j3\qb2g\tqb2j&&&&&&&\enotes -\orgNotes&\ibbl3k0\qb3l\qb3g\qb3j\tqb3l&&&&&&&\enotes -\barre - %\check -%Takt 39 -\orgNotes\zhl c\raise 5.5\Interligne \hbox{\qs}\qupp d&\ds&&\wh m&ve&&&&&&&\enotes -\orgNotes&\ibbl1j3\qb1h\tqb1k&&&&&&&&\enotes -\orgNotes&\ibbl2k0\qb2m\qb2h\qb2k\tqb2m&&\raise -2\Interligne\hpause&&&&&\enotes -\temps\orgNotes\zhl c\raise 5.5\Interligne\qs\qupp d&\ds&&\hl h&&&&&&&&&\enotes -\orgNotes&\ibbl1j3\qb1h\tqb1k&&&&&&&\enotes -\orgNotes&\ibbl2k0\qb2m\qb2h&&&&&&&\enotes -\orgNotes&\qb2k\tqb2m&&&\rlap{\kern -\Interligne Ma-}&\cu f&&&&&&\enotes -\barre - %\check -%Takt 40 -\orgNotes\zhl b\raise 5.5\Interligne \hbox{\qs}\qupp d&\ds&\itenu3g\wh g&\zhl i\hup n&&&&&&&\enotes -\orgNotes&\ibbl1j3\qb1g\tqb1k&&&&&&\enotes -\orgNotes&\ibbl2k0\qb2m\qb2g\qb2k\tqb2m&&&&&&\enotes -\temps\orgNotes\zhl b\raise 5.5\Interligne\qs\qupp d&\ds&&\hl f&&&&&&\enotes -\orgNotes&\ibbl1j3\qb1g\tqb1k&&&&&&\enotes -\orgNotes&\ibbl2k0\qb2m\qb2g\qb2k\tqb2m&&\qu k&&&&&&\enotes -\barre - %\check -%Takt 41 -\orgNotes\zhl c\raise 5.5\Interligne \hbox{\qs}\qupp e&\ds&\tten3\zw e\wh - g&\zhlp g\hup l&&&&&&&&&\enotes -\orgNotes&\ibbl0j3\qb0g\tqb0j&&&&&&&&\enotes -\orgNotes&\ibbl1k0\qb1l\qb1g\qb1j\tqb1l&&&&&&&&\enotes -\temps\orgNotes\zhl c\raise 5.5\Interligne \hbox{\qs}\qupp e&\ds&&&&&&&&&&&\enotes -\orgNotes&\ibbl2j3\qb2g\tqb2j&&&&&&&&&&&\enotes -\orgNotes&\ibbl3k0\qb3l\qb3g\qb3j\tqb3l&&\qp&&\qp&&&&&&&&\enotes -\barre - %\check -%Takt 42 -\orgNotes\zhl c\raise 5.5\Interligne \hbox{\qs}\qupp e&\ds&\hu h&\relax - {\roffset{0.3}{\zhu j}}\oct - \itenu5h\hl h&gra\rlap{---}&\itenl4h\hu h&&&&&&&&\enotes -\orgNotes&\ibbl0j3\qb0h\tqb0l&&&&&&&&\enotes -\orgNotes&\ibbl1k0\qb1o\qb1h\qb1l\tqb1o&&&&&&&&\enotes -\temps\orgNotes\zhl c\raise 5.5\Interligne \hbox{\qs}\qupp -e&\ds&&{\roffset {0.3}{\zhu l}}\oct - \tten5\ibl4a0\qb4h&&\tten4\ibu5g{-3}\qh5h&&&&&&&&\enotes -\orgNotes&\ibbl0j3\qb0h\tqb0l&&\oct\qb4a&\rlap{---}&\tqh5a&&&&&&&&\enotes -\orgNotes&\ibbl1k0\qb1o\qb1h&&\oct\qb4b&ti-&\cu b&&&&&&&&\enotes -\orgNotes&\qb1l\tqb1o&&\oct\tqb4c&a&\cu c&&&&&&&&\enotes -\barre - %\check -%Takt 43 -\orgNotes\zhl c\raise 5.5\Interligne \hbox{\qs}\qupp d&\ds&\bigaccid\zw{^f}&\itenu5o{\zhu o}\oct - \qlp d&ple\rlap{---}&\Ilegu4k\qup d&&&&&&&&\enotes -\orgNotes&\ibbu1g3\bigaccid\qh1{^f}\tqh1h&&&&&&&&\enotes -\orgNotes&\ibbu2i0\qh2k\qh2f&&&&&&&&\enotes -\orgNotes&\qh2h\tqh2k&&\oct \cl e&&\tleg4\cu e&&&&&&&&\enotes -\temps\orgNotes\zhl c\raise 5.5\Interligne \hbox{\qs}\qupp d&\ds&&\tten5{\ibu3m{-2}\zqh3o}\oct - \ql d&na,&\qu d&&&&&&&&\enotes -\orgNotes&\ibbu1g3\qh1f\tqh1h&&{\qh3h}&&&&&&&\enotes -\orgNotes&\ibbu2i0\qh2k\qh2f\qh2h\tqh2k&&\raise -2\Interligne\rlap{\qp}{\qh3i\sk\tqh3j}&&\qp&&&&&&&&\enotes -\barre - %\check -%Takt 44 -\orgNotes\zhl b\raise 5.5\Interligne \hbox{\qs}\qupp d&\ds&\zw g&\relax - \rlap{\roffset{0.3}{\qupp k}}\oct - \normalnotesize\itenu5g\hl g&Do\rlap{---}&\itenu4g\hu g&&&&&&&&\enotes -\orgNotes&\ibbl1j3\qb1g\tqb1k&&&&&&&&\enotes -\orgNotes&\ibbl2k0\qb2n\qb2g\qb2k\tqb2n&&\sk\sk\sk\ccu l&&&&&&&\enotes -\temps\orgNotes\zhl b\raise 5.5\Interligne \hbox{\qs}\qupp d&\ds&&\roffset {0.5}{\zhu k}\oct - \normalnotesize\tten5\ibl4N0\qb4g&&\tten4\ibu5f{-3}\qh5g&&&&&&&&\enotes -\orgNotes&\ibbl1j3\qb1g\tqb1k&&\oct - \qb4N&\rlap{---}&\tqh5N&&&&&&&&\enotes -\orgNotes&\ibbl2k0\qb2n\qb2g&&\oct - \qb4a&mi-&\cu a&&&&&&&&\enotes -\orgNotes&\qb2k\tqb2n&&\oct - \tqb4b&nus&\cu b&&&&&&&&\enotes -\def\atnextline{\autolines{25}35}\relax -\barre - %\check -%Takt 45 -\orgNotes\zhl b\raise 5.5\Interligne \hbox{\qs}\qupp c&\ds&\itenl4e\zw e&{\itenu3n\zhu n}\oct - \qlp c&te\rlap{---}&\Ilegu2j\qup c&&&&&&&&\enotes -\orgNotes&\ibbu1f3\qh1e\tqh1g&&&&&&&&\enotes -\orgNotes&\ibbu2i0\qh2j\qh2e&&&&&&&&\enotes -\orgNotes&\qh2g\tqh2j&&\oct - \cl d&&\tleg2\cu d&&&&&&&&\enotes -\temps\orgNotes\zhl b\raise 5.5\Interligne \hbox{\qs}\qupp c&\ds&&{\tten3\ibu3l{-3}\zqh3n}\oct - \ql c&cum,&\qu c&&&&&&&&\enotes -\orgNotes&\ibbu1f3\qh1e\tqh1g&&\qh3g&&&&&&&&\enotes -\orgNotes&\ibbu2i0\qh2j\qh2e\qh2g\tqh2j&&\raise -2.5\Interligne\rlap{\qp}\qh3h\sk\tqh3i&\qp&\qp&&&&&&&&\enotes -% -\barre - %\check -%Takt 46 -\orgNotes\zhl a\raise 5\Interligne\hbox{\qs}\qupp c&\ds&\tten4\zw e&\relax - {\roffset{0.3}{\zhl j}}\oct - \itenu5j\hu j&be\rlap{---}&\itenu4j\hu j&&&&&&&&\enotes -\orgNotes&\ibbu1f3\qh1e\tqh1g&&&&&&&&\enotes -\orgNotes&\ibbu2i0\qh2j\qh2e\qh2g\tqh2j&&&&&&&&\enotes -\temps\orgNotes\zhl a\raise 5\Interligne\qs\qupp c&\ds&&{\zql h}\oct - \tten5\cu j&&\tten4\cl j&&&&&&&&\enotes -\orgNotes&\ibbu1f3\qh1e\tqh1g&&\oct - \Ibu4ce4\qh4c&\rlap{---}&\Ibl5ce4\qh5c&&&&&&&&\enotes -\orgNotes&\ibbu2i0\qh2j\qh2e&&{\zql g}\oct - \qh4d&ne\rlap{---}&\ibu5e1\qh5d&&&&&&&&\enotes -\orgNotes&\qh2g\tqh2j&&\oct - \tqh4e&&\tqh5e&&&&&&&&\enotes -\barre - %\check -%Takt 47 -\orgNotes\zhl K\raise 3.5\Interligne\hbox{\qs}\qupp a&\ds - &&\bigaccid\zhlp h\oct - \qup{^f}&\rlap{dic---}&\bigaccid\Ilegu4l\qup {^f}&&&&&&&&\enotes -\orgNotes&\ibbu1f3\qh1d\bigaccid\qsk\tqh1{^f}&&&&&&&&\enotes -\orgNotes&\ibbu2i0\qh2j\qh2d&&&&&&&&\enotes -\orgNotes&\qh2f\tqh2j&&\oct - \cu e&&\tleg4\cu e&&&&&&&&\enotes -\temps\orgNotes\zhl K\raise 3.5\Interligne\hbox{\qs}\qupp a&\ds&&\oct - \qu d&\rlap{---}&\qu d&&&&&&&&\enotes -\orgNotes&\ibbu1f3\qh1d\tqh1f&&&&&&&&\enotes -\orgNotes&\ibbu2i0\qh2j\qh2d\qh2f\tqh2j&&\oct - \zql a\qu a&ta&\qu a&&&&&&&&\enotes -\barre - %\check -%Takt 48 -\orgNotes\zhl N\raise 4.2\Interligne\hbox{\qs}\qupp b&\ds&&\relax - {\zw g}\oct \hu b&tu&\hu b&&&&&&&&\enotes -\orgNotes&\ibbu1f3\qh1d\tqh1g&&&&&&&&\enotes -\orgNotes&\ibbu2i0\qh2i\qh2d\qh2g\tqh2i&&&&&&&&\enotes -\temps\orgNotes\zhl N\raise 4.2\Interligne\qs\qupp b&\ds&&\relax - \raise\Interligne\qp&&\qp&&&&&&&&\enotes -\orgNotes&\ibbu1f3\qh1d\tqh1g&&&&&&&&\enotes -\orgNotes&\ibbu2i0\qh2i\qh2d\qh2g\tqh2i&&\oct - \qu d&in&\qu d&&&&&&&&\enotes -\barre - %\check -%Takt 49 -\orgNotes\zhl N\raise 4.2\Interligne\hbox{\qs}\bigaccid\qsk\qupp{_b}&\ds&&{\zw{^j}}\oct - \itenu5e\hu e&mu\rlap{---}&\itenl4e\hu e&&&&&&&&\enotes -\orgNotes&\ibbu1f3\qh1e\tqh1g&&&&&&&&\enotes -\orgNotes&\bigaccid\qsk\ibbu2i0\qh2{^j}\qh2e\qh2g\tqh2j&&&&&&&&\enotes -\temps\orgNotes\zhl N\raise 4.2\Interligne\hbox{\qs}\qupp b&\ds&&\oct - \tten5\cu e&&\tten4\cu e&&&&&&&&\enotes -\orgNotes&\ibbu1f3\qh1e\tqh1g&&\oct - \Ibu5eg4\qh5e&li\rlap{---}&\Ibu4eg4\qh4e&&&&&&&&\enotes -\orgNotes&\ibbu2i0\qh2j\qh2e&&\oct - \qh5f&&\qh4f&&&&&&&&\enotes -\orgNotes&\qh2g\tqh2j&&\oct - \tqh5g&&\tqh4g&&&&&&&&\enotes -\barre - %\check -%Takt 50 -\orgNotes\zhl M\raise 3.8\Interligne\hbox{\qs}\qupp a&\ds&\itenu3o\hu o&\relax - \rlap{\hlp k}\oct \itenu4h\hu h&e\rlap{---}&\ppt h\qu h&&&&&&&&\enotes -\orgNotes&\ibbu1g3\qh1d\tqh1h&&&&&&&&\enotes -\orgNotes&\ibbu2i0\qh2k\qh2d\qh2h&&&&&&&&\enotes -\orgNotes&\tqh2k&&&ri-&\ccu a&&&&&&&&\enotes -\temps\orgNotes\zhl M\raise 3.8\Interligne\qs\qupp a&\ds&\tten3&\tten4\relax - \oct \cu h&bus&\qu a&&&&&&&&\enotes -\orgNotes&\ibbu1g3\qh1d\tqh1h&&{\Ibu3hj4\qh3h}&&&&&&&\enotes -\orgNotes&\ibbu2i0\qh2k\qh2d\qh2h\tqh2k&&\qh3i\sk\tqh3j&&\qp&&&&&&&&\enotes -\barre - %\check -%Takt 51 -\orgNotes\zhl M\raise 3.8\Interligne\hbox{\qs}\bigaccid\qsk\qupp{_a}&\ds&\bigaccid - \hu r&\bigaccid\zw {=i}\oct\itenu5d\hu d&et\rlap{---}&\itenl4d\hu d&&&&&&&&\enotes -\orgNotes&\ibbu1f3\qh1d\tqh1f&&&&&&&&\enotes -\orgNotes&\ibbu2i0\qh2i\qh2d\qh2f\tqh2i&&&&&&&&\enotes -\temps\orgNotes\zhl M\raise 3.8\Interligne\hbox{\qs}\qupp a&\ds&\hu k&\oct - \tten5\cu d&&\tten4\cu d&&&&&&&&\enotes -\orgNotes&\ibbu1f3\qh1d\tqh1f&&\oct - \Ibu4df4\qh4d&be\rlap{---}&\ibu5e1\qh5d&&&&&&&&\enotes -\orgNotes&\ibbu2i0\qh2i\qh2d&&\oct - \qh4e&&\tqh5e&&&&&&&&\enotes -\orgNotes&\qh2f\tqh2i&&\oct - \tqh4f&ne-&\cu f&&&&&&&&\enotes -\barre - %\check -%Takt 52 -\orgNotes\zhl L\raise 3.5\Interligne\hbox{\qs}\qupp N&\ds&\itenu3n\hu -n&{\zhlp j}\oct - \itenu4g\hu g&\rlap{dic---}&\hu g&&&&&&&&\enotes -\orgNotes&\ibbu1f3\qh1c\tqh1g&&&&&&&&\enotes -\orgNotes&\ibbu2i0\qh2j\qh2c\qh2g\tqh2j&&&&&&&&\enotes -\temps\orgNotes\zhl L\raise 3.5\Interligne\hbox{\qs}\qupp N&\ds&\tten3\ibl3n{3}\qb3n&\oct - \tten4\cu g&tus&\qu N&&&&&&&&\enotes -\orgNotes&\ibbu1f3\qh1c\tqh1g&\qb3n&\Ibu4gi4\qh4g&&&&&&\enotes -\orgNotes&\ibbu2i0\qh2j\qh2c\qh2g\tqh2j&\qb3o\sk\tqb3p&\qh4h\sk\tqh4i&&\qp&&&&&&&&\enotes -\barre - %\check -%Takt 53 -\orgNotes\zhl L\raise 3.5\Interligne\hbox{\qs}\qupp M&\ds&\zw h\hu -q&{\zw h}\oct - \itenu5c\hu c&fruc\rlap{---}&\itenl4c\hu c&&&&&&&&\enotes -\orgNotes&\ibbu1c3\qh1a\tqh1c&&&&&&&&\enotes -\orgNotes&\ibbu2e0\qh2f\qh2a\qh2c\tqh2f&&&&&&&&\enotes -\temps\orgNotes\zhl L\raise 3.5\Interligne\hbox{\qs}\qupp M&\ds&\itenu3j\hu j&\oct - \tten5\cu c&&\tten4\cu c&&&&&&&&\enotes -\orgNotes&\ibbu1c3\qh1a\tqh1c&&\oct - \Ibu4ce4\qh4c&tus&\ibu5d1\qh5c&&&&&&&&\enotes -\orgNotes&\ibbu2e0\qh2f\qh2a&&\oct - \qh4d&&\qh5d&&&&&&&&\enotes -\orgNotes&\qh2c\tqh2f&&\oct - \tqh4e&&\tqh5e&&&&&&&&\enotes -\barre - %\check -%Takt 54 -\orgNotes\zhl K\raise 3\Interligne\hbox{\qs}\qupp M&\ds&\tten3\zw c\hu j&\relax - {\zw j}\oct - \itenu5f\hu f&vent\rlap{---}&\itenl4f\hu f&&&&&&&&\enotes -\orgNotes&\ibbu1c3\qh1a\tqh1c&&&&&&&&\enotes -\orgNotes&\ibbu2e0\qh2f\qh2a\qh2c\tqh2f&&&&&&&&\enotes -\temps\orgNotes\zhl K\raise 3\Interligne\hbox{\qs}\qupp M&\ds&&\oct - \tten5\cu f&&\tten4\cu f&&&&&&&&\enotes -\orgNotes&\ibbu1c3\qh1a\tqh1c&\hu h&\oct - \Ibu4fh4\qh4f&ris&\ibu5g1\qh5f&&&&&&&&\enotes -\orgNotes&\ibbu2e0\qh2f\qh2a&&\oct - \qh4g&&\qh5g&&&&&&&&\enotes -\orgNotes&\qh2c\tqh2f&&\oct - \tqh4h&&\tqh5h&&&&&&&&\enotes -\barre - %\check -%Takt 55 -\orgNotes\zhl G\raise 1.6\Interligne\hbox{\qs}\qupp K&\ds&\zw b\hu -g&{\zqlp n}\oct - \qup i&tu--&\Ilegu4k\qlp i&&&&&&&&\enotes -\orgNotes&\ibbu1b3\qh1N\tqh1b&&&&&&&&\enotes -\orgNotes&\ibbu2e0\qh2f\qh2N&&&&&&&&\enotes -\orgNotes&\qh2b\tqh2f&&\oct - \cu h&i,&\tleg4\cl h&&&&&&&&\enotes -\temps\orgNotes\zhl G\raise 1.6\Interligne\qs\qupp K&\ds&&\relax - \rlap{\roff{\hl m}}\oct \qu g&\rlap{Je---}&\Ilegu5l\qu g&&&&&&&&\enotes -\orgNotes&\ibbu1b3\qh1N\tqh1b&&&&&&&&\enotes -\orgNotes&\ibbu2e0\qh2f\qh2N\qh2b\tqh2f&&\oct - \qu d&&\tleg5\qu d&&&&&&&&\enotes -\barre - %\check -%Takt 56 -\orgNotes\zhl J\raise 2\Interligne\hbox{\qs}\qupp L&\ds&&{\zhlp j}\oct - \hup e&sus.&\hup e&&&&&&&&\enotes -\orgNotes&\ibbu1b3\qh1N\tqh1c&&&&&&&&\enotes -\orgNotes&\ibbu2d0\qh2e\qh2N\qh2c\tqh2e&&&&&&&&\enotes -\temps\orgNotes\zhl J\raise 2\Interligne\hbox{\qs}\qupp L&\ds&\hu g&\oct - &&&&&&&&&&\enotes -\orgNotes&\ibbu1b3\qh1N\tqh1c&&\oct - &&&&&&&&&&\enotes -\orgNotes&\ibbu2d0\qh2e\qh2N\qh2c\tqh2e&&\oct - \pt a\ds\sk\sk\ccl e&&\qp&&&&&&&&\enotes -\barre - %\check -%Takt 57 -\orgNotes\zhl J\raise 2\Interligne\hbox{\qs}\qupp N&\ds&\zw e\relax - &{\bigfl i\zhlp i}\oct \hu g&&&&&&&\enotes -\orgNotes&\ibbu1b3\bigaccid\qh1{_b}\tqh1c&&&&&&&&\enotes -\orgNotes&\ibbu2d0\qh2e\qh2b\qh2c\tqh2e&&&&&&&&\enotes -\temps\orgNotes\zhl J\raise 2\Interligne\hbox{\qs}\qupp N&\ds&\hu l&\oct - \qu e&&&&&&&&\enotes -\orgNotes&\ibbu1b3\qh1b\tqh1c&&&&&&&&\enotes -\orgNotes&\ibbu2d0\qh2e\qh2b\qh2c&&\oct - \pt a\ds&&&&&&&&&\enotes -\orgNotes&\tqh2e&&\oct - \ccl e&&&&&&\enotes -\barre - %\check -%Takt 58 -\orgNotes\zhl F\raise 2\Interligne\hbox{\qs}\qupp M&\ds&\zhl c\itenl3e\itenu4h\zh e\hu -h&\itenu2j\zh j\hl o&ri\rlap{---}&\hu h&&&&&&&&\enotes -\orgNotes&\ibbu1b3\qh1a\tqh1c&&&&&&&&\enotes -\orgNotes&\ibbu2d0\qh2e\qh2a\qh2c\tqh2e&&&&&&&&\enotes -\temps\orgNotes\zhl F\raise 2\Interligne\hbox{\qs}\qupp M&\ds&\tten3\tten4\zh e\zhl h\hu -j&\tten2\zq j\ql h&&&&&&&&\enotes -\orgNotes&\ibbu1b3\qh1a\tqh1c&&&&&&&&\enotes -\orgNotes&\ibbu2d0\qh2e\qh2a\qh2c\tqh2e&&\oct - \qp&&\qp&&&&&&&&\enotes -\barre - %\check -%Takt 59 -\orgNotes\bigaccid\zhl {^F}\raise\Interligne\hbox{\qs}\qupp J&\ds&\bigaccid - \zw h\hu{_l}&{\bigfl l\zh l}\oct - \hl h&\rlap{sanc---}&\hu h&&&&&&&&\enotes -\orgNotes&\ibbu1b3\qh1a\tqh1c&&&&&&&&\enotes -\orgNotes&\qsk\bigaccid\ibbu2d0\qh2{_e}\qh2a\qh2c\tqh2e&&&&&&&&\enotes -\temps\orgNotes\zhl F\raise\Interligne\hbox{\qs}\qupp J&\ds&\hu -o&{\zq h}\oct - \ql c&ta&\qu c&&&&&&&&\enotes -\orgNotes&\ibbu1b3\qh1a\tqh1c&&&&&&&&\enotes -\orgNotes&\ibbu2d0\qh2e\qh2a\qh2c&&\oct - \pt a\ds&&\pt h\ds&&&&&&&&\enotes -\orgNotes&\tqh2e&&\oct - \ccl h&\rlap{\kern -\Interligne Ma-}&\ccu h&&&&&&&&\enotes -\barre - %\check -%Takt 60 -\orgNotes\zhl G\raise 1.6\Interligne\hbox{\qs}\bigaccid\qsk\qupp {_L}&\ds&\zw g\zw j\hu -n&\itenl2j\zh j\oct \hl j&&&&&&&&\enotes -\orgNotes&\ibbu1b3\qh1b\tqh1c&&&&&&&&\enotes -\orgNotes&\bigaccid\qsk\ibbu2d0\qh2{_e}\qh2b\qh2c\tqh2e&&&&&&&&\enotes -\temps\orgNotes\zhl G\raise 1.6\Interligne\qs\qupp L&\ds&\bigaccid\hu{_l}&\bigaccid - \tten2\zq j\ql{_l}&&&&&&&&&\enotes -\orgNotes&\ibbu1b3\qh1b\tqh1c&&&&&&&&\enotes -\orgNotes&\ibbu2d0\qh2e\qh2b\qh2c&&\oct - \pt a\ds&&\pt j\ds&&&&&&&&\enotes -\orgNotes&\tqh2e&&\oct - \ccl j&\rlap{\kern -\Interligne Ma-}&\ccl j&&&&&&&&\enotes -\barre - %\check -%Takt 61 -\orgNotes\bigaccid\zhl {_H}\raise 2\Interligne\hbox{\qs}\qupp M&\ds&\zw f\hu -k&{\zhp l}\oct - \hl j&ri\rlap{---}&\hl j&&&&&&&&\enotes -\orgNotes&\ibbu1b3\qh1b\tqh1c&&&&&&&&\enotes -\orgNotes&\ibbu2d0\qh2d\qh2b\qh2c\tqh2d&&&&&&&&\enotes -\temps\orgNotes\zhl H\raise 2\Interligne\hbox{\qs}\qupp M&\ds&\hu j&\oct - \ql d&a!&\qu d&&&&&&&&\enotes -\orgNotes&\ibbu1b3\qh1b\tqh1c&&&&&&&&\enotes -\orgNotes&\ibbu2d0\qh2d\qh2b\qh2c\tqh2d&&\oct - \pt a\ds\sk\sk\ccl d&&\qp&&&&&&&&\enotes -\barre - %\check -%Takt 62 -\orgNotes\zhl G\raise 2\Interligne\hbox{\qs}\qupp M&\ds&\zw f\hu -i&{\zhl f}\oct - \itenu5d\hu d&O\rlap{---}&\itenl4d\hu d&&&&&&&&\enotes -\orgNotes&\ibbu1b3\qh1N\tqh1b&&&&&&&&\enotes -\orgNotes&\ibbu2d0\qh2d\qh2N\qh2b\tqh2d&&&&&&&&\enotes -\temps\orgNotes\zhl G\raise 2\Interligne\qs\qupp M&\ds&&{\zql i}\oct - \tten5\cu d&&\tten4\cu d&&&&&&&&\enotes -\orgNotes&\ibbu1b3\qh1N\tqh1b&&\oct - \Ibu4db4\qh4d&ra&\ibu5d{-1}\qh5d&&&&&&&&\enotes -\orgNotes&\ibbu2d0\qh2d\qh2N&&{\itenl4g\zql g}\oct - \qh4c&&\tqh5c&&&&&&&&\enotes -\orgNotes&\qh2b\tqh2d&&\oct - \tqh4b&pro&\cu b&&&&&&&&\enotes -\barre - %\check -%Takt 63 -\orgNotes\zhl G\raise 2\Interligne\hbox{\qs}\qupp L&\ds&\zw e\hu -g&{\tten4\zhlp g}\oct - \qup g&no\rlap{---}&\Ilegu4l\qup g&&&&&&&&\enotes -\orgNotes&\ibbu1b3\qh1N\tqh1c&&&&&&&&\enotes -\orgNotes&\ibbu2d0\qh2e\qh2N&&&&&&&&\enotes -\orgNotes&\qh2c\tqh2e&&\oct - \cu e&&\tleg4\cu e&&&&&&&&\enotes -\temps\orgNotes\zhl G\raise 2\Interligne\qs\qupp L&\ds&\itenu3j\zhl g\hu j&\oct - \qu c&bis,&\qu c&&&&&&&&\enotes -\orgNotes&\ibbu1b3\qh1N\tqh1c&&&&&&&&\enotes -\orgNotes&\ibbu2d0\qh2e\qh2N\qh2c\tqh2e&&\oct - \raise\Interligne\qp&&\qp&&&&&&&&\enotes -\barre - %\check -%Takt 64 -\orgNotes\zhl G\raise 1.6\Interligne\hbox{\qs}\qupp K&\ds&\tten3\itenl3f\zw -f&{\zhl j}\oct - \itenu5f\hu f&no\rlap{---}&\itenl4f\hu f&&&&&&&&\enotes -\orgNotes&\ibbu1b3\qh1N\tqh1c&&&&&&&&\enotes -\orgNotes&\ibbu2e0\qh2f\qh2N\qh2c\tqh2f&&&&&&&&\enotes -\temps\orgNotes\zhl G\raise 1.6\Interligne\hbox{\qs}\qupp K&\ds&\zhl c&{\zhl h}\oct - \tten5\cu f&&\tten4\cu f&&&&&&&&\enotes -\orgNotes&\ibbu1b3\qh1N\tqh1c&&\oct - \Ibu4fd4\qh4f&bis&\cu f&&&&&&&&\enotes -\orgNotes&\ibbu2e0\qh2f\qh2N&&\oct - \qh4e&pec-&\cu e&&&&&&&&\enotes -\orgNotes&\qh2c\tqh2f&&\oct - \tqh4d&ca-&\cu d&&&&&&&&\enotes -\barre - %\check -%Takt 65 -\orgNotes\zhl G\raise 1.6\Interligne\hbox{\qs}\qupp K&\ds&\tten3\zw f\zhl d\hu -i&{\zh m}\oct - \qlp k&\raise\Interligne\hbox{to---}&\Ilegu4k\qlp k&&&&&&&&\enotes -\orgNotes&\ibbu1b3\qh1N\tqh1b&&&&&&&&\enotes -\orgNotes&\ibbu2e0\qh2f\qh2N&&&&&&&&\enotes -\orgNotes&\qh2b\tqh2f&&\oct - \cl i&ri-&\tleg4\cl i&&&&&&&&\enotes -\temps\orgNotes\zhl G\raise 1.6\Interligne\hbox{\qs}\qupp K&\ds&\zhl b\hu -k&{\zq i}\oct - \ql g&bus,&\qu g&&&&&&&&\enotes -\orgNotes&\ibbu1b3\qh1N\tqh1b&&&&&&&&\enotes -\orgNotes&\ibbu2e0\qh2f\qh2N\qh2b\tqh2f&&\oct - \qp&&\qp&&&&&&&&\enotes -\barre - %\check -%Takt 66 -\def\atnextline{\autolines{25}25}\relax -\orgNotes\zhl G\raise 1.6\Interligne\hbox{\qs}\qsk\bigaccid - \qupp {_L}&\ds&\bigaccid\zhl{^f}&{\bigaccid\zw j\zhl{_l}}\oct - \itenu5h\hu h&nunc&\itenl4h\hu h&&&&&&&&\enotes -\orgNotes&\ibbu1b3\qh1a\tqh1c&&&&&&&&\enotes -\orgNotes&\qsk\ibbu2e0\bigaccid\qh2{^f}\qh2a\qh2c\tqh2f&&&&&&&&\enotes -\temps\orgNotes\zhl G\raise 1.6\Interligne\hbox{\qs}\qupp L&\ds&\bigaccid\zhl h&{\bigaccid\zhl{^m}}\oct - \tten5\cu h&&\tten4\cu h&&&&&&&&\enotes -\orgNotes&\ibbu1b3\qh1a\tqh1c&&\oct - \Ibl4hj4\qb4h&et\rlap{---}&\ibu5i1\qh5h&&&&&&&&\enotes -\orgNotes&\ibbu2e0\qh2f\qh2a&&\oct - \qb4i&&\tqh5i&&&&&&&&\enotes -\orgNotes&\qh2c\tqh2f&&\oct - \tqb4j&in&\cl j&&&&&&&&\enotes -\barre - %\check -%Takt 67 -\orgNotes\zhl G\raise 1.6\Interligne\hbox{\qs}\qsk\bigaccid\qupp {=L}&\ds&\zw g\zh j&{\zhl n}\oct - \itenu5l\hu l&\raise 3\internote\hbox{ho---}&\itenu4l\hl l&&&&&&&&\enotes -\orgNotes&\ibbu1b3\qh1N\tqh1c&&&&&&&&\enotes -\orgNotes&\ibbu2e0\qh2g\qh2N\qh2c\tqh2g&&&&&&&&\enotes -\temps\orgNotes\zhl G\raise 1.6\Interligne\hbox{\qs}\qupp L&\ds&\bigaccid\hu{=l}&{\zql{=l}}\oct - \tten5\cu l&&\tten4\ibu5j{-2}\qh5l&&&&&&&&\enotes -\orgNotes&\ibbu1b3\qh1N\tqh1c&&\oct - \Ibu4je4\qh4j&---&\tqh5j&&&&&&&&\enotes -\orgNotes&\ibbu2e0\qh2g\qh2N&&{\zql j}\oct - \qh4g&ra,&\cu g&&&&&&&&\enotes -\orgNotes&\qh2c\tqh2g&&\oct - \tqh4e&in&\cu e&&&&&&&&\enotes -\barre - %\check -%Takt 68 -\orgNotes\zhl G\raise 1.6\Interligne\hbox{\qs}\qupp K&\ds&\zw f\hu -k&{\zhl f}\oct - \itenu5d\hu d&&&&&&&&&\enotes -\orgNotes&\ibbu1b3\qh1N\tqh1c&&&&&&&&\enotes -\orgNotes&\ibbu2e0\qh2f\qh2N\qh2c\tqh2f&&&&&&&&\enotes -\temps\orgNotes\zhl G\raise 1.6\Interligne\hbox{\qs}\qupp K&\ds&\hu -h&{\zhl h}\oct - \tten5\cu d&&&&&&&&&\enotes -\orgNotes&\ibbu1b3\qh1N\tqh1c&&\oct - \Ibu4hh4\qh4h&&&&&&&\enotes -\orgNotes&\ibbu2e0\qh2f\qh2N&&\oct - \qh4i&&&&&&&&&\enotes -\orgNotes&\qh2c\tqh2f&&\oct - \tqh4h&&&&&&&&\enotes -\alaligne - %\check -%Takt 69 -\orgNotes\zhl G\raise 1.6\Interligne\hbox{\qs}\qupp K&\ds&\zw b\zw d\rh f\zhu -g&\zhl i\oct \Ibu4fc6\qh4h&&&&&&&\enotes -\orgNotes&\ibbu1b3\qh1N\tqh1b&&\oct \qh4g&&&&&&&&&&\enotes -\orgNotes&\ibbu2e0\qh2f\qh2N&&\oct - \qh4f&tis&\ibu5i{-2}\qh5i&&&&&&&&\enotes -\orgNotes&\qh2b\tqh2f&&\oct - \tqh4d&&&&&&&&&&\enotes -\temps\orgNotes\zhl G\raise 1.6\Interligne\hbox{\qs}\qupp K&\ds&\hu N&\relax - {\zhl d}\ibu4i{-3}\qh4i&&&&&&&\enotes -\orgNotes&\ibbu1b3\qh1N\tqh1b&&\relax - \qh4h&&\tqh5d&&&&&&&&\enotes -\orgNotes&\ibbu2e0\qh2f\qh2N&&\relax - \qh4f&&&&&&&\enotes -\orgNotes&\qh2b\tqh2f&&\relax - \tqh4d&&&&&&\enotes -\barre -%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%% - %\check -%Takt 70 -\orgNotes\zhu C\raise\Interligne\hbox{\qs}\qupp J&\ds - &\bigaccid\zw{_b}\roff{\itenu3c\zw c}&\roff{\itenu4c\zw c}\bigaccid\wh{_b}\relax - &&&&&&&&\enotes -\orgNotes&\ibbu1b3\qh1N\bigaccid\qsk\tqh1{_b}&&&&&&&&\enotes -\orgNotes&\ibbu2d0\qh2e\qh2N\qh2b\tqh2e&&&&&&&&\enotes -\temps\orgNotes\zhu C\raise\Interligne\qs\qupp J&\ds&&&&&&&&\enotes -\orgNotes&\ibbu1b3\qh1N\tqh1b&&&&&&&&\enotes -\orgNotes&\ibbu2d0\qh2e\qh2N\qh2b\tqh2e&&&&&&&&\enotes -\def\atnextline{\autolines{20}35}\relax -%\cleftoksii{6000}\changeclefs -\alaligne - %\check -%Takt 71 -\orgNotes\raise\Interligne\rlap{\qs}\wh C\itenl2J\qupp J&\ds&\tten3\zw a\wh -c&\tten4\zw a\wh c&&&&&&&&&\enotes -\orgNotes&\oct\ibbu1a3\qh1M\tqh1a&&&&&&&&\enotes -\orgNotes&\oct\ibbu2e0\qh2c\qh2f\qh2c\tqh2a&&&&&&&&\enotes -\temps\orgNotes\tten2\hu J&\oct\ibbu2b0\qh2c\qh2a\qh2M\tqh2a&&&&&&&&\enotes -\orgNotes&\oct\ibbu3M0\qh3M\qh3K\qh3M\tqh3K&&&&&&&&\enotes -%\cleftoksii{0000}\changeclefs -\barre - %\check -%Takt 72 -\orgNotes\zw C\qs\itenl3I\qupp I&\ds&&\bigaccid\wh{=b}&&&&&&&&&\enotes -\orgNotes&\ibbl1h3\qb1g\tqb1i&&&&&&&&\enotes -\orgNotes&\ibbl2j{-2}\qb2k\qb2m\qb2k\tqb2i&&&&&&&&\enotes -\temps\orgNotes\tten3\hu I&\ibbl2h0\qb2k\qb2i\qb2g\tqb2i&&&&&&&&&&\enotes -\orgNotes&\ibbu3e0\qh3d\qh3f\pince n\qh3e\tqh3d&&&&&&&&\enotes -\barre - %\check -%Takt 73 -\orgNOTes\pointdurgue C\zwh C\wh J&\zwh e\zwh g\pointdorgue j\wh j\relax - &&\pointdorgue f\wh c&&&&&&&&\enotes -\finmorceau -\bye - diff --git a/musixtex/doc/examples/avemarix.tex b/musixtex/doc/examples/avemarix.tex deleted file mode 100644 index c6a57cc..0000000 --- a/musixtex/doc/examples/avemarix.tex +++ /dev/null @@ -1,951 +0,0 @@ -% \input musixtex -% \input musixcpt -% \input musixsty -\fulltitle{M\'editation -- Ave Maria} -\author{Charles Gounod \& J.-S. Bach\\Transcription Orgue+soliste Daniel - Taupin\\\& Markus Veittes} -\shortauthor{C. Gounod, J.-S. Bach, D. Taupin} - \title{Ave Maria} - \othermention{G.O.: fl\^ute 8' [+4']\\Positif : fl\^utes 8'+4' -[+2']\\P\'edale : 16', acc. positif} - \maketitle - -\parindent 13mm -\ifnum\musicsize=0\musicsize=20\fi -\normal -\relativeaccidentals -\def\oct{\advance\transpose by 7\relax} -\def\nbinstruments{4} -\def\instrumenti{Positif} -\def\staffspacingii{0.64} -\def\staffspacingiv{0.64} -\def\instrumentii{Violon} -%\def\interinstrumenti{-2\Interligne} -%\def\interinstrumentii{-2\Interligne} -\def\instrumentiv{Chant} -\nbporteesi=2\relax -\nbporteesiii=0\relax -%\font\gros=\fonthdg\fonthdge bx12 scaled \magstep3 - -\generalmeter{\meterC}% -\cleftoksi{{6}{0}{0}{0}} -\cleftoksii{{0}{0}{0}{0}} -\cleftoksiv{{0}{0}{0}{0}} -%\raggedlinestrue % uncomment for ragged right lines -\def\nbinstruments{1}% -\debutmorceau -\autolines{25}{3}{4}% -%Takt 1 -\Notes\zhl c\raise 5.5\Interligne \hbox{\qs}\qupp e|\ds\enotes -\Notes|\ibbl0j3\qb0g\tqb0j\enotes -\Notes|\ibbl1k0\qb1l\qb1g\qb1j\tqb1l\enotes -\temps\Notes\zhl c\raise 5.5\Interligne \hbox{\qs}\qupp e|\ds\enotes -\Notes|\ibbl2j3\qb2g\tqb2j\enotes -\Notes|\ibbl3k0\qb3l\qb3g\qb3j\tqb3l\enotes -\barre -%Takt 2 -\Notes\zhl c\raise 5.5\Interligne \hbox{\qs}\qupp d|\ds\enotes -\Notes|\ibbl1j3\qb1h\tqb1k\enotes -\Notes|\ibbl2k0\qb2m\qb2h\qb2k\tqb2m\enotes -\temps\Notes\zhl c\raise 5.5\Interligne \hbox{\qs}\qupp d|\ds\enotes -\Notes|\ibbl1j3\qb1h\tqb1k\enotes -\Notes|\ibbl2k0\qb2m\qb2h\qb2k\tqb2m\enotes -\barre -%Takt 3 -\Notes\zhl b\raise 5.5\Interligne \hbox{\qs}\qupp d|\ds\enotes -\Notes|\ibbl1j3\qb1g\tqb1k\enotes -\Notes|\ibbl2k0\qb2m\qb2g\qb2k\tqb2m\enotes -\temps\Notes\zhl b\raise 5.5\Interligne \hbox{\qs}\qupp d|\ds\enotes -\Notes|\ibbl1j3\qb1g\tqb1k\enotes -\Notes|\ibbl2k0\qb2m\qb2g\qb2k\tqb2m\enotes -% -\suspmorceau -% -% -\def\nbinstruments{4}% -\debutmorceau -\barno=4\relax -%Takt 4 -\Notes\zhl c\raise 5.5\Interligne \hbox{\qs}\qupp e|\ds\enotes -\Notes|\ibbl0j3\qb0g\tqb0j\enotes -\Notes|\ibbl1k0\qb1l\qb1g\qb1j\tqb1l\enotes -\temps\Notes\zhl c\raise 5.5\Interligne \hbox{\qs}\qupp e|\ds&\pause&&\pause\enotes -\Notes|\ibbl2j3\qb2g\tqb2j\enotes -\Notes|\ibbl3k0\qb3l\qb3g\qb3j\tqb3l\enotes -\barre -%Takt 5 -\Notes\zhl c\raise 5.5\Interligne \hbox{\qs}\qupp e|\ds&\wh l&A\rlap{---}&\wh e\enotes -\Notes|\ibbl0j3\qb0g\tqb0j&&&\enotes -\Notes|\ibbl1k0\qb1l\qb1g\qb1j\tqb1l&&&\enotes -\temps\Notes\zhl c\raise 5.5\Interligne \hbox{\qs}\qupp e|\ds&&&\enotes -\Notes|\ibbl2j3\qb2g\tqb2j&&&\enotes -\Notes|\ibbl3k0\qb3l\qb3g\qb3j\tqb3l&&&\enotes -\barre -%Takt 6 -\Notes\zhl c\raise 5.5\Interligne \hbox{\qs}\qupp d|\ds&\wh m&ve&\hupp f\enotes -\Notes|\ibbl1j3\qb1h\tqb1k\enotes -\Notes|\ibbl2k0\qb2m\qb2h\qb2k\tqb2m\enotes -\temps\Notes\zhl c\raise 5.5\Interligne \hbox{\qs}\qupp d|\ds&&&\enotes -\Notes|\ibbl1j3\qb1h\tqb1k\enotes -\Notes|\ibbl2k0\qb2m\qb2h\enotes -\Notes|\qb2k\tqb2m&&Ma-&\cu f\enotes -\barre -%Takt 7 -\Notes\zhl b\raise 5.5\Interligne \hbox{\qs}\qupp d|\ds&\hlp n&ri\rlap{---}&\hup g\enotes -\Notes|\ibbl1j3\qb1g\tqb1k\enotes -\Notes|\ibbl2k0\qb2m\qb2g\qb2k\tqb2m\enotes -\temps\Notes\zhl b\raise 5.5\Interligne \hbox{\qs}\qupp d|\ds\enotes -\Notes|\ibbl1j3\qb1g\tqb1k\enotes -\Notes|\ibbl2k0\qb2m\qb2g\qb2k\tqb2m&\ql k&\rlap{---}&\qu d\enotes -\barre -%Takt 8 -\Notes\zhl c\raise 5.5\Interligne \hbox{\qs}\qupp e|\ds&\hlp l&a,&\hup e\enotes -\Notes|\ibbl0j3\qb0g\tqb0j\enotes -\Notes|\ibbl1k0\qb1l\qb1g\qb1j\tqb1l\enotes -\temps\Notes\zhl c\raise 5.5\Interligne \hbox{\qs}\qupp e|\ds&&&\enotes -\Notes|\ibbl2j3\qb2g\tqb2j&&&\enotes -\Notes|\ibbl3k0\qb3l\qb3g\qb3j\tqb3l&\qp&&\qp\enotes -\barre -%Takt 9 -\Notes\zhl c\raise 5.5\Interligne \hbox{\qs}\qupp e|\ds&\oct - \itenu5h\hl h&gra\rlap{---}&\itenl4h\hu h\enotes -\Notes|\ibbl0j3\qb0h\tqb0l\enotes -\Notes|\ibbl1k0\qb1o\qb1h\qb1l\tqb1o\enotes -\temps\Notes\zhl c\raise 5.5\Interligne \hbox{\qs}\qupp e|\ds&\oct - \tten5\ibl4c0\qb4h&&\tten4\ibu5g{-3}\qh5h\enotes -\Notes|\ibbl0j3\qb0h\tqb0l&\oct\qb4a&\rlap{---}&\tqh5a\enotes -\Notes|\ibbl1k0\qb1o\qb1h&\oct\qb4b&ti-&\cu b\enotes -\Notes|\qb1l\tqb1o&\oct\tqb4c&a&\cu c\enotes -\barre -%Takt 10 -\Notes\zhl c\raise 5.5\Interligne \hbox{\qs}\qupp d|\ds&\oct - \qlp d&ple\rlap{---}&\Ilegu4k\pt d\qu d\enotes -\Notes|\ibbu1g3\bigaccid\qh1{^f}\tqh1h\enotes -\Notes|\ibbu2i0\qh2k\qh2f\enotes -\Notes|\qh2h\tqh2k&\oct \cl e&&\tleg4\cu e\enotes -\temps\Notes\zhl c\raise 5.5\Interligne \hbox{\qs}\qupp d|\ds&\oct - \ql d&na,&\qu d\enotes -\Notes|\ibbu1g3\qh1f\tqh1h\enotes -\Notes|\ibbu2i0\qh2k\qh2f\qh2h\tqh2k&\qp&&\qp\enotes -\barre -%Takt 11 -\Notes\zhl b\raise 5.5\Interligne \hbox{\qs}\qupp d|\ds&\oct - \itenu5g\hl g&Do\rlap{---}&\itenu4g\hu g\enotes -\Notes|\ibbl1j3\qb1g\tqb1k\enotes -\Notes|\ibbl2k0\qb2n\qb2g\qb2k\tqb2n\enotes -\temps\Notes\zhl b\raise 5.5\Interligne \hbox{\qs}\qupp d|\ds&\oct - \tten5\ibl4b0\qb4g&&\tten4\ibu5f{-3}\qh5g\enotes -\Notes|\ibbl1j3\qb1g\tqb1k&\oct - \qb4N&\rlap{---}&\tqh5N\enotes -\Notes|\ibbl2k0\qb2n\qb2g&\oct - \qb4a&mi-&\cu a\enotes -\Notes|\qb2k\tqb2n&\oct - \tqb4b&nus&\cu b\enotes -\def\atnextline{\autolines{25}34}\relax -\barre -%Takt 12 -\Notes\zhl b\raise 5.5\Interligne \hbox{\qs}\qupp c|\ds&\oct - \qlp c&te\rlap{---}&\Ilegu4j\pt c\qu c\enotes -\Notes|\ibbu1f3\qh1e\tqh1g\enotes -\Notes|\ibbu2i0\qh2j\qh2e\enotes -\Notes|\qh2g\tqh2j&\oct - \cl d&&\tleg4\cu d\enotes -\temps\Notes\zhl b\raise 5.5\Interligne \hbox{\qs}\qupp c|\ds&\oct - \ql c&\rlap{cum,}&\qu c\enotes -\Notes|\ibbu1f3\qh1e\tqh1g\enotes -\Notes|\ibbu2i0\qh2j\qh2e\qh2g\tqh2j&\qp&&\qp\enotes -% -\def\atnextline{\autolines{25}34}\relax -\barre -%Takt 13 -\Notes\zhl a\raise 5\Interligne\hbox{\qs}\qupp c|\ds&\oct - \itenu5j\hl j&be\rlap{---}&\itenu4j\hu j\enotes -\Notes|\ibbu1f3\qh1e\tqh1g\enotes -\Notes|\ibbu2i0\qh2j\qh2e\qh2g\tqh2j\enotes -\temps\Notes\zhl a\raise 5\Interligne\hbox{\qs}\qupp c|\ds&\oct - \tten5\ibl4c0\qb4j&&\tten4\ibu5h{-3}\qh5j\enotes -\Notes|\ibbu1f3\qh1e\tqh1g&\oct - \qb4c&\rlap{---}&\tqh5c\enotes -\Notes|\ibbu2i0\qh2j\qh2e&\oct - \qb4d&ne\rlap{---}&\ibu5e1\qh5d\enotes -\Notes|\qh2g\tqh2j&\oct - \tqb4e&&\tqh5e\enotes -\barre -%Takt 14 -\Notes\zhl K\raise 3.5\Interligne\hbox{\qs}\qupp a|\ds&\oct\bigaccid - \qlp{^f}&\rlap{dic---}&\bigaccid\Ilegu4l\pt f\qu {^f}\enotes -\Notes|\ibbu1f3\qh1d\bigaccid\qsk\tqh1{^f}\enotes -\Notes|\ibbu2i0\qh2j\qh2d\enotes -\Notes|\qh2f\tqh2j&\oct - \cl e&&\tleg4\cu e\enotes -\temps\Notes\zhl K\raise 3.5\Interligne\hbox{\qs}\qupp a|\ds&\oct - \ql d&\rlap{---}&\qu d\enotes -\Notes|\ibbu1f3\qh1d\tqh1f\enotes -\Notes|\ibbu2i0\qh2j\qh2d\qh2f\tqh2j&\oct - \ql a&ta&\qu a\enotes -\barre -%Takt 15 -\Notes\zhl N\raise 4.2\Interligne\hbox{\qs}\qupp b|\ds&\oct - \hl b&tu&\hu b\enotes -\Notes|\ibbu1f3\qh1d\tqh1g\enotes -\Notes|\ibbu2i0\qh2i\qh2d\qh2g\tqh2i\enotes -\temps\Notes\zhl N\raise 4.2\Interligne\hbox{\qs}\qupp b|\ds&\qp&&\qp\enotes -\Notes|\ibbu1f3\qh1d\tqh1g\enotes -\Notes|\ibbu2i0\qh2i\qh2d\qh2g\tqh2i&\oct - \ql d&in&\qu d\enotes -\barre -%Takt 16 -\Notes\zhl N\raise 4.2\Interligne\hbox{\qs}\bigaccid\qsk\qupp{_b}|\ds&\oct - \itenu5e\hl e&mu\rlap{---}&\itenl4e\hu e\enotes -\Notes|\ibbu1f3\qh1e\tqh1g\enotes -\Notes|\bigaccid\qsk\ibbu2i0\qh2{^j}\qh2e\qh2g\tqh2j\enotes -\temps\Notes\zhl N\raise 4.2\Interligne\hbox{\qs}\qupp b|\ds&\oct - \tten5\ibl5e1\qb5e&&\tten4\cu e\enotes -\Notes|\ibbu1f3\qh1e\tqh1g&\oct - \qb5e&li\rlap{---}&\ibu4f1\qh4e\enotes -\Notes|\ibbu2i0\qh2j\qh2e&\oct - \qb5f&&\qh4f\enotes -\Notes|\qh2g\tqh2j&\oct - \tqb5g&&\tqh4g\enotes -\barre -%Takt 17 -\Notes\zhl M\raise 3.8\Interligne\hbox{\qs}\qupp a|\ds&\oct - \hl h&e\rlap{---}&\ppt h\qu h\enotes -\Notes|\ibbu1g3\qh1d\tqh1h\enotes -\Notes|\ibbu2i0\qh2k\qh2d\qh2h\enotes -\Notes|\tqh2k&&ri-&\ccu a\enotes -\temps\Notes\zhl M\raise 3.8\Interligne\hbox{\qs}\qupp a|\ds&\oct - \ql a&bus&\qu a\enotes -\Notes|\ibbu1g3\qh1d\tqh1h\enotes -\Notes|\ibbu2i0\qh2k\qh2d\qh2h\tqh2k&\qp&&\qp\enotes -\barre -%Takt 18 -\Notes\zhl M\raise 3.8\Interligne\hbox{\qs}\bigaccid\qsk\qupp{_a}|\ds&\oct - \itenu5d\hl d&et\rlap{---}&\itenl4d\hu d\enotes -\Notes|\ibbu1f3\qh1d\tqh1f\enotes -\Notes|\ibbu2i0\qh2i\qh2d\qh2f\tqh2i\enotes -\temps\Notes\zhl M\raise 3.8\Interligne\hbox{\qs}\qupp a|\ds&\oct - \tten5\ibl4d1\qb4d&&\tten4\cu d\enotes -\Notes|\ibbu1f3\qh1d\tqh1f&\oct - \qb4d&be\rlap{---}&\ibu5e1\qh5d\enotes -\Notes|\ibbu2i0\qh2i\qh2d&\oct - \qb4e&&\tqh5e\enotes -\Notes|\qh2f\tqh2i&\oct - \tqb4f&ne-&\cu f\enotes -\barre -%Takt 19 -\Notes\zhl L\raise 3.5\Interligne\hbox{\qs}\qupp N|\ds&\oct - \hl g&\rlap{dic---}&\hu g\enotes -\Notes|\ibbu1f3\qh1c\tqh1g\enotes -\Notes|\ibbu2i0\qh2j\qh2c\qh2g\tqh2j\enotes -\temps\Notes\zhl L\raise 3.5\Interligne\hbox{\qs}\qupp N|\ds&\oct - \qu N&tus&\qu N\enotes -\Notes|\ibbu1f3\qh1c\tqh1g\enotes -\Notes|\ibbu2i0\qh2j\qh2c\qh2g\tqh2j&\qp&&\qp\enotes -\barre -%Takt 20 -\Notes\zhl L\raise 3.5\Interligne\hbox{\qs}\qupp M|\ds&\oct - \itenu5c\hl c&fruc\rlap{---}&\itenl4c\hu c\enotes -\Notes|\ibbu1c3\qh1a\tqh1c\enotes -\Notes|\ibbu2e0\qh2f\qh2a\qh2c\tqh2f\enotes -\temps\Notes\zhl L\raise 3.5\Interligne\hbox{\qs}\qupp M|\ds&\oct - \tten5\ibl4c1\qb4c&&\tten4\cu c\enotes -\Notes|\ibbu1c3\qh1a\tqh1c&\oct - \qb4c&tus&\ibu5d1\qh5c\enotes -\Notes|\ibbu2e0\qh2f\qh2a&\oct - \qb4d&&\qh5d\enotes -\Notes|\qh2c\tqh2f&\oct - \tqb4e&&\tqh5e\enotes -\barre -%Takt 21 -\Notes\zhl K\raise 3\Interligne\hbox{\qs}\qupp M|\ds&\oct - \itenu5f\hl f&vent\rlap{---}&\itenl4f\hu f\enotes -\Notes|\ibbu1c3\qh1a\tqh1c\enotes -\Notes|\ibbu2e0\qh2f\qh2a\qh2c\tqh2f\enotes -\temps\Notes\zhl K\raise 3\Interligne\hbox{\qs}\qupp M|\ds&\oct - \tten5\ibl4f1\qb4f&&\tten4\cu f\enotes -\Notes|\ibbu1c3\qh1a\tqh1c&\oct - \qb4f&ris&\ibu5g1\qh5f\enotes -\Notes|\ibbu2e0\qh2f\qh2a&\oct - \qb4g&&\qh5g\enotes -\Notes|\qh2c\tqh2f&\oct - \tqb4h&&\tqh5h\enotes -\barre -%Takt 22 -\Notes\zhl G\raise 1.6\Interligne\hbox{\qs}\qupp K|\ds&\oct - \qlp i&tu--&\Ilegu4k\pt i\ql i\enotes -\Notes|\ibbu1b3\qh1N\tqh1b\enotes -\Notes|\ibbu2e0\qh2f\qh2N\enotes -\Notes|\qh2b\tqh2f&\oct - \cl h&i,&\tleg4\cl h\enotes -\temps\Notes\zhl G\raise 1.6\Interligne\hbox{\qs}\qupp K|\ds&\oct - \ql g&\rlap{Je---}&\Ilegu5l\qu g\enotes -\Notes|\ibbu1b3\qh1N\tqh1b\enotes -\Notes|\ibbu2e0\qh2f\qh2N\qh2b\tqh2f&\oct - \ql d&&\tleg5\qu d\enotes -\barre -%Takt 23 -\Notes\zhl J\raise 2\Interligne\hbox{\qs}\qupp L|\ds&\oct - \hlp e&sus.&\hup e\enotes -\Notes|\ibbu1b3\qh1N\tqh1c\enotes -\Notes|\ibbu2d0\qh2e\qh2N\qh2c\tqh2e\enotes -\temps\Notes\zhl J\raise 2\Interligne\hbox{\qs}\qupp L|\ds&\oct - &&\enotes -\Notes|\ibbu1b3\qh1N\tqh1c&\oct - &&\enotes -\Notes|\ibbu2d0\qh2e\qh2N\qh2c\tqh2e&\oct - \pt a\ds\sk\sk\cl e&&\qp\enotes -\barre -%Takt 24 -\Notes\zhl J\raise 2\Interligne\hbox{\qs}\qupp N|\ds&\oct - \hl g&\rlap{Sanc---}&\hu g\enotes -\Notes|\bigaccid\ibbu1b3\qh1{_b}\tqh1c\enotes -\Notes|\ibbu2d0\qh2e\qh2b\qh2c\tqh2e\enotes -\temps\Notes\zhl J\raise 2\Interligne\hbox{\qs}\qupp N|\ds&\oct - \ql e&ta&\qu e\enotes -\Notes|\ibbu1b3\qh1b\tqh1c\enotes -\Notes|\ibbu2d0\qh2e\qh2b\qh2c&\oct - \pt a\ds&&\pt h\ds\enotes -\Notes|\tqh2e&\oct - \ccl e&\rlap{\kern -\Interligne Ma-}&\ccu e\enotes -\barre -%Takt 25 -\Notes\zhl F\raise 2\Interligne\hbox{\qs}\qupp M|\ds&\oct - \hl h&ri\rlap{---}&\hu h\enotes -\Notes|\ibbu1b3\qh1a\tqh1c\enotes -\Notes|\ibbu2d0\qh2e\qh2a\qh2c\tqh2e\enotes -\temps\Notes\zhl F\raise 2\Interligne\hbox{\qs}\qupp M|\ds&\oct - \ql a&a,&\qu a\enotes -\Notes|\ibbu1b3\qh1a\tqh1c\enotes -\Notes|\ibbu2d0\qh2e\qh2a\qh2c\tqh2e&\oct - \qp&&\qp\enotes -\barre -%Takt 26 -\Notes\bigaccid\zhl {^F}\raise\Interligne\hbox{\qs}\qupp J|\ds&\oct - \hl h&\rlap{sanc---}&\hu h\enotes -\Notes|\ibbu1b3\qh1a\tqh1c\enotes -\Notes|\bigaccid\qsk\ibbu2d0\qh2{_e}\qh2a\qh2c\tqh2e\enotes -\temps\Notes\zhl F\raise\Interligne\hbox{\qs}\qupp J|\ds&\oct - \ql c&ta&\qu c\enotes -\Notes|\ibbu1b3\qh1a\tqh1c\enotes -\Notes|\ibbu2d0\qh2e\qh2a\qh2c&\oct\qsk - \pt a\ds&&\qsk\pt h\ds\enotes -\Notes|\tqh2e&\oct - \ccl h&\rlap{\kern -\Interligne Ma-}&\ccu h\enotes -\barre -%Takt 27 -\Notes\zhl G\raise 1.6\Interligne\hbox{\qs}\qsk\bigaccid\qupp {_L}|\ds&\oct - \hl j&ri\rlap{---}&\hl j\enotes -\Notes|\ibbu1b3\qh1b\tqh1c\enotes -\Notes|\bigaccid\qsk\ibbu2d0\qh2{_e}\qh2b\qh2c\tqh2e\enotes -\temps\Notes\zhl G\raise 1.6\Interligne\hbox{\qs}\qupp L|\ds&\oct - \bigaccid\ql{_e}&a,&\bigaccid\qu{_e}\enotes -\Notes|\ibbu1b3\qh1b\tqh1c\enotes -\Notes|\ibbu2d0\qh2e\qh2b\qh2c&\oct - \pt a\ds&&\pt j\ds\enotes -\Notes|\tqh2e&\oct - \ccl j&\rlap{\kern -\Interligne Ma-}&\ccl j\enotes -\barre -%Takt 28 -\Notes\bigaccid\zhl {_H}\raise 2\Interligne\hbox{\qs}\qupp M|\ds&\oct - \hl j&ri\rlap{---}&\hl j\enotes -\Notes|\ibbu1b3\qh1b\tqh1c\enotes -\Notes|\ibbu2d0\qh2d\qh2b\qh2c\tqh2d\enotes -\temps\Notes\zhl H\raise 2\Interligne\hbox{\qs}\qupp M|\ds&\oct - \ql d&a!&\qu d\enotes -\Notes|\ibbu1b3\qh1b\tqh1c\enotes -\Notes|\ibbu2d0\qh2d\qh2b\qh2c\tqh2d&\oct - \pt a\ds\sk\sk\ccl d&&\qp\enotes -\barre -%Takt 29 -\Notes\zhl G\raise 2\Interligne\hbox{\qs}\qupp M|\ds&\oct - \itenu5d\hl d&O\rlap{---}&\itenl4d\hu d\enotes -\Notes|\ibbu1b3\qh1N\tqh1b\enotes -\Notes|\ibbu2d0\qh2d\qh2N\qh2b\tqh2d\enotes -\temps\Notes\zhl G\raise 2\Interligne\hbox{\qs}\qupp M|\ds&\oct - \tten5\ibl4d{-1}\qb4d&&\tten4\cu d\enotes -\Notes|\ibbu1b3\qh1N\tqh1b&\oct - \qb4d&ra&\ibu5d{-1}\qh5d\enotes -\Notes|\ibbu2d0\qh2d\qh2N&\oct - \qb4c&&\tqh5c\enotes -\Notes|\qh2b\tqh2d&\oct - \tqb4b&pro&\cu b\enotes -\barre -%Takt 30 -\Notes\zhl G\raise 2\Interligne\hbox{\qs}\qupp L|\ds&\oct - \qlp g&no\rlap{---}&\Ilegu4l\pt g\qu g\enotes -\Notes|\ibbu1b3\qh1N\tqh1c\enotes -\Notes|\ibbu2d0\qh2e\qh2N\enotes -\Notes|\qh2c\tqh2e&\oct - \cl e&&\tleg4\cu e\enotes -\temps\Notes\zhl G\raise 2\Interligne\hbox{\qs}\qupp L|\ds&\oct - \ql c&bis,&\qu c\enotes -\Notes|\ibbu1b3\qh1N\tqh1c\enotes -\Notes|\ibbu2d0\qh2e\qh2N\qh2c\tqh2e&\oct - \qp&&\qp\enotes -\barre -%Takt 31 -\Notes\zhl G\raise 1.6\Interligne\hbox{\qs}\qupp K|\ds&\oct - \itenu5f\hl f&no\rlap{---}&\itenl4f\hu f\enotes -\Notes|\ibbu1b3\qh1N\tqh1c\enotes -\Notes|\ibbu2e0\qh2f\qh2N\qh2c\tqh2f\enotes -\temps\Notes\zhl G\raise 1.6\Interligne\hbox{\qs}\qupp K|\ds&\oct - \tten5\ibl4f{-1}\qb4f&&\tten4\cu f\enotes -\Notes|\ibbu1b3\qh1N\tqh1c&\oct - \qb4f&bis&\cu f\enotes -\Notes|\ibbu2e0\qh2f\qh2N&\oct - \qb4e&pec-&\cu e\enotes -\Notes|\qh2c\tqh2f&\oct - \tqb4d&ca-&\cu d\enotes -\barre -%Takt 32 -\Notes\zhl G\raise 1.6\Interligne\hbox{\qs}\qupp K|\ds&\oct - \qlp k&to\rlap{---}&\Ilegu4k\pt k\ql k\enotes -\Notes|\ibbu1b3\qh1N\tqh1b\enotes -\Notes|\ibbu2e0\qh2f\qh2N\enotes -\Notes|\qh2b\tqh2f&\oct - \cl i&ri-&\tleg4\cl i\enotes -\temps\Notes\zhl G\raise 1.6\Interligne\hbox{\qs}\qupp K|\ds&\oct - \ql g&bus,&\qu g\enotes -\Notes|\ibbu1b3\qh1N\tqh1b\enotes -\Notes|\ibbu2e0\qh2f\qh2N\qh2b\tqh2f&\oct - \qp&&\qp\enotes -\barre -%Takt 33 -\Notes\zhl G\raise 1.6\Interligne\hbox{\qs}\bigaccid\qsk\qupp {_L}|\ds&\oct - \itenu5h\hl h&nunc&\itenl4h\hu h\enotes -\Notes|\ibbu1b3\qh1a\tqh1c\enotes -\Notes|\bigaccid\qsk\ibbu2e0\qh2{^f}\qh2a\qh2c\tqh2f\enotes -\temps\Notes\zhl G\raise 1.6\Interligne\hbox{\qs}\qupp L|\ds&\oct - \tten5\ibl4h1\qb4h&&\tten4\cu h\enotes -\Notes|\ibbu1b3\qh1a\tqh1c&\oct - \qb4h&et\rlap{---}&\ibu5i1\qh5h\enotes -\Notes|\ibbu2e0\qh2f\qh2a&\oct - \qb4i&&\tqh5i\enotes -\Notes|\qh2c\tqh2f&\oct - \tqb4j&in&\cl j\enotes -\barre -%Takt 34 -\Notes\zhl G\raise 1.6\Interligne\hbox{\qs}\bigaccid\qsk\qupp {=L}|\ds&\oct - \itenu5l\hl l&\raise 3\internote\hbox{ho---}&\itenu4l\hl l\enotes -\Notes|\ibbu1b3\qh1N\tqh1c\enotes -\Notes|\ibbu2e0\qh2g\qh2N\qh2c\tqh2g\enotes -\temps\Notes\zhl G\raise 1.6\Interligne\hbox{\qs}\qupp L|\ds&\oct - \tten5\ibl4j{-4}\qb4l&&\tten4\ibu5j{-2}\qh5l\enotes -\Notes|\ibbu1b3\qh1N\tqh1c&\oct - \qb4j&--&\tqh5j\enotes -\Notes|\ibbu2e0\qh2g\qh2N&\oct - \qb4g&ra,&\cu g\enotes -\Notes|\qh2c\tqh2g&\oct - \tqb4e&in&\cu e\enotes -\barre -%Takt 35 -\Notes\zhl G\raise 1.6\Interligne\hbox{\qs}\qupp K|\ds&\oct - \itenu5d\hl d&ho\rlap{---}&\itenl4d\hu d\enotes -\Notes|\ibbu1b3\qh1N\tqh1c\enotes -\Notes|\ibbu2e0\qh2f\qh2N\qh2c\tqh2f\enotes -\temps\Notes\zhl G\raise 1.6\Interligne\hbox{\qs}\qupp K|\ds&\oct - \tten5\ibl4d3\qb4d&&\tten4\ibu5g3\qh5d\enotes -\Notes|\ibbu1b3\qh1N\tqh1c&\oct - \qb4h&&\tqh5h\enotes -\Notes|\ibbu2e0\qh2f\qh2N&\oct - \qb4i&ra&\ibu5i{-1}\qh5i\enotes -\Notes|\qh2c\tqh2f&\oct - \tqb4h&&\tqh5h\enotes -\barre -%Takt 36 -\Notes\zhl G\raise 1.6\Interligne\hbox{\qs}\qupp K|\ds&\oct - \ibl4h{-3}\usf h\qb4h&\rlap{mor---}&\ibu5j2\qh5g\enotes -\Notes|\ibbu1b3\qh1N\tqh1b&\oct - \usf g\qb4g&&\tqh5k\enotes -\Notes|\ibbu2e0\qh2f\qh2N&\oct - \usf f\qb4f&tis&\ibu5i{-2}\qh5i\enotes -\Notes|\qh2b\tqh2f&\oct - \usf d\tqb4d&&\tqh5g\enotes -\temps\Notes\zhl G\raise 1.6\Interligne\hbox{\qs}\qupp K|\ds&\relax - \lsf i\ibu4i{-3}\qh4i&nos-&\ibu5f{-2}\qh5f\enotes -\Notes|\ibbu1b3\qh1N\tqh1b&\relax - \lsf h\qh4h&&\tqh5d\enotes -\Notes|\ibbu2e0\qh2f\qh2N&\relax - \lsf f\qh4f&tr\ae.&\ibu5b{-2}\qh5b\enotes -\Notes|\qh2b\tqh2f&\relax - \lsf d\tqh4d&&\tqh5N\enotes -\suspmorceau -\eject -% -%Takt 37 -\def\instrumenti{P\'ed. 16'} -\def\instrumentii{Positif} -\def\instrumentiii{(Pos.)} -\def\instrumentiv{Violon} -\def\instrumentvi{Chant} -\def\nbinstruments{6} -\linesinpage=0\relax -\nbporteesi=1\relax -\nbporteesii=1\relax -\nbporteesiii=1\relax -\nbporteesiv=1\relax -\nbporteesv=0\relax -\nbporteesvi=1\relax -\cleftoksi={6000}\relax -\cleftoksii={6000}\relax -\cleftoksiii={0000}\relax -\cleftoksiv={0000}\relax -\cleftoksvi={0000}\relax -\def\interinstrumenti{0pt} -\def\interinstrumentii{0pt} -%\def\interinstrumentiv{-2\Interligne} -\def\staffspacingi{1}% -\def\staffspacingii{1}% -\def\staffspacingiii{1}% -\def\staffspacingiv{0.64}% -\def\staffspacingvi{0.64}% -\debutmorceau\barno=37\relax -\autolines{26}33\relax -\def\atnextline{\autolines{24}33}\relax -% -\Notes&\zhl C\raise\Interligne\hbox{\qs}\qupp J&\ds&\relax - \hup c&A\rlap{---}&\itenl4c\hu c\enotes -\Notes&&\ibbu1b3\qh1N\tqh1c&\enotes -\Notes&&\ibbu2d0\qh2e\qh2N\qh2c\tqh2e\enotes -\temps\Notes\pause&\zhl J\raise2\Interligne\hbox{\qs}\qupp L&\ds&&\rlap{men.}&\tten4\qu c\enotes -\Notes&&\ibbu1b3\qh1N\tqh1c\enotes -\Notes&&\ibbu2d0\qh2e\qh2N\qh2c\tqh2e&\qp&&\qp\enotes -\cleftoksii={0000}\changeclefs -\barre -%Takt 38 -\Notes\zhl c\raise 5.5\Interligne \hbox{\qs}\qupp e&\ds&\uptext{G.O.}&\wh l&A\rlap{---}&\wh e\enotes -\Notes&\ibbl0j3\qb0g\tqb0j&\hpause\enotes -\Notes&\ibbl1k0\qb1l\qb1g\qb1j\tqb1l&&&\enotes -\temps\Notes\zhl c\raise 5.5\Interligne \hbox{\qs}\qupp e&\ds&\hu e&&&\enotes -\Notes&\ibbl2j3\qb2g\tqb2j&&&\enotes -\Notes&\ibbl3k0\qb3l\qb3g\qb3j\tqb3l&&&\enotes -\barre -%Takt 39 -\Notes\zhl c\raise 5.5\Interligne \hbox{\qs}\qupp d&\ds&&\wh m&ve&\hupp f\enotes -\Notes&\ibbl1j3\qb1h\tqb1k&\hpause\enotes -\Notes&\ibbl2k0\qb2m\qb2h\qb2k\tqb2m&\enotes -\temps\Notes\zhl c\raise 5.5\Interligne \hbox{\qs}\qupp d&\ds&\hu h&&&\enotes -\Notes&\ibbl1j3\qb1h\tqb1k\enotes -\Notes&\ibbl2k0\qb2m\qb2h\enotes -\Notes&\qb2k\tqb2m&&&\rlap{\kern -\Interligne Ma-}&\cu f\enotes -\barre -%Takt 40 -\Notes\zhl b\raise 5.5\Interligne \hbox{\qs}\qupp d&\ds&\itenu3g\wh g&\hlp n&ri\rlap{---}&\hup g\enotes -\Notes&\ibbl1j3\qb1g\tqb1k\enotes -\Notes&\ibbl2k0\qb2m\qb2g\qb2k\tqb2m\enotes -\temps\Notes\zhl b\raise 5.5\Interligne \hbox{\qs}\qupp d&\ds&\hl f\enotes -\Notes&\ibbl1j3\qb1g\tqb1k\enotes -\Notes&\ibbl2k0\qb2m\qb2g\qb2k\tqb2m&&\ql k&\rlap{---}&\qu d\enotes -\barre -%Takt 41 -\Notes\zhl c\raise 5.5\Interligne \hbox{\qs}\qupp e&\ds&\tten3\zw e\wh g&\hlp l&a,&\hup e\enotes -\Notes&\ibbl0j3\qb0g\tqb0j\enotes -\Notes&\ibbl1k0\qb1l\qb1g\qb1j\tqb1l\enotes -\temps\Notes\zhl c\raise 5.5\Interligne \hbox{\qs}\qupp e&\ds&&&\enotes -\Notes&\ibbl2j3\qb2g\tqb2j&&&\enotes -\Notes&\ibbl3k0\qb3l\qb3g\qb3j\tqb3l&&\qp&&\qp\enotes -\barre -%Takt 42 -\Notes\zhl c\raise 5.5\Interligne \hbox{\qs}\qupp e&\ds&\hu h&\oct - \itenu5h\hl h&gra\rlap{---}&\itenl4h\hu h\enotes -\Notes&\ibbl0j3\qb0h\tqb0l\enotes -\Notes&\ibbl1k0\qb1o\qb1h\qb1l\tqb1o\enotes -\temps\Notes\zhl c\raise 5.5\Interligne \hbox{\qs}\qupp e&\ds&\hu e&\oct - \tten5\ibl4a0\qb4h&&\tten4\ibu5g{-3}\qh5h\enotes -\Notes&\ibbl0j3\qb0h\tqb0l&&\oct\qb4a&\rlap{---}&\tqh5a\enotes -\Notes&\ibbl1k0\qb1o\qb1h&&\oct\qb4b&ti-&\cu b\enotes -\Notes&\qb1l\tqb1o&&\oct\tqb4c&a&\cu c\enotes -\barre -%Takt 43 -\Notes\zhl c\raise 5.5\Interligne \hbox{\qs}\qupp d&\ds&\bigaccid\zw{^f}\itenu5o\hu o&\oct - \qlp d&ple\rlap{---}&\Ilegu4k\pt d\qu d\enotes -\Notes&\ibbu1g3\bigaccid\qh1{^f}\tqh1h\enotes -\Notes&\ibbu2i0\qh2k\qh2f\enotes -\Notes&\qh2h\tqh2k&&\oct \cl e&&\tleg4\cu e\enotes -\temps\Notes\zhl c\raise 5.5\Interligne \hbox{\qs}\qupp d&\ds&\tten5\ibu3m{-2}\qh3o&\oct - \ql d&na,&\qu d\enotes -\Notes&\ibbu1g3\qh1f\tqh1h&\qh3h\enotes -\Notes&\ibbu2i0\qh2k\qh2f\qh2h\tqh2k&\qh3i\sk\tqh3j&\qp&&\qp\enotes -\barre -%Takt 44 -\Notes\zhl b\raise 5.5\Interligne \hbox{\qs}\qupp d&\ds&\zw g\qupp k&\oct - \itenu5g\hl g&Do\rlap{---}&\itenu4g\hu g\enotes -\Notes&\ibbl1j3\qb1g\tqb1k\enotes -\Notes&\ibbl2k0\qb2n\qb2g\qb2k\tqb2n&\sk\sk\sk\ccu l\enotes -\temps\Notes\zhl b\raise 5.5\Interligne \hbox{\qs}\qupp d&\ds&\hu k&\oct - \tten5\ibl4N0\qb4g&&\tten4\ibu5f{-3}\qh5g\enotes -\Notes&\ibbl1j3\qb1g\tqb1k&&\oct - \qb4N&\rlap{---}&\tqh5N\enotes -\Notes&\ibbl2k0\qb2n\qb2g&&\oct - \qb4a&mi-&\cu a\enotes -\Notes&\qb2k\tqb2n&&\oct - \tqb4b&nus&\cu b\enotes -\def\atnextline{\autolines{25}33}\relax -\barre -%Takt 45 -\Notes\zhl b\raise 5.5\Interligne \hbox{\qs}\qupp c&\ds&\itenl4e\zw e\itenu3n\hu n&\oct - \qlp c&te\rlap{---}&\Ilegu2j\pt c\qu c\enotes -\Notes&\ibbu1f3\qh1e\tqh1g\enotes -\Notes&\ibbu2i0\qh2j\qh2e\enotes -\Notes&\qh2g\tqh2j&&\oct - \cl d&&\tleg2\cu d\enotes -\temps\Notes\zhl b\raise 5.5\Interligne \hbox{\qs}\qupp c&\ds&\tten3\ibu3l{-3}\qh3n&\oct - \ql c&\rlap{cum,}&\qu c\enotes -\Notes&\ibbu1f3\qh1e\tqh1g&\qh3g\enotes -\Notes&\ibbu2i0\qh2j\qh2e\qh2g\tqh2j&\qh3h\sk\tqh3i&\qp&&\qp\enotes -% -\def\atnextline{\autolines{25}33}\relax -\barre -%Takt 46 -\Notes\zhl a\raise 5\Interligne\hbox{\qs}\qupp c&\ds&\tten4\zw e\hu j&\oct - \itenu5j\hl j&be\rlap{---}&\itenu4j\hu j\enotes -\Notes&\ibbu1f3\qh1e\tqh1g\enotes -\Notes&\ibbu2i0\qh2j\qh2e\qh2g\tqh2j\enotes -\temps\Notes\zhl a\raise 5\Interligne\hbox{\qs}\qupp c&\ds&\qu h&\oct - \tten5\ibl4c0\qb4j&&\tten4\ibu5h{-3}\qh5j\enotes -\Notes&\ibbu1f3\qh1e\tqh1g&&\oct - \qb4c&\rlap{---}&\tqh5c\enotes -\Notes&\ibbu2i0\qh2j\qh2e&\qu g&\oct - \qb4d&ne\rlap{---}&\ibu5e1\qh5d\enotes -\Notes&\qh2g\tqh2j&&\oct - \tqb4e&&\tqh5e\enotes -\barre -%Takt 47 -\Notes\zhl K\raise 3.5\Interligne\hbox{\qs}\qupp a&\ds - &\bigaccid\zw {^f}\zw c\roff{\itenl3d\zw d}&\oct\bigaccid - \qlp{^f}&\rlap{dic---}&\bigaccid\Ilegu4l\pt f\qu {^f}\enotes -\Notes&\ibbu1f3\qh1d\bigaccid\qsk\tqh1{^f}\enotes -\Notes&\ibbu2i0\qh2j\qh2d\enotes -\Notes&\qh2f\tqh2j&&\oct - \cl e&&\tleg4\cu e\enotes -\temps\Notes\zhl K\raise 3.5\Interligne\hbox{\qs}\qupp a&\ds&&\oct - \ql d&\rlap{---}&\qu d\enotes -\Notes&\ibbu1f3\qh1d\tqh1f\enotes -\Notes&\ibbu2i0\qh2j\qh2d\qh2f\tqh2j&&\oct - \ql a&ta&\qu a\enotes -\barre -%Takt 48 -\Notes\zhl N\raise 4.2\Interligne\hbox{\qs}\qupp b&\ds&\tten3\zw d\wh g&\oct - \hl b&tu&\hu b\enotes -\Notes&\ibbu1f3\qh1d\tqh1g\enotes -\Notes&\ibbu2i0\qh2i\qh2d\qh2g\tqh2i\enotes -\temps\Notes\zhl N\raise 4.2\Interligne\hbox{\qs}\qupp b&\ds&&\qp&&\qp\enotes -\Notes&\ibbu1f3\qh1d\tqh1g\enotes -\Notes&\ibbu2i0\qh2i\qh2d\qh2g\tqh2i&&\oct - \ql d&in&\qu d\enotes -\barre -%Takt 49 -\Notes\zhl N\raise 4.2\Interligne\hbox{\qs}\bigaccid\qsk\qupp{_b}&\ds&\bigsh c\wh{c}&\oct - \itenu5e\hl e&mu\rlap{---}&\itenl4e\hu e\enotes -\Notes&\ibbu1f3\qh1e\tqh1g\enotes -\Notes&\bigaccid\qsk\ibbu2i0\qh2{^j}\qh2e\qh2g\tqh2j\enotes -\temps\Notes\zhl N\raise 4.2\Interligne\hbox{\qs}\qupp b&\ds&&\oct - \tten5\ibl5e1\qb5e&&\tten4\cu e\enotes -\Notes&\ibbu1f3\qh1e\tqh1g&&\oct - \qb5e&li\rlap{---}&\ibu4f1\qh4e\enotes -\Notes&\ibbu2i0\qh2j\qh2e&&\oct - \qb5f&&\qh4f\enotes -\Notes&\qh2g\tqh2j&&\oct - \tqb5g&&\tqh4g\enotes -\barre -%Takt 50 -\Notes\zhl M\raise 3.8\Interligne\hbox{\qs}\qupp a&\ds&\zw k\itenu3o\hu o&\oct - \hl h&e\rlap{---}&\ppt h\qu h\enotes -\Notes&\ibbu1g3\qh1d\tqh1h\enotes -\Notes&\ibbu2i0\qh2k\qh2d\qh2h\enotes -\Notes&\tqh2k&&&ri-&\ccu a\enotes -\temps\Notes\zhl M\raise 3.8\Interligne\hbox{\qs}\qupp a&\ds&\tten3\ibl3m2\qb3o&\oct - \ql a&bus&\qu a\enotes -\Notes&\ibbu1g3\qh1d\tqh1h&\qb3o\enotes -\Notes&\ibbu2i0\qh2k\qh2d\qh2h\tqh2k&\qb3p\sk\tqb3q&\qp&&\qp\enotes -\barre -%Takt 51 -\Notes\zhl M\raise 3.8\Interligne\hbox{\qs}\bigaccid\qsk\qupp{_a}&\ds&\bigaccid - \zw {=i}\hu r&\oct\itenu5d\hl d&et\rlap{---}&\itenl4d\hu d\enotes -\Notes&\ibbu1f3\qh1d\tqh1f\enotes -\Notes&\ibbu2i0\qh2i\qh2d\qh2f\tqh2i\enotes -\temps\Notes\zhl M\raise 3.8\Interligne\hbox{\qs}\qupp a&\ds&\hu k&\oct - \tten5\ibl4d1\qb4d&&\tten4\cu d\enotes -\Notes&\ibbu1f3\qh1d\tqh1f&&\oct - \qb4d&be\rlap{---}&\ibu5e1\qh5d\enotes -\Notes&\ibbu2i0\qh2i\qh2d&&\oct - \qb4e&&\tqh5e\enotes -\Notes&\qh2f\tqh2i&&\oct - \tqb4f&ne-&\cu f\enotes -\barre -%Takt 52 -\Notes\zhl L\raise 3.5\Interligne\hbox{\qs}\qupp N&\ds&\zw j\itenu3n\hu n&\oct - \hl g&\rlap{dic---}&\hu g\enotes -\Notes&\ibbu1f3\qh1c\tqh1g\enotes -\Notes&\ibbu2i0\qh2j\qh2c\qh2g\tqh2j\enotes -\temps\Notes\zhl L\raise 3.5\Interligne\hbox{\qs}\qupp N&\ds&\tten3\ibl3n{3}\qb3n&\oct - \qu N&tus&\qu N\enotes -\Notes&\ibbu1f3\qh1c\tqh1g&\qb3n\enotes -\Notes&\ibbu2i0\qh2j\qh2c\qh2g\tqh2j&\qb3o\sk\tqb3p&\qp&&\qp\enotes -\barre -%Takt 53 -\Notes\zhl L\raise 3.5\Interligne\hbox{\qs}\qupp M&\ds&\zw h\hu q&\oct - \itenu5c\hl c&fruc\rlap{---}&\itenl4c\hu c\enotes -\Notes&\ibbu1c3\qh1a\tqh1c\enotes -\Notes&\ibbu2e0\qh2f\qh2a\qh2c\tqh2f\enotes -\temps\Notes\zhl L\raise 3.5\Interligne\hbox{\qs}\qupp M&\ds&\itenu3j\hu j&\oct - \tten5\ibl4c1\qb4c&&\tten4\cu c\enotes -\Notes&\ibbu1c3\qh1a\tqh1c&&\oct - \qb4c&tus&\ibu5d1\qh5c\enotes -\Notes&\ibbu2e0\qh2f\qh2a&&\oct - \qb4d&&\qh5d\enotes -\Notes&\qh2c\tqh2f&&\oct - \tqb4e&&\tqh5e\enotes -\barre -%Takt 54 -\Notes\zhl K\raise 3\Interligne\hbox{\qs}\qupp M&\ds&\tten3\zw c\hu j&\oct - \itenu5f\hl f&vent\rlap{---}&\itenl4f\hu f\enotes -\Notes&\ibbu1c3\qh1a\tqh1c\enotes -\Notes&\ibbu2e0\qh2f\qh2a\qh2c\tqh2f\enotes -\temps\Notes\zhl K\raise 3\Interligne\hbox{\qs}\qupp M&\ds&&\oct - \tten5\ibl4f1\qb4f&&\tten4\cu f\enotes -\Notes&\ibbu1c3\qh1a\tqh1c&\hu h&\oct - \qb4f&ris&\ibu5g1\qh5f\enotes -\Notes&\ibbu2e0\qh2f\qh2a&&\oct - \qb4g&&\qh5g\enotes -\Notes&\qh2c\tqh2f&&\oct - \tqb4h&&\tqh5h\enotes -\barre -%Takt 55 -\Notes\zhl G\raise 1.6\Interligne\hbox{\qs}\qupp K&\ds&\zw b\hu g&\oct - \qlp i&tu--&\Ilegu4k\pt i\ql i\enotes -\Notes&\ibbu1b3\qh1N\tqh1b\enotes -\Notes&\ibbu2e0\qh2f\qh2N\enotes -\Notes&\qh2b\tqh2f&&\oct - \cl h&i,&\tleg4\cl h\enotes -\temps\Notes\zhl G\raise 1.6\Interligne\hbox{\qs}\qupp K&\ds&\hu f&\oct - \ql g&\rlap{Je---}&\Ilegu5l\qu g\enotes -\Notes&\ibbu1b3\qh1N\tqh1b\enotes -\Notes&\ibbu2e0\qh2f\qh2N\qh2b\tqh2f&&\oct - \ql d&&\tleg5\qu d\enotes -\barre -%Takt 56 -\Notes\zhl J\raise 2\Interligne\hbox{\qs}\qupp L&\ds&\zw c\hu e&\oct - \hlp e&sus.&\hup e\enotes -\Notes&\ibbu1b3\qh1N\tqh1c\enotes -\Notes&\ibbu2d0\qh2e\qh2N\qh2c\tqh2e\enotes -\temps\Notes\zhl J\raise 2\Interligne\hbox{\qs}\qupp L&\ds&\hu g&\oct - &&\enotes -\Notes&\ibbu1b3\qh1N\tqh1c&&\oct - &&\enotes -\Notes&\ibbu2d0\qh2e\qh2N\qh2c\tqh2e&&\oct - \pt a\ds\sk\sk\cl e&&\qp\enotes -\barre -%Takt 57 -\Notes\zhl J\raise 2\Interligne\hbox{\qs}\qupp N&\ds&\zw e\bigfl i\relax - \roff{\zw i}\hu j&\oct \hl g&\rlap{Sanc---}&\hu g\enotes -\Notes&\ibbu1b3\bigaccid\qh1{_b}\tqh1c\enotes -\Notes&\ibbu2d0\qh2e\qh2b\qh2c\tqh2e\enotes -\temps\Notes\zhl J\raise 2\Interligne\hbox{\qs}\qupp N&\ds&\hu l&\oct - \ql e&ta&\qu e\enotes -\Notes&\ibbu1b3\qh1b\tqh1c\enotes -\Notes&\ibbu2d0\qh2e\qh2b\qh2c&&\oct - \pt a\ds&&\pt h\ds\enotes -\Notes&\tqh2e&&\oct - \ccl e&\rlap{\kern -\Interligne Ma-}&\ccu e\enotes -\barre -%Takt 58 -\Notes\zhl F\raise 2\Interligne\hbox{\qs}\qupp M&\ds&\zhl c\itenl3e\itenu4h\zh e\hu h&\oct - \hl h&ri\rlap{---}&\hu h\enotes -\Notes&\ibbu1b3\qh1a\tqh1c\enotes -\Notes&\ibbu2d0\qh2e\qh2a\qh2c\tqh2e\enotes -\temps\Notes\zhl F\raise 2\Interligne\hbox{\qs}\qupp M&\ds&\tten3\tten4\zh e\zhl h\hu j&\oct - \ql a&a,&\qu a\enotes -\Notes&\ibbu1b3\qh1a\tqh1c\enotes -\Notes&\ibbu2d0\qh2e\qh2a\qh2c\tqh2e&&\oct - \qp&&\qp\enotes -\barre -%Takt 59 -\Notes\bigaccid\zhl {^F}\raise\Interligne\hbox{\qs}\qupp J&\ds&\bigaccid - \zw h\hu{_l}&\oct - \hl h&\rlap{sanc---}&\hu h\enotes -\Notes&\ibbu1b3\qh1a\tqh1c\enotes -\Notes&\qsk\bigaccid\ibbu2d0\qh2{_e}\qh2a\qh2c\tqh2e\enotes -\temps\Notes\zhl F\raise\Interligne\hbox{\qs}\qupp J&\ds&\hu o&\oct - \ql c&ta&\qu c\enotes -\Notes&\ibbu1b3\qh1a\tqh1c\enotes -\Notes&\ibbu2d0\qh2e\qh2a\qh2c&&\oct - \pt a\ds&&\pt h\ds\enotes -\Notes&\tqh2e&&\oct - \ccl h&\rlap{\kern -\Interligne Ma-}&\ccu h\enotes -\barre -%Takt 60 -\Notes\zhl G\raise 1.6\Interligne\hbox{\qs}\bigaccid\qsk\qupp {_L}&\ds&\zw g\zw j\hu n&\oct - \hl j&ri\rlap{---}&\hl j\enotes -\Notes&\ibbu1b3\qh1b\tqh1c\enotes -\Notes&\bigaccid\qsk\ibbu2d0\qh2{_e}\qh2b\qh2c\tqh2e\enotes -\temps\Notes\zhl G\raise 1.6\Interligne\hbox{\qs}\qupp L&\ds&\bigaccid\hu{_l}&\oct\bigaccid - \ql{_e}&a,&\bigaccid\qu{_e}\enotes -\Notes&\ibbu1b3\qh1b\tqh1c\enotes -\Notes&\ibbu2d0\qh2e\qh2b\qh2c&&\oct - \pt a\ds&&\pt j\ds\enotes -\Notes&\tqh2e&&\oct - \ccl j&\rlap{\kern -\Interligne Ma-}&\ccl j\enotes -\barre -%Takt 61 -\Notes\bigaccid\zhl {_H}\raise 2\Interligne\hbox{\qs}\qupp M&\ds&\zw f\hu k&\oct - \hl j&ri\rlap{---}&\hl j\enotes -\Notes&\ibbu1b3\qh1b\tqh1c\enotes -\Notes&\ibbu2d0\qh2d\qh2b\qh2c\tqh2d\enotes -\temps\Notes\zhl H\raise 2\Interligne\hbox{\qs}\qupp M&\ds&\hu j&\oct - \ql d&a!&\qu d\enotes -\Notes&\ibbu1b3\qh1b\tqh1c\enotes -\Notes&\ibbu2d0\qh2d\qh2b\qh2c\tqh2d&&\oct - \pt a\ds\sk\sk\ccl d&&\qp\enotes -\barre -%Takt 62 -\Notes\zhl G\raise 2\Interligne\hbox{\qs}\qupp M&\ds&\zw f\hu i&\oct - \itenu5d\hl d&O\rlap{---}&\itenl4d\hu d\enotes -\Notes&\ibbu1b3\qh1N\tqh1b\enotes -\Notes&\ibbu2d0\qh2d\qh2N\qh2b\tqh2d\enotes -\temps\Notes\zhl G\raise 2\Interligne\hbox{\qs}\qupp M&\ds&\zhl b\itenu3g\hu g&\oct - \tten5\ibl4d{-1}\qb4d&&\tten4\cu d\enotes -\Notes&\ibbu1b3\qh1N\tqh1b&&\oct - \qb4d&ra&\ibu5d{-1}\qh5d\enotes -\Notes&\ibbu2d0\qh2d\qh2N&&\oct - \qb4c&&\tqh5c\enotes -\Notes&\qh2b\tqh2d&&\oct - \tqb4b&pro&\cu b\enotes -\barre -%Takt 63 -\Notes\zhl G\raise 2\Interligne\hbox{\qs}\qupp L&\ds&\tten3\zw e\hu g&\oct - \qlp g&no\rlap{---}&\Ilegu4l\pt g\qu g\enotes -\Notes&\ibbu1b3\qh1N\tqh1c\enotes -\Notes&\ibbu2d0\qh2e\qh2N\enotes -\Notes&\qh2c\tqh2e&&\oct - \cl e&&\tleg4\cu e\enotes -\temps\Notes\zhl G\raise 2\Interligne\hbox{\qs}\qupp L&\ds&\itenu3j\zhl g\hu j&\oct - \ql c&bis,&\qu c\enotes -\Notes&\ibbu1b3\qh1N\tqh1c\enotes -\Notes&\ibbu2d0\qh2e\qh2N\qh2c\tqh2e&&\oct - \qp&&\qp\enotes -\barre -%Takt 64 -\Notes\zhl G\raise 1.6\Interligne\hbox{\qs}\qupp K&\ds&\tten3\itenl3f\zw f\hu j&\oct - \itenu5f\hl f&no\rlap{---}&\itenl4f\hu f\enotes -\Notes&\ibbu1b3\qh1N\tqh1c\enotes -\Notes&\ibbu2e0\qh2f\qh2N\qh2c\tqh2f\enotes -\temps\Notes\zhl G\raise 1.6\Interligne\hbox{\qs}\qupp K&\ds&\zhl c\hu h&\oct - \tten5\ibl4f{-1}\qb4f&&\tten4\cu f\enotes -\Notes&\ibbu1b3\qh1N\tqh1c&&\oct - \qb4f&bis&\cu f\enotes -\Notes&\ibbu2e0\qh2f\qh2N&&\oct - \qb4e&pec-&\cu e\enotes -\Notes&\qh2c\tqh2f&&\oct - \tqb4d&ca-&\cu d\enotes -\barre -%Takt 65 -\Notes\zhl G\raise 1.6\Interligne\hbox{\qs}\qupp K&\ds&\tten3\zw f\zhl d\hu i&\oct - \qlp k&\raise\Interligne\hbox{to---}&\Ilegu4k\pt k\ql k\enotes -\Notes&\ibbu1b3\qh1N\tqh1b\enotes -\Notes&\ibbu2e0\qh2f\qh2N\enotes -\Notes&\qh2b\tqh2f&&\oct - \cl i&ri-&\tleg4\cl i\enotes -\temps\Notes\zhl G\raise 1.6\Interligne\hbox{\qs}\qupp K&\ds&\zhl b\hu k&\oct - \ql g&bus,&\qu g\enotes -\Notes&\ibbu1b3\qh1N\tqh1b\enotes -\Notes&\ibbu2e0\qh2f\qh2N\qh2b\tqh2f&&\oct - \qp&&\qp\enotes -\barre -%Takt 66 -\Notes\zhl G\raise 1.6\Interligne\hbox{\qs}\qsk\bigaccid - \qupp {_L}&\ds&\bigaccid\zw j\zhl{^f}\hu{_l}&\oct - \itenu5h\hl h&nunc&\itenl4h\hu h\enotes -\Notes&\ibbu1b3\qh1a\tqh1c\enotes -\Notes&\qsk\ibbu2e0\bigaccid\qh2{^f}\qh2a\qh2c\tqh2f\enotes -\temps\Notes\zhl G\raise 1.6\Interligne\hbox{\qs}\qupp L&\ds&\bigaccid\zhl h\hu{^m}&\oct - \tten5\ibl4h1\qb4h&&\tten4\cu h\enotes -\Notes&\ibbu1b3\qh1a\tqh1c&&\oct - \qb4h&et\rlap{---}&\ibu5i1\qh5h\enotes -\Notes&\ibbu2e0\qh2f\qh2a&&\oct - \qb4i&&\tqh5i\enotes -\Notes&\qh2c\tqh2f&&\oct - \tqb4j&in&\cl j\enotes -\barre -%Takt 67 -\Notes\zhl G\raise 1.6\Interligne\hbox{\qs}\qsk\bigaccid\qupp {=L}&\ds&\zw g\zh j\hu n&\oct - \itenu5l\hl l&\raise 3\internote\hbox{ho---}&\itenu4l\hl l\enotes -\Notes&\ibbu1b3\qh1N\tqh1c\enotes -\Notes&\ibbu2e0\qh2g\qh2N\qh2c\tqh2g\enotes -\temps\Notes\zhl G\raise 1.6\Interligne\hbox{\qs}\qupp L&\ds&\bigaccid\hu{=l}&\oct - \tten5\ibl4j{-3}\qb4l&&\tten4\ibu5j{-2}\qh5l\enotes -\Notes&\ibbu1b3\qh1N\tqh1c&&\oct - \qb4j&---&\tqh5j\enotes -\Notes&\ibbu2e0\qh2g\qh2N&&\oct - \qb4g&ra,&\cu g\enotes -\Notes&\qh2c\tqh2g&&\oct - \tqb4e&in&\cu e\enotes -\barre -%Takt 68 -\Notes\zhl G\raise 1.6\Interligne\hbox{\qs}\qupp K&\ds&\zw f\hu k&\oct - \itenu5d\hl d&ho\rlap{---}&\itenl4d\hu d\enotes -\Notes&\ibbu1b3\qh1N\tqh1c\enotes -\Notes&\ibbu2e0\qh2f\qh2N\qh2c\tqh2f\enotes -\temps\Notes\zhl G\raise 1.6\Interligne\hbox{\qs}\qupp K&\ds&\hu h&\oct - \tten5\ibl4d3\qb4d&&\tten4\ibu5g3\qh5d\enotes -\Notes&\ibbu1b3\qh1N\tqh1c&&\oct - \qb4h&&\tqh5h\enotes -\Notes&\ibbu2e0\qh2f\qh2N&&\oct - \qb4i&ra&\ibu5i{-1}\qh5i\enotes -\Notes&\qh2c\tqh2f&&\oct - \tqb4h&&\tqh5h\enotes -\barre -%Takt 69 -\Notes\zhl G\raise 1.6\Interligne\hbox{\qs}\qupp K&\ds&\zw b\zw d\rh f\zhu g&\oct - \ibl4h{-3}\usf h\qb4h&\rlap{mor---}&\ibu5j2\qh5g\enotes -\Notes&\ibbu1b3\qh1N\tqh1b&&\oct - \usf g\qb4g&&\tqh5k\enotes -\Notes&\ibbu2e0\qh2f\qh2N&&\oct - \usf f\qb4f&tis&\ibu5i{-2}\qh5i\enotes -\Notes&\qh2b\tqh2f&&\oct - \usf d\tqb4d&&\tqh5g\enotes -\temps\Notes\zhl G\raise 1.6\Interligne\hbox{\qs}\qupp K&\ds&\hu N&\relax - \lsf i\ibu4i{-3}\qh4i&\rlap{nos---}&\ibu5f{-2}\qh5f\enotes -\Notes&\ibbu1b3\qh1N\tqh1b&&\relax - \lsf h\qh4h&&\tqh5d\enotes -\Notes&\ibbu2e0\qh2f\qh2N&&\relax - \lsf f\qh4f&tr\ae.&\ibu5b{-2}\qh5b\enotes -\Notes&\qh2b\tqh2f&&\relax - \lsf d\tqh4d&&\tqh5N\enotes -\barre -\autolines{19}43\relax -%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%% -%Takt 70 -\Notes\zhl C\raise\Interligne\hbox{\qs}\qupp J&\ds - &\bigaccid\zw{_b}\roff{\itenu3c\zw c}&\itenl4c\wh c - &A\rlap{---}&\wh c\enotes -\Notes&\ibbu1b3\qh1N\bigaccid\qsk\tqh1{_b}\enotes -\Notes&\ibbu2d0\qh2e\qh2N\qh2b\tqh2e\enotes -\temps\Notes\zhl C\raise\Interligne\hbox{\qs}\qupp J&\ds\enotes -\Notes&\ibbu1b3\qh1N\tqh1b\enotes -\Notes&\ibbu2d0\qh2e\qh2N\qh2b\tqh2e\enotes -\barre -%Takt 71 -\Notes\raise\Interligne\rlap{\qs}\wh C\itenl2J\qupp J&\ds&\tten3\zw a\wh c&\tten4\wh c - &\rlap{\kern -\interligne men!}&\hu c\enotes -\Notes&\ibbu1a3\qh1M\tqh1a\enotes -\Notes&\ibbu2e0\qh2c\qh2f\qh2c\tqh2a\enotes -\temps\Notes\tten2\hu J&\ibbu2b0\qh2c\qh2a\qh2M\tqh2a&&\oct - &&\hpause\enotes -\Notes\ibbu3M0\qh3M\qh3K\qh3M\tqh3K\enotes -\barre -%Takt 72 -\Notes\zw C\qs\itenl3I\qupp I&\ds&\bigaccid\zw{=b}\wh g&\itenl4N\wh N - &A\rlap{---}&\wh g\enotes -\Notes&\ibbl1h3\qb1g\tqb1i\enotes -\Notes&\ibbl2j{-2}\qb2k\qb2m\qb2k\tqb2i\enotes -\temps\Notes\tten3\hu I&\ibbl2h0\qb2k\qb2i\qb2g\tqb2i&&\enotes -\Notes&\ibbu3e0\qh3d\qh3f\pince n\qh3e\tqh3d\enotes -\barre -%Takt 73 -\NOTes\pointdurgue C\zwh C\wh J&\zwh e\zwh g\pointdorgue j\wh j\relax - &\zw N\zw c\wh e&\tten4\wh N&\rlap{\kern -\interligne men!}&\pointdorgue g\wh g\enotes -\finmorceau -\bye - diff --git a/musixtex/doc/examples/avemaroo.tex b/musixtex/doc/examples/avemaroo.tex deleted file mode 100644 index 520d5f0..0000000 --- a/musixtex/doc/examples/avemaroo.tex +++ /dev/null @@ -1,858 +0,0 @@ -\ifx\mxversion\undefined - \input musixtex - \input musixcpt - \input musixsty -\fi - \input avemaria.reg - \title{Ave Maria (Gounod)} -\csname titremorceautoc\endcsname -\fulltitle{M\'editation -- Ave Maria} -\title{M\'editation -- Ave Maria} - \author{Charles Gounod \& J.-S. Bach\\Transcription Orgue solo Daniel -Taupin\\\& Markus Veittes} - \shortauthor{C. Gounod, J.-S. Bach, D. Taupin} - \subtitle{\relax} - \othermention{G.O.: fl\^ute 8' [+4']\\R\'ecit : fl\^utes 8'+4' [+nasard ou -chalumeau {\it ad lib.}]\\Positif : quinte\\P\'edale : 16', acc. -G.O.\\Gif : 2/9-11-12/20-23/33-37-45/50-52-54} -\maketitle - -\staffbotmarg\Interligne -% -\parindent 13mm -\musicsize=20 -\normal -\relativeaccidentals -\def\oct{\advance\transpose by 7\relax} -\def\nbinstruments{3} -\def\instrumenti{P\'edale} -\def\instrumentii{G.O.} -%\def\interinstrumenti{-2\Interligne} -%\def\interinstrumentii{-2\Interligne} -\def\instrumentiii{Positif} -\nbporteesi=1\relax -\nbporteesii=1\relax -\nbporteesiii=1\relax - -\generalmeter{\meterC}% -\cleftoksi{{6}{0}{0}{0}} -\cleftoksii{{0}{0}{0}{0}} -\cleftoksiii{{0}{0}{0}{0}} -%\raggedlinestrue % uncomment for ragged right lines - - -\debutmorceau -\def\OrgNotes#1\enotes{\Notes#1&\relax#5\enotes}% -\def\orgNotes#1\enotes{\Notes#1&\relax#4\enotes}% -\def\orgNOTes#1\enotes{\NOTes#1&\relax#4\enotes}% - %\check -%Takt 1 -\Notes\zhl c\raise 5.5\Interligne \hbox{\qs}\qupp e&\ds\enotes -\Notes&\ibbl0j3\qb0g\tqb0j\enotes -\Notes&\ibbl1k0\qb1l\qb1g\qb1j\tqb1l\enotes -\Notes\zhl c\raise 5.5\Interligne \hbox{\qs}\qupp e&\ds&\pause\enotes -\Notes&\ibbl2j3\qb2g\tqb2j\enotes -\Notes&\ibbl3k0\qb3l\qb3g\qb3j\tqb3l\enotes -\barre - %\check -%Takt 2 -\Notes\zhl c\raise 5.5\Interligne \hbox{\qs}\qupp d&\ds\enotes -\Notes&\ibbl1j3\qb1h\tqb1k\enotes -\Notes&\ibbl2k0\qb2m\qb2h\qb2k\tqb2m\enotes -\Notes\zhl c\raise 5.5\Interligne \hbox{\qs}\qupp d&\ds&\pause\enotes -\Notes&\ibbl1j3\qb1h\tqb1k\enotes -\Notes&\ibbl2k0\qb2m\qb2h\qb2k\tqb2m\enotes -\barre - %\check -%Takt 3 -\Notes\zhl b\raise 5.5\Interligne \hbox{\qs}\qupp d&\ds\enotes -\Notes&\ibbl1j3\qb1g\tqb1k\enotes -\Notes&\ibbl2k0\qb2m\qb2g\qb2k\tqb2m\enotes -\Notes\zhl b\raise 5.5\Interligne \hbox{\qs}\qupp d&\ds&\pause\enotes -\Notes&\ibbl1j3\qb1g\tqb1k\enotes -\Notes&\ibbl2k0\qb2m\qb2g\qb2k\tqb2m\enotes -\barre - %\check -%Takt 4 -\Notes\zhl c\raise 5.5\Interligne \hbox{\qs}\qupp e&\ds\enotes -\Notes&\ibbl0j3\qb0g\tqb0j\enotes -\Notes&\ibbl1k0\qb1l\qb1g\qb1j\tqb1l\enotes -\Notes\zhl c\raise 5.5\Interligne \hbox{\qs}\qupp e&\ds&\pause\enotes -\Notes&\ibbl2j3\qb2g\tqb2j\enotes -\Notes&\ibbl3k0\qb3l\qb3g\qb3j\tqb3l\enotes -\barre - %\check -%Takt 5 -\Notes\zhl c\raise 5.5\Interligne \hbox{\qs}\qupp e&\ds&\wh e\enotes -\Notes&\ibbl0j3\qb0g\tqb0j\enotes -\Notes&\ibbl1k0\qb1l\qb1g\qb1j\tqb1l\enotes -\Notes\zhl c\raise 5.5\Interligne \hbox{\qs}\qupp e&\ds\enotes -\Notes&\ibbl2j3\qb2g\tqb2j\enotes -\Notes&\ibbl3k0\qb3l\qb3g\qb3j\tqb3l\enotes -\barre - %\check -%Takt 6 -\Notes\zhl c\raise 5.5\Interligne \hbox{\qs}\qupp d&\ds&\hupp f\enotes -\Notes&\ibbl1j3\qb1h\tqb1k\enotes -\Notes&\ibbl2k0\qb2m\qb2h\qb2k\tqb2m\enotes -\Notes\zhl c\raise 5.5\Interligne \hbox{\qs}\qupp d&\ds\enotes -\Notes&\ibbl1j3\qb1h\tqb1k\enotes -\Notes&\ibbl2k0\qb2m\qb2h\enotes -\Notes&\qb2k\tqb2m&\cu f\enotes -\barre - %\check -%Takt 7 -\Notes\zhl b\raise 5.5\Interligne \hbox{\qs}\qupp d&\ds&\hup g\enotes -\Notes&\ibbl1j3\qb1g\tqb1k\enotes -\Notes&\ibbl2k0\qb2m\qb2g\qb2k\tqb2m\enotes -\Notes\zhl b\raise 5.5\Interligne \hbox{\qs}\qupp d&\ds\enotes -\Notes&\ibbl1j3\qb1g\tqb1k\enotes -\Notes&\ibbl2k0\qb2m\qb2g\qb2k\tqb2m&\qu d\enotes -\barre - %\check -%Takt 8 -\Notes\zhl c\raise 5.5\Interligne \hbox{\qs}\qupp e&\ds&\hup e\enotes -\Notes&\ibbl0j3\qb0g\tqb0j\enotes -\Notes&\ibbl1k0\qb1l\qb1g\qb1j\tqb1l\enotes -\Notes\zhl c\raise 5.5\Interligne \hbox{\qs}\qupp e&\ds\enotes -\Notes&\ibbl2j3\qb2g\tqb2j\enotes -\Notes&\ibbl3k0\qb3l\qb3g\qb3j\tqb3l&\qp\enotes -\barre - %\check -%Takt 9 -\Notes\zhl c\raise 5.5\Interligne \hbox{\qs}\qupp e&\ds&\itenl4h\hu h\enotes -\Notes&\ibbl0j3\qb0h\tqb0l\enotes -\Notes&\ibbl1k0\qb1o\qb1h\qb1l\tqb1o\enotes -\Notes\zhl c\raise 5.5\Interligne \hbox{\qs}\qupp e&\ds&\tten4\cu h\enotes -\Notes&\ibbl0j3\qb0h\tqb0l&\Ibu5ac4\qh5a\enotes -\Notes&\ibbl1k0\qb1o\qb1h&\qh5b\enotes -\Notes&\qb1l\tqb1o&\tqh5c\enotes -\barre - %\check -%Takt 10 -\Notes\zhl c\raise 5.5\Interligne \hbox{\qs}\qupp d&\ds&\qup d\enotes -\Notes&\ibbu1g3\bigaccid\qh1{^f}\tqh1h\enotes -\Notes&\ibbu2i0\qh2k\qh2f\enotes -\Notes&\qh2h\tqh2k&\cu e\enotes -\Notes\zhl c\raise 5.5\Interligne \hbox{\qs}\qupp d&\ds&\qu d\enotes -\Notes&\ibbu1g3\qh1f\tqh1h\enotes -\Notes&\ibbu2i0\qh2k\qh2f\qh2h\tqh2k&\qp\enotes -\barre - %\check -%Takt 11 -\Notes\zhl b\raise 5.5\Interligne \hbox{\qs}\qupp d&\ds&\itenu4g\hu g\enotes -\Notes&\ibbl1j3\qb1g\tqb1k\enotes -\Notes&\ibbl2k0\qb2n\qb2g\qb2k\tqb2n\enotes -\Notes\zhl b\raise 5.5\Interligne \hbox{\qs}\qupp d&\ds&\tten4\cu g\enotes -\Notes&\ibbl1j3\qb1g\tqb1k&\Ibu5Nb4\qh5N\enotes -\Notes&\ibbl2k0\qb2n\qb2g&\qh5a\enotes -\Notes&\qb2k\tqb2n&\tqh5b\enotes -\barre - %\check -%Takt 12 -\Notes\zhl b\raise 5.5\Interligne \hbox{\qs}\qupp c&\ds&\qup c\enotes -\Notes&\ibbu1f3\qh1e\tqh1g\enotes -\Notes&\ibbu2i0\qh2j\qh2e\enotes -\Notes&\qh2g\tqh2j&\cu d\enotes -\Notes\zhl b\raise 5.5\Interligne \hbox{\qs}\qupp c&\ds&\qu c\enotes -\Notes&\ibbu1f3\qh1e\tqh1g\enotes -\Notes&\ibbu2i0\qh2j\qh2e\qh2g\tqh2j&\qp\enotes -% -\barre - %\check -%Takt 13 -\Notes\zhl a\raise 5\Interligne\hbox{\qs}\qupp c&\ds&\itenu4j\hu j\enotes -\Notes&\ibbu1f3\qh1e\tqh1g\enotes -\Notes&\ibbu2i0\qh2j\qh2e\qh2g\tqh2j\enotes -\Notes\zhl a\raise 5\Interligne\hbox{\qs}\qupp c&\ds&\tten4\cu j\enotes -\Notes&\ibbu1f3\qh1e\tqh1g&\Ibu5ce4\qh5c\enotes -\Notes&\ibbu2i0\qh2j\qh2e&\qh5d\enotes -\Notes&\qh2g\tqh2j&\tqh5e\enotes -\barre - %\check -%Takt 14 -\Notes\zhl K\raise 3.5\Interligne\hbox{\qs}\qupp a&\ds&\bigaccid\qup {^f}\enotes -\Notes&\ibbu1f3\qh1d\bigaccid\qsk\tqh1{^f}\enotes -\Notes&\ibbu2i0\qh2j\qh2d\enotes -\Notes&\qh2f\tqh2j&\cu e\enotes -\Notes\zhl K\raise 3.5\Interligne\hbox{\qs}\qupp a&\ds&\qu d\enotes -\Notes&\ibbu1f3\qh1d\tqh1f\enotes -\Notes&\ibbu2i0\qh2j\qh2d\qh2f\tqh2j&\qu a\enotes -\barre - %\check -%Takt 15 -\def\atnextline{\staffbotmarg3\Interligne}% -\Notes\zhl N\raise 4.2\Interligne\hbox{\qs}\qupp b&\ds&\hu b\enotes -\Notes&\ibbu1f3\qh1d\tqh1g\enotes -\Notes&\ibbu2i0\qh2i\qh2d\qh2g\tqh2i\enotes -\Notes\zhl N\raise 4.2\Interligne\hbox{\qs}\qupp b&\ds&\qp\enotes -\Notes&\ibbu1f3\qh1d\tqh1g\enotes -\Notes&\ibbu2i0\qh2i\qh2d\qh2g\tqh2i&\qu d\enotes -\barre - %\check -%Takt 16 -\Notes\zhl N\raise 4.2\Interligne\hbox{\qs}\bigaccid\qsk\qupp{_b}&\ds&\itenl4e\hu e\enotes -\Notes&\ibbu1f3\qh1e\tqh1g\enotes -\Notes&\bigaccid\qsk\ibbu2i0\qh2{^j}\qh2e\qh2g\tqh2j\enotes -\Notes\zhl N\raise 4.2\Interligne\hbox{\qs}\qupp b&\ds&\tten4\cu e\enotes -\Notes&\ibbu1f3\qh1e\tqh1g&\Ibu4eg4\qh4e\enotes -\Notes&\ibbu2i0\qh2j\qh2e&\qh4f\enotes -\Notes&\qh2g\tqh2j&\tqh4g\enotes -\barre - %\check -%Takt 17 -\Notes\zhl M\raise 3.8\Interligne\hbox{\qs}\qupp a&\ds&\ppt h\qu h\enotes -\Notes&\ibbu1g3\qh1d\tqh1h\enotes -\Notes&\ibbu2i0\qh2k\qh2d\qh2h\enotes -\Notes&\tqh2k&\ccu a\enotes -\Notes\zhl M\raise 3.8\Interligne\hbox{\qs}\qupp a&\ds&\qu a\enotes -\Notes&\ibbu1g3\qh1d\tqh1h\enotes -\Notes&\ibbu2i0\qh2k\qh2d\qh2h\tqh2k&\qp\enotes -\barre - %\check -%Takt 18 -\Notes\zhl M\raise 3.8\Interligne\hbox{\qs}\bigaccid\qsk\qupp{_a}&\ds&\itenl4d\hu d\enotes -\Notes&\ibbu1f3\qh1d\tqh1f\enotes -\Notes&\ibbu2i0\qh2i\qh2d\qh2f\tqh2i\enotes -\Notes\zhl M\raise 3.8\Interligne\hbox{\qs}\qupp a&\ds&\tten4\cu d\enotes -\Notes&\ibbu1f3\qh1d\tqh1f&\Ibu5df4\qh5d\enotes -\Notes&\ibbu2i0\qh2i\qh2d&\qh5e\enotes -\Notes&\qh2f\tqh2i&\tqh5f\enotes -\barre - %\check -%Takt 19 -\Notes\zhl L\raise 3.5\Interligne\hbox{\qs}\qupp N&\ds&\hu g\enotes -\Notes&\ibbu1f3\qh1c\tqh1g\enotes -\Notes&\ibbu2i0\qh2j\qh2c\qh2g\tqh2j\enotes -\Notes\zhl L\raise 3.5\Interligne\hbox{\qs}\qupp N&\ds&\qu N\enotes -\Notes&\ibbu1f3\qh1c\tqh1g\enotes -\Notes&\ibbu2i0\qh2j\qh2c\qh2g\tqh2j&\qp\enotes -\barre - %\check -%Takt 20 -\Notes\zhl L\raise 3.5\Interligne\hbox{\qs}\qupp M&\ds&\itenl4c\hu c\enotes -\Notes&\ibbu1c3\qh1a\tqh1c\enotes -\Notes&\ibbu2e0\qh2f\qh2a\qh2c\tqh2f\enotes -\Notes\zhl L\raise 3.5\Interligne\hbox{\qs}\qupp M&\ds&\tten4\cu c\enotes -\Notes&\ibbu1c3\qh1a\tqh1c&\Ibu5ce4\qh5c\enotes -\Notes&\ibbu2e0\qh2f\qh2a&\qh5d\enotes -\Notes&\qh2c\tqh2f&\tqh5e\enotes -\barre - %\check -%Takt 21 -\Notes\zhl K\raise 3\Interligne\hbox{\qs}\qupp M&\ds&\itenl4f\hu f\enotes -\Notes&\ibbu1c3\qh1a\tqh1c\enotes -\Notes&\ibbu2e0\qh2f\qh2a\qh2c\tqh2f\enotes -\Notes\zhl K\raise 3\Interligne\hbox{\qs}\qupp M&\ds&\tten4\cu f\enotes -\Notes&\ibbu1c3\qh1a\tqh1c&\Ibu5fh4\qh5f\enotes -\Notes&\ibbu2e0\qh2f\qh2a&\qh5g\enotes -\Notes&\qh2c\tqh2f&\tqh5h\enotes -\barre - %\check -%Takt 22 -\Notes\zhl G\raise 1.6\Interligne\hbox{\qs}\qupp K&\ds&\qlp i\enotes -\Notes&\ibbu1b3\qh1N\tqh1b\enotes -\Notes&\ibbu2e0\qh2f\qh2N\enotes -\Notes&\qh2b\tqh2f&\cl h\enotes -\Notes\zhl G\raise 1.6\Interligne\hbox{\qs}\qupp K&\ds&\qu g\enotes -\Notes&\ibbu1b3\qh1N\tqh1b\enotes -\Notes&\ibbu2e0\qh2f\qh2N\qh2b\tqh2f&\qu d\enotes -\barre - %\check -%Takt 23 -\Notes\zhl J\raise 2\Interligne\hbox{\qs}\qupp L&\ds&\hup e\enotes -\Notes&\ibbu1b3\qh1N\tqh1c\enotes -\Notes&\ibbu2d0\qh2e\qh2N\qh2c\tqh2e\enotes -\Notes\zhl J\raise 2\Interligne\hbox{\qs}\qupp L&\ds\enotes -\Notes&\ibbu1b3\qh1N\tqh1c&\enotes -\Notes&\ibbu2d0\qh2e\qh2N\qh2c\tqh2e&\qp\enotes -\barre - %\check -%Takt 24 -\Notes\zhl J\raise 2\Interligne\hbox{\qs}\qupp N&\ds&\hu g\enotes -\Notes&\bigaccid\ibbu1b3\qh1{_b}\tqh1c\enotes -\Notes&\ibbu2d0\qh2e\qh2b\qh2c\tqh2e\enotes -\Notes\zhl J\raise 2\Interligne\hbox{\qs}\qupp N&\ds&\qu e\enotes -\Notes&\ibbu1b3\qh1b\tqh1c\enotes -\Notes&\ibbu2d0\qh2e\qh2b\qh2c&\pt h\ds\enotes -\Notes&\tqh2e&\ccu e\enotes -\barre - %\check -%Takt 25 -\Notes\zhl F\raise 2\Interligne\hbox{\qs}\qupp M&\ds&\hu h\enotes -\Notes&\ibbu1b3\qh1a\tqh1c\enotes -\Notes&\ibbu2d0\qh2e\qh2a\qh2c\tqh2e\enotes -\Notes\zhl F\raise 2\Interligne\hbox{\qs}\qupp M&\ds&\qu a\enotes -\Notes&\ibbu1b3\qh1a\tqh1c\enotes -\Notes&\ibbu2d0\qh2e\qh2a\qh2c\tqh2e&\qp\enotes -\barre - %\check -%Takt 26 -\Notes\bigaccid\zhl {^F}\raise\Interligne\hbox{\qs}\qupp J&\ds&\hu h\enotes -\Notes&\ibbu1b3\qh1a\tqh1c\enotes -\Notes&\bigaccid\qsk\ibbu2d0\qh2{_e}\qh2a\qh2c\tqh2e\enotes -\Notes\zhl F\raise\Interligne\hbox{\qs}\qupp J&\ds&\qu c\enotes -\Notes&\ibbu1b3\qh1a\tqh1c\enotes -\Notes&\ibbu2d0\qh2e\qh2a\qh2c&\qsk\pt h\ds\enotes -\Notes&\tqh2e&\ccu h\enotes -\barre - %\check -%Takt 27 -\Notes\zhl G\raise 1.6\Interligne\hbox{\qs}\qsk\bigaccid\qupp {_L}&\ds&\hl j\enotes -\Notes&\ibbu1b3\qh1b\tqh1c\enotes -\Notes&\bigaccid\qsk\ibbu2d0\qh2{_e}\qh2b\qh2c\tqh2e\enotes -\Notes\zhl G\raise 1.6\Interligne\hbox{\qs}\qupp L&\ds&\bigaccid\qu{_e}\enotes -\Notes&\ibbu1b3\qh1b\tqh1c\enotes -\Notes&\ibbu2d0\qh2e\qh2b\qh2c&\pt j\ds\enotes -\Notes&\tqh2e&\ccl j\enotes -\barre - %\check -%Takt 28 -\Notes\bigaccid\zhl {_H}\raise 2\Interligne\hbox{\qs}\qupp M&\ds&\hl j\enotes -\Notes&\ibbu1b3\qh1b\tqh1c\enotes -\Notes&\ibbu2d0\qh2d\qh2b\qh2c\tqh2d\enotes -\Notes\zhl H\raise 2\Interligne\hbox{\qs}\qupp M&\ds&\qu d\enotes -\Notes&\ibbu1b3\qh1b\tqh1c\enotes -\Notes&\ibbu2d0\qh2d\qh2b\qh2c\tqh2d&\qp\enotes -\barre - %\check -%Takt 29 -\Notes\zhl G\raise 2\Interligne\hbox{\qs}\qupp M&\ds&\itenl4d\hu d\enotes -\Notes&\ibbu1b3\qh1N\tqh1b\enotes -\Notes&\ibbu2d0\qh2d\qh2N\qh2b\tqh2d\enotes -\Notes\zhl G\raise 2\Interligne\hbox{\qs}\qupp M&\ds&\tten4\cu d\enotes -\Notes&\ibbu1b3\qh1N\tqh1b&\Ibu5db4\qh5d\enotes -\Notes&\ibbu2d0\qh2d\qh2N&\qh5c\enotes -\Notes&\qh2b\tqh2d&\tqh5 b\enotes -\barre - %\check -%Takt 30 -\Notes\zhl G\raise 2\Interligne\hbox{\qs}\qupp L&\ds&\qup g\enotes -\Notes&\ibbu1b3\qh1N\tqh1c\enotes -\Notes&\ibbu2d0\qh2e\qh2N\enotes -\Notes&\qh2c\tqh2e&\cu e\enotes -\Notes\zhl G\raise 2\Interligne\hbox{\qs}\qupp L&\ds&\qu c\enotes -\Notes&\ibbu1b3\qh1N\tqh1c\enotes -\Notes&\ibbu2d0\qh2e\qh2N\qh2c\tqh2e&\qp\enotes -\barre - %\check -%Takt 31 -\Notes\zhl G\raise 1.6\Interligne\hbox{\qs}\qupp K&\ds&\itenl4f\hu f\enotes -\Notes&\ibbu1b3\qh1N\tqh1c\enotes -\Notes&\ibbu2e0\qh2f\qh2N\qh2c\tqh2f\enotes -\Notes\zhl G\raise 1.6\Interligne\hbox{\qs}\qupp K&\ds&\tten4\cu f\enotes -\Notes&\ibbu1b3\qh1N\tqh1c&\Ibu5fd4\qh5f\enotes -\Notes&\ibbu2e0\qh2f\qh2N&\qh5e\enotes -\Notes&\qh2c\tqh2f&\tqh5d\enotes -\barre - %\check -%Takt 32 -\Notes\zhl G\raise 1.6\Interligne\hbox{\qs}\qupp K&\ds&\qlp k\enotes -\Notes&\ibbu1b3\qh1N\tqh1b\enotes -\Notes&\ibbu2e0\qh2f\qh2N\enotes -\Notes&\qh2b\tqh2f&\cl i\enotes -\Notes\zhl G\raise 1.6\Interligne\hbox{\qs}\qupp K&\ds&\qu g\enotes -\Notes&\ibbu1b3\qh1N\tqh1b\enotes -\Notes&\ibbu2e0\qh2f\qh2N\qh2b\tqh2f&\qp\enotes -\barre - %\check -%Takt 33 -\Notes\zhl G\raise 1.6\Interligne\hbox{\qs}\bigaccid\qsk\qupp {_L}&\ds&\itenl4h\hu h\enotes -\Notes&\ibbu1b3\qh1a\tqh1c\enotes -\Notes&\bigaccid\qsk\ibbu2e0\qh2{^f}\qh2a\qh2c\tqh2f\enotes -\Notes\zhl G\raise 1.6\Interligne\hbox{\qs}\qupp L&\ds&\tten4\cu h\enotes -\Notes&\ibbu1b3\qh1a\tqh1c&\Ibu5hj4\qh5h\enotes -\Notes&\ibbu2e0\qh2f\qh2a&\qh5i\enotes -\Notes&\qh2c\tqh2f&\tqh5j\enotes -\barre - %\check -%Takt 34 -\Notes\zhl G\raise 1.6\Interligne\hbox{\qs}\bigaccid\qsk\qupp {=L}&\ds&\itenu4l\hl l\enotes -\Notes&\ibbu1b3\qh1N\tqh1c\enotes -\Notes&\ibbu2e0\qh2g\qh2N\qh2c\tqh2g\enotes -\Notes\zhl G\raise 1.6\Interligne\hbox{\qs}\qupp L&\ds&\tten4\cl l\enotes -\Notes&\ibbu1b3\qh1N\tqh1c&\Ibu5je4\qh5j\enotes -\Notes&\ibbu2e0\qh2g\qh2N&\qh5g\enotes -\Notes&\qh2c\tqh2g&\tqh5e\enotes -\barre - %\check -%Takt 35 -\Notes\zhl G\raise 1.6\Interligne\hbox{\qs}\qupp K&\ds&\itenl4d\hu d\enotes -\Notes&\ibbu1b3\qh1N\tqh1c\enotes -\Notes&\ibbu2e0\qh2f\qh2N\qh2c\tqh2f\enotes -\Notes\zhl G\raise 1.6\Interligne\hbox{\qs}\qupp K&\ds&\tten4\ibu5g3\qh5d\enotes -\Notes&\ibbu1b3\qh1N\tqh1c&\tqh5h\enotes -\Notes&\ibbu2e0\qh2f\qh2N&\ibu5i{-1}\qh5i\enotes -\Notes&\qh2c\tqh2f&\tqh5h\enotes -\barre - %\check -%Takt 36 -\Notes\zhl G\raise 1.6\Interligne\hbox{\qs}\qupp K&\ds&\ibu5j2\qh5g\enotes -\Notes&\ibbu1b3\qh1N\tqh1b&\tqh5k\enotes -\Notes&\ibbu2e0\qh2f\qh2N&\ibu5i{-2}\qh5i\enotes -\Notes&\qh2b\tqh2f&\tqh5g\enotes -\Notes\zhl G\raise 1.6\Interligne\hbox{\qs}\qupp K&\ds&\ibu5f{-2}\qh5f\enotes -\Notes&\ibbu1b3\qh1N\tqh1b&\tqh5d\enotes -\Notes&\ibbu2e0\qh2f\qh2N&\ibu5b{-2}\qh5b\enotes -\Notes&\qh2b\tqh2f&\tqh5N\enotes -\barre - %\check -%Takt 37 -\Notes\zhu C\raise\Interligne\hbox{\qs}\qupp J&\ds&\itenl4c\hu c\enotes -\Notes&\ibbu1b3\qh1N\tqh1c\enotes -\Notes&\ibbu2d0\qh2e\qh2N\qh2c\tqh2e\enotes -\Notes\zhl J\raise2\Interligne\hbox{\qs}\qupp L&\ds&\tten4\qu c\enotes -\Notes&\ibbu1b3\qh1N\tqh1c&\uptext{R\'ecit (doux)}\enotes -\Notes&\ibbu2d0\qh2e\qh2N\qh2c\tqh2e&\qp\enotes -\barre - %\check -%Takt 38 -\Notes\zhl c\raise 5.5\Interligne\qs\qupp e&\ds&\wh l\enotes -\Notes&\ibbl0j3\qb0g\tqb0j\enotes -\Notes&\ibbl1k0\qb1l\qb1g\qb1j\tqb1l&\raise -2\Interligne\hpause\enotes -\Notes\zhl c\raise 5.5\Interligne\qs\qupp e&\ds&\hl g\enotes -\Notes&\ibbl2j3\qb2g\tqb2j\enotes -\Notes&\ibbl3k0\qb3l\qb3g\qb3j\tqb3l\enotes -\barre - %\check -%Takt 39 -\Notes\zhl c\raise 5.5\Interligne \hbox{\qs}\qupp d&\ds&\wh m\enotes -\Notes&\ibbl1j3\qb1h\tqb1k\enotes -\Notes&\ibbl2k0\qb2m\qb2h\qb2k\tqb2m&\raise -2\Interligne\hpause\enotes -\Notes\zhl c\raise 5.5\Interligne\qs\qupp d&\ds&\hl h\enotes -\Notes&\ibbl1j3\qb1h\tqb1k\enotes -\Notes&\ibbl2k0\qb2m\qb2h\enotes -\Notes&\qb2k\tqb2m\enotes -\barre - %\check -%Takt 40 -\Notes\zhl b\raise 5.5\Interligne \hbox{\qs}\qupp d&\ds&\zhl i\hup n\enotes -\Notes&\ibbl1j3\qb1g\tqb1k\enotes -\Notes&\ibbl2k0\qb2m\qb2g\qb2k\tqb2m\enotes -\Notes\zhl b\raise 5.5\Interligne\qs\qupp d&\ds&\hl f\enotes -\Notes&\ibbl1j3\qb1g\tqb1k\enotes -\Notes&\ibbl2k0\qb2m\qb2g\qb2k\tqb2m&\qu k\enotes -\barre - %\check -%Takt 41 -\Notes\zhl c\raise 5.5\Interligne \hbox{\qs}\qupp e&\ds&\zhlp g\hup l\enotes -\Notes&\ibbl0j3\qb0g\tqb0j\enotes -\Notes&\ibbl1k0\qb1l\qb1g\qb1j\tqb1l\enotes -\Notes\zhl c\raise 5.5\Interligne \hbox{\qs}\qupp e&\ds\enotes -\Notes&\ibbl2j3\qb2g\tqb2j\enotes -\Notes&\ibbl3k0\qb3l\qb3g\qb3j\tqb3l&\qp\enotes -\barre - %\check -%Takt 42 -\Notes\zhl c\raise 5.5\Interligne \hbox{\qs}\qupp e&\ds&\relax - {\roffset{0.3}{\zhu j}}\oct - \itenu5h\hl h\enotes -\Notes&\ibbl0j3\qb0h\tqb0l\enotes -\Notes&\ibbl1k0\qb1o\qb1h\qb1l\tqb1o\enotes -\Notes\zhl c\raise 5.5\Interligne \hbox{\qs}\qupp -e&\ds&{\roffset {0.3}{\zhu l}}\oct - \tten5\ibl4a0\qb4h\enotes -\Notes&\ibbl0j3\qb0h\tqb0l&\oct\qb4a\enotes -\Notes&\ibbl1k0\qb1o\qb1h&\oct\qb4b\enotes -\Notes&\qb1l\tqb1o&\oct\tqb4c\enotes -\barre - %\check -%Takt 43 -\Notes\zhl c\raise 5.5\Interligne \hbox{\qs}\qupp d&\ds&\itenu5o{\zhu o}\oct - \qlp d\enotes -\Notes&\ibbu1g3\bigaccid\qh1{^f}\tqh1h\enotes -\Notes&\ibbu2i0\qh2k\qh2f\enotes -\Notes&\qh2h\tqh2k&\oct \cl e\enotes -\Notes\zhl c\raise 5.5\Interligne \hbox{\qs}\qupp d&\ds&\tten5{\ibu3m{-2}\zqh3o}\oct - \ql d\enotes -\Notes&\ibbu1g3\qh1f\tqh1h&{\qh3h}\enotes -\Notes&\ibbu2i0\qh2k\qh2f\qh2h\tqh2k&\raise -2\Interligne\rlap{\qp}{\qh3i\sk\tqh3j}\enotes -\barre - %\check -%Takt 44 -\Notes\zhl b\raise 5.5\Interligne \hbox{\qs}\qupp d&\ds&\relax - \rlap{\roffset{0.3}{\qupp k}}\oct - \normalnotesize\itenu5g\hl g\enotes -\Notes&\ibbl1j3\qb1g\tqb1k\enotes -\Notes&\ibbl2k0\qb2n\qb2g\qb2k\tqb2n&\sk\sk\sk\ccu l\enotes -\Notes\zhl b\raise 5.5\Interligne \hbox{\qs}\qupp d&\ds&\roffset {0.5}{\zhu k}\oct - \normalnotesize\tten5\ibl4N0\qb4g\enotes -\Notes&\ibbl1j3\qb1g\tqb1k&\oct \qb4N\enotes -\Notes&\ibbl2k0\qb2n\qb2g&\oct - \qb4a\enotes \Notes&\qb2k\tqb2n&\oct \tqb4b\enotes -\barre - %\check -%Takt 45 -\Notes\zhl b\raise 5.5\Interligne \hbox{\qs}\qupp c&\ds&{\itenu3n\zhu n}\oct - \qlp c\enotes -\Notes&\ibbu1f3\qh1e\tqh1g\enotes -\Notes&\ibbu2i0\qh2j\qh2e\enotes -\Notes&\qh2g\tqh2j&\oct - \cl d\enotes -\Notes\zhl b\raise 5.5\Interligne \hbox{\qs}\qupp c&\ds&{\tten3\ibu3l{-3}\zqh3n}\oct - \ql c\enotes -\Notes&\ibbu1f3\qh1e\tqh1g&\qh3g\enotes -\Notes&\ibbu2i0\qh2j\qh2e\qh2g\tqh2j&\raise -2.5\Interligne\rlap{\qp}\qh3h\sk\tqh3i\enotes -% -\barre - %\check -%Takt 46 -\Notes\zhl a\raise 5\Interligne\hbox{\qs}\qupp c&\ds&\relax - {\roffset{0.3}{\zhl j}}\oct - \itenu5j\hu j\enotes -\Notes&\ibbu1f3\qh1e\tqh1g\enotes -\Notes&\ibbu2i0\qh2j\qh2e\qh2g\tqh2j\enotes -\Notes\zhl a\raise 5\Interligne\qs\qupp c&\ds&{\zql h}\oct - \tten5\cu j\enotes -\Notes&\ibbu1f3\qh1e\tqh1g&\oct - \Ibu4ce4\qh4c\enotes -\Notes&\ibbu2i0\qh2j\qh2e&{\zql g}\oct - \qh4d\enotes -\Notes&\qh2g\tqh2j&\oct - \tqh4e\enotes -\barre - %\check -%Takt 47 -\Notes\zhl K\raise 3.5\Interligne\hbox{\qs}\qupp a&\ds - &\bigaccid\zhlp h\oct - \qup{^f}\enotes -\Notes&\ibbu1f3\qh1d\bigaccid\qsk\tqh1{^f}\enotes -\Notes&\ibbu2i0\qh2j\qh2d\enotes -\Notes&\qh2f\tqh2j&\oct \cu e\enotes -\Notes\zhl K\raise 3.5\Interligne\hbox{\qs}\qupp a&\ds&\oct - \qu d\enotes -\Notes&\ibbu1f3\qh1d\tqh1f\enotes -\Notes&\ibbu2i0\qh2j\qh2d\qh2f\tqh2j&\oct - \zql a\qu a\enotes -\barre - %\check -%Takt 48 -\Notes\zhl N\raise 4.2\Interligne\hbox{\qs}\qupp b&\ds&\relax - {\zw g}\oct \hu b\enotes -\Notes&\ibbu1f3\qh1d\tqh1g\enotes -\Notes&\ibbu2i0\qh2i\qh2d\qh2g\tqh2i\enotes -\Notes\zhl N\raise 4.2\Interligne\qs\qupp b&\ds&\relax - \raise\Interligne\qp\enotes -\Notes&\ibbu1f3\qh1d\tqh1g\enotes -\Notes&\ibbu2i0\qh2i\qh2d\qh2g\tqh2i&\oct - \qu d\enotes -\barre - %\check -%Takt 49 -\Notes\zhl N\raise 4.2\Interligne\hbox{\qs}\bigaccid\qsk\qupp{_b}&\ds&\zw{^j}\oct - \itenu5e\hu e\enotes -\Notes&\ibbu1f3\qh1e\tqh1g\enotes -\Notes&\bigaccid\qsk\ibbu2i0\qh2{^j}\qh2e\qh2g\tqh2j\enotes -\Notes\zhl N\raise 4.2\Interligne\hbox{\qs}\qupp b&\ds&\oct - \tten5\cu e&\enotes -\Notes&\ibbu1f3\qh1e\tqh1g&\oct - \Ibu5eg4\qh5e\enotes -\Notes&\ibbu2i0\qh2j\qh2e&\oct - \qh5f\enotes -\Notes&\qh2g\tqh2j&\oct - \tqh5g\enotes -\barre - %\check -%Takt 50 -\Notes\zhl M\raise 3.8\Interligne\hbox{\qs}\qupp a&\ds& - \rlap{\hlp k}\oct \itenu4h\hu h\enotes -\Notes&\ibbu1g3\qh1d\tqh1h\enotes -\Notes&\ibbu2i0\qh2k\qh2d\qh2h\enotes -\Notes&\tqh2k\enotes -\Notes\zhl M\raise 3.8\Interligne\qs\qupp a&\ds&\tten4\relax - \oct \cu h\enotes -\Notes&\ibbu1g3\qh1d\tqh1h&{\Ibu3hj4\qh3h}\enotes -\Notes&\ibbu2i0\qh2k\qh2d\qh2h\tqh2k&\qh3i\sk\tqh3j\enotes -\barre - %\check -%Takt 51 -\Notes\zhl M\raise 3.8\Interligne\hbox{\qs}\bigaccid\qsk\qupp{_a}&\ds&\bigaccid\zw {=i}\oct\itenu5d\hu d\enotes -\Notes&\ibbu1f3\qh1d\tqh1f\enotes -\Notes&\ibbu2i0\qh2i\qh2d\qh2f\tqh2i\enotes -\Notes\zhl M\raise 3.8\Interligne\hbox{\qs}\qupp a&\ds&\oct - \tten5\cu d\enotes -\Notes&\ibbu1f3\qh1d\tqh1f&\oct - \Ibu4df4\qh4d\enotes -\Notes&\ibbu2i0\qh2i\qh2d&\oct - \qh4e\enotes -\Notes&\qh2f\tqh2i&\oct - \tqh4f\enotes -\barre - %\check -%Takt 52 -\Notes\zhl L\raise 3.5\Interligne\hbox{\qs}\qupp N&\ds&{\zhlp j}\oct - \itenu4g\hu g\enotes -\Notes&\ibbu1f3\qh1c\tqh1g\enotes -\Notes&\ibbu2i0\qh2j\qh2c\qh2g\tqh2j\enotes -\Notes\zhl L\raise 3.5\Interligne\hbox{\qs}\qupp N&\ds&\oct - \tten4\cu g\enotes -\Notes&\ibbu1f3\qh1c\tqh1g&\Ibu4gi4\qh4g\enotes -\Notes&\ibbu2i0\qh2j\qh2c\qh2g\tqh2j&\qh4h\sk\tqh4i\enotes -\barre - %\check -%Takt 53 -\Notes\zhl L\raise 3.5\Interligne\hbox{\qs}\qupp M&\ds&{\zw h}\oct - \itenu5c\hu c\enotes -\Notes&\ibbu1c3\qh1a\tqh1c\enotes -\Notes&\ibbu2e0\qh2f\qh2a\qh2c\tqh2f\enotes -\Notes\zhl L\raise 3.5\Interligne\hbox{\qs}\qupp M&\ds&\oct - \tten5\cu c\enotes -\Notes&\ibbu1c3\qh1a\tqh1c&\oct - \Ibu4ce4\qh4c\enotes -\Notes&\ibbu2e0\qh2f\qh2a&\oct - \qh4d\enotes -\Notes&\qh2c\tqh2f&\oct - \tqh4e\enotes -\barre - %\check -%Takt 54 -\Notes\zhl K\raise 3\Interligne\hbox{\qs}\qupp M&\ds&\relax - {\zw j}\oct - \itenu5f\hu f\enotes -\Notes&\ibbu1c3\qh1a\tqh1c\enotes -\Notes&\ibbu2e0\qh2f\qh2a\qh2c\tqh2f\enotes -\Notes\zhl K\raise 3\Interligne\hbox{\qs}\qupp M&\ds&\oct - \tten5\cu f\enotes -\Notes&\ibbu1c3\qh1a\tqh1c&\oct - \Ibu4fh4\qh4f\enotes -\Notes&\ibbu2e0\qh2f\qh2a&\oct - \qh4g\enotes -\Notes&\qh2c\tqh2f&\oct - \tqh4h\enotes -\barre - %\check -%Takt 55 -\Notes\zhl G\raise 1.6\Interligne\hbox{\qs}\qupp K&\ds&{\zqlp n}\oct - \qup i\enotes -\Notes&\ibbu1b3\qh1N\tqh1b\enotes -\Notes&\ibbu2e0\qh2f\qh2N\enotes -\Notes&\qh2b\tqh2f&\oct \cu h\enotes -\Notes\zhl G\raise 1.6\Interligne\qs\qupp K&\ds&\relax - \rlap{\roff{\hl m}}\oct \qu g\enotes -\Notes&\ibbu1b3\qh1N\tqh1b\enotes -\Notes&\ibbu2e0\qh2f\qh2N\qh2b\tqh2f&\oct - \qu d&\enotes -\barre - %\check -%Takt 56 -\Notes\zhl J\raise 2\Interligne\hbox{\qs}\qupp L&\ds&{\zhlp j}\oct - \hup e\enotes -\Notes&\ibbu1b3\qh1N\tqh1c\enotes -\Notes&\ibbu2d0\qh2e\qh2N\qh2c\tqh2e\enotes -\Notes\zhl J\raise 2\Interligne\hbox{\qs}\qupp L&\ds&\oct - \enotes -\Notes&\ibbu1b3\qh1N\tqh1c&\oct - \enotes -\Notes&\ibbu2d0\qh2e\qh2N\qh2c\tqh2e&\oct - \pt a\ds\sk\sk\ccl e\enotes -\barre - %\check -%Takt 57 -\Notes\zhl J\raise 2\Interligne\hbox{\qs}\qupp N&\ds&{\bigfl i\zhlp i}\oct \hu g\enotes -\Notes&\ibbu1b3\bigaccid\qh1{_b}\tqh1c\enotes -\Notes&\ibbu2d0\qh2e\qh2b\qh2c\tqh2e\enotes -\Notes\zhl J\raise 2\Interligne\hbox{\qs}\qupp N&\ds&\oct \qu e\enotes -\Notes&\ibbu1b3\qh1b\tqh1c\enotes -\Notes&\ibbu2d0\qh2e\qh2b\qh2c&\oct \pt a\ds\enotes -\Notes&\tqh2e&\oct \ccl e\enotes -\barre - %\check -%Takt 58 -\Notes\zhl F\raise 2\Interligne\hbox{\qs}\qupp M&\ds&\itenu2j\zh j\hl o\enotes -\Notes&\ibbu1b3\qh1a\tqh1c\enotes -\Notes&\ibbu2d0\qh2e\qh2a\qh2c\tqh2e\enotes -\Notes\zhl F\raise 2\Interligne\hbox{\qs}\qupp M&\ds&\tten2\zq j\ql h\enotes -\Notes&\ibbu1b3\qh1a\tqh1c\enotes -\Notes&\ibbu2d0\qh2e\qh2a\qh2c\tqh2e&\oct \qp\enotes -\barre - %\check - %Takt 59 - \Notes\bigaccid\zhl {^F}\raise\Interligne\hbox{\qs}\qupp -J&\ds&{\bigfl l\zh l}\oct \hl h\enotes - \Notes&\ibbu1b3\qh1a\tqh1c\enotes - \Notes&\qsk\bigaccid\ibbu2d0\qh2{_e}\qh2a\qh2c\tqh2e\enotes - \Notes\zhl F\raise\Interligne\hbox{\qs}\qupp J&\ds&{\zq h}\oct \ql c\enotes -\Notes&\ibbu1b3\qh1a\tqh1c\enotes -\Notes&\ibbu2d0\qh2e\qh2a\qh2c&\oct \pt a\ds\enotes -\Notes&\tqh2e&\oct \ccl h\enotes -\barre - %\check -%Takt 60 -\Notes\zhl G\raise 1.6\Interligne\hbox{\qs}\bigaccid\qsk\qupp {_L}&\ds&\itenl2j\zh j\oct \hl j\enotes -\Notes&\ibbu1b3\qh1b\tqh1c\enotes -\Notes&\bigaccid\qsk\ibbu2d0\qh2{_e}\qh2b\qh2c\tqh2e\enotes -\Notes\zhl G\raise 1.6\Interligne\qs\qupp L&\ds&\bigaccid - \tten2\zq j\ql{_l}\enotes -\Notes&\ibbu1b3\qh1b\tqh1c\enotes -\Notes&\ibbu2d0\qh2e\qh2b\qh2c&\oct - \pt a\ds\enotes -\Notes&\tqh2e&\oct - \ccl j\enotes -\barre - %\check -%Takt 61 -\Notes\bigaccid\zhl {_H}\raise 2\Interligne\hbox{\qs}\qupp M&\ds&{\zhp l}\oct - \hl j\enotes -\Notes&\ibbu1b3\qh1b\tqh1c\enotes -\Notes&\ibbu2d0\qh2d\qh2b\qh2c\tqh2d\enotes -\Notes\zhl H\raise 2\Interligne\hbox{\qs}\qupp M&\ds&\oct - \ql d\enotes -\Notes&\ibbu1b3\qh1b\tqh1c\enotes -\Notes&\ibbu2d0\qh2d\qh2b\qh2c\tqh2d&\oct - \pt a\ds\sk\sk\ccl d\enotes -\barre - %\check -%Takt 62 -\Notes\zhl G\raise 2\Interligne\hbox{\qs}\qupp M&\ds&{\zhl f}\oct - \itenu5d\hu d\enotes -\Notes&\ibbu1b3\qh1N\tqh1b\enotes -\Notes&\ibbu2d0\qh2d\qh2N\qh2b\tqh2d\enotes -\Notes\zhl G\raise 2\Interligne\qs\qupp M&\ds&{\zql i}\oct - \tten5\cu d\enotes -\Notes&\ibbu1b3\qh1N\tqh1b&\oct - \Ibu4db4\qh4d\enotes -\Notes&\ibbu2d0\qh2d\qh2N&{\itenl4g\zql g}\oct - \qh4c\enotes -\Notes&\qh2b\tqh2d&\oct - \tqh4b\enotes -\barre - %\check -%Takt 63 -\Notes\zhl G\raise 2\Interligne\hbox{\qs}\qupp L&\ds&{\tten4\zhlp g}\oct - \qup g\enotes -\Notes&\ibbu1b3\qh1N\tqh1c\enotes -\Notes&\ibbu2d0\qh2e\qh2N\enotes -\Notes&\qh2c\tqh2e&\oct - \cu e\enotes -\Notes\zhl G\raise 2\Interligne\qs\qupp L&\ds&\oct - \qu c\enotes -\Notes&\ibbu1b3\qh1N\tqh1c\enotes -\Notes&\ibbu2d0\qh2e\qh2N\qh2c\tqh2e&\oct - \raise\Interligne\qp\enotes -\barre - %\check -%Takt 64 -\Notes\zhl G\raise 1.6\Interligne\hbox{\qs}\qupp K&\ds&{\zhl j}\oct - \itenu5f\hu f\enotes -\Notes&\ibbu1b3\qh1N\tqh1c\enotes -\Notes&\ibbu2e0\qh2f\qh2N\qh2c\tqh2f\enotes -\Notes\zhl G\raise 1.6\Interligne\hbox{\qs}\qupp K&\ds&{\zhl h}\oct - \tten5\cu f\enotes -\Notes&\ibbu1b3\qh1N\tqh1c&\oct - \Ibu4fd4\qh4f\enotes -\Notes&\ibbu2e0\qh2f\qh2N&\oct - \qh4e\enotes -\Notes&\qh2c\tqh2f&\oct - \tqh4d\enotes -\barre - %\check -%Takt 65 -\Notes\zhl G\raise 1.6\Interligne\hbox{\qs}\qupp K&\ds&{\zh m}\oct - \qlp k\enotes -\Notes&\ibbu1b3\qh1N\tqh1b\enotes -\Notes&\ibbu2e0\qh2f\qh2N\enotes -\Notes&\qh2b\tqh2f&\oct - \cl i\enotes -\Notes\zhl G\raise 1.6\Interligne\hbox{\qs}\qupp K&\ds&\zq i\oct - \ql g\enotes -\Notes&\ibbu1b3\qh1N\tqh1b\enotes -\Notes&\ibbu2e0\qh2f\qh2N\qh2b\tqh2f&\qp\enotes -\barre - %\check -%Takt 66 -\Notes\zhl G\raise 1.6\Interligne\hbox{\qs}\qsk\bigaccid - \qupp {_L}&\ds&{\bigaccid\zw j\zhl{_l}}\oct - \itenu5h\hu h\enotes -\Notes&\ibbu1b3\qh1a\tqh1c\enotes -\Notes&\qsk\ibbu2e0\bigaccid\qh2{^f}\qh2a\qh2c\tqh2f\enotes -\Notes\zhl G\raise 1.6\Interligne\hbox{\qs}\qupp L&\ds&{\bigaccid\zhl{^m}}\oct - \tten5\cu h\enotes -\Notes&\ibbu1b3\qh1a\tqh1c&\oct - \Ibl4hj4\qb4h\enotes -\Notes&\ibbu2e0\qh2f\qh2a&\oct - \qb4i\enotes -\Notes&\qh2c\tqh2f&\oct - \tqb4j\enotes -\barre - %\check -%Takt 67 -\Notes\zhl G\raise 1.6\Interligne\hbox{\qs}\qsk\bigaccid\qupp {=L}&\ds -&{\zhl n}\oct \itenu5l\hu l\enotes -\Notes&\ibbu1b3\qh1N\tqh1c\enotes -\Notes&\ibbu2e0\qh2g\qh2N\qh2c\tqh2g\enotes -\Notes\zhl G\raise 1.6\Interligne\hbox{\qs}\qupp L&\ds&{\zql{=l}}\oct - \tten5\cu l\enotes -\Notes&\ibbu1b3\qh1N\tqh1c&\oct - \Ibu4je4\qh4j\enotes -\Notes&\ibbu2e0\qh2g\qh2N&{\zql j}\oct \qh4g\enotes -\Notes&\qh2c\tqh2g&\oct \tqh4e\enotes -\barre - %\check -%Takt 68 -\Notes\zhl G\raise 1.6\Interligne\hbox{\qs}\qupp K&\ds&{\zhl f}\oct - \itenu5d\hu d\enotes -\Notes&\ibbu1b3\qh1N\tqh1c\enotes -\Notes&\ibbu2e0\qh2f\qh2N\qh2c\tqh2f\enotes -\Notes\zhl G\raise 1.6\Interligne\hbox{\qs}\qupp K&\ds&{\zhl h}\oct - \tten5\cu d\enotes -\Notes&\ibbu1b3\qh1N\tqh1c&\oct - \Ibu4hh4\qh4h\enotes -\Notes&\ibbu2e0\qh2f\qh2N&\oct - \qh4i\enotes -\Notes&\qh2c\tqh2f&\oct - \tqh4h\enotes -\barre - %\check -%Takt 69 -\Notes\zhl G\raise 1.6\Interligne\hbox{\qs}\qupp K&\ds&\zhl i\oct \Ibu4fc6\qh4h\enotes -\Notes&\ibbu1b3\qh1N\tqh1b&\oct \qh4g\enotes -\Notes&\ibbu2e0\qh2f\qh2N&\oct - \qh4f\enotes -\Notes&\qh2b\tqh2f&\oct - \tqh4d\enotes -\Notes\zhl G\raise 1.6\Interligne\hbox{\qs}\qupp K&\ds&\relax - {\zhl d}\ibu4i{-3}\qh4i\enotes -\Notes&\ibbu1b3\qh1N\tqh1b&\relax - \qh4h\enotes -\Notes&\ibbu2e0\qh2f\qh2N&\relax - \qh4f\enotes -\Notes&\qh2b\tqh2f&\relax - \tqh4d\enotes -\barre -%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%% - %\check -%Takt 70 -\Notes\zhu C\raise\Interligne\hbox{\qs}\qupp J&\ds - &\bigaccid\zw{_b}\roff{\itenu3c\zw c}\enotes -\Notes&\ibbu1b3\qh1N\bigaccid\qsk\tqh1{_b}\enotes -\Notes&\ibbu2d0\qh2e\qh2N\qh2b\tqh2e\enotes -\Notes\zhu C\raise\Interligne\qs\qupp J&\ds\enotes -\Notes&\ibbu1b3\qh1N\tqh1b\enotes -\Notes&\ibbu2d0\qh2e\qh2N\qh2b\tqh2e\enotes -%\cleftoksii{6000}\changeclefs -\barre - %\check -%Takt 71 -\Notes\raise\Interligne\rlap{\qs}\wh C\itenl2J\qupp J&\ds&\tten3\zw a\wh c\enotes -\Notes&\oct\ibbu1a3\qh1M\tqh1a\enotes -\Notes&\oct\ibbu2e0\qh2c\qh2f\qh2c\tqh2a\enotes -\Notes\tten2\hu J&\oct\ibbu2b0\qh2c\qh2a\qh2M\tqh2a\enotes -\Notes&\oct\ibbu3M0\qh3M\qh3K\qh3M\tqh3K\enotes -%\cleftoksii{0000}\changeclefs -\barre - %\check -%Takt 72 -\Notes\zw C\qs\itenl3I\qupp I&\ds&\bigaccid\wh{=b}\enotes -\Notes&\ibbl1h3\qb1g\tqb1i\enotes -\Notes&\ibbl2j{-2}\qb2k\qb2m\qb2k\tqb2i\enotes -\Notes\tten3\hu I&\ibbl2h0\qb2k\qb2i\qb2g\tqb2i\enotes -\Notes&\ibbu3e0\qh3d\qh3f\pince n\qh3e\tqh3d\enotes -\barre - %\check -%Takt 73 -\NOTes\pointdurgue C\zwh C\wh J&\zwh e\zwh g\pointdorgue j\wh j\relax - &\pointdorgue f\wh c\enotes - \linegoal 19 -\finmorceau -\bye - diff --git a/musixtex/doc/examples/aveverch.tex b/musixtex/doc/examples/aveverch.tex deleted file mode 100644 index 3d29ea6..0000000 --- a/musixtex/doc/examples/aveverch.tex +++ /dev/null @@ -1,3 +0,0 @@ -\def\chorale{\relax} -\input aveverum -\endinput diff --git a/musixtex/doc/examples/aveverdd.tex b/musixtex/doc/examples/aveverdd.tex deleted file mode 100644 index 7480111..0000000 --- a/musixtex/doc/examples/aveverdd.tex +++ /dev/null @@ -1,4 +0,0 @@ -\def\Signature{-5} -\def\Transpose{-1} -\input aveverum -\endinput diff --git a/musixtex/doc/examples/aveveruc.tex b/musixtex/doc/examples/aveveruc.tex deleted file mode 100644 index be83ce5..0000000 --- a/musixtex/doc/examples/aveveruc.tex +++ /dev/null @@ -1,4 +0,0 @@ -\def\Signature{0} -\def\Transpose{-2} -\input aveverum -\endinput diff --git a/musixtex/doc/examples/aveverud.tex b/musixtex/doc/examples/aveverud.tex deleted file mode 100644 index 329d5ac..0000000 --- a/musixtex/doc/examples/aveverud.tex +++ /dev/null @@ -1,4 +0,0 @@ -\def\Signature{2} -\def\Transpose{-1} -\input aveverum -\endinput diff --git a/musixtex/doc/examples/aveverum.tex b/musixtex/doc/examples/aveverum.tex deleted file mode 100644 index c5e7325..0000000 --- a/musixtex/doc/examples/aveverum.tex +++ /dev/null @@ -1,297 +0,0 @@ -\ifx\mxversion\undefined - \input musixtex - \input musixcpt - \input musixsty -\fi - \title{Ave Verum} - \author{Charles Gounod} - \shortauthor{C. Gounod} - \subtitle{\relax} - \maketitle -\parindent 13mm -\musicsize=20 -\normal -\relativeaccidentals -\def\nbinstruments{1} -\def\instrumenti{Orgue} -\def\instrumentii{Basse} -\def\instrumentiii{T\'{e}nor} -\def\instrumentiv{\vbox{\hsize\parindent\centerline{Soprano}\centerline{Alto}}} -\nbporteesi=2\relax -\generalmeter{\allabreve} -\setinterinstrument1{10pt} -\setinterinstrument2{10pt} -\setinterinstrument3{10pt} -\cleftoksi{6000} -\cleftoksii{6000} -\cleftoksiii{6000} - -\ifx\Transpose\undefined - \def\Transpose{0} - \def\Signature{-3} -\fi -\generalsignature{\Signature} - -\ifx\chorale\undefined - \setsize1{\normalvalue} - \setsize2{\smallvalue} - \setsize3{\smallvalue} - \setsize4{\smallvalue} -\else - \setsize1{\smallvalue} - \setsize2{\normalvalue} - \setsize3{\normalvalue} - \setsize4{\normalvalue} -\fi -\ninepoint - -\def\Zsong{\zsong} - -\stemcut - -\transpose=\Transpose -\debutmorceau -\qspace -\NOtes\itenl1E\itenl2L\zw E\wh L|\hpause\enotes -\NOtes\hu N|\zh b\hu e\enotes -\barre % 2 -\NOtes\tten1\tten2\itenl1E\itenl2L\zw E\zwh L\hu a|\itenl0c\zwh c\hu f\enotes -\NOtes\hu N|\hu g\enotes -\barre %3 -\NOtes\tten1\tten2\zhl E\roff{\itenu1M}\rh M\hu L|\tten0\zhl c\hu h\enotes -\NOtes\zhl F\tten1\zh M\hu a|\zh d\hu j\enotes -\barre %4 -\NOtes\zhl G\zh N\hu b|\zwh e\hu i\enotes -\NOtes\zhl H\zh J\hu a|\hu e\enotes -\barre %5 -\NOtes\itenl2I\zwh I\hu b|\itenl1e\zh e\hu g\enotes -\NOtes\hu N|\tten1\itenu1e\zh b\hu e\enotes -\barre %6 -\NOtes\tten2\zwh I\hu M|\zwh a\zh c\tten1\hu e\enotes -\NOtes|\zh b\hu d\enotes -\barre %7 -\NOTes\zhlp E\hup L|\zhp N\zhp b\hup e\enotes -\Notes\soupir|\soupir\enotes -\suspmorceau -\def\nbinstruments{4}% -\debutmorceau %8 -\barno 8\relax -\qspace -\def\H#1#2#3#4#5{\NOtes\zhl{#1}\hu{#2}|\zhl{#3}\hu{#4}&\Zsong{#5}\hu{#1}&\Zsong{#5}\hl{#2}&\Zsong{#5}\zhl{#3}\hu{#4}\enotes}% -\def\Hh#1#2#3#4#5{\NOtes\hl{#1}|\zhl{#2}\zh{#3}\hu{#4}&\Zsong{#5}\hu{#1}&\Zsong{#5}\hl{#2}&\Zsong{#5}\zhl{#3}\hu{#4}\enotes}% -\def\Hqhq#1#2#3#4#5{\Notes\zhl{#1}\qu{#2}|\zhl{#3}\qu{#4}&\Zsong{#5}\hu{#1}&\Zsong{#5}\ql{#2}&\Zsong{#5}\zhl{#3}\qu{#4}\enotes}% -\def\Hhhq#1#2#3#4#5{\Notes\zhl{#1}\hu{#2}|\zhl{#3}\qu{#4}&\Zsong{#5}\hu{#1}&\Zsong{#5}\hl{#2}&\Zsong{#5}\zhl{#3}\qu{#4}\enotes}% -\H LNei{A--}% -\Hqhq I{ba}d{gf}{ve}% -\barre %9 -\H JNee{ve--}% -\NOtes \zhl I\hu N|\Fl d\zhu e\roff{\hl d}&\Zsong{rum }\hu I&\Zsong{rum }\hl -N&\Zsong{rum }\Fl d\zhu e\roff{\hl d}\enotes -\barre %10 -\H Hacj{Cor--}% -\Hqhq I{NM}{=d}{ih}{pus }% -\barre %11 -\Hh Lceh{na--}% -\Hh Lbeg{tum }% -\barre %12 -\H LNgi{de }% -\Hqhq K{^a^b}f{jk}{Ma--}% -\barre %13 -\H Jcel{ri--}% -\H Lcgg{a }% -\barre %14 -\Notes\zw M\wh{=a}|\zhl c\qu{fg}\zql f\qu h\zql e\qu j\relax - &\Zsong{Vir-}\hup M\sk\sk\Zsong{gi-}\qu M\relax - &\Zsong{Vir-}\hup{=a}\sk\sk\Zsong{gi-}\qu a\relax - &\Zsong{Vir-}\zhl c\qu{fg}\Zsong{gi-}\zql f\qu h\zql e\qu j\enotes -\barre %15 -\NOtes\zw I\wh a|\zw d\hu {ji}&\Zsong{ne.}\wh I&\Zsong{ne.}\wh a&\Zsong{ne.}\zw - d\hu {ji}\enotes -\barre %16 -\H LNei{Ve-}% -\Hqhq I{ba}d{gf}{re}% -\barre %17 -\H JNee{pas-}% -\NOtes \zhl I\hu N|\Fl d\zhu e\roff{\hl d}&\Zsong{sum }\hu I&\Zsong{sum }\hl -N&\Zsong{sum }\Fl d\zhu e\roff{\hl d}\enotes -\barre %18 -\H Hacj{im-}% -\Hqhq I{NM}{=d}{ih}{mo-}% -\barre %19 -\Hh Lceh{la-}% -\Hh Lbeg{tum }% -\barre %20 -\H Kbfi{In }% -\H Ibfk{cru-}% -\barre %21 -\Hhhq Lbe{g^f}{ce }% -\Hhhq JLe{g^h}{pro }% -\barre %22 -\NOtes\zw K\hu d|\zhl g\hu i&\Zsong{ho-}\hup K&\Zsong{ho-}\hl -d&\Zsong{ho-}\zhl g\hu i\enotes -\Notes\qup c|\lSh f\zqlp f\qup{^h}&&\Zsong{-}\qlp c&\Zsong{-}\lSh f\zqp f\qup{^h}\enotes -\notes\sk\cu c|\sk\lNa h\zq{=f}\cu h&\Zsong{mi-}\qu K&\sk\Zsong{mi-}\cl -c&\sk\Zsong{mi-}\lNa h\zcl{=f}\cu h\enotes -\barre %23 -\def\Hp#1#2#3#4#5{\NOTes\zhlp{#1}\hup{#2}|\zhlp{#3}\hup{#4}&\Zsong{#5}\hup{#1}&\Zsong{#5}\hlp{#2}&\Zsong{#5}\zhlp{#3}\hup{#4}\enotes}% -\def\Qhhq#1#2#3#4#5{\Notes\zhu{#2}\ql{#1}|\zhl{#3}\qu{#4}&\Zsong{#5}\qu{#1}&\Zsong{#5}\hl{#2}&\Zsong{#5}\zhl{#3}\qu{#4}\enotes}% -\Hp Nbgg{ne }% -\Notes\soupir|\soupir&\soupir&\soupir&\soupir\enotes -\barre %24 -\H Nbei{Cu-}% -\Qhhq {ML}be{=hg}{jus }% -\barre %25 -\NOtes\roff{\zhl a}\hu b|\zhl d\hu g&\Zsong{la-}\hu a&\Zsong{la-}\hl -b&\Zsong{la-}\zhl d\hu g\enotes -\NOtes\roff{\zhl a}\hu b|\zhl d\hu f&\Zsong{tus }\hu a&\Zsong{tus }\hl -b&\Zsong{tus }\zhl d\hu f\enotes -\barre %26 -\H Nbei{per-}% -\Qhhq {ML}be{hg}{fo-}% -\barre %27 -\NOtes\roff{\zhl a}\hu b|\zhl d\hu g&\Zsong{ra-}\hu a&\Zsong{ra-}\hl -b&\Zsong{ra-}\zhl d\hu g\enotes -\NOtes\roff{\zhl a}\hu b|\zhl d\hu f&\Zsong{tum }\hu a&\Zsong{tum }\hl -b&\Zsong{tum }\zhl d\hu f\enotes -\barre %28 -\H Nbee{flu-}% -\Hhhq Kbf{ih}{xit}% -\barre %29 -\def\Qqqq#1#2#3#4#5{\Notes\rlap{\qu{#2}}\ql{#1}|\rlap{\ql{#3}}\qu{#4}&\Zsong{#5}\qu{#1}&\Zsong{#5}\ql{#2}&\Zsong{#5}\rlap{\ql{#3}}\qu{#4}\enotes}% -\H Lbgg{un-}% -\Qqqq L{^b}gk{da }% -\Qqqq Lcgj{et }% -\barre %30 -\Notes\zhlp M\qu {dc=b}\zql M\qu c|\zhl f\qu{i^h}\zhl -e\qu{g=h}\relax - &\Zsong{san-}\hup M\sk\sk\Zsong{gui-}\qu M\relax - &\Zsong{san-}\ql{dc}\Zsong{gui-}\ql{=bc}\relax - &\Zsong{san-}\zhl f\qu{i^h}\Zsong{gui-}\zhl e\qu{g=h}\enotes -\barre %31 -\Hp Ibdi{ne, }% -\Notes\soupir|\soupir&\soupir&\soupir&\soupir\enotes -\barre %32 -\H LNei{Es-}% -\Hqhq I{ba}d{gf}{to }% -\barre %33 -\H JNee{no-}% -\NOtes \zhl N\hu b|\Fl d\zhu e\roff{\hl d}&\Zsong{bis }\hu N&\Zsong{bis }\hl -b&\Zsong{bis }\Fl d\zhu e\roff{\hl d}\enotes -\barre %34 -\def\Qqhh#1#2#3#4#5{\Notes\rlap{\qu{#2}}\ql{#1}|\zhl{#3}\hu{#4}&\Zsong{#5}\qu{#1}&\Zsong{#5}\ql{#2}&\Zsong{#5}\zhl{#3}\hu{#4}\enotes}% -\def\Qqqh#1#2#3#4#5{\Notes\rlap{\qu{#2}}\ql{#1}|\zhu{#4}\ql{#3}&\Zsong{#5}\qu{#1}&\Zsong{#5}\ql{#2}&\Zsong{#5}\zhu{#4}\ql{#3}\enotes}% -\Qqhh {aN}{cb}cj{pr\ae{}-}% -\Qqqh {ML}{aN}{=de}j{gus-}% -\barre %35 -\H Kafj{ta-}% -\H Kafi{tum }% -\barre %36 -\H LNei{Mor-}% -\Hh Jegj{tis }% -\barre %37 -\Hhhq Mcf{ih}{in }% -\Hqhq H{ba}c{gf}{ex-}% -\barre %38 -\NOtes\zhlp I\hu N|\zhlp b\hu e&\Zsong{a-}\hup -I&\Zsong{a-}\hl N&\Zsong{a-}\zhlp b\hu e\enotes -\Notes\hu a\ql I|\hu d\ql b&\sk\Zsong{mi-}\qup I&\Zsong{ni-}\hl -a&\Zsong{mi-}\hu d\ql b\enotes -\barre %39 -\NOtes\zhlp L\hup N|\zhlp b\hup e&\Zsong{ne }\hu L&\Zsong{ne -}\hlp N&\Zsong{ne }\zhlp b\hup e\enotes -\Notes\sk\soupir|\sk\soupir&\Zsong{O }\hu L&\sk\soupir&\sk\soupir\enotes -\barre %40 -\NOtes\zhl L\hu c|\zhl e\hu h&\Zsong{Je-}\hu L&\Zsong{O }\hl c&\Zsong{O }\zhl -e\hu h\enotes -\Notes\zhl L\qu{bb}|\zhl d\qu{hg}&\Zsong{su }\hu L&\Zsong{Je-}\ql b\Zsong{su -}\ql b&\Zsong{Je-}\zql d\qu h\Zsong{su }\zql d\qu g\enotes -\barre %41 -\def\qhhh#1#2#3#4#5{\Notes\zhu{#2}\ql{#1}|\zhl{#3}\qu{#4}&\Zsong{#5}\qu{#1}&\Zsong{#5}\hl{#2}&\Zsong{#5}\zhl{#3}\hu{#4}\enotes}% -\H Lacg{dul-}% -\Notes \zhu a\zhl{LL}|\zhl c\hu f&\Zsong{cis }\qu L\Zsong{O }\qu L&\Zsong{cis -}\hl a&\Zsong{cis }\zhl c\hu f\enotes -\barre %42 -\NOtes\zhl L\hu e|\zhl h\hu j&\Zsong{Je-}\hu L&\Zsong{O }\hl e&\Zsong{O }\zhl -h\hu j\enotes -\Notes\zhl L\qu{_dd}|\zhl g\qu{ji}&\Zsong{su }\hu L&\Zsong{Je-}\ql {_d}\Zsong{su -}\ql d&\Zsong{Je-}\zql g\qu j\Zsong{su }\zql g\qu i\enotes -\barre %43 -\H Lcfi{pi-}% -\H Lcfh{e }% -\barre %44 -\H b{=d}hm{Je-}% -\NOtes\zhu c\roff{\hl b}|\zhl h\hu l&\Zsong{su, }\hu b&\Zsong{su, }\hl -f&\Zsong{su, }\zhl h\hu l\enotes -\barre %45 -\H bfhk{Je-}% -\H begj{su }% -\barre %46 -\Hhhq Idf{ji}{fi-}% -\Qqqq Icej{li }% -\Qqqq Ibdh{Ma-}% -\barre %47 -\H Lbeh{ri-}% -\Qqqq Lbeg{\ae{} }% -\Qqqq bbeg{In }% -\barre %48 -\Qqqq aceg{no-}% -\Notes \zql a\qu c|\zqu f\roff{\ql e}&\Zsong{bis }\qu a&\Zsong{bis }\ql c&\Zsong{bis }\roff{\zql -e}\qu f\enotes -\Notes \roff{\zql a}\qu b|\zqu f\ql d&\Zsong{mi-}\qu a&\Zsong{mi-}\ql b&\Zsong{mi-}\roff{\zql -e}\qu f\enotes -\Notes \roff{\zql a}\qu b|\zqu j\ql d&\Zsong{se-}\qu a&\Zsong{se-}\ql b&\Zsong{se-}\zql -d\qu j\enotes -\barre %49 -\H Nbej{re-}% -\Qqqq Nbei{re }% -\Qqqq Nbei{O }% -\barre %50 -\Qqqq {Lb}{bd}{gh}{nm}{Je-}% -\Qqqq cegl{su }% -\Qqqq N{^b}fk{In }% -\barre %51 -\Qqqq acej{no-}% -\Qqqq {^L}{_d}gi{bis }% -\Qqqq Mcfh{mi-}% -\Qqqq Hacf{se-}% -\barre %52 -\def\Whhh#1#2#3#4#5{\NOtes\zwh{#1}\hu{#2}|\rlap{\hl{#3}}\hu{#4}&\Zsong{#5}\zwh{#1}&\Zsong{#5}\hl{#2}&\Zsong{#5}\rlap{\hl{#3}}\hu{#4}\enotes}% -\Whhh I{Na}{eb}{id}{re-}% -\barre %53 -\NOtes\zhl L\hup N|\zhlp b\hup e&\Zsong{re }\hu L&\Zsong{re }\hlp N&\Zsong{re }\zhlp b\hup e\enotes -\Notes\itenl1E\itenl2L\zh E\hl L\raise2\Interligne\soupir|\sk\soupir&\itenl3L\Zsong{A-}\hu L&\sk\soupir&\sk\soupir\enotes -\barre %54 -\NOtes\tten1\tten2\zwh c\zh E\hl L|\zw g\wh l&\Zsong{--}\tten3\hu L&\Zsong{A-}\wh -c&\Zsong{A-}\zw g\wh l\enotes -\Notes\itenl1E\itenl2L\zh E\hl L&\csong{men !}\itenl3L\hu L\enotes -\barre %55 -\NOtes\tten1\tten2\zh E\zhl L\hup b|\zhlp g\hup k&\tten3\Zsong{--}\hu L&\csong{men !}\hlp b&\csong{men !}\zhlp g\hup k\enotes -\Notes\itenl1E\itenl2L\zh E\hl L\raise2\Interligne\soupir|\sk\soupir&\itenl3L\Zsong{A-}\hu L&\sk\soupir&\sk\soupir\enotes -\barre %56 -\NOtes\tten1\tten2\zwh {^a}\zh E\hl L|\zw {^f}\wh j&\tten3\Zsong{--}\hu L&\Zsong{A-}\wh -{^a}&\Zsong{A-}\zw {^f}\wh j\enotes -\Notes\itenl1E\itenl2L\zh E\hl L&\csong{men !}\itenl3L\hu L\enotes -\barre %57 -\NOtes\tten1\tten2\zh E\zhl L\hu b|\zhlp g\hup i&\tten3\Zsong{--}\hu L&\csong{men !}\hlp b&\csong{men !}\zhlp g\hup i\enotes -\Notes\itenl1E\itenl2L\zh E\hl L\raise2\Interligne\soupir|\sk\soupir&\itenl3L\Zsong{A-}\hu L&\sk\soupir&\sk\soupir\enotes -\barre %58 -\NOtes\tten1\tten2\zwh c\zh E\hl L|\zw e\wh h&\tten3\Zsong{--}\hu L&\Zsong{A-}\wh -c&\Zsong{A-}\zw e\wh h\enotes -\Notes\itenl1E\itenl2L\zh E\hl L&\csong{men !}\itenl3L\hu L\enotes -\barre %59 -\NOtes\tten1\tten2\zhp E\zhlp L\hup b|\zhlp e\hup g&\tten3\hu L&\csong{men !}\hlp b&\csong{men !}\zhlp e\hup g\enotes -\Notes\sk\soupir|\sk\soupir&\sk\soupir&\sk\soupir&\sk\soupir\enotes -\barre %60 -\NOtes\zw I\rw b\wh a|\zw d\hu{gf}&\Zsong{A-}\wh I&\Zsong{A-}\rw b\wh -a&\Zsong{A-}\zw d\hu{gf}\enotes -\barre %61 -\NOtes\zw E\wh L|\pointdorgue l\zw{Nb}\wh e&\Zsong{men.}\zw E\wh L&\Zsong{men.}\zw N\wh -b&\pointdorgue l\Zsong{men.}\wh e\enotes -\ifnum\Signature<-3\relax -\mulooseness1\relax -\else -\mulooseness2\relax -\fi -\finmorceau -\bye - diff --git a/musixtex/doc/examples/changecontext.tex b/musixtex/doc/examples/changecontext.tex deleted file mode 100644 index 819a591..0000000 --- a/musixtex/doc/examples/changecontext.tex +++ /dev/null @@ -1,95 +0,0 @@ -\input musixtex -\instrumentnumber2\setstaffs22% -\hsize 100mm \vsize 230mm -\generalmeter{\meterfrac{4}{4}\meterfrac{2}{4}\meterfrac{1}{4}}% -\setclef1{\bass}\generalsignature2% -\startpiece -\notes\qu K&\qu d|\qu e\en -% -% Signatures -% if there is no bar line, the signatures are confusing -% it is not clear if they are for a single note or not -% bar 1 -%% Signature changing in a single instrument with 2 staves -\setsign21\changesignature -\notes\qu J&\qu d|\qu e\en -% Signature changing in a single instrument -%\setsign1{-1}\changesignature -%\notes\qu K&\qu d|\qu e\en -% Signature changing in a single staff without naturals -\setsign11\ignorenats\changesignature -\notes\qu M&\qu d|\qu e\en -% bar 2 -% New signatures after a bar line -\generalsignature{-2}\changecontext% -\notes\qu K&\qu d|\qu e\en% -\notes\qu K&\qu d|\qu e\en% -% New signatures after an invisible bar line -\generalsignature{1}\zchangecontext% -\notes\qu K&\qu d|\qu e\en% -% -% new music line caused by mulooseness -\mulooseness1 -% -% bar 3 -%\setsign2{-1}\changesignature\Changecontext% -\setsign2{-1}\ignorenats\Changecontext% -%\zalaligne% -\notes\qu K&\qu d|\qu e\en% -% bar 4 -\generalsignature{2}\ignorenats\Changecontext% -\notes\qu K&\qu d|\qu e\en% -% bar 5 OK : -\setsign1{-3}\setsign2{-3}\changecontext% -\notes\qu K&\qu d|\qu e\en% -% bar 6 -% Are all this options common (choose 1 line of 3)? -%\generalsignature{-3}\changecontext\alaligne% -%\generalsignature{-3}\changesignature\setdoublebar\alaligne% -\generalsignature{-3}\changesignature\Changecontext% -% -\notes\qu K&\qu d|\qu e\en% -% bar 7 -\generalsignature{2}\ignorenats\Changecontext% -\notes\qu K&\qu d|\qu e\en% -% -% Clefs -% in 1 staff and taking space -\setclef1\treble\changeclefs% -\notes\qu k&\cu{.d}\ccu{e}|\qu e\en% -% combined with signature change - space is already available -\setclef1\bass\zchangeclefs\setsign1{-2}\setsign2{-2}% -\ignorenats\changesignature% -\notes\qu K&\cu{de}|\qu e\en% -% clef change before barline -\setclef1\treble\zchangeclefs\bar% -\notes\qu k&\cu{de}|\qu e\en% -% clef change after barline -\setclef1\bass\bar\zchangeclefs% -\notes\qu K&\cu{de}|\qu e\en% -% bar 10 -% Meter -\setmeter1{{\meterfrac{2}{4}}}% -% How big the '2' must be? -\setmeter2{{\lower2pt\hbox{\meterfrac{\Bigtype 2}{}}}% -{\meterfrac{3}{4}}}\changecontext -\notes\qu K&\cu{de}|\qu e\en -% bar 11 -% Meter Clefs and Key Signatures -% all 3 clefs after bar if no changeclefs -\setmeter1{{\meterfrac{2}{8}}}% -\setmeter2{{\meterfrac{3}{6}}{\meterfrac{3}{8}}}% -\setsign2{-1}% -% How to force showing the bass clef? -\setclef1\bass\setclef2{23}% -\Changecontext -\notes\qu K&\cu{de}|\qu e\en -% bar 12 -% Meter Clefs Keys Signatures all 3 with clef before the bar -% probably not if signatures are involved -\setmeter1{{\meterfrac{2}{4}}}% -\setmeter2{{\meterfrac{3}{8}}{\meterfrac{3}{6}}}% -\setsign2{-1}% -\setclef1\treble\zchangeclefs\changecontext -\notes\qu k&\cu{de}|\qu e\en -\mulooseness1\Stoppiece\eject\bye diff --git a/musixtex/doc/examples/chanson.tex b/musixtex/doc/examples/chanson.tex deleted file mode 100644 index 1047b9f..0000000 --- a/musixtex/doc/examples/chanson.tex +++ /dev/null @@ -1,318 +0,0 @@ -\ifx -\mxversion\undefined - \input musixtex - \input musixcpt - \input musixsty -\fi -\title{Chanson innocente} -\subtitle{(pour orgue)} -\fulltitle{XII. Chanson innocente} -\csname titremorceautoc\endcsname -\shortauthor{D. Taupin} -\fullauthor{Daniel TAUPIN\\organiste \`{a} Gif-sur-Yvette} -\othermention{Compos\'{e} en 1996-1999} -% -% - -\maketitle -\parindent 18mm - -\instrumentnumber{3} -\setname1{Fl\^{u}te 16, 8'} -\setname2{Fl\^{u}te 8'} -\setname3{Sesquialtera} -\generalmeter{\meterfrac68} - -%\def\ttriou#1#2#3{\def\txt{\eightit3}\Ibbu0{#1}{#3}2\qh0{#1}\butext0\qh0{#2}\tqh0{#3}} - -%\def\ttriol#1#2#3{\def\txt{\eightit3}\Ibbl0{#1}{#3}2\qb0{#1}\bltext0\qb0{#2}\tqb0{#3}} - -\def\sextol#1#2#3{\ibbl0{#1}0\qb0{#1}\qb0{#2}\qb0{#3}\qb0{#1}\qb0{#2}\tqb0{#3}} -\def\sextou#1#2#3{\ibbu0{#3}0\qb0{#1}\qb0{#2}\qb0{#3}\qb0{#1}\qb0{#2}\tqh0{#3}} - %\check -\def\Sextol#1#2#3#4#5#6{\Ibbl0{#1}{#4}3\qb0{#1}\qb0{#2}\qb0{#3}\qb0{#4}\qb0{#5}\tqb0{#6}} -\def\Sextou#1#2#3#4#5#6{\Ibbu0{#3}{#6}3\qb0{#1}\qb0{#2}\qb0{#3}\qb0{#4}\qb0{#5}\tqh0{#6}} - %\check -\def\triou#1#2#3{\Ibu0{#1}{#3}2\qh0{#1}\qh0{#2}\tqh0{#3}} - %\check -\def\triol#1#2#3{\Ibl0{#1}{#3}2\qb0{#1}\qb0{#2}\tqb0{#3}} - %\check -\def\triopl#1#2#3{\Ibl0{#1}{#3}4\qbp0{#1}\sk\sk\tbbl0\qb0{#2}\tqb0{#3}\sk} -\def\triopu#1#2#3{\Ibu0{#1}{#3}4\qhp0{#1}\sk\sk\tbbu0\qh0{#2}\tqh0{#3}\sk} -\noautolines -\setname1{P\'{e}dale}\setname2{Fl\^{u}te}\setname3{Sesquialtera} -\generalsignature{1} -\setclef1{\bass}\setclef2{\treble}\setclef3{\treble} -\def\tripler{\noteskip=3\noteskip} -\def\doubler{\noteskip=2\noteskip} -\debutmorceau -\Notes\qup G&\sextou bdg&\Uptext{\moyen Andantino \bf \metron{\qup}{40}}\enotes -\Notes\qup H&\sextou ceg&\pause\enotes -\barre %2 -\Notes\qup K&\Sextou adfacf&\doubler\sk\pt5\soupir\enotes -\Notes\qup G&\Sextou Nbdbdg&\doubler\soupir\sk\ilegu0n\cu g\enotes -\barre %3 -\Notes\qup G&\sextou bdg&\doubler\qu i\sk\cu i\enotes -\Notes\qup H&\sextou acf&\doubler\triou jij\enotes -\barre %4 -\Notes\qup I&\sextou bdg&\doubler\qu k\sk\cu i\enotes -\Notes\qup L&\sextou beg&\doubler\cu g\tleg0\ds\ilegu0n\cu g\enotes -\barre %5 -\Notes\qup J&\sextou Nce&\doubler\ql l\sk\cl l\enotes -\Notes\qup H&\sextou acf&\doubler\triol jkl\enotes -\barre %6 -\Notes\qup I&\sextou bdg&\doubler\qlp k\enotes -\Notes\qlp L&\sextou beg&\doubler\cu i\tleg0\ds\ilegu0n\cu g\enotes -\barre %7 -\Notes\qup H&\sextou ace&\doubler\qu j\sk\cu j\enotes -\Notes\qlp K&\sextou Mad&\doubler\triou hij\enotes -\barre %8 -\Notes\qup I&\Sextou Ma{^d}Mad&\doubler\qu i\sk\cu h\enotes -\Notes\qlp L&\sextou Nbe&\doubler\cu g\tleg0\ds\ilegu0n\cu i\enotes -\barre %9 -\Notes\qlp J&\sextou ace&\doubler\qu h\sk\cu g\enotes -\Notes\qlp K&\Sextou adgadf&\doubler\qu g\sk\cu f\enotes -\barre %10 -\Notes\qup I&\sextou bdg&\qup g\tleg0\enotes -\Notes\qup H&\Sextou acgacd&\doubler\soupir\sk\ilegu0n\cu g\enotes -\barre %11 -\Notes\qup G&\Sextou Nbdbdg&\doubler\qu i\sk\cu i\enotes -\Notes\qup H&\sextou acf&\doubler\triou jij\enotes -\barre %12 -\Notes\qup I&\sextou bdg&\doubler\qu k\sk\cu i\enotes -\Notes\qup L&\sextou beg&\doubler\cu g\tleg0\ds\ilegu0n\cu g\enotes -\barre %13 -\Notes\qup J&\sextou ceg&\doubler\ql l\sk\cl l\enotes -\Notes\qup H&\sextou acf&\doubler\triol lmn\enotes -\barre %14 -\Notes\qup I&\sextou bdg&\doubler\qlp k\enotes -\Notes\qlp L&\sextou beg&\doubler\cu i\tleg0\ds\sk\ilegu0n\cu g\enotes -\barre %15 -\Notes\qup H&\sextou ace&\doubler\qu j\sk\cu j\enotes -\Notes\qup {^K}&\sextou acf&\doubler\triou hij\enotes -\barre %16 -\Notes\qlp L&\Sextou NbeNaf&\doubler\qu i\sk\cu h\enotes -\Notes\doubler\qup J&\sextou Nce&\doubler\cu g\tleg0\ds\ilegu0n\cu i\enotes -\barre %17 -\Notes\qup H&\sextou ace&\doubler\qu h\sk\cu g\enotes -\Notes\qlp K&\Sextou acdacf&\doubler\qu g\sk\cu f\enotes -\barre %18 -\Notes\qup G&\sextou bdg&\hu g\tleg0\enotes -\Notes\sk\sk\sk\soupir&\sextou dgi&\doubler\soupir\sk\ilegu0n\cl i\enotes -\barre %19 -\Notes\qup I&\sextou dgi&\doubler\ql k\sk\cl k\enotes -\Notes\qup K&\Sextou dfhcfh&\triopl mlm\enotes -\barre %20 -\Notes\qup L&\sextou egi&\triopl nml\enotes -\Notes\qup I&\sextou dgi&\doubler\ql k\sk\cl l\enotes -\barre %21 -\Notes\qup H&\sextou acf&\doubler\ql j\sk\cl k\enotes -\Notes\qup G&\Sextou bdgdgi&\doubler\qu i\sk\cu g\enotes -\barre %22 -\Notes\qup K&\sextou dfh&\doubler\qup h\tleg0\enotes -\Notes\qup D&\Sextou dfhcfh&\doubler\soupir\sk\ilegu0n\cu h\enotes -\barre %23 -\Notes\qup G&\sextou dgi&\doubler\qu i\sk\cu i\enotes -\Notes\qup H&\sextou fhj&\doubler\triou jij\enotes -\barre %24 -\Notes\qup I&\sextou dgi&\doubler\qu k\sk\cu i\enotes -\Notes\qup L&\sextou beg&\doubler\cu g\tleg0\ds\ilegu0n\cu i\enotes -\barre %25 -\Notes\qup J&\sextou ehj&\doubler\qu h\sk\cu g\enotes -\Notes\qup K&\Sextou cdhdfj&\doubler\qu g\sk\cu f\enotes -\barre %26 -\Notes\qup G&\sextou bdg&\qup g\tleg0\enotes -\Notes\sk\sk\pt 5\soupir&\sextou dgi&\doubler\soupir\sk\ilegu0n\cl i\enotes -\barre %27 -\Notes\qup G&\sextou dgi&\doubler\ql k\sk\cl k\enotes -\Notes\qup H&\sextou cfh&\doubler\triol mkm\enotes -\barre %28 -\Notes\qup I&\sextou dgi&\triopl nml\enotes -\Notes\qup G&\sextou dgi&\doubler\ql k\sk\cl l\enotes -\barre %29 -\Notes\qup H&\sextou acf&\doubler\ql j\sk\cl k\enotes -\Notes\qup G&\Sextou bdgdgi&\triopl iji\enotes -\generalmeter{\meterfrac 98}% -\changecontext %30 -\Notes\qup K&\sextou dfh&\doubler\cu h\tleg0\ds\ilegu0n\cu h\enotes -\Notes\qup G&\sextou dgi&\triopu iji\enotes -\Notes\qup D&\Sextou dghcfh&\triopu hih\enotes -\generalmeter{\meterfrac 68}% -\changecontext %31 -\Notes\hu G&\Sextou bdgNbd&\qup g\tleg0\enotes -\Notes\sk\sk\soupir&\sextou bdg&\doubler\soupir\sk\ilegu0n\cu g\enotes -\generalsignature{-2}% -\changecontext %32 -\Notes\qup G&\sextou bdg&\doubler\ql i\sk\cl i\enotes -\Notes\qup H&\Sextou ac{^f}acf&\triopl jij\enotes -\barre %33 -\Notes\qup I&\sextou bdg&\doubler\ql k\sk\cl i\enotes -\Notes\qup L&\sextou beg&\doubler\cu g\tleg0\ds\ilegu0n\cu g\enotes -\barre %34 -\Notes\qup J&\sextou Nce&\doubler\ql l\sk\cl l\enotes -\Notes\qup K&\Sextou d{^f}hcfh&\doubler\triol jkl\enotes -\barre %35 -\Notes\qup I&\Sextou bdgNbd&\doubler\qlp k\enotes -\Notes\qlp L&\sextou beg&\doubler\cu i\tleg0\ds\ilegu0n\cu g\enotes -\barre %36 -\Notes\qup H&\sextou ace&\doubler\qu j\sk\cu j\enotes -\Notes\qlp K&\sh M\sextou Mad&\doubler\triou hij\enotes -\barre %37 -\Notes\qup G&\Sextou bdgac{^f}&\doubler\qu i\sk\cu h\enotes -\Notes\qlp L&\sextou beg&\doubler\cu g\tleg0\ds\ilegu0n\cu i\enotes -\barre %38 -\Notes\qlp J&\sextou ace&\doubler\qu h\sk\cu g\enotes -\Notes\qlp K&\Sextou adgad{^f}&\doubler\qu g\sk\cu {^f}\enotes -\barre %39 -\Notes\hu G&\Sextou bdgNbd&\qup g\tleg0\enotes -\Notes\doubler\sk\soupir&\sextou bdg&\doubler\soupir\sk\ilegu0n\cl i\enotes -\barre %40 -\Notes\qup G&\sextou bdg&\doubler\ql k\sk\cl k\enotes -\Notes\qup H&\Sextou ac{^f}acf&\triopl{^m}{=l}m\enotes -\barre %41 -\Notes\qup I&\sextou bdg&\triopl n{=m}{_l}\enotes -\Notes\qup J&\sextou ceg&\doubler\ql k\sk\cl j\enotes -\barre %42 - %\check -\Notes\qup K&\sextou dgi&\triopl iji\enotes -\Notes\qup K&\Sextou d{^f}hdfh&\triopl hih\enotes -\barre %43 -\Notes\hu G&\Sextou dgibdg&\doubler\qup g\tleg0\enotes -\Notes\doubler\sk\soupir&\sextou dgi&\doubler\soupir\sk\ilegu0n\cl i\enotes -\barre %44 -\Notes\qup I&\sextou dfi&\doubler\ql k\sk\cl k\enotes -\Notes\qup K&\sextou fik&\triopl mlk\enotes -\Notes\doubler\ql{=M}\sk\cl{^M}&\sextou fhj&\doubler\ql j\sk\cl k\enotes -\barre %45 -\Notes\qlp N&\sextou dgi&\triopl iji\enotes -\Notes\qup K&\Sextou d{^f}hdfh&\doubler\cu h\tleg0\ds\ilegu0n\cu h\enotes -\barre %46 -\Notes\qlp N&\sextou dgi&\triopu iji\enotes -\Notes\qlp K&\Sextou d{^f}hdfj&\triopu hih\enotes -\barre %47 -\Notes\hu G&\Sextou bdgdgi&\qup g\tleg0\enotes -\Notes\doubler\sk\soupir&\Sextou dg{=i}dgi&\doubler\soupir\sk\ilegu0o\cl k\enotes -\generalsignature{1}% -\changecontext %48 -\Notes\qup G&\sextou dgi&\doubler\ql p\sk\cl p\enotes -\Notes\qlp K&\sextou dfh&\triopl opo\enotes -\barre %49 -\Notes\qlp L&\sextou beg&\triopl nml\enotes -\Notes\qup I&\sextou bdg&\doubler\ql k\sk\cl i\enotes -\barre %50 -\Notes\qup H&\Sextou cfhacf&\triopl jkj\enotes -\Notes\qup G&\Sextou bdgdgi&\triopu ihg\enotes -\barre %51 -\Notes\qup K&\sextou dfh&\qu h\tleg0\sk\ds\enotes -\Notes\qup I&\sh d\sextou dfi&\doubler\ilegu0n\qu i\sk\cu h\enotes -\barre %52 -\Notes\qlp L&\sextou beg&\doubler\qu g\sk\cu g\enotes -\Notes\qup H&\sextou acf&\triopu jih\enotes -\barre %53 -\Notes\qup I&\sextou beg&\doubler\qu i\sk\cu i\enotes -\Notes\qup I&\sextou bfh&\doubler\qu i\sk\cu i\enotes -\barre %54 -\Notes\hl L&\Sextou begNbe&\doubler\qup e\tleg0\enotes -\Notes\doubler\sk\soupir&\sextou beg&\doubler\soupir\sk\ilegu0n\cl i\enotes -\barre %55 -\Notes\qlp L&\sextou beg&\doubler\ql n\sk\cl n\enotes -\Notes\qup H&\sextou acf&\ibl0m0\pt m\qb0m\sk\sk\nbbl0\qb0{nm}\tqb0l\enotes -\barre %56 -\Notes\qup I&\Sextou b{^d}fadf&\doubler\cl{^k}\tleg0\ds\ilegu0n\cl i\enotes -\Notes\qlp L&\sextou beg&\doubler\ql l\sk\cl m\enotes -\barre %57 -\Notes\qup J&\Sextou cegceh&\doubler \ql n\sk\ql o\enotes -\Notes\qup I&\Sextou {^d}fidfi&\doubler\ql p\sk\cl m\enotes -\barre %58 -\Notes\qup L&\sextou egi&\Ibl0nl5\qb0n\sk\nbbl0\qb0{onm}\tqb0l\enotes -\Notes\qup I&\sh d\sextou dfi&\doubler\cl {^k}\tleg0\ds\ilegu0o\cl i\enotes -\barre %59 -\Notes\qlp L&\sextou beg&\doubler\ql l\sk\cl m\enotes -\Notes\qup J&\Sextou cegceh&\doubler \ql n\sk\cl o\enotes -\barre %60 -\Notes\qup G&\sextou dgi&\doubler\ql p\sk\cl n\enotes -\Notes\qup I&\sextou bdg&\Ibl0nl5\qbp0n\sk\sk\nbbl0\qb0{on}\tqb0m\enotes -\barre %61 -\Notes\qup J&\sextou ceg&\doubler\ql l\sk\cl j\enotes -\Notes\qlp N&\sextou dgi&\triopl iji\enotes -\barre %62 -\Notes\qup K&\sextou dfh&\triopu hih\enotes -\Notes\qup L&\sextou egi&\triopu gfe\enotes -\barre %63 -\Notes\qup H&\sextou acf&\doubler\qu f\sk\cu f\enotes -\Notes\qup I&\sextou beg&\triopu gfe\enotes -\Notes\qup I&\sextou bfh&\triopu fe{^d}\enotes -\barre %64 -\Notes\hu L&\Sextou begNbe&\qup e\tleg0\enotes -\Notes\doubler\sk\soupir&\Sextou begbdg&\doubler\soupir\sk\ilegu0n\cu g\enotes -\barre %65 -\Notes\qup G&\sextou dgi&\doubler\ql i\sk\cl i\enotes -\Notes\qup I&\sextou bdg&\triopl kji\enotes -\barre %66 -\Notes\doubler\qu K\sk\cu{^K}&\Sextou dfhdfi&\doubler\qu h\sk\cu i\enotes -\Notes\qup L&\sextou egi&\Ibu0ge5\qh0g\sk\nbbu0\qh0{hgf}\tqh0e\enotes -\Notes\qup I&\sh d\sextou dfi&\Ibu0fd5\qh0f\sk\nbbu0\qh0{gfe}\tqh0{^d}\enotes -\barre %67 -\Notes\hl L&\Sextou egibeg&\qup e\tleg0\enotes -\Notes\doubler\sk\soupir&\Sextou egidgi&\doubler\soupir\sk\ilegu0n\cu g\enotes -\barre %68 -\Notes\qup G&\sextou bdg&\doubler\qu i\sk\cu i\enotes -\Notes\qup H&\sextou acf&\doubler\triou jij\enotes -\barre %69 -\Notes\qup I&\sextou bdg&\doubler\qu k\sk\cu i\enotes -\Notes\qup L&\sextou beg&\doubler\cu g\tleg0\ds\ilegu0n\cu g\enotes -\barre %70 -\Notes\qup J&\sextou ceg&\doubler\ql l\sk\cl l\enotes -\Notes\qup H&\sextou cfh&\doubler\triol lmn\enotes -\barre %71 -\Notes\qup I&\sextou bdg&\doubler\qlp k\enotes -\Notes\qlp L&\sextou beg&\doubler\cu i\tleg0\ds\ilegu0n\cu i\enotes -\barre %72 -\Notes\qup H&\sextou ace&\doubler\qu j\sk\cu j\enotes -\Notes\qlp K&\sextou Mad&\doubler\triou lkj\enotes -\barre %73 -\Notes\qup I&\Sextou Ma{^d}Mad&\doubler\qu i\sk\cu h\enotes -\Notes\qlp L&\sextou Nbe&\doubler\cu g\tleg0\ds\ilegu0n\cu i\enotes -\barre %74 -\Notes\qlp J&\sextou ace&\doubler\qu h\sk\cu g\enotes -\Notes\qlp K&\Sextou adgadf&\doubler\qu g\sk\cu f\enotes -\barre %75 -\Notes\qup I&\sextou bdg&\qup g\tleg0\enotes -\Notes\qup H&\ibbu0f0\qh0{acged}\tqh0c&\doubler\soupir\sk\ilegu0n\cl i\enotes -\barre %76 -\Notes\qup I&\sextou bdg&\doubler\ql k\sk\cl k\enotes -\Notes\qup K&\Sextou dfhcfh&\triopl mlm\enotes -\barre %77 -\Notes\qup L&\sextou egi&\triopl nml\enotes -\Notes\qup I&\Sextou dgibeg&\doubler\ql k\sk\cl l\enotes -\barre %78 -\Notes\qup H&\sextou acf&\doubler\ql j\sk\cl k\enotes -\Notes\qup G&\Sextou bdgdgi&\doubler\qu i\sk\cu g\enotes -\barre %79 -\Notes\qup K&\sextou dfh&\doubler\cu h\tleg0\ds\ilegu0n\cu h\enotes -\Notes\qup G&\sextou dgi&\triopu iji\enotes -\Notes\qup D&\Sextou dghcfh&\triopu hih\enotes -\barre %80 -\Notes\hu G&\Sextou bdgdgi&\qup g\tleg0\enotes -\Notes\sk\sk\soupir&\Sextou gikikn&\uptext{\moyen Rall.}\doubler\soupir\sk\ilegu0o\cl n\enotes -\barre %81 -\Notes\qup G&\Ibbl0nk3\qb0{pnknk}\tqb0i&\advance\transpose 7\triopl iji\enotes -\Notes\qup D&\Ibbu0jg5\qh0{khfcf}\tqh0h&\advance\transpose 7\triopl hih\enotes -\barre %82 -\Notes\hup G&\Ibbu0je5\qh0{igdgd}\tqh0b&\hlp n\tleg0\enotes -\Notes&\Sextou Nbdbdf\enotes -\NOtes\pt 5\soupir&\qup g&\pt 5\soupir\enotes -%\linegoal 28 -\mulooseness -7 -\finmorceau - -\rightline{\sl\aujourdhui}\vfil\eject - -\ifx\toc\undefined - \let\finishpiece \end -\else - \let\finishpiece\relax -\fi -\finishpiece -\endinput - diff --git a/musixtex/doc/examples/dissonan.tex b/musixtex/doc/examples/dissonan.tex deleted file mode 100644 index 021607a..0000000 --- a/musixtex/doc/examples/dissonan.tex +++ /dev/null @@ -1,947 +0,0 @@ -\title{Fantaisie aigre-douce} -\subtitle{(pour orgue)} -\shortauthor{D. Taupin} -\fullauthor{Daniel TAUPIN} -\othermention{Compos\'e en 1993} -\maketitle - -\tracingstats=2\relax -% -% formes fr‚quentes -% -%au moins deux croches basses et hautes -\def\dqb#1#2{\Ibl0{#1}{#2}1\qb0{#1}\tqb0{#2}}% -\def\dqh#1#2{\Ibu0{#1}{#2}1\qh0{#1}\tqh0{#2}}% -%au moins deux doubles croches basses et hautes -\def\dqbb#1#2{\Ibbl0{#1}{#2}1\qb0{#1}\tqb0{#2}}% -\def\dqhh#1#2{\Ibbu0{#1}{#2}1\qh0{#1}\tqh0{#2}}% -%au moins trois doubles croches basses et hautes -\def\tqbb#1#2#3{\Ibbl0{#1}{#3}2\qb0{#1#2}\tqb0{#3}}% -\def\Tqbb#1#2#3{\ibbl0{#2}0\qb0{#1#2}\tqb0{#3}}% -%au moins quatre croches basses et hautes -\def\qqb#1#2#3#4{\Ibl0{#1}{#4}3\qb0{#1#2#3}\tqb0{#4}}% -\def\Qqb#1#2#3#4{\Ibl0{#1}{#3}2\qb0{#1#2#3}\tqb0{#4}}% -\def\qqB#1#2#3#4{\Ibl0{#2}{#4}2\qb0{#1#2#3}\tqb0{#4}}% -\def\qqh#1#2#3#4{\Ibu0{#1}{#4}3\qh0{#1#2#3}\tqh0{#4}}% -\def\Qqh#1#2#3#4{\Ibu0{#1}{#3}2\qh0{#1#2#3}\tqh0{#4}}% -\def\qqH#1#2#3#4{\Ibu0{#2}{#4}2\qh0{#1#2#3}\tqh0{#4}}% -%au moins quatre doubles croches basses et hautes -\def\qqbb#1#2#3#4{\Ibbl0{#1}{#4}3\qb0{#1#2#3}\tqb0{#4}}% -\def\Qqbb#1#2#3#4{\Ibbl0{#1}{#3}2\qb0{#1#2#3}\tqb0{#4}}% -\def\qqBB#1#2#3#4{\Ibbl0{#2}{#4}2\qb0{#1#2#3}\tqb0{#4}}% -\def\qqhh#1#2#3#4{\Ibbu0{#1}{#4}3\qh0{#1#2#3}\tqh0{#4}}% -\def\Qqhh#1#2#3#4{\Ibbu0{#1}{#3}2\qh0{#1#2#3}\tqh0{#4}}% -\def\qqHH#1#2#3#4{\Ibbu0{#2}{#4}2\qh0{#1#2#3}\tqh0{#4}}% -% -\def\qlppz#1{\uppz #1\ql #1} -\def\zlppz#1{\lppz #1\zq #1} -\def\quppz#1{\lppz #1\qu #1} -% -\nbporteesii=2\relax -\def\nbinstruments{2} -\global\cleftoksii={{6}{0}{0}{0}}% -\global\cleftoksi={{6}{0}{0}{0}}% -% -\signaturegenerale{0}\relax % ut majeur -\def\troistemps{\generalmeter{\meterfrac{3}{4}}}% -%\check -\def\instrumenti{P\'edale}% -\def\instrumentii{G.O.}% -%\check -\medskip\noindent{\rm G.O.: Plein jeu, anches 8' et fonds 16' {\sl ad libitum.}}% -\par\noindent{\rm P\'ed.: fonds et anches 16', tirasse G.O.}% -\smallskip -% -\def\trioskip{\multiply\noteskip by 2\relax\divide\noteskip by 3\relax}% -\def\doubler{\multiply\noteskip by 2\relax}% -\troistemps -\debutmorceau -\bigaccid -\notes&|\Uptext{\hbox{\kern -16mm\moyen Allegro - \bf(\metron{\hup}{50})}}\enotes -\advance\linesinpage by 1\relax -\ifx\mxversion\undefined\kern -\Interligne\fi -%\check -% mesure 1 -\NOtes\hu J&\zq L\qlppz N|\zlppz c\qu e\enotes -\temps\NOtes&\zq L\qlppz N|\zlppz c\qu e\enotes -\temps\NOtes\soupir&\zq L\qlppz N|\zlppz c\qu e\enotes -%\check -% mesure 2 -\barre\NOtes\hu J&\zq L\qlppz N|\zlppz c\qu e\enotes -\temps\NOtes&\zq L\qlppz N|\zlppz c\qu e\enotes -\temps\NOtes\soupir&\zq L\qlppz N|\zlppz c\qu e\enotes -%\check -% mesure 3 -\barre\NOtes\hu J&\zq L\qlppz N|\zlppz c\qu e\enotes -\temps\notes&\zq L\uppz a\ql{_a}|\lppz c\zql{_d}\dqh fe\enotes -\temps\NOtes\soupir&\zq L\qlppz a|\lppz c\zql d\qu f\enotes -%\check -% mesure 4 -\barre\NOtes\hu J&\zq L\qlppz N|\zlppz c\qu e\enotes -\temps\notes&\zq L\uppz a\ql{_a}|\na d\roff{\lppz d\zql d}\dqh ef\enotes -\temps\NOtes\soupir&\zq L\qlppz N|\lppz c\zql c\qu e\enotes -%\check -% mesure 5 -\barre\NOtes\hu{_K}&\zq L\qlppz N|\lppz d\zq{_d}\qu f\enotes -\temps\NOtes&\zq L\qlppz N|\lppz d\rq e\qu{=d}\enotes -\temps\NOtes\soupir&\zq M\uppz a\ql{_a}|\lppz d\zq{_d}\qu f\enotes -%\check -% mesure 6 -\barre\NOtes\qu J&\zq L\qlppz N|\zlppz c\qu e\enotes -\temps\notes\doubler\qu{=K}&\zq L\uppz a\ql{_a}|\na d\roff{\lppz d\zql d}\dqh ef\enotes -\temps\NOtes\soupir&\zq L\qlppz N|\lppz c\zql c\qu e\enotes -%\check -% mesure 7 -\barre\NOtes\hu{^J}&\zq K\qlppz N|\lppz c\zq{^c}\qu g\enotes -\temps\NOtes&\zq L\qlppz N|\lppz d\zq d\qu{^f}\enotes -\temps\NOtes\soupir&\zq M\uppz a\ql{_a}|\zlppz c\qu{=f}\enotes -%\check -% mesure 8 -\barre\NOtes\qu J&\zq L\qlppz N|\na c\zlppz c\qu e\enotes -\temps\notes\doubler\qu{K}&\zq L\uppz a\ql{_a}|\lppz c\zql c\dqh e{^d}\enotes -\temps\NOtes\soupir&\zq L\qlppz N|\lppz c\zql c\qu e\enotes -%\check -% mesure 9 -\barre\NOtes\hu{_L}&\zq L\qlppz N|\lppz b\zq {_e}\qu{b}\enotes -\temps\NOtes&\zq L\qlppz N|\zq a\lppz a\qu{^c}\enotes -\temps\NOtes\qu{K}&\zq M\uppz a\ql{_a}|\lppz b\zq b\qu d\enotes -%\check -% mesure 10 -\barre\NOtes\hu J&\zq L\qlppz N|\zlppz c\qu{=e}\enotes -\temps\NOtes&\zq L\qlppz N|\zlppz c\qu e\enotes -\temps\NOtes\soupir&\zq L\qlppz N|\zlppz c\qu e\enotes -%\check -% mesure 11 -\barre\NOtes\qu J&\zq L\qlppz N|\zlppz c\qu e\enotes -\temps\NOtes\qu{_K}&\zq L\qlppz N|\zlppz c\qu e\enotes -\temps\NOtes\qu J&\zq L\qlppz N|\zlppz c\qu e\enotes -% mesure 12 -\barre\NOtes\hu J&\zq L\qlppz N|\zlppz c\zq e\qu g\enotes -\temps\NOtes&\zq L\qlppz N|\zlppz c\zq e\qu g\enotes -\temps\NOtes\soupir&\zq L\qlppz N|\zlppz c\zq e\qu g\enotes -%\check -% mesure 13 -\barre\NOtes\hu J&\zq L\qlppz N|\zlppz c\zq e\qu g\enotes -\temps\NOtes&\zq L\qlppz N|\zlppz c\zq e\qu g\enotes -\temps\NOtes\soupir&\zq L\qlppz N|\zlppz c\zq e\qu g\enotes -%\check -% mesure 14 -\barre\NOtes\qu J&\zq L\qlppz N|\zlppz c\zq e\qu g\enotes -\temps\notes\qu{_K}&\zq L\uppz a\ql{_a}|\lppz c\zq f\zql{_d}\dqh {_h}g\enotes -\temps\NOtes\soupir&\zq L\qlppz a|\lppz c\zq d\zql f\qu h\enotes -%\check -% mesure 15 -\barre\NOtes\qu J&\zq L\qlppz N|\zlppz c\zq e\qu g\enotes -\temps\notes\doubler\qu{=K}&\zq L\uppz a\ql{_a}|\relax - \na d\lppz d\zq f\zql d\roff{\dqh g{_h}}\enotes - \nspace -\temps\NOtes\soupir&\zq L\qlppz N|\lppz c\zql c\zq e\qu g\enotes -%\check -% mesure 16 -\barre\NOtes\hu{^J}&\zq L\qlppz N|\lppz c\zq{^c}\zq f\qu{_h}\enotes -\temps\NOtes&\zq L\qlppz N|\lppz d\rq e\zq d\qu g\enotes -\temps\NOtes\soupir&\zq M\uppz a\ql{_a}|\lppz c\zq{=c}\zq f\qu h\enotes -%\check -% mesure 17 -\barre\NOtes\qu J&\zq L\qlppz N|\zlppz c\zq e\qu g\enotes -\temps\notes\doubler\qu{=K}&\zq L\uppz a\ql{_a}|\relax - \lfl e\lq e\lppz d\zql d\dqh g{=h}\enotes -\temps\NOtes\soupir&\zq L\qlppz N|\na e\lppz c\zql c\zq e\qu g\enotes -%\check -% mesure 18 -\barre\NOtes\hu{^J}&\zq L\qlppz N|\lppz c\zq{^c}\zq e\zq g\qu{_i}\enotes -\temps\NOtes&\zq L\qlppz N|\lppz d\zq d\zq{^f}\qu h\enotes -\temps\NOtes\soupir&\zq M\uppz a\ql{_a}|\zlppz c\zql{_e}\qu{_h}\enotes -%\check -% mesure 19 -\barre\NOtes\qu J&\zq L\qlppz N|\zlppz c\zq{=e}\qu g\enotes -\temps\notes\doubler\qu{=K}&\zq L\uppz a\ql{_a}|\lppz c\zq e\zql c\dqh g{^f}\enotes -\temps\NOtes\soupir&\zq L\qlppz N|\lppz c\zql c\zq e\qu g\enotes -%\check -% mesure 20 -\barre\NOtes\hu{^K}&\zq L\qlppz N|\lsh c\lppz b\rq c\zq{_b}\qu{^f}\enotes -\temps\NOtes&\zq L\qlppz N|\na b\lppz d\zq b\rq c\qu{=f}\enotes -\temps\NOtes\soupir&\zq M\uppz a\ql{_a}|\lppz b\zq b\qu{^f}\enotes -%\check -% mesure 21 -\barre\NOtes\hu J&\zq L\qlppz N|\zlppz c\zq e\qu g\enotes -\temps\NOtes&\zq L\qlppz N|\zlppz c\zq e\qu g\enotes -\temps\NOtes\soupir&\zq L\qlppz N|\zlppz c\zq e\qu g\enotes -%\check -% mesure 22 -\barre\NOtes\qu J&\zq L\qlppz N|\zlppz c\zq e\qu g\enotes -\temps\NOtes\qu{_K}&\zq L\qlppz N|\zlppz c\zq e\qu g\enotes -\temps\NOtes\qu J&\zq L\qlppz N|\zlppz c\zq e\qu g\enotes -%\check -% mesure 23 -\barre\NOtes\qu L&\zq {La}\qlppz c|\zlppz e\zq h\qu j\enotes -\temps\NOtes\qu J&\zq {LN}\qlppz c|\zlppz e\zq g\qu j\enotes -\temps\NOtes\soupir&\zq {LN}\qlppz c|\zlppz e\zq g\qu j\enotes -%\check -% mesure 24 -\barre\NOtes\hu J&\zq {LN}\qlppz c|\zlppz e\zq g\qu j\enotes -\temps\NOtes&\zq {LN}\qlppz c|\zlppz e\zq g\qu j\enotes -\temps\NOtes\soupir&\zq {LN}\qlppz c|\zlppz e\zq g\qu j\enotes -% mesure 25 -\barre\NOtes\hu J&\zq {LN}\qlppz c|\zlppz e\zq g\qu j\enotes -\temps\notes&\zq {M_a}\qlppz c|\zlppz f\zql {_h}\dqh jk\enotes -\temps\NOtes\soupir&\zq {Ma}\qlppz c|\zlppz f\zql {h}\qu j\enotes -%\check -% mesure 26 -\barre\NOtes\hu J&\zq {LN}\qlppz c|\zlppz e\zq {jg}\qu l\enotes -\temps\NOtes&\zq {L=a}\qlppz c|\lna h\sh f\zlppz f\zq {hj}\qu{_l}\enotes -\temps\NOtes\soupir&\lfl a\zq {^Ma}\qlppz c|\zlppz f\zq {_h}\qu k\enotes -% mesure 27 -\barre\NOtes\hu J&\zq {L=a}\qlppz c|\zlppz e\zq{=h}\qu j\enotes -\temps\notes&\zq {LN}\qlppz c|\zlppz e\zql {g}\dqh ji\enotes -\temps\NOtes\soupir&\zq {M_a}\qlppz c|\zlppz f\zql {_h}\qu j\enotes -%\check -% mesure 28 -\barre\NOtes\hu J&\zq {L_a}\qlppz c|\zlppz e\rq f\qu{_h}\enotes -\temps\NOtes&\zq {LN}\uppz b\qlp{_b}|\zlppz e\zq g\qu{_i}\enotes -\temps\NOtes\soupir&\zq {_LN}\na b\qlppz b|\fl e\zlppz e\zq g\qu{=i}\enotes -%\check -% mesure 29 -\barre\NOtes\hu J&\zq {=LN}\qlppz c|\na e\zlppz e\zq g\qu j\enotes -\temps\notes&\zq {M_a}\qlppz c|\zlppz f\zql {_h}\dqh jk\enotes -\temps\NOtes\soupir&\lsh M\zq {M=a}\qlppz c|\lsh f\zlppz f\zql {=h}\qu j\enotes -%\check -% mesure 30 -\barre\NOtes\hu J&\zq{LN}\qlppz c|\zlppz e\zq {gj}\qu l\enotes -\temps\NOtes&\zq{LN}\qlppz c|\zlppz e\zq{gj}\qu l\enotes -\temps\NOtes\soupir&\zq{LN}\qlppz c|\zlppz e\zq{gj}\qu l\enotes -%\check -% mesure 31 -\barre\NOtes\hu J&\zq{LN}\qlppz c|\zlppz e\zq {gj}\qu l\enotes -\temps\NOtes&\zq{LN}\qlppz c|\zlppz e\zq{gj}\qu l\enotes -\temps\NOtes\soupir&\zq{LN}\qlppz c|\zlppz e\zq{gj}\qu l\enotes -%\check -% mesure 32 -\barre\NOtes\hu J&\zq {LN}\qlppz c|\zlppz e\zq{gj}\qu l\enotes -\temps\notes&\zq {L_a}\uppz d\ql{_d}|\lppz f\zq{f_h}\zql{_k}\dqh ml\enotes -\temps\NOtes\soupir&\zq{La}\qlppz d|\lppz f\zq{fh}\zql k\qu m\enotes -%\check -% mesure 33 -\barre\NOtes\hu J&\zq{LN}\qlppz c|\zlppz e\zq{gj}\qu l\enotes -\temps\notes&\zq {L_a}\uppz d\ql{=d}|\zlppz e\zq{=h}\zql k\roff{\dqh lm}\enotes -\nspace -\temps\NOtes\soupir&\zq {LN}\qlppz c|\zlppz e\zq{gj}\qu l\enotes -%\check -% mesure 34 -\barre\NOtes\hu{^J}&\zq {LN}\sh c\qlppz c|\zlppz f\zq{h^j}\qu m\enotes -\temps\NOtes&\zq {LN}\qlppz d|\zlppz e\rq k\zq g\qu l\enotes -\temps\NOtes\soupir&\lfl a\zq {Ma}\na c\qlppz c|\zlppz f\zq{h=j}\qu m\enotes -%\check -% mesure 35 -\barre\NOtes\qu J&\zq {LN}\qlppz c|\zlppz e\zq{gj}\qu l\enotes -\temps\notes\doubler\qu{=K}&\zq {L_a}\ql d|\lppz e\zq{e_h}\zql k\roff{\dqh lm}\enotes -\nspace -\temps\NOtes\soupir&\zq {LN}\qlppz c|\zlppz e\zq{gj}\qu l\enotes -%\check -% mesure 36 -\barre\NOtes\hu{^J}&\zq {KN}\sh c\qlppz c|\lppz g\zq{g^j}\rq k\qu n\enotes -\temps\NOtes&\zq{LN}\qlppz d|\zq{^fj}\rq l\qu{^m}\enotes -\temps\NOtes\soupir&\zq {M_a}\qlppz c|\lfl h\na f\zlppz f\zq{hj}\qu{=m}\enotes -%\check -% mesure 37 -\barre\NOtes\qu J&\zq {LN}\na c\qlppz c|\zlppz e\zq{gj}\qu l\enotes -\temps\notes\doubler\qu{=K}&\lfl a\zq {La}\na d\qlppz d|\lppz e\zq{_h}\zql j\dqh l{^k}\enotes -\temps\NOtes\soupir&\zq {LN}\qlppz c|\lppz e\zq{egj}\qu l\enotes -%\check -% mesure 38 -\barre\NOtes\qsk\hu{^K}&\qsk\lfl b\na d\zq {LNb}\qlppz d|\qsk - \zlppz e\zq{g}\qu{=k}\enotes -\temps\NOtes&\sh c\zq {LN}\qlppz c|\zq e\lppz e\zq h\qu{^j}\enotes -\temps\NOtes\qu{=K}&\lq a\lfl a\zq {M}\qlppz b|\lppz d\zq {df_h}\qu k\enotes -%\check -% mesure 39 -\barre\NOtes\hu J&\zq {LN}\qlppz c|\zlppz e\zq{gj}\qu l\enotes -\temps\NOtes&\zq {LN}\qlppz c|\zlppz e\zq{gj}\qu l\enotes -\temps\NOtes\soupir&\zq {LN}\qlppz c|\zlppz e\zq{gj}\qu l\enotes -%\check -% mesure 40 -\barre\NOtes\hu J&\zq {LN}\qlppz c|\Uptext{\it rit.}\zlppz e\zq{gj}\qu l\enotes -\temps\NOtes&\zq {LN}\qlppz c|\zlppz e\zq{gj}\qu l\enotes -\temps\NOtes\soupir&\zq {LN}\qlppz c|\zlppz e\zq{gj}\qu l\enotes -%\check -% mesure 41 -\barre -\notes\zcharnote B{\it legato}\Ilegu0b\hl L&\zcharnote g{\it - a tempo}\Qqbb Nece|\Uptext{\it bien - sirupeux~!}\ibbu0i0\qh0{lgj}\tqh0g\enotes -\temps\notes&\Qqbb Nece|\ibbu0i0\qh0{lgj}\tqh0g\enotes -\temps\notes\ql L&\Qqbb Nece|\ibbu0i0\qh0{lgj}\tqh0g\enotes -%\check -% mesure 42 -\barre\notes\ql L&\Qqbb Nece|\Qqhh lgjg\enotes -\temps\notes\ql K&\Qqbb Ndbd|\Qqhh kgig\enotes -\temps\notes\ql L&\Qqbb Nece|\Qqhh lgjg\enotes -%\check -% mesure 43 -\barre\notes\ql J&\Qqbb Nece|\Qqhh lgjg\enotes -\temps\notes\ql K&\Qqbb Ndbd|\Qqhh kgig\enotes -\temps\notes\ql L&\Qqbb Nece|\Qqhh lgjg\enotes -%\check -% mesure 44 -\barre\notes\qlp N&\Qqbb Nece|\Qqhh lgjg\enotes -\temps\notes\sk\tleg0\sk\ds&\Qqbb Nece|\Qqhh lgjg\enotes -\temps\notes\Ilegu0b\ql N&\Qqbb Nece|\Qqhh lgjg\enotes -%\check -% mesure 45 -\barre\notes\hlp a&\Qqbb Mcac|\Qqhh mhjh\enotes -\temps\notes&\Qqbb Mcac|\Qqhh mhjh\enotes -\temps\notes&\Qqbb Mcac|\Qqhh mhjh\enotes -%\check -% mesure 46 -\barre\notes\qlp N\tleg0&\Qqbb Nece|\Qqhh lgjg\enotes -\temps\notes\sk\sk\ds&\Qqbb Nece|\Qqhh lgjg\enotes -\temps\notes\Ilegu0c\ql N&\Qqbb Nece|\Qqhh lgjg\enotes -%\check -% mesure 47 -\barre\notes\hl c&\Qqbb afcf|\Qqhh mhjh\enotes -\temps\notes&\Qqbb afcf|\Qqhh mhjh\enotes -\temps\notes\ql N&\Qqbb Nece|\Qqhh lgjg\enotes -%\check -% mesure 48 -\barre\notes\ql N&\Qqbb Nece|\Qqhh lgjg\enotes -\temps\notes\ql M&\Qqbb afcf|\Qqhh mhjh\enotes -\temps\notes\ql L&\Qqbb Nece|\Qqhh lgjg\enotes -%\check -% mesure 49 -\barre\notes\hu K\tleg0&\Qqbb Ndbd|\Qqhh kgig\enotes -\temps\notes&\Qqbb Ndbd|\Qqhh kgig\enotes -\temps\notes\soupir&\Qqbb Ndbd|\Qqhh kgig\enotes -%\check -% mesure 50 -\barre\notes\Ilegu0c\hl L&\Qqbb Nece|\Qqhh lgjg\enotes -\temps\notes&\Qqbb Nece|\Qqhh lgjg\enotes -\temps\notes\ql L&\Qqbb Nece|\Qqhh lgjg\enotes -%\check -% mesure 51 -\barre\notes\ql L&\Qqbb Nece|\Qqhh lgjg\enotes -\temps\notes\ql K&\Qqbb Ndbd|\Qqhh kgig\enotes -\temps\notes\ql L&\Qqbb Nece|\Qqhh lgjg\enotes -%\check -% mesure 52 -\barre\notes\ql J&\Qqbb Nece|\Qqhh lgjg\enotes -\temps\notes\ql K&\Qqbb Ndbd|\Qqhh kgig\enotes -\temps\notes\ql L&\Qqbb Nece|\Qqhh lgjg\enotes -%\check -% mesure 53 -\barre\notes\hl a&\Qqbb aece|\Qqhh lhjh\enotes -\temps\notes&\Qqbb aece|\Qqhh lhjh\enotes -\temps\notes\ql b&\Qqbb {^N}ebe|\Qqhh l{^g}ig\enotes -%\check -% mesure 54 -\barre\notes\qlp c\tleg0&\Qqbb aece|\Qqhh lhjh\enotes -\temps\notes\sk\sk\ds&\Qqbb aece|\Qqhh lhjh\enotes -\temps\notes\Ilegu0c\ql c&\Qqbb aece|\Qqhh lhjh\enotes -%\check -% mesure 55 -\barre\notes\hl b&\Qqbb Nebe|\Qqhh lgig\enotes -\temps\notes&\Qqbb Nebe|\Qqhh lgig\enotes -\temps\nspace\notes\ql a&\Qqbb aece|\bigsh m\Qqhh mhjh\enotes -%\check -% mesure 56 -\barre\notes\hl N&\Qqbb Nebe|\Qqhh lgig\enotes -\temps\notes&\Qqbb Nebe|\Qqhh lgig\enotes -\temps\notes\ql a&\Qqbb aece|\Qqhh lhjh\enotes -%\check -% mesure 57 -\barre\notes\hl N&\Qqbb Nebe|\Qqhh lgig\enotes -\temps\notes&\Qqbb Nebe|\Qqhh lgig\enotes -\temps\nspace\notes\ql {^M}&\varaccid\Qqbb a{^f}{^d}f|\sh m\varaccid\Qqhh mh{^k}h\enotes -%\check -% mesure 58 -\barre\notes\hl L\tleg0&\Qqbb Nebe|\Qqhh lgig\enotes -\temps\notes&\Qqbb Nebe|\Qqhh lgig\enotes -\temps\notes\soupir&\Qqbb Nebe|\Qqhh lgig\enotes -%\check -% mesure 59 -\barre\notes\Ilegu0b\hl N&\Qqbb Nece|\Qqhh lgjg\enotes -\temps\notes&\Qqbb Nece|\Qqhh lgjg\enotes -\temps\notes\ql N&\Qqbb Nece|\Qqhh lgjg\enotes -%\check -% mesure 60 -\barre\notes\hl M&\Qqbb afcf|\Qqhh mhjh\enotes -\temps\notes&\Qqbb afcf|\Qqhh mhjh\enotes -\temps\notes\ql L&\Qqbb Nece|\Qqhh njlj\enotes -%\check -% mesure 61 -\barre\notes\hlp K&\Qqbb Ndbd|\Qqhh niki\enotes -\temps\notes&\Qqbb Ndbd|\Qqhh niki\enotes -\temps\notes&\Qqbb Ndbd|\Qqhh niki\enotes -%\check -% mesure 62 -\barre\notes\hl J\tleg0&\Qqbb Nece|\Qqhh njlj\enotes -\temps\notes&\Qqbb Nece|\Qqhh njlj\enotes -\temps\notes\soupir&\Qqbb Nece|\Qqhh njlj\enotes -% mesure 63 -\barre\notes\Ilegu0b\hl L&\Qqbb Nece|\Qqhh lgjg\enotes -\temps\notes&\Qqbb Nece|\Qqhh lgjg\enotes -\temps\notes\ql L&\Qqbb Nece|\Qqhh lgjg\enotes -%\check -% mesure 64 -\barre\notes\ql L&\Qqbb Nece|\Qqhh lgjg\enotes -\temps\notes\ql K&\Qqbb Nece|\Qqhh lgjg\enotes -\temps\notes\ql L&\Qqbb Nece|\Qqhh lgjg\enotes -%\check -% mesure 65 -\barre\notes\ql J&\Qqbb Nece|\Qqhh lgjg\enotes -\temps\notes\ql K&\Qqbb Nece|\Qqhh lgjg\enotes -\temps\notes\ql L&\Qqbb Nece|\Qqhh lgjg\enotes -%\check -% mesure 66 -\barre\notes\qlp N&\Qqbb Nece|\Qqhh lgjg\enotes -\temps\notes\sk\tleg0\sk\ds&\Qqbb Nece|\Qqhh lgjg\enotes -\temps\notes\Ilegu0c\ql N&\Qqbb Nece|\Qqhh lgjg\enotes -%\check -% mesure 67 -\barre\notes\hlp c&\Qqbb afcf|\Qqhh mhjh\enotes -\temps\notes&\Qqbb afcf|\Qqhh mhjh\enotes -\temps\notes&\Qqbb afcf|\Qqhh mhjh\enotes -%\check -% mesure 68 -\barre\notes\qlp N\tleg0&\Qqbb Nece|\Qqhh lgjg\enotes -\temps\notes\sk\sk\ds&\Qqbb Nece|\Qqhh lgjg\enotes -\temps\notes\Ilegu0c\ql N&\Qqbb Nece|\Qqhh lgjg\enotes -% mesure 69 -\barre\notes\ql N&\Qqbb Nece|\Qqhh lgjg\enotes -\temps\notes\ql M&\Qqbb Ndbd|\Qqhh kgig\enotes -\temps\notes\ql L&\Qqbb Nece|\Qqhh lgjg\enotes -%\check -% mesure 70 -\barre\notes\hu K&\Qqbb Ndbd|\Qqhh kgig\enotes -\temps\notes&\Qqbb Ndbd|\Qqhh kgig\enotes -\temps\notes\qu K&\Qqbb Ndbd|\Qqhh kgig\enotes -%\check -% mesure 71 -\barre\notes\hu J\tleg0&\Qqbb Nece|\Qqhh lgjg\enotes -\temps\notes&\Qqbb Nece|\Qqhh lgjg\enotes -\temps\notes\soupir&\Qqbb Nece|\Qqhh lgjg\enotes -%\check -% mesure 72 -\barre\notes\lppz J\qu J&\Qqbb Nece|\Qqhh lgjg\enotes -\temps\notes\lppz J\qu J&\Qqbb Nece|\Qqhh lgjg\enotes -\temps\notes\lppz J\qu J&\Qqbb Nece|\soupir\enotes -%\check -% mesure 73 -\barre - \NOtes\hu J&\zq L\qlppz N|\uptext{\it aigre et nerveux}\zlppz c\qu e\enotes -\temps\NOtes&\zq L\qlppz N|\zlppz c\qu e\enotes -\temps\NOtes\soupir&\zq L\qlppz N|\zlppz c\qu e\enotes -%\check -% mesure 74 -\barre\NOtes\hu J&\zq L\qlppz N|\zlppz c\qu e\enotes -\temps\NOtes&\zq L\qlppz N|\zlppz c\qu e\enotes -\temps\NOtes\soupir&\zq L\qlppz N|\zlppz c\qu e\enotes -%\check -% mesure 75 -\barre\NOtes\hu J&\zq L\qlppz N|\zlppz c\qu e\enotes -\temps\notes&\zq L\uppz a\ql{_a}|\lppz c\zql{_d}\dqh fe\enotes -\temps\NOtes\soupir&\zq L\qlppz a|\lppz c\zql d\qu f\enotes -%\check -% mesure 76 -\barre\NOtes\hu J&\zq L\qlppz N|\zlppz c\qu e\enotes -\temps\notes&\zq L\uppz a\ql{_a}|\na d\roff{\lppz d\zql d}\dqh ef\enotes -\temps\NOtes\soupir&\zq L\qlppz N|\lppz c\zql c\qu e\enotes -%\check -% mesure 77 -\barre\NOtes\hu{_K}&\zq L\qlppz N|\lppz c\zq{_d}\qu f\enotes -\temps\NOtes&\zq L\qlppz N|\lppz d\rq e\qu{=d}\enotes -\temps\NOtes\soupir&\zq M\uppz a\ql{_a}|\zlppz c\qu f\enotes -%\check -% mesure 78 -\barre\NOtes\qu J&\zq L\qlppz N|\zlppz c\qu e\enotes -\temps\notes\doubler\qu{=K}&\zq L\uppz a\ql{_a}|\na d\roff{\lppz d\zql d}\dqh ef\enotes -\temps\NOtes\soupir&\zq L\qlppz N|\lppz c\zql c\qu e\enotes -%\check -% mesure 79 -\barre\NOtes\hu{_K}&\zq K\qlppz N|\lppz c\zq{_d}\qu g\enotes -\temps\NOtes&\zq L\qlppz N|\lppz d\zq{=d}\qu{^f}\enotes -\temps\NOtes\soupir&\zq M\uppz a\ql{_a}|\zlppz c\qu{=f}\enotes -%\check -% mesure 80 -\barre\NOtes\qu J&\zq L\qlppz N|\na c\zlppz c\qu e\enotes -\temps\notes\doubler\qu{=K}&\zq L\uppz a\ql{_a}|\lppz c\zql c\dqh e{^d}\enotes -\temps\NOtes\soupir&\zq L\qlppz N|\lppz c\zql c\qu e\enotes -%\check -% mesure 81 -\barre\NOtes\hu{^K}&\zq L\qlppz N|\lppz b\zq {^d}\qu{b}\enotes -\temps\NOtes&\zq L\qlppz N|\zq a\lppz a\qu{^c}\enotes -\temps\NOtes\qu{=K}&\zq M\uppz a\ql{_a}|\lppz b\zq b\qu{=d}\enotes -%\check -% mesure 82 -\barre\NOtes\hu J&\zq L\qlppz N|\lppz c\zq{=c}\qu e\enotes -\temps\NOtes&\zq L\qlppz N|\zlppz c\qu e\enotes -\temps\NOtes\soupir&\zq L\qlppz N|\zlppz c\qu e\enotes -%\check -% mesure 83 -\barre\NOtes\qu J&\zq L\qlppz N|\zlppz c\qu e\enotes -\temps\NOtes\qu{_K}&\zq L\qlppz N|\zlppz c\qu e\enotes -\temps\NOtes\qu J&\zq L\qlppz N|\zlppz c\qu e\enotes -% mesure 84 -\barre\NOtes\hu J&\zq L\qlppz N|\zlppz c\zq e\qu g\enotes -\temps\NOtes&\zq L\qlppz N|\zlppz c\zq e\qu g\enotes -\temps\NOtes\soupir&\zq L\qlppz N|\zlppz c\zq e\qu g\enotes -%\check -% mesure 85 -\barre\NOtes\hu J&\zq L\qlppz N|\zlppz c\zq e\qu g\enotes -\temps\NOtes&\zq L\qlppz N|\zlppz c\zq e\qu g\enotes -\temps\NOtes\soupir&\zq L\qlppz N|\zlppz c\zq e\qu g\enotes -%\check -% mesure 86 -\barre\NOtes\qu J&\zq L\qlppz N|\zlppz c\zq e\qu g\enotes -\temps\notes\qu{_K}&\zq L\uppz a\ql{_a}|\lppz c\zq f\zql{_d}\dqh {_h}g\enotes -\temps\NOtes\soupir&\zq L\qlppz a|\lppz c\zq d\zql f\qu h\enotes -%\check -% mesure 87 -\barre\NOtes\qu J&\zq L\qlppz N|\zlppz c\zq e\qu g\enotes -\temps\notes\doubler\qu{=K}&\zq L\uppz a\ql{_a}|\relax - \na d\lppz d\zq f\zql d\roff{\dqh g{_h}}\enotes - \nspace -\temps\NOtes\soupir&\zq L\qlppz N|\lppz c\zql c\zq e\qu g\enotes -%\check -% mesure 88 -\barre\NOtes\hu{^J}&\zq L\qlppz N|\lppz c\zq{^c}\zq f\qu{_h}\enotes -\temps\NOtes&\zq L\qlppz N|\lppz d\rq e\zq d\qu g\enotes -\temps\NOtes\soupir&\zq M\uppz a\ql{_a}|\zlppz c\zq f\qu h\enotes -%\check -% mesure 89 -\barre\NOtes\qu J&\zq L\qlppz N|\zlppz c\zq e\qu g\enotes -\temps\notes\qu{K}&\zq L\uppz a\ql{_a}|\relax - \lfl e\lq e\lppz d\zql d\dqh g{=h}\enotes -\temps\NOtes\soupir&\zq L\qlppz N|\na e\lppz c\zql c\zq e\qu g\enotes -%\check -% mesure 90 -\barre\NOtes\hu{^J}&\zq L\qlppz N|\lppz c\zq{^c}\zq e\zq g\qu{_i}\enotes -\temps\NOtes&\zq L\qlppz N|\lppz d\zq d\zq{^f}\qu h\enotes -\temps\NOtes\soupir&\zq M\uppz a\ql{_a}|\zlppz c\zql{_e}\qu{_h}\enotes -%\check -% mesure 91 -\barre\NOtes\qu J&\zq L\qlppz N|\zlppz c\zq{=e}\qu g\enotes -\temps\notes\qu{K}&\zq L\uppz a\ql{_a}|\lppz c\zq e\zql c\dqh g{^f}\enotes -\temps\NOtes\soupir&\zq L\qlppz N|\lppz c\zql c\zq e\qu g\enotes -%\check -% mesure 92 -\barre\NOtes\hu{^K}&\zq L\qlppz N|\lsh c\lppz b\rq c\zq{_b}\qu{^f}\enotes -\temps\NOtes&\zq L\qlppz N|\na b\lppz d\zq b\rq c\qu{=f}\enotes -\temps\NOtes\soupir&\zq M\uppz a\ql{_a}|\lppz b\zq b\qu{^f}\enotes -%\check -% mesure 93 -\barre\NOtes\hu J&\zq L\qlppz N|\lppz c\zq{=c}\zq e\qu g\enotes -\temps\NOtes&\zq L\qlppz N|\zlppz c\zq e\qu g\enotes -\temps\NOtes\soupir&\zq L\qlppz N|\zlppz c\zq e\qu g\enotes -%\check -% mesure 94 -\barre\NOtes\qu J&\zq L\qlppz N|\zlppz c\zq e\qu g\enotes -\temps\NOtes\qu{_K}&\zq L\qlppz N|\zlppz c\zq e\qu g\enotes -\temps\NOtes\qu J&\zq L\qlppz N|\zlppz c\zq e\qu g\enotes -%\check -% mesure 95 -\barre\NOtes\qu L&\zq {La}\qlppz c|\zlppz e\zq h\qu j\enotes -\temps\NOtes\qu J&\zq {LN}\qlppz c|\zlppz e\zq g\qu j\enotes -\temps\NOtes\soupir&\zq {LN}\qlppz c|\zlppz e\zq g\qu j\enotes -%\check -% mesure 96 -\barre\NOtes\hu J&\zq {LN}\qlppz c|\zlppz e\zq g\qu j\enotes -\temps\NOtes&\zq {LN}\qlppz c|\zlppz e\zq g\qu j\enotes -\temps\NOtes\soupir&\zq {LN}\qlppz c|\zlppz e\zq g\qu j\enotes -% mesure 97 -\barre\NOtes\hu J&\zq {LN}\qlppz c|\zlppz e\zq g\qu j\enotes -\temps\notes&\zq {M_a}\qlppz c|\zlppz f\zql {_h}\dqh jk\enotes -\temps\NOtes\soupir&\zq {Ma}\qlppz c|\zlppz f\zql {h}\qu j\enotes -%\check -% mesure 98 -\barre\NOtes\hu J&\zq {LN}\qlppz c|\zlppz e\zq {jg}\qu l\enotes -\temps\NOtes&\zq {L=a}\qlppz c|\lna h\sh f\zlppz f\zq {hj}\qu{_l}\enotes -\temps\NOtes\soupir&\lfl a\zq {^Ma}\qlppz c|\zlppz f\zq {_h}\qu k\enotes -% mesure 99 -\barre\NOtes\hu J&\zq {LN}\qlppz c|\zlppz e\zq g\qu j\enotes -\temps\notes&\zq {M_a}\qlppz c|\zlppz f\zql {_h}\dqh jk\enotes -\temps\NOtes\soupir&\zq {Ma}\qlppz c|\zlppz f\zql {h}\qu j\enotes -%\check -% mesure 100 -\barre\NOtes\hu J&\zq {LN}\qlppz c|\zlppz e\zq {jg}\qu l\enotes -\temps\NOtes&\zq {L=a}\qlppz c|\lna h\sh f\zlppz f\zq {hj}\qu{_l}\enotes -\temps\NOtes\soupir&\lfl a\zq {^Ma}\qlppz c|\zlppz f\zq {_h}\qu k\enotes -% mesure 101 -\barre\NOtes\hu J&\zq {L=a}\qlppz c|\zlppz e\zq{=h}\qu j\enotes -\temps\notes&\zq {LN}\qlppz c|\zlppz e\zql {g}\dqh ji\enotes -\temps\NOtes\soupir&\zq {M_a}\qlppz c|\zlppz f\zql {_h}\qu j\enotes -%\check -% mesure 102 -\barre\NOtes\hu J&\zq {L_a}\qlppz c|\zlppz e\rq f\qu{_h}\enotes -\temps\NOtes&\zq {LN}\uppz b\qlp{_b}|\zlppz e\zq g\qu{_i}\enotes -\temps\NOtes\soupir&\zq {_LN}\na b\qlppz b|\fl e\zlppz e\zq g\qu{=i}\enotes -%\check -% mesure 103 -\barre\NOtes\hu J&\zq {L=a}\qlppz c|\zlppz e\zq{=h}\qu j\enotes -\temps\notes&\zq {LN}\qlppz c|\zlppz e\zql {g}\dqh ji\enotes -\temps\NOtes\soupir&\zq {M_a}\qlppz c|\zlppz f\zql {_h}\qu j\enotes -%\check -% mesure 104 -\barre\NOtes\hu J&\zq {L_a}\qlppz c|\zlppz e\rq f\qu{_h}\enotes -\temps\NOtes&\zq {LN}\uppz b\qlp{_b}|\zlppz e\zq g\qu{_i}\enotes -\temps\NOtes\soupir&\zq {_LN}\na b\qlppz b|\fl e\zlppz e\zq g\qu{=i}\enotes -%\check -% mesure 105 -\barre\NOtes\hu J&\zq {=LN}\qlppz c|\na e\zlppz e\zq g\qu j\enotes -\temps\notes&\zq {M_a}\qlppz c|\zlppz f\zql {_h}\dqh jk\enotes -\temps\NOtes\soupir&\lsh M\zq {M=a}\qlppz c|\lsh f\zlppz f\zql {=h}\qu j\enotes -%\check -% mesure 106 -\barre\NOtes\hu J&\zq{LN}\qlppz c|\zlppz e\zq {gj}\qu l\enotes -\temps\NOtes&\zq{LN}\qlppz c|\zlppz e\zq{gj}\qu l\enotes -\temps\NOtes\soupir&\zq{LN}\qlppz c|\zlppz e\zq{gj}\qu l\enotes -%\check -% mesure 107 -\barre\NOtes\hu J&\zq{LN}\qlppz c|\zlppz e\zq {gj}\qu l\enotes -\temps\NOtes&\zq{LN}\qlppz c|\zlppz e\zq{gj}\qu l\enotes -\temps\NOtes\soupir&\zq{LN}\qlppz c|\zlppz e\zq{gj}\qu l\enotes -%\check -% mesure 108 -\barre\NOtes\hu J&\zq {LN}\qlppz c|\zlppz e\zq{gj}\qu l\enotes -\temps\notes&\zq {L_a}\uppz d\ql{_d}|\lppz f\zq{f_h}\zql{_k}\dqh ml\enotes -\temps\NOtes\soupir&\zq{La}\qlppz d|\lppz f\zq{fh}\zql k\qu m\enotes -%\check -% mesure 109 -\barre\NOtes\hu J&\zq{LN}\qlppz c|\zlppz e\zq{gj}\qu l\enotes -\temps\notes&\zq {L_a}\uppz d\ql{=d}|\zlppz e\zq{=h}\zql k\roff{\dqh lm}\enotes -\nspace -\temps\NOtes\soupir&\zq {LN}\qlppz c|\zlppz e\zq{gj}\qu l\enotes -%\check -% mesure 110 -\barre\NOtes\hu{^J}&\zq {LN}\sh c\qlppz c|\zlppz f\zq{h^j}\qu m\enotes -\temps\NOtes&\zq {LN}\qlppz d|\zlppz e\rq k\zq g\qu l\enotes -\temps\NOtes\soupir&\lfl a\zq {Ma}\na c\qlppz c|\lfl h\zlppz f\zq{h=j}\qu m\enotes - %\check -% mesure 111 -\barre\NOtes\hu K&\zq {^Ma}\qlppz d|\sh f\zlppz f\zq{hk}\qu{^m}\enotes -\temps\NOtes&\zq {^La}\sh c\qlppz c|\lsh j\sh e\zlppz e\zq{hj}\qu{^l}\enotes -\temps\NOtes\soupir&\zq {Ma}\qlppz d|\zlppz f\zq{hk}\qu{m}\enotes - %\check -% mesure 112 -\barre\NOtes\hu L&\zq {N=c}\qlppz e|\zlppz g\zq{j=l}\qu{n}\enotes -\temps\NOtes&\zq {^Ma}\qlppz d|\sh f\zlppz f\zq{hk}\qu{^m}\enotes -\temps\NOtes\soupir&\zq {Nc}\qlppz e|\zlppz g\zq{jl}\qu{n}\enotes - %\check -% mesure 113 -\barre\NOtes\hu K&\zq {^Ma}\qlppz d|\sh f\zlppz f\zq{hk}\qu{^m}\enotes -\temps\NOtes&\zq {^La}\sh c\qlppz c|\lsh j\sh e\zlppz e\zq{hj}\qu{^l}\enotes -\temps\NOtes\soupir&\zq {Ma}\qlppz d|\zlppz f\zq{hk}\qu{m}\enotes - %\check -% mesure 114 -\barre\NOtes\hu{_L}&\zq{Nc}\lppz e\ql{_e}|\zlppz g\zq{_lj}\qu{n}\enotes -\temps\NOtes&\zq{Nc}\qlppz{e}|\zlppz g\zq{lj}\qu{n}\enotes -\temps\NOtes\soupir&\zq{Nc}\qlppz{e}|\zlppz g\zq{lj}\qu{n}\enotes - %\check -% mesure 115 -\barre\NOtes\hu{K}&\zq{Nc}\fl e\qlppz{e}|\zlppz g\zq{_lj}\qu{n}\enotes -\temps\NOtes&\zq{Nc}\qlppz{e}|\zlppz g\zq{lj}\qu{n}\enotes -\temps\NOtes\soupir&\zq{Nc}\qlppz{e}|\zlppz g\zq{lj}\qu{n}\enotes - %\check -% mesure 116 -\barre\NOtes\hu{K}&\zq{Nb}\qlppz{d}|\zlppz g\zq{ik}\qu{n}\enotes -\temps\NOtes&\zq{Nb}\qlppz{d}|\zlppz g\zq{ik}\qu{n}\enotes -\temps\NOtes\soupir&\zq{Nb}\qlppz{d}|\zlppz g\zq{ik}\qu{n}\enotes -% mesure 117 -\barre -\notes\zcharnote B{\it legato}\Ilegu0b\hl L&\zcharnote g{\it - a tempo}\Qqbb Nece|\Uptext{\it bien - sirupeux~!}\ibbu0i0\qh0{lgj}\tqh0g\enotes -\temps\notes&\Qqbb Nece|\ibbu0i0\qh0{lgj}\tqh0g\enotes -\temps\notes\ql L&\Qqbb Nece|\ibbu0i0\qh0{lgj}\tqh0g\enotes -%\check -% mesure 118 -\barre\notes\ql L&\Qqbb Nece|\Qqhh lgjg\enotes -\temps\notes\ql K&\Qqbb Ndbd|\Qqhh kgig\enotes -\temps\notes\ql L&\Qqbb Nece|\Qqhh lgjg\enotes -%\check -% mesure 119 -\barre\notes\ql J&\Qqbb Nece|\Qqhh lgjg\enotes -\temps\notes\ql K&\Qqbb Ndbd|\Qqhh kgig\enotes -\temps\notes\ql L&\Qqbb Nece|\Qqhh lgjg\enotes -%\check -% mesure 120 -\barre\notes\qlp N&\Qqbb Nece|\Qqhh lgjg\enotes -\temps\notes\sk\tleg0\sk\ds&\Qqbb Nece|\Qqhh lgjg\enotes -\temps\notes\Ilegu0b\ql N&\Qqbb Nece|\Qqhh lgjg\enotes -%\check -% mesure 121 -\barre\notes\bigfl a\hlp a&\bigaccid\Qqbb Mc{_a}c|\bigaccid\Qqhh m{_h}jh\enotes -\temps\notes&\Qqbb Mcac|\Qqhh mhjh\enotes -\temps\notes&\Qqbb Mcac|\Qqhh mhjh\enotes -%\check -% mesure 122 -\barre\notes\qlp N\tleg0&\Qqbb Nece|\Qqhh lgjg\enotes -\temps\notes\sk\sk\ds&\Qqbb Nece|\Qqhh lgjg\enotes -\temps\notes\Ilegu0c\ql N&\Qqbb Nece|\Qqhh lgjg\enotes -% mesure 123 -\barre\notes\hl c&\bigfl a\Qqbb afcf|\bigaccid\Qqhh m{_h}jh\enotes -\temps\notes&\Qqbb afcf|\Qqhh mhjh\enotes -\temps\notes\ql N&\Qqbb Nece|\Qqhh lgjg\enotes -%\check -% mesure 124 -\barre\notes\ql N&\Qqbb Nece|\Qqhh lgjg\enotes -\temps\notes\ql M&\Qqbb {=a}fcf|\Qqhh m{=h}jh\enotes -\temps\notes\ql L&\Qqbb Nece|\Qqhh lgjg\enotes -%\check -% mesure 125 -\barre\notes\hu K\tleg0&\Qqbb Ndbd|\Qqhh kgig\enotes -\temps\notes&\Qqbb Ndbd|\Qqhh kgig\enotes -\temps\notes\soupir&\Qqbb Ndbd|\Qqhh kgig\enotes -%\check -% mesure 126 -\barre\notes\Ilegu0b\hl L&\Qqbb Nece|\Qqhh lgjg\enotes -\temps\notes&\Qqbb Nece|\Qqhh lgjg\enotes -\temps\notes\ql L&\Qqbb Nece|\Qqhh lgjg\enotes -%\check -% mesure 127 -\barre\notes\ql L&\Qqbb Nece|\Qqhh lgjg\enotes -\temps\notes\ql K&\Qqbb Nece|\Qqhh lgjg\enotes -\temps\notes\ql L&\Qqbb Nece|\Qqhh lgjg\enotes -%\check -% mesure 128 -\barre\notes\ql J&\Qqbb Nece|\Qqhh lgjg\enotes -\temps\notes\ql K&\Qqbb Nece|\Qqhh lgjg\enotes -\temps\notes\ql L&\Qqbb Nece|\Qqhh lgjg\enotes -%\check -% mesure 129 -\barre\notes\qlp N&\Qqbb Nece|\Qqhh lgjg\enotes -\temps\notes\sk\tleg0\sk\ds&\Qqbb Nece|\Qqhh lgjg\enotes -\temps\notes\Ilegu0c\ql N&\Qqbb Nece|\Qqhh lgjg\enotes -%\check -% mesure 130 -\barre\notes\hlp c&\Qqbb afcf|\Qqhh mhjh\enotes -\temps\notes&\Qqbb afcf|\Qqhh mhjh\enotes -\temps\notes&\Qqbb afcf|\Qqhh mhjh\enotes -%\check -% mesure 131 -\barre\notes\qlp b\tleg0&\Qqbb Nebe|\Qqhh lgig\enotes -\temps\notes\sk\sk\ds&\Qqbb Nebe|\Qqhh lgig\enotes -\temps\notes\Ilegu0c\ql c&\Qqbb aece|\Qqhh lhjh\enotes -% mesure 132 -\barre\notes\qlp b\tleg0&\Qqbb Nebe|\Qqhh lgig\enotes -\temps\notes\sk\sk\ds&\Qqbb Nebe|\Qqhh lgig\enotes -\temps\notes\Ilegu0c\ql c&\Qqbb aece|\Qqhh lhjh\enotes -%\check -% mesure 133 -\barre\notes\ql b&\Qqbb Nebe|\Qqhh lgig\enotes -\temps\notes\ql N&\Qqbb Nebe|\Qqhh lgig\enotes -\temps\notes\ql a&\Qqbb aece|\Qqhh lhjh\enotes -%\check -% mesure 134 -\barre\notes\ql b&\Qqbb Nebe|\Qqhh lgig\enotes -\temps\notes\ql a&\Qqbb aece|\Qqhh lhjh\enotes -\temps\nspace\notes\ql b&\varaccid\Qqbb a{^f}{^d}f|\varaccid\sh m\Qqhh mh{^k}h\enotes -%\check -% mesure 135 -\barre\notes\hl L\tleg0&\Qqbb Nebe|\Qqhh lgig\enotes -\temps\notes&\Qqbb Nebe|\Qqhh lgig\enotes -\temps\notes\soupir&\Qqbb Nebe|\Qqhh lgig\enotes -%\check -% mesure 136 -\barre\notes\Ilegu0b\hl N&\Qqbb Nece|\Qqhh lgjg\enotes -\temps\notes&\Qqbb Nece|\Qqhh lgjg\enotes -\temps\notes\ql N&\Qqbb Nece|\Qqhh lgjg\enotes -%\check -% mesure 137 -\barre\notes\ql N&\Qqbb Nebe|\Qqhh lgig\enotes -\temps\notes\ql M&\Qqbb afcf|\Qqhh mhjh\enotes -\temps\notes\ql L&\Qqbb Nece|\Qqhh njlj\enotes -%\check -% mesure 138 -\barre\notes\hl K&\Qqbb Ndbd|\Qqhh niki\enotes -\temps\notes&\Qqbb Ndbd|\Qqhh niki\enotes -\temps\notes\ql K&\Qqbb Ndbd|\Qqhh niki\enotes -%\check -% mesure 139 -\barre\notes\hl J\tleg0&\Qqbb Nece|\Qqhh njlj\enotes -\temps\notes&\Qqbb Nece|\Qqhh njlj\enotes -\temps\notes\soupir&\Qqbb Nece|\Qqhh njlj\enotes -%\check -% mesure 140 -\barre\NOtes\hu J&\zq{LN}\qlppz c|\zlppz e\zq {gj}\qu l\enotes -\temps\NOtes&\zq{LN}\qlppz c|\zlppz e\zq{gj}\qu l\enotes -\temps\NOtes\soupir&\zq{LN}\qlppz c|\zlppz e\zq{gj}\qu l\enotes -%\check -% mesure 141 -\barre\NOtes\hu J&\zq {LN}\qlppz c|\zlppz e\zq{gj}\qu l\enotes -\temps\notes&\zq {L_a}\uppz d\ql{_d}|\lppz f\zq{f_h}\zql{_k}\dqh ml\enotes -\temps\NOtes\soupir&\zq{La}\qlppz d|\lppz f\zq{fh}\zql k\qu m\enotes -%\check -% mesure 142 -\barre\NOtes\hu J&\zq{LN}\qlppz c|\zlppz e\zq{gj}\qu l\enotes -\temps\notes&\zq {L_a}\uppz d\ql{=d}|\zlppz e\zq{=h}\zql k\roff{\dqh lm}\enotes -\nspace -\temps\NOtes\soupir&\zq {LN}\qlppz c|\zlppz e\zq{gj}\qu l\enotes -%\check -% mesure 143 -\barre\NOtes\hu{^J}&\zq {LN}\sh c\qlppz c|\zlppz f\zq{h^j}\qu m\enotes -\temps\NOtes&\zq {LN}\qlppz d|\zlppz e\rq k\zq g\qu l\enotes -\temps\NOtes\soupir&\lfl a\zq {Ma}\na c\qlppz c|\zlppz f\zq{h=j}\qu m\enotes -%\check -% mesure 144 -\barre\NOtes\qu J&\zq {LN}\qlppz c|\zlppz e\zq{gj}\qu l\enotes -\temps\notes\doubler\qu{=K}&\zq {L_a}\ql d|\lppz e\zq{e_h}\zql k\roff{\dqh lm}\enotes -\nspace -\temps\NOtes\soupir&\zq {LN}\qlppz c|\zlppz e\zq{gj}\qu l\enotes -%\check -% mesure 145 -\barre\NOtes\hu{^J}&\zq {KN}\sh c\qlppz c|\lppz g\zq{g^j}\rq k\qu n\enotes -\temps\NOtes&\zq{LN}\qlppz d|\zq{^fj}\rq l\qu{^m}\enotes -\temps\NOtes\soupir&\zq {M_a}\qlppz c|\lfl h\na f\zlppz f\zq{hj}\qu{=m}\enotes -%\check -% mesure 146 -\barre\NOtes\qu J&\zq {LN}\na c\qlppz c|\zlppz e\zq{gj}\qu l\enotes -\temps\notes\doubler\qu{=K}&\lfl a\zq {La}\na d\qlppz d|\lppz e\zq{_h}\zql j\dqh l{^k}\enotes -\temps\NOtes\soupir&\zq {LN}\qlppz c|\lppz e\zq{egj}\qu l\enotes -%\check -% mesure 147 -\barre\NOtes\qsk\hu{^K}&\qsk\lfl b\na d\zq {LNb}\qlppz d|\qsk - \zlppz e\zq{g}\qu{=k}\enotes -\temps\NOtes&\sh c\zq {LN}\qlppz c|\zq e\lppz e\zq h\qu{^j}\enotes -\temps\NOtes\qu{=K}&\lq a\lfl a\zq {M}\qlppz b|\lppz d\zq {df_h}\qu k\enotes -%\check -% mesure 148 -\barre\NOtes\hu J&\zq {LN}\qlppz c|\zlppz e\zq{gj}\qu l\enotes -\temps\NOtes&\zq {LN}\qlppz c|\zlppz e\zq{gj}\qu l\enotes -\temps\NOtes\soupir&\zq {LN}\qlppz c|\zlppz e\zq{gj}\qu l\enotes -%\check -% mesure 149 -\barre\NOtes\hu J&\zq {LN}\qlppz c|\zlppz e\zq{gj}\qu l\enotes -\temps\NOtes&\zq {LN}\qlppz c|\zlppz e\zq{gj}\qu l\enotes -\temps\NOtes\soupir&\zq {LN}\qlppz c|\zlppz e\zq{gj}\qu l\enotes -%\check -% mesure 150 -\def\sQqbb{\smallnotesize\Qqbb}% -\def\sqqBB{\smallnotesize\qqBB}% -\def\sQqhh{\smallnotesize\Qqhh}% -\notes\hu J&\sQqbb Nece|\smallnotesize\roff{\normalnotesize\zhu l}\relax - \ibbl0i0\qb0{lgj}\tqb0g\enotes -\temps\notes&\sQqbb cece|\smallnotesize\ibbl0i0\qb0{jgj}\tqb0g\enotes -\temps\notes\qu J&\sQqbb Nece|\zqu l\smallnotesize\ibbl0i0\qb0{lgj}\tqb0g\enotes -%\check -% mesure 151 -\barre\notes\qu J&\sQqbb Nece|\zqu l\sqqBB lgjg\enotes -\temps\notes\qu G&\sQqbb Ndbd|\zqu k\sqqBB kgig\enotes -\temps\notes\qu J&\sQqbb Nece|\zqu l\sqqBB lgjg\enotes -%\check -% mesure 152 -\barre\notes\qu H&\sQqbb Nece|\zqu j\sqqBB jghg\enotes -\temps\notes\qu I&\sQqbb Ndbd|\zqu k\sqqBB kgig\enotes -\temps\notes\qu J&\sQqbb Nece|\zqu l\sqqBB lgjg\enotes -%\check -% mesure 153 -\barre\notes\qlp L&\sQqbb Nece|\zqup n\sqqBB njlj\enotes -\temps\notes\sk\sk\ds&\sQqbb cece|\rlap{\sk\sk\raise 3\Interligne\ds}\relax - \sqqBB ljlj\enotes -\temps\notes\ql L&\sQqbb Nece|\zqu n\sqqBB njlj\enotes -%\check -% mesure 154 -\barre\notes\hlp M&\sQqbb Mcac|\rlap{\smallnotesize\qsk\normalnotesize\hup o}\relax - \sqqBB ojmj\enotes -\temps\notes&\sQqbb acac|\sqqBB mjmj\enotes -\temps\notes&\sQqbb acac|\sqqBB mjmj\enotes -%\check -% mesure 155 -\barre\notes\qlp L&\sQqbb Nece|\zqup n\sqqBB njlj\enotes -\temps\notes\sk\sk\ds&\sQqbb cece|\rlap{\sk\sk\raise 3\Interligne\ds}\relax - \sqqBB ljlj\enotes -\temps\notes\ql L&\sQqbb Nece|\zqu n\sqqBB njlj\enotes -%\check -% mesure 156 -\barre\notes\hl M&\sQqbb afcf|\rlap{\smallnotesize\qsk - \normalnotesize\hu q}\sqqBB qmom\enotes -\temps\notes&\sQqbb afcf|\sqqBB omom\enotes -\temps\notes\itenu0L\ql L&\sQqbb Nece|\zqu n\sqqBB njlj\enotes -%\check -% mesure 157 -\barre\notes\tten0\ql L&\sQqbb Nece|\zqu n\sqqBB njlj\enotes -\temps\notes\ql K&\sQqbb afcf|\zqu m\sqqBB mhjh\enotes -\temps\notes\ql J&\sQqbb Nece|\zqu l\sqqBB lgjg\enotes -%\check -% mesure 158 -\barre\notes\hu G&\sQqbb Ndbd|\rlap{\smallnotesize\qsk\normalnotesize\hu k}\relax - \sqqBB kgig\enotes -\temps\notes&\sQqbb Ndbd|\sqqBB igig\enotes -\temps\notes\soupir&\sQqbb Ndbd|\raise 2\Interligne\rlap{\soupir}\sqqBB igig\enotes -%\check -% mesure 159 -\barre\notes\hu J&\sQqbb Nece|\rlap{\smallnotesize\qsk\normalnotesize\hu l}\relax - \sqqBB lgjg\enotes -\temps\notes&\sQqbb Nece|\sqqBB jgjg\enotes -\temps\notes\qu J&\sQqbb Nece|\zqu l\sqqBB lgjg\enotes -%\check -% mesure 160 -\barre\notes\qu J&\sQqbb Nece|\zqu l\sqqBB lgjg\enotes -\temps\notes\qu I&\sQqbb Ndbd|\zqu k\sqqBB kgig\enotes -\temps\notes\qu G&\sQqbb Nece|\zqu l\sqqBB lgjg\enotes -%\check -% mesure 161 -\barre\notes\qu J&\sQqbb Nece|\zqu j\sqqBB jghg\enotes -\temps\notes\qu H&\sQqbb Nece|\zqu k\sqqBB kgig\enotes -\temps\notes\qu G&\sQqbb Nece|\zqu l\sqqBB lgjg\enotes -%\check -% mesure 162 -\barre\notes\qup J&\sQqbb Nece|\zqup n\sqqBB njlj\enotes -\temps\notes\sk\sk\ds&\sQqbb Nece|\rlap{\sk\sk\raise 3\Interligne\ds}\relax - \sqqBB ljlj\enotes -\temps\notes\qu J&\sQqbb Nece|\zqu n\sqqBB njlj\enotes -%\check -% mesure 163 -\barre\notes\hlp M&\sQqbb afcf|\rlap{\smallnotesize\qsk\normalnotesize\hup q}\relax - \sqqBB qmom\enotes -\temps\notes&\sQqbb afcf|\sqqBB omom\enotes -\temps\notes&\sQqbb afcf|\sqqBB omom\enotes -%\check -% mesure 164 -\barre\notes\qlp L&\sQqbb Nece|\zqup n\sqqBB njlj\enotes -\temps\notes\sk\sk\ds&\sQqbb Nece|\rlap{\sk\sk\raise 3\Interligne\ds}\relax - \sqqBB ljlj\enotes -\temps\notes\ql L&\sQqbb Nece|\zqu n\sqqBB njlj\enotes -% mesure 165 -\barre\notes\ql L&\sQqbb Nece|\zqu n\sqqBB njlj\enotes -\temps\notes\ql K&\sQqbb afcf|\zqu m\sqqBB mhjh\enotes -\temps\notes\ql J&\sQqbb Nece|\zqu l\sqqBB lgjg\enotes -%\check -% mesure 166 -\barre\notes\hu G&\sQqbb Ndbd|\rlap{\smallnotesize\qsk\normalnotesize\hu k}\relax - \sqqBB kgig\enotes -\temps\notes&\sQqbb Ndbd|\sqqBB igig\enotes -\temps\notes\qu G&\sQqbb Ndbd|\zqu k\sqqBB kgig\enotes -%\check -% mesure 167 -\barre\notes\hu J&\sQqbb -LcNc|\normalnotesize\roff{\zhu j}\relax - \sqqBB jege\enotes -\temps\notes&\sQqbb LcNc|\sqqBB gege\enotes -\temps\notes\soupir&\sQqbb LcNc|\rlap{\raise 2\interligne\soupir}\relax - \sqqBB gege\enotes -% mesure 168 -\barre -\Notes\hu L&\zh c\hl g|\zh{jl}\hl n\enotes -\temps\Notes&\enotes -\temps\Notes\qu L&\zq c\qlppz g|\zq{jl}\qlppz n\enotes -% mesure 169 -\barre\Notes\qu L&\zq c\ql g|\zq{jl}\ql n\enotes -\temps\Notes\qu K&\zq b\ql f|\zq{ik}\ql m\enotes -\temps\Notes\qu J&\zq N\ql e|\zq{gj}\ql l\enotes -%\check -% mesure 170 -\barre\Notes\hu G&\zh N\hl d|\zh{gi}\hl k\enotes -\temps\Notes&\enotes -\temps\Notes\qu G&\zq N\ql d|\zq{gi}\ql k\enotes -%\check -% mesure 171 -\barre\NOtes\itenu0J\hup J&\itenl1N\itenu2c\zhp N\hlp c|\itenl3e\itenu4g\itenu5j\zhp e\zhp g\hlp j\enotes -%\check -% mesure 172 -\barre\Notes\tten0\zhlp J\hlp C&\tten1\tten2\zhp N\hlp c|\tten3\tten4\tten5\zhp e\zhp g\hlp j\enotes -%\mulooseness 1\relax -\mulooseness -4\relax -\finmorceau -\rightline{\sl\aujourdhui}\vfil\eject -\bye diff --git a/musixtex/doc/examples/eightbitchar.tex b/musixtex/doc/examples/eightbitchar.tex deleted file mode 100644 index 54969d6..0000000 --- a/musixtex/doc/examples/eightbitchar.tex +++ /dev/null @@ -1,12 +0,0 @@ - -\input plainenc\relax\inputencoding{cp1252} -\input musixtex -\input musixlyr -\hsize50mm -\setlyrics1{á ä ö}\assignlyrics11% -\startpiece\addspace{4pt}% -\znotes\zcharnote{12}{Poème naïf}\en% -\Notes\qa{ggg}\en% -\endpiece -\vfill\eject -\end diff --git a/musixtex/doc/examples/fantaisc.tex b/musixtex/doc/examples/fantaisc.tex deleted file mode 100644 index 7a965a7..0000000 --- a/musixtex/doc/examples/fantaisc.tex +++ /dev/null @@ -1,4 +0,0 @@ -\def\ftranspose{-1} -\def\fsignature{-3} -\input fantaisi -\bye diff --git a/musixtex/doc/examples/fantaisd.tex b/musixtex/doc/examples/fantaisd.tex deleted file mode 100644 index 7bb931e..0000000 --- a/musixtex/doc/examples/fantaisd.tex +++ /dev/null @@ -1,2 +0,0 @@ -\input fantaisi -\bye diff --git a/musixtex/doc/examples/fantaisi.tex b/musixtex/doc/examples/fantaisi.tex deleted file mode 100644 index 3d84d2b..0000000 --- a/musixtex/doc/examples/fantaisi.tex +++ /dev/null @@ -1,1238 +0,0 @@ -\ifx\ftranspose\undefined\def\ftranspose{0}\fi -\ifx\fsignature\undefined\def\fsignature{-1}\fi - -\ifx\mxversion\undefined - \input musixtex - \input musixcpt - \input musixsty -\fi - - -\fullauthor{Daniel TAUPIN} -\shortauthor{D. Taupin} -\shorttitle{Fantaisie en style romantique} -\title{Fantaisie en style romantique} -\transpose=\ftranspose\relax -\newif\iffiveoctaves -\ifnum\transpose=0\relax - \subtitle{(pour orgue \`a 5 octaves)} - \fiveoctavestrue - \else\ifnum\transpose=-1\relax - \subtitle{(pour orgue \`a 4 octaves et demi, do--sol)} - \fiveoctavesfalse - \else - \subtitle{(pour orgue)} - \fiveoctavesfalse - \fi -\fi - -\othermention{Compos\'e en 1992\\r\'evis\'e en 1995} -\maketitle - -\ifx\ftranspose\undefined\def\ftranspose{0}\fi -\ifx\fsignature\undefined\def\fsignature{-1}\fi - -\parindent 18mm -\tracingstats=2\relax -% -% formes fr\'equentes -% -%au moins deux croches basses et hautes -\def\dqb#1#2{\Ibl0{#1}{#2}1\qb0{#1}\tqb0{#2}}% -\def\dqh#1#2{\Ibu0{#1}{#2}1\qh0{#1}\tqh0{#2}}% -%au moins deux doubles croches basses et hautes -\def\dqbb#1#2{\Ibbl0{#1}{#2}1\qb0{#1}\tqb0{#2}}% -\def\dqhh#1#2{\Ibbu0{#1}{#2}1\qh0{#1}\tqh0{#2}}% -%au moins trois doubles croches basses et hautes -\def\tqbb#1#2#3{\Ibbl0{#1}{#3}2\qb0{#1#2}\tqb0{#3}}% -\def\Tqbb#1#2#3{\ibbl0{#2}0\qb0{#1#2}\tqb0{#3}}% -\def\sTqbb#1#2#3{{\smallnotesize\Tqbb{#1}{#2}{#3}}}% -%au moins quatre croches basses et hautes -\def\qqb#1#2#3#4{\Ibl0{#1}{#4}3\qb0{#1#2#3}\tqb0{#4}}% -\def\Qqb#1#2#3#4{\Ibl0{#1}{#3}2\qb0{#1#2#3}\tqb0{#4}}% -\def\qqB#1#2#3#4{\Ibl0{#2}{#4}2\qb0{#1#2#3}\tqb0{#4}}% -\def\qqh#1#2#3#4{\Ibu0{#1}{#4}3\qh0{#1#2#3}\tqh0{#4}}% -\def\Qqh#1#2#3#4{\Ibu0{#1}{#3}2\qh0{#1#2#3}\tqh0{#4}}% -\def\qqH#1#2#3#4{\Ibu0{#2}{#4}2\qh0{#1#2#3}\tqh0{#4}}% -%au moins quatre doubles croches basses et hautes -\def\qqbb#1#2#3#4{\Ibbl0{#1}{#4}3\qb0{#1#2#3}\tqb0{#4}}% -\def\sqqbb#1#2#3#4{{\smallnotesize\qqbb{#1}{#2}{#3}{#4}}}% -\def\Qqbb#1#2#3#4{\Ibbl0{#1}{#3}2\qb0{#1#2#3}\tqb0{#4}}% -\def\sQqbb#1#2#3#4{{\smallnotesize\Qqbb{#1}{#2}{#3}{#4}}}% -\def\qqBB#1#2#3#4{\Ibbl0{#2}{#4}2\qb0{#1#2#3}\tqb0{#4}}% -\def\sqqBB#1#2#3#4{{\smallnotesize\qqBB{#1}{#2}{#3}{#4}}}% -\def\qqhh#1#2#3#4{\Ibbu0{#1}{#4}3\qh0{#1#2#3}\tqh0{#4}}% -\def\Qqhh#1#2#3#4{\Ibbu0{#1}{#3}2\qh0{#1#2#3}\tqh0{#4}}% -\def\qqHH#1#2#3#4{\Ibbu0{#2}{#4}2\qh0{#1#2#3}\tqh0{#4}}% -\def\sqqHH#1#2#3#4{{\smallnotesize\qqHH{#1}{#2}{#3}{#4}}}% -% -\nbporteesii=2\relax -\def\nbinstruments{2} -\global\cleftoksii={{6}{0}{0}{0}}% -\global\cleftoksi={{6}{0}{0}{0}}% -% -\signaturegenerale{\fsignature}\relax % r\'e mineur -\transpose=\ftranspose\relax -\def\quatretemps{\generalmeter{\meterfrac{4}{4}}}% -\def\troistemps{\generalmeter{\meterfrac{3}{4}}}% -\def\deuxtemps{\generalmeter{\meterfrac{2}{4}}}% -\def\Quatretemps{\generalmeter{\meterfrac{4}{2}}}% -\def\Troistemps{\generalmeter{\meterfrac{3}{2}}}% -\def\Deuxtemps{\generalmeter{\meterfrac{2}{2}}}% -%\check -\def\instrumenti{P\'edale 16'}% -\def\instrumentii{G.O.}% -%\check -\medskip\noindent{\rm G.O.: Plein jeu, fonds 16' {\sl ad libitum.}}% -\par\noindent{\rm Pos.: Plein jeu, acc. G.O.}% -\par\noindent{\rm P\'ed.: fonds et anches 16', tirasses G.O. \& pos.}% -\smallskip -% -\def\trioskip{\multiply\noteskip by 2\relax\divide\noteskip by 3\relax}% -\def\doubler{\multiply\noteskip by 2\relax}% -\quatretemps -\staffbotmarg=10pt -\debutmorceau -\relativeaccidentals -\bigaccid -\autolines{9}55\relax -\notes&|\Uptext{\hbox{\kern -16mm\moyen Allegro maestoso - \bf(\metron{\qu}{55})}}\enotes -\advance\linesinpage by 1\relax -%\check -% mesure 1 -\temps\notes\sk\soupir&\sk\soupir|\qqhh de{^c}d\enotes -%\check -% mesure 2 -%\check -\barre\NOTes\hu K&\zh M\hl a|\zh d\hu f\enotes -\temps\NOtes&|\soupir\enotes -\temps\notes\hpause&\hpause|\qqhh de{^c}d\enotes -%\check -% mesure 3 -%\check -\barre\NOTes\hu K&\zh M\hl a|\zh{df}\hu h\enotes -\temps\NOtes&|\soupir\enotes -\temps\notes\hpause&\hpause|\qqhh de{^c}d\enotes -%\check -% mesure 4 -%\check -\deuxtemps\changecontext -\Notes\dqh{^J}J&\zmidtwotext{\it rit.}\ibl1L0\zq{LN}\qb1b\zq{LN}\tqb1b\relax - |\ibu2i0\zq{eg}\qh2i\zq{eg}\tqh2i\enotes -\temps\Notes\dqh{J}J&\ibl1L0\zq{LN}\qb1b\zq{LN}\tqb1b\relax - |\ibu2i0\zq{eg}\qh2i\zq{eg}\tqh2i\enotes -%\check -% mesure 5 -%\check -\quatretemps\changecontext -\NOTes\pointdurgue G\hu K&\pointdorgue a\zh{M}\hl a\relax - |\pointdorgue l\zh{df}\hu h\enotes -\temps\NOtes&\zmidtwotext{\it\kern -1em a tempo}\soupir|\soupir\enotes -\temps\notes\hpause&\qqhh KL{^J}K|\qqhh de{^c}d\enotes -%\check -% mesure 6 -%\check -\barre\NOTes\hu K&\zh{LN}\hl b|\zh{d}\lh e\hl g\enotes -\temps\NOtes&\soupir|\soupir\enotes -\temps\notes\hpause&\qqhh KL{^J}K|\qqhh de{^c}d\enotes -%\check -% mesure 7 -%\check -\barre\NOTes\hu K&\zh{M}\hl a|\zh{d}\hu f\enotes -\temps\NOtes&\soupir|\soupir\enotes -\temps\notes\hpause&\qqhh HI{^G}H|\qqhh ab{^N}a\enotes -%\check -% mesure 8 -%\check -\deuxtemps\changecontext -\addspace{-0.5\afterruleskip}% -\Notes\dqh HH&\zcharnote c{\it rit.}\ibl0K0\zq{K}\qb0M\zq{K}\tqb0M\relax - |\ibu0f0\zq{ad}\qh0f\zq{ad}\tqh0f\enotes -\temps\Notes\dqh HH&\ibl0J0\zq{^J}\qb0L\zq{J}\tqb0L\relax - |\ibu0e0\zq{a^c}\qh0e\zq{ac}\tqh0e\enotes -%\check -% mesure 9 -%\check -\quatretemps\changecontext -\NOTes\pointdurgue D\hu D&\pointdorgue N\zh{HK}\hl M\relax - |\pointdorgue l\zh{a}\hu d\enotes -\temps\NOtes&\zmidtwotext{\it\kern -1em a tempo}\soupir|\soupir\enotes -\temps\notes\hpause&\qqhh KL{^J}K|\qqhh de{^c}d\enotes -%\check -% mesure 10 -%\check -\barre\NOTes\hu K&\zh M\hl a|\zh d\hu f\enotes -\temps\NOtes&\soupir|\soupir\enotes -\temps\notes\hpause&\qqhh KL{^J}K|\qqhh de{^c}d\enotes -%\check -% mesure 11 -%\check -\barre\NOTes\hu K&\zh M\hl a|\zh{df}\hu h\enotes -\temps\NOtes&\soupir|\soupir\enotes -\temps\notes\hpause&\qqhh KL{^J}K|\qqhh de{^c}d\enotes -%\check -% mesure 12 -%\check -\deuxtemps\changecontext -\Notes\dqh{^J}J&\zmidtwotext{\it rit.}\ibl0L0\zq{LN}\qb0b\zq{LN}\tqb0b\relax - |\ibu0i0\zq{eg}\qh0i\zq{eg}\tqh0i\enotes -\temps\Notes\dqh{J}J&\ibl0L0\zq{LN}\qb0b\zq{LN}\tqb0b\relax - |\ibu0i0\zq{eg}\qh0i\zq{eg}\tqh0i\enotes -%\check -% mesure 13 -%\check -\quatretemps\changecontext -\NOTes\pointdurgue G\hu{=J}&\pointdorgue a\Sh M\zh{M}\hl a\relax - |\pointdorgue l\lsh f\zh{=cf}\hu h\enotes -\temps\NOtes&\zmidtwotext{\it\kern -1em a tempo}\soupir|\soupir\enotes -\temps\notes\hpause&\qqhh JK{^I}J|\qqhh cd{^b}c\enotes -%\check -% mesure 14 -%\check -\barre\NOTes\hu J&\zh{=M}\hl a|\zh{c=f}\hu h\enotes -\temps\NOtes&\soupir|\soupir\enotes -\temps\notes\hpause&\qqhh {^I}JHI|\qqhh {^b}cab\enotes -%\check -% mesure 15 -%\check -\barre\NOTes\hu{^I}&\zh{K}\hl N|\zh{d}\hu g\enotes -\temps\NOtes&\soupir|\soupir\enotes -\temps\notes\hpause&\qqhh {=I}JHI|\qqhh {=b}cab\enotes -%\check -% mesure 16 -%\check -\barre\NOTes\hu{=I}&\zh{L}\hl N|\zh{be}\hu g\enotes -\temps\NOtes&\soupir|\soupir\enotes -\temps\notes\hpause&\qqhh HI{^G}H|\qqhh ab{^N}a\enotes -%\check -% mesure 17 -%\check -\deuxtemps\changecontext -\addspace{-0.5\afterruleskip}% -\Notes\dqh HH&\zcharnote c{\it rit.}\ibl0K0\zq{K}\qb0M\zq{K}\tqb0M\relax - |\ibu0f0\zq{ad}\qh0f\zq{ad}\tqh0f\enotes -\temps\Notes\dqh HH&\ibl0J0\zq{^J}\qb0L\zq{J}\tqb0L\relax - |\ibu0e0\zq{a^c}\qh0e\zq{ac}\tqh0e\enotes -%\check -% mesure 18 -%\check -\quatretemps\changecontext -\NOTes\pointdurgue D\hu D&\pointdorgue N\zh{HK}\hl M\relax - |\pointdorgue l\zh{a}\hu d\enotes -\temps\NOtes&\zmidtwotext{\it\kern -1em a tempo}\soupir|\soupir\enotes -\temps\notes\hpause&\qqhh KL{^J}K|\qqhh de{^c}d\enotes -%\check -% mesure 19 -\advance\barsinline by 1\relax -\barre\notes\hup K&\bigSh M\Qqbb Mcac|\doubler\bigSh f\zh{f}\zhl h\qu{_l}\enotes -\temps\notes&\Qqbb Mcac|\doubler\qu k\enotes -\temps\notes&\Qqbb Mcac|\doubler\zh{f}\zhl h\qu k\enotes -\temps\notes\soupir&\Qqbb Mcac|\doubler\qu j\enotes -%\check -% mesure 20 -\barre\autolines{16}45\relax -\notes\hup G&\Qqbb KbNb|\doubler\zh{d}\zhl g\hu i\enotes -\temps\notes&\Qqbb KbNb\enotes -\temps\notes&\Qqbb KbNb|\doubler\dqh gh\enotes -\temps\notes\soupir&\Qqbb KbNb|\doubler\dqh{^f}g\enotes -%\check -% mesure 21 -\barre\notes\hup J&\Qqbb LcNc|\doubler\zh{e}\zhl g\qu k\enotes -\temps\notes&\Qqbb LcNc|\doubler\qu j\enotes -\temps\notes&\Qqbb LcNc|\doubler\zh{e}\zhl g\qu j\enotes -\temps\notes\soupir&\Qqbb LcNc|\doubler\qu i\enotes -%\check -% mesure 22 -\barre\notes\hup F&\Qqbb JaLa|\doubler\zh{cf}\hu h\enotes -\temps\notes&\Qqbb JaLa\enotes -\temps\notes&\Qqbb JaMa|\doubler\cNa f\dqh fg\enotes -\temps\notes\soupir&\Qqbb JaMa|\doubler\dqh ef\enotes -%\check -% mesure 23 -\barre\notes\hup I&\Qqbb KbMb|\doubler\zh{d}\zhl f\qu j\enotes -\temps\notes&\Qqbb KbMb|\doubler\qu i\enotes -\temps\notes&\Qqbb KbMb|\doubler\zh{d}\zhl f\qu i\enotes -\temps\notes\soupir&\Qqbb KbMb|\doubler\qu h\enotes -%\check -% mesure 24 -\barre\autolines{16}35\relax -\notes\hup H&\Qqbb LbNb|\doubler\zh{^ce}\hu g\enotes -\temps\notes&\Qqbb LbNb\enotes -\temps\notes&\bigaccid\Qqbb L{^c}Nc|\doubler\dqh ef\enotes -\temps\notes\soupir&\Qqbb LcNc|\doubler\dqh de\enotes -%\check -% mesure 25 -\barre\notes\hu G&\Qqbb LbNb|\doubler\zh{^c}\zhl e\qu i\enotes -\temps\notes&\Qqbb LbNb|\doubler\qu h\enotes -\temps\notes\hu H&\Qqbb LbNb|\doubler\zh{c}\zhl e\qu h\enotes -\temps\notes&\Qqbb LbNb|\doubler\qu g\enotes -%\check -% mesure 26 -\barre\notes\hu K&\Qqbb KaMa|\doubler\zhl{d}\qu f\enotes -\temps\notes&\Qqbb KaMa|\qqhh gfef\enotes -\nspace -\temps\notes\hu K&\bigaccid\Qqbb Ka{^M}a|\doubler\zhl{d}\qu{^f}\enotes -\temps\notes&\Qqbb KaMa|\qqhh gfef\enotes -%\check -% mesure 27 -\barre\notes\hu K&\Qqbb KbNb|\doubler\zhl{d}\qu g\enotes -\temps\notes&\Qqbb KbNb|\qqhh hg{^f}g\enotes -\temps\notes\hu K&\bigaccid\Qqbb Ka{^M}a|\doubler\zh d\zhl{f}\qu h\enotes -\temps\notes&\Qqbb KaMa|\qqhh ihgh\enotes -%\check -% mesure 28 -\barre\notes\hl K&\Qqbb KbNb|\doubler\zh d\zhl{g}\qu i\enotes -\temps\notes&\Qqbb KbNb|\qqhh hg{^f}g\enotes -\nspace -\temps\notes\hl L&\bigaccid\Qqbb L{^c}Nc|\doubler\zh e\zhl{g}\qu{^j}\enotes -\temps\notes&\Qqbb LcNc|\qqhh kj{^i}j\enotes -%\check -% mesure 29 -\barre\bigaccid -\notes\wh M&\Qqbb Mdad|\bigaccid\zh{=fh}\hu k\enotes -\temps\notes&\Qqbb Mdad|\enotes -\temps\notes&\Qqbb Mdad|\zh{f}\hu h\enotes -\temps\notes&\Qqbb Mdad|\enotes -% -% mesure 30 -\barre\autolines{10}55\relax -\notes\hu G&\Qqbb INKN|\doubler\zh{b}\zhl d\qu g\enotes -\temps\notes&\zmidtwotext{\it rit.}\Qqbb INKN|\qu f\enotes -\temps\notes\hu H&\Qqbb {^J}NLN|\doubler\zhl{a^c}\qu e\enotes -\temps\notes&\Qqbb {J}NLN|\qu d\enotes -%\check -% mesure 31 -%\check -\barre\NOTes\pointdurgue D\hu D&\pointdorgue N\zh{HK}\hl M\relax - |\pointdorgue l\zh{a}\hu d\enotes -\temps\NOtes&\zmidtwotext{\it\kern -1em a tempo}\soupir|\soupir\enotes -\varaccid -\temps\notes\hpause&\qqhh KL{^J}K|\qqhh de{^c}d\enotes -%\check -% mesure 32 -%\check -\barre\NOTes\hu K&\zh M\hl a|\zh d\hu f\enotes -\temps\Notes&\soupir|\soupir\enotes -\temps\notes\hpause&\qqhh KL{^J}K|\qqhh de{^c}d\enotes -%\check -% mesure 33 -%\check -\barre\NOTes\hu K&\zh M\hl a|\zh{df}\hu h\enotes -\temps\Notes&\soupir|\soupir\enotes -\temps\notes\hpause&\qqhh KL{^J}K|\qqhh de{^c}d\enotes -%\check -% mesure 34 -%\check -\deuxtemps\changecontext\autolines{9}55\relax -\addspace{-\afterruleskip}% -\Notes\qsk\cNa J\dqh{J}J&\qsk\zmidtwotext{\it rit.} - \ibl0L0\zq{LN}\qb0b\zq{LN}\tqb0b\relax - |\qsk\ibu0i0\zq{eg}\qh0i\zq{eg}\tqh0i\enotes -\temps\Notes\dqh{J}J&\ibl0L0\zq{LN}\qb0b\zq{LN}\tqb0b\relax - |\ibu0i0\zq{eg}\qh0i\zq{eg}\tqh0i\enotes -%\check -% mesure 35 -%\check -\quatretemps\changecontext -\NOTEs\cNa F\hu{F}&\zh{JL}\hl a|\zh{ce}\hu h\enotes -\temps\NOtes&\zmidtwotext{\it\kern -1em a tempo}\soupir|\soupir\enotes -\temps\notes\hpause&\qqhh JK{^I}J|\qqhh cd{^b}c\enotes -%\check -% mesure 36 -%\check -\barre\NOTes\hu H&\zh{J=M}\hl a|\zh{c=f}\hu h\enotes -\temps\NOtes&\soupir|\soupir\enotes -\bigaccid -\temps\notes\hpause&\qqhh {^I}JHI|\qqhh {^b}cab\enotes -%\check -% mesure 37 -%\check -\barre\NOTes\hu{=I}&\zh{L}\hl{N}|\zh{=be}\hu g\enotes -\temps\NOtes&\soupir|\soupir\enotes -\temps\notes\hpause&\qqhh {=I}JHI|\qqhh bcab\enotes -%\check -% mesure 38 -%\check -\deuxtemps\changecontext -\Notes\dqh HH&\zcharnote c{\it rit.}\ibl0K0\zq{K}\qb0M\zq{K}\tqb0M\relax - |\ibu0f0\zq{ad}\qh0f\zq{ad}\tqh0f\enotes -\temps\Notes\dqh HH&\ibl0J0\zq{^J}\qb0L\zq J\tqb0L\relax - |\ibu0e0\zq{a^c}\qh0e\zq{ac}\tqh0e\enotes -%\check -% mesure 39 -\quatretemps\changecontext\stemcut -\notes\hu D&\Qqbb HMKM|\uptext{\it\kern -1em un -poco pi\`u vivo}\zqp a\qup d\enotes -\temps\notes&\Qqbb HMKM|\sk\sk\ds\enotes -\zalaligne\autolines{15}45\relax -%\check -\notes\sk\sk\hpause&\Qqbb KaMa|\Ilegu0r\ql o\enotes -\temps\notes&\Qqbb KaMa|\ql o\enotes -%\check -% mesure 40 -\def\atnextline{\autolines{17}35}\relax -\barre\notes\wh K&\Qqbb Mdad|\zhl h\qu o\enotes -\temps\notes&\Qqbb Mdad|\doubler\dqh nm\enotes -\temps\notes&\Qqbb Mdad|\zhl g\qu l\enotes -\temps\notes&\Qqbb Mdad|\qu k\enotes -%\check -% mesure 41 -\barre\notes\wh H&\bigaccid\Qqbb L{^c}Nc|\doubler\zhl h\hu{^j}\tleg0\enotes -\temps\notes&\Qqbb LcNc|\enotes -\temps\notes&\Qqbb LcNc|\Ilegu0r\zql h\qu h\enotes -\temps\notes&\Qqbb LcNc|\zqu h\qsk\zql g\enotes -%\check -% mesure 42 -\barre\notes\qu K&\Qqbb Mdad|\zql f\qu k\enotes -\temps\notes\bigSh J\qu J&\Qqbb L{^c}Nc|\zql i\qu l\enotes -\temps\notes\qu K&\Qqbb Mdad|\zql h\qu m\enotes -\temps\notes\qu I&\Qqbb KbNb|\zql i\qu n\enotes -%\check -% mesure 43 -\barre\notes\hu H&\Qqbb L{^c}Nc|\bigSh j\zqlp j\qup l\tleg0\enotes -\temps\notes&\Qqbb LcNc|\sk\sk\ds\enotes -\temps\notes\sk\sk\sk\hpause&\Qqbb KaMa|\zhl h\Ilegu0r\qu o\enotes -\temps\notes&\Qqbb KaMa|\qu o\enotes -%\check -% mesure 44 -\barre\notes\hu K&\Qqbb Mdad|\zhl h\qu o\enotes -\temps\notes&\Qqbb Mdad|\doubler\dqh nm\enotes -\temps\notes\hu K&\Qqbb Mdad|\zhl g\qu l\enotes -\temps\notes&\Qqbb Mdad|\qu k\enotes -%\check -% mesure 45 -\barre\notes\zwh G&\Qqbb KbNb|\zhlp i\hu p\enotes -\temps\notes&\Qqbb KbNb|\enotes -\temps\notes&\Qqbb KbNb|\qu n\enotes -\temps\notes&\Qqbb KbNb|\zqu p\raise -2\Interligne\soupir\enotes -%\check -% mesure 46 -\barre\notes\qu H&\Qqbb Mdad|\zql m\qu o\enotes -\temps\notes\qu I&\Qqbb KbNb|\zql l\qu n\enotes -\temps\notes\hu H&\Qqbb Mdad|\zql k\qu m\enotes -\temps\notes&\bigaccid\Qqbb L{^c}Nc|\bigSh j\zql j\qu l\enotes -%\check -% mesure 47 -\barre\notes\hup D&\Qqbb KaMa|\zqlp f\qup k\tleg0\enotes -\temps\notes&\Qqbb KaMa|\sk\sk\dsoupir\enotes -\temps\notes&\Qqbb KbNb|\Ilegu0r\ql r\enotes -\temps\notes\soupir&\Qqbb KbNb|\ql r\enotes -\def\atnextline{}% -%\check -% mesure 48 -\barre\notes\hu G&\Qqbb LcNc|\ql r\enotes -\temps\notes&\Qqbb LcNc|\doubler\dqb qp\enotes -\temps\notes\hu J&\Qqbb LcNc|\ql o\enotes -\temps\notes&\Qqbb LcNc|\ql n\enotes -%\check -% mesure 49 -\barre\notes\hu H&\Qqbb Mcac|\hl q\enotes -\temps\notes&\Qqbb Mcac\enotes -\temps\notes\hu F&\Qqbb Mcac|\zhl m\qu o\enotes -\temps\notes&\Qqbb Mcac|\qu o\enotes -%\check -% mesure 50 -\barre\notes\hu G&\Qqbb KbNb|\zhl n\qu p\enotes -\temps\notes&\Qqbb KbNb|\qu r\enotes -\temps\notes\hu J&\Qqbb LcNc|\zhl l\qu q\enotes -\temps\notes&\Qqbb LcNc|\qu p\enotes -%\check -%\check -% mesure 51 -\barre\def\atnextline{\autolines{14}45}\relax -\notes\hu F&\Qqbb Mcac|\zqlp m\qup o\tleg0\enotes -\temps\notes&\Qqbb Mcac|\sk\sk\ds\enotes -\temps\notes\hu I&\Qqbb KbMb|\Ilegu0s\zhl k\qu p\enotes -\temps\notes&\Qqbb KbNb|\qu p\enotes -%\check -% mesure 52 -\barre\notes\hu L&\Qqbb LbNb|\zhl n\qu p\enotes -\temps\notes&\Qqbb LbNb|\doubler\dqh qp\enotes -\temps\notes\bigSh J\hu J&\bigaccid\Qqbb L{^c}Nc|\zhl l\qu o\enotes -\temps\notes&\Qqbb LcNc|\qu n\enotes -%\check -% mesure 53 -\barre\notes\hup K&\Qqbb Mdad|\zhl m\hu r\enotes -\temps\notes&\Qqbb Mdad\enotes -\temps\notes&\Qqbb Mdad|\zhl h\qu m\enotes -\temps\notes\sk\soupir&\Qqbb Mdad|\qu m\enotes -%\check -% mesure 54 -\barre\notes\hu H&\bigaccid\Qqbb L{^c}Nc|\bigSh j\zql j\qu l\enotes -\temps\notes&\Qqbb Mdad|\zql k\qu m\enotes -\temps\notes\soupir&\Qqbb LcNc|\zhl l\qu n\enotes -\temps\notes\qu H&\Qqbb LcNc|\qu o\enotes -%\check -% mesure 55 -\barre\notes\hu D&\Qqbb Mdad|\wh k\tleg0\enotes -\temps\notes&\Qqbb Mdad|\raise -\Interligne\hpause\enotes -\temps\zalaligne -\notes\Ilegu0a\ql a&\sQqbb Mdad|\Uptext{\it \kern -1.5\Interligne - les petites notes}\uptext{\it\kern -1.5\Interligne au positif ad lib.}% - \qs\sTqbb fhf\enotes -\temps\notes\ql a&\sQqbb Mdad|\sQqbb hfhf\enotes -%\check -% mesure 56 -\barre\notes\ql a&\sQqbb Mdad|\smallnotesize\zhu k\raise -\Interligne\qs\Tqbb fhf\enotes -\temps\notes\doubler\dqb NM&\sQqbb Mdad|\sQqbb hfhf\enotes -\temps\notes\ql L&\sQqbb Mdad|\smallnotesize\zhu k\raise -\Interligne\qs\Tqbb fhf\enotes -\temps\notes\ql K&\sQqbb Mdad|\sQqbb hfhf\enotes -%\check -% mesure 57 -\barre\notes\tleg0\bigSh J\hu J&\smallnotesize\bigaccid\Qqbb L{^c}Nc|\smallnotesize\zw l\raise -\Interligne\qs - \bigaccid\Tqbb h{^j}h\enotes -\temps\notes&\sQqbb L{c}Nc|\sQqbb jhjh\enotes -\temps\notes\Ilegu0N\qu H&\sQqbb L{c}Nc|\sQqbb jhjh\enotes -\temps\notes\qu H&\sQqbb L{c}Nc|\sQqbb jgjg\enotes -%\check -% mesure 58 -\barre\def\atnextline{\autolines{17}35}\relax -\notes\ql K&\sQqbb Mdad|\smallnotesize\zw m\raise -\Interligne\qs - \Tqbb hkh\enotes -\temps\notes\ql L&\smallnotesize\bigaccid\Qqbb L{^c}Nc|\smallnotesize\bigSh j\Qqbb jhjh\enotes -\temps\notes\ql M&\sQqbb Mdad|\sQqbb khkh\enotes -\temps\notes\ql N&\sQqbb Ndbd|\sQqbb kiki\enotes -%\check -% mesure 59 -\barre\notes\hl L\tleg0&\smallnotesize\bigaccid\Qqbb L{^c}Nc|\smallnotesize\zw o\raise -\Interligne\qs - \bigSh j\Tqbb jlj\enotes -\temps\notes&\sQqbb L{c}Nc|\sQqbb ljlj\enotes -\temps\notes\Ilegu0a\ql a&\sQqbb L{c}Nc|\sQqbb ljlj\enotes -\temps\notes\ql a&\sQqbb L{c}Nc|\sQqbb ljlj\enotes -%\check -% mesure 60 -\barre\notes\ql a&\sQqbb Mdad|\smallnotesize\zw o\raise -\Interligne\qs\Tqbb lml\enotes -\temps\notes\doubler\dqb NM&\sQqbb Mdad|\sQqbb mlml\enotes -\temps\notes\ql L&\sQqbb Mdad|\sQqbb mlml\enotes -\temps\notes\ql K&\sQqbb Mdad|\sQqbb mlml\enotes -%\check -% mesure 61 -\barre\notes\hl b\tleg0&\sQqbb Ndbd|\smallnotesize\zw n\raise -\Interligne\qs\Tqbb iki\enotes -\temps\notes&\sQqbb Ndbd|\sQqbb kiki\enotes -\temps\notes\Ilegu0a\ql N&\sQqbb Ndbd|\sQqbb kiki\enotes -\temps\notes\ql b&\sQqbb Ndbd|\sQqbb kiki\enotes -%\check -% mesure 62 -\barre\notes\ql a&\sQqbb Mdad|\smallnotesize\zhup m\raise -\Interligne\qs\Tqbb hkh\enotes -\temps\notes\ql N&\smallnotesize\bigaccid\Qqbb L{^c}Nc|\smallnotesize\bigSh j\Qqbb jljl\enotes -\temps\notes\ql M&\sQqbb Mdad|\sQqbb hkhk\enotes -\temps\notes\ql L&\sQqbb LcNc|\smallnotesize\zqu l\Qqbb hjhj\enotes -%\check -% mesure 63 -\barre\notes\hl K\tleg0&\sQqbb Mdad|\smallnotesize\zwh k\raise -\Interligne\qs\Tqbb fhf\enotes -\temps\notes&\sQqbb Mdad|\sQqbb hfhf\enotes -\temps\notes\Ilegu0d\ql d&\sQqbb Mdad|\sQqbb hfhf\enotes -\temps\notes\ql d&\sQqbb Mdad|\sQqbb hfhf\enotes -%\check -% mesure 64 -\barre\notes\ql d&\sQqbb Mdbd|\smallnotesize\zhu k\raise -\Interligne\qs\Tqbb gig\enotes -\temps\notes\doubler\dqb cb&\sQqbb Mdbd|\sQqbb igig\enotes -\temps\notes\ql a&\sQqbb LcNc|\smallnotesize\zhu l\raise -\Interligne\qs\Tqbb gig\enotes -\temps\notes\ql N&\sQqbb LcNc|\sQqbb igig\enotes -%\check -% mesure 65 -\barre\notes\hl c\tleg0&\sQqbb Mcac|\smallnotesize\zw m\raise -\Interligne\qs\Tqbb hjh\enotes -\temps\notes&\sQqbb Mcac|\sQqbb jhjh\enotes -\temps\notes\Ilegu0b\ql a&\sQqbb Mcac|\sQqbb jhjh\enotes -\temps\notes\ql a&\sQqbb Mcac|\sQqbb jhjh\enotes -%\check -% mesure 66 -\barre\notes\ql b&\sQqbb Mdbd|\smallnotesize\zhu m\raise -\Interligne\qs\Tqbb iki\enotes -\temps\notes\ql d&\sQqbb Mdbd|\sQqbb kiki\enotes -\temps\notes\ql c&\sQqbb LcNc|\smallnotesize\zhu l\raise -\Interligne\qs\Tqbb jgj\enotes -\temps\notes\ql b&\sQqbb LcNc|\sQqbb gjgj\enotes -%\check -% mesure 67 -\barre\notes\hl a\tleg0&\sQqbb Mcac|\smallnotesize\zhu m\raise -\Interligne\qs\Tqbb hjh\enotes -\temps\notes&\sQqbb Mcac|\sQqbb jhjh\enotes -\temps\notes\Ilegu0c\ql b&\sQqbb Mdbd|\smallnotesize\zhu m\raise -\Interligne\qs\Tqbb iki\enotes -\temps\notes\ql b&\sQqbb Mdbd|\sQqbb kiki\enotes -%\check -% mesure 68 -\barre\notes\ql b&\sQqbb Mdbd|\smallnotesize\zhu m\raise -\Interligne\qs\Tqbb iki\enotes -\temps\notes\doubler\dqb cb&\sQqbb Mdbd|\sQqbb kiki\enotes -\temps\notes\ql a&\sQqbb Mdbd|\smallnotesize\zhu l\raise -\Interligne\qs\Tqbb gig\enotes -\temps\notes\ql N&\sQqbb Mdbd|\sQqbb igig\enotes -%\check -% mesure 69 -\barre\notes\hl d\tleg0&\sQqbb Mdad|\smallnotesize\zwh k\raise -\Interligne\qs\Tqbb fhf\enotes -\temps\notes&\sQqbb Mdad|\sQqbb hfhf\enotes -\temps\notes\Ilegu0N\ql M&\sQqbb Mdad|\sQqbb hfhf\enotes -\temps\notes\ql M&\sQqbb Mdad|\sQqbb hfhf\enotes -%\check -% mesure 70 -\barre\notes\ql L&\bigaccid\sQqbb L{^c}ac|\smallnotesize\bigaccid - \zwh l\raise -\Interligne\qs\Tqbb h{^j}h\enotes -\temps\notes\ql M&\sQqbb L{c}ac|\sQqbb jhjh\enotes -\temps\notes\ql N&\sQqbb LcNc|\sQqbb jgjg\enotes -\temps\notes\ql a&\sQqbb LcNc|\sQqbb jgjg\enotes -%\check -% mesure 71 -\def\uppzql#1{\uppz #1\ql #1}% -\barre\notes\hu K\tleg0&\sk\hpause - |\smallnotesize\varaccid\Ibbl0hk3\qb0h\zq k\qb0m\zq{^j}\qb0l\zq{^i}\tqb0k\enotes -\temps\notes&\zq M\uppzql a\relax - |\smallnotesize\Ibbl0hk3\qb0h\zq k\qb0m\zq j\qb0l\zq i\tqb0k\enotes -\temps\notes\bigaccid\hu{^J}&\zq L\uppzql N\relax - |\smallnotesize\Ibbl0hl3\qb0h\zq l\qb0n\zq k\qb0m\zq{j}\tqb0l\enotes -\temps\notes&\zq L\uppzql N\relax - |\smallnotesize\Ibbl0hl3\qb0h\zq l\qb0n\zq k\qb0m\zq{j}\tqb0l\enotes -%\check -% mesure 72 -\barre\notes\hu K&\zq M\uppzql a\relax - |\smallnotesize\Ibbl0hm3\qb0h\zq m\qb0o\zq l\qb0n\zq k\tqb0m\enotes -\temps\notes&\zq M\uppzql a\relax -|\smallnotesize\Ibbl0hm3\qb0h\zq m\qb0o\zq l\qb0n\zq k\tqb0m\enotes -\temps\notes\hu I&\zq N\uppzql b\relax - |\smallnotesize\Ibbl0in3\qb0i\zq n\qb0p\zq m\qb0o\zq l\tqb0n\enotes -\temps\notes&\zq N\uppzql b\relax - |\smallnotesize\Ibbl0in3\qb0i\zq n\qb0p\zq m\qb0o\zq l\tqb0n\enotes -%\check -% mesure 73 -\barre\notes\qu H&\zq M\uppzql a\relax - |\smallnotesize\Ibbl0hm3\qb0h\zq m\qb0o\zq l\qb0n\zq k\tqb0m\enotes -\temps\notes\qu H&\zq L\uppzql N\relax - |\smallnotesize\Ibbl0hl3\qb0h\zq l\qb0n\zq k\qb0m\zq{j}\tqb0l\enotes -\temps\notes\qu H&\zq K\uppzql M\relax - |\smallnotesize\varaccid\Ibbl0hk3\qb0h\zq k\qb0m\zq{^j}\qb0l\zq{^i}\tqb0k\enotes -\temps\notes\qu H&\zq{^J}\uppzql L\relax - |\smallnotesize\Ibbl0hj3\qb0h\zq j\qb0l\zq i\qb0k\zq h\tqb0j\enotes -%\check -% mesure 74 -\barre\notes\Ilegl2H\qu K&\sQqbb Mdad|\smallnotesize\itenu1k\zwh k\raise -\Interligne\qs\Tqbb fhf\enotes -\temps\notes\doubler\dqh ML&\sQqbb Mdad|\sQqbb hfhf\enotes -\temps\notes\qu K&\sQqbb Mdad|\sQqbb hfhf\enotes -\temps\notes\doubler\bigSh J\dqh JK&\sQqbb Mdad|\sQqbb hfhf\enotes -%\check -% mesure 75 -\barre\notes\qu L&\sQqbb Mdad|\smallnotesize\tten1\zwh k\Qqbb hfhf\enotes -\temps\notes\qu M&\sQqbb Mdad|\sQqbb hfhf\enotes -\temps\notes\hu K\tleg2&\sQqbb Mdad|\sQqbb hfhf\enotes -\temps\notes&\sQqbb Mdad|\sQqbb hfhf\enotes -%\check -% mesure 76 -\barre\notes\Ilegu2a\ql M&\sQqbb afcf|\smallnotesize\itenu1m\zwh m\raise -\Interligne\qs\Tqbb hjh\enotes -\temps\notes\doubler\dqb aN&\sQqbb afcf|\sQqbb jhjh\enotes -\temps\notes\ql M&\sQqbb afcf|\sQqbb jhjh\enotes -\temps\notes\doubler\dqb LM&\sQqbb afcf|\sQqbb jhjh\enotes -%\check -% mesure 77 -\barre\notes\ql N&\sQqbb afcf|\smallnotesize\tten1\zwh m\raise -\Interligne\qs\Tqbb hjh\enotes -\temps\notes\ql a&\sQqbb afcf|\sQqbb jhjh\enotes -\temps\notes\hl M\tleg2&\sQqbb afcf|\sQqbb jhjh\enotes -\temps\notes&\sQqbb afcf|\sQqbb jhjh\enotes -\cleftoksii={0000}\changeclefs -%\check -% mesure 78 -\barre\notes\Ilegu2b\ql a&\sqqHH cheh|\smallnotesize\zwh o\raise -\Interligne\qs\Tqbb jlj\enotes -\temps\notes\doubler\dqb c{^b}&\sqqHH cheh|\sQqbb ljlj\enotes -\temps\notes\ql a&\sqqHH cheh|\sQqbb ljlj\enotes -\temps\notes\doubler\dqb {^N}a&\sqqHH cheh|\sQqbb ljlj\enotes -%\check -% mesure 79 -\barre\notes\bigaccid\ql {^b}&\sqqHH ei{^g}i\relax - |\smallnotesize\zhu p\raise -\Interligne\qs\Tqbb l{^n}l\enotes -\temps\notes\ql c&\sqqHH eigi|\sQqbb nlnl\enotes -\temps\notes\ql a\tleg2&\sqqHH ejhj\relax - |\smallnotesize\zhu q\raise -\Interligne\qs\Tqbb lol\enotes -\temps\notes\ql e&\sqqHH ejhj|\sQqbb olol\enotes -%\check -% mesure 80 -%\cleftoksii={6000}\changeclefs -\barre\notes\hlp f&\sqqHH dhfh|\smallnotesize\zwh o\raise -\Interligne\qs\Tqbb kmk\enotes -\temps\notes&\sqqHH dhfh|\sQqbb mkmk\enotes -\temps\notes&\sqqHH dhfh|\sQqbb mkmk\enotes -\temps\notes\doubler\dqb ed&\sqqHH dhfh|\sQqbb mkmk\enotes -%\check -% mesure 81 -\barre\notes\hl e&\sqqHH cheh|\smallnotesize\zwh o\raise -\Interligne\qs\Tqbb jlj\enotes -\temps\notes&\sqqHH cheh|\sQqbb ljlj\enotes -\temps\notes\soupir&\sqqHH cheh|\sQqbb ljlj\enotes -\temps\notes\ql a&\sqqHH cheh|\sQqbb ljlj\enotes -%\check -% mesure 82 -\barre\notes\hlp d&\sqqHH bfdf|\smallnotesize\zwh m\raise -\Interligne\qs\Tqbb iki\enotes -\temps\notes&\sqqHH bfdf|\sQqbb kiki\enotes -\temps\notes&\sqqHH bfdf|\sQqbb kiki\enotes -\temps\notes\doubler \dqb cb&\sqqHH bfdf|\sQqbb kiki\enotes -%\check -% mesure 83 -\barre\notes\hl c&\sqqHH afcf|\smallnotesize\zw m\raise -\Interligne\qs\Tqbb hjh\enotes -\temps\notes&\sqqHH afcf|\sQqbb jhjh\enotes -\temps\notes\soupir\zcharnote{-4}{\it non legato}&\sqqHH afcf|\sQqbb jhjh\enotes -\temps\notes\ql M&\sqqHH afcf|\sQqbb jhjh\enotes -% mesure 84 -\barre\notes\ql b&\sqqHH bgdg|\sqqBB niki\enotes -\temps\notes\ql a&\sqqHH bfdf|\sqqBB miki\enotes -\temps\notes\ql N&\sqqHH bede|\sqqBB liki\enotes -\temps\notes\ql M&\sqqHH bdbd|\sqqBB kiki\enotes -%\check -% mesure 85 -\barre\notes\ql b&\sqqHH bgdg|\sqqBB niki\enotes -\temps\notes\ql a&\sqqHH bfdf|\sqqBB miki\enotes -\temps\notes\ql N&\sqqHH bede|\sqqBB liki\enotes -\temps\notes\ql M&\sqqHH bdbd|\sqqBB kiki\enotes -%\check -% mesure 86 -\cleftoksii={6000}\changeclefs -\barre\notes\ql L&\sQqbb Ne{^c}e|\bigaccid\sqqBB o{^j}lj\enotes -\temps\notes\ql a&\sQqbb Ne{c}e|\sqqBB ojlj\enotes -\temps\notes\ql L&\sQqbb Ne{c}e|\sqqBB ojlj\enotes -\temps\notes\ql a&\sQqbb Ne{c}e|\sqqBB ojlj\enotes -%\check -% mesure 87 -\barre\notes\ql M&\sQqbb Mdad|\bigaccid\sqqBB okmk\enotes -\temps\notes\ql K&\sQqbb Mdad|\sqqBB okmk\enotes -\temps\notes\ql M&\sQqbb Mdad|\sqqBB okmk\enotes -\temps\notes\ql K&\sQqbb Mdad|\sqqBB okmk\enotes -%\check -% mesure 88 -\barre\notes\ql L&\sQqbb Ne{^c}e|\bigaccid\sqqBB o{^j}lj\enotes -\temps\notes\ql a&\sQqbb Nece|\sqqBB ojlj\enotes -\temps\notes\ql L&\sQqbb Nece|\sqqBB ojlj\enotes -\temps\notes\ql a&\sQqbb Nece|\sqqBB ojlj\enotes -%\check -% mesure 89 -\barre\notes\ql M&\sQqbb Ndbd|\bigaccid\sqqBB okmk\enotes -\temps\notes\ql a&\sQqbb Ndbd|\sqqBB okmk\enotes -\temps\notes\ql L&\bigaccid\sQqbb L{^c}Nc|\bigaccid\sqqBB o{^j}lj\enotes -\temps\notes\ql a&\sQqbb LcNc|\sqqBB ojlj\enotes -% -% mesure 90 -\def\octp{\advance\transpose by 7\relax}% -\barre\notes\hup K&\sQqbb Mdad|\sQqbb komo\enotes -\temps\notes&\sQqbb Mdad|\sQqbb komo\enotes -\cleftoksii={0000}\changeclefs -\temps\notes&\sqqHH dhfh|\octp\zq h\zqu o\qqbb hkmk\enotes -\temps\notes\soupir&\sqqHH dhfh|\octp\zq h\zqu o\qqbb hkmk\enotes -% -% mesure 91 -\barre\notes\wh K&\sqqHH dhfh|\octp\zq h\zqu o\qqbb hkmk\enotes -\advance\linesinpage by 1\relax -\temps\notes&\sqqHH dhfh|\octp\rlap{\doubler\zq g\Ibu0nm1\qh0 n\zq f\tqh0m}\relax - \Ibbl1gf2\qb1{gkf}\tqb1k\enotes -\temps\notes&\sqqHH dhfh|\varaccid\octp\zq e\zqu l\qqbb e{^j}gj\enotes -\temps\notes&\sqqHH dhfh|\varaccid\octp\zq d\zqu k\qqbb dhfh\enotes -%\check -% mesure 92 -\barre\nspace\notes\wh H&\qsk\Sh c\sqqHH cgeg|\zh{^j}\zhu{^q}\qsk\qqbb jolo\enotes -\temps\notes&\sqqHH cgeg|\qqbb lolo\enotes -\temps\notes&\sqqHH cgeg|\zq h\zqu o\qqbb hljl\enotes -\temps\notes&\sqqHH cgeg|\zq h\zqu o\qqbb hljl\enotes -%\check -% mesure 93 -\barre\notes\qu K&\sqqHH dhfh|\zq k\zqu r\qqbb komo\enotes -\temps\notes\qu{^J}&\sqqHH{^c}heh|\zq l\zqu s\qqbb lono\enotes -\temps\notes\qu K&\sqqHH dhfh|\zq m\zqu t\qqbb mror\enotes -\temps\notes\qu I&\sqqHH digi|\zq n\zqu u\qqbb nrpr\enotes -%\check -% mesure 94 -\barre\notes\wh H&\roff{\sqqHH{^c}heh}|\zh l\zhu s\roff{\qqbb l{^q}oq}\enotes -\temps\notes&\sqqHH cheh|\qqbb oqoq\enotes -\temps\notes&\sqqHH dhfh|\octp\zq h\zqu o\qqbb hkmk\enotes -\temps\notes&\sqqHH dhfh|\octp\zq h\zqu o\qqbb hkmk\enotes -% -% mesure 95 -\barre\notes\wh K&\sqqHH dhfh|\octp\zq h\zqu o\qqbb hkmk\enotes -\temps\notes&\sqqHH dhfh|\octp\rlap{\doubler\zq g\Ibu0nm1\qh0 n\zq f\tqh0m}\relax - \Ibbl1gf2\qb1{gkf}\tqb1k\enotes -\temps\notes&\sqqHH dhfh|\varaccid\octp\zq e\zqu l\qqbb e{^j}gj\enotes -\temps\notes&\sqqHH dhfh|\varaccid\octp\zq d\zqu k\qqbb dhfh\enotes -% -% mesure 96 -\barre\notes\wh G&\roff{\sqqHH digi}|\iffiveoctaves - \octp\zh i\zhu p\roff{\qqbb inkn}\relax - \else\octp\zh g\zhu n\roff{\qqbb gkik}\relax - \fi\enotes - \nspace -\temps\notes&\sqqHH digi|\iffiveoctaves - \octp\qqbb knkn\relax - \else\octp\qqbb gkik\relax - \fi\enotes -\temps\notes&\sqqHH digi|\iffiveoctaves - \octp\zq g\zqu n\qqbb gkik\relax - \else\octp\zq e\zqu l\qqbb eigi\relax - \fi\enotes -\temps\notes&\sqqHH eigi|\iffiveoctaves - \octp\zq i\zqu p\qqbb inln\relax - \else\octp\zq e\zqu l\qqbb eigi\relax - \fi\enotes -%\check -% mesure 97 -\barre\notes\wh H&\sqqHH dhfh|\octp\zq h\zqu o\qqbb hmkm\enotes -\temps\notes&\sqqHH{^c}heh|\octp\zq g\zqu n\qqbb gl{^j}l\enotes -\temps\notes&\sqqHH dhfh|\octp\zq f\zqu m\qqbb fkhk\enotes -\temps\notes&\sqqHH cheh|\varaccid\octp\zq e\zqu l\qqbb e{^j}gj\enotes -%\check -% mesure 98 -\barre\notes\hu D&\qsk\sqqHH afdf|\zh k\zhu r\qsk\qqbb komo\enotes -\temps\notes&\sqqHH dfdf|\qqbb komo\enotes -\temps\notes\hu K&\sqqHH afdf|\zq k\zqu r\qqbb komo\enotes -\temps\notes&\sqqHH afdf|\zq k\zqu r\qqbb komo\enotes -%\check -% mesure 99 -\barre\notes\wh G&\sqqHH digi|\zq k\zqu r\qqbb kpnp\enotes -\temps\notes&\sqqHH bgdg|\rlap{\doubler\zq j\Ibu0qp1\qh0 q\zq i\tqh0p}\relax - \Ibbl1ji2\qb1{jni}\tqb1n\enotes -\temps\notes&\sqqHH bgdg|\zq h\zqu o\qqbb hkik\enotes -\temps\notes&\sqqHH bgdg|\zq g\zqu n\qqbb gkik\enotes -% -% mesure 100 -\barre\notes\wh H&\qsk\sqqHH afcf|\zh j\zhu q\qsk\qqbb jomo\enotes -\temps\notes&\sqqHH afcf|\qqbb momo\enotes -\temps\notes&\sqqHH afcf|\zq h\zqu o\qqbb hmjm\enotes -\temps\notes&\sqqHH afcf|\zq h\zqu o\qqbb hmjm\enotes -%\check -% mesure 101 -\cleftoksii={6000}\changeclefs -\barre\notes\hu G&\sQqbb Ndbd|\zq i\zqu p\qqbb inkn\enotes -\temps\notes&\sQqbb Ndbd|\zq k\zqu r\qqbb kpnp\enotes -\temps\notes\hu J&\sQqbb LcNc|\zq j\zqu q\qqbb jnln\enotes -\temps\notes&\sQqbb LcNc|\zq i\zqu p\qqbb inln\enotes -% -% mesure 102 -\advance\linesinpage by 1\relax -\barre\notes\hu F&\qsk\sQqbb Mcac|\zh h\zhu o\qsk\qqbb hmjm\enotes -\temps\notes&\sQqbb Mcac|\qqbb jmjm\enotes -\temps\notes\hu G&\sQqbb Ndbd|\zq i\zqu p\qqbb inkn\enotes -\temps\notes&\sQqbb Ndbd|\zq i\zqu p\qqbb inkn\enotes -%\check -% mesure 103 -\barre\notes\wh L&\sQqbb Ne{^c}e|\zq i\zqu p\qqbb inln\enotes -\temps\notes&\sQqbb Nece|\cNa j\rlap{\doubler\zq j\Ibu0qp1\qh0 q\zq i\tqh0p}\relax - \Ibbl1ji2\qb1{jni}\tqb1n\enotes -\cleftoksii={0000}\changeclefs -\temps\notes&\sqqHH af{=c}f|\zq h\zqu o\qqbb hmjm\enotes -\temps\notes&\sqqHH Nece|\zq g\zqu n\qqbb gljl\enotes -% -% mesure 104 -\barre\notes\wh K&\qsk\sqqHH afdf|\zh k\zhu r\qsk\qqbb komo\enotes -\temps\notes&\sqqHH afdf|\qqbb momo\enotes -\temps\notes&\sqqHH afdf|\octp\zq f\zqu m\qqbb fkhk\enotes -\temps\notes&\sqqHH afdf|\octp\zq f\zqu m\qqbb fkhk\enotes -% -% mesure 105 -\barre\notes\qu H&\sqqHH Ne{^c}e|\octp\zq e\zqu l\qqbb e{^j}hj\enotes -\temps\notes\qu I&\sqqHH afdf|\octp\zq f\zqu m\qqbb fkhk\enotes -\temps\notes\qu G&\sqqHH Nece|\octp\zq g\zqu n\qqbb gl{^j}l\enotes -\temps\notes\qu H&\sqqHH Nece|\octp\zq h\zqu o\qqbb hljl\enotes -%\check -% mesure 106 -\barre\notes\hup D&\qsk\sqqHH afdf|\octp\zh d\zhu k\qsk\Qqbb dhfh\enotes -\temps\notes&\sqqHH afdf|\octp\Qqbb fhfh\enotes -\temps\notes&\sqqHH afdf|\zq h\zqu o\qqbb hkmk\enotes -\temps\notes\soupir&\sqqHH afdf|\zq h\zqu o\qqbb hkmk\enotes -% -% mesure 107 -\barre\notes\wh K&\sqqHH Mdad|\zq h\zqu o\qqbb hkmk\enotes -\temps\notes&\sqqHH Mdad|\rlap{\doubler\zq g\Ibu0nm1\qh0 n\zq f\tqh0m}\relax - \Ibbl1gf2\qb1{gkf}\tqb1k\enotes -\temps\notes&\sqqHH Mdad|\varaccid\zq e\zqu l\qqbb e{^j}gj\enotes -\temps\notes&\sqqHH Mdad|\varaccid\zq d\zqu k\qqbb dhfh\enotes -% -% mesure 108 -\barre\notes\wh G&\qsk\sqqHH Ndbd|\zh i\zhu p\qsk\qqbb inkn\enotes -\temps\notes&\sqqHH Ndbd|\qqbb knkn\enotes -\temps\notes&\sqqHH Ndbd|\zq g\zqu n\qqbb gkik\enotes -\temps\notes&\sqqHH Ndbd|\zq i\zqu p\qqbb inln\enotes -%\check -% mesure 109 -\barre\notes\wh H&\sqqHH afdf|\zq h\zqu o\qqbb hmkm\enotes -\temps\notes&\sqqHH ae{^c}e|\zq g\zqu n\qqbb gl{^j}l\enotes -\temps\notes&\sqqHH afdf|\zq f\zqu m\qqbb fkhk\enotes -\temps\notes&\sqqHH aece|\varaccid\zq e\zqu l\qqbb e{^j}gj\enotes -% mesure 110 -%\check -\xbarre\autolines{9}55\relax -\NOtes&\pointdorgue l\hpause - |\pointdorgue l\hpause\enotes -\zalapage\nostemcut -\temps\NOtes\pointdorgue a\pause - &\soupir|\soupir\enotes -\cleftoksii={6000}\changeclefs -\varaccid -\temps\notes&\qqhh KL{^J}K|\qqhh de{^c}d\enotes -%\check -% mesure 111 -%\check -\barre\NOtes\hu K&\zh M\hl a|\zh d\hu f\enotes -\temps\NOtes&\soupir|\soupir\enotes -\temps\notes\hpause&\qqhh KL{^J}K|\qqhh de{^c}d\enotes -%\check -% mesure 112 -%\check -\barre -\NOTes\hu K&\zh M\hl a|\zh{df}\hu h\enotes -\temps\NOtes&\soupir|\soupir\enotes -\temps\notes\hpause&\qqhh KL{^J}K|\qqhh de{^c}d\enotes -%\check -% mesure 113 -%\check -\deuxtemps\changecontext -\def\atnextline{\autolines{9}55\relax}\relax -\Notes\qsk\cNa J\dqh{J}J&\qsk\zmidtwotext{\it rit.} - \ibl0L0\zq{LN}\qb0b\zq{LN}\tqb0b\relax - |\qsk\ibu0i0\zq{eg}\qh0i\zq{eg}\tqh0i\enotes -\temps\Notes\dqh{J}J&\ibl0L0\zq{LN}\qb0b\zq{LN}\tqb0b\relax - |\ibu0i0\zq{eg}\qh0i\zq{eg}\tqh0i\enotes -%\check -% mesure 114 -%\check -\quatretemps\changecontext -\NOTEs\cNa F\hu{F}&\zh{JL}\hl a|\zh{ce}\hu h\enotes -\temps\NOtes&\zmidtwotext{\it\kern -1em a tempo}\soupir|\soupir\enotes -\temps\notes\hpause&\qqhh JK{^I}J|\qqhh cd{^b}c\enotes -%\check -% mesure 115 -%\check -\barre\NOTes\hu H&\zh{J=M}\hl a|\zh{c=f}\hu h\enotes -\temps\NOtes&\soupir|\soupir\enotes -\bigaccid -\temps\notes\hpause&\qqhh {^I}JHI|\qqhh {^b}cab\enotes -% mesure 116 -%\check -\barre\NOTes\hup{=I}&\zh{L}\hl{N}|\zh{=be}\hu g\enotes -\temps\NOtes&\soupir|\soupir\enotes -\temps\notes\hpause&\qqhh {=I}JHI|\qqhh {=b}cab\enotes -% mesure 117 -%\check -\barre\NOTes\hup{I}&\zh{K}\hl{N}|\zh{bd}\hu g\enotes -\temps\NOtes&\soupir|\soupir\enotes -\temps\notes\hpause&\qqhh HIGH|\qqhh abNa\enotes -% mesure 118 -\def\atnextline{\autolines{16}45\relax}\relax -%\check -\deuxtemps\changecontext -\Notes\dqh HH&\zcharnote c{\it rit.}\ibl0K0\zq{K}\qb0M\zq{K}\tqb0M\relax - |\ibu0f0\zq{ad}\qh0f\zq{ad}\tqh0f\enotes -\temps\Notes\dqh HH&\ibl0J0\zq{^J}\qb0L\zq{J}\tqb0L\relax - |\ibu0e0\zq{a^c}\qh0e\zq{ac}\tqh0e\enotes -%\check -% mesure 119 -%\check -\quatretemps\changecontext -\NOTes\pointdurgue D\hu D&\pointdorgue N\zh{HK}\hl M\relax - |\pointdorgue l\zh{a}\hu d\enotes -\temps\NOtes&\zmidtwotext{\it\kern -1em a tempo}\soupir|\soupir\enotes -\temps\notes\hpause&\qqhh KL{^J}K|\qqhh de{^c}d\enotes -%\check -% mesure 120 -\advance\barsinline by 1\relax -\barre\notes\hup K&\bigSh M\Qqbb Mcac|\doubler - \bigSh f\zh{f}\zhl h\qu{_l}\enotes -\temps\notes&\Qqbb Mcac|\doubler\qu k\enotes -\temps\notes&\Qqbb Mcac|\doubler\zh{f}\zhl h\qu k\enotes -\temps\notes\soupir&\Qqbb Mcac|\doubler\qu j\enotes -%\check -% mesure 121 -\barre\notes\hup G&\Qqbb KbNb|\doubler\zh{d}\zhl g\hu i\enotes -\temps\notes&\Qqbb KbNb\enotes -\temps\notes&\Qqbb KbNb|\doubler\dqh gh\enotes -\temps\notes\soupir&\Qqbb KbNb|\doubler\dqh{^f}g\enotes -%\check -% mesure 122 -\barre\notes\hup J&\Qqbb LcNc|\doubler\zh{e}\zhl g\qu k\enotes -\temps\notes&\Qqbb LcNc|\doubler\qu j\enotes -\temps\notes&\Qqbb LcNc|\doubler\zh{e}\zhl g\qu j\enotes -\temps\notes\soupir&\Qqbb LcNc|\doubler\qu i\enotes -%\check -% mesure 123 -\barre\notes\hup F&\Qqbb JaLa|\doubler\zh{cf}\hu h\enotes -\temps\notes&\Qqbb JaLa\enotes -\temps\notes&\Qqbb JaMa|\doubler\cNa f\dqh fg\enotes -\temps\notes\soupir&\Qqbb JaMa|\doubler\dqh ef\enotes -%\check -% mesure 124 -\barre\notes\hup I&\Qqbb KbMb|\doubler\zh{d}\zhl f\qu j\enotes -\temps\notes&\Qqbb KbMb|\doubler\qu i\enotes -\temps\notes&\Qqbb KbMb|\doubler\zh{d}\zhl f\qu i\enotes -\temps\notes\soupir&\Qqbb KbMb|\doubler\qu h\enotes -%\check -% mesure 125 -\barre\autolines{16}35\relax -\notes\hup H&\Qqbb LbNb|\doubler\zh{^ce}\hu g\enotes -\temps\notes&\Qqbb LbNb\enotes -\temps\notes&\bigaccid\Qqbb L{^c}Nc|\doubler\dqh ef\enotes -\temps\notes\soupir&\Qqbb LcNc|\doubler\dqh de\enotes -%\check -% mesure 126 -\barre\notes\hu G&\Qqbb LbNb|\doubler\zh{^c}\zhl e\qu i\enotes -\temps\notes&\Qqbb LbNb|\doubler\qu h\enotes -\temps\notes\hu H&\Qqbb LbNb|\doubler\zh{c}\zhl e\qu h\enotes -\temps\notes&\Qqbb LbNb|\doubler\qu g\enotes -%\check -% mesure 127 -\barre\notes\hu K&\Qqbb KaMa|\doubler\zhl{d}\qu f\enotes -\temps\notes&\Qqbb KaMa|\qqhh gfef\enotes -\nspace -\temps\notes\hu K&\bigaccid\Qqbb Ka{^M}a|\doubler\zhl{d}\qu{^f}\enotes -\temps\notes&\Qqbb KaMa|\qqhh gfef\enotes -%\check -% mesure 128 -\barre\notes\hu K&\Qqbb KbNb|\doubler\zhl{d}\qu g\enotes -\temps\notes&\Qqbb KbNb|\qqhh hg{^f}g\enotes -\nspace -\temps\notes\hu K&\bigaccid\Qqbb Ka{^M}a|\doubler\zh d\zhl{f}\qu h\enotes -\temps\notes&\Qqbb KaMa|\qqhh ihgh\enotes -%\check -% mesure 129 -\barre\notes\hl K&\Qqbb KbNb|\doubler\zh d\zhl{g}\qu i\enotes -\temps\notes&\Qqbb KbNb|\qqhh hg{^f}g\enotes -\nspace -\temps\notes\hl L&\bigaccid\Qqbb L{^c}Nc|\doubler\zh e\zhl{g}\qu{^j}\enotes -\temps\notes&\Qqbb LcNc|\qqhh kj{^i}j\enotes -%\check -% mesure 130 -\barre\autolines{17}35\relax -\bigaccid -\notes\hl M&\Qqbb Mdad|\bigaccid\zh{=fh}\hu k\enotes -\temps\notes&\Qqbb Mdad|\enotes -\temps\notes\hu K&\Qqbb Mdad|\zh{f}\hu h\enotes -\temps\notes&\Qqbb Mdad|\enotes -% -% mesure 131 -\barre\notes\hu G&\Qqbb INKN|\doubler\zh{b}\zhl d\qu g\enotes -\temps\notes&\zmidtwotext{\it rit.}\Qqbb INKN|\qu f\enotes -\temps\notes\hu H&\Qqbb {^J}NLN|\doubler\zhl{a^c}\qu e\enotes -\temps\notes&\Qqbb {J}NLN|\qu d\enotes -% -% mesure 132 -\stemcut -\barre \notes\hu D&\Qqbb HMKM|\doubler\zh{a}\hu d\enotes -\temps\notes&\Qqbb HMKM|\enotes -\temps\notes\uptext{\it a tempo}\sk\hpause - &\sQqbb KaMa|\zq h\zqu o\qqbb hkmk\enotes -\temps\notes&\sQqbb KaMa|\zq h\zqu o\qqbb hkmk\enotes -%\check -% -% mesure 133 -\barre\notes\wh F&\sQqbb KaMa|\zq h\zqu o\qqbb hkmk\enotes -\temps\notes&\sQqbb KaMa|\normalnotesize\rlap{\doubler\zq g\Ibu0nm1\qh0 n\zq f\tqh0m}\relax - \Ibbl1gf2\qb1{gkf}\tqb1k\enotes -\temps\notes&\sQqbb {^J}NLN|\varaccid\zq e\zqu l\qqbb e{^j}gj\enotes -\temps\notes&\sQqbb INKN|\varaccid\zq d\zqu k\qqbb digi\enotes -% -% mesure 134 -\def\octm{\advance\transpose by -7\relax}% -\barre\notes\hu H&\qsk\Sh J\sQqbb JNLN|\zh{^c}\zhu{^j}\qsk\qqbb cheh\enotes -\temps\notes&\sQqbb JNLN|\qqbb eheh\enotes -\temps\notes\hu G&\sQqbb JNLN|\zq a\zqu h\qqBB aece\enotes -\temps\notes&\sQqbb JNLN|\zq a\zqu h\qqBB aece\enotes -%\check -% mesure 135 -\barre\notes\qu F&\sQqbb HMKM|\octm\zq k\zqu r\qqbb komo\enotes -\temps\notes\qu G&\sQqbb{^J}aLa|\octm\zq l\zqu s\qqbb lono\enotes -\temps\notes\qu H&\sQqbb KaMa|\octm\zq m\zqu t\qqbb mror\enotes -\temps\notes\qu I&\sQqbb KbNb|\octm\zq n\zqu u\qqbb nrpr\enotes -%\check -% mesure 136 -\barre\notes\wh H&\qsk\octm\sQqbb{^c}heh|\octm\zh l\zhu s\qsk\qqbb l{^q}oq\enotes -\temps\notes&\octm\sQqbb cheh|\octm\qqbb oqoq\enotes -\temps\notes&\octm\sQqbb dhfh|\zq h\zqu o\qqbb hkmk\enotes -\temps\notes&\octm\sQqbb dhfh|\zq h\zqu o\qqbb hkmk\enotes -% -% mesure 137 -\barre\notes\wh K&\octm\sQqbb dhfh|\zq h\zqu o\qqbb hkmk\enotes -\temps\notes&\octm\sQqbb dhfh|\rlap{\doubler\zq g\Ibu0nm1\qh0 n\zq f\tqh0m}\relax - \Ibbl1gf2\qb1{gkf}\tqb1k\enotes -\temps\notes&\octm\sQqbb dhfh|\varaccid\zq e\zqu l\qqbb e{^j}gj\enotes -\temps\notes&\octm\sQqbb dhfh|\varaccid\zq d\zqu k\qqbb dhfh\enotes -% -% mesure 138 -\barre\notes\wh G&\qsk\sQqbb KbNb|\zh i\zhu p\qsk\qqbb inkn\enotes -\temps\notes&\sQqbb KbNb|\qqbb knkn\enotes -\temps\notes&\octm\sQqbb bgdg|\zq g\zqu n\qqbb gkik\enotes -\temps\notes&\octm\sQqbb bgdg|\zq i\zqu p\qqbb inln\enotes -%\check -% mesure 139 -\barre\notes\wh H&\octm\sQqbb dhfh|\zq h\zqu o\qqbb hmkm\enotes -\temps\notes&\octm\sQqbb{^c}heh|\zq g\zqu o\qqbb gl{^j}l\enotes -\temps\notes&\octm\sQqbb afdf|\zq h\zqu o\qqbb hmkm\enotes -\temps\notes&\sQqbb JaLa|\zq g\zqu o\qqbb gljl\enotes -%\check -% mesure 140 -\barre\notes\hl K&\sQqbb Mdad|\zhu k\raise -\Interligne\qs\Tqbb fhf\enotes -\temps\notes&\sQqbb Mdad|\Qqbb hfhf\enotes -\temps\notes\Ilegu0d\ql d&\sQqbb KaMa|\uptext{\it positif}\sQqbb hfhf\enotes -\temps\notes\ql d&\sQqbb KaMa|\raise\Interligne\rlap{\hpause}\sQqbb hfhf\enotes -%\check -% mesure 141 -\barre\notes\ql d&\sQqbb KbNb|\smallnotesize\zhu k\raise -\Interligne\qs\sTqbb gig\enotes -\temps\notes\doubler\dqb cb&\sQqbb KbNb|\sQqbb igig\enotes -\temps\notes\ql a&\sQqbb LcNc|\smallnotesize\zhu l\raise -\Interligne\qs\sTqbb gig\enotes -\temps\notes\ql N&\sQqbb LcNc|\sQqbb igig\enotes -%\check -% mesure 142 -\barre\notes\hl c\tleg0&\sQqbb JaMa|\smallnotesize\zw m\raise -\Interligne\qs\sTqbb hjh\enotes -\temps\notes&\sQqbb JaMa|\sQqbb jhjh\enotes -\temps\notes\Ilegu0a\ql a&\sQqbb JaMa|\sQqbb jhjh\enotes -\temps\notes\ql a&\sQqbb JaMa|\sQqbb jhjh\enotes -%\check -% mesure 143 -\barre\notes\ql b&\sQqbb IMKM|\smallnotesize\zhu m\raise -\Interligne\qs\sTqbb iki\enotes -\temps\notes\ql d&\sQqbb IMKM|\sQqbb kiki\enotes -\temps\notes\ql c&\sQqbb JNLN|\smallnotesize\zhu l\raise -\Interligne\qs\sTqbb jgj\enotes -\temps\notes\ql b&\sQqbb JNLN|\sQqbb gjgj\enotes -%\check -% mesure 144 -\barre\notes\tleg0\hl a&\sQqbb Mcac|\smallnotesize\zhu m\raise -\Interligne\qs\sTqbb hjh\enotes -\temps\notes&\sQqbb Mcac|\sQqbb jhjh\enotes -\temps\notes\Ilegu0c\ql b&\sQqbb Mdbd|\smallnotesize\zhu m\raise -\Interligne\qs\sTqbb iki\enotes -\temps\notes\ql b&\sQqbb Mdbd|\sQqbb kiki\enotes -%\check -% mesure 145 -\barre\notes\ql b&\sQqbb Mdbd|\smallnotesize\zhu m\raise -\Interligne\qs\sTqbb iki\enotes -\temps\notes\doubler\dqb cb&\sQqbb Mdbd|\sQqbb kiki\enotes -\temps\notes\ql a&\sQqbb Mdbd|\smallnotesize\zhu l\raise -\Interligne\qs\sTqbb gig\enotes -\temps\notes\ql N&\sQqbb Mdbd|\sQqbb igig\enotes -%\check -% mesure 146 -\barre\notes\hl d\tleg0&\sQqbb Mdad|\smallnotesize\zwh k\raise -\Interligne\qs\sTqbb fhf\enotes -\temps\notes&\sQqbb Mdad|\sQqbb hfhf\enotes -\temps\notes\Ilegu0a\ql M&\sQqbb Mdad|\sQqbb hfhf\enotes -\temps\notes\ql M&\sQqbb Mdad|\sQqbb hfhf\enotes -%\check -% mesure 147 -\barre\notes\ql L&\bigaccid\sQqbb L{^c}ac|\smallnotesize\bigaccid - \zwh l\raise -\Interligne\qs\sTqbb h{^j}h\enotes -\temps\notes\ql M&\sQqbb L{c}ac|\sQqbb jhjh\enotes -\temps\notes\ql N&\sQqbb LcNc|\sQqbb jgjg\enotes -\temps\notes\ql a&\sQqbb LcNc|\sQqbb jgjg\enotes -%\check -% mesure 148 -\barre\autolines{8}65\relax -\NOTes\pointdurgue H\hu K\tleg0&\pointdurgue H\smallnotesize\zh{Ma}\hl d\relax - |\pointdorgue m\smallnotesize\zh{fh}\hu k\enotes -\temps\NOtes&\zmidtwotext{\it\kern -1em a tempo}\soupir|\soupir\enotes -\temps\notes\hpause&\qqhh KL{^J}K|\qqhh de{^c}d\enotes -%\check -% mesure 149 -\barre\NOtes\hu K&\zh M\hl a|\zh d\hu f\enotes -\temps\Notes&\soupir|\soupir\enotes -\temps\notes\hpause&\qqhh KL{^J}K|\qqhh de{^c}d\enotes -%\check -% mesure 150 -%\check -\barre\NOtes\hu K&\zh M\hl a|\zh{df}\hu h\enotes -\temps\Notes&\soupir|\soupir\enotes -\temps\notes\hpause&\qqhh KL{^J}K|\qqhh de{^c}d\enotes -% mesure 151 -%\check -\deuxtemps\changecontext -\Notes\dqh{^J}J&\zmidtwotext{\it rit.}\ibl1L0\zq{LN}\qb1b\zq{LN}\tqb1b\relax - |\ibu2i0\zq{eg}\qh2i\zq{eg}\tqh2i\enotes -\temps\Notes\dqh{J}J&\ibl1L0\zq{LN}\qb1b\zq{LN}\tqb1b\relax - |\ibu2i0\zq{eg}\qh2i\zq{eg}\tqh2i\enotes -%\advancebottom{-2\Interligne}% -%\check -% mesure 152 -\quatretemps\changecontext\varaccid -\NOTes\pointdurgue H\hu K&\pointdorgue a\zh{M}\hl a\relax - |\pointdorgue l\zh{df}\hu h\enotes -\temps\Notes&\soupir|\uptext{\it\kern -1em a tempo}\soupir\enotes -\temps\notes\hpause&\qqhh K{_L}{^J}K|\qqhh d{_e}{^c}d\enotes -% mesure 153 -\barre\NOtes\hu K&\zh{^Ma}\hl c|\zh{^fhj}\hl{_l}\enotes -\temps\Notes&\soupir|\soupir\enotes -\temps\notes\hpause&\qqhh K{_L}{^J}K|\qqhh d{_e}{^c}d\enotes -% mesure 154 -\barre\NOtes\hu J&\zh{^Ma}\hl c|\zh{hj}\hl{^m}\enotes -\temps\Notes&\soupir|\soupir\enotes -\temps\notes\hpause&\qqhh K{_L}{=J}K|\qqhh d{_e}{=c}d\enotes -% mesure 155 -\barre\NOtes\hu I&\zh{LN}\hl{^c}|\lSh j\zh{j=l}\hl n\enotes -\temps\Notes&\soupir|\soupir\enotes -\temps\notes\hpause&\qqhh K{_L}{=J}K|\qqhh d{_e}{=c}d\enotes -% mesure 156 -\barre\NOtes\hu G&\zh{KN}\hl{b}|\zh{ik}\hl n\enotes -\temps\Notes&\soupir|\soupir\enotes -\temps\notes\hpause&\qqhh HIGH|\qqhh abNa\enotes -%\check -% mesure 157 -\barre\NOtes\qu D&\zq{^Ma}\ql{d}|\zq{^fh}\ql k\enotes -\temps\NOtes\pointdorgue a\soupir&\pointdorgue a\soupir|\pointdorgue l\soupir\enotes -\temps\notes\hu H&\sQqbb Mdad|\zq h\zqu o\qqbb hkmk\enotes -\temps\notes&\sQqbb Mdad|\zq h\zqu o\qqbb hkmk\enotes -% -% mesure 158 -\barre\autolines{16}35\relax -\notes\wh H&\sQqbb KaMa|\zq h\zqu o\qqbb hkmk\enotes -\temps\notes&\sQqbb KaMa|\rlap{\doubler\zq g\Ibu0nm1\qh0 n\zq f\tqh0m}\relax - \Ibbl1gf2\qb1{gkf}\tqb1k\enotes -\temps\notes&\sQqbb KaMa|\varaccid\zq e\zqu l\qqbb e{^j}gj\enotes -\temps\notes&\sQqbb KaMa|\varaccid\zq d\zqu k\qqbb dhfh\enotes -% -% mesure 159 -\staffbotmarg=2pt -\barre\notes\qu H&\sQqbb L{^c}ac|\zq h\zqu o\qqbb hl{^j}l\enotes -\temps\NOtes\pointdorgue a\soupir&\pointdorgue a\soupir|\pointdorgue l\soupir\enotes -\cleftoksii={0000}\changeclefs -\temps\notes\sk\hpause&\sqqHH dhfh|\octp\zq h\zqu o\qqbb hkmk\enotes -\temps\notes&\sqqHH dhfh|\octp\zq h\zqu o\qqbb hkmk\enotes -% -% mesure 160 -\barre\notes\wh K&\sqqHH dhfh|\octp\zq h\zqu o\qqbb hkmk\enotes -\temps\notes&\sqqHH dhfh|\octp\rlap{\doubler\zq g\Ibu0nm1\qh0 n\zq f\tqh0m}\relax - \Ibbl1gf2\qb1{gkf}\tqb1k\enotes -\temps\notes&\sqqHH dhfh|\varaccid\octp\zq e\zqu l\qqbb e{^j}gj\enotes -\temps\notes&\sqqHH dhfh|\varaccid\octp\zq d\zqu k\qqbb dhfh\enotes -% -% mesure 161 -\barre\notes\wh G&\roff{\sqqHH digi}|\iffiveoctaves - \octp\zh i\zhu p\roff{\qqbb inkn}\relax - \else\octp\zh g\zhu n\roff{\qqbb gkik}\relax - \fi\enotes - \nspace -\temps\notes&\sqqHH digi|\iffiveoctaves - \octp\qqbb knkn\relax - \else\octp\qqbb gkik\relax - \fi\enotes -\temps\notes&\sqqHH digi|\iffiveoctaves - \octp\zq g\zqu n\qqbb gkik\relax - \else\octp\zq e\zqu l\qqbb eigi\relax - \fi\enotes -\temps\notes&\sqqHH eigi|\iffiveoctaves - \octp\zq i\zqu p\qqbb inln\relax - \else\octp\zq e\zqu l\qqbb eigi\relax - \fi\enotes -%\check -% mesure 162 -\barre\autolines{8}65\relax -\notes\wh H&\sqqHH dhfh|\octp\zq h\zqu o\qqbb hmkm\enotes -\temps\notes&\sqqHH{^c}heh|\octp\zq g\zqu n\qqbb gl{^j}l\enotes -\temps\notes&\sqqHH dhfh|\octp\zq f\zqu m\qqbb fkhk\enotes -\temps\notes&\sqqHH aece|\varaccid\octp\zq e\zqu l\qqbb e{j}gj\enotes -%\check -% mesure 163 -\barre\NOtes\pointdorgue N\hpause - &\zmidtwotext{\ppff {f}{f}{f}}\pointdurgue f\hpause|\pointdorgue l\hpause\enotes -\temps\NOtes\lppz G\qu G&\lppz b\zq{bd}\qu g|\Uptext{\moyen Maestoso}\octp\uppz g\zq{bd}\ql g\enotes -\temps\NOtes\lppz G\qu I&\lppz d\zq{dg}\qu i|\octp\uppz i\zq{dg}\ql i\enotes -% mesure 164 -\barre -\NOtes\lppz H\qu H&\octp\lppz K\zq{KM}\qu a|\octp\uppz h\zq{df}\ql h\enotes -\temps\NOtes\lppz H\qu H&\octp\lppz I\zq{IK}\qu N|\octp - \uppz g\zq{bd}\ql g\enotes -\temps\NOtes\lppz H\qu H&\octp\lppz H\zq{HK}\qu M|\octp - \uppz f\zq{ad}\ql f\enotes -\temps\NOtes\lppz H\qu H&\octp\lppz H\zq{H^J}\qu L|\octp - \uppz e\zq{a^c}\ql e\enotes -% mesure 165 -\barre\NOtes\qu I&\zq{bd}\qu{h}|\zq{ik}\ql o\enotes -\temps\NOtes\pointdorgue a\soupir&\pointdorgue l\soupir|\pointdorgue l\soupir\enotes -\temps\NOtes\lppz G\qu G&\octp\uppz N\zq{IK}\ql N|\octp\uppz g\zq{bd}\ql g\enotes -\temps\notes\lppz G\qu I&\octp\uppz N\zq{IK}\ql N|\octp\uppz i\zq{bdg}\ql i\enotes -\cleftoksii={6000}\changeclefs -% mesure 166 -\barre\NOtes\lppz G\qu H&\octp\uppz M\zq{HK}\ql M|\octp\uppz h\zq{adf}\ql h\enotes -\temps\NOtes\lppz G\qu G&\octp\uppz K\zq{GI}\ql K|\octp\uppz g\zq{Nbd}\ql g\enotes -\temps\NOtes\lppz F\qu F&\octp\uppz K\zq{FH}\ql K|\octp\uppz f\zq{Mad}\ql f\enotes -\temps\NOtes\lppz E\qu E&\octp\uppz J\zq{EH}\ql{^J}|\octp\uppz e\zq{La^c}\ql e\enotes -% mesure 167 -\barre\NOTes\wh D&\octp\zw{DF}\wh{H}|\octp\zw{KMa}\wh d\enotes -\finmorceau -\staffbotmarg=0pt -\rightline{\sl\aujourdhui}\vfil\eject - -\end diff --git a/musixtex/doc/examples/fantcmol.tex b/musixtex/doc/examples/fantcmol.tex deleted file mode 100644 index fae4884..0000000 --- a/musixtex/doc/examples/fantcmol.tex +++ /dev/null @@ -1,626 +0,0 @@ -\fullauthor{Daniel TAUPIN} -\shortauthor{D. Taupin} -\fulltitle{XI. Fantaisie et fugue en style baroque} -\shorttitle{Fantaisie et fugue en style baroque} -\csname titremorceautoc\endcsname -\shorttitle{Fantaisie en style baroque} -\subtitle{{\frtbf Fantaisie}} -\othermention{Compos\'e en 1995} -\maketitle - - % if transpose not defined outside assume 0 and three flats -\ifx\ftranspose\undefined\def\ftranspose{0}\fi -\ifx\fsignature\undefined\def\fsignature{-3}\fi - - -\parindent 18mm -\tracingstats=2\relax - % - % formes fr\'equentes - % - %au moins deux croches basses et hautes -\def\dqb#1#2{\Ibl0{#1}{#2}1\qb0{#1}\tqb0{#2}}% -\def\dqh#1#2{\Ibu0{#1}{#2}1\qh0{#1}\tqh0{#2}}% - %au moins deux doubles croches basses et hautes -\def\dqbb#1#2{\Ibbl0{#1}{#2}1\qb0{#1}\tqb0{#2}}% -\def\dqhh#1#2{\Ibbu0{#1}{#2}1\qh0{#1}\tqh0{#2}}% - %au moins trois doubles croches basses et hautes -\def\tqbb#1#2#3{\Ibbl0{#1}{#3}2\qb0{#1#2}\tqb0{#3}}% -\def\Tqbb#1#2#3{\ibbl0{#2}0\qb0{#1#2}\tqb0{#3}}% -\def\sTqbb#1#2#3{{\smallnotesize\Tqbb{#1}{#2}{#3}}}% - %au moins quatre croches basses et hautes -\def\qqb#1#2#3#4{\Ibl0{#1}{#4}3\qb0{#1#2#3}\tqb0{#4}}% -\def\Qqb#1#2#3#4{\Ibl0{#1}{#3}2\qb0{#1#2#3}\tqb0{#4}}% -\def\qqB#1#2#3#4{\Ibl0{#2}{#4}2\qb0{#1#2#3}\tqb0{#4}}% -\def\qqh#1#2#3#4{\Ibu0{#1}{#4}3\qh0{#1#2#3}\tqh0{#4}}% -\def\Qqh#1#2#3#4{\Ibu0{#1}{#3}2\qh0{#1#2#3}\tqh0{#4}}% -\def\qqH#1#2#3#4{\Ibu0{#2}{#4}2\qh0{#1#2#3}\tqh0{#4}}% - %au moins quatre doubles croches basses et hautes -\def\qqbb#1#2#3#4{\varaccid\Ibbl0{#1}{#4}3\qb0{#1#2#3}\tqb0{#4}}% -\def\sqqbb#1#2#3#4{\varaccid\smallnotesize\Ibbl0{#1}{#4}3\qb0{#1#2#3}\tqb0{#4}}% -\def\Qqbb#1#2#3#4{\varaccid\Ibbl0{#1}{#3}2\qb0{#1#2#3}\tqb0{#4}}% -\def\sQqbb#1#2#3#4{{\varaccid\smallnotesize\Qqbb{#1}{#2}{#3}{#4}}}% -\def\qqBB#1#2#3#4{\varaccid\Ibbl0{#2}{#4}2\qb0{#1#2#3}\tqb0{#4}}% -\def\sqqBB#1#2#3#4{{\varaccid\smallnotesize\qqBB{#1}{#2}{#3}{#4}}}% -\def\qqhh#1#2#3#4{\varaccid\Ibbu0{#1}{#4}3\qh0{#1#2#3}\tqh0{#4}}% -\def\sqqhh#1#2#3#4{\varaccid\smallnotesize\Ibbu0{#1}{#4}3\qh0{#1#2#3}\tqh0{#4}}% -\def\Qqhh#1#2#3#4{\varaccid\Ibbu0{#1}{#3}2\qh0{#1#2#3}\tqh0{#4}}% -\def\sQqhh#1#2#3#4{\varaccid\smallnotesize\Ibbu0{#1}{#3}2\qh0{#1#2#3}\tqh0{#4}}% -\def\qqHH#1#2#3#4{\varaccid\Ibbu0{#2}{#4}2\qh0{#1#2#3}\tqh0{#4}}% -\def\sqqHH#1#2#3#4{{\varaccid\smallnotesize\qqHH{#1}{#2}{#3}{#4}}}% - % -\nbporteesii=2\relax -\def\nbinstruments{2} -\global\cleftoksii={6000}% -\global\cleftoksi={6000}% -% -\noautolines - % -\generalsignature{\fsignature}\relax % r\'e mineur -\transpose=\ftranspose\relax - %\check -\def\instrumenti{P\'edale 16'}% -\def\instrumentii{G.O.}% - %\check -\medskip\noindent{\rm G.O.: Plein jeu, fonds 16' {\sl ad libitum.}}% -\par\noindent{\rm Pos.: Plein jeu, acc. G.O.}% -\par\noindent{\rm P\'ed.: fonds et anches 16', tirasses G.O. \& pos.}% -\smallskip - % -\def\trioskip{\multiply\noteskip by 2\relax\divide\noteskip by 3\relax}% -\def\doubler{\multiply\noteskip by 2\relax}% -\generalmeter{\meterfrac 34} -\staffbotmarg=10pt -\stafftopmarg=0pt -\interstaff{10} -\debutmorceau -%\noautolines -\relativeaccidentals -\bigaccid -%\autolines{9}55\relax -\znotes&|\Uptext{\hbox{\kern -8mm\moyen Allegro - \bf(\metron{\qu}{55})}}\enotes - %\advance\linesinpage by 1\relax - %\check - % mesure 1 -\notes&\sqqhh JKLM|\sqqhh cdef\enotes -\temps\notes\sk\pause&\sqqhh NLKJ|\sqqhh gedc\enotes -\temps\notes&\sqqhh caNM|\sqqhh jhgf\enotes - %\check - % mesure 2 -\barre\notes&\sqqhh NaMa|\sqqhh ghfh\enotes -\temps\notes\sk\pause&\sqqhh NLKJ|\sqqhh gedc\enotes -\temps\notes&\sqqhh caNM|\sqqhh jhgf\enotes - %\check - % mesure 3 -\barre\notes&\sqqhh NaMN|\sqqhh ghfg\enotes -\temps\notes\sk\pause&\sqqhh LMKL|\sqqhh efde\enotes -\temps\notes&\sqqhh JLKJ|\sqqhh cedc\enotes - %\check - % mesure 4 -\barre\notes\hu G&\sqqbb N{^a}{^b}c|\itenu1i\itenl2g\zq{^id}\qu g\enotes -\temps\notes&\sqqbb dbaN|\tten1\tten2\itenl1g\zhl g\zq{k}\qu{^i}\enotes -\temps\notes\qu J&\sqqbb edec|\zq{l}\qu j\enotes - %\check - % mesure 5 -\barre\notes\hu G&\sqqbb{^b}cdb|\tten1\itenl1g\zhlp g\zh{^i}\hu k\enotes -\temps\notes&\sqqbb NabN|\enotes -\temps\notes\qu J&\sqqbb edec|\zq j\qu l\enotes - %\check - % mesure 6 -\barre\notes\qu I&\sqqbb decd|\tten1\zq{g=i}\qu k\enotes -\temps\notes\qu K&\sqqbb {=b}c{^a}b|\zq{hj}\qu{^m}\enotes -\temps\notes\qu G&\sqqbb N{^b}aN|\zq{^ik}\qu n\enotes - %\check - % mesure 7 -\barre\notes\hu J&\itenu1c\zh{Nc}\hl e|\sqqbb jklm\enotes -\temps\notes&|\sqqbb nlkj\enotes -\temps\notes\qu H&\tten1\itenu1c\zq{ac}\ql f|\sqqbb qonm\enotes - %\check - % mesure 8 -\barre\notes\hu J&\tten1\itenu1c\zh{Nc}\hl e|\sqqbb nomo\enotes -\temps\notes&|\sqqbb nlkj\enotes -\temps\notes\qu H&\tten1\zq{ac}\ql f|\sqqbb qonm\enotes - %\check - % mesure 9 -\barre\notes\qu G&\itenl1N\zh N\zhl{^b}\qu d|\sqqbb nomn\enotes -\temps\notes\qu{^I}&\qu f|\sqqhh lmkl\enotes -\temps\notes\qu J&\tten1\zq N\lfl b\zq{b}\ql{^e}|\sqqhh j{^l}kj\enotes - %\check - % mesure 10 -\barre\notes\hu F&\sqqbb MNab|\itenu1m\zh h\zhl j\hup m\enotes -\temps\notes&\sqqbb caNM\enotes -\temps\notes\qu I&\sqqbb f{_d}cb|\zq i\ql k\enotes - %\check - % mesure 11 -\barre\notes\hu F&\sqqbb c{_d}bd|\tten1\itenu1m\zh h\zhl j\hup m\enotes -\temps\notes&\sqqbb caNM\enotes -\temps\notes\qu I&\sqqbb fdcb|\zq i\ql k\enotes - %\check - % mesure 12 -\barre\notes\qu H&\sqqbb c{_d}bc|\tten 1\zq h\zq j\ql m\enotes -\temps\notes\qu J&\sqqbb abNa|\zq g\zq i\ql{^l}\enotes -\temps\notes\qu F&\sqqbb MNab|\zq h\zq j\ql m\enotes - %\check - % mesure 13 -\barre\notes\hu J&\zh N\zhl{^e}\roff{\qu c}|\sqqbb jk{^l}m\enotes -\temps\notes&\qu b|\sqqbb nlkj\enotes -\temps\notes\qu H&\zq{ac}\ql f|\sqqbb qonm\enotes - %\check - % mesure 14 -\barre\notes\hu J&\zh N\zhl{^e}\roff{\qu c}|\sqqbb nomo\enotes -\temps\notes&\qu b|\sqqbb n{^l}kj\enotes -\temps\notes\qu H&\zq{ac}\ql f|\sqqbb qonm\enotes - %\check - % mesure 15 -\barre\notes\qu G&\itenl1N\zql N\zq c\qu {=e}|\sqqbb nomn\enotes -\temps\notes\qu {^I}&\tten1\zq N\zq {^b}\qu f|\sqqbb {=l}mkl\enotes -\temps\notes\qu J&\zq {=b}\rq c\qu {^e}|\sqqbb jk{^l}j\enotes - %\check - % mesure 16 -\barre\notes\hu {^H}&\sqqbb MN{^a}b|\itenl1h\zhp{^hj}\hlp m\enotes -\temps\notes&\sqqbb cbca\enotes -\temps\notes\qu J&\sqqbb {=e}c{^a}N|\enotes - %\check - % mesure 17 -\barre\notes\hu K&\sqqbb {^M}N{^a}b|\tten1\itenl1h\itenu2m\zh{^hk}\hl{^m}\enotes -\temps\notes&\sqqbb cbca\enotes -\temps\notes\qu J&\sqqbb {^f}{=e}dc|\tten1\tten2\zq{hj}\ql m\enotes - %\check - % mesure 18 -\barre\notes\qu I&\sqqbb bcdb|\itenl1i\itenu2n\zq{ik}\ql n\enotes -\temps\notes\qu L&\sqqbb g{=e}dc|\tten1\tten2\zq{il}\ql n\enotes -\temps\notes\qu K&\sqqbb d{^e}{^f}d|\zq{^hj}\ql{^m}\enotes - %\check - % mesure 19 -\barre\notes\qu I&\sqqbb g{=e}dc|\zq{ik}\zqu n\enotes -\temps\notes\qu H&\sqqbb dcba|\zq{^hj}\zqu{^m}\enotes -\temps\notes\qu G&\sqqbb N{^a}{^b}N|\zq{^ik}\zqu{=m}\enotes - %\check - % mesure 20 -\barre\notes\hu{^H}&\itenl1c\itenu2e\lSh c\zq{^ac}\ql{^e}|\sqqbb {^j}k{^l}m\enotes -\temps\notes&\tten1\tten2\zq{ce}\ql g|\sqqbb nmnl\enotes -\temps\notes\qu K&\zq{^ad}\ql{=f}|\sqqbb mlk{=j}\enotes - %\check - % mesure 21 -\barre\notes\qu G&\itenl1N\itenu2f\zhlp N\zq{^b}\qu f|\sqqbb {^i}jkl\enotes -\temps\notes\qu {^I}&\tten2\zq{d}\qu f|\sqqbb mlmk\enotes -\temps\notes\qu J&\zq{=b}\qu {^e}|\sqqbb lkj{=i}\enotes - %\check - % mesure 22 -\barre\notes\hup{^H}&\tten1\lSh c\zql N\zhp{c}\hup{^e}|\sqqbb {^h}{^i}{^j}k\enotes -\temps\notes&\ql{^a}|\sqqbb {^l}k{^j}i\enotes -\temps\notes&\ql N|\sqqbb jhij\enotes - %\check - % mesure 23 -\generalsignature{2}\changecontext -\notes\itenl1K\hup K&\sqqbb MNaM|\itenl2k\zh {hm}\hu k\enotes -\temps\notes&\sqqbb KMNa|\enotes -\temps\notes&\sqqbb babN|\tten2\itenl2k\zq{ik}\ql n\enotes - %\check - % mesure 24 -\barre\notes\tten1\hup K&\sqqbb abad|\tten2\itenu2m\zh{hk}\hl m\enotes -\temps\notes&\sqqbb cbaN|\enotes -\temps\notes&\sqqbb MNaM|\tten2\itenu2m\zq{_j}\zql m\qu o\enotes - %\check - % mesure 25 -\barre\notes\hu I&\sqqbb KMNa|\tten2\zh i\zhl k\qu m\enotes -\temps\notes&\sqqbb babN|\qu n\enotes -\temps\notes\qu H&\sqqbb cabc|\zq j\zql l\qu o\enotes - %\check - % mesure 26 -\barre\notes\hu K&\itenu1d\zh{ad}\hl f|\sqqbb klmn\enotes -\temps\notes&|\sqqbb omlk|\enotes -\temps\notes\qu I&\tten1\itenu1d\zq{bd}\ql g|\sqqbb popn\enotes - %\check - % mesure 27 -\barre\notes\hu K&\tten1\zh{ad}\hl f|\sqqbb opon\enotes -\temps\notes&|\sqqbb monm|\enotes -\temps\notes\qu G&\zq{be}\ql g|\sqqbb nmlk\enotes - %\check - % mesure 28 -\barre\notes\hup H&\zhp a\zhlp c\hu e|\sqqbb jklm\enotes -\temps\notes&|\sqqbb nlon\enotes -\temps\notes&\qu g|\sqqbb {_m}lkj\enotes - %\check - % mesure 29 -\barre\notes\hu K&\sqqbb KL{_M}N|\itenu1k\zh {_fh}\hu k\enotes -\temps\notes&\sqqbb aNaM|\enotes -\temps\notes\qu G&\sqqbb {_b}aNb|\tten1\itenu1k\zq{g_i}\qu k\enotes - %\check - % mesure 30 -\barre\notes\hup K&\sqqbb a{_M}LK|\tten1\zq{_f}\zql h\hup k\enotes -\temps\notes&\sqqbb d{_b}aN|\zq g\ql{_i}\enotes -\temps\notes&\sqqbb aNMa|\zq f\ql h\enotes - %\check - % mesure 31 -\barre\notes\qu G&\sqqbb N{_M}LK|\zq g\zq{_i}\ql l\enotes -\temps\notes\qu H&\sqqbb JKLM|\itenu0j\zq h\zq j\ql {_m}\enotes -\temps\notes\qu F&\sqqbb {=M}{^N}{^a}M|\tten0\lSh h\zq{h}\zq j\ql {=m}\enotes - %\check - % mesure 32 -\barre\notes\itenl1I\hup I&\itenl2b\zh b\zh d\hl f|\sqqbb ijkl\enotes -\temps\notes&|\sqqbb mkji\enotes -\temps\notes&\tten2\itenl2b\zq b\zq e\ql g|\sqqbb pnml\enotes - %\check - % mesure 33 -\barre\notes\tten1\hu I&\tten2\zh b\zh d\itenu2f\hl f|\sqqbb mnml\enotes -\temps\notes&|\sqqbb km{^o}p\enotes -\temps\notes\qu F&\tten2\itenu2f\zq{^ac}\ql f|\sqqbb qpo{^n}\enotes - %\check - % mesure 34 -\barre\notes\hup I&\zh b\tten2\itenu2d\itenu3f\zh {^d}\hl f|\sqqbb ml{^k}j\enotes -\temps\notes&|\sqqbb klm{=o}\enotes -\temps\notes&\tten2\tten3\zq{df}\ql{=a}|\sqqbb {_q}omk\enotes - %\check - % mesure 35 -\barre\notes\hu E&\sqqbb LMNa|\zh{gi}\itenu1l\hl l\enotes -\temps\notes&\sqqbb bNML|\enotes -\temps\notes\qu H&\sqqbb e{_c}ba|\zq{h_j}\tten1\itenu1l\ql l\enotes - %\check - % mesure 36 -\barre\notes\hu E&\sqqbb b{_c}ac|\zh{gi}\tten1\itenu1l\hl l\enotes -\temps\notes&\sqqbb bNML|\enotes -\temps\notes\qu {_J}&\sqqbb ecba|\zq{h_j}\tten1\itenu1l\ql l\enotes - %\check - % mesure 37 -\barre\notes\hu I&\sqqbb b{_c}ab|\tten1\itenl1i\zq{g}\zql i\qu l\enotes -\temps\notes&\sqqbb NaMN|\loff{\tten1\zq g}\zql h\qu{^k}\enotes -\temps\notes\qu{^G}&\sqqbb L{^N}ML|\zq{^gi}\ql l\enotes - %\check - % mesure 38 -\barre\notes\hup H&\zh N\zh c\hl e|\sqqhh hijk\enotes -\temps\notes&|\sqqhh ljih\enotes -\temps\notes\qu{_F}&\itenl1a\zq a\zq d\ql {_f}|\sqqhh {_m}lmk\enotes - %\check - % mesure 39 -\barre\notes\hu J&\tten1\zhp c\zhlp a\hu e|\sqqhh lkji\enotes -\temps\notes&|\sqqhh jhjk\enotes -\temps\notes\qu H&\qu g|\sqqhh ljkl\enotes - %\check - % mesure 40 -\barre\notes\qu F&\itenu1f\zq {^a}\zq c\ql f|\sqqhh mlkj\enotes -\temps\notes\hu I&\tten1\zql b\zh{^d}\hu f|\sqqhh {^k}ikm\enotes -\temps\notes&\ql {=a}|\sqqhh ponm\enotes - %\check - % mesure 41 -\generalsignature{3}\relax -\changecontext\notes\hu J&\sqqbb {^L}M{N}L|\itenu0j\zh{^l}\zh g\hu j\enotes -\temps\notes&\sqqbb cbaN\enotes -\temps\notes\qu F&\sqqbb aMac|\tten0\itenu0m\zq m\zq h\qu j\enotes - %\check - % mesure 42 -\barre\notes\hu I&\sqqbb fedc|\tten0\zhp i\zhlp k\hu m\enotes -\temps\notes&\sqqbb decd\enotes -\temps\notes\qu K&\sqqbb bdcb|\qu n\enotes - %\check - % mesure 43 -\barre\notes\hu E&\zhp{N}\zhlp b\hu d|\sqqhh {g}hi{_j}\enotes -\temps\notes&|\sqqhh kihg\enotes -\temps\notes\qu G&\itenu1e\qu e|\sqqhh lkji\enotes - %\check - % mesure 44 -\barre\notes\hu H&\tten1\zhp c\zhup e\hl a|\sqqhh {=j}kji\enotes -\temps\notes&|\sqqhh jhjk\enotes -\temps\notes\qu{_G}&\ql {_N}|\sqqhh ljkl\enotes - %\check - % mesure 45 -\barre\notes\hu F&\advance\transpose -7\relax\sqqbb f{g}{^h}i|\zh{^h}\zhl - j\itenu1m\hup m\enotes -\temps\notes&\advance\transpose -7\relax\sqqbb jhgf\enotes -\temps\notes\qu I&\advance\transpose -7\relax\sqqbb kjki|\zq i\ql k\enotes - %\check - % mesure 46 -\barre\notes\hu F&\advance\transpose -7\relax\sqqbb jkik|\tten1\zh{^h}\zh j\hl m\enotes -\temps\notes&\advance\transpose -7\relax\sqqbb j{^h}{g}f\enotes -\temps\notes\qu{^H}&\advance\transpose -7\relax\sqqbb lklj|\zq j\zq l\ql{^o}\enotes - %\check - % mesure 47 -\barre\notes\qu I&\advance\transpose -7\relax\sqqbb kji{=h}|\itenl1i\itenl2k\zq -i\zq k\ql m\enotes -\temps\notes\qu K&\advance\transpose -7\relax\sqqbb -{g}hig|\tten1\tten2\itenu1n\zq i\zq k\ql n\enotes -\temps\notes\qu J&\advance\transpose -7\relax\sqqbb {^l}{^k}lj|\tten1\zq -j\zq{^l}\ql n\enotes - %\check - % mesure 48 -\barre\notes\hu H&\zh a\zhl c\itenu1f\hup f|\sqqbb mnop\enotes -\temps\notes&|\sqqbb qpqo\enotes -\temps\notes\qu I&\itenu2b\itenu0d\zq b\ql d|\sqqbb rqrp\enotes - %\check - % mesure 49 -\barre\notes\qu G&\tten0\tten1\tten2\zq b\zq d\ql f|\advance\transpose 7\sqqbb mkji\enotes -\temps\notes\qu J&\zq {c^e}\zql g|\advance\transpose 7\sqqbb jkik\enotes -\temps\notes\qu H&\zq{ac}\ql f|\advance\transpose 7\sqqbb jhgf\enotes - %\check - % mesure 50 -\barre\notes\qu G&\itenu1c\zql N\zh c\hu {^e}|\sqqhh nm{^l}{^k}\enotes -\temps\notes\qu J&\ql b|\sqqhh jihg\enotes -\temps\notes\qu H&\tten1\zq{a}\ql c|\sqqhh hfhj\enotes - % mesure 51 -\barre\notes\hup F&\sqqbb MNab|\zhp {hj}\itenu1m\hlp m\enotes -\temps\notes&\sqqbb c{^d}{^e}c\enotes -\temps\notes&\sqqbb f{=e}{=d}c\enotes - %\check - % mesure 52 -\barre\notes\hu I&\sqqbb dcdb|\tten1\zq i\zq k\ql m\enotes -\temps\notes&\sqqbb Nabc|\zq g\itenu1j\itenu2l\zq j\ql{^l}\enotes -\temps\notes\qu J&\sqqbb {^d}{^e}fg|\tten1\tten2\zq j\zq l\ql n\enotes - %\check - % mesure 53 -\barre\notes\hup H&|\zq h\itenu1j\itenu2m\zq j\zqu m\sqqbb f{^e}fc\enotes -\temps\notes&|\tten1\tten2\itenu2m\zq j\zqu m\sqqbb hghf\enotes -\temps\notes&|\tten2\zqu m\sqqbb jijh\enotes - % mesure 54 - %\check -\barre\notes\qu{^H}&|\itenl1f\zq f\zql c\sqqhh m{^l}mj\enotes -\temps\notes\qu I&|\tten1\zq b\zql f\sqqhh kjki\enotes -\temps\notes\qu G&|\zq N\zq b\zql{=e}\sqqhh {=l}kli\enotes - % mesure 55 - %\check -\barre\notes\qu H&\itenu1a\zq{ac}\ql e|\sqqhh jijh\enotes -\temps\notes\qu F&\tten1\itenu1d\zq{Ma}\ql d|\sqqhh kjkh\enotes -\temps\notes\qu G&\tten1\itenu1N\zq{Nb}\ql d|\sqqhh ihig\enotes - % mesure 56 - %\check -\barre\notes\qu{^E}&\tten1\zq{^L}\zql N\hu c|\sqqhh jijg\enotes -\temps\notes\qu F&\zh M\hl a|\sqqhh high\enotes -\temps\notes\qu D&\qu d|\sqqhh fhgf\enotes - % mesure 57 - %\check -\barre\notes\hup C&\zq{^L}\zql N\itenu1c\zhup c|\zqu j\ibbl0g0\qb0{j^e^d}\tqb0e\enotes -\temps\notes&\zq M\ql a|\zqu j\ibbl0h0\qb0{jfe}\tqb0f\enotes -\temps\notes&\zq N\ql b|\zqu j\ibbl0h0\qb0{jgf}\tqb0g\enotes - % mesure 58 - %\check -\barre\notes\qu D&\tten1\itenl1M\itenu2c\zq M\zq a\ql c|\zqu j\sqqBB jhgh\enotes -\temps\notes\qu F&\tten1\tten2\zq M\zq{^a}\ql c|\zqu m\sqqBB m{^h}gh\enotes -\temps\notes\qu G&\zq N\zq b\ql d|\zqu m\sqqBB mihi\enotes - % mesure 59 - %\check -\barre\notes\qu {^H}&\zq{^a}\zq c\itenu1f\ql f|\zqu m\sqqBB mjij\enotes -\temps\notes\qu I&\zh b\zh d\tten1\hl f|\zqu m\sqqBB mkjk\enotes -\temps\notes\qu {=H}&|\zqu i\sqqbb ijkm\enotes - % mesure 60 - %\check -\barre\notes\qu G&\zql N\zhp c\hup{^e}|\zqu n\sqqBB n{^l}kl\enotes -\temps\notes\hu I&\hl b|\zqu j\sqqbb jlkl\enotes -\temps\notes&|\zqu n\sqqBB nlkl\enotes - % mesure 61 - %\check -\barre\notes\hup H&\zhp {ac}\hlp f|\zqu j\sqqBB jm{^l}m\enotes -\temps\notes&|\zqu o\sqqbb omlm\enotes -\temps\notes&|\zqu j\sqqBB jmlm\enotes - % mesure 62 - %\check -\barre\notes\qu I&\itenu1g\zq b\zql d\hup g|\zqu p\sqqBB pnmn\enotes -\temps\notes\qu J&\zq{c}\ql {^e}|\zqu {^l}\sqqbb lnmn\enotes -\temps\notes\qu K&\zq{b}\ql d|\zqu p\sqqBB pnmn\enotes - % mesure 63 - %\check -\barre\notes\qu J&\tten1\itenu1c\zq{c^e}\ql g|\sqqbb {^l}nmn\enotes -\temps\notes\qu H&\tten1\zq{ac}\itenu1f\ql f|\sqqbb opno\enotes -\temps\notes\qu I&\tten1\zq{bd}\ql f|\sqqbb monm\enotes - % mesure 64 - %\check -\barre\notes\itenl3J\hup J&\sqqhh JK{^L}M|\itenu2q\zh{^ln}\hl q\enotes -\temps\notes&\sqqbb NabN\enotes -\temps\notes&\sqqbb abNa|\tten2\itenu1m\itenu2o\zq{mo}\ql q\enotes - % mesure 65 - %\check -\barre\notes\tten3\itenl3J\hup J&\sqqbb MaNM|\tten1\tten2\zq{jm}\ql o\enotes -\temps\notes&\sqqbb {^L}cbc|\itenu1q\zh{^ln}\hl q\enotes -\temps\notes&\sqqbb Lcbc\enotes - % mesure 66 - %\check -\barre\notes\tten3\itenl3J\hup J&\sqqbb Mcac|\tten1\itenu1q\zh m\zhl o\hup q\enotes -\temps\notes&\sqqbb Mcac\enotes -\temps\notes&\sqqbb Ncbc|\itenu4n\itenu2p\zq n\ql p\enotes - % mesure 67 - %\check -\barre\notes\tten3\hup J&\sqqbb Ncbc|\tten4\tten2\roff{\tten1\zhup q}\zq p\ql n\enotes -\temps\notes&\sqqbb af{^e}f|\itenu1m\zh m\hl o\enotes -\temps\notes&\sqqbb afef\enotes - % mesure 68 - %\check -\barre\notes\qu I&\sqqbb df{=e}d|\tten1\itenl1m\zhlp m\zq p\qu r\enotes -\temps\notes\hu J&\sqqbb cfac|\itenu2o\itenu3q\zh o\hu q\enotes -\temps\notes&\sqqbb MaNM\enotes - % mesure 69 - %\check -\barre\notes\qu H&\sqqbb JMac|\tten3\tten1\tten2\itenu1m\zq m\zq o\ql q\enotes -\temps\notes\qu I&\sqqbb dcba|\tten1\itenu1p\zq m\zq p\ql r\enotes -\temps\notes\qu L&\sqqbb NabN|\tten1\zq l\zq n\ql p\enotes - % mesure 70 - %\check -\barre\notes\hu H&\itenl1a\zh c\zhu e\hlp a|\sqqbb opqr\enotes -\temps\notes&|\sqqbb srsq\enotes -\temps\notes\qu K&\zq d\ql{_f}|\sqqbb {_t}str\enotes - % mesure 71 - %\check -\barre\notes\qu H&\tten1\zhl a\zq c\qu e|\sqqbb srqs\enotes -\temps\notes\qu I&\zq d\qu{_f}|\sqqbb r{_q}po\enotes -\temps\notes\qu E&\zq N\zq b\ql e|\sqqbb nopn\enotes - \generalsignature{0}\relax -% mesure 72 -\changecontext\notes\itenl2H\hup H&\sqqbb abcd|\itenl1o\zhlp o\zh q\hu s\enotes -\temps\notes&\sqqbb ecba\enotes -\temps\notes&\sqqbb hfed|\zq r\qu t\enotes - %\check - %mesure 73 -\barre\notes\tten2\itenl2H\hup H&\sqqbb efdf|\tten1\itenl1o\zhlp o\zh q\hu s\enotes -\temps\notes&\sqqbb ecba\enotes -\temps\notes&\sqqbb hfed|\zq r\qu t\enotes - %\check - %mesure 74 -\barre\notes\tten2\hu H&\sqqbb efde|\tten1\zh o\zh q\zhl s\enotes -\temps\notes&\sqqbb cdbc\enotes -\temps\notes\qu F&\sqqbb acba|\zq m\zq p\ql r\enotes - %\check - %mesure 75 -\barre\notes\hu E&\zh{^N}\zhl b\hup e|\sqqbb l{^m}{^n}o\enotes -\temps\notes&|\sqqbb pqrp\enotes -\temps\notes\qu H&\itenu1a\itenu2c\zq a\ql c|\sqqbb qrpq\enotes - %\check - %mesure 76 -\barre\notes\qu F&\tten1\tten2\zq M\zq a\ql c|\sqqbb oqpo\enotes -\temps\notes\hu E&\itenu1e\zq{^N}\zq b\ql e|\sqqbb {^n}opn\enotes -\temps\notes&\tten1\zq a\zq c\ql e|\sqqbb l{=m}{=n}l\enotes - %\check - %mesure 77 -\barre\notes\hup F&\itenl1M\itenu2d\zq M\zq a\ql d|\sqqbb mlkj\enotes -\temps\notes&\tten1\tten2\itenu1b\itenu2d\zq M\zq b\ql d|\sqqbb ijki\enotes -\temps\notes&\tten1\tten2\zq{Nb}\ql d|\sqqbb ghig\enotes - %\check - %mesure 78 -\barre\notes\hu J&\advance\transpose 7\sqqbb JKLM|\advance\transpose 7\sqqbb cdef\enotes -\temps\notes&\advance\transpose 7\sqqbb NLKJ|\advance\transpose 7\sqqbb gedc\enotes -\temps\notes\qu H&\advance\transpose 7\sqqbb aMLK|\advance\transpose 7\sqqbb jhgf\enotes - %\check - % mesure 79 -\barre\notes\hu J&\advance\transpose 7\sqqbb LMKM|\advance\transpose 7\sqqbb ghfh\enotes -\temps\notes&\advance\transpose 7\sqqbb LJIH|\advance\transpose 7\sqqbb gedc\enotes -\temps\notes\qu H&\advance\transpose 7\sqqbb aMLK|\advance\transpose 7\sqqbb jhgf\enotes - %\check - % mesure 80 -\barre\notes\qu J&\advance\transpose 7\sqqbb LMKL|\advance\transpose 7\sqqbb ghfg\enotes -\temps\notes\qu H&\advance\transpose 7\sqqbb JKIJ|\advance\transpose 7\sqqbb efde\enotes -\temps\notes\qu F&\advance\transpose 7\sqqbb HJIH|\advance\transpose 7\sqqbb cedc\enotes - %\check - % mesure 81 -\barre\notes\hu G&\sqqbb Nabc|\itenl1i\zhlp i\zq k\qu n\enotes -\temps\notes&\sqqbb dbaN|\zq k\qu m\enotes -\temps\notes\qu J&\sqqbb edec|\zq j\qu l\enotes - %\check - % mesure 82 -\barre\notes\hu G&\sqqbb bcdb|\tten1\itenl1g\zhlp g\zh{i}\hu k\enotes -\temps\notes&\sqqbb NabN|\enotes -\temps\notes\qu J&\sqqbb edec|\zq j\qu l\enotes - %\check - % mesure 83 -\barre\notes\qu I&\sqqbb decd|\tten1\itenu1k\zq{gi}\qu k\enotes -\temps\notes\qu K&\sqqbb bcab|\tten1\itenu1k\zq{hk}\qu m\enotes -\temps\notes\qu G&\rlap{\sk\sk\sk\itenu0N}\sqqbb NabN|\tten1\zq{ik}\qu n\enotes - %\check - % mesure 84 -\barre\notes\hu J&\itenu1c\tten0\zh{Nc}\hl e|\sqqbb jklm\enotes -\temps\notes&|\sqqbb nlkj\enotes -\temps\notes\qu H&\tten1\itenu1c\zq{ac}\ql f|\sqqbb qonm\enotes - %\check - % mesure 85 -\barre\notes\hu J&\tten1\itenu1c\zh{Nc}\hl e|\sqqbb nomo\enotes -\temps\notes&|\sqqbb nlkj\enotes -\temps\notes\qu H&\tten1\zq{ac}\ql f|\sqqbb qonm\enotes - %\check - % mesure 86 -\barre\notes\qu G&\itenl1N\zh N\zhl b\qu d|\sqqbb nomn\enotes -\temps\notes\qu I&\qu f|\sqqhh lmkl\enotes -\temps\notes\qu J&\tten1\zq N\zq{_b}\ql e|\sqqhh jlkj\enotes - %\check - % mesure 87 -\barre\notes\hu F&\sqqbb MNa{_b}|\itenu1m\zh h\zhl j\hup m\enotes -\temps\notes&\sqqbb caNM\enotes -\temps\notes\qu {_I}&\sqqbb fdcb|\zq{_i}\ql k\enotes - %\check - % mesure 88 -\barre\notes\hu F&\sqqbb cd{_b}d|\tten1\itenu1m\zh h\zhl j\hup m\enotes -\temps\notes&\sqqbb caNM\enotes -\temps\notes\qu {_I}&\sqqbb fdcb|\zq {_i}\ql k\enotes - %\check - % mesure 89 -\barre\notes\qu H&\sqqbb cdbc|\tten 1\zq h\zq j\ql m\enotes -\temps\notes\qu J&\sqqbb a{_b}Na|\zq g\zq{_i}\ql l\enotes -\temps\notes\qu F&\sqqbb MNab|\zq h\zq j\ql m\enotes - %\check - % mesure 90 -\barre\notes\hu J&\zh N\zhl e\roff{\qu c}|\sqqbb jklm\enotes -\temps\notes&\qu {_b}|\sqqbb nlkj\enotes -\temps\notes\qu H&\itenu1c\zq{ac}\ql f|\sqqbb qonm\enotes - %\check - % mesure 91 -\barre\notes\hu J&\zh N\zhl e\roff{\tten1\qu c}|\sqqbb nomo\enotes -\temps\notes&\qu {_b}|\sqqbb nlkj\enotes -\temps\notes\qu H&\itenu1c\zq{ac}\ql f|\sqqbb qonm\enotes - %\check - % mesure 92 -\barre\notes\qu G&\tten1\itenl1N\zql N\zq c\qu e|\sqqbb nomn\enotes -\temps\notes\qu I&\tten1\zq N\zq {=b}\qu f|\sqqbb lmkl\enotes -\temps\notes\qu J&\zq{_b}\rq c\qu e|\sqqbb jklj\enotes - %\check - % mesure 93 -\barre\notes\hu H&\sqqbb MNa{_b}|\itenl1h\zhp{hj}\hlp m\enotes -\temps\notes&\sqqbb cbca\enotes -\temps\notes\qu J&\sqqbb {_e}caN|\enotes - %\check - % mesure 94 -\barre\notes\hu K&\sqqbb {^M}Na{_b}|\tten1\itenl1h\itenu2m\zh{hk}\hl{^m}\enotes -\temps\notes&\sqqbb cbca\enotes -\temps\notes\qu J&\sqqbb {^f}{_e}dc|\tten1\tten2\zq{hj}\ql m\enotes - %\check - % mesure 95 -\barre\notes\qu {_I}&\sqqbb {_b}cdb|\itenl1i\itenu2n\zq{ik}\ql n\enotes -\temps\notes\qu {_L}&\sqqbb g{_e}dc|\tten1\tten2\zq{i_l}\ql n\enotes -\temps\notes\qu K&\sqqbb d{=e}{^f}d|\zq{hj}\ql{^m}\enotes - %\check - % mesure 96 -\barre\notes\qu {_I}&\sqqbb g{_e}dc|\zq{_ik}\zqu n\enotes -\temps\notes\qu H&\sqqbb dc{_b}a|\zq{hj}\zqu{^m}\enotes -\temps\notes\qu G&\rlap{\sk\sk\sk\itenl1N}\sqqbb Na{=b}N|\zq{=ik}\zqu{=m}\enotes - %\check - % mesure 97 - \barre\notes\hu J&\tten1\itenu1c\itenu2e\zhl N\zhp c\hup{_e}|\sqqbb jk{_l}m\enotes - \temps\notes&|\sqqbb nlkj\enotes - \temps\notes\qu{_H}&\ql {^M}|\sqqbb q{_o}n{^m}\enotes - %\check - % mesure 98 - \barre\notes\hu J&\tten1\tten2\itenu1c\itenu2e\zhl N\zhp c\hup{_e}|\sqqbb n{_o}{=m}o\enotes - \temps\notes&|\sqqbb n{_l}kj\enotes - \temps\notes\qu{_H}&\ql {=M}|\sqqbb qonm\enotes - %\check - % mesure 99 - \barre\notes\qu G&\tten1\tten2\zhl N\zq c\qu{_e}|\sqqbb n{_o}mo\enotes - \temps\notes\qu I&\zq b\qu d|\sqqbb nm{_l}k\enotes - \temps\notes\qu J&\zq c\qu {=e}|\sqqbb jk{=l}j\enotes - %\check - % mesure 100 - \barre -\znotes&|\Sh m\enotes - \nspace - \notes\hu K&\sqqbb acbc|\ust m\lh l\zh{h}\hl{m}\enotes - \temps\notes&\sqqbb acbc\enotes - \temps\notes\qu H&\sqqbb acbc|\uppz m\lq l\zq h\ql{m}\enotes - %\check - % mesure 101 - \barre\znotes&|\lFl l\Sh m\enotes - \nspace - \notes\hu {^F}&\sqqbb {^M}aNa|\ust q\lh l\zh{jm}\hl q\enotes - \temps\notes&\sqqbb MaNa\enotes - \temps\notes\qu J&\sqqbb MaNa|\uppz q\lq l\zq{jm}\ql q\enotes - %\check - % mesure 102 - \barre\notes\hu G&\sqqbb N{_e}ce|\uppz u\zq{nq_s}\ql u\enotes - \temps\notes&\sqqbb Nece|\uppz s\zq{_lnq}\ql s\enotes - \temps\notes\qu {_I}&\sqqbb Nd{_b}d|\uppz r\zq{kn_p}\ql r\enotes - %\check - % mesure 103 - \barre\nspace - \notes\hu H&\sqqbb ae{^c}e|\lSh j\zh{j=ln}\hl {^q}\enotes - \temps\notes&\sqqbb aece\enotes - \temps\notes\qu {^J}&\sqqbb aece|\uppz q\zq{jln}\ql q\enotes - %\check - % mesure 104 - \barre\notes\hu {_I}&\sqqbb {_b}fdf|\uppz r\zq{km_p}\ql r\enotes - \temps\notes&\sqqbb bfdf|\uppz t\zq{mpr}\ql t\enotes - \temps\notes\qu G&\sqqbb Nf{=b}f|\cNa i\uppz p\zq{ikn}\ql {=p}\enotes - %\check - % mesure 105 - \barre\nspace - \NOTEs\hu{_H}&\itenu1a\itenu3f\zh{_ac}\hl f|\itenu2q\zhl j\zh{m_o}\hu q\enotes - \temps\NOtes\qu F&\tten1\tten3\zq{ad}\ql f|\zql k\enotes - %\check - % mesure 106 - \barre\NOTEs\hup C&\zhp{Nce}\hlp g|\tten2\zhp{jln}\hlp q\enotes - \mulooseness -4\relax -\finmorceau -\rightline{\sl\aujourdhui}\vfil\eject -\endinput diff --git a/musixtex/doc/examples/fantfuga.tex b/musixtex/doc/examples/fantfuga.tex deleted file mode 100644 index d44cb75..0000000 --- a/musixtex/doc/examples/fantfuga.tex +++ /dev/null @@ -1,18 +0,0 @@ -\input musixtex -\input musixcpt -\input musixsty -% -\def\misazero{\def\nbinstruments{2}\nbporteesi=1\relax -\nbporteesii=2\relax -\barsinline=0\relax -\linesinpage=0\relax -\signaturegenerale{0}\savesignature -\resetfacteurs -\computewidths}% -% -\misazero -\input fantcmol.tex -\misazero -\input fugcmoll.tex -\bye - diff --git a/musixtex/doc/examples/fugcmoll.tex b/musixtex/doc/examples/fugcmoll.tex deleted file mode 100644 index 922cfac..0000000 --- a/musixtex/doc/examples/fugcmoll.tex +++ /dev/null @@ -1,517 +0,0 @@ -\fullauthor{Daniel TAUPIN} -\shortauthor{D. Taupin} -\fulltitle{{\frtbf Fugue}} -\shorttitle{Fugue en style baroque} -\subtitle{} -\othermention{} -\maketitle - - % if transpose not defined outside assume 0 and three flats -\ifx\ftranspose\undefined\def\ftranspose{0}\fi -\ifx\fsignature\undefined\def\fsignature{-3}\fi - - % - % formes fr\'equentes - % - %au moins deux croches basses et hautes -\def\dqb#1#2{\Ibl0{#1}{#2}1\qb0{#1}\tqb0{#2}}% -\def\dqh#1#2{\Ibu0{#1}{#2}1\qh0{#1}\tqh0{#2}}% - %au moins deux doubles croches basses et hautes -\def\dqbb#1#2{\Ibbl0{#1}{#2}1\qb0{#1}\tqb0{#2}}% -\def\dqhh#1#2{\Ibbu0{#1}{#2}1\qh0{#1}\tqh0{#2}}% - %au moins trois doubles croches basses et hautes -\def\tqbb#1#2#3{\Ibbl0{#1}{#3}2\qb0{#1#2}\tqb0{#3}}% -\def\Tqbb#1#2#3{\ibbl0{#2}0\qb0{#1#2}\tqb0{#3}}% -\def\sTqbb#1#2#3{{\smallnotesize\Tqbb{#1}{#2}{#3}}}% - %au moins quatre croches basses et hautes -\def\qqb#1#2#3#4{\Ibl0{#1}{#4}3\qb0{#1#2#3}\tqb0{#4}}% -\def\Qqb#1#2#3#4{\Ibl0{#1}{#3}2\qb0{#1#2#3}\tqb0{#4}}% -\def\qqB#1#2#3#4{\Ibl0{#2}{#4}2\qb0{#1#2#3}\tqb0{#4}}% -\def\qqh#1#2#3#4{\Ibu0{#1}{#4}3\qh0{#1#2#3}\tqh0{#4}}% -\def\Qqh#1#2#3#4{\Ibu0{#1}{#3}2\qh0{#1#2#3}\tqh0{#4}}% -\def\qqH#1#2#3#4{\Ibu0{#2}{#4}2\qh0{#1#2#3}\tqh0{#4}}% - %au moins quatre doubles croches basses et hautes -\def\qqbb#1#2#3#4{\varaccid\Ibbl0{#1}{#4}3\qb0{#1#2#3}\tqb0{#4}}% -\def\Qqbb#1#2#3#4{\varaccid\Ibbl0{#1}{#3}2\qb0{#1#2#3}\tqb0{#4}}% -\def\sQqbb#1#2#3#4{{\varaccid\smallnotesize\Qqbb{#1}{#2}{#3}{#4}}}% -\def\qqBB#1#2#3#4{\varaccid\Ibbl0{#2}{#4}2\qb0{#1#2#3}\tqb0{#4}}% -\def\sqqBB#1#2#3#4{{\varaccid\smallnotesize\qqBB{#1}{#2}{#3}{#4}}}% -\def\qqhh#1#2#3#4{\varaccid\Ibbu0{#1}{#4}3\qh0{#1#2#3}\tqh0{#4}}% -\def\Qqhh#1#2#3#4{\varaccid\Ibbu0{#1}{#3}2\qh0{#1#2#3}\tqh0{#4}}% -\def\qqHH#1#2#3#4{\varaccid\Ibbu0{#2}{#4}2\qh0{#1#2#3}\tqh0{#4}}% -\def\sqqHH#1#2#3#4{{\varaccid\smallnotesize\qqHH{#1}{#2}{#3}{#4}}}% - % -\nbporteesii=2\relax -\def\nbinstruments{2} -\global\cleftoksii={6000}% -\global\cleftoksi={6000}% - % -\generalsignature{\fsignature}\relax % r\'e mineur -\transpose=\ftranspose\relax - %\check -\def\instrumenti{P\'edale 16'}% -\def\instrumentii{G.O.}% - %\check -\medskip\noindent{\rm G.O.: mixtures {\sl ad libitum.}}% -\par\noindent{\rm Pos.: mixtures, acc. G.O.}% -\par\noindent{\rm P\'ed.: fonds 16', tirasses G.O. \& pos.}% -\smallskip -\generalmeter{\meterfrac 32} -\staffbotmarg=10pt -\stafftopmarg=0pt -\interstaff{10} -\debutmorceau -\relativeaccidentals -\varaccid -\nspace - \Notes\wh G\sk\sk\hu C&\sk\pause\sk\soupir\ql c|\Uptext{\hbox{\kern --8mm\moyen Andante - \bf(\metron{\qu}{65})}}\sk\sk\pausep\enotes - %\check - % mesure 2 -\barre\Notes&\zhl L\qu N\hu e\hl M\enotes -\temps\notes\pause&\dqh dc\enotes -\temps\Notes&\zhl K\qu {^b}\enotes -\temps\notes&\dqh cd\enotes - %\check - % mesure 3 -\barre\Notes&\zhl L\qu N\hu c\enotes -\temps\Notes\sk\pause&\hl {^L}\qu b\zhl M\qu a\enotes -\temps\notes&\dqh Na\enotes - %\check - % mesure 4 -\barre\Notes\sk\sk\sk\pause&\zql {=L}\qu N\zql K\qu M\zql J\qu L\zql H\qu M\enotes % -\temps\Notes&\zhl G\qu N\enotes -\temps\notes&\dqh ML\enotes - %\check - % mesure 5 - \generalmeter{\meterfrac 22}% -\changecontext\Notes\sk\pause&\zhl{^I}\roff{\Pince c}\hu K\enotes -\temps\Notes&\zql J\qu J\soupir|\sk\qu g\enotes - %\check - % mesure 6 - \generalmeter{\meterfrac 32}% -\changecontext\Notes&\hl b\sk\hl{^M}|\roff{\zw d}\qu d\hu i\enotes -\temps\notes\pause&|\dqh hg\enotes -\temps\Notes&\hl K|\zhl c\qu{^f}\enotes -\temps\notes&|\dqh gh\enotes - %\check - % mesure 7 -\barre\Notes\sk\sk\sk\pause&\zhl I\hu b\sk\zhl{^I}\itenu1N\wh N\sk\ql J|\qu d\hu g\sk\qu f\qu e\enotes -\temps\notes&\dqb {=I}J|\dqh de\enotes - %\check - % mesure 8 -\barre\Notes\sk\sk\sk\pause&\tten1\zqu N\ql I\zqu {^M}\ql H\zqu N\ql G\zqu {^a}\ql L\zqu b\ql K|\qu {dcbcd}\enotes -\temps\notes&\rlap{\dqb LJ}\dqh aN|\dqh cb\enotes - %\check - % mesure 9 - \generalmeter{\meterfrac 22}% -\changecontext\Notes\sk\pause&\zhl K\hu{^M}|\roff{\Pince L}\hu a\enotes -\temps\Notes&\zql N\qu N\soupir|\qu N\qu g\enotes - %\check - % mesure 10 -\barre\Notes\sk\sk\pause&\hl L\sk\hl{^I}|\roff{\zhl c}\qu c\hu h\hl d\enotes -\temps\notes&|\dqh gf\enotes - %\check - % mesure 11 -\barre\Notes&\hl{=I}|\zhl c\qu{^e}\enotes -\temps\notes\sk\pause&|\dqh fg\enotes -\temps\Notes&\zhu M\hl H\sk|\qu c\qu j\enotes - %\check - % mesure 12 - \generalmeter{\meterfrac 32}% -\changecontext\Notes&\zhu N\hl I\sk\hl J|\qu f\hu{_k}\hl{^e}\enotes -\temps\notes\pause&|\dqh ji\enotes -\temps\Notes&\hl {_K}|\zhl f\qu h\enotes -\temps\notes&|\dqh ij\enotes - %\check - % mesure 13 -\barre\Notes&\hl J|\zhl{=b}\qu {^e}\enotes -\temps\notes&|\dqh fg\enotes -\temps\Notes\pause&\hl I|\zhl a\qu c\enotes -\temps\notes&|\dqh de\enotes -\temps\Notes&\itenu1M\zhu M\hl{^H}\sk|\qu f\qu m\enotes - %\check - % mesure 14 -\barre\Notes&\tten1\zhu M\hl G|\qu {^i}\hu o\enotes -\temps\Notes&\zw N\hl{^I}|\enotes -\temps\notes\pause&|\dqh nm\enotes -\temps\Notes&\hl {^H}|\qu l\enotes -\temps\notes&|\dqh kj\enotes - %\check - % mesure 15 -\barre\Notes\sk\sk\pause&\zqu a\ql K\zqu c\ql L\hl N|\qu m\qu l\zql g\hu k\ql f\enotes -\temps\Notes\soupir\qu J&\ql c\soupir|\zql e\qu j\soupir\enotes - %\check - % mesure 16 - \generalmeter{\meterfrac 22}% -\changecontext\Notes\qu G\hu L\sk&\sk\pause|\sk\pause\enotes -\temps\notes\dqh KL&|\enotes - %\check - % mesure 17 -\barre\Notes\qu M\qu K&|\sk\hpause\enotes -\temps\Notes\hu L&\pause|\soupir\qu h\enotes - %\check - % mesure 18 -\barre\Notes\hu K\sk\hu J&\sk\sk\pause|\qu f\hu j\enotes -\temps\notes&|\dqh{^i}j\enotes - %\check - % mesure 19 -\barre\Notes\hu {^I}\sk&\sk\hpause|\qu k\qu{^i}\enotes -\temps\Notes\hu J&\sk\qu N|\itenu1j\hu j\enotes - %\check - % mesure 20 -\barre\Notes\hu H&\qu L\hu c|\tten1\wh j\enotes -\temps\Notes\hu {_K}&\enotes -\temps\notes&\dqh{=b}c\enotes - %\check - % mesure 21 -\barre\Notes\hu I&\qu {_d}\qu b|\hu g\enotes -\temps\Notes\qu H\qu M&\itenu1c\hu c|\soupir\qu h\enotes - %\check - % mesure 22 -\barre\Notes\qu J\hl a&\tten1\wh c|\qu m\qu{^l}|\enotes -\temps\Notes\sk&|\qu m\enotes -\temps\notes\dqb Na&|\dqh lk\enotes - %\check - % mesure 23 -\barre\Notes\ql N&\ql b|\hu j\enotes -\temps\Notes\ql M&\ql a\enotes -\temps\Notes\ql {^L}&\ql N|\zhl i\hu{^l}\enotes -\temps\notes\dqb KJ&\dqb ab\enotes - %\check - % mesure 24 -\barre\Notes\ql M&\ql c|\zql h\qu m\enotes -\temps\Notes\ql J&\ql b|\zql i\qu {^l}\enotes -\temps\Notes\hu F&\ql a\soupir|\zql j\qu m\zql f\raise 2\Interligne\soupir\enotes - %\check - % mesure 25 -\barre\Notes\hu H&|\ql c\hl h\enotes -\temps\Notes\hu I&\pause|\sk\enotes -\temps\notes&|\dqb gh\enotes - %\check - % mesure 26 -\barre\Notes\hu {_K}&|\ql i\zql g\raise4\internote\hpause\enotes -\temps\Notes\hu J&\hpause|\hl h\qu j\enotes - %\check - % mesure 27 -\barre\Notes\hu H&\wh c|\qu m\hu {^l}\enotes -\temps\Notes\hu I&|\sk\enotes -\temps\notes&|\dqh kl\enotes - %\check - % mesure 28 -\barre\Notes\hu {^I}&\zhl a\hu d|\qu m\qu k\enotes -\temps\Notes\hu{=I}&\zhl N\itenu1c\hu c|\qu {^l}\enotes -\temps\notes&|\dqh kj\enotes - %\check - % mesure 29 -\barre\Notes\hu{H}&\tten1\zhl M\wh c|\qu m\enotes -\temps\notes&|\bigNa l\dqh l{_k}\enotes -\temps\notes\hu G&\hu{^e}|\dqh ji\enotes -\temps\notes&|\dqh hg\enotes - %\check - % mesure 30 - \generalmeter{\meterfrac 32}% -\changecontext\Notes\hu F&\zhl M\hu d|\qu h\enotes -\temps\notes&|\dqh gf\enotes -\temps\Notes\hu{^E}&\zhl N\hu c|\qu {j^e}\enotes -\temps\Notes\hu F&\zql M\hu a|\hu f\enotes -\temps\Notes&\qu M|\sk\enotes - %\check - % mesure 31 -\barre\Notes\hu K&\qu a\hu{^I}\enotes -\temps\Notes\hu G&\enotes -\temps\notes&\dqh JK|\pause\enotes -\temps\Notes\qu {LK}&\qu N\qu M\enotes - %\check - %mseure 32 -\barre\Notes\hu J&\qu L\enotes -\temps\notes&\dqh KL\enotes -\temps\notes\hu H&\dqh ML|\pause\enotes -\temps\notes&\dqh KJ\enotes -\temps\Notes\hu G&\qu N\soupir|\soupir\qu g\enotes - %\check - % mesure 33 -\barre\Notes\hu H&\hu M|\qu c\hu h\enotes -\temps\Notes\hu {^I}&\zhl K\hu{^b}\enotes -\temps\notes&|\dqh gf\enotes -\temps\Notes\hu J&\zhl L\hu c|\qu e\enotes -\temps\notes&|\dqh dc\enotes - %\check - % mesure 34 - \generalmeter{\meterfrac 22}% -\changecontext\notes\hu G&\zhl K\hu{^b}|\dqh gf\enotes -\temps\notes&|\dqh ed\enotes -\temps\Notes\hu J&\zql L\qu N\soupir|\qu c\qu j\enotes - %\check - % mesure 35 - \generalmeter{\meterfrac 32}% -\changecontext\Notes\hu {^H}&\zql M\hu c\ql {^a}|\qu l\hu{^f}\enotes -\temps\Notes\hu K&\zw{^M}\hu d|\enotes -\temps\notes&|\dqh kj\enotes -\temps\notes\hu{^F}&\hu c|\dqh kj\enotes -\temps\notes&|\dqh ih\enotes - %\check - % mesure 36 -\barre\Notes\hu G&\zhl b\hu d|\qu g\enotes -\temps\notes&|\dqh {^h}i\enotes -\temps\Notes\hu {^H}&\zhl L\itenu0c\hu c|\qu j\enotes -\temps\Notes&|\qu e\enotes -\temps\Notes\hu K&\zhl{^M}\tten0\qu c|\qu d\enotes -\temps\notes&\qu a|\dqh {^e}{^f}\enotes - %\check - % mesure 37 -\barre\Notes\hu G&\zql N\hu b\ql L|\hu g\enotes -\temps\notes\qu {^H}&\zql K\qu{^M}|\dqh ji\enotes -\temps\notes\qu K&\zql M\qu c|\dqh {^h}g\enotes -\temps\Notes\hu G&\zqu{^b}\ql N|\qu g\enotes -\temps\notes&\soupir|\dqh g{^h}\enotes - %\check - % mesure 38 - \generalmeter{\meterfrac 22}% -\changecontext\notes\hu K&\zhl{^b}\hu f|\dqh {^i}j\dqh kl\enotes -\temps\Notes\hu{^I}&\cNa a\zhl a\hu d|\qu m\enotes -\temps\notes&|\dqh fg\enotes - %\check - % mesure 39 -\barre\notes\hu G&\itenl1N\zhl N\qu f\sk\qu d|\dqh {^h}{^i}\dqh jk\enotes -\temps\Notes\itenl0J\hu J&\tten1\zql N\qu e|\itenu1l\ql l\enotes -\temps\notes&\dqh LK\enotes - %\check - % mesure 40 -\barre\notes\tten0\hu J&\dqh LM\dqh Na|\itenl0g\zhl g\tten1\hu l\enotes -\temps\Notes\hu F&\qu a|\tten0\itenl0g\zhl g\hu k\enotes -\temps\notes&\dqh NM\enotes - %\check - % mesure 41 - \generalmeter{\meterfrac 32}% -\changecontext\Notes\hu G&\qu L|\tten0\zhl g\hu j\enotes -\temps\notes&\dqh KJ\enotes -\temps\notes\hu{^I}&\dqh NM|\zhl f\hu{^i}\enotes -\temps\notes&\dqh LK\enotes -\temps\Notes\hu H&\qu {^J}|\zql g\qu{^j}\enotes -\temps\Notes&\soupir|\qu h\enotes - %\check - % mesure 42 -\barre\Notes\hl K&|\qu f\enotes -\temps\Notes\sk\hl{^L}&|\hu k\sk\enotes -\temps\notes&\pause|\dqh{^j}{^i}\enotes -\temps\Notes\hu{^H}&|\qu j\enotes -\temps\notes&|\dqh k{^l}\enotes - %\check - % mesure 43 -\barre\Notes\hu F&|\qu h\enotes -\temps\Notes\sk\hu I&|\hu k\sk\enotes -\temps\Notes&\pause|\qu j\enotes -\temps\Notes\hu J&|\qu {=i}\enotes -\temps\notes&|\dqh hi\enotes - %\check - % mesure 44 -\barre\Notes\qu{^J}&|\qu {^h}\enotes -\temps\Notes\cNa I\qu I&|\qu g\enotes -\temps\Notes\qu H&|\qu f\enotes -\temps\Notes\qu G&\pause|\qu g\enotes -\temps\Notes\qu F&|\qu {^h}\enotes -\temps\notes\qu G&|\dqh gf\enotes - %\check - % mesure 45 - \generalmeter{\meterfrac 22}% -\changecontext\Notes\hu {^H}&|\roff{\Pince l}\hu {^e}\enotes -\temps\Notes&\hpause|\sk\enotes -\temps\Notes\hu D&\soupir|\hu d\enotes -\temps\Notes&\ql{^a}|\sk\enotes - %\check - % mesure 46 - \generalmeter{\meterfrac 32}% -\changecontext\Notes\hu I&\ql M\hl d|\zhl{^h}\hu k\enotes -\temps\Notes\hu {^H}&|\zhl g\hu{^l}\enotes -\temps\notes&\dqb{^c}{^b}\enotes -\temps\Notes\hu{^J}&\ql c|\zhl l\hu n\enotes -\temps\notes&\dqb d{^e}\enotes - %\check - % mesure 47 - \barre\Notes\hu K&\ql f|\zhl h\hu m\enotes - \temps\notes&\dqb{^e}d\enotes - \temps\notes\hu{^H}&\ql e\sk\ql{^c}|\itenl0j\zhl{^j}\dqh {^o}n\dqh m{^l}\enotes - \temps\Notes\hu F&\ql {^a}\soupir|\roff{\tten0\zql j}\qu k\ql k\enotes - %\check - % mesure 48 - \barre\Notes\hu G&\qu K|\ql p\enotes - \temps\notes&\dqh{^L}M|\hl n\enotes - \temps\Notes\hu J&\qu L|\enotes - \temps\notes\sk\sk\hu I&\dqh KJ\hu{^L}|\dqb m{^l}\dqb qp\dqb {=o}n\enotes - %\check - % mesure 49 - \barre\Notes\hu H&\ql M|\ql o\enotes - \temps\notes&\dqb Na|\dqb nm\enotes - \temps\Notes\hu I\sk\hu J&\hl N\sk\ql{^L}|\ql {_r}\hl {^l}\sk\enotes - \temps\notes&\dqb Nb|\dqb mn\enotes - %\check - % mesure 50 - \barre\notes\hu H&\dqb aN\dqb M{=L}|\ql j\sk\ql m\enotes - \temps\notes\qu G\sk\qu J&\hl{^L}|\dqb po\dqb nm\enotes - \temps\Notes\hu F&\ql a\soupir|\ql m\qu m\enotes - %\check - % mesure 51 - \barre\Notes\hu H&\zhl a\itenu1f\hu f|\zhl h\qu j\enotes - \temps\Notes\sk&|\hu o\enotes - \temps\Notes\hu I&\tten1\itenl1b\zhl b\zhu f|\hl{_k}\enotes - \temps\notes\sk&|\dqh nm\enotes - \temps\Notes\hu J&\tten1\zhl b\hu{^e}|\zhl j\qu{^l}\enotes - \temps\notes\sk&|\dqh mn\enotes - %\check - % mesure 52 - \barre\Notes\hu H&\zhl a\itenu1f\hu f|\zhl h\qu j\enotes - \temps\Notes\sk&|\hu m\enotes - \temps\Notes\hu{^H}&\zhl{^a}\tten1\itenu1f\hu f|\hl j\enotes - \temps\Notes\sk&|\qu{=l}\enotes - \temps\Notes\hu I&\tten1\zhl b\hu f|\zhl i\qu{_k}\enotes - \temps\notes\sk&|\dqh jk\enotes - %\check - % mesure 53 - \barre\Notes\qu J&\zhl b\hu{^e}|\loff{\zqu j}\hl i\enotes - \temps\Notes\qu I&|\qu{^l}\enotes - \temps\Notes\qu H&\zql c\hu f|\zhl h\qu m\enotes - \temps\notes\qu I&\ql{_d}|\dqh {=l}{_k}\enotes - \temps\Notes\qu J&\zql c\hu{^e}|\zhl g\qu j\enotes - \temps\Notes\qu I&\ql N|\qu {^l}\enotes - %\check - % mesure 54 - \barre\Notes\hu H&\zhl a\itenu0f\hu f|\zhl j\qu m\enotes - \temps\Notes\sk&|\qu {=l}\enotes - \temps\Notes\hu G&\zhl{^b}\tten0\hu f|\zhl {^i}\qu{=k}\enotes - \temps\notes\sk&|\dqh jk\enotes - \temps\Notes\hu J&\zhl N\hu{=e}|\zhl g\qu l\enotes - \temps\notes\sk&|\dqh kj\enotes - %\check - % mesure 55 - \generalmeter{\meterfrac 22}% - \changecontext\notes\hu G&\zql{^b}\hu f|\zhl{^i}\dqh lk\enotes - \temps\notes\sk&\rlap{\sk\itenu1N}\dqb aN|\dqh j{^i}\enotes - \temps\Notes\qu J&\tten1\zql N\qu e|\zhl g\qu j\enotes - \temps\Notes\soupir&\itenu1c\zqu c\raise -\Interligne\soupir|\qu l\enotes - %\check - % mesure 56 - \generalmeter{\meterfrac 32}% -\changecontext\Notes\hu G\sk\hu H&\tten1\zhl L\qu c\hu e\hl M|\zhl g\qu j\hu n\hl h\enotes -\temps\notes&\dqh dc|\dqh ml\enotes -\temps\Notes\hu F&\zhl K\qu {^b}|\zhl h\qu k\enotes -\temps\notes&\dqh cd|\dqh lm\enotes - %\check - % mesure 57 -\barre\Notes\hu E&\zhl L\qu N\hu c|\itenl0j\zwh j\qu l\hu o\enotes -\temps\Notes\hu J\sk\hu H&\hl {^L}\qu b\zhl M\qu a|\sk\qu n\tten0\zhl j\qu m\enotes -\temps\notes&\rlap{\sk\itenu0c}\dqh bc|\dqh no\enotes - %\check - % mesure 58 -\barre\Notes\hu G\sk \qu J\qu H&\zql N\tten0\qu c\zql M\qu {^b}\zql L\qu N\zql a\qu -d|\zql l\qu n\zql k\qu m\zql j\qu l\zql h\qu m\enotes % -\temps\Notes\itenl2G\hu G&\zql N\qu e|\zql j\qu n\enotes -\temps\notes&\rlap{\dqb aN}\dqh dc|\rlap{\dqb hg}\dqh ml\enotes - %\check - % mesure 59 - \generalmeter{\meterfrac 22}% -\changecontext\Notes\tten2\hu G&\zql a\hu d\itenl1N\ql N|\zhl{^i}\roff{\Pince q}\hu k\enotes -\temps\Notes\qu J\qu J&\tten1\zql N\qu e\soupir|\zql g\qu j\soupir\enotes - %\check - % mesure 60 - \barre \temps\Notes\qu K&\zhl a\itenu1f\hu f|\zhl h\hu k\enotes - \temps\Notes\hu G\sk&\sk\itenl0N\zhl N\tten1\hu f|\sk\zhl {^i}\hu m\enotes - \temps\notes\dqh H{^I}&|\enotes - \temps\Notes\qu J&\tten0\zhl N\hu e|\zhl j\hu l\enotes - \temps\notes\dqh KL&|\enotes - %\check - % mesure 61 - \barre\Notes\ql M&\zhl a\hu f|\zhl k\hu m\enotes - \temps\notes\dqb Na&|\enotes - \temps\Notes\ql N&\zhl c\hu g|\zhl l\itenu1n\hu n\enotes - \temps\notes\dqb ML&|\enotes - \temps\Notes\ql K&\zhl {^b}\hu f|\zhl k\tten1\hu n\enotes - \temps\Notes\ql N&|\enotes - %\check - % mesure 62 - \setclef2{0000}\changeclefs - \barre\Notes\hl J&\zhl c\hu e|\zhl g\qu j\enotes - \temps\Notes\sk&|\hu l\enotes - \temps\Notes\hl L&\zhl e\hu g|\hl j\enotes - \temps\Notes\sk&|\qu n\enotes - \temps\Notes\hl M&\itenl0d\zhl d\hu h|\zql j\itenu1o\hu o\enotes - \temps\Notes\sk&|\ql k\enotes - %\check - % mesure 63 - \barre\Notes\hl N&\tten0\zhl d\hu f|\zhl{^i}\tten1\qu o\enotes - \temps\notes\sk&|\dqh nm\enotes - \temps\Notes\hl J&\zhl e\qu h|\zw j\hu l\enotes - \temps\Notes\sk&\qu g|\enotes - \temps\Notes\hl L&\zhl c\qu e|\hu m\enotes - \temps\Notes\sk&\itenu1h\qu h|\enotes - %\check - % mesure 64 - \barre\Notes\hl{^I}&\tten1\zhl d\qu h|\zhl k\hu n\enotes - \temps\notes\sk&\dqh gf|\enotes - \temps\Notes\hl J&\zhl c\qu e|\zhl l\hu o\enotes - \temps\Notes\sk&\hu j|\enotes - \temps\Notes\hl{^L}&\hl g|\zhl k\hu n\enotes - \temps\Notes\sk&\qu i|\enotes - %\check - % mesure 65 - \barre\Notes\hl M&\zql h\itenu1j\hu j|\itenl2l\zhl l\hu o\enotes - \temps\notes\sk&\dqb gf|\enotes - \temps\Notes\hl{=L}&\tten1\zql g\qu j|\tten2\zql l\hu q\enotes - \temps\Notes\sk&\itenl1f\ql f|\ql o\enotes - \temps\Notes\hl K&\roff{\tten1\zhl f}\qu g|\zql n\hu{^p}\enotes - \temps\Notes\sk&\qu h|\ql m\enotes - %\check - % mesure 66 - \barre\Notes\qu J&\zhl e\itenu1g\wh g|\zhl j\qu l\enotes - \temps\Notes\qu H&|\qu m\enotes - \temps\Notes\hu G&\hl d|\zhl{^i}\hu n\enotes - \temps\Notes\sk&|\enotes - \temps\Notes\hu C&\zql c\zq e\tten1\qu g|\soupir\enotes - \temps\Notes\sk&\soupir|\qu j\enotes - %\check - % mesure 67 - \barre\Notes\hu K&\zh{^b}\itenu1f\zhl f\bracket h{27}\hu h|\ql o\enotes - \temps\Notes\sk&|\hl {^i}\enotes - \temps\Notes\hu G&\tten1\zh a\itenl1d\zh d\hu f|\enotes - \temps\notes\sk&|\dqb jk\enotes - \temps\Notes\hu E&\roff{\itenu0c}\rh c\zh N\tten1\hu d|\ql g\enotes - \temps\notes\sk&|\dqb nm\enotes - %\check - % mesure 68 - \barre\Notes\hu G&\tten0\itenl1a\itenl2c\zh{ac}\hu e|\ql l\enotes - \temps\notes\sk&|\dqb mn\enotes - \temps\Notes\hu F&\tten1\tten2\zh{a}\zhl c\qu f|\ql o\enotes - \temps\notes\sk&\rlap{\sk\itenu2h}\dqh gh|\dqb nm\enotes - \temps\Notes\hu G&\tten2\zh{^b}\zhl f\qu h|\ql {^p}\enotes - \temps\notes\sk&\dqh gf|\dqb {^o}n\enotes - %\check - % mesure 69 - \barre\Notes\hu{^H}&\zh{ce}\hu g|\ql q\enotes - \temps\Notes\sk&|\ql n\enotes - \temps\notes\hu{=H}&\itenu1f\zh{^bf}\hu{=h}|\dqb ml\enotes - \temps\notes\sk&|\dqb kj\enotes - \temps\Notes\hu F&\tten1\zh{ad}\hu f|\ql o\enotes - \temps\notes\sk&|\dqb nm\enotes - %\check - \generalmeter{\meterfrac 22}% - % mesure 70 - \changecontext\notes\hu G&\itenu1c\itenu2e\zh{Nc}\hu e|\dqb lm\enotes - \temps\Notes\sk&|\hl n\enotes - \temps\Notes\hu J&\tten1\tten2\itenl0a\zh{ac}\hu e|\sk\enotes - \temps\notes\sk&|\dqb ml\enotes - %\check - % mesure 71 - \generalmeter{\meterfrac 32}% - \changecontext\Notes\qu G&\tten0\zh a\itenu2f\hu f|\ITrille 0p\zw{^i}\wh k\enotes - \temps\Notes\qu H&|\enotes - \temps\NOtes\wh G&\tten2\zw{^b}\wh f|\enotes - \temps\NOtes\sk&|\Ttrille 0\zhl j\hu j\enotes - %\check - % mesure 72 - \barre\NOTes\whp C&\zwp{Nc}\whp e|\whp j\enotes -\mulooseness 5\relax -\finmorceau -\rightline{\sl\aujourdhui}\vfil\eject -\endinput - diff --git a/musixtex/doc/examples/fugue.tex b/musixtex/doc/examples/fugue.tex deleted file mode 100644 index d6065f3..0000000 --- a/musixtex/doc/examples/fugue.tex +++ /dev/null @@ -1,677 +0,0 @@ -\parindent 18mm -% -\centerline{\moyen FUGUE}\bigskip -\tracingstats=2\relax -% -\nbporteesii=2\relax -\def\nbinstruments{2} -\global\cleftoksii={{6}{0}{0}{0}}% -\global\cleftoksi={{6}{0}{0}{0}}% -% -\signaturegenerale{1}\relax % sol majeur -%\check -\def\instrumenti{P\'edale 16'}% -\def\instrumentii{G.O.}% -%\check -\def\gluemaxskip{7pt}% -\medskip\noindent{\rm G.O.: mixtures, fonds 8'}% -\par\noindent{\rm P\'ed.: fonds 16', tirasse G.O.}% -\smallskip -% -\generalmeter{\meterfrac 68}% -% -\debutmorceau -% calcul de \elemskip en fonction de la largeur de page pour eviter les glues -% -\autolines {12}45\relax -%\check -% -\hyphenpenalty -50\relax -\notes&|\Uptext{\hbox{\kern -16mm\moyen Giocoso \bf(\metron{\cu}{120})}}\enotes -\advance\linesinpage by 1\relax -% -% formes frequentes -\def\ptsoupir{\pt 5\soupir}% soupir pointe -% deux croches hautes -\def\dql#1#2#3{\ibl0{#2}{#1}\qb0{#2}\tbl0\qb0{#3}}% -\def\dqu#1#2#3{\ibu0{#2}{#1}\qh0{#2}\tbu0\qh0{#3}}% -\def\dqh{\dqu}\def\dqb{\dql}% -% -% formes frequentes -% trois croches hautes -\def\trql#1#2#3#4{\ibl0{#2}{#1}\qb0{#2#3}\tbl0\qb0{#4}}% -\def\trqL#1#2#3#4{\ibl0{#3}{#1}\qb0{#2#3}\tbl0\qb0{#4}}% -%\check -\def\trqu#1#2#3#4{\ibu0{#2}{#1}\qh0{#2#3}\tbu0\qh0{#4}}% -\def\trqU#1#2#3#4{\ibu0{#3}{#1}\qh0{#2#3}\tbu0\qh0{#4}}% -%\check -% -% formes frequentes -% trois croches hautes pizzicato -\def\pztql#1#2#3#4{\ibl0{#2}{#1}\blpz0\qb0{#2}\blpz0\qb0{#3}\blpz0\tbl0\qb0{#4}}% -\def\pztqL#1#2#3#4{\ibl0{#3}{#1}\blpz0\qb0{#2}\blpz0\qb0{#3}\blpz0\tbl0\qb0{#4}}% -% -\def\pztqu#1#2#3#4{\ibu0{#2}{#1}\bupz0\qh0{#2}\bupz0\qh0{#3}\bupz0\tbu0\qh0{#4}}% -\def\pztqU#1#2#3#4{\ibu0{#3}{#1}\bupz0\qh0{#2}\bupz0\qh0{#3}\bupz0\tbu0\qh0{#4}}% -% -\def\lpztqu#1#2#3#4{\ilegl0{#3}\ibu0{#2}{#1}\qh0{#2}\tleg0\bupz0\qh0{#3}\bupz0\tbu0\qh0{#4}}% -\def\lpztqL#1#2#3#4{\ilegu0{#2}\ibl0{#3}{#1}\qb0{#2}\tleg0\blpz0\qb0{#3}\blpz0\tbl0\qb0{#4}}% -\def\lpztql#1#2#3#4{\ilegu0{#3}\ibl0{#2}{#1}\qb0{#2}\tleg0\blpz0\qb0{#3}\blpz0\tbl0\qb0{#4}}% -% -\def\lPztqL#1#2#3#4{\ilegu0{#2}\ibl0{#3}{#1}\qb0{#2}\tleg0\upzqb{#3}\tbl0\upzqb{#4}}% -\def\lPztql#1#2#3#4{\ilegu0{#3}\ibl0{#2}{#1}\qb0{#2}\tleg0\upzqb{#3}\tbl0\upzqb{#4}}% -\def\lPztqU#1#2#3#4{\ilegl0{#2}\ibu0{#3}{#1}\qh0{#2}\tleg0\lpzqh{#3}\tbu0\lpzqh{#4}}% -% -\def\upzqb#1{\upz{#1}\qb0{#1}}% -\def\lpzqh#1{\lpz{#1}\qh0{#1}}% -% -\def\Pztql#1#2#3#4{\ibl0{#2}{#1}\upzqb{#2}\upzqb{#3}\tbl0\upzqb{#4}}% -\def\PztqL#1#2#3#4{\ibl0{#3}{#1}\upzqb{#2}\upzqb{#3}\tbl0\upzqb{#4}}% -\def\Pztqu#1#2#3#4{\ibu0{#2}{#1}\lpzqh{#2}\lpzqh{#3}\tbu0\lpzqh{#4}}% -\def\PztqU#1#2#3#4{\ibu0{#3}{#1}\lpzqh{#2}\lpzqh{#3}\tbu0\lpzqh{#4}}% -\def\Pztqh{\Pztqu}\def\Pztqb{\Pztql}% -% -% deux doubles croches hautes -\def\dqbbu#1#2#3{\ibbl0{#2}{#1}\qb0{#2}\tbl0\qb0{#3}}% -\def\dqbbl#1#2#3{\ibbu0{#2}{#1}\qh0{#2}\tbu0\qh0{#3}}% -\def\dqbbh{\dqbbu}\def\dqbbb{\dqbbl}% -% -% quatre doubles croches -\def\qqbbh#1#2#3#4#5{\ibbu0{#2}{#1}\qh0{#2}\qh0{#3}\qh0{#4}\tqh0{#5}}\relax -\def\qqbbH#1#2#3#4#5#6{\ibbu0{#2}{#1}\qh0{#3}\qh0{#4}\qh0{#5}\tqh0{#6}}\relax -\def\qqbbu{\qqbbh}\def\qqbbb{\qqbbl}% -\def\qqbbl#1#2#3#4#5{\ibbl0{#2}{#1}\qb0{#2}\qb0{#3}\qb0{#4}\tqb0{#5}}\relax -\def\qqbbL#1#2#3#4#5#6{\ibbl0{#2}{#1}\qb0{#3}\qb0{#4}\qb0{#5}\tqb0{#6}}\relax -%\check -% quatre croches -\def\qqbh#1#2#3#4#5{\ibu0{#2}{#1}\qh0{#2}\qh0{#3}\qh0{#4}\tqh0{#5}}\relax -\def\qqbH#1#2#3#4#5#6{\ibu0{#2}{#1}\qh0{#3}\qh0{#4}\qh0{#5}\tqh0{#6}}\relax -\def\qqbl#1#2#3#4#5{\ibl0{#2}{#1}\qb0{#2}\qb0{#3}\qb0{#4}\tqb0{#5}}\relax -\def\qqbL#1#2#3#4#5#6{\ibl0{#2}{#1}\qb0{#3}\qb0{#4}\qb0{#5}\tqb0{#6}}\relax -%\check -% croche pointee et 3 doubles croches -\def\cpdddu#1#2#3#4{\ibu0{#1}{-2}\qhp0{#1}\sk\sk\nbbu0\qh0{#2}\qh0{#3}\tqh0{#4}}% -\def\cpdddl#1#2#3#4{\ibl0{#2}{-2}\qbp0{#1}\sk\sk\nbbl0\qb0{#2}\qb0{#3}\tqb0{#4}}% -%\check -% croche et 4 doubles croches -\def\cddddu#1#2#3#4#5#6{\ibu0{#2}{#1}\qh0{#2}\sk\nbbu0\qh0{#3#4#5}\tqh0{#6}}% -\def\cddddl#1#2#3#4#5#6{\ibl0{#2}{#1}\qb0{#2}\sk\nbbl0\qb0{#3#4#5}\tqb0{#6}}% -% -\def\doubler{\multiply\noteskip by 2\relax}% -% -% mesure 1 -\Notes&|\pztql0iki\enotes -\temps\notes\pause&\pause|\cpdddl lkji\enotes -%\check -% mesure 2 -\barre\Notes&|\pztqU0hjh\enotes -\temps\Notes\pause&\pause|\qu k\sk\dsoupir\enotes -%\check -% mesure 3 -\barre\Notes&|\pztqU0gig\enotes -\temps\Notes\pause&\pause|\pztqu0jhj\enotes -% -% mesure 4 -\barre\Notes&|\lpztqu0khk\enotes -\temps\notes\pause&\pause|\cddddu2ighij\enotes -%\check -% mesure 5 -\barre\autolines {10}55\relax -\Notes&\Pztql0bdb|\pztql0kmk\enotes -\temps\notes\pause&\doubler\ql L\sk\cu{^J}|\cpdddl nmlk\enotes -%\check -% mesure 6 -\barre\Notes&\sh a\Pztql0a{^c}a|\sh j\pztql0jlj\enotes -\temps\Notes\pause&\ql K\sk\cl M|\ql m\sk\dsoupir\enotes -%\check -% mesure 7 -\barre\Notes&\ql N\sk\cl b|\pztql0iki\enotes -\temps\Notes\pause&\ql c\sk\na a\cl a|\pztqL0l{=j}l\enotes -% mesure 8 -\barre\Notes&\ql M\sk\cl K|\pztqL0khk\enotes -\temps\notes\pause&\ql N\sk\dsoupir|\cddddu1gefgh\enotes -% mesure 9 -\barre\Notes&\pztql0LNL|\rlap{\qlp i}\qup n\enotes -\temps\notes\pause&\cpdddl aNML|\rlap{\qlp j}\qup l\enotes -%\check -% mesure 10 -\barre\Notes&\pztql0KMK|\rlap{\qlp h}\qup m\enotes -\temps\notes\pause&\cpdddl baNM|\rlap{\qlp g}\qup k\enotes -% mesure 11 -\barre\Notes&\pztql0LNL|\rlap{\qup l}\pztql2ghi\enotes -\temps\Notes\pause&\pztqu{-2}JIH|\itenu0m\rlap{\qup m}\pztql2hi{^j}\enotes -% mesure 12 -\barre\Notes\ptsoupir&\pztqu0I{^K}I|\tten0\sh k\rlap{\qlp k}\qup m\enotes -\temps\Notes\PztqU0EGE&\qu L\sk\dsoupir|\zql i\qu n\sk\dsoupir\enotes -%\check -\cleftoksii={{0}{0}{0}{0}}\changeclefs % -% mesure 13 -\barre\Notes\qu I\sk\dsoupir&\PztqU0{^d}fd|\pztql0i{^k}i\enotes -\temps\notes\doubler\pztqU0EGE&\doubler\pztqu0geg|\cpdddu l{=k}ji\enotes -%\check -% mesure 14 -\barre\Notes\qu J\sk\dsoupir&\PztqU0cec|\pztql0hjh\enotes -\temps\notes\doubler\pztqU0FHF&\doubler\PztqU0{^d}fd|\cpdddl ml{^k}j\enotes -%\check -\def\atnextline{\autolines{10}45}\relax -% mesure 15 -\barre\Notes\qup{^K}&\pztqU0fhf|\pztql0i{^k}i\enotes -\temps\Notes\qlp L&\pztqu0igi|\pztqL0nln\enotes -%\check -% mesure 16 -\barre\Notes\qup I&\qup{^d}|\rlap{\qup m}\pztql0i{^k}i\enotes -\temps\notes\qup J&\doubler\pztqU0ege|\bigaccid - \rlap{\qup n}\cpdddl l{=k}ji\enotes -%\check -% mesure 17 -\barre\notes\qup H&\cpdddu fe{=d}c|\doubler\rlap{\qup m}\pztql0hjh\enotes -\temps\Notes\qup I&\PztqU0bdb|\zql i\qu n\sk\dsoupir\enotes -%\check -% mesure 18 -\barre\notes\qup G&\cpdddu edcb|\doubler\zhup l\pztql0gig\enotes -\temps\Notes\qup H&\PztqU0aca|\pztqL0jhj\enotes -% -% mesure 19 -\barre\Notes\qup F&\Pztqu0dcd|\rlap{\qup m}\lpztqL0khk\enotes -\temps\notes\qup G&\qu b\sk\sk\sk\dsoupir|\rlap{\doubler - \qu n\sk\raise 2\Interligne\dsoupir}\cl i\sk\qqbbl2ghij\off{-\elemskip}\enotes -%\check -% mesure 20 -\cleftoksii={{6}{0}{0}{0}}\changeclefs % -\barre\Notes\qup I&\Pztql0bdb|\rlap{\qlp g}\pztqU0kmk\enotes -\temps\notes\qup E&\doubler\PztqL0ebe|\rlap{\qlp i}\cpdddu nmlk\enotes -%\check -% mesure 21 -\barre\notes\qup H&\bigsh c\cpdddl cbaN|\itenl0h\rlap{\qlp h}\doubler\sh j\pztqU0jlj\enotes -\temps\Notes\qup D&\pztql0MaM|\tten0\zql h\qu m\sk\dsoupir\enotes -%\check -\def\atnextline{\autolines{10}55}\relax -% mesure 22 -\barre\notes\qup G&\cpdddl baNM|\rlap{\hlp g}\doubler\pztqU0iki\enotes -\temps\Notes\qup C&\pztql0LNL|\pztqu0ljl\enotes -% mesure 23 -\barre\Notes\qup D&\pztql0MKM|\rlap{\qlp f}\pztqu0khk\enotes -\temps\notes\qup G&\ql b\sk\sk\sk\dsoupir|\rlap{\doubler - \ql d\sk\raise-2\Interligne\dsoupir}\cu i\sk\qqbbu2ghij\enotes -%\check -% mesure 24 -\cleftoksii={{6}{0}{0}{0}}\changeclefs % -\barre\Notes\qup I&\Pztql0bdb|\rlap{\qlp g}\pztqU0kmk\enotes -\temps\notes\qup E&\doubler\PztqL0ebe|\rlap{\qlp i}\cpdddu nmlk\enotes -%\check -% mesure 25 -\barre\notes\qup H&\cpdddl cbaN|\itenl0h\rlap{\qlp h}\doubler\pztqU0jlj\enotes -\temps\Notes\qup D&\pztql0MaM|\tten0\zql h\qu m\sk\dsoupir\enotes -%\check -% mesure 26 -\barre\notes\qup G&\cpdddl baN{=M}|\rlap{\hlp g}\doubler\pztqU0iki\enotes -\temps\Notes\qup C&\qlp L|\pztqu0ljl\enotes -% mesure 27 -\barre\Notes\qup {=F}&\qlp a|\rlap{\hlp{=f}}\pztqu0khk\enotes -\temps\Notes\qup G&\qlp N|\pztqu0igi\enotes -\signaturegenerale{0}% -% mesure 28 -\changecontext\Notes\pztql0JLJ&\ql N\sk\dsoupir|\zql c\qu j\sk\dsoupir\enotes -\transpose=1\relax % pour eviter de monter d'un cran ce qui ecrit en si bemol -\temps\notes\cpdddl MLKJ&\ptsoupir|\ptsoupir\enotes -% mesure 29 -\barre\Notes\pztql0IKI\enotes -\temps\notes\cpdddl NMLK&\pause|\pause\enotes -% mesure 30 -\barre\Notes\pztql0JLJ\enotes -\temps\Notes\lpztqL0aMa&\pause|\pause\enotes -% mesure 31 -\barre\Notes\lpztqL0bab\enotes -\temps\Notes\ql M\sk\dsoupir&\pause|\pause\enotes -% mesure 32 -\barre\Notes\qup I&\Pztql0bdb|\rlap{\kern -1pt\qlp i}\pztqU0dfd\enotes -\temps\notes\doubler\qup L&\doubler\pztqL0NLN|\zql e\cpdddu gfed\enotes -% mesure 33 -\barre\Notes\qup H&\pztql0aca|\rlap{\kern -1pt\qlp h}\PztqU0cec\enotes -\temps\notes\qup K&\doubler\pztql0MaM|\rlap{\qlp d}\cpdddu fedc\enotes -% mesure 34 -\barre\Notes\qup G&\pztql0NbN|\rlap{\kern -1pt\hlp g}\PztqU0bdb\enotes -\temps\notes\qup J&\cpdddl NMLK|\doubler\Pztqu0ece\enotes -% mesure 35 -\barre\Notes\qup H&\pztql1JML|\rlap{\kern -1pt\qlp h}\pztqu0fcf\enotes -\transpose=0\relax % retour a la normale -\temps\Notes\qu J&\zql L\qu N\sk\dsoupir|\rlap{\kern -1pt\qlp j}\Pztqu{-3}ecb\enotes -\signaturegenerale{-3}% -% mesure 36 -\changecontext\Notes\PztqU0CEC&|\qu c\sk\dsoupir\enotes -\temps\Notes\qu G\sk\dsoupir&\pause|\Pztqu0{=b}db\enotes -% mesure 37 -\barre\notes\doubler\PztqU0CEC&|\cpdddu gfed\enotes -\temps\Notes\qu H\sk\dsoupir&\pause|\Pztqu0cec\enotes -% mesure 38 -\barre\notes\doubler\PztqU0DFD&|\cpdddu hgfe\enotes -\temps\Notes\qu {=I}\sk\dsoupir&\pause|\Pztqu0dfd\enotes -% mesure 39 -\barre\notes\doubler\PztqU0G{=I}G&|\bigaccid\cpdddu {=i}{=h}gf\enotes -\temps\Notes\qu J\sk\dsoupir&\pause|\pztqU0ege\enotes -% mesure 40 -\barre\notes\qup E&\rlap{\qlp L}\cpdddu cbaN|\doubler\pztqu0jgj\enotes -\temps\Notes\qup F&\rlap{\qlp M}\pztqU0cac|\bigna h\pztqu0hfh\enotes -% mesure 41 -\barre\notes\qup I&\rlap{\qlp M}\cpdddu dcba|\doubler\pztqu0khk\enotes -\temps\Notes\qup L&\rlap{\qlp N}\pztqu0beb|\pztqu0igi\enotes -% mesure 42 -\barre\notes\qup J&\rlap{\qlp N}\cpdddu edcb|\doubler\pztqu0lil\enotes -\temps\Notes\qup H&\rlap{\qlp a}\qup c|\pztqu0jhj\enotes -% mesure 43 -\barre\notes\doubler\qup{=H}&\rlap{\bigna a\qlp a}\cpdddu fedc|\doubler\pztqu0mjm\enotes -\temps\Notes\qup I&\rlap{\qlp b}\itenu0d\qup d|\pztqu0kik\enotes -% mesure 44 -\barre\Notes\qup G&\tten0\rlap{\qlp{=b}}\qup d|\pztqL0nkn\enotes -\temps\Notes\qup J&\itenu0c\itenu1e\rlap{\zqp c\qlp N}\qup e|\pztql0ljl\enotes -% mesure 45 -\barre\Notes\qup{=H}&\tten0\tten1\itenu0a\rlap{\zqp c\qlp{=a}}\qup e|\na o\pztqL0olo\enotes -\temps\Notes\qup J&\tten0\itenu0d\rlap{\zqp a\qup{^M}}\qup d|\pztqu0{^m}km\enotes -% mesure 46 -\signaturegenerale{-2}% -\changecontext\Notes\qup G&\tten0\zqp {Nb}\qlp d|\pztql{-4}nkj\enotes -\temps\Notes\ptsoupir&\ptsoupir|\pztql2ijk\enotes -% mesure 47 -\barre\Notes\qup G&\Pztql0bdb|\qu g\sk\dsoupir\enotes -\temps\notes\qup J&\cpdddl edcb|\ptsoupir\enotes -% mesure 48 -\barre\Notes\qup F&\Pztql0aca|\enotes -\temps\notes\qup I&\cpdddl dcba|\pause\enotes -% mesure 49 -\barre\Notes\qup E&\Pztql0NbN|\enotes -\temps\Notes\qup H&\lPztqL0cac|\pause\enotes -% mesure 50 -\barre\Notes\sh F\qup F&\PztqL0dad\enotes -\temps\notes\qup G&\cl b\sk\qqbbl3Nabc|\pause\enotes -% mesure 51 -\barre\Notes\qup I&\PztqL0dbd|\pztql0iki\enotes -\temps\notes\qup J&\doubler\PztqL0geg|\cpdddl lkji\enotes -%\check -% mesure 52 -\barre\Notes\qup L&\Pztql0cec|\pztqU0hjh\enotes -\temps\Notes\qup K&\PztqL0{^f}df|\qu k\sk\dsoupir\enotes -%\check -% mesure 53 -\barre\Notes\qup E&\Pztql0bdb|\pztqU0gig\enotes -\temps\notes\qup H&\cpdddl edcb|\doubler\pztqu0jhj\enotes -% -% mesure 54 -\barre\Notes\qup{^F}&\lpztql0ada|\Pztqu0khk\enotes -\temps\notes\qup G&\itenl0N\rlap{\qlp N}\qup d|\cddddu2ighij\enotes -%\check -% mesure 55 -\barre\Notes\qup I&\tten0\rlap{\kern 1pt\qup N}\Pztql0bdb|\pztql0kmk\enotes -\temps\notes\qup G&\doubler\rlap{\kern 1pt\qup a}\Pztql0ege|\bigaccid - \cpdddl n{=m}lk\enotes -%\check -% mesure 56 -\barre\Notes\qup H&\sh M\rlap{\kern 1pt\hup M}\Pztql0aca|\pztql0jlj\enotes -\temps\Notes\qup K&\Pztql0d{^f}d|\ql{^m}\sk\dsoupir\enotes -%\check -% mesure 57 -\barre\Notes\qup G&\rlap{\kern 1pt\qup N}\PztqL0dbd|\pztql0iki\enotes -\temps\Notes\qup H&\rlap{\kern 1pt\qup L}\PztqL0cac|\pztqL0ljl\enotes -% mesure 58 -\barre\Notes\qup{^F}&\sh M\rlap{\kern 1pt\qup M}\Pztql0aca|\pztqL0khk\enotes -\temps\Notes\itenl0G\qup G&\rlap{\qup d}\Pztql0NbN|\qu g\sk\dsoupir\enotes -% mesure 59 -\barre\notes\tten0\qup G&\bigfl e\cpdddl edcb|\enotes -\temps\Notes\qup{=F}&\Pztql0aca|\pause\enotes -%\check -% mesure 60 -\barre\Notes\qu I\sk\dsoupir&\ql d\sk\dsoupir|\ptsoupir\enotes -\temps\Notes\qup E&\Pztql2Nab|\qup i\enotes -% mesure 61 -\barre\notes\qup H&\doubler\Pztql0cec|\cpdddl lkji\enotes -\temps\Notes\qup D&\Pztql2MNa|\qup h\enotes -% mesure 62 -\barre\Notes\qup G&\Pztql0bdb|\qup k\enotes -\temps\Notes\qup C&\pztql2LMN|\qup g\enotes -% mesure 63 -\barre\Notes\hup H&\Pztql0aca|\pztql0jlj\enotes -\temps\Notes&\pztqL0MLM|\pztqu0hfh\enotes -%\check -% mesure 64 -\barre\Notes\pztql0IKI&\ql b\sk\dsoupir|\ql i\sk\dsoupir\enotes -\temps\notes\cpdddl MLKJ&\ptsoupir|\ptsoupir\enotes -% mesure 65 -\barre\Notes\pztql0IKI\enotes -\temps\notes\cpdddl NMLK&\pause|\pause\enotes -% mesure 66 -\barre\Notes\pztql0JLJ\enotes -\temps\Notes\lpztqL0aMa&\pause|\pause\enotes -% mesure 67 -\barre\Notes\lpztqL0bab\enotes -\temps\Notes\ql M\sk\dsoupir&\pause|\pause\enotes -% mesure 68 -\barre\Notes\qup I&\Pztql0bdb|\pztqU0dfd\enotes -\temps\notes\doubler\qup L&\doubler\pztqL0NLN|\cpdddu gfed\enotes -% mesure 69 -\barre\Notes\qup H&\pztql0aca|\PztqU0cec\enotes -\temps\notes\qup K&\doubler\pztql0MaM|\cpdddu fedc\enotes -% mesure 70 -\barre\Notes\qup G&\pztql0NbN|\PztqU0bdb\enotes -\temps\notes\qup J&\cpdddl NMLK|\doubler\Pztqu0ece\enotes -% mesure 71 -\barre\Notes\qup H&\pztql1JML|\pztqu0fcf\enotes -\temps\Notes\qup I&\itenl0M\rlap{\qlp K}\qup M|\pztqu0dbd\enotes -% mesure 72 -\barre\Notes\qup{=I}&\tten0\pt a\rlap{\qu N}\qsk\qlp M|\pztqu0gdg\enotes -\temps\Notes\qup J&\itenl0L\rlap{\qlp L}\qup N|\pztqu0ece\enotes -% mesure 73 -\barre\Notes\qup H&\tten0\rlap{\qlp L}\hup a|\pztqu0heh\enotes -\temps\Notes\itenl0K\qup K&\itenl1M\qlp M|\pztqu0fdf\enotes -% mesure 74 -\barre\Notes\tten0\qup K&\tten1\rlap{\qlp M}\hup b|\pztqu0ifi\enotes -\temps\Notes\qlp L&\itenl0N\qlp N|\pztqu0geg\enotes -% mesure 75 -\barre\Notes\qup J&\tten0\rlap{\qlp N}\zhp c\hup e|\pztqu0jgj\enotes -\temps\Notes\qlp M&\itenu0a\qlp a|\pztqu0hfh\enotes -% mesure 76 -\barre\Notes\qup K&\tten0\itenu0d\zqp{^Ma}\qlp d|\pztqu0khk\enotes -\temps\Notes\qup G&\tten0\itenl0N\itenu1b\zqp{dN}\qlp b|\pztqu0igi\enotes -% mesure 77 -\barre\Notes\qup J&\tten0\tten1\zqp{N}\rlap{\qlp b}\hup e|\pztqu0lil\enotes -\temps\Notes\qup H&\itenl2a\itenu3c\zqp{a}\qlp c\relax -|\pztqu0jhj\enotes -% mesure 78 -\barre\Notes\qup K&\tten2\tten3\rlap{\kern 1pt\qup c}\zhp a\hlp{^f}|\pztqL0{^m}km\enotes -\temps\Notes\qup J&\qlp d|\pztqL0{m}km\enotes -% mesure 79 -\signaturegenerale{1}% -\changecontext\Notes\qup G&\zqp {Nb}\qlp d|\pztql{-4}nkj\enotes -\temps\Notes\ptsoupir&\ptsoupir|\lpztql2{=i}jk\enotes -% mesure 80 -\barre\Notes\qup G&\Pztql0bdb|\qup g\enotes -\temps\notes\qup J&\cpdddl edcb|\ptsoupir\enotes -% mesure 81 -\barre\Notes\qup F&\Pztql0aca|\enotes -\temps\notes\qup I&\cpdddl dcba|\pause\enotes -% mesure 82 -\barre\Notes\qup E&\Pztql0NbN|\enotes -\temps\Notes\qup H&\lPztqL0cac|\pause\enotes -% mesure 83 -\barre\Notes\qup F&\PztqL0dad\enotes -\temps\notes\qup G&\cl b\sk\qqbbl2Nabc|\pause\enotes -\cleftoksii={{0}{0}{0}{0}}\changeclefs -% mesure 84 -\barre\Notes\qup I&\PztqU0dfd|\pztql0iki\enotes -\temps\notes\qup E&\doubler\pztqu0geg|\cpdddl lkji\enotes -%\check -% mesure 85 -\barre\Notes\qup F&\PztqU0{^c}ec|\pztqU0{^h}{^j}h\enotes -\temps\Notes\qup I&\Pztqu0fdf|\qu k\sk\dsoupir\enotes -%\check -% mesure 86 -\barre\Notes\qup E&\PztqU0bdb|\pztqU0gig\enotes -\temps\notes\qup H&\cpdddu ed{=c}b|\doubler\pztqu0j{=h}{=j}\enotes -% -% mesure 87 -\barre\Notes\qup{=F}&\lPztqU0ada|\lpztqu0khk\enotes -\temps\Notes\qup G&\Pztqu0d{_b}d|\pztqu0{_i}gi\enotes -% mesure 88 -\barre\Notes\qup J&\PztqU0cec|\pztqL0l{_i}l\enotes -\cleftoksii={{6}{0}{0}{0}}\changeclefs -\temps\Notes\qup{=F}&\pztqL0a{_L}a|\pztqu0h{=f}h\enotes -%\check -\signaturegenerale{-2}% -% mesure 89 -\changecontext\Notes\qup I&\Pztql0bdb|\rlap{\kern -1pt\hlp i}\pztqU0dfd\enotes -\temps\notes\doubler\qup L&\doubler\pztqL0NLN|\cpdddu gfed\enotes -% mesure 90 -\barre\Notes\qup H&\pztql0aca|\rlap{\kern -1pt\hlp h}\PztqU0cec\enotes -\temps\notes\qup K&\doubler\pztql0MaM|\cpdddu fedc\enotes -% mesure 91 -\barre\Notes\qup G&\pztql0NbN|\rlap{\kern -1pt\hlp g}\PztqU0bdb\enotes -\temps\notes\qup J&\cpdddl NMLK|\doubler\Pztqu0ece\enotes -% mesure 92 -\barre\Notes\qup H&\pztql1JML|\rlap{\kern -1pt\qlp h}\pztqu0fcf\enotes -\temps\Notes\qup I&\ql K\sk\dsoupir|\zql d\qu i\sk\dsoupir\enotes -% mesure 93 -\barre\Notes&\Pztql0bdb\enotes -\temps\notes\pause&\bigaccid\cpdddl edcb|\pause\enotes -% mesure 94 -\barre\Notes&\fl a\Pztql0aca|\enotes -\temps\Notes\pause&\ql d\sk\dsoupir|\pause\enotes -% mesure 95 -\barre\Notes&\Pztql2N{_a}b\enotes -\temps\Notes\pause&\lpztqL{-2}cba|\pause\enotes -% mesure 96 -\barre\Notes&\Pztql0b{_a}b|\ptsoupir\enotes -\temps\Notes\pause&\qlp L|\Pztqu0ege|\enotes -% mesure 97 -\barre\notes&\qlp K|\bigaccid\cpdddu i{_h}gf\enotes -\temps\Notes\pause&\qlp J|\Pztqu0ege\enotes -\def\atnextline{\autolines{9}65}\relax -% mesure 98 -\barre\Notes&\qup{_H}|\ql j\sk\dsoupir\enotes -\temps\Notes\pause&\qlp I|\Pztqu0f{_h}f\enotes -% mesure 99 -\barre\Notes&\qup K|\lpztqL0kik\enotes -\temps\Notes\pause&\qup L|\Pztqu{-3}li{_h}\enotes -% mesure 100 -\def\atnextline{\autolines{10}55}\relax -\barre\Notes&\Pztql0N{=b}N|\qu g\sk\dsoupir\enotes -\temps\notes\pause&\cpdddl edcb|\ptsoupir\enotes -%\check -% mesure 101 -\barre\Notes&\cna a\Pztql0aca\enotes -\temps\Notes\pause&\qu K\sk\dsoupir|\pause\enotes -% mesure 102 -\barre\Notes&\lPztql2Nab\enotes -\temps\Notes\pause&\Pztql0cec|\pause\enotes -%\check -% mesure 103 -\barre\Notes&\lPztql2MNa\enotes -\temps\Notes\pause&\Pztql0bdb|\pause\enotes -% mesure 104 -\barre\Notes&\lPztql2LMN\enotes -\temps\Notes\pause&\Pztql0aca|\pause\enotes -% mesure 105 -\barre\Notes&\lPztql2K{=L}{^M}\enotes -\temps\Notes\pause&\Pztql0NbN|\pause\enotes -%\check -% mesure 106 -\barre -\Notes&\ql d\sk\dsoupir|\ptsoupir\enotes -\temps\Notes\pause&\Pztql0N{=b}N|\rlap{\qlp{=i}}\qup k\enotes -% mesure 107 -\barre\notes&\cpdddl edcb|\doubler\rlap{\qlp g}\pztqu0ljl\enotes -\temps\Notes\pause&\Pztql0aca|\rlap{\qlp f}\qup h\enotes -% mesure 108 -\barre\Notes&\qu K\sk\dsoupir|\rlap{\qlp{^f}}\pztqu0khk\enotes -\temps\Notes\pause&\lPztql2Nab|\itenl0g\rlap{\qlp g}\qup i\enotes -%\check -% mesure 109 -\barre\notes&\doubler\Pztql0cec|\tten0\rlap{\qlp g}\cpdddu lkji\enotes -\temps\Notes\pause&\lPztql2MNa|\itenl0f\rlap{\qlp {=f}}\qup h\enotes -% mesure 110 -\barre\Notes&\Pztql0bdb|\tten0\rlap{\qlp f}\qup k\enotes -\temps\Notes\pause&\lPztql2LMN|\itenl0e\rlap{\qlp e}\qup g\enotes -% mesure 111 -\barre\notes&\doubler\Pztql0aca|\tten0\rlap{\qlp e}\cpdddu jihg\enotes -\temps\Notes\pause&\lPztql2K{=L}{^M}|\rlap{\qlp d}\qup{^f}\enotes -%\check -% mesure 112 -\barre\Notes&\Pztql0NbN|\itenl1g\rlap{\hlp g}\qup i\enotes -\temps\Notes\pause&\lPztql2JK{_L}|\qup l\enotes -% mesure 113 -\barre\Notes&\Pztql0{=M}N{_a}|\rlap{\qsk\tten1\qlp g}\pt i\hu{_h}\enotes -\temps\Notes\pause&\lpztql2KLM|\zqp {=f}\qlp k\enotes -\def\atnextline{\autolines {13}45}\relax -% mesure 114 -\barre\Notes\ptsoupir&\pztqL0NMN|\rlap{\qlp g}\qup{=i}\enotes -\temps\Notes\PztqU0CEC&\qu J\sk\dsoupir|\ptsoupir\enotes -%\check -% mesure 115 -\barre\NOtes\qu G\sk\dsoupir&|\PztqU0cec\enotes -\temps\notes\doubler\Pztqu0CEC&\pause|\cpdddu gfed\enotes -% mesure 116 -\barre\NOtes\qu{_H}\sk\dsoupir&|\PztqU0cec\enotes -\temps\notes\doubler\PztqU0DFD&\pause|\bigfl h\cpdddu hgfe\enotes -% mesure 117 -\barre\NOtes\qu{=I}\sk\dsoupir&|\PztqU0dfd\enotes -\temps\notes\doubler\pztqU0GIG&\pause|\bigaccid\na i\cpdddu i{=h}gf\enotes -%\check -% mesure 118 -\barre\NOtes\qup J&\trql{-3}cN{^M}|\uptext - {\it legato}\rlap{\qlp e\itenl0g\ql g}\trqu6egj\enotes -\temps\NOtes\pointdorgue N\qu G\sk\dsoupir - &\pointdurgue H\ql N\sk\dsoupir|\tten0\zq d\zql g\pointdorgue o\qu{=i}\sk\dsoupir\enotes -\signaturegenerale{-3}% -% mesure 119 -\setdoublebar -\changecontext\NOtes\qup J&\rlap{\qup e}\trqL0cNc|\Uptext{\bf\kern -14mm+acc. III}\rlap{\zqp g\qlp j}\trqU0lnl\enotes -\temps\notes\qup F&\doubler - \rlap{\qlp L}\trqu0cac|\rlap{\zqp h\qlp j}\cpdddu onml\enotes -%\check -% mesure 120 -\barre\NOtes\qup I&\rlap{\qup d}\trqL0aMa|\rlap{\zqp f\qlp h}\trqU0kmk\enotes -\temps\notes\qup E&\doubler - \rlap{\qlp K}\trqu0bNb|\rlap{\zqp g\qlp i}\cpdddu nmlk\enotes -% mesure 121 -\barre\NOtes\qup H&\rlap{\qup c}\trqL0aLa|\rlap{\zqp e\qlp h}\trqU0jlj\enotes -\temps\NOtes\qup F&\rlap{\qlp M}\trqu0dad|\rlap{\zqp f\qlp h}\trqu0mkm\enotes -% mesure 122 -\barre\NOtes\qup G&\rlap{\qup {=b}}\trqL0NMN|\rlap{\zqp d\qlp f}\na i\trqU0igi\enotes -\temps\NOtes\qup E&\rlap{\qlp L}\trqu0cNc|\rlap{\zqp e\qlp g}\trqu0jlj\enotes -%\check -% mesure 123 -\barre\NOtes\qu G\sk\dsoupir&\zq{KN=b}\ql d\sk\dsoupir - |\zq{=ik}\ql n\sk\dsoupir\enotes -\temps\NOtes\qup J&\rlap{\qup e}\trqL0cNc|\rlap{\zqp g\qlp j}\trqU0lnl\enotes -% mesure 124 -\barre\notes\qup F&\doubler - \rlap{\qlp L}\trqu0cac|\rlap{\zqp h\qlp j}\cpdddu onml\enotes -\temps\NOtes\qup I&\rlap{\qup d}\trqL0aMa|\rlap{\zqp f\qlp h}\trqU0kmk\enotes -%\check -% mesure 125 -\def\atnextline{\autolines {12}45}\relax -\signaturegenerale{-2}\relax -\changecontext\notes\qup E&\doubler - \rlap{\qlp K}\trqu0bNb|\rlap{\zqp g\qlp i}\cpdddu nmlk\enotes -\temps\NOtes\qup H&\rlap{\qup c}\trqL0N{^M}N|\relax - \rlap{\zqp{^f}\qlp h}\trqU0jlj\enotes -% mesure 126 -\barre\NOtes\qup{^F}&\rlap{\qlp{^M}}\trqu0dad|\rlap{\zqp{^f}\qlp h}\trqu0{^m}km\enotes -\temps\NOtes\qup G&\rlap{\qup d}\trqL0bNb|\rlap{\zqp g\qlp i}\trqu{-5}nkj\enotes -% mesure 127 -\barre\NOtes\qup D&\itenl0K\rlap{\qlp K}\trqU{-2}cba|\rlap{\zqp d\qlp{^f}}\trqu2ijk\enotes -\temps\NOtes\qu G\sk\dsoupir&\tten0\zq{KN}\ql b\sk\dsoupir - |\qu g\sk\dsoupir\enotes -%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%% reprise prelude -%\check -% mesure 128 -\barre\def\atnextline{\autolines{12}35}\relax -\notes\qup G&\zqu N\qqbbl0N{dbd}Nb|\doubler\rlap{\trqL0igi}\trqu0kik\enotes -\temps\notes\qup J&\zqu L\qqbbl0L{cNc}LN|\doubler\rlap{\trqL0jej}\trqu0lgl\enotes -%\check -% mesure 129 -\barre -\notes\qup F&\zqu M\qqbbl0M{cac}Ma|\doubler\rlap{\trqL0hfh}\trqu0jhj\enotes -\temps\notes\qup I&\zqu K\qqbbl0K{bMb}KM|\doubler\rlap{\trqL0idi}\trqu0kfk\enotes -%\check -% mesure 130 -\barre\notes\qup E&\zqu L\qqbbl0L{bNb}LN|\doubler\rlap{\trqL0geg}\relax - \trqu0igi\enotes -\temps\notes\qup H&\zqu J\qqbbl0J{aLa}JL|\doubler\rlap{\trqL0hch}\trqu0jej\enotes -% mesure 131 -\barre\notes\qup D&\zqu K\qqbbl0K{a^Ma}KM|\doubler\rlap{\trqL0{^f}df}\relax - \trqu0hfh\enotes -\temps\notes\qup G&\zqu N\qqbbl0N{dad}bd|\doubler\rlap{\trqL0ghi}\trqu0ijk\enotes -%\check -% mesure 132 -\barre\notes\doubler\qup{=I}&\zqu N\qqbbl0N{d=bd}Nb|\doubler\rlap{\trqL0{=i}{=f}i}\trqu0nkn\enotes -\temps\notes\qup J&\zqu L\qqbbl0L{cNc}LN|\doubler\rlap{\trqL0geg}\trqu0ljl\enotes -%\check -% mesure 133 -\barre\notes\qup F&\zqu M\qqbbl0M{cac}Ma|\doubler\rlap{\qlp h}\trqu0mjm\enotes -\temps\notes\qup I&\zqu K\qqbbl0K{_bMb}KM|\doubler\rlap{\trql0fef}\trqu0kjk\enotes -%\check -% mesure 134 -\barre\notes\qup E&\zqu L\qqbbl0L{bNb}LN|\doubler\rlap{\trql0geg}\trqu0lgl\enotes -\temps\notes\qup H&\zqu J\qqbbl0J{aLa}JL|\doubler\rlap{\trqL0heh}\trqu0jhj\enotes -% mesure 135 -\barre\notes\qup D&\zqu K\qqbbl0K{a^Ma}KM|\doubler\rlap{\qlp {^f}}\trqu0khk\enotes -\temps\notes\qup G&\zqu N\qqbbl0N{dad}bd|\doubler\rlap{\trqL0gfg}\trqu{-2}ihg\enotes -%\check -% mesure 136 -\barre\notes\doubler\qu G\sk\dsoupir - &\zqu N\qqbbl0N{d=bd}Nb|\doubler\rlap{\trqL0{=i}{=f}i}\trqu0nkm\enotes -\temps\notes\doubler\qu J\sk\dsoupir - &\zqu L\qqbbl0L{cNc}LN|\doubler\rlap{\trqL0gfg}\trqu0lkl\enotes -%\check -% mesure 137 -\barre\notes\doubler\qu F\sk\dsoupir - &\zqu M\qqbbl0M{cac}Ma|\doubler\rlap{\qlp h}\trqu0mjl\enotes -\temps\notes\doubler\qu I\sk\dsoupir - &\zqu K\qqbbl0K{_bMb}KM|\doubler\rlap{\trql0fef}\trqu0kjk\enotes -%\check -% mesure 138 -\barre\notes\doubler\qu E\sk\dsoupir - &\zqu L\qqbbl0L{bNb}LN|\doubler\rlap{\qlp g}\trqu0lik\enotes -\temps\notes\doubler\qu H\sk\dsoupir - &\zqu J\qqbbl0J{aLa}JL|\doubler\rlap{\trqL0hgh}\trqu{-2}jih\enotes -% mesure 139 -\barre\Notes\qu K\sk\dsoupir&\zq{Nb}\ql K\sk\dsoupir|\zq{gi}\ql k\sk\dsoupir\enotes -\temps\Notes\qu G\sk\dsoupir&\zq{LN}\ql c\sk\dsoupir|\zq{gj}\ql l\sk\dsoupir\enotes -% mesure 140 -\barre% \advance\barsinline by -1\relax -\Notes\qu H\sk\dsoupir&\zq{La}\ql c\sk\dsoupir|\zq{eh}\ql j\sk\dsoupir\enotes -\temps\Notes\pointdurgue K\qup K&\pointdorgue d\zqp{^Ma}\qlp d|\pointdorgue l\zqp{^fh}\qlp k\enotes -\temps\Notes&\zmidtwotext{\ff}|\Uptext{\moyen Maestoso\ \bf(\metron{\cu}{90})}\enotes -%\check -% mesure 141 -\def\motif#1#2#3#4{\doubler{\advance\transpose by 2\relax - \ibl0{#1}0\advance\transpose by-3\relax - \ibu1{#4}0}\zq{#1}\rlap{\qb0{#2}}\buppz1\qh1{#3}\relax - \zq{#2}\rlap{\qb0{#3}}\buppz1\qh1{#4}\relax - \zq{#1}\rlap{\tqb0{#2}}\buppz1\tqh1{#3}}% -\setdoublebar\signaturegenerale{1}\changecontext -\notes\qup G&\qqbbl{-2}b{cba}NM|\motif dgik\enotes -\temps\notes\qup J&\qqbbl1LM{Nba}N|\relax - \rlap{\doubler\zq g\ql j\sk\zq e\cl g}\cpdddu lkji\enotes -% mesure 142 -\barre\notes\qup K&\qqbbl1MN{acb}a|\motif cfhj\enotes -\temps\notes\qup I&\qqbbl{-1}N{aba}NM|\relax - \rlap{\doubler\zq g\ql i\sk\zq d\cl g}\cpdddu kjih\enotes -% mesure 143 % -\barre\notes\qup L&\qqbbl1L{MNa}bN|\motif begi\enotes -\temps\notes\qup H&\qqbbl{-2}c{baN}ML|\relax - \rlap{\doubler\zq e\ql h\sk\zq c\cl e}\cpdddu jihg\enotes -% mesure 144 % -\barre\notes\qup I&\bigaccid\sh K\qqbbl1K{LMa}NM|\bigsh d\motif bdfh\enotes -\temps\notes\qup E&\qqbbl2L{MNa}bc|\relax - \doubler\zq{gi}\ql e\sk\dsoupir\enotes -% mesure 145 -\barre\notes\qup G&\qqbbl{-2}b{cba}NM|\motif dgik\enotes -\temps\notes\qup J&\qqbbl1LM{Nba}N|\relax - \rlap{\doubler\zq g\ql j\sk\zq e\cl g}\cpdddu lkji\enotes -% mesure 146 -\barre\notes\qup K&\qqbbl1MN{acb}a|\motif cfhj\enotes -\temps\notes\qup I&\qqbbl{-1}N{aba}NM|\relax - \rlap{\doubler\zq g\ql i\sk\zq d\cl g}\cpdddu kjih\enotes -% mesure 147 -\barre\notes\qup L&\qqbbl1L{MNa}bN|\motif begi\enotes -\temps\notes\qup H&\qqbbl{-2}c{baN}ML|\relax - \rlap{\doubler\zq e\ql h\sk\zq c\cl e}\cpdddu jihg\enotes -% mesure 148 % -\barre\notes\qup J&\qqbbl1K{LMN}aN|\motif adfh\enotes -\temps\notes\doubler\qup I&\qqbbl1M{LMa}bc|\relax - \rlap{\doubler\zq f\ql h\sk\zq d\cl f}\cpdddu kjih\enotes -% mesure 149 % -\barre\notes\qup L&\qqbbl1L{MNa}bN|\Uptext{\it rit.}\motif begi\enotes -\temps\notes\qup H&\qqbbl{-2}c{baN}ML|\relax - \rlap{\doubler\zq e\ql h\sk\zq c\cl e}\cpdddu jihg\enotes -% mesure 150 % -\barre\notes\qup K&\qqbbl1K{LMa}NM|\Uptext{\it rall. molto}\doubler - \itenl5c\rlap{\pt b\lh d\hlp c}\trqU0fhf\enotes -\temps\NOtes\itenl0G\qup G&\itenl1K\itenu3N\zqp {K}\qlp N|\relax -\itenu2d\rlap{\qsk\tten5\qlp c}\itenu4g\itenu5i\zq d\pt e\zqp g\qup i\enotes -% mesure 151 -\advance\barsinline by -1\relax - \barre\NOtes\tten0\hup G&\tten1\zhp {KN}\hlp -b|\tten2\tten3\tten4\tten5\zhp{dg}\hup i\enotes - \finmorceau -\rightline{\sl\aujourdhui}\vfil\eject -%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%% diff --git a/musixtex/doc/examples/gloriab.tex b/musixtex/doc/examples/gloriab.tex deleted file mode 100644 index 8813989..0000000 --- a/musixtex/doc/examples/gloriab.tex +++ /dev/null @@ -1,314 +0,0 @@ -\input musixtex -\input musixcpt -\input musixsty -\ifx\qh\undefined\let\qh\qb\fi % -\ifx\qhp\undefined\let\qhp\qbp\fi % -\ifx\qhpp\undefined\let\qhpp\qbpp\fi % -\parindent 15mm - % -\title{Gloria} -\fullauthor{M\'elodie~: Guy BOUSSION\\Harmonisation~: Daniel TAUPIN} -\shortauthor{G. Boussion} -\maketitle - -\tracingstats=1\relax - % - -\def\nbinstruments{3} -\setsize3{\tinyvalue} -\setstaffs22\relax -\setclef2{6000}% -\setclef1{6000}% -\setclef3{0000}% - % -\generalsignature{-1}\relax % un bemol a la clef -\generalmeter{\meterfrac{2}{2}} - %\check -\def\instrumenti{P\'edale} -\def\instrumentii{\vbox{\hsize=\parindent\centerline{Orgue$^{\tenbf *}$}\centerline{(manuel)}}} -\def\instrumentiii{}\def\instrumentiv{Chant} - %\check -\elemskip=7pt\relax -\setinterinstrument2{3\Interligne} - % - \footnote{}{\noindent\bf{*} \rm Si, pour une raison ou une autre, il n'est -pas possible de jouer la partie basse au p\'edalier, celle-ci devra \^etre -jou\'ee \`a la main gauche sur un clavier manuel, de pr\'ef\'erence avec un -jeu de 16 pieds. Dans ce cas, on pourra sacrifier la partie manuelle en clef -de Fa. Les indications {\bf I} et {\bf II} indiquent des changements de plan -sonore (ou de clavier) dans le cas o\`u l'on alterne le chant par -l'assembl\'ee (I) et par une chorale (II). -}% - % - %\check -\geometricskipscale -\eightrm -\sepbarrules -\startpiece -\def\respire{\notes&&\cbreath\enotes}% -\znotes&\zmidstaff{\bf \kern -6pt I \ppff(mf)}&\uptext{\kern -9mm\raise 9pt\hbox{\bigfont - Majestueux, sans tra\^\i ner \rm(\metron{\hu}{50})}}\enotes -\hardlyrics{\kern-9pt Gloire }\notes\qp&\qp|\qu c&\hsong\thelyrics\cu c\enotes -\notes &| &\hsong{\`a }\cu c\enotes -\barre -\NOtes\hup F&\hup M|\zhp a\zhp c\hup f&\hsong{Dieu~}\hu f\enotes -\notes &|&\hsong{au~}\cu f\enotes -\hardlyrics{plus~}\notes &|&\hsong\thelyrics\cu f\enotes -\hardlyrics{haut~}\notes \qu J&\qu L|\zq{ce}\qu g&\hsong\thelyrics\cu g\enotes -\notes&&\zsong{des~}\cu g\enotes -\barre -\NOtes\hl M&\hl M|\zh{cf}\hu h&\hsong{cieux~}\qup h\enotes -\notes&&\hsong{et~}\cu h\enotes -\Notes\qu K&\hl b|\zq{df}\qu i&\hsong{paix~}\qu i\enotes -\notes\qu L&|\ibu0h{-3}\rlap{\zq c\ql e}\qh0h&\hsong{sur~}\cu h\enotes -\notes&|\tbu0\qh0g&\hsong{la~}\cu g\enotes -\barre -\Notes\hl M&\wh M|\zh{ac}\hu f&\hsong{ter-~}\qu f\enotes -\notes&&\hsong{re~}\cu f\enotes -\hardlyrics{aux~}\notes&&\hsong\thelyrics\cu f\enotes -\hardlyrics{hom-~}\notes\qu I&|\rlap{\zh b\hl d}\qu g&\hsong\thelyrics\qu g\enotes -\hardlyrics{mes~}\notes\qu G&|\ibu0h3\qh0h&\hsong\thelyrics\cu h\enotes -\notes &|\tbu0\qh0i&\zsong{qu'il~}\cu i\enotes -\barre -\Notes\qu J&\hl N|\rlap{\ql c}\zh e\hu g&\hsong{ai-~}\hu g\enotes -\Notes\qu C&|\ql b&\enotes -\Notes\hu F&\hl M|\zh a\zh c\hu f&\hsong{me. }\hu f\enotes - %\check -\respire\Notes&\cmidstaff{\kern -15pt\bf II \ppff(mf)}\enotes -\barre -\hardlyrics{Nous~}\notes\ql M&\ql a|\rlap{\hl c}\zq f\qu h&\hsong\thelyrics\qu h\enotes -\notes\qu J&\ql N|\zq e\qu g&\hsong{Te~}\cu g\enotes -\hardlyrics{lou-~}\notes&&\hsong\thelyrics\cu g\enotes -\NOtes\hl M&\hl a|\zh{cf}\hu h&\hsong{ons,~}\hu h\enotes - %\check -\barre -\hardlyrics{nous~}\notes\qu K&\ql M|\zq{df}\qu h&\hsong\thelyrics\cu h\enotes -\notes&&\hsong{Te~}\cu h\enotes -\notes\qu L&\ql N|\zq{eg}\qu j&\hsong{b\'e-~}\cu j\enotes -\hardlyrics{nis-~}\notes&&\hsong\thelyrics\cu j\enotes - %\check -\NOTes \hl M&\hl a|\zh{cf}\hu h&\hsong{sons,~}\hu h\enotes -\barre -\hardlyrics{nous~}\notes \qu M&\ql a|\zq{cf}\qu h&\hsong\thelyrics\qu h\enotes - %\check -\Notes\hup J&\hlp N|\rlap{\ql c}\zh e\hu g&\hsong{T'a-~}\hu g\enotes -\Notes&|\hl b&\enotes -\Notes&|\zq c\qu f&\hsong{do-~}\qu f\enotes -\barre -\NOtes \hu F&\hl M|\zh{ac}\hu f&\hsong{rons,~}\hu f\enotes - %\check -\znotes&\cmidstaff{\bf I}\enotes -\respire -\hardlyrics{nous~}\notes\ql M&\ql a|\rlap{\hl c}\istied0c\zq f\qu h&\hsong\thelyrics\cu h\enotes -\notes&&\hsong{Te~}\cu h\enotes - %\check -\hardlyrics{glo-~}\notes\ql J&\ql N|\zq e\qu g&\hsong\thelyrics\cu g\enotes -\notes&&\hsong{ri-~}\cu g\enotes -\barre -\NOTes\hl M&\hl a|\tten0\rlap{\hl c}\zh f\hu h&\hsong{fions,~}\hu h\enotes - %\chec -\hardlyrics{\kern -4pt nous~}\notes\qlp K&\qlp a|\rlap{\hl d}\zqp f\qup h&\hsong\thelyrics\cu h\enotes -\notes&&\hsong{Te~}\cu h\enotes -\hardlyrics{ren-~}\notes&&\hsong\thelyrics\cu h\enotes -\notes\cu I&\cl N|\zq g\cu i&\zsong{dons~}\cu i\enotes -\barre -\NOtes\qup J&\qlp L|\zqp c\zqp e\qup g&\hsong{gr\^a-~}\qu g\enotes -\notes&&\hsong{ces }\cu g\enotes -\hardlyrics{pour~}\notes\cu J&\cl L|\zq e\cu g&\hsong\thelyrics\cu g\enotes -\hardlyrics{Ton~}\notes\ibl0L0\qb0M&\ibl1M3\qb1M|\ibu2h3\zq f\qh2h&\hsong\thelyrics\cu h\enotes -\hardlyrics{im-~}\notes\qb0L&\qb1N|\zq g\qh2i&\hsong\thelyrics\cu i\enotes -\hardlyrics{men-~}\notes\qb0M&\qb1a|\zq h\qh2j&\hsong\thelyrics\cu j\enotes -\notes\tbl0\qb0K&\tbl1\qb1b|\tbu2\zq i\qh2k&\hsong{se~}\cu k\enotes - %\check -\barre -\Notes\qu L&\ql c|\rlap{\zh e\hl g}\qu j&\isluru1k\hsong{gloi-~}\ql j\enotes -\Notes\qu J&\ql L|\qu i&\hsong{--~}\ql i\enotes -\notes\ql M&\ql a|\zq f\qu h&\tslur1j\hsong{re~!~}\ql h\enotes -\rlap{\respire}\notes&\cmidstaff{\bf II}\enotes -\notes\ibl2M3\qb2M&\ibl0a3\qb0a|\ibu1h3\zq{cf}\qh1h&\hsong{\kern -4pt Sei-~}\cu h\enotes -\hardlyrics{gneur~}\notes\tbl2\qb2N&\tbl0\qb0b|\tbu1\zq{dg}\qh1i&\hsong\thelyrics\cu i\enotes -\barre -\hardlyrics{Dieu,~}\notes\ql a&\zql c\roff{\zhup c}|\zq{fh}\qu j&\hsong\thelyrics\qu j\enotes - %\check -\hardlyrics{Roi~}\notes\ibl2M{-3}\qb2M&\ibl0a{-3}\qb0a|\ibu1h{-3}\zq f\qh1h&\hsong\thelyrics\cu h\enotes -\notes\tbl2\qb2L&\tbl0\qb0N|\tbu1\zq e\qh1g&\hsong{du~}\cu g\enotes -\Notes\ql M&\ql a|\zq f\qu h&\hsong{Ciel,~}\qu h\enotes - %\check -\hardlyrics{Dieu~}\notes\ibl2K{-3}\qb2K&\ibl0a{-3}\qb0a|\ibu1h{-3}\zq{df}\qh1h&\hsong\thelyrics\cu h\enotes -\notes\tbl2\qb2J&\tbl0\qb0N|\tbu1\zq{ce}\qh1g&\hsong{le~}\cu g\enotes - %\check -\barre -\notes\ibl2I{-4}\qb2I&\ibl0M{-4}\qb0M|\ibu1h0\rlap{\ql c}\zq -f\qh1h&\hsong{\kern -4pt P\`e-~}\cu h\enotes -\notes\tbl2\qb2G&\tbl0\qb0K|\zq g\qh1i&\hsong{re~}\cu i\enotes -\hardlyrics{\kern -4pt tout-~}\notes\ql J&\ql L|\rlap{\ql e}\qh1g&\hsong\thelyrics\cu g\enotes -\hardlyrics{puis-~}\notes&|\tbu1\zq c\qh1h&\hsong\thelyrics\cu h\enotes -\NOtes\qup F&\hl M|\zqp c\zqp f\qup h&\hsong{sant~!~}\qup h\enotes -\notes&\cmidstaff{\bf I}\enotes -\respire -\hardlyrics{Sei-~}\notes\ds&|\cu h&\hsong\thelyrics\cu h\enotes - %\check -\barre -\hardlyrics{gneur,~}\notes \ql M&\ql a|\rlap{\hl c}\zq f\qu h&\hsong\thelyrics\qu h\enotes -\notes \qu J&\ql L|\zq e\qu g&\hsong{Fils~}\cu g\enotes -\notes&&\hsong{u-~}\cu g\enotes -\notes \qu K&\ql M|\zq {ad}\qu f&\hsong{ni-~}\cu f\enotes -\notes&&\hsong{que~}\cu f\enotes -\notes \qu J&\ql N|\zq{ce}\qu g&\hsong{J\'e-~}\cu g\enotes -\notes&&\hsong{sus~}\cu g\enotes - %\check -\barre -\NOtes \hl M&\hl a|\zh{cf}\hu h&\hsong{Christ,~}\hu h\enotes -\respire -\Notes \ql M&\ql a|\rlap{\hl c}\zq f\qu h&\hsong{Sei-~}\qu h\enotes -\Notes \qu J&\ql N|\zq e\qu g&\zsong{gneur~}\qu g\enotes - %\check -\barre -\NOtes \hl M&\hl a|\zh c\zh f\hu h&\hsong{Dieu,~}\hu h\enotes -\notes\soupir&\soupir|\ds&\ds\enotes -\notes&|\cu h&\hsong{a-~}\cu h\enotes -\hardlyrics{\kern -4pt gneau~}\notes \Ibu0KI1\qh0K&\ql a|\rlap{\zq d\ql f}\ibu1h3\qh1h&\hsong\thelyrics\cu h\enotes -\notes \tbu0\qh0I&|\tbu1\qh1i&\hsong{de~}\cu i\enotes -\barre -\NOtes \qup J&\qlp N|\zqp c\zqp e\qup g&\hsong{Dieu,~}\qup g\enotes -\notes \cu K&\cl a|\zq d\cu f&\hsong{le~}\cu f\enotes -\Notes \hu J&\ql N|\rlap{\zh c\hl e}\qu g&\hsong{Fils~}\qu g\enotes -\Notes&|\qu g&\hsong{du~}\qu g\enotes -\barre -\NOTes \hup F&\hlp a|\rlap{\zhp c\hlp f}\hu h&\isluru1n\hsong{P\`e-~}\hu h\enotes -\Notes&|\qu h&\tslur1m\hsong{re~}\qu h\enotes -\Notes\soupir &\rlap{\soupir}\cmidstaff{\kern -8pt \bf II \ppff(mp)\kern 17pt}|\soupir&\soupir\enotes -\barre -\Notes\qu K&\ql a|\zq d\qu f&\hsong{Toi~}\qu f\enotes -\notes\qu J&\ql N|\rlap{\hl c}\zq e\qu g&\hsong{qui~}\cu g\enotes -\notes&&\hsong{en-~}\cu g\enotes -\notes\ql M&\ql a|\zq f\qu h&\hsong{l\`e-~}\cu h\enotes -\notes&&\hsong{ves~}\cu h\enotes -\notes\ql K&\ql b|\zq d\zq f\qu i&\hsong{le~}\cl i\enotes -\notes&&\hsong{p\'e-~}\cl i\enotes -\barre -\notes\hup J&\ibl0M3\qb0M|\istied0c\rlap{\hl c}\ibu1h{-3}\zq f\qh1h&\hsong{ch\'e~}\cu h\enotes -\notes&\tbl0\qb0N|\tbu1\zq e\qh1g&\hsong{du~}\cu g\enotes -\hardlyrics{mon-~}\notes&\ql M|\zq f\qu h&\hsong\thelyrics\qu h\enotes -\Notes&\ql L|\tten0\zq{ce}\qu g&\hsong{de,~}\qu g\enotes -\Notes\soupir&\soupir|\soupir&\soupir\enotes -\barre -\NOtes\qup K&\qlp a|\zqp d\qup f&\hsong{prends~}\qup f\enotes -\notes\cu G&\cl N|\zq{bd}\cu g&\hsong{pi-~}\cu g\enotes -\NOtes\hu J&\hl N|\itenu0c\rlap{\hl c}\zq e\qup g&\hsong{ti\'e~}\qup g\enotes -\notes&|\zq b\cu f&\hsong{de~}\cu f\enotes -\barre -\NOTes\hup F&\hlp M|\tten0\zhp a\zhp c\hup f&\hsong{nous~!~}\hup f\enotes -\Notes\soupir&\zmidstaff{\bf\kern -20pt I \ppff(mp)}\soupir|\soupir&\soupir\enotes - %\check -\barre -\Notes\qu K&\ql a|\zq d\qu f&\hsong{Toi~}\qu f\enotes -\notes\qu J&\ql N|\rlap{\hl c}\zq e\qu g&\hsong{qui~}\cu g\enotes -\notes&&\hsong{en-~}\cu g\enotes -\notes\ql M&\ql a|\zq f\qu h&\hsong{l\`e-~}\cu h\enotes -\notes&&\hsong{ves~}\cu h\enotes -\notes\ql K&\ql b|\zq d\zq f\qu i&\hsong{le~}\cl i\enotes -\notes&&\hsong{p\'e-~}\cl i\enotes -\barre -\notes\hup J&\ibl0M3\qb0M|\istied0c\rlap{\hl c}\ibu1h{-3}\zq f\qh1h&\hsong{ch\'e~}\cu h\enotes -\notes&\tbl0\qb0N|\tbu1\zq e\qh1g&\hsong{du~}\cu g\enotes -\Notes&\ql M|\zq f\qu h&\hsong{mon-~}\qu h\enotes -\Notes&\ql L|\tten0\zq{ce}\qu g&\hsong{de,~}\qu g\enotes -\notes\soupir&\soupir|\ds&\ds\enotes -\notes&|\cu h&\hsong{en-~}\cu h\enotes -\barre -\hardlyrics{tends~}\notes\qu K&\ql a|\zq d\qu f&\hsong\thelyrics\cu f\enotes -\notes&&\hsong{no-~}\cu f\enotes -\notes\qu J&\ql N|\rlap{\hlp c}\zq e\qu g&\hsong{tre~}\cu g\enotes -\hardlyrics{pri-~}\notes&&\hsong\thelyrics\cu g\enotes -\Notes\ql M&\ql M|\zq f\qu h&\hsong{\`e-~}\qu h\enotes -\Notes\qu J&\ql L|\zq e\qu g&\hsong{re~! }\qu g\enotes -\rlap{\respire}\notes&\cmidstaff{\bf II}\enotes -\barre -\NOTEs \hu L&\istied0c\wh c|\zh{eg}\hu j&\hsong{Toi~}\hu j\enotes -\Notes \ql M&|\rlap{\hl f}\zq h\qu j&\hsong{qui~}\qu j\enotes -\notes \qu I&|\zq i\qu k&\hsong{es~}\cu k\enotes -\notes&&\hsong{as-~}\cu k\enotes -\barre -\Notes \qu H&\tten0\hl c|\zq f\zq h\qu j&\hsong{sis~}\ql j\enotes -\notes \ibu1G{-3}\qh1G&|\zq g\ibu0i{-3}\qh0i&\hsong{\`a~}\cl i\enotes -\notes \tbu1\qh1F&|\zq f\tbu0\qh0h&\hsong{la~}\cl h\enotes -\Notes \qu J&\ql L|\zq c\zq e\qu g&\hsong{droi-~}\qu g\enotes -\notes \ibl1K3\qb1K&\ibl2M3\qb2M|\zq d\ibu0f3\qh0f&\hsong{te~}\cu f\enotes -\notes \tbl1\qb1L&\tbl2\qb2N|\zq e\tbu0\qh0g&\hsong{du~}\cu g\enotes -\barre -\NOTes \hl M&\hl a|\rlap{\hlp c}\zh f\hu h&\isluru1n\hsong{P\`e-~}\hu h\enotes -\Notes \qu J&\ql N|\zq e\qu g&\tslur1m\hsong{re~}\qu g\enotes -\Notes\soupir&\soupir|\soupir&\soupir\enotes - %\check - %\check -\barre -\NOtes \hu K&\hl a|\rlap{\zh d\hl f}\qup h&\hsong{prends~}\qup h\enotes -\notes&|\cu h&\hsong{pi-~}\cu h\enotes -\NOtes \hu G&\hl N|\rlap{\zh b\hl d}\qup g&\hsong{ti\'e~}\qup g\enotes -\notes&|\cu h&\hsong{de~}\cu h\enotes - %\check -\barre -\NOTes \hu H&\hl a|\zh{^ce}\hu h&\hsong{nous~!~}\hu h\enotes -\notes&\zmidstaff{\kern -12pt\bf I \ppff(f)}|\soupir - &\Uptext{\bigfont plus anim\'e}\soupir\enotes -\notes\hpause&\hpause|\qu{=c}&\hsong{\kern -4pt Car~}\cu c\enotes -\notes&&\hsong{Toi~}\cu c\enotes - %\check -\barre -\Notes\qu K&\ql M|\zq{ad}\qu f&\hsong{seul~}\qu f\enotes -\Notes\qu J&\ql N|\zq{ce}\qu g&\hsong{es~}\qu g\enotes -\Notes\hu F&\hl M|\zqp c\zqp f\qup h&\zsong{saint~!~}\qup h\enotes -\notes&|\qs&\qs\enotes -\notes&|\zq{cf}\ccu h&\zsong{Toi~}\ccu h\enotes -\barre -\Notes\qu F&\ql M|\zq {cf}\qu h&\hsong{seul~}\qu h\enotes -\notes\Ibu0CF1\qhp0C&\ibl1L3\qbp1L|\zql c\Ibu2gh1\zqp e\qhp2g&\hsong{es~}\cup g\enotes -\hardlyrics{Sei-~}\notes\tbbu0\tbu0\qh0 F&\tbbl1\tbl1\qb1M|\zq {f}\tbbu2\tbu2\qh2h&\hsong\thelyrics\ccu h\enotes -\NOtes\qup F&\qlp M|\zqp c\zqp f\qup h&\hsong{gneur~!~}\qup h\enotes -\notes&\cmidstaff{\bf II \ppff(f)\kern 12pt}\enotes -\respire -\notes\ds&\cl M|\zq {cf}\cu h&\hsong{Toi~}\cu h\enotes - %\check -\barre -\notes\ibu0M0\qh0M&\ibl2a0\qb2a|\ibu1h0\rlap{\hl c}\zq f\qh1h&\hsong{\kern - -4pt seul~}\cu h\enotes -\notes\qh0J&\qb2N|\zq e\qh1g&\hsong{es~}\cu g\enotes -\notes\qh0M&\qb2a|\zq f\qh1h&\hsong{le~}\cu h\enotes -\hardlyrics{Tr\`es-~}\notes\tbu0\qh0N&\tbl2\qb2b|\zq g\tbu1\qh1i&\hsong\thelyrics\cu i\enotes -\hardlyrics{haut,~}\notes\ql a&\ql c|\zq {fh}\qu j&\hsong\thelyrics\ql j\enotes -\notes\ibl0a{-3}\qb0a&\ibl2c{-3}\qb2c|\zq {h}\ibl1j{-3}\qb1j&\hsong{J\'e-~}\cl j\enotes -\notes\tbl0\qb0N&\tbl2\qb2b|\zq g\tbl1\qb1i&\zsong{sus-~}\cl i\enotes - %\check -\barre -\NOtes\hl M&\hl a|\zhl f\zq h\qup j&\hsong{Christ,~}\qlp j\enotes -\notes&|\cu h&\hsong{a-}\cu h\enotes -\notes \qu K&\ql M|\zq{ad}\qu f&\hsong{vec~}\cu f\enotes -\notes&&\hsong{le~}\cu f\enotes -\hardlyrics{\kern -4pt Saint-~}\notes \qu J&\ql N|\zq{ce}\qu g&\hsong\thelyrics\cu g\enotes -\notes&&\hsong{Es-~}\cu g\enotes - %\check -\barre -\NOtes \hl M&\hl a|\zh{cf}\hu h&\hsong{prit~! }\hu h\enotes -\notes&\cmidstaff{\bf I}\enotes -\Notes\qu K&\ql M|\zq{ad}\qu f&\hsong{dans~}\qu f\enotes -\notes\qu J&\ql N|\zq{ce}\qu g&\hsong{la~}\qu g\enotes -\barre -\Notes\qup F&\qlp a|\rlap{\hl c}\zqp f\qu h&\hsong{gloi-~}\qu h\enotes -\notes&|&\hsong{re~}\cu h\enotes -\notes\cu C&\cl N|\zq e\cu g&\hsong{de~}\cu g\enotes -\Notes\qu F&\ql M|\zq{cf}\qu h&\hsong{Dieu~}\qu h\enotes -\Notes\qu I&\ql b|\zq{df}\qu i&\hsong{le~}\qu i\enotes -\barre -\Notes\qu J\qu C&\hl N|\rlap{\ql c}\zh e\hu g\ql b&\isluru1m\hsong{P\`e-~}\hu g\enotes -\NOtes\hu F&\hl M|\zh{ac}\hu f&\tslur1l\hsong{re. }\hu f\enotes -\rlap{\respire}\Notes&\cmidstaff{\kern -12pt\ppff $<$ ff}\enotes -\barre -\Notes\qu J\qu I\qu H\qu G&\wh L|\zw c\zw e\wh g&\islurd1e\zsong{A - - - - - }\wh g\enotes\barre -\NOtes\zhp F\hup M&\hlp a|\zhp c\zhp f\hup h&\tslur1f\hsong{men~!~}\hup h\enotes -\notes\soupir&\soupir|\soupir&\soupir\enotes -\mulooseness 2 -\Stoppiece -\medskip\rightline{\it le \aujourdhui} -\eject -\bye diff --git a/musixtex/doc/examples/glorias.tex b/musixtex/doc/examples/glorias.tex deleted file mode 100644 index 351730c..0000000 --- a/musixtex/doc/examples/glorias.tex +++ /dev/null @@ -1,286 +0,0 @@ -\input musixtex -\input musixcpt -\input musixsty -% -\parindent 15mm -% -\title{Gloria} -\fullauthor{M\'elodie~: Guy BOUSSION} -\shortauthor{G. Boussion} -\maketitle -\tracingstats=1\relax -% -\bigskip -\def\nbinstruments{1} -\setstaffs11 -% -\generalsignature{-1}\relax % un bemol a la clef -\generalmeter{\meterfrac{2}{2}} -%\check -% -\geometricskipscale -\staffbotmarg=5\Interligne\stafftopmarg=1.5\Interligne -\startpiece -\setsongraise1{2\Interligne}% -\def\respire{\notes\cbreath\enotes}% -\znotes\uptext{\kern -9mm\raise 9pt\hbox{\bigfont - Majestueux, sans tra\^\i ner \rm(\metron{\hu}{50})}}\enotes -% -\hardlyrics {\kern-5pt Gloire }\notes\hsong{\thelyrics }\cu c\enotes -\notes\hsong{\`a }\cu c\enotes -\barre -\NOTes\hsong{Dieu~}\hu f\enotes -\notes\hsong{au}\cu f\enotes -\hardlyrics{plus~}\notes\hsong{\thelyrics }\cu f\enotes -\hardlyrics{haut~}\notes\hsong{\thelyrics }\cu g\enotes -\notes\hsong{des}\cu g\enotes -\barre -\NOtes\hsong{cieux~}\qup h\enotes -\notes\hsong{et~}\cu h\enotes -\hardlyrics{paix~}\notes\hsong{\thelyrics }\qu i\enotes -\hardlyrics{sur~}\notes\hsong{\thelyrics }\cu h\enotes -\notes\hsong{la~}\cu g\enotes -\barre -\Notes\hsong{ter-}\qu f\enotes -\notes\hsong{re~}\cu f\enotes -\hardlyrics{aux~}\notes\hsong{\thelyrics}\cu f\enotes -\hardlyrics{hom- }\notes\hsong{\thelyrics}\qu g\enotes -\hardlyrics{mes~}\notes\hsong{\thelyrics }\cu h\enotes -\hardlyrics{qu'il~}\notes\hsong{\thelyrics }\cu i\enotes -\barre -\Notes\hsong{ai-}\hu g\enotes -\Notes\hsong{}\enotes -\Notes\hsong{me.}\hu f\enotes -%\check -\respire\Notes\uptext{\bf II }\enotes -\barre -\hardlyrics{Nous~}\notes\hsong{\thelyrics}\qu h\enotes -\notes\hsong{Te~}\cu g\enotes -\notes\hsong{lou-}\cu g\enotes -\NOtes\hsong{ons,}\hu h\enotes -%\check -\barre -\hardlyrics{nous~}\notes\hsong{\thelyrics }\cu h\enotes -\notes\hsong{Te~}\cu h\enotes -\notes\hsong{b\'e-}\cu j\enotes -\notes\hsong{nis-}\cu j\enotes -%\check -\NOTes\hsong{sons,}\hu h\enotes -\barre -\Notes\hsong{nous~}\qu h\enotes -%\check -\Notes\hsong{t'a-}\hu g\enotes -\Notes\enotes -\Notes\hsong{do-}\qu f\enotes -\barre -\NOtes\hsong{rons,~}\hu f\enotes -%\check -\respire\notes\uptext{\bf I}\enotes -\hardlyrics{nous~}\notes\hsong{\thelyrics }\cu h\enotes -\notes\hsong{Te~}\cu h\enotes -%\check -\notes\hsong{glo-}\cu g\enotes -\notes\hsong{ri-}\cu g\enotes -\barre -\NOTEs\hsong{fions,~}\hu h\enotes -%\chec -\hardlyrics{\kern -4pt nous~}\notes\hsong\thelyrics\cu h\enotes -\notes\hsong{Te~}\cu h\enotes -\notes\hsong{ren-}\cu h\enotes -\notes\zsong{dons~}\cu i\enotes -\barre -\NOtes\hsong{gr\^a~-}\qu g\enotes -\notes\hsong{ces~}\cu g\enotes -\hardlyrics{pour~}\notes\hsong\thelyrics\cu g\enotes -\hardlyrics{Ton~}\notes\hsong\thelyrics\cu h\enotes -\notes\hsong{im-}\cu i\enotes -\hardlyrics{men-}\notes\hsong\thelyrics\cu j\enotes -\notes\zsong{se~}\cu k\enotes -%\check -\barre -\Notes\hsong{gloi-}\ql j\enotes -\Notes\hsong{-}\ql i\enotes -\Notes\hsong{re~!}\qu h\enotes -\respire\notes\uptext{\bf II}\enotes -\notes\hsong{Sei-}\cu h\enotes -\notes\zsong{gneur~}\thelyrics\cu i\enotes -\barre -\hardlyrics{Dieu,~}\notes\hsong\thelyrics\qu j\enotes -%\check -\notes\hsong{Roi~}\cu h\enotes -\notes\hsong{du~}\cu g\enotes -\Notes\hsong{Ciel,~}\qu h\enotes -%\check -\hardlyrics{Dieu~}\notes\hsong\thelyrics\cu h\enotes -\notes\zsong{le~}\cu g\enotes -%\check -\barre -\notes\hsong{P\`e-~}\itied1h\cu h\enotes -\notes\hsong{re~}\ttie1\cu i\enotes -\hardlyrics{tout-}\notes\hsong\thelyrics\cu g\enotes -\hardlyrics{puis-}\notes\hsong\thelyrics\cu h\enotes -\Notes\hsong{sant~!}\qup h\enotes -\respire\notes\uptext{\bf I}\enotes -\notes\zsong{Sei-}\cu h\enotes -%\check -\barre -\hardlyrics{gneur,~}\notes\hsong\thelyrics\qu h\enotes -\hardlyrics{Fils~}\notes\hsong\thelyrics\cu g\enotes -\notes\hsong{u-}\cu g\enotes -\notes\hsong{ni-}\cu f\enotes -\hardlyrics{que~}\notes\hsong\thelyrics\cu f\enotes -\notes\hsong{J\'e-}\cu g\enotes -\notes\zsong{sus~}\cu g\enotes -%\check -\barre -\NOtes\hsong{Christ,}\hu h\enotes -\respire -\Notes\hsong{Sei-}\qu h\enotes -\Notes\zsong{gneur}\qu g\enotes -%\check -\barre -\NOtes\hsong{Dieu,}\hu h\enotes -\notes\hsong{}\ds\enotes -\notes\hsong{a-}\cu h\enotes -\hardlyrics{\kern -4pt gneau~}\notes\hsong\thelyrics\cu h\enotes -\notes\zsong{de~}\cu i\enotes -\barre -\NOtes\hsong{Dieu,}\qup g\enotes -\notes\hsong{le~}\cu f\enotes -\Notes\hsong{Fils~}\qu g\enotes -\Notes\zsong{du~}\qu g\enotes -\barre -\NOTes\hsong{P\`e-}\hu h\enotes -\Notes\hsong{re~}\qu h\enotes -\Notes\hsong{}\rlap{\uptext{\bf II }}\soupir\enotes -\barre -\Notes\hsong{Toi~}\qu f\enotes -\notes\hsong{qui~}\cu g\enotes -\notes\hsong{en-}\cu g\enotes -\notes\hsong{l\`e-}\cu h\enotes -\notes\hsong{ves~}\cu h\enotes -\notes\hsong{le~}\cl i\enotes -\notes\zsong{p\'e-}\cl i\enotes -\barre -\notes\hsong{ch\'e~}\cu h\enotes -\notes\hsong{du~}\cu g\enotes -\Notes\hsong{mon-}\qu h\enotes -\NOtes\hsong{de,}\qu g\enotes -\Notes\hsong{}\soupir\enotes -\barre -\NOtes\hsong{prends~}\qup f\enotes -\notes\hsong{pi-}\cu g\enotes -\NOtes\hsong{ti\'e~}\qup g\enotes -\notes\zsong{de~}\cu f\enotes -\barre -\NOTes\hsong{nous~!}\hup f\uptext{\bf I}\enotes -\Notes\hsong{}\soupir\enotes -%\check -\barre -\Notes\hsong{Toi~}\qu f\enotes -\notes\hsong{qui~}\cu g\enotes -\notes\hsong{en-}\cu g\enotes -\notes\hsong{l\`e-}\cu h\enotes -\notes\hsong{ves~}\cu h\enotes -\notes\hsong{le~}\cl i\enotes -\notes\zsong{p\'e-}\cl i\enotes -\barre -\notes\hsong{ch\'e~}\cu h\enotes -\notes\hsong{du~}\cu g\enotes -\Notes\hsong{mon-}\qu h\enotes -\NOtes\hsong{de,}\qu g\enotes -\notes\hsong{}\ds\enotes -\notes\zsong{en-}\cu h\enotes -\barre -\hardlyrics{tends~}\notes\hsong\thelyrics\cu f\enotes -\notes\hsong{no-}\cu f\enotes -\notes\hsong{tre~}\cu g\enotes -\notes\hsong{pri-}\cu g\enotes -\Notes\hsong{\`e-}\qu h\enotes -\Notes\hsong{re~!}\qu g\enotes -\respire\notes\uptext{\bf II}\enotes -\barre -\NOTEs\hsong{Toi~}\hu j\enotes -\Notes\hsong{qui~}\qu j\enotes -\notes\hsong{es~}\cu k\enotes -\notes\zsong{as-}\cu k\enotes -\barre -\Notes\hsong{sis~}\ql j\enotes -\notes\hsong{ \`a~}\cl i\enotes -\notes\hsong{la~}\cl h\enotes -\Notes\hsong{droi-}\qu g\enotes -\notes\hsong{te~}\cu f\enotes -\notes\zsong{du~}\cu g\enotes -\barre -\NOTes\hsong{P\`e-}\hu h\enotes -\Notes\hsong{re~}\qu g\enotes -\Notes\hsong{}\soupir\enotes -%\check -%\check -\barre -\NOtes\hsong{prends~}\qup h\enotes -\notes\hsong{pi-}\cu h\enotes -\NOtes\hsong{ti\'e~}\qup g\enotes -\notes\zsong{de~}\cu h\enotes -%\check -\barre -\NOTes\hsong{nous~!}\hu h\uptext{\bf I }\enotes -\notes\rlap{\uptext{\raise 9pt\hbox{\bigfont\ - plus anim\'e\kern 5pt}}}\soupir\enotes -\hardlyrics{Car~}\notes\hsong\thelyrics\cu c\enotes -\notes\zsong{Toi~}\cu c\enotes -%\check -\barre -\Notes\hsong{seul~}\qu f\enotes -\Notes\hsong{es~}\qu g\enotes -\Notes\zsong{saint~!}\qup h\enotes -\notes\zsong{\sk Toi~}\qs\ccu h\enotes -\barre -\Notes\hsong{seul~}\qu h\enotes -\notes\hsong{es~}\cup g\enotes -\notes\hsong{Sei-}\ccu h\enotes -\NOtes\hsong{gneur~!}\qup h\enotes -\respire\notes\uptext{\bf II }\enotes -\notes\zsong{Toi~}\cu h\enotes -%\check -\barre -\notes\hsong{\kern -4pt seul~}\cu h\enotes -\notes\hsong{es~}\cu g\enotes -\notes\hsong{le~}\cu h\enotes -\hardlyrics{Tr\`es-}\notes\hsong\thelyrics\cu i\enotes -\Notes\hsong{haut,}\ql j\enotes -\notes\hsong{J\'e-}\cl j\enotes -\notes\zsong{sus-}\cl i\enotes -%\check -\barre -\NOtes\hsong{Christ,}\qlp j\enotes -\notes\hsong{a-}\cu h\enotes -\notes\hsong{vec~}\cu f\enotes -\notes\hsong{le~}\cu f\enotes -\hardlyrics{\kern -4pt Saint-}\notes\hsong\thelyrics\cu g\enotes -\notes\zsong{Es-}\cu g\enotes -%\check -\barre -\NOtes\hsong{prit~!}\hu h\enotes -\notes\uptext{\bf I}\enotes -\Notes\hsong{dans~}\qu f\enotes -\notes\zsong{la~}\qu g\enotes -\barre -\Notes\hsong{gloi-}\qu h\enotes -\notes\hsong{re~}\cu h\enotes -\notes\hsong{de~}\cu g\enotes -\Notes\hsong{Dieu~}\qu h\enotes -\Notes\zsong{le~}\qu i\enotes -\barre -\Notes\hsong{P\`e-}\hu g\enotes -\NOtes\zsong{re.}\hu f\enotes -\respire -\barre -\Notes\zsong{A - - - - - }\wh g\enotes -\barre -\NOtes\hsong{men~!}\hup h\enotes -\notes\hsong{}\soupir\enotes -\mulooseness 4% -\Stoppiece -\medskip\rightline{\it le \aujourdhui\ \ \ \ } -\bye diff --git a/musixtex/doc/examples/gloriax.tex b/musixtex/doc/examples/gloriax.tex deleted file mode 100644 index 509b8de..0000000 --- a/musixtex/doc/examples/gloriax.tex +++ /dev/null @@ -1,283 +0,0 @@ -\input musixtex -\input musixcpt -\input musixsty -\sepbarrules -\def\tempz{\temps}% -% -\vsize=28.2cm -\hsize=18.5cm -\parindent 15mm -% -\vbox{% -\centerline{\enorme Gloria} -\medskip -\rightline{\cmbx M\'elodie~: Guy BOUSSION} -}% -\tracingstats=1\relax -% -\bigskip -\def\nbinstruments{2} -\global\nbporteesi=0 -% -\signaturegenerale{-1}\relax % un bemol a la clef -\generalmeter{\meterfrac{2}{2}} -%\check -%\check - -% -\def\eightpoint{\Tenpoint}% -% -%\check -\catcode`\@=11 -\newdimen\lyricskip -\def\varskip#1{% - \setbox\ch@box\hbox{#1}\global\lyricskip\wd\ch@box} -\catcode`\@=12 - -\normal\elemskip=15pt -\def\gluemaxskip{6pt}% -\staffbotmarg=1.5\Interligne\stafftopmarg=1.5\Interligne -\debutmorceau -% -\def\respire{\notes&\cbreath\enotes}% -\temps\znotes&\uptext{\kern -9mm\raise 9pt\hbox{\moyen - Majestueux, sans tra\^\i ner \rm(\metron{\hu}{50})}}\enotes -% -\def\Varnotes#1\enotes{\vnotes0.05\elemskip &\enotes -% \varskip{#1}\vnotes0.05\elemskip\rlap{#1}&\rlap{#2}\enotes - \varskip{#1}\znotes\rlap{#1}&\rlap{#2}\enotes - \hardspace{\lyricskip}% - \vnotes0.05\elemskip &\enotes -}% -% -\def\VarNotes#1\enotes{\vnotes0.05\elemskip &\enotes - \varskip{#1}\vnotes1\elemskip\rlap{#1}&\rlap{#2}\enotes - \hardspace{\lyricskip}% - \vnotes0.05\elemskip &\enotes -}% -% -\def\VarNOtes#1\enotes{\vnotes0.05\elemskip &\enotes - \varskip{#1}\vnotes2\elemskip\rlap{#1}&\rlap{#2}\enotes - \hardspace{\lyricskip}% - \vnotes0.05\elemskip &\enotes -}% -\temps\Varnotes \kern-5pt Gloire &\cu c\enotes -\temps\Varnotes \`a &\cu c\enotes -\barre\NOTes Dieu~&\hu f\enotes -\tempz\Varnotes au&\cu f\enotes -\temps\Varnotes plus~&\cu f\enotes -\temps\Varnotes haut~&\cu g\enotes -\temps\Varnotes des &\cu g\enotes -\barre\VarNOtes cieux~&\qup h\enotes -\temps\Varnotes et~&\cu h\enotes -\tempz\VarNotes paix~&\qu i\enotes -\temps\Varnotes sur~&\cu h\enotes -\temps\Varnotes la~&\cu g\enotes -\barre\VarNotes ter-&\qu f\enotes -\temps\Varnotes re~&\cu f\enotes -\temps\Varnotes aux~&\cu f\enotes -\tempz\VarNotes hom~-&\qu g\enotes -\temps\Varnotes mes~&\cu h\enotes -\temps\Varnotes qu'il~&\cu i\enotes -\alaligne\VarNotes ai-&\hu g\enotes -\temps\VarNotes &\enotes -\tempz\VarNotes me.&\hu f\enotes -%\check -\temps\respire\VarNotes&\uptext{\bf II }\enotes -\barre\VarNotes Nous~&\qu h\enotes -\temps\Varnotes Te~&\cu g\enotes -\temps\Varnotes lou-&\cu g\enotes -\tempz\VarNOtes ons,&\hu h\enotes -%\check -\barre\Varnotes nous~&\cu h\enotes -\temps\Varnotes Te~&\cu h\enotes -\temps\Varnotes b\'e-&\cu j\enotes -\temps\Varnotes nis-&\cu j\enotes -%\check -\tempz\NOTes sons,&\hu h\enotes -\barre\VarNotes nous~&\qu h\enotes -%\check -\temps\VarNotes t'a-&\hu g\enotes -\tempz\VarNotes&\enotes -\temps\VarNotes do-&\qu f\enotes -\alaligne\VarNOtes rons,~&\hu f\enotes -%\check -\temps\respire\Varnotes&\uptext{\bf I}\enotes -\tempz\Varnotes nous~&\cu h\enotes -\temps\Varnotes Te~&\cu h\enotes -%\check -\temps\Varnotes glo-&\cu g\enotes -\temps\Varnotes ri-&\cu g\enotes -\barre\NOTEs fions,~&\hu h\enotes -%\chec -\tempz\Varnotes \kern -4pt nous~&\cu h\enotes -\temps\Varnotes Te~&\cu h\enotes -\temps\Varnotes ren-&\cu h\enotes -\temps\Varnotes dons~&\cu i\enotes -\barre\VarNOtes gr\^a~-&\qu g\enotes -\temps\Varnotes ces&\cu g\enotes -\temps\Varnotes pour&\cu g\enotes -\tempz\Varnotes Ton~&\cu h\enotes -\temps\Varnotes im-&\cu i\enotes -\temps\Varnotes men&\cu j\enotes -\temps\Varnotes se~&\cu k\enotes -%\check -\alaligne\VarNotes gloi-&\ql j\enotes -\temps\VarNotes -&\ql i\enotes -\temps\VarNotes re~!&\qu h\enotes -\temps\respire\Varnotes&\uptext{\bf II}\enotes -\temps\Varnotes Sei-&\cu h\enotes -\temps\Varnotes gneur~&\cu i\enotes -\barre\VarNotes Dieu,~&\qu j\enotes -%\check -\temps\Varnotes Roi~&\cu h\enotes -\temps\Varnotes du~&\cu g\enotes -\tempz\VarNotes Ciel,~&\qu h\enotes -%\check -\temps\Varnotes Dieu~&\cu h\enotes -\temps\Varnotes le~&\cu g\enotes -%\check -\barre\Varnotes P\`e-~&\cu h\enotes -\temps\Varnotes re~&\cu i\enotes -\temps\Varnotes tout-&\cu g\enotes -\temps\Varnotes puis-&\cu h\enotes -\tempz\VarNOtes sant~!&\qup h\enotes -\temps\respire\Varnotes&\uptext{\bf I}\enotes -\temps\Varnotes Sei-&\cu h\enotes -%\check -\barre\VarNotes gneur,~&\qu h\enotes -\temps\Varnotes Fils~&\cu g\enotes -\temps\Varnotes u-&\cu g\enotes -\tempz\Varnotes ni-&\cu f\enotes -\temps\Varnotes que-&\cu f\enotes -\temps\Varnotes J\'e-&\cu g\enotes -\temps\Varnotes sus~&\cu g\enotes -%\check -\barre\VarNOtes Christ,&\hu h\enotes -\temps\respire -\tempz\VarNotes Sei-&\qu h\enotes -\temps\VarNotes gneur&\qu g\enotes -%\check -\barre\VarNOtes Dieu,&\hu h\enotes -\tempz\notes &\ds\enotes -\temps\Varnotes a-&\cu h\enotes -\temps\Varnotes \kern -4pt gneau~&\cu h\enotes -\temps\Varnotes de~&\cu i\enotes -\alaligne -\temps\VarNOtes Dieu,&\qup g\enotes -\temps\Varnotes le~&\cu f\enotes -\tempz\VarNotes Fils~&\qu g\enotes -\temps\VarNotes du~&\qu g\enotes -\barre\NOTes P\`e-&\hu h\enotes -\tempz\VarNotes re~&\qu h\enotes -\temps\Notes &\rlap{\uptext{\bf II }}\soupir\enotes -\barre\VarNotes Toi~&\qu f\enotes -\temps\Varnotes qui~&\cu g\enotes -\temps\Varnotes en-&\cu g\enotes -\tempz\Varnotes l\`e-&\cu h\enotes -\temps\Varnotes ves~&\cu h\enotes -\temps\Varnotes le~&\cl i\enotes -\temps\Varnotes p\'e-&\cl i\enotes -\barre\Varnotes ch\'e~&\cu h\enotes -\temps\Varnotes du~&\cu g\enotes -\temps\VarNotes mon-&\qu h\enotes -\tempz\VarNOtes de,&\qu g\enotes -\temps\Notes &\soupir\enotes -\alaligne\VarNOtes prends~&\qup f\enotes -\temps\Varnotes pi-&\cu g\enotes -\tempz\VarNOtes ti\'e~&\qup g\enotes -\temps\Varnotes de~&\cu f\enotes -\barre\NOTes nous~!&\hup f\uptext{\bf I}\enotes -\temps\Notes &\soupir\enotes -%\check -\barre\VarNotes Toi~&\qu f\enotes -\temps\Varnotes qui~&\cu g\enotes -\temps\Varnotes en-&\cu g\enotes -\tempz\Varnotes l\`e-&\cu h\enotes -\temps\Varnotes ves~&\cu h\enotes -\temps\Varnotes le~&\cl i\enotes -\temps\Varnotes p\'e-&\cl i\enotes -\barre\Varnotes ch\'e~&\cu h\enotes -\temps\Varnotes du~&\cu g\enotes -\temps\VarNotes mon-&\qu h\enotes -\tempz\VarNOtes de,&\qu g\enotes -\temps\notes &\ds\enotes -\temps\Varnotes en-&\cu h\enotes -\barre\Varnotes tends~&\cu f\enotes -\temps\Varnotes no-&\cu f\enotes -\temps\Varnotes tre~&\cu g\enotes -\temps\Varnotes pri-&\cu g\enotes -\tempz\VarNotes \`e-&\qu h\enotes -\temps\VarNotes re~!&\qu g\enotes -\temps\respire\Varnotes&\uptext{\bf II}\enotes -\barre\NOTEs Toi~&\hu j\enotes -\tempz\VarNotes qui~&\qu j\enotes -\tempz\Varnotes es~&\cu k\enotes -\tempz\Varnotes as-&\cu k\enotes -\barre\VarNotes sis~&\ql j\enotes -\temps\Varnotes \`a~&\cl i\enotes -\temps\Varnotes la~&\cl h\enotes -\tempz\VarNotes droi-&\qu g\enotes -\tempz\Varnotes te~&\cu f\enotes -\temps\Varnotes du~&\cu g\enotes -\alaligne\NOTes P\`e-&\hu h\enotes -\tempz\VarNotes re~&\qu g\enotes -\temps\Notes &\soupir\enotes -%\check -%\check -\barre\VarNOtes prends~&\qup h\enotes -\temps\Varnotes pi-&\cu h\enotes -\tempz\VarNOtes ti\'e~&\qup g\enotes -\temps\Varnotes de~&\cu h\enotes -%\check -\barre\NOTes nous~!&\hu h\uptext{\bf I }\enotes -\tempz\notes&\rlap{\uptext{\raise 8pt\hbox{\moyen plus anim\'e\kern 5pt}}}\soupir\enotes -\temps\Varnotes Car~&\cu c\enotes -\temps\Varnotes Toi~&\cu c\enotes -%\check -\barre\VarNotes seul~&\qu f\enotes -\temps\VarNotes es~&\qu g\enotes -\tempz\VarNotes saint~!&\qup h\enotes -\temps\notes \sk&\qsoupir\enotes -\temps\Varnotes Toi~&\ccu h\enotes -\alaligne\VarNotes seul~&\qu h\enotes -\temps\Varnotes es~&\cup g\enotes -\temps\Varnotes Sei-&\ccu h\enotes -\tempz\VarNOtes gneur~!&\qup h\enotes -\temps\respire\Varnotes&\uptext{\bf II }\enotes -\temps\Varnotes Toi~&\cu h\enotes -%\check -\barre\Varnotes seul~&\cu h\enotes -\temps\Varnotes es~&\cu g\enotes -\temps\Varnotes le~&\cu h\enotes -\temps\Varnotes Tr\`es-&\cu i\enotes -\tempz\VarNotes haut,&\ql j\enotes -\temps\Varnotes J\'e-&\cl j\enotes -\temps\Varnotes sus-&\cl i\enotes -%\check -\barre\VarNOtes Christ,&\qlp j\enotes -\temps\Varnotes a-&\cu h\enotes -\tempz\Varnotes vec~&\cu f\enotes -\temps\Varnotes le~&\cu f\enotes -\temps\Varnotes \kern -4pt Saint-&\cu g\enotes -\temps\Varnotes Es-&\cu g\enotes -%\check -\barre\VarNOtes prit~!&\hu h\enotes -\tempz\Varnotes&\uptext{\bf I}\enotes -\temps\VarNotes dans~&\qu f\enotes -\temps\Varnotes la~&\qu g\enotes -\barre\VarNotes gloi-&\qu h\enotes -\temps\Varnotes re~&\cu h\enotes -\temps\Varnotes de~&\cu g\enotes -\tempz\VarNotes Dieu~&\qu h\enotes -\temps\VarNotes le~&\qu i\enotes -\barre\VarNotes P\`e-&\hu g\enotes -\tempz\VarNOtes re.&\hu f\enotes -\temps\respire -\barre\VarNotes A - - - - - &\wh g\enotes -\barre\VarNOtes men~!&\hup h\enotes -\tempz\notes &\soupir\enotes -%\mulooseness -2\relax -\finmorceau -\medskip\rightline{\it le \aujourdhui\ \ \ \ } -\bye diff --git a/musixtex/doc/examples/gymnoman.tex b/musixtex/doc/examples/gymnoman.tex deleted file mode 100644 index 07f1ac9..0000000 --- a/musixtex/doc/examples/gymnoman.tex +++ /dev/null @@ -1,569 +0,0 @@ -% \input musixtex -% \input musixcpt -% \input musixsty -\title{Gymnomanie} -\shortauthor{D. Taupin} -\fullauthor{Daniel TAUPIN} -% -\othermention{Compos\'e en 1994} -\maketitle - -\parindent 12mm -\tracingstats=2\relax -% -\nbporteesi=2\relax -\def\nbinstruments{1}% -\global\cleftoksi={{6}{0}{0}{0}}% -% -\signaturegenerale{0}\relax % un bemol a la clef -\def\quatretemps{\generalmeter{\meterfrac{4}{4}}}% -\def\troistemps{\generalmeter{\meterfrac{3}{4}}}% -\def\deuxtemps{\generalmeter{\meterfrac{2}{4}}}% -%\check -\def\instrumenti{Piano} -%\check -\troistemps -\def\fff{{f}\kern -1pt{f}\kern -1pt{f}}% -\def\ff{{f}\kern -1pt{f}}% -\def\gluemaxskip{6pt}% -% -% formes frequentes -% -%\check -% au moins deux croches basses et hautes -\def\dqb#1#2{\Ibl0{#1}{#2}1\qb0{#1}\tqb0{#2}}% -\def\dqh#1#2{\Ibu0{#1}{#2}1\qh0{#1}\tqh0{#2}}% -% -% trois doubles croches hautes -\def\tqbbl#1#2#3{\Ibbl0{#1}{#3}2\qb0{#1}\qb0{#2}\tqb0{#3}}% -\def\tqbbu#1#2#3{\Ibbu0{#1}{#3}2\qh0{#1}\qh0{#2}\tqh0{#3}}% -\def\tqbbh{\tqbbu}% -\def\tqbbb{\tqbbl}% -% quatre doubles croches -\def\qqbbh#1#2#3#4{\Ibbu0{#1}{#4}3\qh0{#1}\qh0{#2}\qh0{#3}\tqh0{#4}}\relax -\def\qqbbu{\qqbbh}\def\qqbbb{\qqbbl}% -\def\qqbbl#1#2#3#4{\Ibbl0{#1}{#2}3\qb0{#1}\qb0{#2}\qb0{#3}\tqb0{#4}}\relax -%\check -% octave basse en blanche -\def\bohl#1{\zh{!`#1}\hl{!#1}}% -\def\bohu#1{\zh{!`#1}\hu{!#1}}% -\def\sohl#1{\zh{!'#1}\hl{!#1}}% -\def\sohu#1{\zh{!'#1}\hu{!#1}}% -% octave basse en blanche pointee -\def\bohlp#1{\zhp{!`#1}\hlp{!#1}}% -\def\bohup#1{\zhp{!`#1}\hup{!#1}}% -\def\sohlp#1{\zhp{!'#1}\hlp{!#1}}% -\def\sohup#1{\zhp{!'#1}\hup{!#1}}% -% -\def\bozh#1{\zh{!`#1!#1}}% -\def\bozq#1{\zq{!`#1!#1}}% -\def\boql#1{\zq{!`#1}\ql{!#1}}% -\def\boqu#1{\zq{!`#1}\qu{!#1}}% -% octave sup. en croches u -\def\soqh#1{\zq{!'#1}\qh0{!#1}}% -\def\soqb#1{\zq{!'#1}\qb0{!#1}}% -\def\soqu#1{\zq{!'#1}\qu{!#1}}% -\def\soql#1{\zq{!'#1}\ql{!#1}}% -%\check -% -\def\interfacteur{11}% -\computewidths -\staffbotmarg=5\Interligne % -\def\lPED{\zcharnote{-5}{\hbox to 2.4\internote{\hss\Ped\kern -2pt}}}% -\def\PEDDEP{\PED\sk\sk\sk\DEP\pause}% -\def\PEDpDEP{\PED\sk\sk\sk\DEP\sk}% -\def\upsoupir#1{\raise#1\Interligne\rlap{\soupir}} -% -\debutmorceau -% call \autolines with musiCtex, not with musiXtex !!! -\ifx\mxversion\undefined\autolines {6}55\relax\fi -\advance\barsinline by 1\relax -\notes|\Uptext{\moyen\kern -20pt Lento \rm(\metron{\qu}{65})}\enotes -\vnotes 0.2\elemskip\uptext{\kern -5mm\ppff - p}|\zcharnote a{\kern -5mm\ppff mp}\enotes - % -\temps\NOtes \upsoupir2\bohlp K|\hu m\enotes -\temps\NOtes\zq{Ma}\qu d\enotes -\temps\NOtes\zq{Maf}\qu d|\qu m\enotes - % mesure 2 -\barre\NOtes \upsoupir2\bohlp{^J}|\upsoupir{-2}\hup l\enotes -\temps\NOtes\zq{LN}\qu{^c}|\qu e\enotes -\temps\NOtes\zq{LN}\qu{c}|\zq h\qu e\enotes - %\check - % mesure 3 -\barre\NOtes \upsoupir2\bohlp K|\hu m\enotes -\temps\NOtes\zq{Ma}\qu d\enotes -\temps\NOtes\zq{ad}|\zql f\qu m\enotes - % mesure 4 -\barre\NOtes \upsoupir2\bohlp{=J}|\upsoupir{-2}\hup n\enotes -\temps\NOtes\zq{LN}\qu{=c}|\qu e\enotes -\temps\NOtes\zq{LN}\qu{c}|\zq g\qu e\enotes - % mesure 5 -\barre\NOtes \upsoupir2\bohup F|\upsoupir{-2}\hu o\enotes -\temps\NOtes\zq{Ma}\qu c|\qu f\enotes -\temps\NOtes\zq{Mac}|\zql f\zq h\qu o\enotes - % mesure 6 -\barre\NOtes \upsoupir2\bohlp{H}|\qu q\enotes -\temps\NOtes\zq{Ma}\qu{c}|\qu o\enotes -\temps\NOtes\zq{Mad}|\zql f\qu m\enotes - % mesure 7 - %\check -\barre\NOtes \upsoupir2\bohlp J|\upsoupir{-2}\hu n\enotes -\temps\NOtes\zq L\qu N|\zq c\qu e\enotes -\temps\NOtes\zq L\qu N|\upsoupir3\zq {ce}\qu g\enotes - % mesure 8 -\barre\NOtes \upsoupir2\bohlp K|\hu o\enotes -\temps\NOtes\zq{Ma}\qu d\enotes -\temps\NOtes\zq{Maf}\qu d|\qu o\enotes - % mesure 9 -\barre\NOtes \upsoupir2\bohlp{H}|\upsoupir{-2}\hup n\enotes -\temps\NOtes\zq{LN}\qu{^c}|\qu e\enotes -\temps\NOtes\zq{L}\qu{c}|\zq g\qu e\enotes - % mesure 10 -\barre\NOtes \upsoupir2\bohlp{^J}|\upsoupir{-2}\hu o\enotes -\temps\NOtes\zq{a^c}\qu e|\qu g\enotes -\temps\NOtes\zq{ae}\qu g|\zql h\qu o\enotes - % mesure 11 -\barre\NOtes \upsoupir2\bohup{D}|\upsoupir{-2}\hup m\enotes -\temps\NOtes\zq{KMa}\qu{d}|\upsoupir{-2}\enotes -\temps\NOtes\zq{Ka}\qu{d}|\qu f\enotes - %\check - % mesure 12 -\barre\NOtes \upsoupir2\bohup F|\hu o\enotes -\temps\NOtes\zq{Mad}|\zql f\enotes -\temps\NOtes\zq{ad}|\zq f\zql h\qu o\enotes - %\check - % mesure 13 -\barre\NOtes \upsoupir2\bohlp{H}|\upsoupir{-2}\hup n\enotes -\temps\NOtes\zq{LN}\qu{^c}|\qu e\enotes -\temps\NOtes\zq{L}\qu{c}|\zq h\ql e\enotes - %\check - % mesure 14 -\barre\NOtes \upsoupir2\bohup{F}|\qu o\enotes -\temps\NOtes\zq{Mad}|\zql{f}\qu n\enotes -\temps\NOtes\zq{ad}|\zq f\zql{h}\qu m\enotes - %\check - % mesure 15 -\barre\NOtes \upsoupir2\bohup{C}|\hu n\enotes -\temps\NOtes\zq{LNc}\qu{e}|\enotes -\temps\NOtes\zq{Nce}|\upsoupir2\ql g\enotes - %\check - % mesure 16 -\barre\NOtes \upsoupir2\bohup D|\hu m\enotes -\temps\NOtes\zq{KMa}\qu d\enotes -\temps\NOtes\zq{Mad}\qu f|\qu m\enotes - %\check - % mesure 17 -\barre\NOtes \upsoupir2\bohlp G|\hup l\enotes -\temps\NOtes\zq{LN_b}\qu e\enotes -\temps\NOtes\zq{Nbe}\qu g|\enotes - %\check - % mesure 18 -\barre\NOtes \upsoupir2\bohup D|\zcharnote b{\CREsc}\hu {^m}\enotes -\temps\NOtes\zq{K^Ma}\qu d\enotes -\temps\NOtes\zq{Mad}\qu{^f}|\qu m\enotes - %\check - % mesure 19 -\barre\NOtes \upsoupir2\bohup E|\hu{^n}\enotes -\temps\NOtes\zq{L^Nb}\qu e\enotes -\temps\NOtes\zq{Nbe}|\zql{^g}\qu n\enotes - %\check - % mesure 20 -\barre\NOtes \upsoupir2\bohup{^F}|\hu{^o}\enotes -\temps\NOtes\lsh a\zq{^Ma^c}|\ql{^f}\enotes -\temps\NOtes\zq{ac}|\zq f\zql{^h}\qu o\enotes - %\check - % mesure 21 -\barre\NOtes \upsoupir2\bohlp{^G}|\hup{^p}\enotes -\temps\NOtes\lsh b\zq{^Nb^d}|\ql{^g}\enotes -\temps\NOtes\zq{^Mdb}|\zq g\zql{^i}\enotes - %\check - % mesure 22 -\barre\NOtes \upsoupir2\bohlp{=H}|\hup{^q}\enotes -\temps\NOtes\lna a\zq{a^c}|\zq e\ql{=h}\enotes -\temps\NOtes\zq{Lc}|\zq {eg}\ql{^j}\enotes - %\check - % mesure 23 -\barre\NOtes \upsoupir2\bohup{^F}|\qu{^q}\enotes -\temps\NOtes\zq{^Ma^c}|\zql{^f}\qu p\enotes -\temps\NOtes\zq{ac}|\zq f\zql{h}\qu o\enotes - %\check - % mesure 24 -\barre\NOtes \upsoupir2\bohup{^C}|\hup{^n}\enotes -\temps\NOtes\lsh N\zq{^LN^c}|\ql{^e}\enotes -\temps\NOtes\zq{Nb}|\zq e\ql {^g}\enotes - %\check - % mesure 25 -\barre\NOtes \upsoupir2\bohlp{K}|\hu{^m}\enotes -\temps\NOtes\zq{^Mad}|\ql{^f}\enotes -\temps\NOtes\zq{ad}|\zq f\zql {h}\qu m\enotes - %\check - % mesure 26 -\barre\NOtes \upsoupir2\bohlp{^J}|\hup{l}\enotes -\temps\NOtes\lsh N\zq{LN^c}|\ql{e}\enotes -\temps\NOtes\zq{Nc}|\zq e\ql {^g}\enotes - %\check - % mesure 27 -\barre\NOtes \upsoupir2\bohlp{K}\zmidtwotext{\DIMin}|\qu k\enotes -\temps\NOtes\zq{^Ma}\ql d|\qu l\enotes -\temps\NOtes\zq{ad}|\zql {^f}\qu{^m}\enotes - %\check - % mesure 28 -\xbarre\NOtes \upsoupir2\bohlp{^J}|\hu{^j}\enotes -\temps\NOtes\lsh N\zq{^LN^c}|\ql{^e}\enotes -\temps\NOtes\zq{Nb}|\zq e\zql {^g}\upsoupir2\enotes - %\check - % mesure 29 -\barre\NOtes \upsoupir2\bohup{^F}|\bohu{o}\enotes -\temps\NOtes\lna a\zq{^Ma}\ql{^c}|\enotes -\temps\NOtes\zq{Mac}\ql {^f}|\boqu o\enotes - %\check - % mesure 30 -\barre\NOtes \upsoupir2\bohlp{^J}|\bohup{^n}\enotes -\temps\NOtes\lsh N\zq{^LN^c}|\ql{^e}\enotes -\temps\NOtes\zq{Nb}|\zq e\ql {^g}\enotes - %\check - % mesure 31 -\barre\NOtes \upsoupir2\bohup{^F}|\bohu{o}\enotes -\temps\NOtes\lna a\zq{^Ma}\ql{^c}|\enotes -\temps\NOtes\zq{Mac}\qu {^f}|\boqu o\enotes - %\check - % mesure 32 -\barre\NOtes \upsoupir2\bohup{E}|\bohup{p}\enotes -\temps\NOtes\zq{L^Nb}|\ql{e}\enotes -\temps\NOtes\zq{Nb}|\zq d\ql {g}\enotes - %\check - % mesure 33 -\barre\NOtes \upsoupir2\bohlp{H}|\bohu{^q}\enotes -\temps\NOtes\zq{a^ce}|\ql{h}\enotes -\temps\NOtes\zq{Lc}\ql {e}|\boqu q\enotes - %\check - % mesure 34 -\barre\NOtes \upsoupir2\bohlp{^J}|\boqu{s}\enotes -\temps\NOtes\zq{a^c}|\zq{^f}\zql{h}\boqu{^q}\enotes -\temps\NOtes\zq{^Mac}|\zql f\boqu o\enotes - %\check - % mesure 35 -\barre\NOtes \upsoupir2\bohlp{^J}|\bohu{^n}\enotes -\temps\NOtes\lsh e\lsh N\zq{^LN^c}\ql{e}\enotes -\temps\NOtes\zq{LN}\lq b\zql c|\soupir\enotes - %\check - % mesure 36 -\barre\NOtes \upsoupir2\bohup{^F}|\bohu{o}\enotes -\temps\NOtes\lna a\zq{^Ma}\ql{^c}|\enotes -\temps\NOtes\zq{Mac}\ql {^f}|\boqu o\enotes - %\check - % mesure 37 -\barre\NOtes \upsoupir2\bohup{H}|\bohu{=n}\enotes -\temps\NOtes\lna a\zq{=La^c}|\ql{=e}|\enotes -\temps\NOtes\zq{ac}|\zql e\boqu n\enotes - %\check - % mesure 38 -\barre\NOtes \upsoupir3\bohup K|\boqu {^m}\enotes -\temps\NOtes\zq{K^Ma}\qu d|\boqu l\enotes -\temps\NOtes\zq{Ma}\qu{^f}|\boqu k\enotes - %\check - % mesure 39 -\barre\NOtes \upsoupir2\bohup{H}|\bohu{^j}\enotes -\temps\NOtes\zq{La^c}\ql{e}|\enotes -\temps\NOtes\zq{ace}|\zql h\upsoupir2\enotes - %\check - % mesure 40 -\barre\NOtes \upsoupir2\bohup{G}|\bohup{p}\enotes -\temps\NOtes\zq{KNb}\ql{d}|\enotes -\temps\NOtes\zq{Nbd}|\zql g\enotes - %\check - % mesure 41 -\barre\NOtes \upsoupir2\bohup{H}|\bohup{^q}\enotes -\temps\NOtes\zq{La^c}\ql{e}|\enotes -\temps\NOtes\zq{ace}|\ql h\enotes - %\check - % mesure 42 -\barre\NOtes \upsoupir2\bohup{I}|\boqu{^r}\enotes -\temps\NOtes\zq{^Mb^d}|\zql{^f}\boqu{^q}\enotes -\temps\NOtes\zq{bd}|\zq h\zql {f}\qsk\boqu p\enotes - %\check - % mesure 43 -\barre\NOtes \upsoupir2\bohup{E}|\bohup{s}\enotes -\temps\NOtes\zq{LN}\ql{c}|\enotes -\temps\NOtes\zq{Nc}\ql e\enotes - %\check - % mesure 44 -\barre\NOtes \upsoupir2\bohup{G}|\boqu{t}\enotes -\temps\NOtes\zq{KNb}\ql d|\boqu{s}\enotes -\temps\NOtes\zq{Nbd}\zql {f}|\boqu r\enotes - %\check - % mesure 45 -\barre\NOtes \upsoupir2\bohup{C}|\bohu{s}\enotes -\temps\NOtes\zq{LNc}|\ql{e}\enotes -\temps\NOtes\zq{Nc}|\zq e\zql g\boqu s\enotes - %\check - % mesure 46 -\barre\NOtes \upsoupir2\bohup{G}|\bohup{r}\enotes -\temps\NOtes\zq{Nb}\ql e|\enotes -\temps\NOtes\zq{Nb}\ql d|\enotes - %\check - % mesure 47 -\barre\NOtes \upsoupir2\bohup{H}|\boqu{q}\enotes -\temps\NOtes\zq{Lac}\zql{e}|\boqu p\enotes -\temps\NOtes\zq{Lac}\zql e|\boqu o\enotes - %\check - % mesure 48 -\barre\NOtes \qsk\upsoupir2\bohup{G}|\qsk\bohup{_p}\enotes -\temps\NOtes\zq{KN_b}\ql d|\enotes -\temps\NOtes\zq{Nbd}|\ql g|\enotes - %\check - % mesure 49 -\barre\NOtes \zmidtwotext{\it rit.}\upsoupir2\bohup{H}|\bohu{o}\enotes -\temps\NOtes\zq{La^c}\ql e|\enotes -\temps\NOtes\zq{ac}\ql e|\boqu n\enotes - %\check - % mesure 50 -\barre\NOtes \zmidtwotext{\it a tempo}\upsoupir2\bohlp K|\bohu m\enotes -\temps\NOtes\zq{Ma}\qu d\enotes -\temps\NOtes\zq{Maf}\qu d|\boqu m\enotes - % mesure 51 -\barre\NOtes \upsoupir2\bohlp{^J}|\bohup l\enotes -\temps\NOtes\zq{LN^c}\ql e\enotes -\temps\NOtes\zq{LNc}|\zq h\ql e\enotes - %\check - % mesure 52 -\barre\NOtes \upsoupir2\bohlp K|\bohu m\enotes -\temps\NOtes\zq{Ma}\qu d\enotes -\temps\NOtes\zq{M_b}\qu d|\boqu m\enotes - % mesure 53 -\barre\NOtes \upsoupir2\bohlp{=J}|\bohup n\enotes -\temps\NOtes\zq{LN=c}|\ql e\enotes -\temps\NOtes\zq{LNc}|\zq g\ql e\enotes - % mesure 54 -\barre\NOtes \upsoupir2\bohup F|\bohu o\enotes -\temps\NOtes\zq{Mac}|\zql f\enotes -\temps\NOtes\zq{Mac}|\zql f\boqu o\enotes - % mesure 55 -\barre\NOtes \upsoupir2\bohlp{H}|\boqu q\enotes -\temps\NOtes\zq{Ma}\qu{c}|\boqu o\enotes -\temps\NOtes\zq{Ma}\zql d|\boqu m\enotes - % mesure 56 - %\check -\barre\NOtes \upsoupir2\bohlp{^J}|\bohu n\enotes -\temps\NOtes\zq {LN}|\zq{^c}\ql e\enotes -\temps\NOtes\zq L\zq N|\upsoupir3\zq {ce}\ql g\enotes - % mesure 57 -\barre\NOtes \upsoupir2\bohlp K|\bohu o\enotes -\temps\NOtes\zq{Ma}\qu d\enotes -\temps\NOtes\zq{Maf}\qu d|\boqu o\enotes - % mesure 58 -\barre\NOtes \upsoupir2\bohlp{G}|\bohup n\enotes -\temps\NOtes\zq{KN_b}\qu{d}|\enotes -\temps\NOtes\zq{Nbd}|\ql g\enotes - % mesure 59 - %\check -\barre\NOtes \upsoupir2\bohlp{H}|\boqu o\enotes -\temps\NOtes\zq {KMa}\qu d|\boqu n\enotes -\temps\NOtes\zq {Ma}\zql d|\boqu m\enotes - % mesure 60 - %\check -\barre\NOtes \upsoupir2\bohlp{J}|\bohup {_l}\enotes -\temps\NOtes\zq {_LNc}\zql{_e}\enotes -\temps\NOtes\zq {Nce}|\ql g\enotes - % mesure 61 - %\check -\barre\NOtes \upsoupir2\bohlp{K}|\bohu k\enotes -\temps\NOtes\zq {K^Ma}\zql d|\enotes -\temps\NOtes\zq {Mad}\zql{^f}|\soupir\enotes - %\check - % mesure 62 -\barre\NOtes \qsk\upsoupir2\bohup{G}|\bohu{n}\enotes -\temps\NOtes\zq{KN_b}\ql d|\enotes -\temps\NOtes\zq{Nb}\ql d|\boqu n\enotes - % mesure 63 - %\check -\barre\NOtes \upsoupir2\bohlp{F}|\bohup {_o}\enotes -\temps\NOtes\lfl a\zq {=Mac}\zql{=f}|\enotes -\temps\NOtes\zq {acf}|\zql h\enotes - % mesure 64 - %\check -\barre\NOtes \upsoupir2\bohlp{J}|\boqu n\enotes -\temps\NOtes\zq {_LNc}\zql{_e}|\boqu m\enotes -\temps\NOtes\zq {Nc}\zql{g}|\boqu{_l}\enotes - % mesure 65 - %\check -\barre\NOtes \upsoupir2\bohlp{F}|\bohup {_k}\enotes -\temps\NOtes\lfl a\zq {Ma_d}\zql{f}|\enotes -\temps\NOtes\zq {adf}\zql{_h}|\enotes - % mesure 66 - %\check -\barre\NOtes \upsoupir2\bohlp{G}|\cna b\cna i\bohu {i}\enotes -\temps\NOtes\zq {Nb}\zql{=d}|\enotes -\temps\NOtes\zq {bd}\zql{f}|\soupir\enotes - % mesure 67 - %\check -\barre\NOtes \upsoupir2\bohlp{_H}|\zcharnote a{\ppff mf}\bohup {q}\enotes -\temps\NOtes\zq {_ac}|\zq{_e}\zql{_h}\enotes -\temps\NOtes|\zq {ceh}\ql{j}|\enotes - % mesure 68 - %\check -\barre\NOtes \upsoupir2\bohlp{J}|\boqu {_s}\enotes -\temps\NOtes\zq {_ac}|\zq{_e}\zql{_h}\boqu q\enotes -\temps\NOtes|\zq {ceh}\zql{j}\qsk\fl o\boqu {o}\enotes - % mesure 69 - %\check -\barre\NOtes \upsoupir3\bohlp{_L}|\bohup {n}\enotes -\temps\NOtes\zq {_LN_b}\zql{_e}\enotes -\temps\NOtes\zq {Nbe}|\ql{g}\enotes - % mesure 70 - %\check -\barre\NOtes \upsoupir2\bohlp{_H}|\boqu {q}\enotes -\temps\NOtes\zq {_ac}\zql{_e}|\zq{j_l}\boqu {_o}\enotes -\temps\NOtes\zq {ce}|\zql h\zq{lo}\boqu {q}\enotes - % mesure 71 - %\check -\barre\NOtes \qsk\upsoupir3\bohlp{_L}|\qsk\boqu {_p}\enotes -\temps\NOtes\zq {N_b}\zql{_e}|\zq{_i_l}\boqu {n}\enotes -\temps\NOtes\zq {be}|\zql g\zq{ln}\boqu {p}\enotes - % mesure 72 - %\check -\barre\NOtes \qsk\upsoupir3\bohlp{M}|\qsk\boqu {_o}\enotes -\temps\NOtes\zq {_ac}\zql{f}|\zq{_hj}\boqu {m}\enotes -\temps\NOtes\zq {c}\zql f|\zq{jm}\boqu {o}\enotes - % mesure 73 - %\check -\barre\NOtes \qsk\upsoupir3\bohlp{_L}|\qsk\bohup {_p}\enotes -\temps\NOtes\zq {_LN_b}\zql{_e}|\enotes -\temps\NOtes\zq {Nbe}|\zql g\enotes - % mesure 74 - %\check -\barre\NOtes \upsoupir2\bohlp{_H}|\boqu {q}\enotes -\temps\NOtes\zq {_ac}\zql{_e}|\zq{j_l}\boqu {_o}\enotes -\temps\NOtes\zq {ce}|\zql h\zq{lo}\boqu {q}\enotes - % mesure 75 - %\check -\barre\NOtes \qsk\upsoupir3\bohlp{_L}|\qsk\boqu {_p}\enotes -\temps\NOtes\zq {N_b}\zql{_e}|\zq{_i_l}\boqu {n}\enotes -\temps\NOtes\zq {be}|\zql g\zq{ln}\boqu {p}\enotes - % mesure 76 - %\check -\barre\NOtes \qsk\upsoupir3\bohlp{M}|\qsk\boqu {_o}\enotes -\temps\NOtes\zq {_ac}\zql{f}|\zq{_hj}\boqu {m}\enotes -\temps\NOtes\zq {c}\zql f|\zq{jm}\boqu {o}\enotes - % mesure 77 - %\check -\barre\NOtes \upsoupir3\bohlp{J}|\bohup {n}\enotes -\temps\NOtes\zq {=LNc}\zql{=e}|\enotes -\temps\NOtes\zq {Nce}|\zql g\enotes - % mesure 78 - %\check -\barre\NOtes \upsoupir3\bohlp{_K}|\bohu {m}\enotes -\temps\NOtes\zq {M_a_d}\ql{f}|\enotes -\temps\NOtes\zq {KMa}\ql d|\boqu m\enotes - % mesure 79 - %\check -\barre\NOtes \upsoupir3\bohlp{J}|\qsk\bohup {_l}\enotes -\temps\NOtes\zq {_LNc}\ql{_e}|\enotes -\temps\NOtes\zq {Nce}|\ql g\enotes - % mesure 80 - %\check -\barre\NOtes \qsk\upsoupir3\bohlp{_K}|\qsk\zq{f_h}\boqu {_k}\enotes -\temps\NOtes\fl N\fl d\zq {KN_b}\ql{d}|\zq{_g_i}\boqu{_l}\enotes -\temps\NOtes\zq {KM_a}\ql d|\zq{hk}\boqu m\enotes - % mesure 81 - %\check -\barre\NOtes \qsk\upsoupir2\bohlp{J}|\qsk\lna g\zh{=eg}\bohu {j}\enotes -\temps\NOtes\lna L\zq {L=N}\ql{c}|\enotes -\temps\NOtes\zq {Nc}\ql{=e}|\soupir\enotes - %\check - % mesure 82 -\barre\NOtes \upsoupir2\zmidtwotext{\DIMin}\bohup{G}|\bohu{n}\enotes -\temps\NOtes\zq{KN_b}\ql d|\enotes -\temps\NOtes\zq{Nb}\ql d|\boqu n\enotes - %\check - % mesure 83 -\barre\NOtes \upsoupir3\bohlp K|\bohup m\enotes -\temps\NOtes\zq{Ma}\qu d\enotes -\temps\NOtes\zq{Maf}\qu d|\enotes - %\check - % mesure 84 -\barre\NOtes \upsoupir2\bohlp J|\zq{gj}\boqu{_l}\enotes -\temps\NOtes\zq{_LN}\ql c|\boqu{k}\enotes -\temps\NOtes\zq{LN}\qu {_e}|\boqu j\enotes - % mesure 85 - %\check -\barre\NOtes \upsoupir2\bohlp{K}|\bohu k\enotes -\temps\NOtes\zq {K^Ma}\zql d|\enotes -\temps\NOtes\zq {Mad}\zql{^f}|\soupir\enotes - % mesure 86 -\barre\NOtes\uptext{\kern -\Interligne\ppff - p} \upsoupir2\bohlp K|\zcharnote a{\kern -\Interligne\ppff mp}\cna m\hu m\enotes -\temps\NOtes\zq{=Ma}\qu d\enotes -\temps\NOtes\zq{Maf}\qu d|\qu m\enotes - % mesure 87 -\barre\NOtes \upsoupir2\bohlp{^J}|\upsoupir{-2}\hup l\enotes -\temps\NOtes\zq{LN}\qu{^c}|\qu e\enotes -\temps\NOtes\zq{LN}\qu{c}|\zq h\qu e\enotes - %\check - % mesure 88 -\barre\NOtes \upsoupir2\bohlp K|\hu m\enotes -\temps\NOtes\zq{Ma}\qu d\enotes -\temps\NOtes\zq{ad}|\zql f\qu m\enotes - % mesure 89 -\barre\NOtes \upsoupir2\bohlp{=J}|\upsoupir{-2}\hup n\enotes -\temps\NOtes\zq{LN}\qu{=c}|\qu e\enotes -\temps\NOtes\zq{LN}\qu{c}|\zq g\qu e\enotes - % mesure 90 -\barre\NOtes \upsoupir2\bohup F|\upsoupir{-2}\hu o\enotes -\temps\NOtes\zq{Ma}\qu c|\qu f\enotes -\temps\NOtes\zq{Mac}|\zql f\zq h\qu o\enotes - % mesure 91 -\barre\NOtes \upsoupir2\bohlp{H}|\qu q\enotes -\temps\NOtes\zq{Ma}\qu{c}|\qu o\enotes -\temps\NOtes\zq{Mad}|\zql f\qu m\enotes - % mesure 92 - %\check -\barre\NOtes \upsoupir2\bohlp J|\upsoupir{-2}\hu n\enotes -\temps\NOtes\zq L\qu N|\zq c\qu e\enotes -\temps\NOtes\zq L\qu N|\upsoupir3\zq {ce}\qu g\enotes - % mesure 93 -\ifx\mxversion\undefined\def\atnextline{\autolines665}\fi % only with musiCtex -\barre\NOtes\upsoupir2\zmidtwotext{\it diminuendo}\bohlp K|\hu m\enotes -\temps\NOtes\zq{Ma}\qu d\enotes -\temps\NOtes\zq{Maf}\qu d|\qu m\enotes - % mesure 94 -\barre\NOtes \upsoupir2\bohlp{H}|\upsoupir{-2}\hup l\enotes -\temps\NOtes\zq{LN}\qu{^c}|\qu e\enotes -\temps\NOtes\zq{LN}\qu{c}|\zq h\qu e\enotes - %\check - % mesure 95 -\barre\NOtes \upsoupir2\bohlp K|\hu m\enotes -\temps\NOtes\zq{Ma}\qu d\enotes -\temps\NOtes\zq{ad}|\zql f\qu m\enotes - % mesure 96 -\barre\NOtes \upsoupir2\bohlp{G}|\upsoupir{-2}\hup n\enotes -\temps\NOtes\zq{KN}\qu{_b}|\zq d\qu g\enotes -\temps\NOtes\zq{N}\qu{b}|\zq d\zq g\qu{_i}\enotes - % mesure 97 -\barre\NOtes \upsoupir2\bohup F|\upsoupir{-2}\hu o\enotes -\temps\NOtes\zq{Ma}\qu c|\qu f\enotes -\temps\NOtes\zq{Mac}|\zql f\zq h\qu o\enotes - % mesure 98 -\barre\NOtes \upsoupir2\bohlp{H}|\qu q\enotes -\temps\NOtes\zq{Ma}\qu{c}|\qu o\enotes -\temps\NOtes\zq{Mad}|\zql f\qu m\enotes - % mesure 99 -\barre\NOtes \upsoupir2\bohlp{H}|\hup l\enotes -\temps\NOtes\zq{Lae}\qu{^c}\enotes -\temps\NOtes\zq{ace}|\ql g\enotes - % mesure 100 -\barre\NOtes \pointdurgue{!`D}\upsoupir2\bohup{D}\zmidtwotext{\it rall.}\relax - |\pointdorgue n\hup k\enotes -\temps\NOtes\zq{Mad}|\ql f\enotes -\temps\NOtes\pointdorgue d\zq{Ma}\ql d\enotes -\mulooseness 1\relax -\finmorceau - \rightline{\sl \aujourdhui}\eject -\bye - - - - - - diff --git a/musixtex/doc/examples/ilestne.tex b/musixtex/doc/examples/ilestne.tex deleted file mode 100644 index dd9ce0b..0000000 --- a/musixtex/doc/examples/ilestne.tex +++ /dev/null @@ -1,22 +0,0 @@ -\ifx\mxversion\undefined - \input musixtex - \input musixcpt - \input musixsty -\fi -\resetfacteurs\advance\staffbotmarg by 2\Interligne -\barsinline=0\relax\linesinpage=0\relax -\def\Transpose{0}\relax -\def\Signature{1}\relax % un dieze a la clef -\input ilestnex -\resetfacteurs\advance\staffbotmarg by 2\Interligne -\barsinline=0\relax\linesinpage=0\relax -\def\Transpose{-1}\relax -\def\Signature{-1}\relax % un bemol a la clef -\input ilestnex -\resetfacteurs\advance\staffbotmarg by 2\Interligne -\barsinline=0\relax\linesinpage=0\relax -\def\Transpose{-2}\relax -\def\Signature{-3}\relax % un bemol a la clef -\input ilestnex -\bye - diff --git a/musixtex/doc/examples/ilestnex.tex b/musixtex/doc/examples/ilestnex.tex deleted file mode 100644 index c264edb..0000000 --- a/musixtex/doc/examples/ilestnex.tex +++ /dev/null @@ -1,202 +0,0 @@ -\fulltitle{Il est n\'e, le divin enfant} -\title{Il est n\'e, le divin enfant} -\author{traditionnel\\Harmonisation Pierre Darmon} -\shortauthor{traditionnel} -\maketitle - -\tracingstats=1\relax -\relativeaccidentals -\sepbarrules -% -\bigskip -% au moins deux croches basses et hautes -\def\dql#1#2{\Ibl0{#1}{#2}1\qb0{#1}\tqb0{#2}}% -\def\dqu#1#2{\Ibu0{#1}{#2}1\qh0{#1}\tqh0{#2}}% -\def\dqh{\dqu}\def\dqb{\dql}% -% -% -% soufflets crescendo et decrescendo -% -\def\soufflcr#1{\zcharnote{#1}{\kern -1cm\cresc}}% -\def\Soufflcr#1{\zcharnote{#1}{\kern -1cm\CResc}}% -% -\def\souffldim#1{\zcharnote{#1}{\kern -1cm\dimin}}% -\def\Souffldim#1{\zcharnote{#1}{\kern -1cm\DImin}}% -% -%\check -\def\nbinstruments{2}\resetsignatures -\barsinline=0\relax\linesinpage=0\relax -\global\nbporteesi=1\relax -\global\nbporteesii=1\relax -\global\cleftoksi={{6}{0}{0}{0}}% -\global\cleftoksii={{0}{0}{0}{0}}% -\songbottom{1} % to be used to make heavy bars at staff left -\songtop{2} % to be used to make heavy bars at staff left -% -\ifx\Signature\undefined\def\Signature{1}\fi -\ifx\Transpose\undefined\def\Transpose{0}\fi -% -\signaturegenerale{\Signature}% -\generalmeter{\meterfrac{4}{4}} -%\check -\def\interfacteur{12}% -\def\instrumenti{\vbox{\hsize=\parindent -\centerline{T\'enors}\centerline{basses}}}% -\def\instrumentii{\vbox{\hsize=\parindent -\centerline{Sopran.}\centerline{Altos}}}% -%\check -\def\respire{\notes&\cbreath\enotes}% -% -\def\eightpoint{\Tenpoint}% -%\check -\catcodesmusic - -\def\txt#1|#2|#3&{{\vbox to 0pt{\Smalltype\baselineskip 9pt -\vss\hrule width 9pt height 0pt -\hbox{\vrule height 6pt depth 2pt width 0pt\kern -\internote - #3\kern\internote}\smallskip -\hbox{\vrule height 6pt depth 2pt width 0pt\kern -\internote - #2\kern\internote}\smallskip -\hbox{\vrule height 6pt depth 2pt width 0pt\kern -\internote - #1\kern\internote}\kern -12pt}}}% - % -\def\interfacteur{16}% -% -\debutmorceau -\autolines 784\relax -\transpose=\Transpose -\notes&\Uptext{\raise 2\Interligne\hbox{\moyen Lent}}\enotes - % -% -\Notes\zql N\qu b&\hsong{\txt |Il |&}\qu d\enotes -\temps\Notes\zql N\qu b&\hsong{\txt |est|&}\qu g\enotes -% -%\check -\barre\Notes\zql N\qu b&\hsong{\txt |n\'e|&}\qu g\enotes -\notes\rlap{\dqb NK}\dqu db&\zsong{\txt |le di-|&}\thelyrics\dqu ig\enotes -% -%\check -\barre\Notes\zql I\qu N&\hsong{\txt |vin|&}\qu d\enotes -\temps\notes\zqu b\dql KM&\hsong{\txt |en-|&}\qu g\enotes -% -%\check -\barre\hardlyrics{\txt |fant !|&}\notes\zql N\qu b&\hsong\thelyrics\qu g\enotes -\temps\Notes\soupir&\soupir\enotes -% -%\check -\barre\Notes\zql N\qu b&\hsong{\txt |Jou-|&}\qu g\enotes -\temps\notes\rlap{\dqb NM}\dqu bc&\zsong{\txt |ez haut-|&}\dqu gh\enotes -% -%\check -\barre\hardlyrics{\txt |bois, |&}\notes\zql L\qu d&\hsong\thelyrics\ql i\enotes -\temps\notes\rlap{\dqb NL}\dqu ed&\zsong{\txt |r\'eson-|&}\dql ji\enotes -% -%\check -\barre\Notes\zql M\qu c&\hsong{\txt |nez|&}\qu h\enotes -\temps\Notes\zql L\qu b&\hsong{\txt |mu-|&}\qu g\enotes -% -%\check -\barre\Notes\zql K\qu c&\hsong{\txt |set-|&}\qu h\enotes -\temps\notes\zcl M\cu c&\zsong{\txt |tes |&}\cu d\enotes -\temps\notes\ds&\ds\enotes -% -%\check -\barre\notes\zql N\qu b&\hsong{\txt |Il |&}\zql d\dqu nm\enotes -\temps\notes\zql N\qu b&\zsong{\txt |est |&}\zql g\dqu lk\enotes -% -%\check -\barre\notes\zql N\qu b&\hsong{\txt |n\'e |&}\zql g\dqu lk\enotes -\temps\notes\rlap{\dqb NK}\dqu db&\zsong{\txt |le di-|&}% - \Ibl0 ig1\zqb0 i\loff{\Ibu1ji1\qh1j}\tbl0\zqb0g\tqh1i\enotes -% -%\check -\barre\notes\zql I\qu N&\hsong{\txt |vin|&}\zql d\dqu ji\enotes -\temps\notes\zqu b\dql KM&\hsong{\txt |en-|&}\zql g\qsk\dqu hg\enotes -% -%\check -\barre\hardlyrics{\txt |fant !|&}\notes\zql N\qu b&\hsong\thelyrics\zql g\qu k\enotes -\temps\Notes\soupir&\soupir\enotes -% -%\check -\barre\hardlyrics{\txt |Chan-|&}\notes\zql N\qu b&\hsong\thelyrics\zql g\qu k\enotes -\temps\notes\zql M\dqu ca&\zsong{\txt |tons|&}\zql h\qu k\enotes -% -%\check -\barre\hardlyrics{\txt |tous |&}\notes\zql L\qu N&\hsong\thelyrics\zql i\qu l\enotes -\temps\notes\rlap{\dqb LJ}\qu a&\zsong{\txt |son a-|&}\zqu l\dql ji\enotes -% -%\check -\barre\Notes\zql K\qu d&\hsong{\txt |v\`e-|&}\zql h\qu m\enotes -\temps\Notes\zql K\qu c&\hsong{\txt |ne-|&}\zql k\qu m\enotes -% -%\check -\barre\NOTes\zhl N\hu b&\hsong{\txt |ment|&}\zhl g\zh k\hu n\enotes -\setdoublebar -% -%\check -\barre\Notes\itenu0N\tten0\itenu0N\hl N&\hsong{\txt |De-|&}\zql g\qu i\enotes -\temps\Notes&\hsong{\txt |puis|&}\zql h\qu j\enotes -% -%\check -\barre\Notes\tten0\itenu0N\hl N&\hsong{\txt |plus|&}\zql i\qu k\enotes -\temps\notes&\zsong{\txt |de qua-|&}\rlap{\dqb hg}\dqu ji\enotes -% -%\check -\barre\Notes\tten0\itenu0N\hl N&\hsong{\txt |tre|&}\zql h\qu j\enotes -\temps\Notes&\hsong{\txt |mille|&}\zql j\qu l\enotes -% -%\check -\barre\NOtes\tten0\itenu0N\hl N&\hsong{\txt |ans|&}\zhl i\hu k\enotes -% -%\check -\barre\Notes\tten0\itenu0N\hl N&\hsong{\txt |Nous|&}\zql g\qu i\enotes -\temps\Notes&\hsong{\txt |le|&}\zql h\qu j\enotes -% -%\check -\barre\Notes\tten0\itenu0N\hl N&\hsong{\txt |pro-|&}\zql i\qu k\enotes -\temps\notes&\zsong{\txt |mettaient|&}\rlap{\dqb ji}\dqu lk\enotes -% -%\check -\barre\Notes\tten0\itenu0N\hl N&\hsong{\txt |les|&}\zql h\qu j\enotes -\temps\Notes&\hsong{\txt |pro-|&}\zql g\qu i\enotes -% -%\check -\barre\Notes\tten0\qlp N&\hsong{\txt |ph\`e-|&}\zql g\qu i\enotes -\temps\notes&\hsong{\txt |tes|&}\zcl f\cu h\enotes -\temps\notes\ds&\ds\enotes -% -%\check -\barre\Notes\ql N&\hsong{\txt |De-|&}\zql g\qu i\enotes -\temps\Notes\ql M&\hsong{\txt |puis|&}\zql h\qu j\enotes -% -%\check -\barre\Notes\ql L&\hsong{\txt |plus|&}\zql i\qu k\enotes -\temps\notes\dqb MN&\zsong{\txt |de qua-|&}\rlap{\dqb hg}\dqu ji\enotes -% -%\check -\barre\Notes\ql K&\hsong{\txt |tre|&}\zql h\qu j\enotes -\temps\Notes\ql N&\hsong{\txt |mille|&}\zql j\qu l\enotes -% -%\check -\barre\NOtes\hl N&\hsong{\txt |ans|&}\zhl i\hu k\enotes -% -%\check -\barre\Notes\ql N&\hsong{\txt |Nous|&}\zql g\qu i\enotes -\temps\Notes\ql M&\hsong{\txt |at-|&}\zql h\qu j\enotes -% -%\check -\barre\Notes\ql L&\hsong{\txt |ten-|&}\zql i\qu k\enotes -\temps\notes\dqb aL&\zsong{\txt |dions cet|&}\rlap{\dqb ji}\dqu lk\enotes -% -%\check -\barre\Notes\ql M&\hsong{\txt |heu-|&}\zql h\qu j\enotes -\temps\notes\dql LI&\zsong{\txt |reux|&}\zql g\qu i\enotes -% -%\check -\barre\NOtes\hl K&\hsong{\txt |temps.|&}\zhl f\hu h\enotes -% -\finmorceau -\medskip\rightline{\it le \aujourdhui} -\absoluteaccidentals -\vfil\eject - diff --git a/musixtex/doc/examples/ilfaitda.tex b/musixtex/doc/examples/ilfaitda.tex deleted file mode 100644 index 25a596e..0000000 --- a/musixtex/doc/examples/ilfaitda.tex +++ /dev/null @@ -1,18 +0,0 @@ - -\resetfacteurs\advance\staffbotmarg by 2\Interligne -\barsinline=0\relax\linesinpage=0\relax -\def\Transpose{0}% -\def\Signature{0}\relax % -\input ilfaitdx -\resetfacteurs\advance\staffbotmarg by 2\Interligne -\barsinline=0\relax\linesinpage=0\relax -\def\Transpose{-1}\relax -\def\Signature{-2}\relax % deux diezes a la clef -\input ilfaitdx -\resetfacteurs\advance\staffbotmarg by 2\Interligne -\barsinline=0\relax\linesinpage=0\relax -\def\Transpose{-2}\relax -\def\Signature{+3}\relax % un bemol a la clef -\input ilfaitdx -\bye - diff --git a/musixtex/doc/examples/ilfaitdx.tex b/musixtex/doc/examples/ilfaitdx.tex deleted file mode 100644 index 009d000..0000000 --- a/musixtex/doc/examples/ilfaitdx.tex +++ /dev/null @@ -1,171 +0,0 @@ -\fulltitle{Il fait danser les mondes} -\shorttitle{Il fait danser les mondes} - \fullauthor{Jean-S‚bastien Bach\\Transposition -Daniel Taupin\\paroles Jacques Tournier} - \shortauthor{J.-S. Bach} - \maketitle - % -\tracingstats=1\relax -\relativeaccidentals -\sepbarrules - % -\parindent 15mm - % soufflets crescendo et decrescendo - % -\def\soufflcr#1{\zcharnote{#1}{\kern -0.5cm\cresc}}% -\def\Soufflcr#1{\zcharnote{#1}{\kern -0.5cm\CResc}}% - % -\def\souffldim#1{\zcharnote{#1}{\kern -0.5cm\dimin}}% -\def\Souffldim#1{\zcharnote{#1}{\kern -0.5cm\DImin}}% - % - %au moins deux croches basses et hautes -\def\dqb#1#2{\Ibl0{#1}{#2}1\qb0{#1}\tqb0{#2}}% -\def\dqh#1#2{\Ibu0{#1}{#2}1\qh0{#1}\tqh0{#2}}% - % - %\check -\def\nbinstruments{2}\resetsignatures -\global\nbporteesi=1\relax -\global\nbporteesii=1\relax -\global\cleftoksi={{6}{0}{0}{0}}% -\global\cleftoksii={{0}{0}{0}{0}}% -\def\lowersonginstrum{1} % to be used to make heavy bars at staff left -\def\uppersonginstrum{2} % to be used to make heavy bars at staff left - % -\signaturegenerale{\Signature}% -\generalmeter{\meterC} - %\check -\def\interfacteur{20}% -\def\instrumenti{\vbox{\hsize=\parindent -\centerline{T\'enors}\centerline{basses}}}% -\def\instrumentii{\vbox{\hsize=\parindent -\centerline{Sopran.}\centerline{Altos}}}% - %\check - % -\def\eightpoint{\Tenpoint}% - %\check -\catcode`\@=13 -\catcodesmusic - % -\def\respire{\notes&\cbreath\enotes}% - % -\def\txt#1|#2|#3&{{\vbox to 0pt{\Smalltype\baselineskip 9pt -\vss\hrule width 9pt height 0pt -\hbox{\vrule height 6pt depth 2pt width 0pt\kern -\internote - #3\kern\internote}\smallskip -\hbox{\vrule height 6pt depth 2pt width 0pt\kern -\internote - #2\kern\internote}\smallskip -\hbox{\vrule height 6pt depth 2pt width 0pt\kern -\internote - #1\kern\internote}\kern -12pt}}}% - % -\elemskip 20pt\relax -\debutmorceau - %\autolines 754\relax - \transpose=\Transpose - \qspace - % - \NOtes\zql J\qu L&\hsong{\txt Chaque|Il|Il&}\zql N\qu c\enotes - \barre %1 -\hardlyrics{\txt homme |est|fait&}\notes\zql L\qu N&\hsong\thelyrics\zql c\qu g\enotes - \Notes\zql J\qu c&\hsong{\txt est |en |dan-&}\zql e\qu g\enotes - \Notes\zql M\qu c&\hsong{\txt son |cha-|ser &}\zql f\qu h\enotes - \Notes\zql{^G}\qu b&\hsong{\txt re-|que |les &}\zql e\qu i\enotes - % - %\check - \barre %2 - \NOtes\zhl H\hu a&\hsong{\txt fu- |pier-|mon-&}\zhl e\hu j\enotes - \Notes\zql H\qu a&\hsong{\txt ge |re |des &}\zql e\qu j\enotes - \Notes\zql a\qu c&\hsong{\txt Il |En |Les &}\zql h\qu l\enotes - % - %\check - \barre %3 - \Notes\zql M\qu a&\hsong{\txt se |cha-|as-&}\zql h\qu k\enotes - \Notes\zql K\qu a&\hsong{\txt re-|que |tres &}\zql f\qu j\enotes - \Notes\zql N\qu N&\hsong{\txt pose |c\oe ur |les &}\zql e\qu j\enotes - \Notes\zql G\qu N&\hsong{\txt en |vi-|sau-&}\zql d\qu i\enotes - % - %\check - \barre %4 - \NOTes\zhlp J\hup N&\hsong{\txt lui, |vant |sons &}\zhlp e\hup j\enotes - \Notes\zql J\qu L&\hsong{\txt Mais |Au |Il &}\zql N\qu c\enotes - % - %\check - \barre %5 - \Notes\zql L\qu N&\hsong{\txt y |cen-|pŠ-&}\zql c\qu g\enotes - \Notes\zql J\qu c&\hsong{\txt p‚-|tre |se &}\zql e\qu g\enotes - \hardlyrics{\txt nŠtre |de |juge &}\notes\zql M\qu c&\hsong\thelyrics\zql f\qu h\enotes - \Notes\zql{^G}\qu b&\hsong{\txt en |la |et &}\zql e\qu i\enotes - % - %\check - \barre %6 - \NOtes\zhl H\hu a&\hsong{\txt Ju- |ter-|son-&}\zhl e\hu j\enotes - \Notes\zql H\qu a&\hsong{\txt ge |re |de &}\zql e\qu j\enotes - \Notes\zql a\qu c&\hsong{\txt L'‚- |Au |Ren-&}\zql h\qu l\enotes - % - %\check - \barre %7 - \hardlyrics{\txt prouve |fond |ver-&}\notes\zql M\qu a&\hsong\thelyrics\zql h\qu k\enotes - \Notes\zql K\qu a&\hsong{\txt et |des |se &}\zql f\qu j\enotes - \Notes\zql N\qu N&\hsong{\txt le |o-|les &}\zql e\qu j\enotes - \Notes\zql G\qu N&\hsong{\txt con-|c‚-|pri-&}\zql d\qu i\enotes - % - %\check - \barre %8 - \NOTes\zhlp J\hup N&\hsong{\txt duit. |ans. |sons. &}\zhlp e\hup j\enotes - \notes\zql J\qu L&\zsong{\txt L'a |Il |Il &}\rlap{\dqb ef}\dqh jk\enotes - % - %\check - \barre %9 - \notes\zqu c\dqb cb&\zsong{\txt fait |fait |per-&}\zql g\qu l\enotes - \notes\zqu c\dqb aN&\zsong{\txt … |ger-|ce &}\zql h\qu l\enotes - \Notes\zql {^M}\qu d&\hsong{\txt son |mer |l'im-&}\zql h\qu k\enotes - \Notes\zql K\qu d&\hsong{\txt i-|les |pos-&}\zql {^f}\qu j\enotes - % - %\check - \barre %10 - \notes\zhl N\dqh dc&\zsong{\txt ma-|grai-|tu-&}\rlap{\dqb g{^f}}\dqh ih\enotes - \Notes\qu d&\hsong{\txt -- |--|-- &}\zql g\qu i\enotes - \Notes\zql G\qu b&\hsong{\txt ge |nes, |re &}\zql d\qu g\enotes - \Notes\zql {=M}\qu d&\hsong{\txt D'a-|Di-|A-&}\zql g\qu i\enotes - % - %\check - \barre %11 - \Notes\zql L\qu c&\hsong{\txt mour |ri-|bais-&}\zql g\qu j\enotes - \Notes\zql K\qu d&\hsong{\txt et |ge |se &}\zql f\qu i\enotes - \Notes\zql J\qu e&\hsong{\txt de |les |les &}\zql e\qu h\enotes - \notes\zql K\dqh dc&\hsong{\txt bon-|ruis-|plus &}\zql{^f}\qu h\enotes - % - %\check - \barre %12 - \NOTes\zhlp G\hup b&\hsong{\txt heur |seaux |forts &}\zhlp d\hup g\enotes - \Notes\zql I\qu N&\hsong{\txt Et |Fait |D‚-&}\zql d\qu g\enotes - % - %\check - \barre %13 - \notes\zql J\qu N&\hsong{\txt l'at-|jail-|mas-&}\rlap{\dqb cd}\dqh ef\enotes - \Notes\zql {_I}\qu c&\hsong{\txt tend |lir |que &}\zql e\qu g\enotes - \notes\zqu c\dqb H{=I}&\hsong{\txt au |les |le &}\zql f\qu h\enotes - \notes\zql {^J}\qu {_b}&\hsong{\txt ri-|fon-|par-&}\zql e\qu g\enotes - % - %\check - \barre %14 - \Notes\zhl K\hu a&\hsong{\txt va-|tai-|ju-&}\islurd1e\isluru2g\zql e\qu g\enotes - \Notes&\hsong{\txt --|--|--&}\tslur1d\tslur2f\zql d\qu f\enotes - \Notes\zql H\qu a&\hsong{\txt ge |nes, |re &}\zql c\qu e\enotes - \Notes\zql {_I}\qu L&\hsong{\txt Dont |Et |Et &}\zql c\qu g\enotes - % - %\check - \barre %15 - \Notes\zql H\qu M&\hsong{\txt il |chan-|com-&}\zql c\qu f\enotes - \hardlyrics{\txt est |ter |mande &}\notes\zql G\qu N&\hsong\thelyrics\zql c\qu e\enotes - \Notes\cNa F\zql F\qu a&\hsong{\txt le |les |… &}\roff{\zql c}\qu d\enotes - \notes\zql G\dqh NM&\zsong{\txt Sei-|oi-|la &}\zql b\qu d\enotes - % - %\check - \barre %16 - \NOTes\zhlp J\hup L&\hsong{\txt gneur.|seaux.|mort.&}\zhlp N\hup c\enotes - \finmorceau -\medskip\rightline{\it le \aujourdhui} -\absoluteaccidentals -\vfil\eject - -\endinput diff --git a/musixtex/doc/examples/kinder.tex b/musixtex/doc/examples/kinder.tex deleted file mode 100644 index d5869d2..0000000 --- a/musixtex/doc/examples/kinder.tex +++ /dev/null @@ -1,125 +0,0 @@ -\input musixtex -\input musixplt -\input soul.sty % comment out this line and the next line if soul.sty not available -\sodef{\so}{}{0.15em}{0.5em}{0.5em} -\smallmusicsize -\geometricskipscale -\input musixps -\nohalfties -\def\pstiehgt{0.5} -\def\psslurhgt{1} -\def\qqsk{\off{0.25\elemskip}} -\input musixsty -\setclef1\bass\setbassclefsymbol1\bassoct -\setclef4\treble\settrebleclefsymbol4\trebleoct -\setname1{Bass Recorder} -\setname2{Tenor Recorder} -\setname3{Treble Recorder} -\setname4{Descant Recorder} -\advance\parindent by 18ex -\fulltitle{\BIgfont\so{Von fremden Ländern und Menschen}} -\subtitle{From {\rm Kinderszenen} (Scenes from Childhood), Opus~15 No.1} -\othermention{Arranged for Recorders by R. D. Tennent} -\author{Robert Schumann {\sc (1810--1856)}} -\hsize=7.275in -\vsize=9.5in -\hoffset=8.5in\advance\hoffset-\hsize\divide\hoffset2\advance\hoffset-1.0in -\voffset=11in\advance\voffset-\vsize\divide\voffset2\advance\voffset-1.0in -\def\outmorceau{\shipout\vbox{\vbox to \vsize{\vss\pagecontents\vss}\line{% -\hss\rm \copyright\ R.D. Tennent {\sc 2014}.\quad Licensed under a Creative Commons Attribution--Share Alike license.\hss}}} -\maketitle -\generalsignature{1} -\relativeaccid -\instrumentnumber4 -\songbottom{1}\songtop{4} -\setmeter1{{\meterfrac24}} -\setmeter2{{\meterfrac24}} -\setmeter3{{\meterfrac68}} -\setmeter4{{\meterfrac24}} -\stafftopmarg=7.0\Interligne% -\staffbotmarg=7.0\Interligne% -\setinterinstrument1{2.5\internote} -\startbarno=1 -\nobarnumbers -\def\raisebarno{8\internote}% -\def\shiftbarno{-1.0\Interligne}% -\startpiece\addspace\afterruleskip% -\systemnumbers -\znotes\zcharnote{e}{\ppff \kern-3ex mezzo staccato}&&&\en -\notes\qa N&\qa i&\ds\ibl1k5\qb1{k}\tqb1n&\isluru1k\qa i\en -\notes\qa{^J}&\qa{_i}&\ds\ibl1l5\qb1{l}\tqb1n&\qa n\en -\bar%2 -\notes\qa K&\qa h&\ds\ibl1k5\qb1{k}\tqb1m&\ibl2m{-2}\qb2{.m}\sk\hroff{\tbbl2\tqb2l}\en -\notes\qa M&\qa j&\ds\ibl1k5\qb1{k}\tqb1o&\tslur1l\qa k\en -\bar%3 -\notes\qa N&\qa i&\ds\ibl1k5\qb1{k}\tqb1n&\isluru1k\qa i\en -\notes\qa{^J}&\qa{_i}&\ds\ibl1l5\qb1{l}\tqb1n&\qa n\en -\bar%4 -\notes\qa K&\qa h&\ds\ibl1k5\qb1{k}\tqb1m&\ibl2m{-2}\qb2{.m}\sk\hroff{\tbbl2\tqb2l}\en -\notes\qa M&\qa j&\ds\ibl1k5\qb1{k}\tqb1o&\tslur1l\qa k\en -\bar%5 -\notes\qa N&\qa i&\ds\ibl1k5\qb1{k}\tqb1n&\isluru1k\qa i\en -\notes\qa{I}&\itied1g\qa g&\ds\ibl1k5\qb1{k}\tqb1n&\qa n\sk\sk\en -\bar%6 -\notes\qa J&\ttie1\qa g&\ds\ibl1l5\qb1{l}\tqb1n&\ibl2l{-2}\qb2{.l}\sk\hroff{\tbbl2\tqb2k}\en -\notes\qa L&\qa g&\ds\ibl1j{5}\qb1{j}\tqb1n&\qa j\sk\sk\tfslur1o\en -\bar%7 -\notes\qa K&\qa g&\ds\ibl1j{5}\qb1{j}\tqb1n&\isluru1o\qa h\en -\notes\qa{K}&\qa f&\ds\ibl1j5\qb1{j}\tqb1m&\qa k\en -\bar%8 -\notes\qa G&\qa d&\ds\ibl1i5\qb1{i}\tqb1n&\tfslur1k\ha i\en -\notes\qp&\qa g&\ds\ibl1i5\qb1{i}\tqb1n&\en -\setmeter3{{\meterfrac24}}% -\setmeter2{{\meterfrac68}}% -\setleftrightrepeat%9 -\changecontext% -\notes\zcharnote{A}{\ppff tenuto}\qa L&\ds\ibl1i5\qb1{i}\tqb1l&\qa n&\isluru1j\qa i\en -\notes\qa H&\ds\ibl1h5\qb1{h}\tqb1l&\qa o&\qa j\en -\bar%10 -\notes\ibu0K{-2}\qb0{.K}\sk\hroff{\tbbu0\tqh0J}&\ds\ibl1h{5}\qb1{h}\tqb1k&\qa m&\qa h\en -\notes\qa I&\ds\ibl1g5\qb1{g}\tqb1k&\qa n&\tslur1j\qa i\en -\bar%11 -\notes\qa J&\ds\ibu1h5\qb1{g}\tqh1j&\qa l&\isluru1n\qa g\en -\notes\off{6pt}{\smallnotesize\zqu M}\qu F&\ds\ibu1h5\qb1{f}\tqh1j&\qa l&\qa h\sk\sk\en -\bar%12 -\notes\ibu0I{-2}\qb0{.I}\sk\hroff{\tbbu0\tqh0H}&\ds\ibu1g5\qb1{f}\tqh1{i}&\qa{^k}&\qa f\en -\notes\qa G&\ds\ibu1g5\qb1{g}\tqh1i&\qa{=k}&\tfslur1n\qa g\en -\setmeter3{{\meterfrac24}}% -\setmeter4{{\meterfrac68}}% -\changecontext%13 -\znotes&&&\zcharnote{s}{\ppff ritardando}\en -\notes\qa J&\qa c&\ds\ibu1h5\qb1{g}\tqh1j&\isluru1m\qa e\en -\notes\qa J&\qa d&\ds\ibu1i5\qb1{h}\tqh1k&\qa f\en -\bar%14 -\notes\ibu0I{-2}\qb0{.I}\sk\hroff{\tbbu0\tqh0H}&\fermataup l\ha d&\ds\ibl1g5\qb1{g}\tqb1k&\ibu2g1\qb2{.g}\sk\hroff{\tbbu2\tqh2h}\hqsk\en -\notes\fermataup N\qa G&&\ds\ibl1h{5}\qb1{h}\fermataup l\tqb1k&\ibl2i1\fermataup l\qb2{.i}\sk\tfslur1n\qqsk\roff{\tbbl2\tqb2j}\hqsk\en -\bar%15 -\znotes&&&\zcharnote{t}{\kern-2ex\ppff a tempo}\en -\notes\zcharnote{e}{\ppff \kern-3.0ex mezzo staccato}\qa N&\qa i&\ds\ibl1k5\qb1{k}\tqb1n&\isluru1m\qa k\en -\notes\qa{^J}&\qa{_i}&\ds\ibl1l5\qb1{l}\tqb1n&\qa n\en -\bar%16 -\notes\qa K&\qa h&\ds\ibl1k5\qb1{k}\tqb1m&\ibl2m{-2}\qb2{.m}\sk\hroff{\tbbl2\tqb2l}\en -\notes\qa M&\qa j&\ds\ibl1k5\qb1{k}\tqb1o&\tslur1l\qa k\en -\bar%17 -\notes\qa N&\qa i&\ds\ibl1k5\qb1{k}\tqb1n&\isluru1k\qa i\en -\notes\qa{^J}&\qa{_i}&\ds\ibl1l5\qb1{l}\tqb1n&\qa n\en -\bar%18 -\notes\qa K&\qa h&\ds\ibl1k5\qb1{k}\tqb1m&\ibl2m{-2}\qb2{.m}\sk\hroff{\tbbl2\tqb2l}\en -\notes\qa M&\qa j&\ds\ibl1k5\qb1{k}\tqb1o&\tslur1l\qa k\en -\bar%19 -\notes\qa N&\qa i&\ds\ibl1k5\qb1{k}\tqb1n&\isluru1k\qa i\en -\notes\qa{I}&\itied1g\qa g&\ds\ibl1k5\qb1{k}\tqb1n&\qa n\sk\sk\en -\bar%20 -\notes\qa J&\ttie1\qa g&\ds\ibl1l5\qb1{l}\tqb1n&\ibl2l{-2}\qb2{.l}\sk\hroff{\tbbl2\tqb2k}\en -\notes\qa L&\qa g&\ds\ibl1j{5}\qb1{j}\tqb1n&\qa j\en -\bar%21 -\notes\qa K&\qa g&\ds\ibl1j{5}\qb1{j}\tqb1n&\qa h\en -\notes\qa{K}&\qa f&\ds\ibl1j5\qb1{j}\tqb1m&\qa k\en -\bar%22 -\notes\ha G&\ha d&\ds\ibl1i5\qb1{i}\tqb1n&\thslur1k\ha i\en -\notes&&\ds\ibl1i5\qb1{i}\tqb1n&\en -\mulooseness0% -\setrightrepeat% -\endpiece -\eject -\end diff --git a/musixtex/doc/examples/kv315.tex b/musixtex/doc/examples/kv315.tex deleted file mode 100644 index 390d5d0..0000000 --- a/musixtex/doc/examples/kv315.tex +++ /dev/null @@ -1,827 +0,0 @@ -\ifx\mxversion\undefined - \input musixtex - \input musixcpt - \input musixsty -\fi -\title{Andante KV 315}\subtitle{pour fl\^ute et orchestre} -\author{W. A. Mozart\\transcription pour fl\^ute, hautbois et orgue\\D. Taupin} -\shortauthor{W. A. Mozart / D. Taupin} -\maketitle - -\parindent 2cm -\generalsignature{0} -\instrumentnumber{3} - %\setname1{P\'edale 16'} -\setname1{Orgue} -\setname2{\vbox{\hbox{Haubois}\hbox{Violon}}} -\setname3{Fl\^ute} -\setstaffs12 -\setclef1{6000} -\ifx\orgue\undefined\else\setsize2{0.64}\setsize3{0.64}\fi -\ifx\oboe\undefined\else\setsize1{0.64}\setsize3{0.64}\fi -\ifx\flute\undefined\else\setsize2{0.64}\setsize1{0.64}\fi -\generalmeter{\meterfrac 24} -\def\dble{\multnoteskip 2} - -\debutmorceau -\zbarre -\NOTes\zq J\ql N\zq G\ql N|\zq c\qu e\zq d\qu f&\ql j\ql i&\multnoteskip{0.7}\sk\pause\enotes -% -\barre %2 -\NOtes - \ibl0K0\upz a\zq N\qb0J\upz b\zq N\qb0 b\relax - |\Ibu1eg2\lpz c\zq c\qh1e\qh1g\relax - &\Ibl2jl2\qb2j\zcharnote n{\it tr}\multnoteskip{0.6}\qb2k\relax - {\multnoteskip{0.4}\tinynotesize\Ibbu3jk1\qh3j\tqh3k}\relax - &\soupir\enotes -\NOtes - \zq J\upz c\tqb0c|\tqh1g\relax - &\tqb2l&\ds\enotes -\notes\ds|\ds&\ds&\Ibbl0lm2\zcharnote n{\it tr}\qbp0l\sk\tbbbl0\tqb0m\enotes -% -\barre %3 -\notes\dble\zhu N\cl J\raise -\Interligne\ds\cl G\raise -\Interligne\ds - |\ibbu0e0\qh0c\zq c\qh0e\zq e\qh0g\zq e\tqh0c\zq e\ibbu0e0\qh0g\zq -c\qh0e\zq d\qh0f\zq b\tqh0d\relax - & \dble\dble\sk\pause - &\Ibbl0nl1\qb0n\tqb0l\dble\isluru0j\ql j\sk\tslur0k\cl k\enotes -% -\barre %4 -\notes\dble\zq C\cu J\ds\zq C\cu J\ds\relax - |\qs\ibbu0d0\zq b\qh0{^d}\zq c\qh0e\zq b\tqh0d\relax - \Ibbu0df3\zq c\qh0e\zq c\qh0e\zq {=d}\qh0f\zq e\tqh0g\relax - &\dble\dble\sk\pause - &\Ibl0kl2\qb0{^k}\sk\tqb0l\sk\qs\Ibbl0ln2\qb0{lm}\tqb0n\enotes -% -\barre %5 -\notes\dble\zq C\cu J\ds\cu J\ds - |\qs\ibbu0g0\zq f\qh0h\zq c\qh0f\zq f\tqh0h\Ibbu0ig3\zq h\qh0j\zq -h\qh0j\sk\zq g\qh0i\zq f\tqh0h\relax - &\dble\dble\sk\pause - &\ibbl0o0\qb0o\tbbl0\qb0m\itenu0q\tqb0q\sk - \ibbl0o0\tten0\qbp0q\relax - {\multnoteskip{0.66}\sk\nbbbl0\qb0r\tqb0q}\relax - \Ibbl0po1\qb0p\tqb0o\enotes -% -\barre %6 -\notes\dble\zq C\cu J\ds\cu J\ds - |\qs\Ibbu0fd2\zq f\qh0h\zq e\qh0g\zq{^d}\tqh0{^f}\relax - \ibbu0i0\zq e\qh0g\zq g\qh0j\zq c\qh0e\zq e\tqh0g\relax - &\dble\dble\sk\pause - &\dble\Ibl0on1\zcharnote q{\it tr}\qb0o\tqb0n\ds - \multnoteskip{0.33}\zcharnote p{\it tr}\ibbl0n0\qbp0n\sk\tbbbl0\tqb0n\enotes -% -\barre %7 -\notes\dble\zq H\ql a\sk\zq{_H}\ql{_a}\relax - |\qs\Ibbu0fj2\zq c\qh0f\zq f\qh0h\zq h\tqh0j\ds\Ibbu0fj2\zq c\qh0f\zq -f\qh0{_h}\zq h\tqh0j\relax - &\dble\dble\sk\pause - &\Ibbl0qo1\qb0q\tqb0o\dble\ql m\sk\cl m\enotes -% -\barre %8 -\Notes\zq G\ql N|\qs\Ibbu0di2\zq b\qh0d&\relax - &\multnoteskip{0.5}\Ibbbl1nk3\qb1{nml}\tqb1k\enotes -\notes|\zq d\qh0f\zq f\tqh0i&\sk\pause - &\ql k\sk\enotes -\notes\dble\Ibu0MJ1\zq G\qh0N\zq C\tqh0J\relax - |\qs\ibbu0i0\zq f\qh0i\zq e\qh0j\zq e\tqh0g\relax - &&\sk\sk\multnoteskip{0.7}\Ibbl0lj2\qbp0l\sk\tbbbl0\tqb0j\enotes -% -\barre %9 -\notes\dble\zq F\qu M\sk\zql G\ibu0L0\qh0N\tqh0N\relax - |\dble\zqp d\qup f\sk\sk\zq b\cu d\relax - &\dble\dble\sk\pause - &\ibbl0i0\isluru0i\qb0i\tslur0h\qb0h\isluru0m\qb0m\tslur0k\tqb0k\relax - \ibbl0j0\isluru0j\qb0j\tslur0i\qb0i\isluru0n\qb0n\tslur0m\tqb0m\enotes -% -\barre %10 -\notes\dble\zhu N\ql J\sk\Ibl0JI1\qb0J\tqb0I\relax - |\qs\Ibbu0bd2\qh0b\qh0c\tqh0{=d}\Ibbu0eg3\qh0{^de=d}\tqh0g\relax - &\qs\Ibbu0ef2\qh0{^de}\tqh0f\Ibbu0fi3\qh0{^fgh}\tqh0i\relax - &\dble\Ibl0kl1\qb0{^k}\tqb0l\ds - \zcharnote p{\it tr}\multnoteskip{0.4}\ibbl0n0\qbp0n\sk\tbbbl0\tqb0n\enotes -% -\barre %11 -\notes\dble\zq H\ql a\sk\zq{_H}\ql{_a}\relax - |\qs\Ibbu0fj2\zq f\qh0c\zq f\qh0h\zq h\tqh0j\relax - \qs\Ibbu0fj2\zq c\qh0f\zq f\qh0{_h}\zq h\tqh0j\relax - &\dble\ql j\sk\ds\cl j\relax - &{\multnoteskip{0.667}\triolet q\Ibbl0qm2\qb0{qo}\tqb0m}\relax - \dble\ql m\sk\cl m\enotes -% -\barre %12 -\notes\dble\Ibu0LK1\lpz G\zq G\qh0N\lpz F\zq F\tqh0M\ds - |\dble\lpz d\zq d\Ibu0gd1\qh0g\lpz b\zq b\tqh0d\ds - &\dble\Ibu0ig2\lpz i\qh0i\lpz g\tqh0g\ds - &\ibbl0k0\qb0m\tbbl0\qb0p\tqb0p\sk\ds\enotes -\notes\cl L|\cu c&\cu g&\Ibbbl0qo3\qb0{qp_p}\tqb0o\enotes -% -\barre %13 -\notes\ql M|\dble\dble\Ibu0cd1\qh0c\tqh0d\relax - &\dble\dble\Ibu0fh1\qh0f\tqh0h\relax - &\ibbbl0n0\qb0{^no=p}\tqb0o\Ibbbl0nk3\qb0{=nml}\tqb0k\enotes -\Notes\dble\ibl0N0\qb0N\tqb0N\relax - |\ds\Ibbu0gd2\zq e\qh0g\zq c\qh0e\zq b\tqh0d\relax - &\sk\sk\soupir - &\ibbl0j0\roff{\tbbl0}\qh0{jl}\sk - \multnoteskip{0.6}\nbbbl0\qb0m\tqb0k\enotes -% -\barre %14 -\notes\zql J\Ibbu0JI2\qh0M\tbbu0\qh0L\tqh0L\sk\dble\zq{_L}\ql N\relax - |\qs\Ibbu0cg2\zq c\qh0N\zq c\qh0e\zq e\tqh0g\qs - \Ibbu0ej2\zq c\qh0{_e}\zq e\qh0g\zq g\tqh0j\relax - &\dble\dble\sk\pause - &\zcharnote n{\it tr}\Ibbl0kj2\qb0k\tbbl0\qb0 j\tqb0j\sk\ds\sk - \multnoteskip{0.67}\Ibbl0jn2\qbp0j\sk\tbbbl0\tqb0n\enotes -% -\barre %15 -\notes\zh D\hu K|\dble\ibl1h0\qb1h\qb1{^f}\relax - &\dble\ds\isluru0m\ql k\relax - &\Ibbl0nm2\qb0n\tbbl0\qb0{^m}\itenu3m\tqb0m\enotes -\notes|\multnoteskip{0.75}\dble\dble\qb1g\itenu1h\tqb1h\relax - &\multnoteskip{0.75}\dble\dble\sk\tslur0l\itenu2j\cl j\relax - &\multnoteskip{0.75}\tten3\ibbbl0m0\qb0{mln}\tqb0m\Ibbbl0ol3\qb0{onm}\tqb0l\enotes -% -\barre %16 -\notes\zh D\hu K|\dble\zcl{^f}\tten1\cu h\Ibl0po1\zq o\qb0q\zq -n\tqb0p\itenl1g\cu g\relax - &\tten2\dble\cu j\ds\ds\itenu2i\cu i\relax - &\uppersh p\zcharnote n{\it tr}\Ibbl0nk2\qb0l\tbbl0\qb0k\itenu3k\tqb0k\sk - \tten3\ibbl0k0\qb0k\tqb0p\multnoteskip{0.8}\Ibbbl0ol2\qb0{on^m}\tqb0l\enotes -% -\barre %17 -\notes\zh D\hu K|\dble\zcl e\tten1\cu g\Ibl0on1\zq n\qb0p\zq -{^m}\tqb0o\zq d\cu {^f}\relax - &\tten2\dble\cu i\ds\ds\cu h\relax - &\ibbl0k0\qb0k\tbbl0\qb0j\itenu3q\tqb0q\sk - \tten3\Ibbl0qj2\qb0{qo^m}\tqb0j\enotes -% -\barre %18 -\notes\dble\zq G\qu N\sk\ds\zq d\cl b\relax - |\zq d\cu g\sk\sk\sk\ds\ibbu0f0\qh0d\qh0g\tqh0{=f}\relax - &\dble\qu i\sk\soupir\relax - &\Ibbl0ip3\qb0{ikn}\tqb0p\itenu4r\ql r\enotes -% -\barre %19 -\notes\dble\ibl0c0\qb0{ccc}\tqb0c\relax - |\zhl e\ibbu0j0\roff{\tbbu0}\qh0g\qh0l\sk\qh0k\sk\qh0j\sk\tbbu0\tqh0i\relax - &\dble\ibu0g0\qh0{g^gh}\tqh0{=g}\relax - &\tten4\Ibbl0rn7\roff{\tbbl0}\qb0r\qb0q\sk\qb0p\sk\qb0o\sk\tbbl0\tqb0n\enotes -% -\barre %20 -\NOtes\dble\ibl0d0\qb0d\tqb0d\multnoteskip{0.7}\cl d\ds - |\dble\ibu0h0\qh0h\tqh0h\multnoteskip{0.7}\cu h\ds - &\dble\ibu0f0\qh0{^f}\tqh0f\multnoteskip{0.7}\cu f\ds - &{\multnoteskip{0.5}\Ibbbl0nk3\qb0{n^ml}\tqb0k\Ibbbl0jk3\qb0{^jkl}\tqb0k}\relax - \cl k\ds\enotes -% -\barre %21 -\Notes\zq G\cu N\ds\zq K\cu D|\zq b\cu d\ds\zq c\rq d\cu{^f}\ds - &\cu g\ds\cu h\ds&\sk\sk\pause\enotes -% -\barre %22 -\Notes\Ibl0HJ2\upz N\zq N\qb0G\upz a\zq a\qb0H|\ibu1g1\zq d\qh1g\zq d\qh1{^f}\relax - &\Ibl2ik2\upz i\qb2i\upz j\zq j\qb2j&\soupir\enotes -\notes\upz b\zq I\tqb0b\sk\ds - |\zq d\tqh1g\sk\ds - &\tqb2k\sk\ds - &\qs\Ibbl2kp2\qb2{kn}\tqb2p\enotes -% -\barre %23 -\NOtes\zhu d\islurd0a\ql a\tslur0N\ql N|\isluru0j\ql j\tslur0i\ql i\relax - &\isluru0m\ql{^m}\tslur0n\ql n&\itenu5r\hl r\enotes -% -\barre %24 -\NOtes\upz d\zq d\lq c\Ibl0Ma2\qb0{^M}\upz d\zq d\zq b\qb0N\upz f\zq{^f}\tqb0a\relax - |\ibl0k0\qb0{kk}\tqb0k\relax - &\Ibl0oq2\qb0o\zcharnote r{\it tr}\relax - \rlap{\multnoteskip{0.25}\sk\sk\tinynotesize\Ibbu1op1\qh1o\tqh1p}\relax - \qb0p\tqb0q\relax - &\tten5\itenu5r\ql r\sk - \tten5\multnoteskip{0.6}\ibbl0r0\qb0r\relax - \nbbbl0\multnoteskip{0.6}\qb0s\tqb0r\enotes -\notes\ds|\ds&\ds&\multnoteskip{0.72}\Ibbbl0ro3\qb0{rqp}\tqb0o\enotes -% -\barre %25 -\Notes\ql N|\qs\ibbu1i0\zq b\qh1g\relax - &&\multnoteskip{0.5}\ibbbl0n0\qb0{nop}\tqb0o\enotes -\notes\dble\sk\ql b|\zq i\qh1k\zq g\tqh1i\ibbu0g0\zq d\qh0g\zq d\qh0g\zq d\qh0g\zq d\tqh0g\relax - &\sk\pause - &\dble\isluru0n\ql n\sk\tslur0m\cl{^m}\enotes -% -\barre %26 -\Notes\ql c|\qs\ibbu1g0\zq e\qh1g\relax - &&\multnoteskip{0.5}\ibbbl0l0\qb0{l^mn}\tqb0m\enotes -\notes\dble\sk\ql N|\qh1e\zq g\tqh1e\ibbu0i0\zq j\qh0g\zq j\qh0g\zq i\qh0g\zq i\tqh0g\relax - &\sk\pause - &\dble\isluru0l\ql l\sk\tslur0k\cl{k}\enotes -% -\barre %27 -\notes\ql a|\ds\ibbu0g0\zq e\qh0g\zq e\qh0g\zq e\tqh0g\relax - &\sk\sk\sk\pause - &\ibl0j0\zcharnote m{\it tr}\qbp0j\sk\sk\nbbbl0\multnoteskip{0.7}\qb0i\tqb0j\enotes -\notes\ql K|\ibbu0h0\zq{^f}\qh0h\zq f\qh0h\zq f\qh0h\zq f\tqh0h\relax - &&\Ibl0kj2\isluru0k\qb0k\sk\tslur0j\tqb0j\enotes -% -\barre %28 -\NOtes\ds\Ibl1LJ3\zqu b\qb1L|\ds\zqu g\Ibl2ge3\qb2g\relax - &&\Ibu3hi1\islurd3h\qh3{^h}\tslur3i\tqh3i\enotes -\notes\dble\dble\qb1K\zcu c\tqb1J|\dble\dble\qb2{^f}\zcu g\tqb2e\relax - &\pause - &\hs\Ibbbu0gi2\qh0{g=h}\tqh0i\Ibbbl0jm3\qb0{jkl}\tqb0{^m}\enotes -% -\barre %29 -\Notes\cu I|\zqup g\raise -6\Internote\qs\ibbl1f0\zq b\qb1d\relax - &\soupir&\multnoteskip{0.5}\ibbbl0n0\qb0{nop}\tqb0o\enotes -\notes\dble\ds\cu I\ds|\zq d\qb1b\zq d\tqb1b\Ibbl0ef3\zq b\qb0d\zq b\qb0d\zq d\qb0{=f}\zq d\tqb0f\relax - &\dble\sk\ds\cu{^g}\relax - &\itenu0n\cl n\sk\tten0\ibbl0o0\qb0{nrq}\tqb0p\enotes -% -\barre %30 -\notes\ibu1J0\qh1J\sk\qh1J|\Ibbu0fe2\zq d\qh0f\zq c\tbbu0\qh0e\zq c\tqh0e\relax - &\Ibbu0ih2\qh0i\tbbu0\qh0h\tqh0h\relax - &\Ibbl0no1\qb0{^n}\tqb0o\qs\ccl s\enotes -\Notes\dble\qh1J\tqh1J|\dble\Ibu0hj1\zq e\qh0h\zq h\tqh0j\relax - &\dble\Ibu0jl1\qh0j\tqh0l\relax - &\multnoteskip{0.5}\qs\sk\Ibbbl0rq1\qb0r\tqb0q\qs\sk\Ibbbl0po1\qb0p\tqb0o\enotes -% -\barre %31 -\Notes\zq K\ql d|\qs\ibbu1i0\zq g\qh1i\relax - &\ds - &\multnoteskip{0.71}\ibbl3n0\qbp3p\sk\tbbbl3\tbbl3\qb3n\enotes -\Notes\dble\sk\zq K\ql d|\qh1i\tqh1i\Ibbu0ig3\qh0i\zq e\qh0{^h}\lna h\zq{^f}\qh0h\tqh0g\relax - &\ibbu0k0\qh0k\tqh0k\Ibbu0ki3\qh0{k^j=j}\tqh0i\relax - &\itenu1r\tqb3r\sk\tten1\Ibbl0rp3\qb0{r^q=q}\tqb0p\enotes -% -\barre %32 -\Notes\zcl K\roff{\zq d\itenu1d}\itenl0c\qu c\sk\raise -2\Internote\ds - |\qs\ibbu0g0\qh0{gg}\tqh0g\relax - &\itenl2h\qu h\relax - &\zhl o\xTrille q{8\noteskip}\enotes -\notes\dble\zcl K\ibbu0b0\roff{\zq d\tten1}\tten0\qh0c\rq d\qh0c\rq d\relax - \raise -2\Internote\rlap{\ds}\qh0c\rq d\tqh0c\relax - |\Ibbbu0fg3\qh0{^fgh}\tqh0g\ibbbu0i0\qh0{hij}\tqh0h\relax - &\tten2\Ibbbu0hi3\qh0{hij}\tqh0i\Ibbbu0jm3\qh0{jkl}\tqh0{^m}\relax - &\sk\sk\sk\sk\sk\sk\sk\multnoteskip{0.7}\tinynotesize\Ibbbu0lm1\qh0n\tqh0o\enotes -% -\barre %33 -\notes\zql N\zql G\ibbu1a0\qh1b\zcharnote C{(p\'ed.)}\sk\qh1d\relax - |\Ibbbu0gh3\qh0{ghi}\tqh0h\relax - &\Ibbbl0no3\qb0{nop}\tqb0o\relax - &\ql n\enotes -\Notes\qh1b\tqh1d\zql I\raise4\Internote\qs\ibbu0N0\qh0{Nd}\tqh0N\relax - |\dble\qu g\sk\cu{^f}\relax - &\dble\isluru0n\ql n\sk\tslur0m\cl{^m}\relax - &\dble\sk\soupir\enotes -% -\barre %34 -\notes\zql J\raise4\Internote\qs\sk\ibbu1M0\qh0N\relax - |\Ibbbu0ef3\qh0{e^fg}\tqh0f\relax - &\Ibbbl0lm3\qb0{l^mn}\tqb0m\relax - &\enotes -\Notes\qh1c\tqh1N\rlap{\dble\Ibl0JK1\qb0J\tqb0L}\Ibbu0aM3\qh0{cNb}\tqh0N\relax - |\dble\qu e\sk\cu d\relax - &\dble\isluru0l\ql l\sk\tslur0k\cl k\relax - &\dble\sk\pause\enotes -% -\barre %35 -\notes\zqlp L\Ibbbu0LM3\qh0{L=MN}\tqh0M\relax - |\Ibbbu0cd3\qh0{cde}\tqh0d\relax - &\Ibbbl0jk3\qb0{jkl}\tqb0k\relax - &\enotes -\Notes\ibbu0L0\qh0L\tqh0N\Ibbu0LK2\qh0{LN}\roff{\zcl K}\qh0K\tqh0N\relax - |\dble\qu c\sk\cu b\relax - &\dble\isluru0j\ql j\sk\tslur0i\cl i\relax - &\dble\sk\pause\enotes -% -\barre %36 -\Notes\zql J\Ibu0Lc3\qh0L\sk\nbbu0\qh0a\tqh0c|\dble\ibu0e0\qh0e\tqh0e\relax - &\Ibbu0gl3\qh0{^ghj}\tqh0l\enotes -\notes\zql K\ibl0f0\qb0d\sk\sk\tqb0d\relax - |\Ibbu0ig2\qhp0i\sk\tbbbu0\tqh0g\Ibbbu0if3\qh0{ihg}\tqh0{^f}\relax - &\islurd0k\Ibbu0ki2\qhp0k\sk\tbbbu0\tqh0i\Ibbbu0kh3\qh0{kji}\tslur0h\tqh0h\relax - &\sk\pause\enotes -% -\barre %37 -\Notes\zcl G\zq {Nb}\cu d\sk\ds|\cu g\sk\ds - &\cu g\sk\ds - &\qs\isluru0g\Ibbl0gk2\qb0{gi}\tqb0k\enotes -\notes\soupir|\soupir&\soupir - &\tslur0n\ibbbl0n0\qb0n\upz k\qb0k\upz l\qb0l\upz -m\tqb0{^m}\Ibbbl0nq3\upz n\qb0n\upz o\qb0o\upz p\qb0p\upz q\tqb0q\enotes -% -\barre %38 -\Notes\zq G\cu N\ds\zq D\cu K\ds|\zq {_bd}\cu g\ds\zq{ac}\rq d\cu{^f}\sk - &\cu g\ds\cu {^f}\ds&\itenu0r\hl r\enotes -% -\barre %39 -\Notes\Ibl1GN2\upz N\zq N\qb1G\upz c\zq c\qb1K\relax - |\Ibu2gi2\lpz b\zq{_bd}\qh2g\zq{d^f}\qh2h\relax - &\Ibu3gi2\lpz g\qh3g\lpz h\qh3h\relax - &\tten0\itenu0r\ql r\enotes -\notes\upz b\zq N\tqb1{_b}\sk\ds - |\lpz d\zq{dg}\tqh2{_i}\sk\ds - &\lpz i\tqh3{_i}\sk\ds - &\tten0\ibbl0r0\qb0{rrr}\tqb0r\enotes -% -\barre %40 -\notes\zql H\raise2\Interligne\qs\Ibbu0Ma1\qh0{^M}\zqlp a\tqh0a\relax - |\ds\sk\qs\itenl0c\ccu c\relax - &\relax - &\dble\dble\isluru1s\ql{_s}\enotes - \nspace -\notes - |\tten0\zq c\zql{_e}\Ibbu0ej3\qh0{e^fh}\tqh0j\relax - &\pause - &\tslur1m\ql{^m}\enotes -% -\barre %41 -\Notes\lpz I\Ibu0NL2\zq{_I}\qh0{_b}\lpz F\zq{^F}\qh0{^M}\lpz G\zq G\tqh0N\ds - |\lpz d\Ibu0ki2\zq{dg}\qh0k\lpz d\zq{dh}\qh0j\lpz d\zq{dg}\tqh0{_i}\ds - &\upz k\Ibl0ki2\qb0k\upz j\qb0j\upz i\tqb0{_i}\ds - &\Ibl0no1\qb0n\zcharnote q{\it tr}\upperfl s\qb0o\tqb0{_p}\ds - \enotes -% -\barre %42 -\notes\ql c|\ds&&\multnoteskip{0.8}\ibbbl0o0\qb0{_poq}\tqb0o\enotes -\Notes\sk\ql d|\Ibl0jh2\zq{_l}\qb0j\zq l\qb0{_i}\zq j\tqb0 h\relax - &\sk\pause - &\isluru0n\ql n\sk\tslur0m\cl{^m}\enotes -% -\barre %43 -\notes\dble\zql N\hu d\sk\ql{=M}\relax - |\Ibbu0ji3\zq{^f}\qh0j\zq g\qh0{_i}\zq g\qh0i\zq g\tqh0i\relax - \qs\ibbu0i0\zq g\qh0i\zq f\qh0h\zq g\tqh0i\relax - &\dble\sk\sk\pause - &\Ibbl0on2\qb0o\tbbl0\qb0n\tqb0n\sk\ds\sk\cl n\enotes -% -\barre %44 -\notes\dble\zq L\ql{^c}\sk\zq K\ql d\relax - |\qs\ibbu0i0\zq g\qh0{_i}\zq{^f}\qh0h\zq g\tqh0i\relax - \qs\ibbu0i0\zq g\qh0i\zq f\qh0h\zq g\tqh0i\relax - &\dble\sk\sk\pause - &\itenu1n\ql n\sk\sk\sk\tten1\ibbl0n0\qb0n\qb0n\qb0{^m}\tqb0n\enotes -% -\barre %45 -\notes\dble\qu{^J}\sk\qu K\relax - |\zql e\ibbu0h0\qh0{gh^g}\tqh0h\ibbu0h0\zq d\qh0{=f}\zq f\qh0h\zq -e\qh0{=g}\zq d\tqh0f\relax - &\dble\sk\sk\pause - &\Ibbl0po2\qb0{_p}\tbbl0\qb0o\itenu0o\tqb0o\sk - \tten0\Ibbl0oq3\qb0{or^q}\tqb0r\enotes -% -\barre %46 -\notes\zql E\raise2\Interligne\qs\Ibbu0JL1\qh0{^J}\zqlp L\tqh0L\relax - |\ds\sk\qs\itenl0N\ccu N\relax - &\relax - &\dble\dble\isluru1p\ql{_p}\enotes - \nspace -\notes - |\tten0\zq N\zql{_b}\Ibbu0bg3\qh0{b^ce}\tqh0g\relax - &\pause - &\tslur1j\ql{^j}\enotes -% -\barre %47 -\Notes\lpz F\Ibu0MK2\zq F\qh0M\lpz C\zq{^C}\qh0{^J}\lpz D\zq D\tqh0K\ds - |\lpz a\Ibu0hf2\zq{ad}\qh0h\lpz a\zq{ae}\qh0g\lpz a\zq{ad}\tqh0f\ds - &\lpz h\Ibu0hf2\qh0h\lpz g\qh0g\lpz f\tqh0f\ds - &\Ibl0kl1\qb0k\zcharnote n{\it tr}\qb0l\tqb0m\ds - \enotes -% -\barre %48 -\notes\ql N|\ds&&\multnoteskip{0.8}\ibbbl0l0\qb0{mln}\tqb0l\enotes -\Notes\sk\ql a|\Ibu0hf2\zq{_i}\qh0g\zq h\qh0f\zq g\tqh0 e\relax - &\pause - &\isluru0k\ql k\sk\tslur0j\cl{^j}\enotes -% -\barre %49 -\notes\dble\zq K\ql a\sk\zq{=I}\ql{=b}\relax - |\ibbu0g0\zq{^c}\qh0h\zq d\qh0f\lpz d\zq d\qh0f\lpz d\zq d\tqh0f\zq d\qh0{^g}\relax - &\dble\sk\sk\pause - &\Ibbl0lk2\qb0l\tbbl0\qb0k\tqb0k\sk\qs\ibbl0m0\qb0{mm}\tqb0m\enotes -% -\barre %50 -\notes\dble\zq J\ql c\sk\zq{^G}\ql{^N}\relax - |\qs\ibbu0i0\zq e\qh0h\zq e\qh0h\zq e\tqh0h\zq e\qh0{=i}\relax - &\dble\sk\pause - &\Ibbl0ml2\qb0m\tbbl0\qb0l\tqb0l\sk\qs\ibbl0k0\qb0{kk}\tqb0k\enotes -% -\barre %51 -\notes\dble\zq H\ql a\sk\zq F\qu M\relax - |\zcl e\Ibbu0ih1\qh0i\tqh0h\zq c\dble\qu h\relax - &\dble\sk\sk\pause - &\ibbl0k0\qb0k\tbbl0\qb0j\itenu0o\tqb0o\sk - \multnoteskip{0.6}\Ibbl0om3\tten0\qb0o\sk\nbbbl0\qb0n\tqb0m\enotes -\notes|\zq a\cu h&&\Ibbl0lk1\qb0l\tqb0{^k}\enotes -% -\barre %52 -\notes\zql E\raise2\Interligne\qs\ibbu0L0\qh0{LL}\tqh0L\dble\cu L\ds - |\Ibbu0hg3\zq c\qh0h\zq b\qh0{^g}\zq b\zq e\qh0g\zq b\zq e\tqh0g\dble\zq - {be}\cu g\ds - &\dble\dble\pause - &\Ibbl0kl2\qb0{^k}\tbbl0\qb0l\tqb0l\sk\qs\ibbl0l0\qb0{ll}\tqb0l\enotes -% -\barre %53 -\notes\qs\ibbl0K0\qb0{KK}\tqb0K\relax - |\qs\ibbu0i0\rq g\sh g\zq f\qh0i\rq g\zq f\qh0i\rq g\zq f\tqh0i\relax - &\qs\ibbu0i0\qh0{ii}\tqh0i\relax - &\Ibbl0nm2\qb0n\tbbl0\qb0m\tqb0m\enotes -\notes\multnoteskip{0.7}\cl K\sk\sk\sk\ds - |\multnoteskip{0.7}\zq f\rq g\cu i\sk\sk\sk\ds - &\multnoteskip{0.7}\cu i\sk\sk\sk\ds - &\multnoteskip{0.7}\hs\ibbbl0l0\qb0{ml}\tqb0m\ibbbl0l0\qb0{nml}\tqb0m\enotes -% -\barre %54 -\notes\zql G\raise3\Internote\qs\ibbl0N0\qb0{NN}\tqb0N\relax - |\qs\ibbu0i0\zq d\zq f\qh0i\zq d\zq f\qh0i\zq d\zq f\tqh0i\relax - &\qs\ibbu0i0\qh0{ii}\tqh0i\relax - &\Ibbl0qp2\qb0q\tbbl0\qb0p\tqb0p\enotes -\notes\multnoteskip{0.7}\cl N\sk\sk\sk\ds - |\multnoteskip{0.7}\zq f\rq g\cu i\sk\sk\sk\ds - &\multnoteskip{0.7}\cu i\sk\sk\sk\ds - &\multnoteskip{0.7}\hs\ibbbl0o0\qb0{po}\tqb0p\ibbbl0o0\qb0{qpo}\tqb0p\enotes -% -\barre %55 -\NOTes\zq J\ql N\zq G\ql N|\zq c\qu e\zq d\qu f&\ql j\ql i&\ql q\soupir\enotes -% -\barre %56 -\NOtes - \ibl0K0\upz a\zq N\qb0J\upz b\zq N\qb0 b\relax - |\Ibu1eg2\lpz c\zq c\qh1e\qh1g\relax - &\Ibl2jl2\qb2j\zcharnote n{\it tr}\multnoteskip{0.6}\qb2k\relax - {\multnoteskip{0.4}\tinynotesize\Ibbu3jk1\qh3j\tqh3k}\relax - &\soupir\enotes -\NOtes - \zq J\upz c\tqb0c|\tqh1g\relax - &\tqb2l&\ds\enotes -\notes\ds|\ds&\ds&\Ibbl0lm2\zcharnote n{\it tr}\qbp0l\sk\tbbbl0\tqb0m\enotes -% -\barre %57 -\notes\dble\zhu N\cl J\raise -\Interligne\ds\cl G\raise -\Interligne\ds - |\ibbu0e0\qh0c\zq c\qh0e\zq e\qh0g\zq e\tqh0c\zq e\ibbu0e0\qh0g\zq -c\qh0e\zq d\qh0f\zq b\tqh0d\relax - & \dble\dble\sk\pause - &\Ibbl0nl1\qb0n\tqb0l\dble\isluru0j\ql j\sk\tslur0k\cl k\enotes -% -\barre %58 -\notes\dble\zq C\cu J\ds\zq C\cu J\ds\relax - |\qs\ibbu0d0\zq b\qh0{^d}\zq c\qh0e\zq b\tqh0d\relax - \Ibbu0df3\zq c\qh0e\zq c\qh0e\zq {=d}\qh0f\zq e\tqh0g\relax - &\dble\dble\sk\pause - &\Ibl0kl2\qb0{^k}\sk\tqb0l\sk\qs\Ibbl0ln2\qb0{lm}\tqb0n\enotes -% -\barre %59 -\notes\dble\zq C\cu J\ds\cu J\ds - |\qs\ibbu0g0\zq f\qh0h\zq c\qh0f\zq f\tqh0h\Ibbu0ig3\zq h\qh0j\zq -h\qh0j\sk\zq g\qh0i\zq f\tqh0h\relax - &\dble\dble\sk\pause - &\ibbl0o0\qb0o\tbbl0\qb0m\itenu0q\tqb0q\sk - \ibbl0o0\tten0\qbp0q\relax - {\multnoteskip{0.66}\sk\nbbbl0\qb0r\tqb0q}\relax - \Ibbl0po1\qb0p\tqb0o\enotes -% -\barre %60 -\notes\dble\zq C\cu J\ds\cu J\ds - |\qs\Ibbu0fd2\zq f\qh0h\zq e\qh0g\zq{^d}\tqh0{^f}\relax - \ibbu0i0\zq e\qh0g\zq g\qh0j\zq c\qh0e\zq e\tqh0g\relax - &\dble\dble\sk\pause - &\dble\Ibl0on1\zcharnote q{\it tr}\qb0o\tqb0n\ds - \multnoteskip{0.33}\zcharnote p{\it tr}\ibbl0n0\qbp0n\sk\tbbbl0\tqb0n\enotes -% -\barre %61 -\notes\dble\zq H\ql a\sk\zq{_H}\ql{_a}\relax - |\qs\Ibbu0fj2\zq c\qh0f\zq f\qh0h\zq h\tqh0j\ds\Ibbu0fj2\zq c\qh0f\zq -f\qh0{_h}\zq h\tqh0j\relax - &\dble\dble\sk\pause - &\Ibbl0qo1\qb0q\tqb0o\dble\ql m\sk\cl m\enotes -% -\barre %62 -\Notes\zq G\ql N|\qs\Ibbu0di2\zq b\qh0d&\relax - &\multnoteskip{0.5}\Ibbbl1nk3\qb1{nml}\tqb1k\enotes -\notes|\zq d\qh0f\zq f\tqh0i&\sk\pause - &\ql k\sk\enotes -\notes\dble\Ibu0MJ1\zq G\qh0N\zq C\tqh0J\relax - |\qs\ibbu0i0\zq f\qh0i\zq e\qh0j\zq e\tqh0g\relax - &&\sk\sk\multnoteskip{0.7}\Ibbl0lj2\qbp0l\sk\tbbbl0\tqb0j\enotes -% -\barre %63 -\notes\dble\zq F\qu M\sk\zql G\ibu0L0\qh0N\tqh0N\relax - |\dble\zqp d\qup f\sk\sk\zq b\cu d\relax - &\dble\dble\sk\pause - &\ibbl0i0\isluru0i\qb0i\tslur0h\qb0h\isluru0m\qb0m\tslur0k\tqb0k\relax - \ibbl0j0\isluru0j\qb0j\tslur0i\qb0i\isluru0n\qb0n\tslur0m\tqb0m\enotes -% -\barre %64 -\notes\dble\zhu N\ql J\sk\Ibl0JI1\qb0J\tqb0I\relax - |\qs\Ibbu0bd2\qh0b\qh0c\tqh0{=d}\Ibbu0eg3\qh0{^de=d}\tqh0g\relax - &\qs\Ibbu0ef2\qh0{^de}\tqh0f\Ibbu0fi3\qh0{^fgh}\tqh0i\relax - &\dble\Ibl0kl1\qb0{^k}\tqb0l\ds - \zcharnote p{\it tr}\multnoteskip{0.4}\ibbl0n0\qbp0n\sk\tqb0n\enotes -% -\barre %65 -\notes\dble\zq H\ql a\sk\zq{_H}\ql{_a}\relax - |\qs\Ibbu0fj2\zq f\qh0c\zq f\qh0h\zq h\tqh0j\relax - \qs\Ibbu0fj2\zq c\qh0f\zq f\qh0{_h}\zq h\tqh0j\relax - &\dble\ql j\sk\ds\cl j\relax - &{\multnoteskip{0.667}\triolet q\Ibbl0qm2\qb0{qo}\tqb0m}\relax - \dble\ql m\sk\cl m\enotes -% -\barre %66 -\notes\dble\Ibu0LK1\lpz G\zq G\qh0N\lpz F\zq F\tqh0M\ds - |\dble\lpz d\zq d\Ibu0gd1\qh0g\lpz b\zq b\tqh0d\ds - &\dble\Ibu0ig2\lpz i\qh0i\lpz g\tqh0g\ds - &\ibbl0k0\qb0m\tbbl0\qb0p\tqb0p\sk\ds\enotes -\notes\cl L|\cu c&\cu g&\Ibbbl0qo3\qb0{qp_p}\tqb0o\enotes -% -\barre %67 -\notes\ql M|\dble\dble\Ibu0cd1\qh0c\tqh0d\relax - &\dble\dble\Ibu0fh1\qh0f\tqh0h\relax - &\ibbbl0n0\qb0{^no=p}\tqb0o\Ibbbl0nk3\qb0{=nml}\tqb0k\enotes -\Notes\dble\ibl0N0\qb0N\tqb0N\relax - |\ds\Ibbu0gd2\zq e\qh0g\zq c\qh0e\zq b\tqh0d\relax - &\sk\sk\soupir - &\ibbl0j0\roff{\tbbl0}\qh0{jl}\sk - \multnoteskip{0.6}\nbbbl0\qb0m\tqb0k\enotes -% -\barre %68 -\notes\zql J\Ibbu0JI2\qh0M\tbbu0\qh0L\tqh0L\sk\dble\ql N\relax - |\qs\Ibbu0cg2\zq c\qh0N\zq c\qh0e\zq e\tqh0g\qs - \Ibbu0ej2\zq c\qh0{e}\zq e\qh0g\zq g\tqh0j\relax - &\dble\dble\sk\pause - &\zcharnote n{\it tr}\Ibbl0kj2\qb0k\tbbl0\qb0 j\tqb0j\sk\ds\sk - \multnoteskip{0.67}\Ibbl0jj2\qbp0j\sk\tbbbl0\tqb0j\enotes -% -\barre %69 -\Notes\zhl J\qu a\relax - |\qs\Ibbu0fj2\zq c\qh0{^f}\zq f\qh0h\zq h\tqh0j\relax - &\relax - &\Ibbl0jn2\qb0{^j}\tbbl0\qb0k\itenu0r\tqb0r\enotes -\notes\ql{_b}|\dble\qs\Ibbu0gk2\zq d\qh0g\zq g\qh0{_i}\zq i\tqh0k\relax - &\pause - &\tten0\isluru0r\Ibbbl0ro3\qb0{r=q_p}\tqb0o\Ibbbl0nk3\qb0{nml}\tslur0k\tqb0k\enotes -% -\barre %70 -\Notes\zhl J\qu N\relax - |\qs\Ibbu0gk2\zq d\qh0g\zq g\qh0{_i}\zq i\tqh0k\relax - &\relax - &\zcharnote m{\it tr}\ibbl0j0\qb0k\tbbl0\qb0j\itenu0q\tqb0q\enotes -\notes\ql a|\dble\qs\Ibbu0fj2\zq c\qh0{=f}\zq f\qh0h\zq h\tqh0j\relax - &\pause - &\tten0\isluru0q\Ibbbl0qn3\qb0{q_po}\tqb0n\Ibbbl0mj3\qb0{mlk}\tslur0j\tqb0j\enotes -% -\barre %71 -\Notes\ql J\relax - |\qs\Ibbu0fj2\zq a\qh0d\zq d\qh0f\zq f\tqh0h\relax - &\relax - &\zcharnote m{\it tr}\ibbl0i0\qb0j\tbbl0\qb0{_i}\itenu0p\tqb0{_p}\enotes -\Notes\ql c\relax - |\ibbu0g0\zq e\qh0{g_ih}\tqh0g\relax - &\pause - &\tten0\ibbl0p0\qb0{prq}\tqb0p\enotes -% -\barre %72 -\notes\dble\ibl0N0\zq M\qb0c\zq N\qb0c\zq a\qb0c\zq N\tqb0c\relax - |\dble\ibu0g0\qh0{fef}\tqh0g\relax - &\dble\sk\pause - &\Ibbl0nl7\roff{\tbbl0}\qb0{^no}\sk\qb0{=n}\sk\qb0m\sk\tbbl0\tqb0l\enotes -% -\barre %73 -\notes\dble\dble\zhup a\ibl0M0\qb0{MMM}\zcu M\tqb0M\relax - |\dble\dble\ibu0h0\qh0{hhh}\zq f\tqh0h\relax - &\dble\dble\dble\pause - &\isluru0k\Ibbbl0jk3\qb0{^jkl}\tqb0k\Ibbbl0lm3\qb0{lmn}\tslur0m\tqb0m\relax - \isluru0n\Ibbbl0no3\qb0{^nop}\tqb0o\Ibbbl0nk3\qb0{=nml}\tslur0k\tqb0k\enotes -% -\barre %74 -\notes\dble\Ibu0LJ1\qh0N\tqh0G\relax - |\ibl0g0\zqu g\itenu0g\qbp0e\sk\multnoteskip{0.7}\sk\nbbbl0\qb0f\tqb0e\relax - &\sk\sk\sk\pause - &\ibl0j0\qbp0j\sk\multnoteskip{0.7}\sk\nbbbl0\qb0k\tqb0j\enotes -\Notes\cl N\ds|\tten0\zcl d\cu g\ds - &\relax - &\cl i\ds\enotes -% -\barre %75 -\NOtes\zq C\cu J\ds\zq G\qu N\ds|\zq e\cu g\ds\zq{eg}\cu i\ds - &\cl j\ds\cl k\ds - &\sk\sk\pause\enotes -% -\barre %76 -\Notes\lpz C\zq C\Ibu1JL2\qh1J\lpz D\zq D\qh1K\relax - |\upz j\zq j\ibu2i0\qh2g\upz i\zq g\qh2i\relax - &\upz l\Ibl3ln2\qb3l\upz m\qb3m\relax - &\soupir\enotes -\notes\lpz E\zq E\tqh1L\sk\ds - |\upz j\zq g\tqh2j\sk\ds - &\upz n\tqb3n\relax - &\qs\Ibbl0gl2\qb0{gj}\tqb0l\enotes -% -\barre %77 -\NOtes\zq N\lq M\ql d\zq{LN}\ql c|\qu g\qu g\relax - &\qu i\qu j\relax - &\itenu3n\hl n\enotes -% -\barre %78 -\Notes\Ibl1IK2\upz b\zq {Nb}\qb1I\upz c\zq{cN}\qb1J\relax - |\ibu2g0\qh2{gg}\relax - &\Ibl3km2\qb3k\zcharnote n{\it tr}\multnoteskip{0.33}\qb3l\tinynotesize\Ibbu0kl1\qh0k\tqh0l\relax - &\tten3\itenu3n\ql n\enotes -\notes\upz b\zq{Nb}\tqb1K\sk\ds - |\tqh2g\sk\ds - &\tqb3m\sk\ds - &\tten3\Ibbl0np3\qb0{n^no}\tqb0p\enotes -% -\barre %79 -\Notes\ql c|\qs\Ibbl1ij2\zq e\qb1j\relax - &&\multnoteskip{0.5}\ibbbl0q0\qb0{qrs}\tqb0r\enotes -\notes\dble\sk\ql e|\zq l\qb1n\zq j\tqb1l\ibbu0i0\zq j\qh0g\zq j\qh0g\zq j\qh0g\zq j\tqh0g\relax - &\sk\pause - &\dble\isluru0q\ql q\sk\tslur0p\cl p\enotes -% -\barre %80 -\Notes\ql f|\qs\Ibbl1hg0\zq h\qb1j\relax - &&\multnoteskip{0.5}\ibbbl0o0\qb0{opq}\tqb0p\enotes -\notes\dble\sk\ql c|\zq m\qb1j\zq j\tqb1h\ibbu0h0\zq f\qh0h\zq f\qh0h\zq e\qh0g\zq e\tqh0g\relax - &\sk\pause - &\dble\isluru0o\ql o\sk\tslur0n\cl n\enotes -% -\barre %81 -\notes\ql d|\qs\ibbu0i0\zq j\qh0h\zq j\qh0h\zq j\tqh0h\relax - &\sk\sk\sk\pause - &\ibl0m0\xTrille q{3\noteskip}\qbp0m\sk\sk\nbbbl0\multnoteskip{0.7}\qb0l\tqb0m\enotes -\notes\zq N\ql d|\ibbu0h0\zq g\qh0i\zq g\qh0i\zq g\qh0i\zq g\tqh0i\relax - &&\Ibl0nm2\isluru0n\qb0n\sk\tslur0m\tqb0m\enotes -% -\barre %82 -\NOtes\ds\Ibu1MK3\zqu a\qh1H\relax - |\ds\zql e\ibu2i0\qh2j\relax - &&\Ibl3kl1\isluru3k\qh3{^k}\tslur3l\tqb3l\enotes -\notes\dble\dble\zq G\qh1N\zq F\tqh1M\relax - |\dble\dble\rq j\qh2i\zcl f\zq h\tqh2j\relax - &\pause - &\hs\Ibbbl0jl2\qh0{j=k}\tqb0l\Ibbbl0mp3\qb0{mno}\tqb0p\enotes -% -\barre %83 -\Notes\zq E\cu L|\zqup j\raise -6\Internote\qs\ibbl1f0\zq e\qb1g\relax - &\soupir&\multnoteskip{0.5}\ibbbl0q0\qb0{qrs}\tqb0r\enotes -\notes\dble\ds\zq C\cu J\ds|\zq e\qb1g\zq e\tqb1g\ibbl0f0\zq e\qb0g\zq g\qb0{_i}\zq -f\qb0h\zq e\tqb0{^g}\relax - &\dble\sk\ds\cu j\relax - &\itenu0q\cl q\sk\tten0\Ibbl0qn3\qb0{q_po}\tqb0{^n}\enotes -% -\barre %84 -\notes\ibu1L0\zq F\qh1M\relax - |\ibu2i0\zq f\qh2h\relax - &\ibu3h0\qh3j\relax - &\Ibbl0no1\qb0{^n}\tqb0o\enotes -\Notes\dble\zq F\qh1M\zq F\qh1M\zq F\tqh1M\relax - |\dble\zq j\qh2f\zq h\qh2j\zq k\tqh2f\relax - &\dble\qh3h\qh3f\tqh3h\relax - &\multnoteskip{0.5}\qs\sk\Ibbbl0rq1\qb0r\tqb0q\relax - \qs\sk\Ibbbl0po1\qb0{=p}\tqb0o\relax - \qs\sk\Ibbbl0nm1\qb0{=n}\tqb0m\enotes -% -\barre %85 -\notes\dble\zq G\qu N\sk\zq G\qu N\relax - |\qs\advance\transpose 7\ibbl0d0\zq c\qh0e\zq e\qh0g\zq e\tqb0e\relax - \ibbl0d0\zq e\qh0g\zq{a^d}\qh0{^f}\zq{b=d}\qh0{=f}\zq c\tqb0e\relax - &\itenl0g\qu g\sk\sk\sk\tten0\Ibbu0ge3\qh0{g^f=f}\tqh0e\relax - &\Ibbl0ln2\qb0l\tbbl0\qb0n\itenu0n\tqb0n\sk\tten0\Ibbl0nl3\qb0{n^m=m}\tqb0l\enotes -% -\barre %86 -\Notes\zcl G\roff{\zq N\itenl1N}\itenl0M\qu M\sk\raise -4\Internote\ds - |\qs\advance\transpose 7\ibbl0e0\lq c\qh0d\lq c\qh0d\lq c\tqb0d\relax - &\itenl2d\qu d\relax - &\zhl k\xTrille q{8\noteskip}\enotes -\notes\dble\zcl G\tten0\roff{\tten1}\ibbu0L0\rq N\qh0M\rq N\qh0M\rq N\qh0M\rq N\tqh0M\relax - |\advance\transpose 7\Ibbbl0de3\qh0{bcd}\tqb0c\ibbbl0f0\qh0{def}\tqb0d\relax - &\tten2\Ibbbu0df3\qh0{def}\tqh0e\Ibbbu0fi3\qh0{fgh}\tqh0i\relax - &\dble\sk\sk\sk\multnoteskip{0.3}\tinynotesize\Ibbu0jk1\qh0j\tqh0k\enotes -% -\barre %87 -\Notes\zqu C\ibbu1N0\qh1L\zcharnote C{(p\'ed.)}\qh1N\relax - |\advance\transpose 7\multnoteskip{0.5}\ibbbl0j0\qb0{jkl}\tqb0k\relax - &\multnoteskip{0.5}\ibbbu0j0\qb0{jkl}\tqh0k\relax - &\ql j\enotes -\notes\qh1c\tqh1N\zql E\ibbu1N0\qh1{LNc}\tqh1N\relax - |\dble\advance\transpose 7\ql j\sk\cl i\relax - &\dble\islurd0j\qu j\sk\tslur0i\cu i\relax - &\dble\sk\soupir\enotes -% -\barre %88 -\Notes\zql F\ibbu1N0\qh1M\qh1a\relax - |\multnoteskip{0.5}\advance\transpose7\ibbbl0h0\qh0{hij}\tqb0i\relax - &\multnoteskip{0.5}\ibbbu0h0\qb0{hij}\tqh0i\relax - &\enotes -\notes\qh1c\tqh1N\zqu{^C}\ibbu1L0\qh1{^JLa}\tqh1L\relax - |\dble\advance\transpose 7\ql h\sk\cl g\relax - &\dble\islurd0h\qu h\sk\tslur0g\cu g\relax - &\dble\sk\pause\enotes -% -\barre %89 -\Notes\zql D\ibbu1a0\qh1K\qh1a\relax - |\multnoteskip{0.5}\advance\transpose7\ibbbl0h0\qh0{fgh}\tqb0g\relax - &\multnoteskip{0.5}\ibbbu0f0\qb0{fgh}\tqh0g\relax - &\enotes -\notes\qh1d\tqh1{_a}\zcl I\rlap{\sk\sk\zcl J}\ibbu1N0\qh1{NdN}\tqh1c\relax - |\dble\advance\transpose 7\ql f\sk\cl e\relax - &\dble\islurd0f\qu f\sk\tslur0e\cu e\relax - &\dble\sk\pause\enotes -% -\barre %90 -\Notes\zql F\multnoteskip{0.5}\ibbbu0M0\qh0{MNa}\tqh0N\relax - |\multnoteskip{0.5}\advance\transpose7\ibbbl0g0\qh0{def}\tqb0e\relax - &\multnoteskip{0.5}\ibbbu0d0\qb0{def}\tqh0e\relax - &\enotes -\notes\ibbl0N0\qb0M\tqb0c\ibbl0N0\qb0{Mc^M}\tqb0c\relax - |\dble\zq h\ql k\sk\zq h\cl{_l}\relax - &\dble\islurd0d\qu d\sk\tslur0e\cu{_e}\relax - &\sk\sk\pause\enotes -% -\barre %91 -\notes\zcl G\ibbu0N0\qh0{Nc_a}\tqh0c\ibbu0N0\qh0{Nc^M}\tqh0c\relax - |\dble\ibl0k0\zq j\qb0{=l}\zq j\qh0m\zq j\qh0n\zq j\tqb0o\relax - &\dble\ibu0e0\qh0{=efe}\tqh0{_e}\relax - &\dble\dble\sk\pause\enotes -% -\barre %92 -\notes\dble\pointdurgue F\zq G\qu N\sk\soupir - |\dble\pointdorgue n\zq{n}\ql j\sk\soupir - &\dble\pointdorgue m\qu{=e}\sk\soupir - &\Ibl0lj3\pointdorgue o\qbp0n\sk\sk\tbbl0\tqb0j\xTrille n{3\noteskip}\ibl0j0\qbp0k\sk\sk\multnoteskip{0.7}\nbbbl0\qb0j\tqb0k\enotes -% -\barre %93 -\NOtes\zq J\ql N\zq N\ql G|\zq e\qu c\zq f\qu d\relax - &\ql j\ql i&\ql j\soupir\enotes -% -\barre %94 -\NOtes - \ibl0K0\upz a\zq N\qb0J\upz b\zq N\qb0 b\relax - |\Ibu1eg2\lpz c\zq c\qh1e\qh1g\relax - &\Ibl2jl2\qb2j\zcharnote n{\it tr}\multnoteskip{0.6}\qb2k\relax - {\multnoteskip{0.4}\tinynotesize\Ibbu3jk1\qh3j\tqh3k}\relax - &\soupir\enotes -\NOtes - \zq J\upz c\tqb0c|\tqh1g\relax - &\tqb2l&\ds\enotes -\notes\ds|\ds&\ds&\Ibbl0lm2\zcharnote n{\it tr}\qbp0l\sk\tbbbl0\tqb0m\enotes -% -\barre %95 - %\check -\notes\dble\zhu N\cl J\raise -\Interligne\ds\cl G\raise -\Interligne\ds - |\ibbu0e0\qh0c\zq c\qh0e\zq e\qh0g\zq e\tqh0c\zq e\ibbu0e0\qh0g\zq -c\qh0e\zq d\qh0f\zq b\tqh0d\relax - & \dble\dble\sk\pause - &\Ibbl0nl1\qb0n\tqb0l\dble\isluru0j\ql j\sk\tslur0k\cl k\enotes -% -\barre %96 - %\check -\Notes\zhl J\Ibu1LN2\qh1N\sk\tqh1{_b}\relax - |\qs\Ibbu2dg2\zq b\qh2{^d}\zq c\qh2e\relax - &\relax - &\Ibl3kl3\qb3{^k}\sk\nbbl3\qb3l\enotes - %\check -\Notes\sk|\zq e\tqh2g\relax - &\relax - &\multnoteskip{0.6}\raise2\Interligne\hs\tbbbl3\tqb3l\enotes - %\check -\Notes\Ibu0MK2\qh0a\sk\tqh0M\relax - |\Ibbu0gc3\roff{\tbbu0}\zq f\qh0h\zq{=d}\qh0f\sk\tbbu0\zq{=b}\tqh0d\relax - &\pause - &\zcharnote o{\it tr}\multnoteskip{0.5}\ibbbl0n0\qb0{mlm}\tqb0n\relax - \zcharnote q{\it tr}\ibbbl0p0\qb0{ono}\tqb0p\enotes -% -\barre %97 - %\check -\notes\ibl1J0\zcu L\qb1J\relax - |\zq c\ibu2f0\qh2g\relax - &&\Ibbl3on2\qbp3q\sk\tbbbl3\tqb3n\enotes -\notes\zqb1M\Ibbu4MN3\qhp4M\sk\sk\tbbbu4\tqh4a\relax - |\nbbbu2\qh2{gfe}\tqh2d\relax - &\sk\pause - &\Ibbbl3pm3\isluru4p\qb3{pon}\tqb3m\enotes - %\check -\NOtes\qb1N\zq G\tqb1N\relax - |\cu c\zq{df}\cu i\relax - &\relax - &\Ibl0lk1\qb0l\tslur4k\tqb0k\enotes - %\check -% -\barre %98 -\NOTes\zqp J\qlp N\multnoteskip{0.7}\sk\ds|\isluru0i\zq d\zq f\qu i\tslur0j\multnoteskip{0.7}\zq c\zq e\cu j\ds - &\pause&\isluru0k\ql k\tslur0j\multnoteskip{0.7}\cl j\ds\enotes -% -\ifx\orgue\undefined - \ifx\flute\undefined - \ifx\oboe\undefined - \linegoal24\relax - \else\linegoal19\fi - \else\linegoal20\fi % flute -\else\linegoal20\fi % orgue -\finmorceau - -\rightline{\sl \today} -\eject - - -\bye diff --git a/musixtex/doc/examples/kv315f.tex b/musixtex/doc/examples/kv315f.tex deleted file mode 100644 index 5ea4c9b..0000000 --- a/musixtex/doc/examples/kv315f.tex +++ /dev/null @@ -1,2 +0,0 @@ -\def\flute{xxx} -\input kv315.tex diff --git a/musixtex/doc/examples/kv315h.tex b/musixtex/doc/examples/kv315h.tex deleted file mode 100644 index a502fc3..0000000 --- a/musixtex/doc/examples/kv315h.tex +++ /dev/null @@ -1,2 +0,0 @@ -\def\oboe{xxx} -\input kv315.tex diff --git a/musixtex/doc/examples/kv315o.tex b/musixtex/doc/examples/kv315o.tex deleted file mode 100644 index 4f71bd5..0000000 --- a/musixtex/doc/examples/kv315o.tex +++ /dev/null @@ -1,2 +0,0 @@ -\def\orgue{xxx} -\input kv315.tex diff --git a/musixtex/doc/examples/kv315org.tex b/musixtex/doc/examples/kv315org.tex deleted file mode 100644 index ab58cef..0000000 --- a/musixtex/doc/examples/kv315org.tex +++ /dev/null @@ -1,813 +0,0 @@ -\ifx\mxversion\undefined - \input musixtex - \input musixcpt - \input musixsty -\fi -\title{Andante KV 315}\subtitle{pour fl\^ute et orchestre} -\author{W. A. Mozart\\transcription pour orgue solo \`a 3 claviers\\(disposition -baroque avec G.O. entre R\'ecit et Positif)\\D. Taupin, 2001} -\shortauthor{W. A. Mozart / D. Taupin} - \othermention{R\'ecit : fl\^utes 8', 4', nazard {\it ad lib.} -\\G.O. : principaux 8', 4' -\\Positif : fonds 8', 4', 2' {\it ad lib.}, acc. G.O. -\\P\'edale : bourdon 16', tirasse positif -\csname HomeReg\endcsname} -\maketitle - -\parindent 2cm -\generalsignature{0} -\instrumentnumber{3} -\setname1{P\'edale 16'} -\setname2{Orgue} -\setname3{R\'ecit} -\setstaffs22 -\setclef1{6000} -\setclef2{6000} -\setclef3{0000} -\generalmeter{\meterfrac 24} -\def\dble{\multnoteskip 2} - -\def\FourStaff{\relax - \gdef\Nextstaff{\nextstaff}\relax - \setclef2{6000}\relax - \setstaffs22\relax} - -\def\ThreeStaff{\relax - \gdef\Nextstaff{\relax}\setstaffs21\relax - \setclef2{0000}\relax -} - - \FourStaff - -\systemnumbers -\def\freqbarno{9999} - - -\debutmorceau -\zbarre -\NOTes\qu J\qu G&\zmidtwotext{\llap{\bf G.O.}}\ql N\ql N|\zq c\zq e\qu j\zq d\zq f\qu i&\multnoteskip{0.7}\sk\pause\enotes -% -\barre %2 -\NOtes - \ibu0K0\lpz J\qh0J\lpz G\qh0G&\Ibl1Na2\upz c\zq c\qb1N\upz b\zq N\qb1b\relax - |\Ibl2fh2\upz j\zq e\qb2j\Pince n\multnoteskip{0.6}\zq g\qb2k\relax - {\multnoteskip{0.4}\tinynotesize\Ibbu3jk1\qh3j\tqh3k}\relax - &\soupir\enotes -\NOtes - \lpz J\tqh0J&\upz c\tqb1c\relax - |\zq g\tqb2l&\ds\enotes -\notes\ds&\zmidtwotext{\bf Pos.}\ds|\ds&\Ibbl0lm2\qbp0l\turn n\sk\tbbbl0\tqb0m\enotes -% -\barre %3 -\def\atnextline{\ThreeStaff}% -\notes\dble\cl J\ds\cl G\ds - &\Nextstaff\ibbu0e0\zcl N\qh0c\zq c\qh0e\zq e\qh0g\zq -e\tqh0c\zq e\ibbu0e0\qh0g\zq c\qh0e\zq d\qh0f\zq b\tqh0d\relax - &\Ibbl0nl1\qb0n\tqb0l\dble\isluru0j\ql j\sk\tslur0k\cl k\enotes -% -\barre %4 -\notes\dble\cu J\ds\cu C\ds\relax - &\Nextstaff\qs\ibbu0d0\zq b\qh0{^d}\zq c\qh0e\zq b\tqh0d\relax - \Ibbu0df3\zq c\qh0e\zq c\qh0e\zq {=d}\qh0f\zq e\tqh0g\relax - &\Ibl0kl2\qb0{^k}\sk\tqb0l\sk\qs\Ibbl0ln2\qb0{lm}\tqb0n\enotes -% -\barre %5 -\notes\dble\cu J\ds\cu J\ds - &\Nextstaff\qs\ibbu0g0\zq f\qh0h\zq c\qh0f\zq f\tqh0h\Ibbu0ig3\zq h\qh0j\zq -h\qh0j\sk\zq g\qh0i\zq f\tqh0h\relax - &\ibbl0o0\qb0o\tbbl0\qb0m\itenu0q\tqb0q\sk - \ibbl0o0\tten0\qbp0q\relax - {\multnoteskip{0.66}\sk\nbbbl0\qb0r\tqb0q}\relax - \Ibbl0po1\qb0p\tqb0o\enotes -% -\barre %6 -\notes\dble\cu J\ds\cu J\ds - &\Nextstaff\qs\Ibbu0fd2\zq f\qh0h\zq e\qh0g\zq{^d}\tqh0{^f}\relax - \ibbu0i0\zq e\qh0g\zq g\qh0j\zq c\qh0e\zq e\tqh0g\relax - &\dble\Ibl0on1\Pince q\qb0o\tqb0n\ds - \multnoteskip{0.33}\ibbl0n0\qbp0n\uppersh m\turn r\sk\tbbbl0\tqb0n\enotes -% -\barre %7 -\notes\dble \cu H\ds\qu{_H}\ds\relax - &\Nextstaff\qs\Ibbu0fj2\zq c\qh0f\zq f\qh0h\zq h\tqh0j\ds\Ibbu0fj2\zq c\qh0f\zq -f\qh0{_h}\zq h\tqh0j\relax - &\Ibbl0qo1\qb0q\tqb0o\dble\ql m\sk\cl m\enotes -% -\barre %8 -\Notes\cu G\relax - &\Nextstaff\qs\Ibbu0di2\zq b\qh0d\relax - &\multnoteskip{0.5}\Ibbbl1nk3\qb1{nml}\tqb1k\enotes -\notes\ds&\Nextstaff\zq d\qh0f\zq f\tqh0i\relax - &\ql k\sk\enotes -\notes\dble\cu J\sk\relax - &\Nextstaff\qs\ibbu0i0\zq f\qh0i\zq e\qh0j\zq e\tqh0g\relax - &\sk\sk\multnoteskip{0.7}\Ibbl0lj2\qbp0l\sk\tbbbl0\tqb0j\enotes -% -\barre %9 -\notes\dble\cu F\ds\cu G\ds - &\Nextstaff\dble\zql d\qup f\sk\Ibu0ad0\qh0N\zq{d}\tqh0b\relax - &\ibbl0i0\isluru0i\qb0i\tslur0h\qb0h\isluru0m\qb0m\tslur0k\tqb0k\relax - \ibbl0j0\isluru0j\qb0j\tslur0i\qb0i\isluru0n\qb0n\tslur0m\tqb0m\enotes -% -\barre %10 -\notes\dble\qu J\sk\Ibu0JI1\qh0J\tqh0I\relax - &\Nextstaff\zql N\ds\Ibbu0ef2\zq{^d}\qh0b\zq e\qh0c\zq -f\tqh0{=d}\Ibbu0eg3\zq{^f}\qh0{^d}\zq e\qh0{g}\zq{=d}\qh0h\zq i\tqh0g\relax - &\dble\Ibl0kl1\qb0{^k}\tqb0l\ds - \multnoteskip{0.4}\ibbl0n0\qbp0n\turn o\sk\tbbbl0\tqb0n\enotes -% -\barre %11 -\notes\dble\qu H\sk\qu{_H}\relax - &\Nextstaff\zcu j\raise -4\Internote\qs\Ibbu0fj2\zq f\qh0c\zq f\qh0h\zq h\tqh0j\relax - \qs\Ibbu0fj2\zq c\qh0f\zq f\qh0{_h}\zq h\tqh0j\relax - &{\multnoteskip{0.667}\triolet q\Ibbl0qm2\qb0{qo}\tqb0m}\relax - \dble\ql m\sk\cl m\enotes -% -\barre %12 -\notes\dble\Ibu0GF1\lpz G\qh0G\tqh0F\ds - &\Nextstaff\dble\lpz d\zq d\zq g\Ibu0ig1\qh0i\zq b\zq g\tqh0d\ds - &\ibbl0k0\qb0m\tbbl0\qb0p\tqb0p\sk\ds\enotes -\notes\cl L&\Nextstaff\zq c\cu g&\Ibbbl0qo3\qb0{qp_p}\tqb0o\enotes -% -\barre %13 -\notes\ql M\relax - &\Nextstaff\dble\dble\Ibu0fh1\zq c\qh0f\zq d\tqh0h\relax - &\ibbbl0n0\qb0{^no=p}\tqb0o\Ibbbl0nk3\qb0{=nml}\tqb0k\enotes -\Notes\dble\ql N\relax - &\Nextstaff\ds\Ibbu0gd2\zq e\qh0g\zq c\qh0e\zq b\tqh0d\relax - &\ibbl0j0\roff{\tbbl0}\qh0{jl}\sk - \multnoteskip{0.6}\nbbbl0\qb0m\tqb0k\enotes -% -\barre %14 -\notes\dble\qu J\sk\ql{_L}\relax - &\Nextstaff\Ibbu0bg3\qh0M\zq c\qh0N\zq c\qh0e\zq e\tqh0g\relax - \qs\Ibbu0ej2\zq c\qh0{_e}\zq e\qh0g\zq g\tqh0j\relax - &\pince n\Ibbl0kj2\qb0k\tbbl0\qb0 j\tqb0j\sk\ds\sk - \multnoteskip{0.67}\Ibbl0jn2\qbp0j\sk\tbbbl0\tqb0n\enotes -% -\barre %15 -\notes\hl K\relax - &\Nextstaff\dble\raise 4\Internote\rlap{\ds}\ibl1h0\qb1h\zqu k\qb1{^f}\relax - &\Ibbl0nm2\qb0n\tbbl0\qb0{^m}\itenu3m\tqb0m\enotes -\notes&\Nextstaff\multnoteskip{0.75}\dble\dble\qb1g\zcu j\tqb1h\relax - &\multnoteskip{0.75}\tten3\ibbbl0m0\qb0{mln}\tqb0m\Ibbbl0ol3\qb0{onm}\tqb0l\enotes -% -\barre %16 -\notes\hl K\relax - &\Nextstaff\dble\zql{^f}\raise 2\Internote\ds\Ibu0ji1\zq h\qh0j\raise -6\Internote\rlap{\ds}\relax - \zq g\tqh0i\zq g\cu i\relax - &\uppersh o\pince n\Ibbl0lk2\qb0l\tbbl0\qb0k\itenu3k\tqb0k\sk - \tten3\ibbl0k0\qb0k\tqb0p\multnoteskip{0.8}\Ibbbl0ol2\qb0{on^m}\tqb0l\enotes -% -\def\atnextline{\FourStaff}% -\barre %17 -\notes\hl K\relax - &\Nextstaff\dble\zql e\raise 2\Internote\ds\raise --6\Internote\rlap{\ds}\Ibu0ih1\roff{\zq h\itenu0h}\qb0g\zq -{^f}\tten0\itenu0h\tqh0h\zq d\tten0\itenl0d\zq h\cu {^f}\relax - &\ibbl3k0\qb3k\tbbl3\qb3j\itenu3q\tqb3q\sk - \tten3\Ibbl0qj2\qb0{qo^m}\tqb0j\enotes -% -\barre %18 -\notes\dble\ql N\sk\soupir - &\Nextstaff\tten0\zq d\zq i\qu g\sk\sk\sk\ds\ibbu0f0\qh0d\zcl b\qh0g\tqh0{=f}\relax - &\Ibbl0ip3\qb0{ikn}\tqb0p\itenu4r\ql r\enotes -% -\barre %19 -\notes\hl L\relax - &\Nextstaff\rlap{\ibbu0j0\roff{\tbbu0}\qh0g\qh0l\sk\qh0k\sk\qh0j\sk\tbbu0\tqh0i}\relax - \dble\Ibl0eg3\qb0{e^gh}\tqb0{=g}\relax - &\tten4\Ibbl0rn7\roff{\tbbl0}\qb0r\qb0q\sk\qb0p\sk\qb0o\sk\tbbl0\tqb0n\enotes -% -\barre %20 -\NOtes\dble\qup K\sk\multnoteskip{0.5}\sk\ds - &\Nextstaff \dble\ibu0h0\zq{^f}\qh0h\zq f\tqh0h\multnoteskip{0.5}\zq f\cu h\ds - &{\multnoteskip{0.5}\Ibbbl0nk3\qb0{n^ml}\tqb0k\Ibbbl0jk3\qb0{^jkl}\tqb0k}\relax - \cl k\ds\enotes -% -\barre %21 -\Notes\cu G\ds\cu D\ds - &\uptext{\rlap{\bf G.O.}}\relax - \cl N\ds\cl K\ds|\zq b\zq g\cu d\ds\zq h\zq c\rq d\cu{^f}\ds - &\sk\sk\pause\enotes -% -\barre %22 -\Notes\Ibu0GI2\lpz G\qh0G\lpz H\qh0H\relax - &\Ibl3Nb3\upz N\qb3N\upz a\qb3a\relax - |\Ibu1ik2\lpz d\zq i\zq d\qh1g\lpz d\zq j\zq d\qh1{^f}\relax - &\soupir\enotes -\notes\lpz I\tqh0I\sk\ds - &\upz b\tqb3b\sk\ds - |\lpz d\zq d\zq k\tqh1g\sk\ds - &\qs\Ibbl2kp2\qb2{kn}\tqb2p\enotes -% -\def\atnextline{\ThreeStaff}% -\barre %23 -\NOtes\ql a\ql N\relax - &\Nextstaff\lsh m\zq k\itenu2k\zhl k\islurd0j\lq j\isluru1m\ql{m}\tten2\zq k\tslur0i\zq i\tslur1n\ql n\relax - &\itenu5r\hl r\enotes -% -\barre %24 -\NOtes\upz M\Ibl0Ma2\qb0{^M}\upz N\qb0N\upz a\tqb0a\relax - &\Nextstaff\upz o\lq j\zq k\Ibl0jk2\qb0o\Pince r\relax - \rlap{\multnoteskip{0.25}\sk\sk\tinynotesize\Ibbu1op1\qh1o\tqh1p}\relax - \zq k\qb0p\zq{^m}\tqb0q\relax - &\tten5\itenu5r\ql r\sk - \tten5\multnoteskip{0.6}\ibbl0r0\qb0r\relax - \nbbbl0\multnoteskip{0.6}\qb0s\tqb0r\enotes -\notes\ds&\Nextstaff\ds&\multnoteskip{0.72}\Ibbbl0ro3\qb0{rqp}\tqb0o\enotes -% -\barre %25 -\Notes\ql N\relax - &\Nextstaff\zmidtwotext{\bf Pos.}\qs\ibbu1i0\zq b\qh1g\relax - &\multnoteskip{0.5}\ibbbl0n0\qb0{nop}\tqb0o\enotes -\notes\dble\sk\ql b\relax - &\Nextstaff\zq i\qh1k\zq g\tqh1i\ibbu0g0\zq d\qh0g\zq d\qh0g\zq d\qh0g\zq d\tqh0g\relax - &\dble\isluru0n\ql n\sk\tslur0m\cl{^m}\enotes -% -\barre %26 -\Notes\ql c\relax - &\Nextstaff\qs\ibbu1g0\zq e\qh1g\relax - &\multnoteskip{0.5}\ibbbl0l0\qb0{l^mn}\tqb0m\enotes -\notes\dble\sk\ql N\relax - &\Nextstaff\qh1e\zq g\tqh1e\ibbu0i0\zq j\qh0g\zq j\qh0g\zq i\qh0g\zq i\tqh0g\relax - &\dble\isluru0l\ql l\sk\tslur0k\cl{k}\enotes -% -\barre %27 -\notes\ql a\relax - &\Nextstaff\ds\ibbu0g0\zq e\qh0g\zq e\qh0g\zq e\tqh0g\relax - &\ibl0j0\xTrille n{3\noteskip}\qbp0j\sk\sk\nbbbl0\multnoteskip{0.7}\qb0i\tqb0j\enotes -\notes\ql K\relax - &\Nextstaff\ibbu0h0\zq{^f}\qh0h\zq f\qh0h\zq f\qh0h\zq f\tqh0h\relax - &\Ibl0kj2\isluru0k\qb0k\sk\tslur0j\tqb0j\enotes -% -\barre %28 -\NOtes\ds\Ibl1LJ3\qb1L\relax - &\Nextstaff\ds\zql b\zq g\ibu2g0\qu2g\relax - &\Ibu3hi1\islurd3h\qh3{^h}\tslur3i\tqh3i\enotes -\notes\dble\dble\qb1K\tqb1J\relax - &\Nextstaff\dble\dble\qh2{^f}\zcl e\tqh2g\relax - &\hs\Ibbbu0gi2\qh0{g=h}\tqh0i\Ibbbl0jm3\qb0{jkl}\tqb0{^m}\enotes -% -\barre %29 -\Notes\cu I\relax - &\Nextstaff\zqup g\raise -6\Internote\qs\ibbl1f0\zq b\qb1d\relax - &\multnoteskip{0.5}\ibbbl0n0\qb0{nop}\tqb0o\enotes -\notes\dble\ds\cu I\ds - &\Nextstaff\zq d\qb1b\zq d\tqb1b\Ibbl0ef3\zq b\qb0d\zq b\qb0d\zcu -{^g}\qb0g\zq d\tqb0f\relax - &\itenu0n\cl n\sk\tten0\ibbl0o0\qb0{nrq}\tqb0p\enotes -% -\def\atnextline{\FourStaff}% -\barre %30 -\notes\ibu1J0\qh1J\sk\qh1J\relax - &\Nextstaff\Ibbu0ih2\zq d\zq i\qh0f\zq c\zq h\tbbu0\qh0e\zq {hc}\tqh0e\relax - &\Ibbl0no1\qb0{^n}\tqb0o\qs\ccl s\enotes -\Notes\dble\qh1J\tqh1J\relax - &\Nextstaff\dble\Ibu0jl1\zq {je}\qh0h\zq {lh}\tqh0j\relax - &\multnoteskip{0.5}\qs\sk\Ibbbl0rq1\qb0r\tqb0q\qs\sk\Ibbbl0po1\qb0p\tqb0o\enotes -% -\barre %31 -\Notes\ql K\relax - &\Nextstaff\qs\Ibbu1ik2\zq g\qh1i\relax - &\multnoteskip{0.71}\ibbl3n0\qbp3p\sk\tbbbl3\tbbl3\qb3n\enotes -\Notes\dble\sk\ql K\relax - &\Nextstaff\zq k\qh1i\zq k\tqh1i\Ibbu0ki3\zq k\qh0i\lsh h\zq{^j}\zq e\qh0h\zq{=j}\lna -h\zq{^f}\qh0h\zq i\tqh0g\relax - &\itenu1r\tqb3r\sk\tten1\Ibbl0rp3\qb0{r^q=q}\tqb0p\enotes -% -\barre %32 -\Notes\ql K\relax - &\midtwotext{\bf G.O.}|\zqu h\itenu2h\raise -4\Internote\qs\ibbl0g0\qh0{gg}\tqb0g\relax - &\zhl o\xTrille q{8\noteskip}\enotes -\notes\dble\zcl K\sk\sk\ds - &\Nextstaff\zcl {^f}\tten2\Ibbbu0hi3\qh0{hij}\tqh0i\Ibbbu0jm3\qh0{jkl}\tqh0{^m}\relax - &\sk\sk\sk\sk\sk\sk\sk\multnoteskip{0.7}\tinynotesize\Ibbbu0lm1\qh0n\tqh0o\enotes -% -\barre %33 -\notes\qu G\relax - &\Nextstaff\Uptext{\bf m.g.}\Ibbbl0no3\qb0{nop}\tqb0o\relax - &\itenu3n\cl n\enotes - \nspace -\Notes\dble\sk\qu I\sk\relax - &\zcharnote f{\bf m.g.}\qs\ccl d\ibbl0N0\qb0{bNb}\tqb0N\relax - |\bracket m{22}\Uptext{\bf m.d.}\dble\isluru0n\ql n\sk\tslur0k\cl{^m}\relax - &\dble\tten3\cl n\ds\soupir\enotes -% -\barre %34 -\notes\qu J\relax - &\qs\sk\ibbl1M0\qh1N\relax - |\Ibbbl0lm3\qb0{l^mn}\tqb0m\relax - &\enotes -\Notes\dble\sk\Ibu0JK1\qh0J\tqh0K\relax - &\qb1c\tqb1N\Ibbl0aM3\qb0{cNb}\tqb0N\relax - |\dble\isluru0l\ql l\sk\tslur0k\cl k\relax - &\dble\sk\pause\enotes -% -\barre %35 -\notes\zqlp L\relax - &\Ibbbl0LM3\qb0{L=MN}\tqb0M\relax - |\Ibbbl0jk3\qb0{jkl}\tqb0k\relax - &\enotes -\Notes\dble\sk\sk\cl K\relax - &\ibbl0L0\qb0L\tqb0N\Ibbl0LK2\qb0{LN}\qb0K\tqb0N\relax - |\dble\isluru0j\ql j\sk\tslur0i\cl i\relax - &\dble\sk\pause\enotes -% -\barre %36 -\Notes\qu J\relax - &\Ibl0Lc3\qb0L\sk\nbbl0\qb0a\tqb0c\relax - |\rlap{\dble\ibl0g0\qb0e\tqb0e}\Ibbu0gl3\qh0{^ghj}\tqh0l\enotes -\notes\qu K\relax - &\ibl0d0\qb0d\sk\sk\tqb0d\relax - |\islurd0k\Ibbu0ki2\qhp0k\sk\tbbbu0\tqh0i\Ibbbu0kh3\qh0{kji}\tslur0h\tqh0h\relax - &\sk\pause\enotes -% -\barre %37 -\Notes\cu G\sk\ds - &\zq {Nb}\cl d\sk\ds|\cu g\sk\ds - &\qs\isluru0g\Ibbl0gk2\qb0{gi}\tqb0k\enotes -\notes\soupir&\soupir|\soupir - &\tslur0n\ibbbl0n0\qb0n\upz k\qb0k\upz l\qb0l\upz -m\tqb0{^m}\Ibbbl0nq3\upz n\qb0n\upz o\qb0o\upz p\qb0p\upz q\tqb0q\enotes -% -\barre %38 -\Notes\cu G\ds\cu D\ds\relax - &\Nextstaff\zq {_bd}\cu g\ds\zq{ac}\rq d\cu{^f}\sk - &\itenu0r\hl r\enotes -% -\barre %39 -\Notes\Ibl1GN2\upz G\qb1G\upz K\qb1K\relax - &\Nextstaff\Ibu2gi2\lpz b\zq{_bd}\qh2g\lpz d\zq{d^f}\qh2h\relax - &\tten0\itenu0r\ql r\enotes -\notes\upz N\tqb1N\sk\ds - &\Nextstaff\lpz d\zq{dg}\tqh2{_i}\sk\ds - &\tten0\ibbl0r0\qb0{rrr}\tqb0r\enotes -% -\barre %40 -\notes\hu H\relax - &\qs\Ibbu0Ma1\qh0{^Ma}\tqh0c\relax - &\dble\dble\isluru1s\ql{_s}\enotes -\notes - &\Nextstaff\Ibbu0ej3\qh0{_e^fh}\tqh0j\relax - &\tslur1m\ql{^m}\enotes -% -\barre %41 -\NOtes\lpz I\Ibu0IG2\qh0{_I}\lpz F\qh0{^F}\lpz G\tqh0G\ds - &\Nextstaff\lpz d\Ibu0ki2\zq{dg}\qh0k\lpz d\zq{dh}\qh0j\lpz d\zq{dg}\tqh0{_i}\ds - &\Ibl0no1\qb0n\turn q\upperfl r\qb0o\tqb0{_p}\ds - \enotes -% -\barre %42 -\notes\qu J&\zmidtwotext{\bf Pos.}|\ds&\multnoteskip{0.8}\ibbbl0o0\qb0{_poq}\tqb0o\enotes -\Notes\sk\qu K\relax - &\Nextstaff\Ibl0jh2\zq{_l}\qb0j\zq k\qb0{_i}\zq j\tqb0 h\relax - &\isluru0n\ql n\sk\tslur0m\cl{^m}\enotes -% -\barre %43 -\notes\dble\ql N\sk\ql{=M}\relax - &\Nextstaff\zhl d\Ibbu0ji3\zq{^f}\qh0j\zq g\qh0{_i}\zq g\qh0i\zq g\tqh0i\relax - \qs\ibbu0i0\zq g\qh0i\zq f\qh0h\zq g\tqh0i\relax - &\Ibbl0on2\qb0o\tbbl0\qb0n\tqb0n\sk\ds\sk\cl n\enotes -% -\barre %44 -\notes\dble\qu L\sk\qu K\relax - &\Nextstaff\zql{^c}\qs\ibbu0i0\zq g\qh0{_i}\zq{^f}\qh0h\zq g\tqh0i\relax - \zql d\qs\ibbu0i0\zq g\qh0i\zq f\qh0h\zq g\tqh0i\relax - &\itenu1n\ql n\sk\sk\sk\tten1\ibbl0n0\qb0n\qb0n\qb0{^m}\tqb0n\enotes -% -\barre %45 -\notes\dble\qu{^J}\sk\qu K\relax - &\Nextstaff\zql e\ibbu0h0\qh0{gh^g}\tqh0h\ibbu0h0\zq d\qh0{=f}\zq f\qh0h\zq -e\qh0{=g}\zq d\tqh0f\relax - &\Ibbl0po2\qb0{_p}\tbbl0\qb0o\itenu0o\tqb0o\sk - \tten0\Ibbl0oq3\qb0{or^q}\tqb0r\enotes -% -\barre %46 -\notes\qu E\relax - &\zmidtwotext{\bf G.O.}\qs\Ibbu0JN2\qh0{^JL}\tqh0N\relax - &\dble\dble\isluru1p\ql{_p}\enotes - \nspace -\notes\soupir - &\Nextstaff\Ibbu0bg3\qh0{_b^ce}\tqh0g\relax - &\tslur1j\ql{^j}\enotes -% -\barre %47 -\def\atnextline{\ThreeStaff}% -\NOtes\lpz F\Ibu0FK2\qh0F\lpz J\qh0{^J}\lpz K\tqh0K\ds - &\Nextstaff\lpz a\Ibu0hf2\zq{ad}\qh0h\lpz a\zq{ae}\qh0g\lpz a\zq{ad}\tqh0f\ds - &\Ibl0kl1\qb0k\turn n\qb0l\tqb0m\ds - \enotes -% -\barre %48 -\notes\ql N\relax - &\zmidtwotext{\bf Pos.}|\ds&\multnoteskip{0.8}\ibbbl0l0\qb0{mln}\tqb0l\enotes -\Notes\sk\ql a\relax - &\Nextstaff\Ibu0hf2\zq{_i}\qh0g\zq h\qh0f\zq g\tqh0 e\relax - &\isluru0k\ql k\sk\tslur0j\cl{^j}\enotes -% -\barre %49 -\notes\dble\qu K\sk\ql{=b}\relax - &\Nextstaff\ibbu0g0\zq{^c}\qh0h\zq d\qh0f\lpz d\zq d\qh0f\lpz d\zq d\tqh0f\zq d\qh0{^g}\relax - &\Ibbl0lk2\qb0l\tbbl0\qb0k\tqb0k\sk\qs\ibbl0m0\qb0{mm}\tqb0m\enotes -% -\barre %50 -\notes\dble\qu J\sk\ql{^N}\relax - &\Nextstaff\qs\ibbu0i0\zq e\qh0h\zq e\qh0h\zq e\tqh0h\zq e\qh0{=i}\relax - &\Ibbl0ml2\qb0m\tbbl0\qb0l\tqb0l\sk\qs\ibbl0k0\qb0{kk}\tqb0k\enotes -% -\barre %51 -\notes\dble\qu H\sk\qu F\relax - &\Nextstaff\zcl e\Ibbu0ih1\qh0i\tqh0h\zq c\dble\qu h\relax - &\ibbl0k0\qb0k\tbbl0\qb0j\itenu0o\tqb0o\sk - \multnoteskip{0.6}\Ibbl0om3\tten0\qb0o\sk\nbbbl0\qb0n\tqb0m\enotes -\notes&\Nextstaff\zq a\cu h&\Ibbl0lk1\qb0l\tqb0{^k}\enotes -% -\def\atnextline{\FourStaff}% -\barre %52 -\notes\dble\qu E\sk\cu L\ds - &\Nextstaff\Ibbu0hg3\zq c\qh0h\zq b\qh0{^g}\zq b\zq e\qh0g\zq b\zq e\tqh0g\dble\zq - {be}\cu g\ds - &\Ibbl0kl2\qb0{^k}\tbbl0\qb0l\tqb0l\sk\qs\ibbl0l0\qb0{ll}\tqb0l\enotes -% -\barre %53 -\notes\qs\ibbl0K0\qb0{KK}\tqb0K\relax - &\Nextstaff\qs\ibbu0i0\rq g\sh g\zq f\qh0i\rq g\zq f\qh0i\rq g\zq f\tqh0i\relax - &\Ibbl0nm2\qb0n\tbbl0\qb0m\tqb0m\enotes -\notes\multnoteskip{0.7}\cl K\sk\sk\sk\ds - &\Nextstaff\multnoteskip{0.7}\zq f\rq g\cu i\sk\sk\sk\ds - &\multnoteskip{0.7}\hs\ibbbl0l0\qb0{ml}\tqb0m\ibbbl0l0\qb0{nml}\tqb0m\enotes -% -\barre %54 -\notes\zql G\raise3\Internote\qs\ibbl0N0\qb0{NN}\tqb0N\relax - &\Nextstaff\zcharnote N{\bf G.O.}\relax - \qs\ibbu0i0\zq d\zq f\qh0i\zq d\zq f\qh0i\zq d\zq f\tqh0i\relax - &\Ibbl0qp2\qb0q\tbbl0\qb0p\tqb0p\enotes -\notes\multnoteskip{0.7}\cl N\sk\sk\sk\ds - &\Nextstaff\multnoteskip{0.7}\zq f\rq g\cu i\sk\sk\sk\ds - &\multnoteskip{0.7}\hs\ibbbl0o0\qb0{po}\tqb0p\ibbbl0o0\qb0{qpo}\tqb0p\enotes -% -\barre %55 -\NOTes\qu J\qu G\relax - &\sk\cl N|\zq c\zq j\qu e\zq d\zq g\qu i&\ql q\soupir\enotes -% -\barre %56 -\NOtes - \ibl0K0\upz J\qb0J\upz N\qb0 N\relax - &\ibl1b0\qb1{cb} - |\Ibl2fh2\zq {ce}\qb2j\zq g\Pince n\multnoteskip{0.6}\qb2k\relax - {\multnoteskip{0.4}\tinynotesize\Ibbu3jk1\qh3j\tqh3k}\relax - &\soupir\enotes -\NOtes - \upz J\tqb0J\relax - &\tqb1c|\zq g\tqb2l&\ds\enotes -\notes\ds&\zmidtwotext{\bf Pos.}\ds&\Ibbl0lm2\qbp0l\turn o\sk\tbbbl0\tqb0m\enotes -\def\atnextline{\ThreeStaff}% -% -\barre %57 -\notes\dble\cu J\ds\cu G\ds - &\Nextstaff\ibbu0e0\zq N\qh0c\zq c\qh0e\zq e\qh0g\zq e\tqh0c\zq e\ibbu0e0\qh0g\zq -c\qh0e\zq d\qh0f\zq b\tqh0d\relax - &\Ibbl0nl1\qb0n\tqb0l\dble\isluru0j\ql j\sk\tslur0k\cl k\enotes -% -\barre %58 -\notes\dble\cu J\ds\cu J\ds\relax - &\Nextstaff\qs\ibbu0d0\zq b\qh0{^d}\zq c\qh0e\zq b\tqh0d\relax - \Ibbu0df3\zq c\qh0e\zq c\qh0e\zq {=d}\qh0f\zq e\tqh0g\relax - &\Ibl0kl2\qb0{^k}\sk\tqb0l\sk\qs\Ibbl0ln2\qb0{lm}\tqb0n\enotes -% -\barre %59 -\notes\dble\cu J\ds\cu J\ds - &\Nextstaff\qs\ibbu0g0\zq f\qh0h\zq c\qh0f\zq f\tqh0h\Ibbu0ig3\zq h\qh0j\zq -h\qh0j\sk\zq g\qh0i\zq f\tqh0h\relax - &\ibbl0o0\qb0o\tbbl0\qb0m\itenu0q\tqb0q\sk - \ibbl0o0\tten0\qbp0q\relax - {\multnoteskip{0.66}\sk\nbbbl0\qb0r\tqb0q}\relax - \Ibbl0po1\qb0p\tqb0o\enotes -% -\barre %60 -\notes\dble\cu J\ds\cu J\ds - &\Nextstaff\qs\Ibbu0fd2\zq f\qh0h\zq e\qh0g\zq{^d}\tqh0{^f}\relax - \ibbu0i0\zq e\qh0g\zq g\qh0j\zq c\qh0e\zq e\tqh0g\relax - &\dble\Ibl0on1\Pince q\qb0o\tqb0n\ds - \multnoteskip{0.33}\ibbl0n0\qbp0n\turn p\sk\tbbbl0\tqb0n\enotes -% -\barre %61 -\notes\dble\qu H\sk\qu{_H}\relax - &\Nextstaff\qs\Ibbu0fj2\zq c\qh0f\zq f\qh0h\zq h\tqh0j\ds\Ibbu0fj2\zq c\qh0f\zq -f\qh0{_h}\zq h\tqh0j\relax - &\Ibbl0qo1\qb0q\tqb0o\dble\ql m\sk\cl m\enotes -% -\barre %62 -\Notes\qu G\relax - &\Nextstaff\qs\Ibbu2di2\zq b\qh2d\relax - &\multnoteskip{0.5}\Ibbbl3nk3\qb3{nml}\tqb3k\enotes -\notes&\Nextstaff\zq d\qh2f\zq f\tqh2i\relax - &\ql k\sk\enotes -\notes\dble\Ibu0GJ1\qh0G\tqh0J\relax - &\Nextstaff\qs\ibbu0i0\zq f\qh0i\zq e\qh0j\zq e\tqh0g\relax - &\sk\sk\multnoteskip{0.7}\Ibbl0lj2\qbp0l\sk\tbbbl0\tqb0j\enotes -% -\barre %63 -\notes\dble\qu F\sk\qu G\relax - &\Nextstaff\dble\zq d\qup f\sk\Ibu0bd1\qh0N\zq b\tqh0d\relax - &\ibbl0i0\isluru0i\qb0i\tslur0h\qb0h\isluru0m\qb0m\tslur0k\tqb0k\relax - \ibbl0j0\isluru0j\qb0j\tslur0i\qb0i\isluru0n\qb0n\tslur0m\tqb0m\enotes -% -\barre %64 -\notes\dble\qu J\sk\Ibu0JI1\qh0J\tqh0I\relax - &\Nextstaff\zcl N\qs\Ibbu0ef2\zq b\qh0{^d}\zq c\qh0e\zq{=d}\tqh0f\relax - \Ibbu0fi3\zq{^d}\qh0{^f}\zq e\qh0g\zq{=d}\qh0h\zq g\tqh0i\relax - &\dble\Ibl0kl1\qb0{^k}\tqb0l\ds - \turn p\multnoteskip{0.4}\ibbl0n0\qbp0n\sk\tqb0n\enotes -% -\barre %65 -\notes\dble\qu H\sk\qu{_H}\relax - &\Nextstaff\zcu j\raise -4\Internote\qs\Ibbu0fj2\zq f\qh0c\zq f\qh0h\zq h\tqh0j\relax - \qs\Ibbu0fj2\zq c\qh0f\zq f\qh0{_h}\zq h\tqh0j\relax - &{\multnoteskip{0.667}\triolet q\Ibbl0qm2\qb0{qo}\tqb0m}\relax - \dble\ql m\sk\cl m\enotes -% -\barre %66 -\notes\dble\Ibu0HM1\lpz G\qb0G\lpz M\tqh0M\ds - &\Nextstaff\dble\lpz d\zq d\Ibu0ig1\zq i\qh0g\lpz b\zq g\zq b\tqh0d\ds - &\ibbl0k0\qb0m\tbbl0\qb0p\tqb0p\sk\ds\enotes -\notes\cl L&\Nextstaff\zq c\cu g&\Ibbbl0qo3\qb0{qp_p}\tqb0o\enotes -% -\barre %67 -\notes\ql M\relax - &\Nextstaff\dble\dble\Ibu0fh1\zq f\qh0c\zq h\tqh0d\relax - &\ibbbl0n0\qb0{^no=p}\tqb0o\Ibbbl0nk3\qb0{=nml}\tqb0k\enotes -\Notes\dble\ql N\relax - &\Nextstaff\ds\Ibbu0gd2\zq e\qh0g\zq c\qh0e\zq b\tqh0d\relax - &\ibbl0j0\roff{\tbbl0}\qh0{jl}\sk - \multnoteskip{0.6}\nbbbl0\qb0m\tqb0k\enotes -% -\barre %68 -\notes\dble\qu J\sk\dble\ql N\relax - &\Nextstaff\Ibbu0bg3\qh0M\zq c\qh0N\zq c\qh0e\zq e\tqh0g\qs - \Ibbu0ej2\zq c\qh0{e}\zq e\qh0g\zq g\tqh0j\relax - &\pince n\Ibbl0kj2\qb0k\tbbl0\qb0 j\tqb0j\sk\ds\sk - \multnoteskip{0.67}\Ibbl0jj2\qbp0j\sk\tbbbl0\tqb0j\enotes -% -\barre %69 -\Notes\qu J\relax - &\Nextstaff\qs\Ibbu0fj2\zq c\qh0{^f}\zq f\qh0h\zq h\tqh0j\relax - &\Ibbl0jn2\qb0{^j}\tbbl0\qb0k\itenu0r\tqb0r\enotes -\notes\qu{_I}\relax - &\Nextstaff\dble\qs\Ibbu0gk2\zq d\qh0g\zq g\qh0{_i}\zq i\tqh0k\relax - &\tten0\isluru0r\Ibbbl0ro3\qb0{r=q_p}\tqb0o\Ibbbl0nk3\qb0{nml}\tslur0k\tqb0k\enotes -% -\barre %70 -\def\atnextline{\FourStaff}% -\Notes\qu J\relax - &\Nextstaff\qs\Ibbu0gk2\zq d\qh0g\zq g\qh0{_i}\zq i\tqh0k\relax - &\pince m\ibbl0j0\qb0k\tbbl0\qb0j\itenu0q\tqb0q\enotes -\notes\qu H\relax - &\Nextstaff\dble\qs\Ibbu0fj2\zq c\qh0{=f}\zq f\qh0h\zq h\tqh0j\relax - &\tten0\isluru0q\Ibbbl0qn3\qb0{q_po}\tqb0n\Ibbbl0mj3\qb0{mlk}\tslur0j\tqb0j\enotes -% -\barre %71 -\Notes\qu J\relax - &\Nextstaff\qs\Ibbu0fj2\zq N\qh0d\zq d\qh0f\zq f\tqh0h\relax - &\pince m\ibbl0i0\qb0j\tbbl0\qb0{_i}\itenu0p\tqb0{_p}\enotes -\Notes\qu J\relax - &\Nextstaff\ibbu0g0\zq e\qh0{g_ih}\tqh0g\relax - &\tten0\ibbl0p0\qb0{prq}\tqb0p\enotes -% -\barre %72 -\notes\dble\ibl0N0\qb0M\qb0N\qb0a\tqb0N\relax - &\Nextstaff\dble\ibu0g0\zq c\qh0f\zq c\qh0e\zq c\qh0f\zq c\tqh0g\relax - &\Ibbl0nl7\roff{\tbbl0}\qb0{^no}\sk\qb0{=n}\sk\qb0m\sk\tbbl0\tqb0l\enotes -% -\barre %73 -\notes\dble\dble\ibl0M0\qb0{MMM}\tqb0M\relax - &\Nextstaff\zhlp a\dble\dble\ibu0h0\qh0{hhh}\zcl f\tqh0h\relax - &\isluru0k\Ibbbl0jk3\qb0{^jkl}\tqb0k\Ibbbl0lm3\qb0{lmn}\tslur0m\tqb0m\relax - \isluru0n\Ibbbl0no3\qb0{^nop}\tqb0o\Ibbbl0nk3\qb0{=nml}\tslur0k\tqb0k\enotes -% -\barre %74 -\notes\dble\ql N\sk\relax - &\Nextstaff\ibl0e0\zqu g\itenu0g\qbp0e\sk\multnoteskip{0.7}\sk\nbbbl0\qb0f\tqb0e\relax - &\ibl0j0\qbp0j\sk\multnoteskip{0.7}\sk\nbbbl0\qb0k\tqb0j\enotes -\Notes\cu G\ds - &\Nextstaff\tten0\zcl d\cu g\ds - &\cl i\ds\enotes -% -\barre %75 -\NOtes\cu J\ds\cl N\ds\relax - &\zmidtwotext{\bf G.O.}\cl c\ds\cl b\ds\relax - |\zq g\zq e\cu j\ds\zq d\zq g\zq i\cu k\ds - &\sk\sk\pause\enotes -% -\barre %76 -\def\atnextline{\ThreeStaff}% -\Notes\lpz J\Ibu1JL1\qh1J\lpz K\qh1K\relax - &\Ibl2ce2\upz c\qb2c\upz d\qb2d\relax - |\upz l\Ibl3gi2\zq j\zq g\qb3l\upz m\zq g\zq i\qb3m\relax - &\soupir\enotes -\notes\lpz L\tqh1L\sk\ds - &\upz e\tqb2e\sk\ds - |\upz n\zq g\zq j\tqb3n\sk\ds - &\qs\Ibbl0gl2\qb0{gj}\tqb0l\enotes -% -\barre %77 -\NOtes\ql M\ql L\relax - &\Nextstaff\zq i\zq d\qu g\zq e\zq j\qu g\relax - &\itenu3n\hl n\enotes -% -\barre %78 -\NOtes\Ibu1IK2\lpz I\qh1I\lpz J\qh1J\relax - &\Nextstaff\Ibl3fh2\zq i\zq g\qb3k\Pince n\multnoteskip{0.33}\zq j\zq g\qb3l\sk\tinynotesize\Ibbu0kl1\qh0k\tqh0l\relax - &\tten3\itenu3n\ql n\enotes -\notes\lpz K\tqh1K\sk\ds - &\Nextstaff\Uptext{\hbox to 4\noteskip{\hss\bf R\'ec./G.O.}}\zq g\zq i\tqb3m\sk\ds - &\tten3\Ibbl0np3\qb0{n^no}\tqb0p\enotes -% -\barre %79 -\Notes\qu J\relax - &\zmidtwotext{\bf Pos.}\Nextstaff\qs\Ibbl1ij2\zq e\qb1j\relax - &\multnoteskip{0.5}\ibbbl0q0\qb0{qrs}\tqb0r\enotes -\notes\dble\sk\qu L\relax - &\Nextstaff\zq l\qb1n\zq j\tqb1l\ibbu0i0\zq j\qh0g\zq j\qh0g\zq j\qh0g\zq j\tqh0g\relax - &\dble\isluru0q\ql q\sk\tslur0p\cl p\enotes -% -\barre %80 -\Notes\ql M\relax - &\Nextstaff\qs\Ibbl1hg0\zq h\qb1j\relax - &\multnoteskip{0.5}\ibbbl0o0\qb0{opq}\tqb0p\enotes -\notes\dble\sk\qu J\relax - &\Nextstaff\zq m\qb1j\zq j\tqb1h\ibbu0h0\zq f\qh0h\zq f\qh0h\zq e\qh0g\zq e\tqh0g\relax - &\dble\isluru0o\ql o\sk\tslur0n\cl n\enotes -% -\barre %81 -\notes\qu K\relax - &\Nextstaff\qs\ibbu0i0\zq j\qh0h\zq j\qh0h\zq j\tqh0h\relax - &\ibl0m0\xTrille o{3\noteskip}\qbp0m\sk\sk\nbbbl0\multnoteskip{0.7}\qb0l\tqb0m\enotes -\notes\qu G\relax - &\Nextstaff\ibbu0h0\zq g\qh0i\zq g\qh0i\zq g\qh0i\zq g\tqh0i\relax - &\Ibl0nm2\isluru0n\qb0n\sk\tslur0m\tqb0m\enotes -% -\barre %82 -\NOtes\ds\Ibu1HF3\qh1H\relax - &\Nextstaff\ds\zql e\ibu2i0\qh2j\relax - &\Ibl3kl1\isluru3k\qh3{^k}\tslur3l\tqb3l\enotes -\notes\dble\dble\qh1G\tqh1F\relax - &\Nextstaff\dble\dble\rq j\qh2i\zcl f\zq h\tqh2j\relax - &\hs\Ibbbl0jl2\qh0{j=k}\tqb0l\Ibbbl0mp3\qb0{mno}\tqb0p\enotes -% -\barre %83 -\Notes\cu E\relax - &\Nextstaff\zqu j\raise -6\Internote\qs\ibbl1f0\zq e\qb1g\relax - &\multnoteskip{0.5}\ibbbl0q0\qb0{qrs}\tqb0r\enotes -\notes\dble\ds\cu J\ds - &\Nextstaff\raise 3\Internote\rlap{\ds}\zq e\qb1g\zq e\tqb1g\ibbl0f0\zq e\qb0g\zq -g\qb0{_i}\zcu j\zq f\qb0h\zq e\tqb0{^g}\relax - &\itenu0q\cl q\sk\tten0\Ibbl0qn3\qb0{q_po}\tqb0{^n}\enotes -% -\def\atnextline{\FourStaff}% -\barre %84 -\notes\ibu1M0\qh1M\relax - &\Nextstaff\ibu3j0\zq {fh}\qh3j\relax - &\Ibbl0no1\qb0{^n}\tqb0o\enotes -\Notes\dble\qh1M\qh1M\tqh1M\relax - &\Nextstaff\dble\zq j\qh3h\zq h\qh3f\zq k\tqh3h\relax - &\multnoteskip{0.5}\qs\sk\Ibbbl0rq1\qb0r\tqb0q\relax - \qs\sk\Ibbbl0po1\qb0{=p}\tqb0o\relax - \qs\sk\Ibbbl0nm1\qb0{=n}\tqb0m\enotes -% -\barre %85 -\notes\dble\ql N\sk\ql N\relax - &\Nextstaff\qs\ibbu0f0\zq c\qh0e\zq e\qh0g\zq e\tqh0e\relax - \Ibbu0ge3\zq e\qh0g\zq{a^d}\qh0{^f}\zq{b=d}\qh0{=f}\zq c\tqh0e\relax - &\Ibbl0ln2\qb0l\tbbl0\qb0n\itenu0n\tqb0n\sk\tten0\Ibbl0nl3\qb0{n^m=m}\tqb0l\enotes -% -\barre %86 -\Notes\cl G\sk\ds\relax % \roff{\zq N\itenl1N}\itenl0M\qu M\sk\raise -4\Internote\ds - &\Nextstaff\uptext{G.O.}\itenu2d\zq f\zqu d\raise -8\Internote\ds\ibbl0e0\qb0{cc}\tqb0c\relax - &\zhl k\xTrille q{8\noteskip}\enotes -\notes\dble\zcl G\raise 2\Internote\qs\ibbu0L0\qh0M\zqh0M\raise -4\Internote\ds\tqh0M\relax - &\Nextstaff\tten2\Ibbbu0df3\zcl b\qh0{def}\tqh0e\Ibbbu0fi3\qh0{fgh}\tqh0i\relax - &\dble\sk\sk\sk\multnoteskip{0.3}\tinynotesize\Ibbu0jk1\qh0j\tqh0k\enotes - \setclefs2{6000}\zchangeclefs -% -\barre %87 -\qspace -\Notes\qu C\relax - &\uptext{\bf m.g.}\ibbl1N0\qb1L\qb1N\relax - |\zcharnote b{\bf m.d.}\bracket h{22}\multnoteskip{0.5}\ibbbu0j0\qb0{jkl}\tqh0k\relax - &\ql j\enotes -\notes\dble\sk\qu E\relax - &\qh1c\tqb1N\ibbl1N0\qb1{LNc}\tqb1N\relax - |\dble\isluru0p\qu j\sk\tslur0p\cl p\relax - &\dble\sk\soupir\enotes -% -\barre %88 -\Notes\qu F\relax - &\ibbl1N0\qb1M\qb1a\relax - |\multnoteskip{0.5}\advance\transpose7\ibbbl0h0\qh0{hij}\tqb0i\relax - &\enotes -\notes\dble\sk\qu{^J}\relax - &\qh1c\tqb1N\ibbl1L0\qb1{^JLa}\tqb1L\relax - |\dble\advance\transpose 7\isluru0h\ql h\sk\tslur0g\cl g\relax - &\dble\sk\pause\enotes -% -\barre %89 -\Notes\qu K\relax - &\ibbu1a0\qh1K\qh1a\relax - |\multnoteskip{0.5}\advance\transpose7\ibbbl0h0\qh0{fgh}\tqb0g\relax - &\enotes -\notes\dble\sk\Ibu0IJ1\qh0I\tqh0J\relax - &\qh1d\tqh1{_a}\ibbu1N0\qh1{NdN}\tqh1c\relax - |\dble\advance\transpose 7\isluru0f\ql f\sk\tslur0e\cl e\relax - &\dble\sk\pause\enotes -% -\barre %90 -\Notes\qup F\relax - &\multnoteskip{0.5}\ibbbu0M0\qh0{MNa}\tqh0N\relax - |\multnoteskip{0.5}\advance\transpose7\ibbbl0g0\qh0{def}\tqb0e\relax - &\enotes -\notes\dble\sk\sk\cu{^F}\relax - &\ibbl0N0\qb0M\tqb0c\ibbl0N0\qb0{Mc^M}\tqb0c\relax - |\dble\zq h\isluru0k\ql k\sk\zq h\tslur0l\cl{_l}\relax - &\sk\sk\pause\enotes -% -\barre %91 -\notes\dble\ibu0G0\qh0{G_HG}\tqh0{^F}\relax - &\ibbu0N0\qh0{Nc_a}\tqh0c\ibbu0N0\qh0{Nc^M}\tqh0c\relax - |\dble\ibl0k0\zq j\upz l\qb0{=l}\zq j\upz m\qh0m\zq j\upz l\qh0l\lsh k\lq j\upz k\tqb0{k}\relax - &\dble\dble\sk\pause\enotes -% -\barre %92 -\notes\dble\pointdurgue F\qu G\sk\soupir - &\dble\pointdorgue b\qu N\sk\soupir - |\dble\pointdorgue o\zq{gj}\qu{=l}\sk\soupir - &\Ibl0lj3\pointdorgue o\qbp0n\Uptext{\it cadenza ad lib.}\sk\sk\tbbl0\tqb0j\xTrille n{3\noteskip}\ibl0j0\qbp0k\sk\sk\multnoteskip{0.7}\nbbbl0\qb0j\tqb0k\enotes -% -\barre %93 -\NOtes\qu J\qu G\relax - &\zmidtwotext{G.O.}\ql N\ql N|\zq e\zq j\qu c\zq f\zq i\qu d\relax - &\uptext{\vbox{\hbox{R\'ecit}\hbox{non acc.}}}\ql j\soupir\enotes -% -\barre %94 -\NOtes - \ibl0K0\upz J\qb0J\upz N\qb0N\relax - &\Ibu1Lc2\lpz J\qh1J\lpz N\qh1N\relax - |\Ibu2jl2\zq{ce}\qb2j\Pince n\multnoteskip{0.6}\zq g\qb2k\relax - {\multnoteskip{0.4}\tinynotesize\Ibbu3jk1\qh3j\tqh3k}\relax - &\soupir\enotes -\NOtes - \upz J\tqb0J\relax - &\tqh1c\relax - |\zq g\tqh2l&\ds\enotes -\notes\ds&\ds&\Ibbl0lm2\qbp0l\turn o\sk\tbbbl0\tqb0m\enotes -% -\def\atnextline{\ThreeStaff}% -\barre %95 - %\check -\notes\dble\cu J\ds\cu G\ds - &\Nextstaff\zhl N\ibbu0e0\qh0c\zq c\qh0e\zq e\qh0g\zq e\tqh0c\zq e\ibbu0e0\qh0g\zq -c\qh0e\zq d\qh0f\zq b\tqh0d\relax - &\Ibbl0nl1\qb0n\tqb0l\dble\isluru0j\ql j\sk\tslur0k\cl k\enotes -% -\barre %96 - %\check -\Notes\hu J\relax - &\Nextstaff\qs\Ibbu2dg2\zq b\qh2{^d}\zq c\qh2e\relax - &\Ibl3kl3\qb3{^k}\sk\nbbl3\qb3l\enotes - %\check -\Notes\sk - &\Nextstaff\zq e\tqh2g\relax - &\multnoteskip{0.6}\raise2\Interligne\hs\tbbbl3\tqb3l\enotes - %\check -\Notes\Ibl0aM2\qb0a\sk\tqb0M\relax - &\Nextstaff\Ibbu0gc3\roff{\tbbu0}\zq f\qh0h\zq{=d}\qh0f\sk\tbbu0\zq{=b}\tqh0d\relax - &\pince o\multnoteskip{0.5}\ibbbl0n0\qb0{mlm}\tqb0n\relax - \pince q\ibbbl0p0\qb0{ono}\tqb0p\enotes -% -\barre %97 - %\check -\notes\Ibl1LI{10}\qb1L\relax - &\Nextstaff\zq c\ibu2f0\qh2g\relax - &\Ibbl3on2\qbp3q\sk\tbbbl3\tqb3n\enotes -\notes\qb1M\relax - &\Nextstaff\nbbbu2\qh2{gfe}\tqh2d\relax - &\Ibbbl3pm3\isluru4p\qb3{pon}\tqb3m\enotes - %\check -\NOtes\qb1N\tqb1G\relax - &\Nextstaff\cu c\zq{df}\cu i\relax - &\Ibl0lk1\qb0l\tslur4k\tqb0k\enotes - %\check -% -\barre %98 -\NOTes\qu J\multnoteskip{0.7}\cu C\ds - &\Nextstaff\isluru0i\zq d\zq f\qu i\tslur0j\multnoteskip{0.7}\zq c\zq e\cu j\ds - &\Pince n\isluru0k\ql k\tslur0j\multnoteskip{0.7}\cl j\ds\enotes -% -\linegoal20 -\finmorceau - -\rightline{\today} -\eject - -\bye diff --git a/musixtex/doc/examples/marcello.tex b/musixtex/doc/examples/marcello.tex deleted file mode 100644 index 45dfe70..0000000 --- a/musixtex/doc/examples/marcello.tex +++ /dev/null @@ -1,319 +0,0 @@ -\ifx\mxversion\undefined - \input musixtex - \input musixcpt - \input musixsty -\fi -\title{Adagio (B. Marcello)} -\csname titremorceautoc\endcsname -\title{Adagio} -\fulltitle{Adagio} -\subtitle{(extrait du Concerto pour Hautbois)} -\othermention{R\'ecit: cornet ou cromorne\\G.O. - bourdon 8'\\P\'ed.: bourdon 16'+tirasse G.O.} -\author{Benedetto MARCELLO\\Transcription Daniel TAUPIN} -\shortauthor{B. Marcello, D. Taupin} -\maketitle -% -\parindent 13mm -% -\tracingstats=2\relax -% -\def\nbinstruments{3} -\def\interfacteur{9} -\global\cleftoksi={{6}{0}{0}{0}}% -\global\cleftoksii={{0}{0}{0}{0}}% -\global\cleftoksiii={{0}{0}{0}{0}}% -\nbporteesi=1\relax% -\nbporteesii=1\relax% -\nbporteesiii=1\relax% -\signaturegenerale{-3}\relax -%\check -\def\instrumenti{P\'ed}% -\def\instrumentii{G.O.}% -\def\instrumentiii{R\'ecit}% -%\check -\def\gluemaxskip{7pt}% -% -\def\doubler{\multiply\noteskip by 2\relax}% -% formes frequentes -\def\Pause{\sk\sk\qsk\pause}% -% -%\check -% -\generalmeter{\meterfrac 34}% -% -\debutmorceau -\linesinpage=0\relax -\autolines{19}35\relax -%\check -% -\hyphenpenalty -50\relax -\notes&&\zcharnote{w}{\kern -20mm\moyen Adagio -\bf(\metron{\cu}{84})}\enotes -% -%\check -% -% mesure 1 -\NOTes\Pause&\ibl0j0\qb0{jjjjj}\tqb0j&\Pause\enotes -\advance\linesinpage by 1 -% mesure 2 -\barre\NOTes\Pause -&\ibl0j0\lq j\qb0k\lq j\qb0k\lq j\qb0k\lq j\qb0k\lq j\qb0k\lq j\tqb0k&\Pause\enotes -% mesure 3 -\def\motif{\zq i\qh0k}% -\barre\NOTes\hup G&\rlap{\pt g\lh f\hlp g}\bigna i\ibu0k0\motif -\motif\motif\motif\motif\tbu0\motif&\Pause\enotes -% mesure 4 -\def\motif{\zq j\qh0 l}% -\barre\NOTes\Ibu2CJ1\qh2C\itenl0J\tqh2J\relax -&\ibu0l0\itenl1e\rlap{\zhp g\hlp e}\motif\motif\relax -&\Ibl1jl1\qb1j\tqb1l\enotes -\NOTes\tten0\hu J&\motif\motif&\Ibl1ln1\qb1l\tqb1n\enotes -\NOTes&\motif&\ibl1n0\qb1n\enotes -\NOtes&\tbu0\motif&\nbbl1\qb1o\tqb1n\enotes -% mesure 5 -\def\motif{\zq h\qh0j}% -\barre\NOTes\qsk\hup F&\qsk\tten1\zql e\relax -\ibu0j0\motif\motif&\qsk\mordant q\zhl o\enotes -\NOTes&\zql d\motif\motif\enotes -\NOTes&\zql c\motif\tbu0\motif&\soupir\enotes -% mesure 6 -\def\motif{\zq h\qh0k}% -\barre\temps\NOTes\hup I&\zhl f\ibu0k0\motif\motif&\Ibl1ik1\qb1i\tqb1k\enotes -\NOTes&\motif&\Ibl1kl2\qb1k\enotes -\NOtes&\motif&\nbbl1\qb1m\tqb1l\enotes -\NOtes&\itenl1d\zql d\motif\sk\tbu0\motif&\Ibbl1mn3\qb1{mno}\tqb1n\enotes -% mesure 7 -\def\motif{\zq g\qh0i}% -\barre\autolines{20}35\relax -\NOTes\qsk\hup E&\qsk\tten1\zql d\ibu0i0\motif -\motif&\qsk\mordant p\zhl n\enotes -\NOTes&\zql c\motif\motif\enotes -\NOTes&\zql b\motif\tbu0\motif&\soupir\enotes -% mesure 8 -\def\motif{\zq h\qh0j}% -\barre\NOtes\hup H&\ibu0j0\zhl e\motif\sk\motif -&\Ibbl1hi3\qb1{hij}\tqb1i\enotes -\NOtes&\motif\sk\motif -&\Ibbl1jk3\qb1{jkl}\tqb1k\enotes -\NOtes&\itenl1c\zql c\motif\sk\tbu0\motif -&\Ibbl1lm3\qb1{lmn}\tqb1m\enotes -% mesure 9 -\def\motif{\zq f\qh0h}% -\barre\NOTes\qsk\hup K&\qsk\tten1\zql c\ibu0h0\motif -\tbu0\motif&\qsk\mordant o\zhl m\enotes -\def\motif{\zq f\qh0i}% -\temps\NOTes&\zql b\ibu0i0\motif\motif\enotes -\NOTes&\zql a\motif\tbu0\motif&\soupir\enotes -% mesure 10 -\def\motif{\zq i\qh0k}% -\barre\autolines{28}25\relax -\Notes\Ibu2NG4\qh2N\sk\sk\sk\itenl0G\tqh2G&\bigna i\zhlp f\relax -\ibu0k0\motif\sk\sk\sk\motif&\Ibbbu1gk7\qh1{g^fgh=ihi}\tqh1j\enotes -\Notes\tten0\hu G&\motif\sk\sk\sk\motif&\Ibbbl1jj7\qb1{kijkn=ml}\tqb1k\enotes -\NOtes&\motif\sk\tbu0\motif&\Ibbl1kl3\qb1{klm}\tqb1l\enotes -% mesure 11 -%\check -\def\motif{\zq g\qh0 j}% -\barre\notes\Ibu2CJ5\qh2C&\zhlp e\ibu0j0\motif -&\ibbbbl1l0\qb1{lkl}\tbbbbl1\tbbbl1\tbbl1\qb1m\enotes -\NOtes&&\tbl1\qbp1l\enotes -\NOTes\itenl0J\tqh2J&\motif&\enotes -\NOtes\tten0\itenl0J\hu J&\motif\sk\motif&\qsoupir\Ibbl1ln2\qb1{lo}\tqb1n\enotes -\NOtes&\motif\sk\tbu0\motif&\Ibbl1ol3\qb1{omm}\tqb1l\enotes -% mesure 12 -%\check -\barre -\NOTes\tten0\qu J&\ibu0h0\zhl d\zq f\qh0h\zq f\tqh0h\relax -&\mordant q\ql k\sk\enotes -\NOtes\itenl2I\hu I&\ibu0i0\zq g\qh0i\sk\zq g\tqh0i&\qsoupir -\Ibbl1km2\qb1{kn}\tqb1m\enotes -\NOtes&\ibu0j0\zq g\qh0j\sk&\ibbl1k0\qb1n\qbp1l\enotes -\Notes&\zq g\tqh0j&\sk\nbbbl1\qb1{kj}\tqb1k\enotes -% mesure 13 -\barre -\notes\tten2\qu I&\zhl c\ibu0g0\zq e\qh0g&\ibbbbl1j0\qb1{j=ij}\relax -\tbbbbl1\tbbbl1\tbbl1\qb1k\enotes -\NOtes&&\tbl1\qbp1j\enotes -\NOTes&\zq e\tqh0g&\enotes -\temps\Notes\hu H&\ibu0h0\zq f\qh0h\sk\sk\sk\zq f\tqh0h\relax -&\qsoupir\sk\ibbbl1j0\qb1j\tbbl1\qb1l\nbbbl1\qb1{kjk}\tqb1l\enotes -\temps\Notes&\zql d\ibu0h0\zq f\qh0h\sk\sk\sk\zq f\tqh0h&\ibbbl1k0\qb1{mnlmkl}\relax -\triolet M\qb1{jk}\tqb1j\enotes -% mesure 14 -%\check -\def\motif{\zq g\qh0 i}% -\barre\autolines{21}35\relax -\NOTes\hup G&\rlap{\qsk\hlp d}\bigna b\ibu0i0\qh0b\rq -f\rlap{\qsk\itenl0f}\bigna i\motif -&\bigna i\hl i\enotes -\NOTes&\rlap{\qsk\tten0\hl f}\motif\motif\motif\tbu0\motif&\sk\sk\soupir\enotes -% mesure 15 -\barre\NOTes\hup J&\bigna e\zhlp c\Ibu0jg1\zq e\qh0j\tqh0g\relax -&\ibl1l0\bigna l\qb1l\qb1n\enotes -\NOTes&\ibu0g0\zq e\qh0g\zq e\tqh0g&\qb1n\tqb1l\enotes -\temps\NOtes&\ibu0j0\zq e\qh0j\sk\zq e\tqh0j&\fl i\ibbl1i0\qb1{inl}\tqb1i\enotes -% mesure 16 -\barre\NOTes\hlp M&\zql c\ibu0j0\zq g\qh0j&\ibu1k0\itenl1i\qh1i\enotes -\Notes&\zq g\tqh0j&\tten1\nbbbu1\qh1{ihj}\tqh1i\enotes -\temps\NOTes&\ibu0j0\zhl f\zq h\qh0j\zq h\relax -\qh0j\zq h\qh0j\zq h\tqh0j&\qu h\sk\soupir\enotes -% mesure 17 -\def\motif{\zq h\qh0 k}% -\barre\autolines{24}35\relax -\NOtes\hup K&\lsh f\zhlp f\na h\ibu0k0\motif\sk\motif -&\ibbl1m0\sh m\qb1{m=om}\tqb1n\enotes -\Notes&\motif\sk\sk\sk\motif\sk\sk\sk&\Ibbbl1oh7\qb1{onm=lkji}\tqb1{=h}\enotes -\Notes&\motif\sk\sk\sk\sk\tbu0\motif\sk\sk\sk -&\Ibbbu1dl9\qh1{d=e^fghij}\qhp1k\qsk\tbbbbu1\tqh1j\enotes -% mesure 18 -\barre -\NOTes\hup G&\zql d\zq g\ibu0k0\qh0k\zq g\tqh0k&\Ibl1ji1\qb1j\tqb1i\enotes -\temps\NOTes&\itenl0e\zhl e\zq g\ibu0i0\qh0i\zq g\qh0i\zq g\qh0i\zq g\tqh0i\relax -&\Ibl1lk1\bigfl l\qb1l\tqb1k\mordant n\itenu1l\ql l\enotes -% mesure 19 -\barre\NOTes\hl M&\tten0\zql e\zq{_h}\ibu0j0\qh0j\relax -&\tten1\ibl1l0\qb1l\enotes -\NOtes&\zq h\tqh0j&\nbbl1\qb1m\tqb1l\enotes -\temps\NOTes&\zhl d\zq f\ibu0h0\qh0h&\ibl1k0\qb1k\enotes -\NOtes&\zq f\qh0h&\nbbl1\qb1l\tqb1j\enotes -\NOTes\qu F&\zq f\qh0h\zq f\tqh0h&\itenu1k\mordant m\ql k\enotes -% mesure 20 -\barre\autolines{28}35\relax -\NOtes\hu E&\zql d\ibu0i0\zq g\qh0i\sk\zq g\tqh0 i\relax -&\tten1\ibbl1k0\qb1{knl}\tqb1k\enotes -\temps\NOtes&\zhl c\ibu0g0\zq e\qh0g\sk\zq e\qh0g&\ibbl1i0\qb1{jih}\tqb1i\enotes -\NOTes\ql L&\zq e\qh0g\zq e\tqh0g&\upperna j\mordant o\itenu1j\ql j\enotes -% mesure 21 -\barre -\NOtes\hup K&\zhl b\zq f\ibu0h0\qh0h\sk\zq f\tqh0h\relax -&\ibbl1j0\tten1\qb1j\qb1{_i}\qb1k\enotes -\Notes&&\nbbbl1\qb1m\tqb1l\enotes -\temps\Notes&\zq d\ibu0f0\qh0f\sk\sk\sk\zq d\qh0f\relax -&\ibbbl1i0\qb1{kjihijk}\tqb1l\enotes -\NOtes&\zql a\zq d\qh0f\sk\zq d\tqh0f&\Ibbl1mi3\qb1{mk}\relax -\pince l\qb1j\enotes -\NOtes&&\itenu0i\tqb1i\enotes -% mesure 22 -\barre\Notes\hup J&\zql N\ibu0g0\zq e\qh0g\sk\sk\sk\zq e\tqh0g\relax -&\tten0\ibbbl1i0\qb1{ijj}\tqb1i\Ibbbu1ig3\qh1{ihh}\tqh1g\enotes -\temps\Notes&\ibu0j0\zql e\zq g\qh0j\sk\sk\sk\zq g\tqh0j\relax -&\ibbbu1g0\qh1{ghh}\tqh1g\Ibbbu1ge3\qh1{gff}\tqh1e\enotes -\temps\NOtes&\zql e\rq f\ibu0h0\qh0h\sk\zq f\tqh0h\relax -&\ibbu1k0\qh1{flk}\tqh1j\enotes -% mesure 23 -\barre\autolines{21}35\relax -\Notes\hu I&\doubler -\zhl d\zq f\ibu0h0\qh0h\zq f\qh0h\zq f\qh0h\zq f\tqh0h\relax -&\itenu1k\ql k\sk\sk\sk\tten1\Ibl1ki3\qbp1k\sk\sk\tbbl1\tqb1i\enotes -\NOTes\qu J&\zql c\zq e\ibu0g0\qh0g\zq e\tqh0g&\itenu1l\ql l\enotes -% mesure 24 -\barre -\NOTes\qu{H}&\zqu j\ibl0e0\zq e\qb0h&\tten1\ibl1i0\itenu1l\qb1l\enotes -\Notes&\zq e\tqb0 h&\tten1\nbbbl1\qb1{ljk}\tqb1l\enotes -\temps\NOTes\hu I&\zhu i\ibl0d0\zq d\qb0f\zq d\qb0f\zq d\qb0f\zq e\tqb0g\relax -&\qlp m\sk\sk\cl l\enotes -% mesure 25 -\barre\NOTes\hlp M&\zhlp f\ibu0k0\qh0h\zq h\qh0{_k}&\bigfl k\qlp k\enotes -\NOtes&\zq h\qh0k\sk\zq h\qh0k\sk\zq h\qh0k\sk\zq h\tqh0k\sk -&\sk\sk\ibbl1m0\qb1{mnonm}\tqb1l\enotes -% mesure 26 -\barre\autolines{23}35\relax -\NOTes\hlp N&\zhlp e\ibu0i0\zq g\qh0i\zq g\qh0i&\itenu1k\ql{_k}\enotes -\NOtes&\zq i\qh0g\sk\zq i\qh0g\sk\zq i\qh0g\sk\zq i\tqh0g\sk -&\tten1\Ibbl1ko3\qb1{kln}\tqb1{o}\Ibbl1pk3\qb1{pnl}\tqb1k\enotes -% mesure 27 -\barre -\NOTes\hl a&\zhl e\zq h\ibu0j0\qh0j\relax -&\bigfl k\ibl1j0\itenu1k\qb1k\enotes -\Notes&\zq h\qh0j&\tten1\nbbbl1\qb1{kjl}\tqb1k\enotes -\NOtes&\zq h\qh0j\sk\zq h\tqh0j&\Ibbl1jn3\qb1{jlm}\tqb1n\enotes -\temps\NOtes\qu H&\zql f\ibu0j0\zq h\qh0j\sk\zq h\tqh0j\relax -&\Ibbl1ol3\qb1{onm}\tqb1l\enotes -% mesure 28 -\barre\NOTes\hu G&\rlap{\qsk\zhl f}\ibu0i0\bigna i\zq g\qh0i\zq g\qh0i\relax -&\itenu1m\ql m\enotes -\NOtes&\zq g\qh0i\sk\zq g\tqh0i&\tten1\ibbl1h0\qb1{mgh}\tqb1{=i}\enotes -\temps\NOtes\qu{H}&\itenl0f\zql f\zq h\itenu2h\itenu1j\qu j\relax -&\Ibbl1jk3\qb1{j=kl}\tqb1k\enotes -% mesure 29 -\barre\autolines{23}35\relax -\NOtes\qu F&\tten2\tten1\tten0\zq f\zql h\Ibu0jk2\qh0j\sk\tqh0k\relax -&\ibbl1l0\qb1{lom}\tqb1k\enotes -\temps\NOTes\hu G&\zqlp d\na i\Ibu0ij3\zq g\qh0i\zq g\qh0i\zq g\qh0i\zq g\tqh0j\relax -&\qlp{=i}\sk\sk\cl j\enotes -% mesure 30 -%\check -\barre -\NOTes\hup{H}&\zhlp c\ibu0h0\zq f\qh0h\zq f\qh0h\zq f\qh0h\zq f\qh0h\relax -&\itenl1f\hu f\enotes -\NOtes&\zq f\qh0h\sk\zq f\tqh0h&\tten1\Ibbu1fe3\qh1{fcd}\tqh1e\enotes -% mesure 31 -%\check -\barre -\NOtes\hu G&\zhl d\bigna i\zq g\qh0i\sk\zq g\qh0i\sk -&\Ibbu1fe3\qh1{fed}\tqh1e\enotes -\NOtes&\zq g\qh0i\sk\zq g\tqh0i&\Ibbu1fg3\qh1{fgh}\tqh1g\enotes -\temps\Notes\ql L&\ibu0j0\zql c\zq g\qh0j\sk\sk\sk\zq g\tqh0j\relax -&\Ibbbu1gi7\qh1{gfefghi}\tqh1{=i}\enotes -% mesure 32 -%\check -\barre\autolines{21}35\relax -\NOtes\bigaccid\zql{a}&\zql c\ibu0h0\zq f\qh0h\sk\zq f\tqh0h\relax -&\Ibl1jk3\qbp1j\sk\sk\tbbl1\tqb1k\enotes -\temps\NOTes\hl N&\ibl0d0\rlap{\qup{=i}}\zq d\qb0f\zq d\qb0f\zq d\qb0f\zcu j\zq e\tqb0g\relax -&\qlp k\sk\sk\cl j\enotes -% mesure 33 -%\check -\def\motif{\zq h\qh0 j}% -\barre\NOTes\hu K&\bigaccid\lsh f\na h\zhl f\ibu0j0\motif\motif -\motif\tbu0\motif -&\bigsh m\itenu1m\hl m\enotes -\temps\NOTes\qu G&\zql d\bigna i\zq g\ibu0i0\qh0i\zq g\tqh0i\relax -&\tten1\Ibl1nk1\qb1n\tqb1k\enotes -% mesure 34 -%\check -\barre\NOTes\Ibl2JG5\qb2J&\zql e\zq g\ibu0j0\qh0j&\Ibl1lj2\qb1l\enotes -\NOtes\qb2L&\zq g\tqh0j&\nbbl1\qb1k\tqb1j\enotes -\NOTes\qb2{NMN}\tqb2G&\zh d\zhl g\na i\qup i\sk\sk\cu j&\zcharnote -n{\Trille{2\noteskip}}\na i\qlp i\sk\sk\cl j\enotes -% mesure 35 -%\check -\barre\autolines{17}35\relax -\NOTes\hup J&\Ibu0je1\zq e\zq g\qh0j&\hlp j\enotes -\NOTes&\itenl0N\zq N\zq c\tqh0e\enotes -\temps\NOTes&\tten0\zhl N\ibu0e0\zq c\qh0e\zq c\qh0e\zq c\qh0e\zq c\tqh0e\enotes -% mesure 36 -%\check -\barre\NOTes\hup G&\ibu0e0\zhlp N\zq c\qh0e\rq d\qh0c\rq d\qh0c\rq d\qh0c\zq -{_b}\qh0d\zq b\tqh0d&\sk\sk\qsk\pause\enotes -% mesure 37 -%\check -\barre\NOTes\hup J&\na e\zhlp N\ibu0e0\relax -\zq b\qh0 e\zq b\qh0 e\zq b\qh0 e\zq b\qh0 e\zq b\qh0 e\zq b\tqh0 e\relax -&\sk\sk\qsk\pause\enotes -% mesure 38 -%\check -\barre\autolines{16}45\relax -\NOTes\hlp M&\rlap{\qsk\zql b}\ibu0f0\zq c\qh0f\zq c\qh0f\enotes -\NOTes&\itenl1a\zql a\zq c\qh0 f\zq c\tqh0f&\sk\pause\enotes -\temps\NOTes&\tten1\zq {ac}\rq f\qu e\enotes -% mesure 39 -%\check -\barre\NOTes\hl N&\rlap{\qup f}\na b\ibl0b0\zq b\qb0d\zq b\qb0d\zq b\qb0d\relax -\Ibu1gc2\zq b\rlap{\tqb0d}\qh1g\relax -&\sk\sk\qsk\pause\enotes -\NOTes\ql a&\zq c\qh1e\rq d\tqh1c\enotes -% mesure 40 -%\check -\barre\NOTes\ql M&\zq a\zql c\Ibu1ef1\qh1e\tqh1f\enotes -\temps\NOTes\ibu2N0\qh2{NMN}\tqh2G&\na b\zh b\hu d&\qsk\pause\enotes -% mesure 41 -%\check -\cleftoksii={{6}{0}{0}{0}}\changeclefs\barre -\NOTES\hlp J&\zhp{LN}\hup c&\sk\pause\enotes -\finmorceau -\rightline{\sl\aujourdhui}\eject - - -\bye diff --git a/musixtex/doc/examples/marcon1.tex b/musixtex/doc/examples/marcon1.tex deleted file mode 100644 index 47102c7..0000000 --- a/musixtex/doc/examples/marcon1.tex +++ /dev/null @@ -1,729 +0,0 @@ -\ifx\mxversion\undefined - \input musixtex - \input musixcpt - \input musixsty -\fi - -% -\title{Concerto pour hautbois --- allegro} -\fulltitle{Concerto pour hautbois --- allegro} -\othermention{Transcription pour hautbois, fl\^{u}te et orgue\\{\bf - \ifFlute Partition fl\^{u}te\fi - \ifOboe Partition hautbois\fi - \ifOrgue Partition orgue\fi} -} -\shorttitle{Concerto pour hautbois --- allegro} -\author{Benedetto MARCELLO\\Transcription Daniel TAUPIN} -\shortauthor{B. Marcello, D. Taupin} -\maketitle -% -\parindent 13mm -\def\interfacteur{10} % was 9 -\def\OrgelManual{\ifOrgue - \global\cleftoksi={{6}{0}{0}{0}}% - \def\interinstrumentii{0pt}% - \def\interinstrumenti{0pt}% - \nbporteesi=2\relax% - \fi -} -\def\OrgelPedal{\ifOrgue - \global\cleftoksi={{6}{6}{0}{0}}% - \def\interinstrumentii{-\Interligne}% - \def\interinstrumenti{-\Interligne}% - \nbporteesi=3\relax% - \fi -} -\ifOrgue - \def\nbinstruments{3} - \global\cleftoksi={{6}{6}{0}{0}}% - \global\cleftoksii={{0}{0}{0}{0}}% - \global\cleftoksiii={{0}{0}{0}{0}}% - \nbporteesi=3\relax% - \nbporteesii=1\relax% - \nbporteesiii=1\relax% - \def\instrumenti{Orgue}% - \def\instrumentii{Fl\^{u}te}% - \def\instrumentiii{Hautbois}% - \def\staffspacingii{0.64}\def\staffspacingiii{0.64}% -\else - \def\nbinstruments{2} - \global\cleftoksi={{0}{0}{0}{0}}% - \global\cleftoksii={{0}{0}{0}{0}}% - \nbporteesi=1\relax% - \nbporteesii=1\relax% - \def\instrumenti{Fl\^{u}te}% - \def\instrumentii{Hautbois}% - \ifFlute\def\staffspacingi{1.0}\else\def\staffspacingi{0.64}\fi - \ifOboe\def\staffspacingii{1.0}\else\def\staffspacingii{0.64}\fi% - \def\everystaff{\vrule width 0pt depth 5mm\relax}% -\fi - -\ifOboe\def\interinstrumenti{2\Interligne}\fi -% -\signaturegenerale{-3}\relax -%\check -\def\doubler{\multiply\noteskip by 2\relax}% -% -% formes frequentes -% -\def\Pause{\sk\sk\sk\qsk\pause\sk\sk\sk}% -\def\PauseSoliste{\ifOrgue\Pause\else\sk\pause\sk\fi}% -\def\PauseSoliste{\Pause}% -% - \def\oct{\advance\transpose 7\relax}% -% -% -\def\clpz#1{\upz{#1}\cl{#1}} -\def\cupz#1{\lpz{#1}\cu{#1}} -\def\qlpz#1{\upz{#1}\ql{#1}} -\def\qupz#1{\lpz{#1}\qu{#1}} -% - \def\fourlll#1#2#3#4{\Ibbl0{#1}{#4}3% -\isluru0{#1}\qb0{#1}\tslur0{#2}\qb0{#2}\isluru0{#3}\qb0{#3}% -\tslur0{#4}\tqb0{#4}}% -% - \def\fourllu#1#2#3#4{\Ibbu0{#1}{#4}3% -\islurd0{#1}\qh0{#1}\tslur0{#2}\qh0{#2}\islurd0{#3}\qh0{#3}% -\tslur0{#4}\tqh0{#4}}% -% - \def\twobbu#1#2{\Ibbu0{#1}{#2}1\qh0{#1}\tqh0{#2}} - \def\twobbl#1#2{\Ibbl0{#1}{#2}1\qb0{#1}\tqb0{#2}} -% - \def\fourbu#1#2#3#4{\Ibu0{#1}{#4}3\qh0{#1#2#3}\tqh0{#4}} - \def\fourbl#1#2#3#4{\Ibl0{#1}{#4}3\qb0{#1#2#3}\tqb0{#4}} -% - \def\fourblu#1#2#3#4{\Ibu0{#1}{#4}3\islurd0{#1}\qh0{#1#2#3}\tslur0{#4}\tqh0{#4}} - \def\fourbll#1#2#3#4{\Ibl0{#1}{#4}3\isluru0{#1}\qb0{#1#2#3}\tslur0{#4}\tqb0{#4}} -% - \def\fourbbu#1#2#3#4{\Ibbu0{#1}{#4}3\qh0{#1#2#3}\tqh0{#4}} - \def\fourbbl#1#2#3#4{\Ibbl0{#1}{#4}3\qb0{#1#2#3}\tqb0{#4}} -% - \def\fourbblu#1#2#3#4{\Ibbu0{#1}{#4}3{\advance\transpose-1\islurd0{#1}}\qh0{#1#2#3}{\advance\transpose-1\tslur0{#4}}\tqh0{#4}} - \def\fourbbll#1#2#3#4{\Ibbl0{#1}{#4}3{\advance\transpose 1\isluru0{#1}}\qb0{#1#2#3}{\advance\transpose 1\tslur0{#4}}\tqb0{#4}} -% - \def\twobu#1#2{\Ibu0{#1}{#2}1\qh0{#1}\tqh0{#2}} - \def\twobl#1#2{\Ibl0{#1}{#2}1\qb0{#1}\tqb0{#2}} - \def\twolbu#1#2{\Ibu0{#1}{#2}1\islurd0{#1}\qh0{#1}\tslur0{#2}\tqh0{#2}} - \def\twolbl#1#2{\Ibl0{#1}{#2}1\isluru0{#1}\qb0{#1}\tslur0{#2}\tqb0{#2}} - -\catcodesmusic -\def\org#1|#2&{\ifOrgue \ifnum\nbporteesi=3#1|\fi #2&\relax\fi} -\def\GO{\znotes\org|\zmidtwotext{\llap{\bf I}}&\enotes} -\def\Pos{\znotes\org|\zmidtwotext{\llap{\bf II}}&\enotes} -% -%\check -% -\generalmeter{\meterC}% -\sepbarrules -% -\OrgelPedal -\debutmorceau -\GO -\notes\org|\relax - &\ifFlute\zcharnote N{\sl (orgue solo)}\fi - &\ifOboe\zcharnote N{\sl (orgue solo)}\fi\zcharnote{w}{\kern -20mm\moyen Allegro moderato \bf(\metron{\cu}{112})}\enotes -% -%\check -% mesure 1 -\Notes\org \Ibu0cL1\qh0c\tqh0J\ds\cu J\ibu0L0\qh0{KGN}\tqh0K\relax - |\Pause - |\oct\Ibu0cL1\qh0c\tqh0J\ds\cu J\ibu0L0\qh0{KGN}\tqh0K\relax - &\ifFlute\tinynotesize\oct\Ibu0cL1\qh0c\tqh0J\ds\cu J\ibu0L0\qh0{KGN}\tqh0K\relax - \else\PauseSoliste\fi - &\ifOboe \tinynotesize\oct\Ibu0cL1\qh0c\tqh0J\ds\cu J\ibu0L0\qh0{KGN}\tqh0K\relax - \else\PauseSoliste\fi - \enotes - %\check - \barre % mesure 2 -\Notes\org \Ibu0LJ1\qh0L\tqh0J\ds\cu a\ibu0L0\qh0{INH}\tqh0M\relax - |\Pause - |\oct\Ibu0LJ1\qh0L\tqh0J\ds\cu a\ibu0L0\qh0{INH}\tqh0M\relax - &\ifFlute\tinynotesize\oct\Ibu0LJ1\qh0L\tqh0J\ds\cu a\ibu0L0\qh0{INH}\tqh0M\relax - \else\PauseSoliste\fi - &\ifOboe \tinynotesize\oct\Ibu0LJ1\qh0L\tqh0J\ds\cu a\ibu0L0\qh0{INH}\tqh0M\relax - \else\PauseSoliste\fi - \enotes - %\check - \barre % mesure 3 -\notes\org \qu G\sk\qs\sk\sk\soupir\sk\sk\sk\hpause - |\relax \soupir\sk\qs\Ibbu0GI2\qh0{GH}\tqh0{=I}\Ibbu0JM3\qh0{JKL}\tqh0M\multnoteskip{1.44}\Ibu0NJ1\qh0N\tqh0G\relax - |\oct\qu G\sk\qs \Ibbu0GI2\qh0{GH}\tqh0{=I}\Ibbu0JM3\qh0{JKL}\tqh0M\multnoteskip{1.44}\Ibu0NJ1\qh0N\tqh0G\relax - &\ifFlute\tinynotesize\oct\qu G\sk\qs \Ibbu0GI2\qh0{GH}\tqh0{=I}\Ibbu0JM3\qh0{JKL}\tqh0M\multnoteskip{1.44}\Ibu0NJ1\qh0N\tqh0G\relax - \else\multnoteskip{1.8}\PauseSoliste\fi - &\ifOboe\tinynotesize\oct\qu G\sk\qs \Ibbu0GI2\qh0{GH}\tqh0{=I}\Ibbu0JM3\qh0{JKL}\tqh0M\multnoteskip{1.44}\Ibu0NJ1\qh0N\tqh0G\relax - \else\multnoteskip{1.8}\PauseSoliste\fi - \enotes - %\check - \barre % mesure 4 - \Pos -\notes\org \doubler\Pause - |\doubler\ibl0K0\qb0{JKL}\tqb0J\qu{=I}\sk\ds\cu G\relax - |\doubler\zq N\zq c\qu e\sk\zql N\Ibu0ce1\qh0c\tqh0e\zq N\qu d\sk\ds\zq d\rq g\cu f\relax - &\ifFlute\zcharnote N{\sl fl\^{u}te}\fi - \ibu0g0\qh0g\sk\nbbu0\qh0g\tqh0f\doubler\qu g\sk\qu g\sk\ds\cu{=i}\relax - &\ifOboe\zcharnote N{\sl hautbois}\fi - \uptext{\p}\cl j\sk\sk\sk\qs\Ibbl0jl2\qb0j\qb0k\tqb0l\Ibl0kg2\qb0 k\sk\tqb0g\ibbl0m0\qb0{nmn}\tqb0k\enotes - %\check - \barre % mesure 5 -\Notes\org\soupir\sk|\ql J\sk|\zq{ce}\qu g&\ql j\sk&\Ibl0lj1\qb0l\tqb0j\enotes -\GO -\Notes\org \ds\cu a\ibu0L0\qh0{INH}\tqh0M\relax - |\soupir\sk\sk\hpause - |\oct\ds\cu a\ibu0L0\qh0{INH}\tqh0M\relax - &\ifFlute\tinynotesize\oct\ds\cu a\ibu0L0\qh0{INH}\tqh0M\relax - \else\soupir\sk\sk\hpause\fi - &\ifOboe\tinynotesize\oct\ds\cu a\ibu0L0\qh0{INH}\tqh0M\relax - \else\soupir\sk\sk\hpause\fi - \enotes - %\check - \barre % mesure 6 - \ifOrgue\def\atnextline{\OrgelManual}\fi% -\notes\org \qu G\sk\qs\sk\sk\soupir\sk\sk\sk\hpause - |\relax \soupir\sk\qs\Ibbu0GI2\qh0{GH}\tqh0{=I}\Ibbu0JM3\qh0{JKL}\tqh0M\multnoteskip{1.44}\Ibu0NJ1\qh0N\tqh0G\relax - |\oct\qu G\sk\qs \Ibbu0GI2\qh0{GH}\tqh0{=I}\Ibbu0JM3\qh0{JKL}\tqh0M\multnoteskip{1.44}\Ibu0NJ1\qh0N\tqh0G\relax - &\ifFlute\tinynotesize\oct\qu G\sk\qs \Ibbu0GI2\qh0{GH}\tqh0{=I}\Ibbu0JM3\qh0{JKL}\tqh0M\multnoteskip{1.44}\Ibu0NJ1\qh0N\tqh0G\relax - \else\multnoteskip{1.8}\PauseSoliste\fi - &\ifOboe\tinynotesize\oct\qu G\sk\qs \Ibbu0GI2\qh0{GH}\tqh0{=I}\Ibbu0JM3\qh0{JKL}\tqh0M\multnoteskip{1.44}\Ibu0NJ1\qh0N\tqh0G\relax - \else\multnoteskip{1.8}\PauseSoliste\fi - \enotes - %\check - \barre % mesure 7 - \Pos -\notes\org \doubler\Pause - |\doubler\ibl0K0\qb0{JKL}\tqb0J\qu{=I}\sk\ds\cu G\relax - |\doubler\zq N\zq c\qu e\sk\zql N\Ibu0ce1\qh0c\tqh0e\zq N\qu d\sk\ds\zq d\rq g\cu f\relax - &\ibu0g0\qh0g\sk\nbbu0\qh0g\tqh0f\doubler\qu g\sk\qu g\sk\ds\cu{=i}\relax - &\uptext{\p}\cl j\sk\sk\sk\qs\Ibbl0jl2\qb0j\qb0k\tqb0l\Ibl0kg2\qb0 k\sk\tqb0g\ibbl0m0\qb0{nmn}\tqb0k\enotes - %\check - \barre % mesure 8 - \notes\org\doubler\Pause - |\doubler\ibl0L0\qb0{Jca}\tqb0M\ql b\sk\ds\cl N\relax - |\zq c\qu e\sk\sk\sk\zql c\ibu0f0\qh0e\sk\nbbu0\qh0h\tqh0g\zq d\qu f\sk\sk\sk\ds\sk\zcl d\Ibbu0gf1\qh0g\tqh0f\relax - &\ibu0j0\qh0j\sk\nbbu0\qh0j\tqh0{_i}\itenu0j\qu j\sk\sk\sk\tten0\Ibu0ji3\qh0j\sk\nbbu0\qh0j\tqh0i\itenu1i\qu i\relax - &\pince n\rlap{\Ibbl0lj2\multnoteskip{0.667}\qbp0l\sk\tbbbl0\qb0k\tqb0j}\sk\sk\sk\sk\qs\isluru0l\ibbl0l0\qb0{lm}\tslur0l\tqb0l\fourlll -lkkn\fourlll nknk\enotes - %\check - \barre % mesure 9 - \notes\org&\relax&\grcu l\enotes - \notes\org\doubler\Pause - |\doubler\ql a\sk\ds\cl M\Ibl0NK3\qb0{NNL}\tqb0J\relax - |\zq c\qu e\sk\sk\sk\ds\sk\zcl c\Ibbu0fe1\qh0f\tqh0e\doubler\Ibu0ec3\zq -c\qh0e\zq{=b}\qh0d\qh0c\zq N\tqh0c\relax - &\tten1\Ibu0ih3\qh0i\sk\nbbu0\qh0i\tqh0h\itenu0h\qu h\sk\sk\sk\tten0\Ibu0hg3\qh0h\sk\nbbu0\qh0h\tqh0g\Ibu0ge2\qh0g\sk\tqh0e\relax - &\fourlll kjjm\fourlll mjmj\pince m\Ibl0ji2\qb0j\sk\tqb0{=i}\sk\ds\sk\cu g\enotes - %\check - \barre % mesure 10 - \notes\org\doubler\Pause - |\doubler\ql M\sk\twobl LK\qu J\sk\twobu JI\relax - |{\doubler \Ibu0cd1\zq c\qh0a\zq d\tqh0{=b}\Ibu0ef1\zq c\qh0e\zq d\tqh0f\zq e\qu g\sk\rlap{\twobl d{=e}}}\fourllu hggh\relax - &\fourllu fggh\fourlll h{=i}ij\Ibbl0jg2\qb0j\tbbl0\qb0g\tqb0g\sk\doubler{\twobl jj}\relax - &\fourlll h{=i}ij\fourlll jkkl\fourlll ljjk\fourlll k{=l}lm\enotes - %\check - \barre % mesure 11 - \notes\org\doubler\Pause - |\doubler\ibu0K0\qh0{HaN}\tqh0{=I}\ibu0K0\qh0{JMN}\tqh0G\relax - |\rlap{\sk\sk\fourlll fggf}{\doubler\ibu0h0\zq f\qh0 h\qh0 j\qh0{=i}\rq -g\tqh0f\Ibu0gf1\zq e\qh0g\zq f\tqh0d}\Ibbu0fd2\zq d\qh0f\tbbu0\zq c\qh0e\zq{=b}\tqh0d\relax - &\fourlll jmml\Ibbu0lk2\qh0l\tbbu0\qh0k\tqh0k\sk\doubler\twobu jh\qu g\relax - &\mordent o{\doubler \isluru0m\qlp m\sk\sk\tslur0n\cl -n}\Ibl0lj3\qb0{_l}\sk\nbbl0\upz k\qb0k\upz j\tqb0j\Pince n\Ibl0ij3\isluru0i\qbp0{=i}\sk\sk\tbbl0\tslur0j\tqb0j\enotes - %\check - \barre % mesure 12 - \notes\org\doubler\Pause - |\doubler\ibu0J0\qh0{JKL}\tqh0J\qu M\sk\twobu LK\relax - |{\doubler\zq{Nc}\qu e\sk\Ibu0dg1\zq N\qh0c\zq e\tqh0g}\zql f\fourllu -h{=i}ij\rlap{\doubler\twobl gf}\fourllu jiij\relax - &\ibu0g0\qh0g\sk\nbbu0\qh0g\tqh0f{\doubler \twobu gj}\fourllu jkkl\fourllu lkkl\relax - &\doubler\ql j\sk\soupir\sk\hpause\enotes - %\check - \barre % mesure 13 - \notes\org\doubler\Pause - |\doubler\qu J\sk{\multnoteskip{1.2}\twobu JI}\twobu HH\twobu G{=I}\relax - |\rlap{\fourllu jjjk\multnoteskip{1.2}\fourllu k{=l}lm}{\doubler\twobl eg{\multnoteskip{1.2}\roff{\ibl0j0\qb0j}\tqb0j}\zql j\qu -m\sk}\ibu0g0\zq d\qh0g\sk\zq d\rq f\tqh0g\relax - &\fourlll lllm{\ifOrgue\multnoteskip{1.2}\fi\fourlll mnno\ql o}\sk\sk\sk\fourllu{=i}kgn\relax - &\doubler\Pause\enotes - %\check - \barre % musure 14 - \notes\org\doubler\Pause - |\doubler\ibu0L0\qh0{JMN}\tqh0G\qu J\sk\ql c\relax - |\Ibu1gh2\zq g\qh1e\sk\rlap{\twobbl fe}\tqh1h\sk{\doubler\zql d\twobu -gf}{\doubler\ibu0h0\zq c\qh0e\zq c\zq e\tqh0g}\ibu0g0\zq e\qh0g\sk\nbbu0\qb0e\tqh0g\relax - &\Ibl0lj3\qb0l\sk\nbbl0\qb0k\tqb0j\Ibl0ij3\qbp0{=i}\sk\sk\tbbl0\tqb0j\doubler\ibl0j0\qb0{jjj}\tqb0j\relax - &{\doubler\sk\hpause\sk\sk}\qs\ibbl0j0\qb0j\isluru0j\qb0j\tslur0l\tqb0l\fourlll - lnn{_i}\enotes - %\check - \barre % mesure 15 - \notes\org\doubler\Pause - |\doubler\qlpz M\sk\qlpz b\sk\qlpz L\sk\qlpz a\relax - |\zql c\ibu0h0\zq f\qh0h\sk\zq f\tqh0h\sk\ibu0f0\zq d\qh0f\sk\nbbu0\qh0d\tqh0f\relax - \roff{\zql d}\ibu0g0\zq e\qh0g\sk\zq e\tqh0g\sk\ibu0e0\zq c\qh0e\sk\nbbu0\qh0c\tqh0e\relax - &\doubler\ibu0j0\qh0{jj_i}\tqh0i\ibu0i0\qh0{iih}\tqh0h\relax - &\fourlll ihhk\fourlll kmmh\fourlll hggi\fourlll illg\enotes - \barre % mesure 16 - \notes\org\doubler\Pause - |\doubler\qlpz K\sk\qlpz N\sk\qlpz J\sk\qlpz M\relax - |\zql c\ibu0f0\qh0f\sk\tqh0f\sk\ibu0d0\zq b\qh0d\sk\nbbu0\qh0b\tqh0d\relax - \zql b\ibu0e0\qh0e\sk\tqh0e\sk\ibu0d0\zq a\qh0c\sk\nbbu0\qh0d\tqh0c\relax - &\doubler\ibu0h0\qh0{hhg}\tqh0g\ibu0g0\qh0{ggf}\tqh0f\relax - &\fourlll gffh\fourlll hkkf\fourlll feei\fourlll lnml\enotes - \barre % mesure 17 - \notes\org\doubler\Pause - |\doubler\Ibl0JL3\qb0{IbN}\tqb0L\ibl0a0\qb0{aNa}\tqb0N\relax - |\ibbu0d0\qh0{dfe}\tqh0d\ibbu0e0\qh0{egf}\tqh0e\ibbu0d0\qh0c\tbbu0\qh0e\tqh0b\sk\ibbu0d0\qh0c\tbbu0\qh0e\tqh0b\relax - &{\doubler\qu f\sk}\ibbu0g0\qh0{gih}\tqh0g\doubler\ibl0l0\qh0{ll}\ds\tqb0l\relax - &{\doubler\ql k\sk\ds\cl i}\fourlll jiij\fourlll jiij\enotes - %\check - \barre % mesure 18 - \notes\org\doubler\Pause - |\doubler\twobl aH\ds\cl a\ibl0a0\qb0{bab}\tqb0a\relax - |\ibbu0c0\qh0{cMa}\tqh0c\cu f\sk\cu c\sk\ibbu0e0\qh0d\tbbu0\qh0f\tqh0c\sk\ibbu0e0\qh0d\tbbu0\qh0f\tqh0c\relax - &\ql m\sk\sk\sk\Ibbl0hm3\qb0{jhj}\itenu0m\tqb0m\tten0\doubler\ibl0m0\qh0{mm}\ds\tqb0m\relax - &{\doubler\twobu jf\ds\cl j}\fourlll kjjk\fourlll kjjk\enotes - \ifOrgue\def\atnextline{\OrgelPedal}\fi% - %\check - \barre % mesure 19 - \notes\org\doubler\Pause - |\doubler\twobl bI\ds\cl{=b}\ibl0b0\qb0{cbc}\tqb0b\relax - |\ibbu0d0\qh0{dNb}\tqh0d\cu g\sk\cu d\sk\ibbu0f0\qh0e\tbbu0\qh0g\tqh0d\sk\ibbu0f0\qh0e\tbbu0\qh0g\tqh0d\relax - &\ql n\sk\sk\sk\Ibbl0in3\qb0{ikm}\itenu0n\tqb0n\tten0\doubler\ibl0n0\qh0{nn}\ds\tqb0n\relax - &{\doubler\twobu kg\ds\cl k}\fourlll lkkl\fourlll lkkl\enotes - %\check - \barre % mesure 20 - \notes\org\doubler\Pause - |\doubler\twobl cJ\ds\cu J\ibu0J0\qb0{KJK}\tqh0J\relax - |\ibbu0e0\qh0{eac}\tqh0e\cu h\sk\cu e\sk\doubler\zhl b\ibu0f0\qh0{fef}\tqh0d\relax - &\ql o\sk\sk\sk\ibbl0j0\qb0{hjl}\tqb0h\itenu0h\qu h\sk\sk\sk\tten0\ibu0h0\qhp0h\sk\sk\tbbu0\tqh0h\relax - &{\doubler\twobu lh\ds\cl l}\fourlll moom\fourlll mkki\enotes - %\check - \barre % mesure 21 - \notes\org\doubler\soupir\sk\soupir\sk\twobu LE\ds\cu L\relax - |\Ibl0La3\qb0L\sk\nbbl0\qb0N\tqb0a\doubler\zmidtwotext{\bf I}\twobl bI\twobu LL\soupir\relax - |\ibu0e0\zq b\qhp0e\sk\sk\tbbu0\zq c\tqh0e\Ibu0eg3\qh0d\sk\nbbu0\zq f\qh0h\zq e\tqh0g\doubler\zq e\twobu ge\ds\cu e\relax - &\Ibu0gj3\qhp0g\sk\sk\tbbu0\tqh0j\doubler\twobl ik\zmidtwotext{\f}\ql l\sk\soupir - \ifFlute\tinynotesize\cu e\fi - &\isluru0i\Ibbl0im3\qh0{ikl}\tslur0m\tqb0m\Pince -n\isluru0k\Ibl0kl3\qbp0k\sk\sk\tbbl0\tslur0l\tqb0l\doubler\ql l\sk\soupir - \ifOboe\tinynotesize\cu e\fi\enotes - %\check - \barre % mesure 22 - \def\orgel{\ibu0N0\qh0{MIb}\tqh0M\twobu NL\ds\cl c}% - \Notes\org\orgel|\Pause|\oct\orgel\relax - &\ifFlute\tinynotesize\oct\orgel - \else\PauseSoliste\fi - &\ifOboe\tinynotesize\oct\orgel - \else\PauseSoliste\fi\enotes - \barre % mesure 23 - \def\orgel{\ibu0N0\qh0{KbJ}\tqh0a\qu I\sk}% - \Notes\org\orgel|\sk\hpause\sk\sk\soupir|\oct\orgel\relax - &\ifFlute\tinynotesize\oct\orgel - \else\PauseSoliste\fi - &\ifOboe\tinynotesize\oct\orgel - \else\PauseSoliste\fi\enotes - \notes\org\sk\soupir|\qs\Ibbu0IK2\qh0{IJ}\tqh0K|\oct\qs\Ibbu0IK2\qh0{IJ}\tqh0K\relax - &\ifFlute\tinynotesize\oct\qs\Ibbu0IK2\qh0{IJ}\tqh0K\fi - &\ifOboe\tinynotesize\oct\qs\Ibbu0IK2\qh0{IJ}\tqh0K\fi\enotes - \ifOrgue\def\atnextline{\OrgelManual}\fi% - %\check - \barre % mesure 24 - \def\orgel{\Ibbu0La3\qh0{LMN}\tqh0a{\multnoteskip{1.42}\twobu bI}}% - \notes\org|\orgel|\oct\orgel - &\ifFlute\tinynotesize\oct\orgel - \else\doubler\sk\hpause\fi - &\ifOboe\tinynotesize\oct\orgel - \else\doubler\sk\hpause\fi\enotes - \nspace\Pos\nspace - \notes\org\pause - |\doubler\ibu0L0\qh0{LMN}\tqh0L|\doubler\zql b\itenl0e\qu e\sk\tten0\zql -b\twobu eg\relax - &\doubler\rlap{\sk\turn n}\twobl gh\ql i\relax - &\ql l\sk\sk\sk\qs\Ibbl0ln3\isluru0l\qb0{lm}\tslur0n\tqb0n\enotes - %\check - \barre % mesure 25 - \notes\org\doubler\Pause - |\doubler\qu K\sk\ds\cu I\ibu0L0\qh0{LKN}\tqh0L\relax - |\doubler\zq b\qu f\sk\ds\zq b\cu d\zq b\qu e\sk\Ibu0ei1\zq b\qh0e\zq g\tqh0i\relax - &{\doubler\qu i\sk\ds\cu -f}\Ibbu0gh3\islurd0g\qh0{gfg}\tslur0h\tqh0h\doubler\twobu il\relax - &{\doubler\twobl mi}\fourlll mhmh{\doubler\pince p\twolbu hg}\qs\ibbl0i0\qb0{il}\tqb0i\enotes - %\check - \barre % mesure 26 - \notes\org\doubler\Pause - |\doubler \ibl0M0\qb0{aaN}\tqb0L\twobl aH\ds\cl {=a}\relax - |\doubler \ibu0j0\qh0{jei}\tqh0g\twobu jh\twobu fj\relax - &{\doubler\ibl0l0\qb0{ljl}\tqb0i}\ibbl0j0\qb0{lhj}\tqb0l\ibbl0k0\qb0{mjl}\tqb0m\relax - &\ibbl0j0\isluru0j\qb0{jhj}\tslur0l\tqb0l\relax - \ibbl0i0\isluru0i\qb0{igi}\tslur0l\tqb0l\relax - \ql j\sk\sk\sk\qs\ibbl0j0\qb0{jm}\tqb0j\enotes - %\check - \barre % mesure 27 - \notes\org\doubler\Pause - |\doubler \ibl0N0\qh0{bb=a}\tqb0M\twobl bI\ds\cl {=b}\relax - |\doubler \ibu0k0\qh0{kfj}\tqh0{=h}\twobu ki\twobu gk\relax - &{\doubler\ibl0l0\qb0{mkm}\tqb0j}\ibbl0j0\qb0{mik}\tqb0m\ibbl0k0\qb0{nkm}\tqb0n\relax - &\ibbl0k0\isluru0k\qb0{kik}\tslur0m\tqb0m\relax - \ibbl0j0\isluru0i\qb0{j=hj}\tslur0m\tqb0m\relax - \ql k\sk\sk\sk\qs\ibbl0k0\qb0{kn}\tqb0k\enotes - %\check - \barre % mesure 28 - \notes\org\doubler\Pause - |\doubler \ibl0N0\qb0{cc=b}\tqb0N\twobl cJ\soupir\relax - |\doubler \ibu0l0\qh0{lgk}\tqh0{=i}\zq l\qu g\sk\soupir\relax - &\doubler\ibl0m0\qb0{nln}\tqb0k\ql n\sk\soupir\relax - &\ibbl0l0\isluru0l\qb0{ljl}\tslur0n\tqb0n\relax - \ibbl0j0\isluru0k\qb0{k=ik}\tslur0n\tqb0n\relax - \fourlll lnnl\fourlll ljj{=h}\enotes - %\check - \ifOrgue\def\atnextline{\OrgelPedal}\fi% - \barre % mesure 29 - \notes\org\doubler\Pause - |\doubler\doubler\ql M\soupir\ql L\soupir - |\doubler\doubler\zq e\qu c\qu d\zq d\qu g\qu c\relax - &\doubler\doubler\ql {=hkil}\relax - &\fourlll {=h}mmk\fourlll kiig\fourlll gllj\fourlll jhh{^f}\enotes - %\check - \barre % mesure 30 - \notes\org\doubler\Pause - |\doubler\doubler\qu K\soupir\qu G\soupir - |\doubler\doubler\lsh f\zq {df}\qu{=h}\soupir\zq {dg}\qu i\soupir\relax - &\doubler\doubler\ql {j^mkn}\relax - &\fourlll {^f}{=h}kh\fourlll fhkh\fourlll iknk\fourlll {=i}knk\enotes - %\check - \barre % mesure 31 - \notes\org\doubler\sk\sk\hpause - |\doubler\qu J\sk - |\doubler\zq{eg}\qu j\sk\soupir - &\doubler\doubler\ql l\soupir - &\fourlll lnnl\fourlll ljj{^m}\enotes - \GO - \notes\org\doubler\ibu0L0\qh0{K=L^M}\tqh0K\relax - |\hl d|\fourllu{^f}gg{=h}\doubler\twobu hf\relax - &\itenu0j\ql j\sk\sk\sk\tten0\ibl0j0\qbp0j\sk\sk\tbbl0\tqb0j\relax - &\ql m\sk\sk\sk\qs\Ibbl0km2\qb0{k=l}\tqb0m\enotes - %\check - \barre % mesure 32 - \notes\org\doubler\Ibu0LJ3\qh0{NJK}\tqh0D\qu G\relax - |\doubler\ibl0d0\qb0{ded}\tqb0d\ql N\relax - |\doubler\ibl0h0\qb0g\zq{gi}\qb0l\zq{=h}\qb0k\lq j\zq h\tqb0k\zq{gi}\ql k\relax - &{\doubler \twobl in}\ibl0n0\isluru0n\qbp0n\sk\sk\tslur0m\tbbl0\tqb0{^m}\ql n\relax - &\isluru0n\ibbl0k0\qb0{nki}\tslur0j\tqb0j\Pince n{\doubler\qu{=h}\sk\qu g}\qsk\enotes - \Notes\org\ds\cl e|\soupir|\ds\cl l\relax - &\soupir\ifFlute\tinynotesize\cl l\fi - &\soupir\ifOboe \tinynotesize\cl l\fi\enotes - %\check -\barre % mesure 33 - \Notes\org\ibl0M0\qb0{MdL}\tqb0c\qu K\relax - |\sk\sk\hpause\sk\soupir - |\ibu0h0\qh0{fke}\tqh0j\qu d\relax - &\ifFlute\tinynotesize\ibu0j0\qh0{fke}\tqh0j\qu d\relax - \else\rlap{\PauseSoliste}\fi - &\ifOboe \tinynotesize\ibu0j0\qh0{fke}\tqh0j\qu d\relax - \else\rlap{\PauseSoliste}\fi\enotes - %\check - \notes\org\sk\soupir - |\qs\Ibbl0KM2\qb0{K=L}\tqb0{^M}\relax - |\qs\Ibbu0df2\qb0{d=e}\tqh0{^f}\relax - &\ifFlute\tinynotesize\qs\Ibbu0df2\qb0{d=e}\tqh0{^f}\fi - &\ifOboe \tinynotesize\qs\Ibbu0df2\qb0{d=e}\tqh0{^f}\fi\enotes - %\check - \ifOrgue\def\atnextline{\OrgelManual}\fi% - \barre % mesure 34 - \notes\org - |\Ibbl0Nc3\qb0{N=a_b}\tqb0c\relax - |\Ibbu0gi3\qh0{g=h_i}\tqh0j\relax - &\ifFlute\tinynotesize\Ibbu0gi3\qh0{g=h_i}\tqh0j\relax - \else\rlap{\doubler\Pause}\fi - &\ifOboe \tinynotesize\Ibbu0gi3\qh0{g=h_i}\tqh0j\relax - \else\sk\sk\hpause\fi\enotes - \Notes\org - |\twobl dK\relax - |\twobu kd\relax - &\ifFlute\tinynotesize\twobu kd\fi - &\ifOboe \tinynotesize\twobu kd\fi\enotes - \notes\org\pause - |\doubler\ql N\sk\soupir - |\doubler\qu g\sk\soupir - &\ifFlute\tinynotesize\qu g\fi - &\ifOboe {\tinynotesize \zql g}\raise\Interligne\qs\else\qs\fi - \Ibbl0nk2\qb0n\isluru0n\qb0n\tslur0k\tqb0k\fourlll k{=i}ig\enotes - \Pos - %\check - \barre % mesure 35 - \notes\org\rlap{\doubler\Pause}\relax - |\doubler\zq G\qu N\sk\soupir - |\doubler\zq n\zq{=i}\ql k\sk\soupir - &\sk\sk\hpause - &\fourlll g{=i}ik\fourlll knn{=l}\enotes - %\check - \Notes\org - |\hu J\relax % fourbu JJJJ\relax - |\ibl0i0\lfl i\lq i\zq g\qb0j\lq i\zq g\qb0j\lq i\zq g\qb0j\lq i\zq g\tqb0j\relax - &\ibl0l0\na l\qb0{lll}\tqb0l\relax - &\doubler\ql l\soupir\enotes - %\check - \barre % mesure 36 - \notes\org\doubler\Pause - |\doubler\doubler\ql M\soupir\zq M\qu F\soupir - |\doubler\doubler\zq {f=h}\qu j\soupir\zq{=ac}\qu f\soupir - &\doubler\doubler\ql m\soupir\hpause - &\qs\Ibbl0mj2\qb0m\isluru0m\qh0m\tslur0j\tqb0j\relax - \fourllu j{=h}hf\fourllu fhhj\fourlll jmmk\enotes - \barre % mesure 37 - \nspace - \Notes\org - |\hu I\relax % \fourbu IIII\relax - |\ibl0j0\lfl h\lq h\zq i\qb0k\lq h\zq i\qb0k\lq h\zq i\qb0k\lq h\zq i\tqb0k\relax - &\ibl0m0\qb0{mmm}\tqb0m\relax - &\doubler\ql k\soupir\enotes - \notes\org\pause - |\doubler\ql L\sk\soupir - |\doubler\zq {il}\ql g\sk\soupir - &\doubler\ql n\sk\soupir - &\qs\Ibbl0li2\qb0l\isluru0l\qb0l\tslur0i\tqb0i\fourlll igge\enotes - %\check - \barre % mesure 38 - \notes\org\rlap{\doubler\Pause}\relax - |\doubler\zq E\qu L\sk\soupir - |\doubler\zq {Nbe}\qu g\sk\soupir - &\sk\sk\hpause - &\fourllu eggi\fourlll illj\enotes - %\check - \Notes\org - |\hu H\relax % \fourbu HHHH\relax - |\ibl0i0\zq h\qb0j\zq h\qb0j\zq h\qb0j\zq h\tqb0j\relax - &\fourbl llll\relax - &\doubler\ql j\soupir\enotes - %\check - \barre % mesure 39 - \notes\org\doubler\Pause - |\doubler\doubler\ql K\soupir\zq K\qu D\soupir - |\doubler\doubler\zq {fh}\qu k\soupir\zq{Mad}\qu f\soupir - &\doubler\doubler\ql m\soupir\hpause - &\qs\Ibbl0kh2\qb0k\isluru0k\qh0k\tslur0h\tqb0h\relax - \fourllu hffd\fourllu dffh\fourlll hkk{=i}\enotes - %\check - \barre % mesure 40 - \notes\org\doubler\Pause - |\doubler\hu G\sk\sk\sk\hu J\relax % \fourbu GGGG\fourbu JJJJ\relax - |\doubler\ibl0h0\zq{g=i}\qb0k\zq{gi}\qb0k\zq{gi}\qb0k\zq{gi}\tqb0k\relax - \lfl i\ibl0h0\lq i\zq g\qb0j\lq i\zq g\qb0j\lq i\zq g\qb0j\lq i\zq g\tqb0j\relax - &\doubler\fourbl mmmm\na l\fourbl llll\relax - &\fourbblu{=i}gik\fourbblu igik\rlap{\sk\islurd0c\sk\sk\tslur0g}\fourbbu{=l}c{=e}g\fourbblu eceg\enotes - %\check - \barre % mesure 41 - \notes\org\doubler\Pause -% |\doubler\fourbl MMMM\fourbl bbbb\relax - |\doubler\hl M\sk\sk\sk\hl b\relax - |\doubler\ibl0h0\zq{f=h}\qb0j\zq{fh}\qb0j\zq{fh}\qb0j\zq{fh}\tqb0j\relax - \ibu0h0\rq i\zq f\qh0{_h}\rq i\zq f\qh0h\rq i\zq f\qh0h\rq i\zq f\tqh0h\relax - &\doubler\fourbl {_l}lll\fourbl kkkk\relax - &\na h\fourbblu hfhj\fourbblu hfhj\fourbblu kikm\fourbblu kikm\enotes - \ifOrgue\def\atnextline{\OrgelPedal}\fi% - \barre % mesure 42 - \notes\org\doubler\Pause -% |\doubler\fourbl LLLL\fourbl aaaa\relax - |\doubler\hl L\sk\sk\sk\hl a\relax % fourbl LLLL\fourbl aaaa\relax - |\doubler\ibl0h0\zq{eg}\qb0i\zq{eg}\qb0i\zq{eg}\qb0i\zq{eg}\tqb0i\relax - \ibu0h0\zq e\qh0{_h}\zq e\qh0h\zq e\qh0h\zq e\tqh0h\relax - &\doubler\fourbl {_k}kkk\fourbl jjjj\relax - &\rlap{\sk\islurd0e\sk\sk\tslur0i}\fourbbu negi\fourbblu gegi\fourbbll jhjl\fourbbll jhjl\enotes - %\check - \barre % mesure 43 - \notes\org\doubler\Pause -% |\doubler\fourbl MMMM\fourbl MMMM\relax - |\doubler\hl M\sk\sk\sk\hl M\relax %MMM\fourbl MMMM\relax - |\doubler\ds\ibu0c0\zq a\qh0c\zq a\qh0c\zq a\tqh0c\relax - \ds\ibu0d0\zq a\qh0d\zq a\qh0d\zq a\tqh0d\relax - &\fourbblu jhjm\fourbblu jhjm\fourbblu hfhj\fourbblu hfhj\relax - &\itenu1m\wh m\enotes - \barre % mesure 44 - \notes\org\doubler\sk\sk\hpause\relax - |\doubler\ibu0L0\qh0{NJN}\tqh0G\relax - |\doubler\ibu0i0\zq d\qh0g\zq e\qh0g\zq d\qh0g\zq d\tqh0f\relax - &\doubler\ibu0i0\qh0{=i}\itenl0j\qh0j\tten0\qh0j\tqh0i\relax - &\tten1\ibl0m0\qb0m\sk\nbbl0\qb0l\tqb0m\Pince -n\ibl0k0\qhp0k\sk\sk\nbbl0\tqb0j\enotes - %\check - \Notes\org\soupir\sk\ds\cl a\relax - |\qu J\zmidtwotext{\bf I}\sk\soupir - |\zq e\qu c\sk\ds\cu h\relax - &\qu j\sk\soupir\ifFlute\tinynotesize\cu h\fi - &\ql j\sk\soupir\ifOboe \tinynotesize\cu h\fi\enotes - %\check - \barre % mesure 45 - \def\orgel{\ibu0L0\qh0{_INH}\tqh0M}% - \Notes\org\orgel|\sk\qsk\hpause|\oct\orgel - &\ifFlute\tinynotesize\oct\orgel - \else\rlap{\PauseSoliste}\fi - &\ifOboe \tinynotesize\oct\orgel - \else\rlap{\PauseSoliste}\fi - \enotes - %\check - \def\orgel{\qs\Ibbu0GI2\qh0{GH}\tqh0{=I}}% - \notes\org\qu G\sk\sk\soupir|\soupir\sk\orgel|\qu N\sk\oct\orgel\relax - &\ifFlute\tinynotesize\qu N\sk\oct\orgel\fi - &\ifOboe \tinynotesize\qu N\sk\oct\orgel\fi\enotes - \ifOrgue\def\atnextline{\OrgelManual}\fi% - %\check - \barre % mesure 46 - \notes\org|\fourbbu JKLM|\fourbbu cdef\relax - &\ifFlute\tinynotesize\fourbbu cdef\fi - &\ifOboe \tinynotesize\fourbbu cdef\relax - \else\sk\sk\sk\hpause\fi\enotes - \Notes\org\sk\pause|\twobu NG\qu J\zmidtwotext{\bf II}\sk\soupir|\twobu gN\qu -c\sk\ds\zq g\cu{_i}\relax - &\ifFlute\tinynotesize\twobu gN\qu c\relax - \else\sk\pause\fi - &\ifOboe \tinynotesize\twobu gN\qu c\relax - \else\sk\sk\soupir\sk\fi\normalnotesize\ds\cl{=l}\enotes - %\check - \barre % mesure 47 - \notes\org||\doubler\ibu0i0\zq h\qh0j\zq g\qh0 -i\zq h\qh0 j\zq g\tqh0i\relax - &&\fourlll m{=l}lm\fourlll mllm\enotes - \Notes\org\pause|\pause|\ibu0i0\zq h\qh0j\zq g\tqh0i\ds\zq{=h}\cl j\relax - &\pause&\twobl ml\ds\cl{^m}\enotes - %\check - \barre % mesure 48 - \notes\org\doubler\Pause - |\doubler\sk\hpause\sk\sk\ds\Ibl0bN2\qb0{=bc}\tqb0N\relax - |\doubler\ibl0i0\zq i\qb0k\zq h\qb0 j\zq i\qb0k\zq h\tqb0 j\relax - \ibu0h0\zq g\qh0i\tqh0{=i}\zq g\zq e\Ibu0jg1\qh0j\tqh0g\relax - &\doubler\Pause - &\fourlll n{^m}mn\fourlll nmmn\fourlll nkkl\fourlll l{=i}ij\enotes - %\check - \barre % mesure 49 - \notes\org\doubler\Pause - |\doubler\zqu c\twobl a{=L}\zqu a\twobl MJ\rlap{\qu N\sk\qu N}\fourbl KJ{=I}G\relax - |\doubler\zq f\twobu h{=e}\zq c\twobu fc\zq{=b}\ibu0e0\qh0f\zq c\qh0e\zq d\qh0f\zq b\tqh0d\relax - &\doubler\Pause - &\fourllu jggh\fourllu h{=e}ef\itenl0f\qu f\sk\sk\sk\sk\tten0\fourllu fhgf\enotes - %\check - \barre % mesure 50 - \Notes\org|\Ibl1JH3\qb1{JM}\relax - |\Ibu0eh1\zq{Nc}\qh0{_e}\zq{ac}\tqh0h\relax - &&\ibu2i0\qh2{_ej}\enotes - \notes\org\sk\sk\sk\pause|\qb1N\sk\tqb1G\relax - |\zql{=b}\fourbbu gfed\relax - &\hpause - &\doubler\qh2d\tqh2{=i}\enotes - \Notes\org|\rlap{\sk\sk\sk\cu c}\fourbl JKLJ\relax - |\zq{Nc}\qu e\sk\ds\cu g\relax - &\soupir\sk\ds\cl{=l}\relax - &\qup c\sk\sk\ds\enotes - %\check - \barre % mesure 51 - \notes\org\doubler\sk\sk\sk\pause - |\doubler\zqu c\ibl0K0\qb0{MJ}\raise6\internote\rlap{\ds}\qb0M\zcu c\tqb0J\relax - |\fourllu hggh\fourllu hggh\relax - &\fourlll m{=l}lm\fourlll mllm\relax - &\doubler\sk\sk\sk\pause\enotes - \Notes\org|\zqu c\twobl MJ\ds\zcl K\cu d\relax - |\twobu hg\ds\cu{=h}\relax - &\twobl ml\ds\cl{^m}&\enotes - %\check - \barre % mesure 52 - \notes\org\doubler\sk\sk\sk\pause - |\doubler\zqu d\ibl0L0\qb0{NK}\raise6\internote\rlap{\ds}\qb0N\zcu d\tqb0K\relax - |\fourllu i{=h}hi\fourllu ihhi\relax - &\fourlll n{^m}mn\fourlll nmmn\relax - &\doubler\sk\sk\sk\pause\enotes - %\check - \notes\org|\doubler\zqu d\ql N\sk - |\multnoteskip{1.2}\fourlll i{=i}ij\relax - &\ifOrgue\multnoteskip{1.2}\fi\fourlll nkkl&\enotes - %\check - \notes\org|\doubler\raise6\internote\rlap{\ds}\ql G\cu N\relax - |\fourlll jiij\relax - &\fourlll lkkl&\enotes - %\check - \barre % mesure 53 - \notes\org\doubler\sk\sk\sk\pause - |\doubler\zhl J\raise 2\internote\rlap{\ds}\hu c\ibu0N0\zq{=L}\qh0N\zq M\qh0a\tqh0N\relax - |\fourlll jgg{_h}\fourlll h{=l}lm\relax - &\fourlll l{=l}l{=m}\fourlll mnno\relax - &\doubler\sk\sk\sk\pause\enotes - \Notes\org|\zql M\cu c\qu d\multnoteskip{0.71}\doubler\rlap{\sk\cu N}\twobl NG\relax - |\ql m\sk\ql{=i}\relax - &\itenu0o\ql o\sk\multnoteskip{0.71}\tten0\fourbbl oonm\enotes - %\check - \barre % mesure 54 - \notes\org\doubler\sk\sk\sk\pause - |\rlap{\sk\sk\sk\sk\fourbbu NMLK}\doubler\zqu c\Ibl0JG3\qb0{JMN}\tqb0G\relax - |\fourbbl jlkj\ibl0i0\qbp0{=i}\sk\sk\tbbl0\tqb0j\relax - &\fourbbll lnml\isluru0k\ibl0j0\qbp0k\sk\sk\tbbl0\tslur0j\tqb0j\relax - &\doubler\sk\sk\hpause\enotes - \Notes\org|\zql J\fourbu JKLJ\relax - |\ql j\sk\ds\cu e\relax - &\ql j\sk\ds\cl j\relax - &\soupir\sk\ds\cl l\enotes - %\check - \barre % mesure 55 - \notes\org\doubler\Pause - |\itenu1N\wh N\relax - |\fourllu edde\fourllu fgfe\fourllu edde\fourllu fgfe\relax - &\fourlll j{=i}ij\fourlll klkj\fourlll jiij\fourlll klkj\relax - &\fourlll lkkl\fourbbll mnml\fourlll lkkl\fourbbll mnml\enotes - %\check - \barre % mesure 56 - \Notes\org|\tten1\fourbl NNLJ|\twobu ed\Ibu0ge1\zq g\qh0c\zq{Nc}\tqh0e\relax - &\twobl j{=i}\ql j\relax - &\twobl lk\ds\cu g\enotes - \notes\org\pause - |\doubler\zq a\ql M\sk\Ibl0LK1\zq c\qb0L\zq{=b}\tqb0K\relax - |\doubler\zq c\qu c\sk\twobu ef\relax - &\fourllu fggh\Ibbu0hg2\qh0h\tbbu0\qh0g\tqh0g\relax - &\fourlll h{=i}ij\fourlll jkkl\enotes - \ifOrgue\def\atnextline{\OrgelPedal}\fi% - %\check - \barre % mesure 57 - \notes\org\doubler\Pause - |\doubler\qu J\sk\twobu JI\ibu0M0\qh0{HaN}\tqh0{=I}\relax - |\zql c\zqu g\ibl0e0\qb0e\sk\nbbl0\qb0e\tqb0f\zql c\doubler\twobu f{=e}\zq -c\qu f\sk\zql d\multnoteskip{0.5}\ibu0g0\qhp0g\sk\sk\tbbu0\tqh0f\relax - &\qu g\sk\sk\sk\fourllu fggh\fourllu hjj{=i}\Ibbu0ik2\qh0i\tbbu0\qh0j\tqh0k\relax - &\fourlll ljjk\fourlll k{=l}lm\doubler\mordent o\isluru0m\qlp m\sk\sk\tslur0n\cl n\enotes - %\check - \barre % mesure 58 - \notes\org\doubler\sk\sk\hpause - |\doubler\ibu0M0\qh0{JMN}\tqh0G\relax - |{\doubler\ibu0f0\qh0{_e}\zq c\tqh0f}\zq {=b}\zql d\fourbblu gfed\relax - &{\doubler\twobu jh}\ibbu0k0\qh0{gml}\tqh0k\relax - &\Ibl0lj3\isluru0l\qb0 l\sk\nbbl0\qb0k\tslur0j\tqb0j\Pince n\isluru0i\Ibl0ij3\qbp0{=i}\sk\sk\tslur0j\tbbl0\tqb0j\enotes - \Notes\org\fourbu JKLJ\relax - |\qlp c\sk\sk\cl N\relax - |\fourbu efge\relax - &\fourbl lmnl\relax - &\ql j\sk\soupir\enotes - %\check - \barre % mesure 59 - \notes\org\doubler\ql M\sk\soupir\sk\sk\hpause - |\doubler\qu M\sk\twobu LK\qu J\sk \twobu JI\relax - |\fourllu a{=b}bc\fourllu cbbc\Ibbu0cd3\qh0{cc}\islurd0c\qh0c\tslur0d\tqh0d\fourllu d{=e}ef\relax - &\advance\transpose 7\fourlll cdde\fourlll edde\Ibbl0ef3\qb0{ee}\isluru0e\qb0e\tslur0f\tqb0f\fourlll fggh\relax - &\doubler\Pause\enotes - %\check - \barre % mesure 60 - \Notes\org\ibu0M0\qh0{HaN}\tqh0{=I}\relax - |\ql c\sk\twobl{=b}d\relax - |\zq f\ibu0h0\qh0h\itenu0f\qh0f\zq d\tten0\qh0f\tqh0g\relax - &\ibl0m0\qb0{omk}\tqb0n\enotes - \notes\org\ibu1M0\doubler\qh1{JM}\relax - |\zq c\ql N\relax - |\fourbbu fedc\relax - &\fourbbl mlkj&\pause\enotes - \Notes\org\qh1N\tqh1G\relax - |\twobl bN|\qu g\relax - &\twobl n{=i}\enotes - %\check - \barre % mesure 61 - \NOtes\org\pointdurgue B\wh C|\zw J\wh N|\zw c\wh e\relax - &\pointdorgue m\wh j&\pointdorgue m\pause\enotes -% \ifOrgue\advance\mulooseness 1\fi - \ifOrgue\linegoal 19\fi - \finmorceau - - - -\endinput - diff --git a/musixtex/doc/examples/marcon2.tex b/musixtex/doc/examples/marcon2.tex deleted file mode 100644 index 0632c64..0000000 --- a/musixtex/doc/examples/marcon2.tex +++ /dev/null @@ -1,723 +0,0 @@ -\ifx\mxversion\undefined - \input musixtex - \input musixcpt - \input musixsty -\fi - -% -\title{Concerto pour hautbois --- adagio} -\fulltitle{Concerto pour hautbois --- adagio} -\othermention{Transcription pour hautbois, fl\^{u}te et orgue\\{\bf - \ifFlute Partition fl\^{u}te\fi - \ifOboe Partition hautbois\fi - \ifOrgue Partition orgue\fi} -} -\shorttitle{Concerto pour hautbois --- adagio} -\author{Benedetto MARCELLO\\Transcription Daniel TAUPIN} -\shortauthor{B. Marcello, D. Taupin} -\maketitle -% -\parindent 13mm -\def\interfacteur{10} % was 9 -\def\OrgelManual{% - \global\cleftoksi={{6}{0}{0}{0}}% - \def\interinstrumentii{0pt}% - \def\interinstrumenti{0pt}% - \nbporteesi=2\relax% -} -\def\OrgelPedal{% - \global\cleftoksi={{6}{6}{0}{0}}% - \def\interinstrumentii{0pt}% - \def\interinstrumenti{0pt}% - \nbporteesi=3\relax% -} -\ifOrgue - \def\nbinstruments{3} - \global\cleftoksi={{6}{0}{0}{0}}% - \global\cleftoksii={{0}{0}{0}{0}}% - \global\cleftoksiii={{0}{0}{0}{0}}% - \nbporteesi=3\relax% - \nbporteesii=1\relax% - \nbporteesiii=1\relax% - \def\instrumenti{Orgue}% - \def\instrumentii{Fl\^{u}te}% - \def\instrumentiii{Hautbois}% - \def\staffspacingii{0.64}\def\staffspacingiii{0.64}% -\else - \def\nbinstruments{2} - \global\cleftoksi={{0}{0}{0}{0}}% - \global\cleftoksii={{0}{0}{0}{0}}% - \nbporteesi=1\relax% - \nbporteesii=1\relax% - \def\instrumenti{Fl\^{u}te}% - \def\instrumentii{Hautbois}% - \ifFlute\def\staffspacingi{1.0}\else\def\staffspacingi{0.64}\fi - \ifOboe\def\staffspacingiii{1.0}\else\def\staffspacingii{0.64}\fi% - \def\everystaff{\vrule width 0pt depth 8mm\relax}% -\fi - -\ifOboe\def\interinstrumenti{2\Interligne}\fi -% -\signaturegenerale{-3}\relax -%\check -\def\doubler{\multiply\noteskip by 2\relax}% -% -% formes frequentes -% -\def\Pause{\sk\sk\qsk\pause}% -% - \def\twobbu#1#2{\Ibbu0{#1}{#2}1\qh0{#1}\tqh0{#2}} - \def\twobbl#1#2{\Ibbl0{#1}{#2}1\qb0{#1}\tqb0{#2}} -% - \def\fourbbu#1#2#3#4{\Ibbu0{#1}{#4}3\qh0{#1#2#3}\tqh0{#4}} - \def\fourbbl#1#2#3#4{\Ibbl0{#1}{#4}3\qb0{#1#2#3}\tqb0{#4}} -% - \def\fourlll#1#2#3#4{\Ibbl0{#1}{#4}3% -\isluru0{#1}\qb0{#1}\tslur0{#2}\qb0{#2}\isluru0{#3}\qb0{#3}% -\tslur0{#4}\tqb0{#4}}% -% - \def\fourllu#1#2#3#4{\Ibbu0{#1}{#4}3% -\islurd0{#1}\qh0{#1}\tslur0{#2}\qh0{#2}\islurd0{#3}\qh0{#3}% -\tslur0{#4}\tqh0{#4}}% -% - \def\twobu#1#2{\Ibu0{#1}{#2}1\qh0{#1}\tqh0{#2}} - \def\twobl#1#2{\Ibl0{#1}{#2}1\qb0{#1}\tqb0{#2}} -% - \def\sixbu#1#2#3#4#5#6{\Ibu0{#1}{#2}1\qh0{#1}\qh0{#2}\qh0{#3}\qh0{#4}\qh0{#5}\tqh0{#6}} - \def\sixbl#1#2#3#4#5#6{\Ibl0{#1}{#2}1\qb0{#1}\qb0{#2}\qb0{#3}\qb0{#4}\qb0{#5}\tqb0{#6}} -% - \def\twolbu#1#2{\Ibu0{#1}{#2}1\islurd0{#1}\qh0{#1}\tslur0{#2}\tqh0{#2}} - \def\twolbl#1#2{\Ibl0{#1}{#2}1\isluru0{#1}\qb0{#1}\tslur0{#2}\tqb0{#2}} - -% -%\check -% -\catcodesmusic -\def\org#1|#2&{\ifOrgue \ifnum\nbporteesi=3#1|\fi #2&\relax\fi} -% -\generalmeter{\meterfrac 34}% -\sepbarrules -% -\debutmorceau -%\check -% -\notes\org\relax - |&&\zcharnote{w}{\kern -20mm\moyen Adagio -\bf(\metron{\cu}{84})}\enotes -% -%\check -% -% mesure 1 -\NOTes\org\Pause\relax - |\Pause\relax - |\ibl0j0\qb0{jjjjj}\tqb0j\relax - &\ifFlute\zcharnote N{\sl (orgue solo)}\fi - \ifFlute\tinynotesize\ibl0j0\qb0{jjjjj}\tqb0j\relax - \else\Pause - \fi\relax - &\ifOboe\zcharnote N{\sl (orgue solo)}\fi - \ifOboe\tinynotesize\ibl0j0\qb0{jjjjj}\tqb0j\relax - \else\Pause\fi\enotes -% mesure 2 -\barre\NOTes\org\Pause - |\Pause\relax - |\ibl0j0\qb0j\qb0j\qb0j\qb0j\qb0j\tqb0j\relax - &\ifFlute\zcharnote N{\sl fl\^{u}te}\fi\ibl0k0\qb0k\qb0k\qb0k\qb0k\qb0k\tqb0k\relax - &\ifOboe\tinynotesize\ibl0j0\qb0j\qb0j\qb0j\qb0j\qb0j\tqb0j\relax - \else\Pause\fi\enotes -% mesure 3 -\barre\NOTes\org\hup G\relax - |\roff{\pt g}\rh g\hup f\relax - |\na i\ibl0i0\qb0{iiiii}\tqb0i\relax - &\ibl0k0\qb0{kkkkk}\tqb0k\relax - &\ifOboe\tinynotesize\na i\ibl0i0\qb0{iiiii}\tqb0i\relax - \else\Pause\fi\enotes -% mesure 4 -\def\motif{\zq j\qh0 l}% -\barre\NOTes\org\Ibu1CJ1\qh1C\itenl5J\tqh1J\relax - |\itenl1e\zhp c\zhp g\hlp e\relax - |\ibl3j0\qb3{jj}\relax - &\ibl4l0\qb4{ll}\relax - &\ifOboe\zcharnote N{\sl hautbois}\fi\twolbl jl\enotes -\NOTes\org\tten5\hu J\relax - |\relax - |\qb3{jj}\relax - &\qb4{ll}\relax - &\twolbl ln\enotes -\NOTes\org\relax - |\relax - |\qb3j\relax - &\qb4l\relax - &\isluru5n\ibl5n0\qb5n\enotes -\NOtes\org\relax - |\relax - |\tqb3j\relax - &\tqb4l\relax - &\nbbl5\qb5o\tslur5n\tqb5n\enotes -% mesure 5 -\barre\NOTes\org\hup F\relax - |\tten1\zql e\roff{\hup f}\sk\ql d\sk\ql c\relax - |\ibu3h0\qh3{hhhhh}\tqh3h\relax - &\ibl4j0\qb4{jjjjj}\tqb4j\relax - &\mordant q\hl o\sk\sk\sk\soupir\enotes -% mesure 6 -\barre\temps\NOTes\org\hup I\relax - |\zhl b\hup f\relax - |\ibu3h0\qh3{hh}\relax - &\ibl4k0\qh4{kk}\relax - &\twolbl ik\enotes -\NOTes\org\relax - |\relax - |\qh3{h}\relax - &\qh4k\relax - &\Ibl5kl2\isluru5k\qb5k\enotes -\NOtes\org\relax - |\relax - |\qh3h\relax - &\qb4k\relax - &\nbbl5\qb5m\tslur5l\tqb5l\enotes -\NOtes\org\relax - |\itenl2d\ql d\relax - |\qb3h\sk\tqh3h\relax - &\qb4k\sk\tqb4k\relax - &\Ibbl5mn3\isluru5m\qb5{mno}\tslur5n\tqb5n\enotes -% mesure 7 -\barre -\NOTes\org\hup E\relax - |\tten2\qu d\sk\qu c\sk\qu b\relax - |\sixbu gggggg\relax - &\sixbu iiiiii\relax - &\doubler\mordant p\hl n\sk\soupir\enotes -% mesure 8 -\def\motif{\zq h\qh0j}% -\barre\NOtes\org\hup H\relax - |\doubler\doubler\zhl a\hup e\sk\itenl2c\qu c\relax - |\doubler\sixbu hhhhhh\relax - &\doubler\sixbl jjjjjj\relax - &\isluru0h\fourbbl hiji\fourbbl jklk\rlap{\sk\sk\sk\tslur0m}\fourbbl lmnm\enotes -% mesure 9 -\def\motif{\zq f\qh0h}% -\def\motifa{\zq f\qh0i}% -\barre\NOTes\org\hup K\relax - |\doubler\tten2\qu c\qu b\qu a\relax - |\ibu0h0\motif\tbu0\motif\ibu0i0\motifa\motifa\motifa\tbu0\motifa\relax - &\sixbl kkkkkk\relax - &\doubler\mordant o\hl m\sk\soupir\enotes -% mesure 10 -\barre -\Notes\org\Ibu1NG4\qh1N\sk\sk\sk\itenl1G\tqh1G\relax - |\hup f\relax - |\doubler\doubler\bigna i\ibu3i0\qh3{ii}\relax - &\doubler\doubler\ibl4k0\qb4k\qb4k\relax - &\islurd5f\Ibbbu5gk7\qh5{g^fgh=ihi}\tslur5i\tqh5j\enotes -\Notes\org\tten1\hu G\relax - |\relax - |\doubler\doubler\qh3{ii}\relax - &\doubler\doubler\qb4{kk}\relax - &\isluru5l\Ibbbl0jj7\qb0{kijkn=ml}\tslur5l\tqb0k\enotes -\NOtes\org\relax - |\relax - |\doubler\qh3i\tqh3i\relax - &\doubler\qb4k\tqb4k\relax - &\isluru5l\Ibbl0kl3\qb0{klm}\tslur5m\tqb0l\enotes -% mesure 11 -%\check -\def\motif{\zq e\qh3 g}% -\barre\notes\org\Ibu1CJ5\qh1C\relax - |\hup c\relax - |\ibu3g0\motif\relax - &\ibl4j0\qb4j\relax - &\isluru5l\ibbbbl5l0\qb5{lkl}\tbbbbl5\tbbbl5\tbbl5\qb5m\enotes -\NOtes\org\relax - |\relax - |\relax - &\relax - &\tbl5\tslur5l\qbp5l\enotes -\NOTes\org\itenl1J\tqh1J\relax - |\relax - |\motif\relax - &\qb4j\relax - &\enotes -\NOtes\org\tten1\itenl1J\hu J\relax - |\relax - |\motif\sk\motif\relax - &\qb4j\sk\qb4j\relax - &\qsoupir\isluru5n\Ibbl5ln2\qb5{lo}\tslur5o\tqb5n\enotes -\NOtes\org\relax - |\relax - |\motif\sk\tbu3\motif\relax - &\qb4j\sk\tqb4j\relax -% &\Ibbl5ol3\qb5{omm}\tqb5l\enotes - &\fourlll omml\enotes -% mesure 12 -%\check -\barre -\NOTes\org\tten1\qu J\relax - |\roff{\zql c}\hu d\relax - |\ibu3f0\qh3f\tqh3f\relax - &\ibu4h0\qh4h\tqh4h\relax - &\mordant p\ql k\sk\enotes -\NOtes\org\itenl1I\hu I\relax - |\hl b\relax - |\ibu0g0\qh0g\sk\tqh0g\relax - &\ibu0i0\qh0i\sk\tqh0i\relax - &\qsoupir - \isluru5m\Ibbl5km2\qb5{kn}\tslur5m\tqb5m\enotes -\NOtes\org\relax - |\qu e\relax - |\ibu3g0\qh3g\sk\relax - &\ibu4j0\qh4j\sk\relax - &\isluru5n\ibbl5k0\qb5n\qbp5l\enotes -\Notes\org\relax - |\relax - |\tqh3g\relax - &\tqh4j\relax - &\sk\nbbbl5\qb5{kj}\tslur5k\tqb5k\enotes -% mesure 13 -\barre -\notes\org\tten1\qu I\relax - |\roff{\zql b}\hu c\relax - |\ibu3e0\qh3e\relax - &\ibu4g0\qh4g\relax - &\isluru5k\ibbbbl1j0\qb1{j=ij}\relax -\tbbbbl1\tbbbl1\tbbl1\qb1k\enotes -\NOtes\org\relax - |\relax - |\relax - &\relax - &\tslur5k\tbl1\qbp1j\enotes -\NOTes\org\relax - |\relax - |\tqh3e\relax - &\tqh4g\relax - &\enotes -\temps\Notes\org\hu H\relax - |\hl a\relax - |\ibu0f0\qh0f\sk\sk\sk\tqh0f\relax - &\ibu0h0\qh0h\sk\sk\sk\tqh0h\relax - &\qsoupir\sk\isluru5k\ibbbl1j0\qb1j\tbbl1\qb1l\nbbbl1\qb1{kjk}\tslur5l\tqb1l\enotes -\temps\Notes\org\relax - |\qu d\relax - |\ibu0f0\qh0f\sk\sk\sk\tqh0f\relax - &\ibu0h0\qh0h\sk\sk\sk\tqh0h\relax - &\isluru5n\ibbbl1k0\qb1{mnlmkl}\relax -\triolet n\qb1{jk}\tslur5k\tqb1j\enotes -% mesure 14 -%\check -\def\motif{\rq g\qh3f}% -\barre -\NOTes\org\hup G\relax - |\hup b\relax - |\zhlp d\ds\ibu3g0\motif\motif\motif\motif\tbu3\motif - &\ds\ibu0i0\qh0{=iiii}\tqh0i\relax - &\bigna i\hl i\sk\sk\sk\soupir\enotes -% mesure 15 -\barre\NOTes\org\hup J\relax - |\hup c\relax - |\bigna e\ibu0g0\zq e\qh0g\zq e\tqh0g\relax - &\twobu jg\relax - &\bigna l\twolbl ln\enotes -\NOTes\org\relax - |\relax - |\ibu0g0\zq e\qh0g\zq e\tqh0g\relax - &\twobu gg\relax - &\twolbl nl\enotes -\NOtes\org\relax - |\relax - |\doubler\twobu ee\relax - &\doubler\twobl jj\relax - &\fl i\isluru5m\ibbl1i0\qb1{inl}\tslur5m\tqb1i\enotes -% mesure 16 -\barre\NOTes\org\hlp M\relax - |\qu c\relax - |\ibu3g0\qh3g\relax - &\ibl4j0\qb4j\relax - &\ibu5k0\itenl5i\qh5i\enotes -\Notes\org\relax - |\relax - |\tqh3g\relax - &\tqb4j\relax - &\tten5\nbbbu5\islurd5i\qh5{ihj}\tslur5i\tqh5i\enotes -\temps\NOTes\org\relax - |\hu f\relax - |\ibu0h0\qh0{hhh}\tqh0h\relax - &\ibl0j0\qb0{jjj}\tqb0j\relax - &\qu h\sk\soupir\enotes -% mesure 17 -\def\motif{\zq h\qh0 k}% -\barre -\NOtes\org\hup K\relax - |\hup {^f}\relax - |\ibu3h0\na h\qh3h\sk\qh3h\relax - &\ibl4k0\qb0k\sk\qb0k\relax - &\ibbl1m0\sh m\qb1{m=om}\tqb1n\enotes -\Notes\org\relax - |\relax - |\qh3h\sk\sk\sk\qh3h\sk\sk\sk\relax - &\qb4k\sk\sk\sk\qb4k\sk\sk\sk\relax - &\Ibbbl1oh7\qb1{onm=lkji}\tqb1{=h}\enotes -\Notes\org\relax - |\relax - |\qh3h\sk\sk\sk\sk\tqh3h\sk\sk\sk\relax - &\qb4k\sk\sk\sk\sk\tqb4k\sk\sk\sk\relax - &\Ibbbu1dl9\qh1{d=e^fghij}\pointdurgue e\qhp1k\qsk\tbbbbu1\tqh1j\enotes -% mesure 18 - \barre -\NOTes\org\hup G\relax - |\qu d\relax - |\twobu gg\relax - &\twobl kk\relax - &\twolbl ji\enotes -\NOTes\org\relax - |\itenl2e\hu e\relax - |\ibu3g0\qh3{ggg}\tqh3g\relax - &\ibl4i0\qb4{iii}\tqb4i\relax - &\bigfl l\twobl lk\mordant n\itenu5l\ql l\enotes -% mesure 19 -\barre\NOTes\org\hl M\relax - |\tten2\qu e\relax - |\ibu3h0\qh3{_h}\relax - &\ibl4j0\qh4j\relax - &\tten5\isluru5m\ibl5l0\qb5l\enotes -\NOtes\org\relax - |\relax - |\tqh3h\relax - &\tqb4j\relax - &\nbbl5\qb5m\tqb5l\enotes -\NOTes\org\relax - |\hu d\relax - |\ibu3f0\qh3f\relax - &\ibu4h0\qh4h\relax - &\ibl5k0\qb5k\enotes -\NOtes\org\relax - |\relax - |\qh3f\relax - &\qh4h\relax - &\nbbl5\qb5l\tslur5k\tqb5j\enotes -\NOTes\org\qu F\relax - |\relax - |\qh3f\tqh3f\relax - &\qh4h\tqh4h\relax - &\itenu5k\mordant m\ql k\enotes -% mesure 20 -\barre -\NOtes\org\hu E\relax - |\qu d\relax - |\doubler\twobu gg\relax - &\doubler\twobu ii\relax - &\tten5\ibbl0k0\rlap{\sk\isluru5n}\qb0{knl}\tqb0k\enotes -\temps\NOtes\org\relax - |\hu c\relax - |\ibu3e0\qh3{e*e}\relax - &\ibu4g0\qh4{g*g}\relax - &\ibbl0i0\qb0{jih}\tslur5i\tqb0i\enotes -\NOTes\org\ql L\relax - |\relax - |\qh3e\sk\tqh3e\relax - &\qh4g\sk\tqh4g\relax - &\upperna j\mordant o\itenu5j\ql j\enotes -% mesure 21 -\barre -\NOtes\org\hup K\relax - |\hu b\relax - |\doubler\twobu ff\relax - &\doubler\twobu fh\relax - &\ibbl5j0\tten5\qb5j\isluru5k\qb5{_i}\qb5k\multnoteskip{0.71}\nbbbl5\qb5m\tqb5l\enotes -\Notes\org\relax - |\relax - |\ibu3d0\qh3d\sk\sk\sk\qh3d\relax - &\ibu4f0\qh4f\sk\sk\sk\qh4f\relax - &\ibbbl5i0\qb5{kjihijk}\tqb5l\enotes -\NOtes\org\relax - |\qu a\relax - |\qh3d\sk\tqh3d\relax - &\qh4f\sk\tqh4f\relax - &\Ibbl5mi3\qb5{mk}\relax -\pince l\qb5j\enotes -\NOtes\org\relax - |\relax - &\relax - &\tslur5k\itenu5i\tqb5i\enotes -% mesure 22 -\barre -\Notes\org\hup J\relax - |\qu N\relax - |\ibu3e0\qh3e\sk\sk\sk\tqh3e\relax - &\ibu4g0\qh4g\sk\sk\sk\tqh4g\relax - &\tten5\ibbbl1i0\rlap{\sk\isluru5m}\qb1{ijj}\tqb1i\Ibbbu1ig3\qh1{ihh}\tqh1g\enotes -\Notes\org\relax - |\qu e\relax - |\ibu3g0\qh3g\sk\sk\sk\tqh3g\relax - &\ibu4j0\qh4j\sk\sk\sk\tqh4j\relax - &\ibbbu1g0\qh1{ghh}\tqh1g\Ibbbu1ge3\qh1{gff}\tqh1e\enotes -\temps\NOtes\org\relax - |\qu e\relax - |\ibu3f0\qh3f\sk\tqh3f\relax - &\ibu4h0\qh4h\sk\zq f\tqh4h\relax - &\ibbu5k0\tslur5m\rlap{\sk\isluru5r}\qh5{flk}\tqh5j\enotes -% mesure 23 -\barre -\NOTes\org\hu I\relax - |\hu d\relax - |\ibu3f0\qh3{fff}\relax - &\ibu4h0\qh4{hhh}\relax - &\tslur5n\itenu5k\ql k\sk\tten5\Ibl5ki3\qbp5k\enotes -\NOtes\org - |\relax - |\tqh3f\relax - &\tqh4h\relax - &\sk\tbbl5\tqb5i\enotes -\NOTes\org\qu J\relax - |\qu c\relax - |\twobu ee\relax - &\twobu gg\relax - &\itenu5l\ql l\enotes -% mesure 24 -\barre -\NOTes\org\qu{H}\relax - |\relax - |\ibu3h0\zq e\qh3h\relax - &\ql j\relax - &\tten5\ibl5i0\itenu5l\qb5l\enotes -\Notes\org\relax - |\relax - |\zq e\tqh3h\relax - &\relax - &\tten5\rlap{\sk\isluru5m}\nbbbl5\qb5{ljk}\tqb5l\enotes -\NOTes\org\hu I\relax - |\hpause - |\ibu0f0\zq d\qh0f\zq d\qh0f\zq d\qh0f\zq e\tqh0g\relax - &\hl i\relax - &\ifOboe\rlap{\tinynotesize\ibl0d0\zq d\qb0f\zq d\qb0f\zq d\qb0f\loff{\zq e\tqb0g}\relax}\fi - \qlp m\sk\sk\tslur5m\cl l\enotes -% mesure 25 -\barre\NOTes\org\hlp M\relax - |\relax - |\zhlp f\ibu3h0\qh3{hhh}\relax - &\Ibl4hk6\qb4h\qb4{_kk}\relax - &\Uptext{\pp}\bigfl k\qlp k\enotes -\NOtes\org\relax - |\pause - |\doubler\qh3{hh}\tqh3h\relax - &\doubler\qb4{kk}\tqb4k\relax - &\ibbl5m0\isluru5n\qb5{mnonm}\tslur5m\tqb5l\enotes -% mesure 26 -\barre -\NOTes\org\hlp N\relax - |\relax - |\zhlp e\ibu3g0\qh3{gg}\relax - &\ibu4i0\qh4{ii}\relax - &\itenu5k\ql{_k}\enotes -\NOtes\org\relax - |\sk\pause - |\doubler\qh3{ggg}\tqh3g\relax - &\doubler\qh4{iii}\tqh4i\relax - &\tten5\isluru5m\Ibbl1ko3\qb1{kln}\tqb1{o}\Ibbl1pk3\qb1{pnl}\tslur5m\tqb1k\enotes -% mesure 27 -\barre -\NOTes\org\hl a\relax - |\hu e\relax - |\ibu3h0\qh3h\relax - &\ibl4j0\qb4j\relax - &\bigfl k\ibl1j0\isluru5l\itenu1k\qb1k\enotes -\Notes\org\relax - |\relax - |\qh3h\relax - &\qh4j\relax - &\tten1\nbbbl1\qb1{kjl}\tqb1k\enotes -\NOtes\org\relax - |\relax - |\qh3h\sk\tqh3h\relax - &\qb4j\sk\tqb4j\relax - &\Ibbl1jn3\qb1{jlm}\tqb1n\enotes -\NOtes\org\qu H\relax - |\itenl2f\qu f\relax - |\ibu3h0\qh3h\sk\tqh3h\relax - &\ibl4j0\qb4j\sk\tqb4j\relax - &\Ibbl1ol3\qb1{onm}\tslur5m\tqb1l\enotes -% mesure 28 -\barre\NOTes\org\hu G\relax - |\tten2\hu f\relax - |\ibu3g0\qh3{gg}\relax - &\ibl4i0\bigna i\qb4{ii}\relax - &\itenu5m\ql m\enotes -\NOtes\org\relax - |\relax - |\qh3g\sk\tqh3g\relax - &\qb4i\sk\tqb4i\relax - &\tten5\ibbl5h0\rlap{\sk\isluru5j}\qb1{mgh}\tqb5{=i}\enotes -\NOtes\org\qu{H}\relax - |\itenl2f\qu f\relax - |\itenu3h\qu h\relax - &\itenu4j\ql j\relax - &\Ibbl1jk3\qb1{j=kl}\tqb1k\enotes -% mesure 29 -\barre -\NOtes\org\qu F\relax - |\tten2\qu f\relax - |\doubler\tten3\twobu hh\relax - &\doubler\tten4\twobl jk\relax - &\ibbl5l0\qb5{lom}\tslur5m\tqb5k\enotes -\temps\NOTes\org\hu G\relax - |\qup d\sk\sk\cu e\relax - |\ibu0g0\qh0{ggg}\tqh0g\relax - &\qlp{=i}\sk\sk\cl j\relax - &\ifOboe\rlap{\tinynotesize\ibl0g0\qb0{ggg}\tqb0g\relax}\fi - \isluru5k\qlp{=i}\sk\sk\tslur5l\cu j\enotes -% mesure 30 -%\check -\barre -\NOTes\org\hup{H}\relax - |\hup c\relax - |\ibu3h0\zq f\qh3h\zq f\qh3h\zq f\qh3h\zq f\qh3h\relax - &\ibl4j0\qb4{jjjj}\relax - &\itenl5f\hu f\enotes -\NOtes\org\relax - |\relax - |\zq f\qh3h\sk\zq f\tqh3h\relax - &\qb4j\sk\tqb4j\relax - &\tten5\rlap{\sk\islurd5c}\Ibbu5fe3\qh5{fcd}\tqh5e\enotes -% mesure 31 -%\check -\barre -\NOtes\org\hu G\relax - |\hu d\sk - |\doubler\ibu3g0\qh3{gggg}\relax - &\doubler\bigna i\ibl4i0\qb4{iii}\tqb4i\relax - &\Ibbu5fe3\qh5{fed}\tslur5d\tqh5e\islurd5e\Ibbu5fg3\qh5{fgh}\tslur5f\tqh5g\enotes -\Notes\org\ql L\relax - |\qu c\relax - |\doubler\doubler\qh3g\tqh3g\relax - &\doubler\doubler\twobl jj\relax - &\islurd5f\Ibbbu1gi7\qh1{gfefghi}\tslur5g\tqh1{=i}\enotes -% mesure 32 -%\check -\barre -\NOtes\org\bigaccid\zql{a}\relax - |\qu c\relax - |\ibu0f0\qh0f\sk\tqh0f\relax - &\doubler\twobu hh\relax - &\Ibl5jk3\qbp5j\sk\sk\tbbl5\tqb5k\enotes -\NOTes\org\hl N\relax - |\qup d\sk\sk\cu e\relax - |\twobu ff\twobu gg\relax - &\qlp{=i}\sk\sk\cl j\relax - &\ifOboe\rlap{\tinynotesize\twobl ff\twobl gg\relax}\fi - \isluru5l\qlp k\sk\sk\tslur5l\cu j\enotes -% mesure 33 -%\check -\barre\NOTes\org\hu K\relax - |\zhu{^f}\hlp d\relax - |\na h\ibu3h0\qh3{hhh}\tqh3h\relax - &\ibl4j0\qb4{jjj}\tqb4j\relax - &\bigsh m\isluru5n\hl m\enotes -\NOTes\org\qu G\relax - |\raise 2\internote\soupir - |\twobu gg\relax - &\bigna i\twobu ii\relax - &\tslur5o\isluru5o\twobl nk\enotes -% mesure 34 -%\check -\barre\NOTes\org\Ibl1JG5\qb1J\relax - |\qu e\relax - |\ibu3g0\qh3g\relax - &\ibl4j0\qb4j\relax - &\tslur5m\Ibl5lj2\qb5l\enotes -\NOtes\org\qb1L\relax - |\relax - |\tqh3g\relax - &\tqb4j\relax - &\nbbl5\qb5k\tqb5j\enotes -\NOTes\org\qb1{NMN}\tqb1G\relax - |\hu d\relax - |\hu g\relax - &\na i\qup i\sk\sk\cu j\relax - &\zcharnote o{\Trille{1.8\noteskip}}\na i\ql i\sk\rlap{\isluru5j\sk\tslur5k}\twobl ij\enotes - \ifOrgue\cleftoksi={{6}{6}{0}{0}}\changeclefs\fi -% mesure 35 -%\check -\barre -\NOTes\org\hup J\relax - |\rlap{\sk\itenl2N}\twobl cN\relax - |\Ibu3ge1\zq e\qh3g\zq c\tqh3e\relax - &\Ibl4jl5\qh4{jl}\relax - &\hlp j\enotes -\NOTes\org\relax - |\tten2\hl N\relax - |\ibu3e0\zq c\qh3e\zq c\qh3e\zq c\qh3e\zq c\tqh3e\relax - &\qb4{lll}\tqb4l\enotes -% mesure 36 -%\check -\barre\NOTes\org\hup G\relax - |\hlp N\relax - |\ibu3e0\zq c\qh3e\rq d\qh3c\rq d\qh3c\rq d\qh3c\zq -{_b}\qh3d\zq b\tqh3d\relax - &\Ibl4lk5\qb4{lkkkk}\tqb4k\relax - &\sk\sk\qsk\pause\enotes -% mesure 37 -%\check -\barre\NOTes\org\hup J\relax - |\hlp N - |\na e\ibu3e0\relax -\zq b\qh3 e\zq b\qh3 e\zq b\qh3 e\zq b\qh3 e\zq b\qh3 e\zq b\tqh3 e\relax - &\na l\ibl4l0\qb4{lllll}\tqb4l\relax - &\sk\sk\qsk\pause\enotes -% mesure 38 -%\check -\barre -\NOTes\org\hlp M\relax - |\zql b\relax - |\ibu3f0\zq c\qh3f\zq c\qh3f\relax - &\ibl4m0\qb4m\qb4m\enotes -\NOTes\org\relax - |\itenu2a\ql a\relax - |\zq c\qh3f\zq c\tqh3f\relax - &\qb4m\tqb4m\relax - &\sk\pause\enotes -\temps\NOTes\org\relax - |\tten2\ql a\relax - |\zq {c}\rq f\qu e\relax - &\ql m\sk - &\enotes -% mesure 39 -%\check -\barre -\NOTes\org\hl N\relax - |\na b\ibl2b0\zq b\qb2d\zq b\qb2d\zq b\qb2d\zq b\tqb2d\relax - |\qup f\sk\sk\Ibu3gc2\qh3g\relax - &\qlp m\sk\sk\Ibl4nj2\qb4n\relax - &\sk\sk\qsk\pause\enotes -\NOTes\org\ql a\relax - |\ql c\relax - |\qh3e\tqh3d\relax - &\qb4l\tqb4k\enotes -% mesure 40 -%\check -\barre -\NOTes\org\ql M\relax - |\zq c\ql a\sk\relax - |\twobu ef\relax - &\twobl lm\enotes -\NOTes\org\ibu2N0\qh2{NMN}\tqh2G\relax - |\hl{=b}\relax - |\hu d\relax - &\hl k\sk\sk\relax - &\qsk\pause\enotes -% mesure 41 -%\check -%\ifOrgue\cleftoksi={{6}{6}{0}{0}}\changeclefs\fi -\barre -\NOTES\org\hup J\relax - |\zhp{LN}\hlp c\relax - |\sk\pause - &\hlp j\relax - &\sk\pause\enotes -\ifOrgue \linegoal 9\relax -\else \linegoal 12\relax -\fi -\finmorceau - -\endinput - - - diff --git a/musixtex/doc/examples/marcon3.tex b/musixtex/doc/examples/marcon3.tex deleted file mode 100644 index de25e96..0000000 --- a/musixtex/doc/examples/marcon3.tex +++ /dev/null @@ -1,1106 +0,0 @@ -\ifx\mxversion\undefined - \input musixtex - \input musixcpt - \input musixsty -\fi - -% -\title{Concerto pour hautbois --- finale} -\fulltitle{Concerto pour hautbois --- finale} -\othermention{Transcription pour hautbois, fl\^{u}te et orgue\\{\bf - \ifFlute Partition fl\^{u}te\fi - \ifOboe Partition hautbois\fi - \ifOrgue Partition orgue\fi} -} -\shorttitle{Concerto pour hautbois --- finale} -\author{Benedetto MARCELLO\\Transcription Daniel TAUPIN} -\shortauthor{B. Marcello, D. Taupin} -\maketitle -% -\parindent 13mm -\def\interfacteur{10} % was 9 -\ifOrgue - \def\nbinstruments{3} - \global\cleftoksi={{6}{6}{0}{0}}% - \global\cleftoksii={{0}{0}{0}{0}}% - \global\cleftoksiii={{0}{0}{0}{0}}% - \nbporteesi=3\relax% - \nbporteesii=1\relax% - \nbporteesiii=1\relax% - \def\instrumenti{Orgue}% - \def\instrumentii{Fl\^{u}e}% - \def\instrumentiii{Hautbois}% - \def\staffspacingii{0.64}\def\staffspacingiii{0.64}% -\else - \def\nbinstruments{2} - \global\cleftoksi={{0}{0}{0}{0}}% - \global\cleftoksii={{0}{0}{0}{0}}% - \nbporteesi=1\relax% - \nbporteesii=1\relax% - \def\instrumenti{Fl\^{u}te}% - \def\instrumentii{Hautbois}% - \ifFlute\def\staffspacingi{1.0}\else\def\staffspacingi{0.64}\fi - \ifOboe\def\staffspacingiii{1.0}\else\def\staffspacingii{0.64}\fi% - \def\everystaff{\vrule width 0pt depth 5mm\relax}% -\fi - -\ifOboe\def\interinstrumenti{2\Interligne}\fi -% -\signaturegenerale{-3}\relax -%\check -\def\doubler{\multiply\noteskip by 2\relax}% -% formes frequentes -\def\Pause{\sk\sk\qsk\pause}% -% -% -\def\sixlpl#1#2#3#4#5#6{\Ibbl0{#1}{#6}5% -\isluru0{#1}\qb0{#1}\tslur0{#2}\qb0{#2}\upz{#3}\qb0{#3}% -\upz{#4}\qb0{#4}\upz{#5}\qb0{#5}\upz{#6}\tqb0{#6}}% -% -\def\Sixlpl#1#2#3#4#5#6{{\advance \transpose -1\relax\Ibbl0{#1}{#6}5}% -\isluru0{#1}\qb0{#1}\tslur0{#2}\qb0{#2}\upz{#3}\qb0{#3}% -\upz{#4}\qb0{#4}\upz{#5}\qb0{#5}\upz{#6}\tqb0{#6}}% -% -\def\fiveplpl#1#2#3#4#5{\Ibbl0{#1}{#5}4% -\isluru0{#1}\qb0{#1}\qb0{#2}\qb0{#3}% -\tslur0{#4}\tbbl0\qb0{#4}\upz{#5}\tqb0{#5}}% -% -\def\fourplpl#1#2#3#4{\Ibl0{#1}{#4}4% -\upz{#1}\qb0{#1}\sk\isluru0{#2}\nbbl0\qb0{#2}\tbbl0\tslur0{#3}\qb0{#3}% -\upz{#4}\tqb0{#4}\sk}% -% -\def\threelpl#1#2#3{\Ibbl0{#1}{#3}2% -\isluru0{#1}\qb0{#1}% -\tslur0{#2}\tbbl0\qb0{#2}\upz{#3}\tqb0{#3}}% -% -\def\threell#1#2#3{\Ibbl0{#1}{#3}2% -\isluru0{#1}\qb0{#1}% -\tslur0{#2}\tbbl0\qb0{#2}\tqb0{#3}}% -% -\def\sixlpu#1#2#3#4#5#6{\Ibbu0{#1}{#6}5% -\islurd0{#1}\qh0{#1}\tslur0{#2}\qh0{#2}\lpz{#3}\qh0{#3}% -\lpz{#4}\qh0{#4}\lpz{#5}\qh0{#5}\lpz{#6}\tqh0{#6}}% -% -\def\Sixlpu#1#2#3#4#5#6{{\advance\transpose 1\relax\Ibbu0{#1}{#6}5}% -\islurd0{#1}\qh0{#1}\tslur0{#2}\qh0{#2}\lpz{#3}\qh0{#3}% -\lpz{#4}\qh0{#4}\lpz{#5}\qh0{#5}\lpz{#6}\tqh0{#6}}% -% -\def\fiveplpu#1#2#3#4#5{\Ibbu0{#1}{#5}4% -\islurd0{#1}\qh0{#1}\qh0{#2}\lpz{#3}\qh0{#3}% -\tslur0{#4}\tbbu0\qh0{#4}\lpz{#5}\tqh0{#5}}% -% -\def\fourplpu#1#2#3#4{\Ibu0{#1}{#4}4% -\lpz{#1}\qh0{#1}\sk\islurd0{#2}\nbbu0\qh0{#2}\tbbu0\tslur0{#3}\qh0{#3}% -\lpz{#4}\tqh0{#4}\sk}% -% -\def\threelpu#1#2#3{\Ibbu0{#1}{#3}2% -\islurd0{#1}\qh0{#1}% -\tslur0{#2}\tbbu0\qh0{#2}\lpz{#3}\tqh0{#3}}% -% -\def\threelu#1#2#3{\Ibbu0{#1}{#3}2% -\islurd0{#1}\qh0{#1}% -\tslur0{#2}\tbbu0\qh0{#2}\tqh0{#3}}% -% -\def\sixppl#1#2#3#4#5#6{\Ibbl0{#1}{#6}5% -\upz{#1}\qb0{#1}\upz{#2}\qb0{#2}\upz{#3}\qb0{#3}% -\upz{#4}\qb0{#4}\upz{#5}\qb0{#5}\upz{#6}\tqb0{#6}}% -% -\def\Sixppl#1#2#3#4#5#6{{\advance\transpose -1\relax\Ibbl0{#1}{#6}5}% -\upz{#1}\qb0{#1}\upz{#2}\qb0{#2}\upz{#3}\qb0{#3}% -\upz{#4}\qb0{#4}\upz{#5}\qb0{#5}\upz{#6}\tqb0{#6}}% -% -\def\threeppl#1#2#3{\Ibbl0{#1}{#3}2% -\upz{#1}\qb0{#1}\tbbl0\upz{#2}\qb0{#2}\tqb0{#3}}% -% -\def\sixppu#1#2#3#4#5#6{\Ibbu0{#1}{#6}5% -\lpz{#1}\qh0{#1}\lpz{#2}\qh0{#2}\lpz{#3}\qh0{#3}% -\lpz{#4}\qh0{#4}\lpz{#5}\qh0{#5}\lpz{#6}\tqh0{#6}}% -% -\def\threeppu#1#2#3{\Ibbu0{#1}{#3}2% -\lpz{#1}\qh0{#1}\tbbu0\lpz{#2}\qh0{#2}\tqh0{#3}}% -% -\def\triol#1#2#3{\doubler\Ibl0{#1}{#3}2\qb0{#1}\qb0{#2}\tqb0{#3}}% -\def\triou#1#2#3{\doubler\Ibu0{#1}{#3}2\qh0{#1}\qh0{#2}\tqh0{#3}}% -\def\triopl#1#2#3{\doubler\Ibl0{#1}{#3}2\upz{#1}\qb0{#1}\upz{#2}\qb0{#2}\upz{#3}\tqb0{#3}}% -\def\triopu#1#2#3{\doubler\Ibu0{#1}{#3}2\lpz{#1}\qh0{#1}\lpz{#2}\qh0{#2}\lpz{#3}\tqh0{#3}}% -% -\def\clpz#1{\upz{#1}\cl{#1}} -\def\cupz#1{\lpz{#1}\cu{#1}} -% Siciliano : O. oO -\def\sicu#1#2#3{\Ibu0{#1}{#3}4\qhp0{#1}\sk\sk\tbbu0\qh0{#2}\tqh0{#3}\sk} -\def\sicl#1#2#3{\Ibl0{#1}{#3}4\qbp0{#1}\sk\sk\tbbl0\qb0{#2}\tqb0{#3}\sk} - -\catcodesmusic -\def\org#1&{\ifOrgue #1\relax - &\relax\fi} -% -%\check -% -\generalmeter{\meterfrac 38}% -\sepbarrules -% -\debutmorceau -\notes\org\relax - &\relax - &\zcharnote{w}{\kern -20mm\moyen Allegro \bf(\metron{\cu}{160})}\enotes -% -%\check -% mesure 1 -\notes\org\Pause - |\zmidtwotext{\llap{\bf II}}\qlp c\relax - |\zqp e\qup g\relax - &\qlp j\relax - &\uptext{\p}\sixlpl jgjklj\enotes -%\check - \barre % mesure 2 -\notes\org\Pause - |\qlp{=b}\relax - |\zqp d\qup g\relax - &\qlp k\relax - &\sixlpl kgklmk\enotes -%\check - \barre % mesure 3 -\notes\org\Pause - |\doubler\cl c\ql a\relax - |\doubler\zq e\cu g\zq c\qu f\relax - &\doubler\Ibu0ii1\bupz0\qh0j\bupz0\qh0l\bupz0\tqh0j\relax - &\sixppl lkjklm\enotes -%\check - \barre % mesure 4 -\Notes\org\sk\pause - |\qlp N\relax - |\zqp d\qup g\relax - &\qup{=i}\relax - &\isluru0n\ql n\sk\tslur0g\cl g\enotes -%\check - \barre % mesure 5 -\notes\org\Pause - |\qup J\relax - |\sixppl lkj{_i}hg\relax - &\sixppl nmlkj{_i}\relax - &\Pause\enotes -%\check - \barre % mesure 6 -\notes\org\Pause - |\sixppl MNMLKJ\relax - |\qu f\sk\sk\sk\ds\relax - &\threeppl hjm\sk\ds\relax - &\Pause\enotes -%\check - \barre % mesure 7 -\notes\org\Pause - |\zqlp I\Ibbu0KN2\qh0K\tbbu0\qh0M\tqh0b\sk\ds\relax - |\sixppu kjihgf\relax - &\sixppl mlkjih\relax - &\Pause\enotes -%\check - \barre % mesure 8 -\notes\org\Pause - |\sixppl LMLKJI\relax - |\qu e\sk\sk\sk\ds\relax - &\threeppl gil\sk\ds\relax - &\Pause\enotes -%\check - \barre % mesure 9 -\notes\org\Pause - |\zqlp H\Ibbu0JM2\qh0J\tbbu0\qh0L\tqh0a\sk\ds\relax - |\sixppu jihgfe\relax - &\sixppl lkjihg\relax - &\Pause\enotes -%\check - \barre % mesure 10 -\notes\org\Pause - |\sixppl KLKJIH\relax - |\qu d\sk\sk\sk\ds\relax - &\threeppl fhk\sk\ds\relax - &\Pause\enotes -%\check - \barre % mesure 11 -\notes\org\Pause - |\zqlp G\Ibbu0IL2\qh0{=I}\tbbu0\qh0K\tqh0N\sk\ds\relax - |\sixppu {=i}hgfed\relax - &\relax - \ifx\Quer\undefined \sixppu kj{=i}onm\else\sixppu kj{=i}hgf\fi - \relax - &\Pause\enotes -%\check - \barre % mesure 12 -\notes\org\Pause - |\sicu JKL\relax - |\Ibbu0cg4\qh0{cde}\tbbu0\qh0f\tqh0g\sk\relax - &\relax - \ifx\Quer\undefined \Ibbu0li2\qh0l\tqh0k\itenl0j\qu j\sk - \else\Ibbu0ei2\qh0e\tqh0g\itenl0j\qu j\sk - \fi\relax - &\Pause\enotes -%\check - \barre % mesure 13 -\notes\org\Pause - |\doubler\Ibl0MI2\qb0M\qb0N\tqb0G\relax - |\doubler -\Ibu0fd2\zq f\qb0h\zq g\qh0d\zq f\tqh0d\relax - &\tten0\ibbu0j0\qh0j\tbbu0\qh0k\qhp0{=i}\sk\sk\tbbu0\tqh0j\enotes -%\check - \barre % mesure 14 -\notes\org\qup J\relax - |\zmidtwotext{\llap{\bf I}}\qlp c\relax - |\zqp e\qup g\relax - &\qlp j\relax - &\sixlpl jgjklj\enotes -%\check - \barre % mesure 15 -\notes\org\doubler\qup {=I}\relax - |\doubler\qlp{=b}\relax - |\zqp d\qup g\relax - &\qlp k\relax - &\sixlpl kgklmk\enotes -%\check - \barre % mesure 16 -\notes\org\doubler\cu J\qu H\relax - |\doubler\cl c\ql a\relax - |\doubler\zq e\cu g\zq c\qu f\relax - &\doubler\Ibl0ii1\upz j\qb0j\upz l\qb0l\upz j\tqb0j\relax - &\sixppl lkjklm\enotes -%\check - \barre % mesure 17 -\notes\org\qup G\relax - |\qlp N\relax - |\zqp d\qup g\relax - &\fourplpl{=i}kji\relax - &\doubler\isluru0n\ql n\sk\tslur0g\cl g\enotes -%\check - \barre % mesure 18 -\notes\org\doubler\qu J\sk\lpz H\cu H\relax - |\doubler\ql c\sk\upz a\cl a\relax - |\doubler\zq e\qu g\sk\ds\relax - &\fourplpl llkj\relax - &\sixlpl nljlom\enotes - %\check - \barre % mesure 19 -\notes\org\doubler\qu I\sk\lpz G\cu G\relax - |\doubler\ql b\sk\upz N\cl N\relax - |\qu d\sk\ds\relax - &\fiveplpl iklmn\relax - &\threelpl kmp\sk\ds\enotes -%\check - \barre % mesure 20 -\notes\org\doubler\qu H\sk\lpz F\cu F\relax - |\doubler\ql a\sk\upz M\cl M\relax - |\doubler\zq c\qu e\sk\ds\relax - &\fourplpl jjih\relax - &\sixlpl ljhjlj\enotes - %\check - \barre % mesure 21 -\notes\org\doubler\qu G\sk\ds\relax - |\doubler\ql N\sk\ds\relax - |\doubler\qu {=b}\sk\ds\relax - &\fiveplpl gh{=i}jk\relax - &\threelpl {=i}kn\sk\ds\enotes - %\check - \barre % mesure 22 -\notes\org\Pause - |\Pause - |\doubler\ibu0g0\zq e\qh0g\zq e\qh0g\zq e\tqh0g\relax - &\fourplpl jlkj\relax - &\sixlpl lkjklj\enotes - %\check - \barre % mesure 23 -\notes\org\Pause - |\Pause - |\doubler\ibu0h0\zq {df}\qh0h\zq {df}\qh0h\zq {df}\tqh0h\relax - &\fourplpl imlk\relax - &\sixlpl mlklmk\enotes - %\check - \barre % mesure 24 -\notes\org\Pause - |\Pause - |\doubler\ibu0g0\zq e\qh0g\zq e\qh0g\zq e\tqh0g\relax - &\fourplpl inml\relax - &\sixlpl nmlmnl\enotes - %\check - \barre % mesure 25 -\notes\org\Pause - |\Pause - |\doubler\ibu0h0\zq f\qh0h\zq f\qh0h\zq f\tqh0h\relax - &\fourplpl ionm\relax - &\sixlpl pnmlkj\enotes - %\check - \barre % mesure 26 -\notes\org \Pause - |\Pause - |\doubler\Ibl0hg2\zq g\qb0i\zq f\qb0 h\zq e\tqb0 g\relax - &\Ibbl0li5\qb0{lkkjj}\tqb0i\relax - &\rlap{\sk\sk\sk\sk\itenu0l}\sicl iil\enotes - %\check - \barre % mesure 27 -\notes\org\Pause - |\doubler\ql c\sk\cl b\relax - |\doubler\Ibu0hi2\zq f\qh0{hi}\rq i\zq h\tqh0f\relax - &\doubler\Ibl0jk2\qb0{jk}\tqb0k\relax - &\tten0\ibbl0l0\qb0l\tbbl0\qb0m\isluru0m\Pince o\qb0m\sk\sk\tslur0l\tbbl0\tqb0l\enotes - %\check - \barre % mesure 28 - \notes\org\doubler\ibl0L0\qb0{LN}\tqb0L\relax - |\doubler\zq g\ql b\sk\itenu1b\itenu2e\zq e\cl -b\relax - |\sixppu iilmnl\relax - &\sixppl lilmnl\relax - &\doubler\ql l\sl\ds\enotes - %\check - \barre % mesure 29 - \notes\org\doubler\ibl0J0\qb0{IK}\tqb0I\relax - |\tten1\tten2\doubler\zql b\cu e\qu -d\cl b\relax - |\sixppu miklmk\relax - &\sixppl mimnom\relax - &\relax\Pause\enotes - %\check - \barre % mesure 30 - \notes\org\doubler\ibl0M0\qb0{LN}\tqb0L\relax - |\doubler\ibl0c0\qb0{be}\tqb0b\relax - |\sixppl lkjklm\relax - &\sixppl nmlmno\relax - &\Pause\enotes - %\check - \barre % mesure 31 - \notes\org\qup I\relax - |\Ibbl0bM5\qb0{bcbaN}\tqb0M\relax - |\doubler\isluru0k\ql k\sk\tslur0i\cl i\relax - &\doubler\ql p\sk\ds\relax - &\Pause\enotes - %\check - \barre % mesure 32 - \notes\org\Pause - |\zmidtwotext{\llap{\bf II}}\doubler\ibl0L0\upz L\qb0L\upz N\qb0 N\upz -L\tqb0L\relax - |\doubler\zq g\qu i\sk\zq g\cu i\relax - &\doubler\ibl0j0\isluru0l\qb0l\tslur0i\qb0i\upz l\tqb0l\relax - &\uptext{\mf}\sixlpl lilmnl\enotes - %\check - \barre % mesure 33 - \notes\org\Pause - |\doubler\ibu0J0\lpz I\qb0I\lpz K\qb0 K\lpz I\tqh0I\relax - |\doubler -\zq f\qu i\sk\zq k\cu i\relax - &\doubler\ibl0j0\isluru0l\qb0l\tslur0k\qb0k\upz m\tqb0m\relax - &\Sixlpl mimnom\enotes - %\check - \barre % mesure 34 - \notes\org\Pause - |\doubler\ibl0L0\upz L\qb0L\upz N\qb0 N\upz -L\tqb0L\relax - |\doubler\zq i\ql l\sk\zq i\cl l\relax - &\doubler\ibl0l0\isluru0n\qb0n\tslur0i\qb0i\upz n\tqb0n\relax - &\sixlpl nmlmno\enotes - %\check - \barre % mesure 35 - \notes\org\Pause - |\doubler\ql b\sk\ds\relax - |\doubler\zql i\Ibu0lk1\qh0l\tqh0k\ds\relax - &\doubler\Ibl0nm1\isluru0n\qb0n\tslur0m\tqb0m\ds\relax - &\doubler\isluru0p\ql p\sk\tslur0i\cl i\ds\enotes - %\check - \barre % mesure 36 - \notes\org\Pause - |\doubler\ql L\sk\ds\relax - |\doubler\zq e\zq g\ql i\sk\ds\relax - &\doubler\ql l\sk\ds\relax - &\Sixlpl ligili\enotes - %\check - \barre % mesure 37 - \notes\org\Pause - |\doubler\ibl0a0\upz c\zq a\qb0c\upz c\zq a\qb0c\upz c\zq a\tqb0c\relax - |\Pause\relax - &\sixlpl ljhjlj\relax - &\threelpl jlo\sk\ds\enotes - %\check - \barre % mesure 38 - \notes\org\Pause - |\doubler\zq M\ql c\sk\ds\relax - |\doubler\qu{=h}\sk\ds\relax - &\threelpl {=h}jm\sk\ds\relax - &\Sixlpl mj{=h}jmj\enotes - %\check - \barre % mesure 39 - \notes\org\Pause - |\doubler\ibl0c0\zq b\upz d\qb0d\zq b\upz d\qb0d\zq b\upz d\tqb0d\relax - |\Pause\relax - &\sixlpl mkikmk\relax - &\threelpl kmp\sk\ds\enotes - %\check - \barre % mesure 40 - \notes\org\Pause - |\doubler\zq N\ql d\sk\ds\relax - |\doubler\qu{=i}\sk\ds\relax - &\threelpl {=i}kn\sk\ds\relax - &\Sixlpl nk{=i}knk\enotes - %\check - \barre % mesure 41 - \notes\org\doubler\qu J\sk\cupz F\relax - |\zmidtwotext{\llap{\bf I}}\doubler\ql c\sk\clpz M\relax - |\doubler\ds\Ibu0gh1\qh0g\tqh0{_h}\relax - &\doubler\isluru0l\ql l\sk\tslur0m\clpz m\relax - &\sixlpl lnlj{_o}m\enotes - %\check - \barre % mesure 42 - \notes\org\doubler\qu I\sk\cupz E\relax - |\doubler - \ql b\sk\clpz L\relax - |\doubler\Ibu0fg2\qh0f\qh0 i\tqh0g\relax - &\doubler\isluru0k\ql k\sk\tslur0j\clpz j\relax - &\sixlpl kmkinl\enotes - %\check - \barre % mesure 43 - \notes\org\doubler\qu H\sk\cupz D\relax - |\doubler - \ql a\sk\clpz K\relax - |\doubler\ds\Ibu0eh1\zq c\qh0e\zq f\tqh0h\relax - &\Ibl0ji5\isluru0j\qb0j\sk\qb0l\sk\nbbl0\qb0h\tslur0i\tqb0i\relax - &\sixlpl jljhmk\enotes - %\check - \barre % mesure 44 - \notes\org\doubler\qu G\sk\cupz C\relax - |\doubler\ql N\sk\clpz J\relax - |\doubler\Ibu0de2\qh0d\qh0g\tqh0e\relax - &\doubler\isluru0i\ql i\sk\tslur0h\cl h\relax - &\sixlpl ikiglj\enotes - %\check - \barre % mesure 45 - \notes\org\doubler\qu F\sk\cupz I\relax - |\doubler\ql M\sk\clpz b\relax - |\doubler\ds\Ibu0cd1\qh0c\tqh0d\relax - &\itenl0h\qu h\sk\sk\sk\Ibbu0hg1\tten0\qh0h\tqh0g\relax - &\sixlpu hjhfki\enotes - %\check - \barre % mesure 46 - \notes\org\doubler\qu E\sk\cupz C\relax - |\doubler\ql L\sk\clpz J\relax - |\doubler\Ibu0dd2\qh0e\qh0N\tqh0e\relax - &\doubler\islurd0g\qu g\sk\tslur0h\cu {=h}\relax - &\sixlpu gigej{=h}\enotes - %\check - \barre % mesure 47 - \notes\org\doubler\qu D\sk\ds\relax - |\doubler\ql K\sk\ds\relax - |\zq c\rq d\qu{^f}\sk\ds\relax - &\doubler\qu {=h}\sk\ds\relax - &\sixlpu {^f}df{=h}kh\enotes - %\check - \barre % mesure 48 - \notes\org\doubler\qu G\sk\ds\relax - |\ql N\sk\ds\doubler\relax - |\doubler\zq {bd}\qu g\sk\ds\relax - &\doubler\qu i\sk\ds\relax - &\sixlpl igiknk\enotes - %\check - \barre % mesure 49 - \notes\org\doubler\qu J\sk\ds\relax - |\doubler\ql c\sk\ds\relax - |\doubler\zq e\qu g\sk\ds\relax - &\doubler\ql j\sk\ds \relax - &\sixlpl ljlnqn\enotes - %\check - \barre % mesure 50 - \notes\org\doubler\qu K\sk\cupz L\relax - |\doubler\ql{=a}\sk\ds\relax - |\doubler\zq d\qu{^f}\sk\zq e\cu g\relax - &\Ibu0hk5\qh0{=h}\sk\nbbu0\bupz0\qh0h\bupz0\qh0i\bupz0\qh0j\bupz0\tqh0k\relax - &\rlap{\sk\sk\sk\sk\itenu0n}\sicl {^m}kn\enotes - %\check - \barre % mesure 51 - \notes\org\doubler\qu J\sk\cupz G\relax - |\doubler\ql c\sk\cupz N\relax - |\doubler - \ibu0g0\lpz g\qh0g\lpz f\qh0{^f}\lpz g\tqh0g\relax - &\doubler\Ibl0lj2\qb0l\qb0k\tqb0j\relax - &\tten0\ibbl0n0\qb0n\tbbl0\qb0{=o}\Pince o\isluru0m\qh0{^m}\sk\sk\tslur0n\tbbl0\tqb0n\enotes - %\check - \barre % mesure 52 - \notes\org\doubler\qu G\sk\ds\relax - |\doubler\ql N\sk\ds\relax - |\doubler\zq {bd}\qu g\sk\ds\relax - &\doubler\qu i\sk\ds\relax - &\sixlpl nknkik\enotes - %\check - \barre % mesure 53 - \notes\org\qup G\relax - |\qlp N\relax - |\sixppu i{=h}gfed\relax - &\advance\transpose 7\relax\sixppl kji{=h}gf\relax - &\doubler\qu g\sk\ds\enotes - %\check - \barre % mesure 54 - \notes\org\doubler\qu E\sk\ds\relax - |\sixppu JKJI{=H}G\relax - |\doubler\qu c\sk\ds\relax - &\advance\transpose 7\relax \threeppl egj\sk\ds\relax - &\Pause\enotes - %\check - \barre % mesure 55 - \notes\org\qup F\relax - |\threeppu {=H}JM\sk\ds\relax - |\sixppu {=h}gfedc\relax - &\advance\transpose 7\relax \sixppl ji{=h}gfe\relax - &\Pause\enotes - %\check - \barre % mesure 56 - \notes\org\doubler\qu D\sk\ds\relax - |\sixppu IJI{=H}GF\relax - |\doubler\qu b\sk\ds\relax - &\advance\transpose 7\relax \threeppl dfi\sk\ds\relax - &\pause\enotes - %\check - \barre % mesure 57 - \notes\org\qup E\relax - |\threeppu GIL\sk\ds\relax - |\sixppu gfedcb\relax - &\advance\transpose 7\relax \sixppl i{=h}gfed\relax - &\Pause\enotes - %\check - \barre % mesure 58 - \notes\org\doubler\qu C\sk\ds\relax - |\sixppu {=H}IHGF{=E}\relax - |\doubler\qu {=a}\sk\ds\relax - &\advance\transpose 7\relax \threeppl c{=e}{=h}\sk\ds\relax - &\Pause\enotes - %\check - \barre % mesure 59 - \notes\org\doubler\qu D\sk\ds\relax - |\threeppu{^F}{=H}K\sk\ds\relax - |\sixppu {^f}{_e}dcb{=a}\relax - &\advance\transpose 7\relax \sixppu{=h}g{^f}{_e}dc\relax - &\Pause\enotes - %\check - \barre % mesure 60 - \notes\org\sicu G{=H}I\relax - |\Ibbl0Nd4\qb0N\qb0{=a}\qb0b\tbbl0\qb0c\tqb0d\sk\relax - |\Ibbu0bd1\qh0b\tqh0d\itenu1g\qu g\relax - &\advance\transpose 7\relax \Ibbl0bd1\qb0b\tqb0d\itenu0g\ql g\relax - &\Pause\enotes - %\check - \barre % mesure 61 - \notes\org\doubler\Ibu0IG2\qh0J\qh0K\tqh0D\relax - |\doubler - \Ibl0eb2\qb0e\zq{=a}\qb0d\zq a\tqb0c\relax - |\tten1\ibbu0g0\qh0g\tbbu0\qh0{=h}\qhp0{^f}\sk\sk\tbbu0\tqh0g\relax - &\advance\transpose 7\relax \tten0\ibbl0g0\qb0g\tbbl0\qb0{=h}\isluru0f\qbp0{^f}\sk\sk\tbbl0\tslur0g\tqb0g\relax - &\Pause\enotes - %\check - \barre % mesure 62 - \notes\org\qup G\relax - |\zqp{=b}\qlp N\relax - |\doubler\qup g\relax - &\relax\advance\transpose 7\relax - \qlp g\relax - &\Pause\enotes - \ifOrgue - \setrightrepeat - \alapage % mesure 63 - \addspace{-\afterruleskip}% - \leftrepeatsymbol - \else - \setleftrightrepeat - \barre % mesure 63 - \fi - \notes\org\triou GIG\relax - |\zmidtwotext{\llap{\bf I}}\triol NbN\relax - |\doubler\zq d\qu g\sk\zq d\cu g\relax - &\fourplpl ikji\relax - &\sixlpl nknopn\enotes - %\check - \barre % mesure 64 - \notes\org\triou JIH\relax - |\triol cba\relax - |\doubler\zq c\zq {=e}\qu g\sk \itenl0c\zq c\cu h\relax - &\doubler\ql n\sk\itenu1 j\cl j\relax - &\Ibl0lh5\qbp0{=l}\sk\sk\nbbl0\qb0{jm}\tqb0h\enotes - %\check - \barre % mesure 65 - \notes\org\triou IJJ\relax - |\triol bcc\relax - |\doubler\tten0\ibu0g0\zq c\qh0g\rq g\qh0f\zq{=e}\tqh0g\relax - &\doubler\tten1\ql j\sk\cl j\relax - &\ibbl0i0\qb0{gmgmg}\tqb0{=l}\enotes - %\check - \barre % mesure 66 - \notes\org\qu F\sk\ds\relax - |\triol MaM\relax - |\doubler\qu h\sk\ds\relax - &\Sixlpl mjmnom\relax - &\doubler\ql m\sk\ds\enotes - %\check - \barre % mesure 67 - \notes\org\Pause - |\doubler\qu I\sk\cu J\relax - |\ibu0i0\zqp h\zqp f\qhp0f\sk\sk\nbbu0\qh0{ij}\tqh0g\relax - &\doubler\ql k\sk\clpz l\relax - &\Pause\enotes - %\check - \barre % mesure 68 - \notes\org\Pause - |\triou HII\relax - |\ibbl0h0\qb0{flflf}\tqb0k\relax - &\triopl mmm\relax - &\Pause\enotes - %\check - \barre % mesure 69 - \notes\org\Pause - |\triopl LNL\relax - |\doubler\ibu0i0\lpz g\zq g\qh0i\lpz g\zq g\qh0i\lpz g\zq g\tqh0i\relax - &\doubler\ql l\sk\clpz l\relax - &\sixlpl lilmnl\enotes - %\check - \barre % mesure 70 - \notes\org\Pause - |\triopl IKI\relax - |\doubler\ibu0i0\lpz d\zq d\zq f\qh0i\lpz d\zq d\zq f\qh0i\lpz -d\zq d\zq f\tqh0i\relax - &\doubler\ql l\sk\clpz m\relax - &\Sixlpl mimnom\enotes - %\check - \barre % mesure 71 - \notes\org\Pause - |\triopl LNL\relax - |\doubler\ibu0k0\lpz g\zq g\zq i\qh0l\lpz g\zq g\zq i\qh0l\lpz -g\zq g\zq i\tqh0l\relax - &\doubler\ql n\sk\clpz n\relax - &\sixlpl nmlmno\enotes - %\check - \barre % mesure 72 - \Notes\org\sl\qsk\pause - |\ql b\sk\ds\relax - |\zql i\Ibu0lk1\qh0l\tqh0k\ds\relax - &\Ibl0nm1\isluru0n\qh0n\tslur0m\tqb0m\ds\relax - &\isluru0p\ql p\sk\tslur0i\cl i\enotes - %\check - \barre % mesure 73 -% - \def\sixllpl#1#2#3#4#5#6{\Ibbl0{#1}{#6}5% -\isluru0{#1}\qb0{#1}\tslur0{#2}\qb0{#2}\isluru0{#3}\qb0{#3}% -\tslur0{#4}\qb0{#4}\upz{#5}\qb0{#5}\upz{#6}\tqb0{#6}}% -% - \def\sixllpu#1#2#3#4#5#6{\Ibbu0{#1}{#6}5% -\islurd0{#1}\qh0{#1}\tslur0{#2}\qh0{#2}\islurd0{#3}\qh0{#3}% -\tslur0{#4}\qh0{#4}\lpz{#5}\qh0{#5}\lpz{#6}\tqh0{#6}}% -% - \def\sixllll#1#2#3#4#5#6{\Ibbl0{#1}{#6}5% -\isluru0{#1}\qb0{#1}\tslur0{#2}\qb0{#2}\isluru0{#3}\qb0{#3}% -\tslur0{#4}\qb0{#4}\isluru0{#5}\qb0{#5}\tslur0{#6}\tqb0{#6}}% -% - \def\sixlllu#1#2#3#4#5#6{\Ibbu0{#1}{#6}5% -\islurd0{#1}\qh0{#1}\tslur0{#2}\qh0{#2}\islurd0{#3}\qh0{#3}% -\tslur0{#4}\qh0{#4}\islurd0{#5}\qh0{#5}\tslur0{#6}\tqh0{#6}}% -% - \notes\org\Pause - |\zmidtwotext{\bf II}\doubler\ql L\sk\ds\relax - |\doubler\zq e\zq g\ql i\sk\ds\relax - &\doubler\ql l\sk\ds\relax - &\uptext{\p}\sixllpl liij{_k}k\enotes - %\check - \barre % mesure 74 - \notes\org\Pause - |\doubler\ibl0a0\upz a\qb0a\upz a\qb0a\upz a\tqb0a\relax - |\doubler\soupir\ibu0e0\lpz c\qh0c\lpz c\zq c\tqh0e\relax - &\sixllpu ihhijj\relax - &\usf m\threell {_k}jj\enotes - %\check - \barre % mesure 75 - \notes\org\Pause - |\doubler\zq M\ql{=a}\sk\ds\relax - |\qu e\sk\ds\relax - &\doubler\ql j\sk\ds\relax - &\sixllpl mjj{=k}ll\enotes - %\check - \barre % mesure 76 - \notes\org\Pause - |\doubler\ibl0b0\upz b\qb0b\upz b\qb0b\upz b\tqb0b\relax - |\doubler\soupir\ibu0f0\lpz d\qh0d\lpz d\zq f\tqh0d\relax - &\sixllpl jiijkk\relax - &\usf m\threell lkk\enotes - %\check - \barre % mesure 77 - \notes\org\Pause - |\doubler\zq N\ql{=b}\sk\ds\relax - |\doubler\qu f\sk\ds\relax - &\doubler\ql k\sk\ds\relax - &\sixllpl nkklmm\enotes - %\check - \barre % mesure 78 - \notes\org\Pause - |\doubler\ibl0c0\upz c\qb0c\upz c\qb0c\upz c\tqb0c\relax - |\doubler\soupir\ibu0g0\lpz e\qh0e\lpz e\zq e\tqh0g\relax - &\sixllpl kjjkll\relax - &\usf n\threell mll\enotes - %\check - \barre % mesure 79 - \notes\org\Pause - |\doubler\zq a\ql c\sk\ds\relax - |\doubler\qu {_g}\sk\ds\relax - &\doubler\ql l\sk\ds\relax - &\sixllpl ollm{_n}n\enotes - %\check - \barre % mesure 80 - \notes\org\Pause - |\doubler\ibl0d0\upz d\qb0{_d}\upz d\qb0d\upz d\tqb0d\relax - |\doubler\soupir\ibu0h0\lpz f\qh0f\lpz f\zq h\tqh0f\relax - &\sixllpl l{_k}klmm\relax - &\sixlpl {_n}mm{=n}op\enotes - %\check - \barre % mesure 81 - \notes\org\doubler\soupir\sk\cu J\relax - |\doubler\ust e\ql e\sk\zmidtwotext{\bf I}\clpz c\relax - |\doubler\lst g\qu g\sk\zq h\upz l\ql l\relax - &\doubler\ql l\sk\clpz o\relax - &\ibbl0k0\isluru0k\qb0{_k}\qb0j\tslur0k\qb0k\upz m\qb0m\upz l\qh0l\upz k\tqb0k\enotes - %\check - \barre % mesure 82 - \notes\org\triopl {_K}LE\relax - |\triopl {_d}eL\relax - |\doubler\Ibu0ki2\zq f\qh0m\zq i\qh0l\zq i\tqh0{_k}\relax - &\triopl oon\relax - &\uptext{\f}% - \Ibbl0in1\isluru0j\qb0j\tslur0o\tqb0o\Ibl0ih3\Pince m\isluru0i\qbp0i\sk\sk\tslur0h\tbbl0\tqb0h\enotes - %\check - \barre % mesure 83 - \notes\org\triopu HJH\relax - |\triopl aca\relax - |\zq h\sixppu jehijh\relax - &\ifx\Quer\undefined \advance\transpose 7\fi\sixppl hehijh\relax - &\relax\doubler\qu h\sk\ds\enotes - %\check - \barre % mesure 84 - \notes\org\triopu EGE\relax - |\triopu LNL\relax - |%\rlap{\roff{\ql h}\sk\ql g}% - \sixppu ieij{_k}i\relax - &\ifx\Quer\undefined \advance\transpose 7\fi\Sixppl ieij{_k}i\relax - &\Pause\enotes - %\check - \barre % mesure 85 - \notes\org\doubler\qu H\sk\cupz H\relax - |\doubler\ql a\sk\clpz a\relax - |\sixppu hgfghi\relax - &\ifx\Quer\undefined \advance\transpose 7\fi\sixppl jihij{=k}\relax - &\Pause\enotes - %\check - \barre % mesure 86 - \Notes\org\qup E\relax - |\qlp L\relax - |\zq g\qu i\sk\cu e\relax - &\ifx\Quer\undefined \advance\transpose 7\fi\isluru0l\ql l\sk\tslur0e\cl e\relax - &\sk\qsk\pause\enotes - %\check - \barre % mesure 87 - \notes\org\qup J\relax - |\doubler\qlp c\sk\zmidtwotext{\bf II}\relax - |\zqp e\zqp h\qlp l\relax - &\ifx\Quer\undefined \advance\transpose 7\fi\qlp h\relax - &\sixlpl ljhjlh\enotes - %\check - \barre % mesure 88 - \notes\org\Pause - |\doubler\ibl0L0\zq {_K}\upz a\qb0a\zq K\upz a\qb0a\zq K\upz a\tqb0a\relax - |\Pause\relax - &\sixlpl om{_k}mom\relax - &\doubler\ql m\sk\ds\enotes - %\check - \barre % mesure 89 - \notes\org\Pause - |\doubler\zq I\ql a\sk\ds\relax - |\doubler\ql i\sk\ds\relax - &\doubler\ql{=k}\sk\ds\relax - &\sixlpl mkikmi\enotes - %\check - \barre % mesure 90 - \notes\org\Pause - |\doubler\ibl0L0\zq L\upz N\qb0N\zq L\upz N\qb0N\zq L\upz N\tqb0N\relax - |\Pause\relax - &\sixlpl pnlnpn\relax - &\doubler\ql n\sk\ds\enotes - %\check - \barre % mesure 91 - \notes\org\Pause - |\doubler\zq J\ql N\sk\ds\relax - |\doubler\ql j\sk\ds\relax - &\doubler\ql{=l}\sk\ds\relax - &\sixlpl n{=l}jlnj\enotes - %\check - \barre % mesure 92 - \notes\org\Pause - |\doubler\isluru0a\Ibbl0Ma2\zq M\qb0a\zq N\qb0 b\tslur0c\zq -a\tqb0c\relax - |\rlap{\triol f{=e}f}\Ibu0jg5\qhp0j\sk\sk\nbbu0\qh0i\qh0h\tqh0g\relax - &\ifx\Quer\undefined \advance\transpose 7\fi\Ibl0jg5\qbp0j\sk\sk\nbbl0\qb0i\qb0h\tqb0g\relax - &\Ibl0ol5\isluru0o\qbp0o\sk\sk\nbbl0\qb0n\qb0m\tslur0l\tqb0{=l}\enotes - %\check - \barre % mesure 93 - \notes\org\Pause - |\doubler\Ibl0bK2\lq b\qb0c\qb0c\zq b\tqb0J\relax - |\zcl f\Ibbu0hj4\qh0h\tbbu0\qh0i\zql{=e}\qh0g\sk\tqh0j\relax - &\Ibbl0oq4\qb0o\tbbl0\qb0p\qb0n\sk\tqb0q\relax - &\ibbl0m0\isluru0m\qb0m\tslur0n\tbbl0\qb0n\Pince n\isluru0l\qbp0{=l}\sk\sk\tbbl0\tslur0m\tqb0m\enotes - %\check - \barre % mesure 94 - \notes\org\triopu MFF\relax - |\zmidtwotext{\bf I}\triopl aMM\relax - |\sixlpu jhfhjf\relax - &\ifx\Quer\undefined \advance\transpose 7\fi\sixppl jhfhjf\relax - &\doubler\ql m\sk\ds\enotes - %\check - \barre % mesure 95 - \notes\org\qup I\relax - |\triopl bbb\relax - |\doubler\ql {_k}\sk\ds\relax - &\ifx\Quer\undefined \advance\transpose 7\fi\ql{_k}\sk\ds\relax - &\sixlpl m{_k}ikmi\enotes - %\check - \barre % mesure 96 - \notes\org\triopu EEE\relax - |\qup L\relax - |\sixlpu igegie\relax - &\ifx\Quer\undefined \advance\transpose 7\fi\sixppl igegie\relax - &\doubler\ql n\sk\ds\enotes - %\check - \barre % mesure 97 - \notes\org\qup H\relax - |\triopl aaa\relax - |\doubler\ql j\sk\ds\relax - &\ifx\Quer\undefined \advance\transpose 7\fi\ql j\sk\ds\relax - &\sixlpl ljhjlh\enotes - %\check - \barre % mesure 98 - \notes\org\triopu {_D}DD\relax - |\qup {_K}\relax - |\sixlpu hf{_d}fhd\relax - &\ifx\Quer\undefined \advance\transpose 7\fi\sixppl hf{_d}fhd\relax - &\doubler\ql m\sk\ds\enotes - %\check - \barre % mesure 99 - \notes\org\qup G\relax - |\triopl NNN\relax - |\doubler\ql i\sk\ds\relax - &\ifx\Quer\undefined \advance\transpose 7\fi\ql i\sk\ds\relax - &\sixlpl {_k}igikg\enotes - %\check - \barre % mesure 100 - \notes\org\triopu CCC\relax - |\qup J\relax - |\sixlpu g{=e}cegc\relax - &\ifx\Quer\undefined \advance\transpose 7\fi\sixppl g{=e}cegc\relax - &\doubler\ql n\sk\ds\enotes - %\check - \barre % mesure 101 - \notes\org\triopu FFF\relax - |\zqup c\triopl MMM\relax - |\islurd0h\Ibbu0he5\qh0{hihgf}\tslur0e\tqh0e\relax - &\ifx\Quer\undefined \advance\transpose 7\relax\isluru0h\Ibbl0he5\qb0{hihgf}\tslur0e\tqb0e\relax - \else\isluru0h\Ibbu0he5\qh0{hihgf}\tslur0e\tqh0e\fi - &\isluru0m\Ibbl0mj5\qb0{mnml=k}\tslur0j\tqb0j\enotes - %\check - \barre % mesure 102 - \notes\org\doubler\qu G\sk\ds\relax - |\doubler\zql -N\cu{=b}\sk\ds\relax - |\doubler\ibu0g0\qh0d\rq g\zq d\qh0f\rq g\zq d\tqh0f\relax - &\doubler\ifx\Quer\undefined \Ibu0ki2\qh0k\else\Ibu0gi2\qh0d\fi\qh0{=i}\tqh0i\relax - &\ibbu0h0\rlap{\sl\islurd0g}\qh0{=igigi}\tslur0g\tqh0g\enotes - %\check - \barre % mesure 103 - \notes\org\doubler\qu J\sk\cu{=I}\relax - |\doubler\ql c\sk\cl{=b}\relax - |\doubler\ibu0g0\zq -e\qh0g\zq e\qh0g\zq d\tqh0 g\relax - &\triopl jjk\relax - &\ibbl0i0\isluru0j\qb0{jgjgk}\tslur0j\tqb0g\enotes - %\check - \barre % mesure 104 - \notes\org\sicu J{_I}H\relax - |\sicl c{_b}a\relax - |\doubler\ibu0i0\zq e\zq j\qh0g\zq e\zq j\qh0g\zq -f\zq j\tqh0h\relax - &\triopl llm\relax - &\ibbl0i0\isluru0l\qb0{lglgm}\tslur0l\tqb0h\enotes - %\check - \barre % mesure 105 - \notes\org\doubler\qu G\sk\cupz J\relax - |\doubler\ql N\sk\clpz c\relax - |\doubler\ibl0h0\zq -g\zq{=i}\qb0m\zq{gi}\qb0k\zq h\tqb0j\relax - &\Ibl0nk4\isluru0n\qbp0n\sk\sk\nbbl0\qb0{ml}\tslur0k\tqb0k\relax - &\Ibl0nk4\isluru0n\qbp0n\sk\sk\nbbl0\qb0{ml}\tslur0k\tqb0k\enotes - %\check - \barre % mesure 106 - \notes\org\triopu MNG\relax - |\triopl ffN\relax - |\doubler\zq h\cl j\zql g\Ibu0ji1\qh0j\tqh0{=i}\relax - &\isluru0l\Ibbl0lm1\qb0l\tslur0m\tqb0m\ql k\relax - &\Ibbl0lj5\isluru0l\qb0l\tslur0m\tbbl0\qb0m\isluru0k\Pince n\qbp0k\sk\sk\tslur0j\tbbl0\tqb0j\enotes - %\check - \barre % mesure 107 - \notes\org\qup J\relax - |\triopl eec\relax - |\doubler\ql j\sk\ds\relax - &\sixppu jgjklj\relax - &\doubler\ql j\sk\ds\enotes - %\check - \barre % mesure 108 - \notes\org\qup G\relax - |\qlp N\relax - |\doubler\cl j\ql{=i}\relax - &\sixppu kgklmk\relax - &\Pause\enotes - %\check - \barre % mesure 109 - \notes\org\qup J\relax - |\doubler\Ibl0ec2\zq e\qb0g\zq d\qb0f\zq c\tqb0e\relax - |\sixppl j{=i}jklm\relax - &\sixppl lklmno\relax - &\Pause\enotes - %\check - \barre % mesure 110 - \notes\org\qup G\relax - |\sixppl NaNMLK\relax - |\doubler\zqlp d\qu {=i}\sk\cu g\relax - &\doubler\isluru0n\ql n\sk\tslur0h\cu g\relax - &\Pause\enotes - %\check - \barre % mesure 111 - \notes\org\doubler\qu J\sk\ds\relax - |\doubler\ql c\sk\ds\relax - |\doubler\ibl0h0\zq g\upz j\qb0j\upz -j\qb0j\upz g\tqb0g\relax - &\triopl ljn\relax - &\uptext{\mf}\sixppl nmlkji\enotes - %\check - \barre % mesure 112 - \notes\org\qup F\relax - |\sixppl MNMLKJ\relax - |\sixppu hihgfe\relax - &\sixppl oponml\relax - &\threell hjm\sk\ds\enotes - %\check - \barre % mesure 113 - \notes\org\doubler\qu I\sk\ds\relax - |\doubler\ql b\sk\ds\relax - |\threelu dfi\sk\ds\relax - &\threell kmp\sk\ds\relax - &\sixppl mlkjih\enotes - %\check - \barre % mesure 114 - \notes\org\qup E\relax - |\sixppl LMLKJI\relax - |\sixppu ghgfed\relax - &\sixppl nonmlk\relax - &\threell gil\sk\ds\enotes - %\check - \barre % mesure 115 - \notes\org\doubler\qu H\sk\ds\relax - |\doubler\ql a\sk\ds\relax - |\threelu ceh\sk\ds\relax - &\threell jlo\sk\ds\relax - &\sixppl lkjihg\enotes - %\check - \barre % mesure 116 - \notes\org\doubler\qup D\relax - |\sixppl KLKJIH\relax - |\sixppu fgfedc\relax - &\sixppl mnmlkj\relax - &\threell fhk\sk\ds\enotes - %\check - \barre % mesure 117 - \notes\org\doubler\qu G\sk\ds\relax - |\doubler\ql N\sk\ds\relax - |\threelu {=b}dg\sk\ds\relax - &\threell {=i}kn\sk\ds\relax - &\sixppl kj{=i}hgf\enotes - %\check - \barre % mesure 118 - \notes\org\sicu JKL\relax - |\doubler\zq N\cl c\soupir\relax - |\Ibbu0eg4\lpz e\qh0e\lpz -d\qh0d\lpz e\qh0 e\lpz f\tbbu0\qh0f\lpz g\tqh0g\relax - &\advance\transpose 7\relax\Ibbl0eg4\upz e\qb0e\upz -d\qb0d\upz e\qb0 e\upz f\tbbl0\qb0f\upz g\tqb0g\relax - &\islurd0e\Ibbu0eg1\qh0e\tslur0g\tqh0g\itenu0j\ql j\enotes - %\check - \barre % mesure 119 - \notes\org\triopu MNG\relax - |\triopl c{=b}N\relax - |\doubler\Ibu0hf2\lpz e\zq e\qh0h\lpz -d\zq d\qh0g\lpz d\zq d\tqh0f\relax - &\triopl onm\relax - &\tten0\ibbl0j0\isluru0j\qb0j\tslur0k\tbbl0\qb0k\Pince n\isluru0i\qlp{=i}\sk\sk\tbbl0\tslur0j\tqb0j\enotes - %\check - \barre % mesure 120 - \notes\org\doubler\qu J\sk\cupz I\relax - |\doubler\ql N\sk\ds\relax - |\doubler\zq c\qu e\sk\ds\relax - &\doubler\ql l\sk\ds\relax - &\sixllll joonnm\enotes - %\check - \barre % mesure 121 - \notes\org\doubler\qu H\sk\cupz F\relax - |\doubler\ql a\sk\clpz M\relax - |\triou cff\relax - &\sixlllu fjkjj{=i}\relax - &\Ibl0mk5\qb0{mm}\isluru0m\qb0m\tslur0l\qb0l\isluru0l\qh0l\tslur0k\tqb0k\enotes - %\check - \barre % mesure 122 - \notes\org\qup G\relax - |\doubler\ql N\sk\clpz N\relax - |\doubler\ibu0f0\zq d\qh0f\rq f\zq d\qh0g\rq f\zq d\tqh0g\relax - &\triopu {=i}ii\relax - &\Ibbl0ih5\qb0{kg=igi}\tqb0g\enotes - %\check - \barre % mesure 123 - \notes\org\doubler\qu J\sk\cupz{=I}\relax - |\doubler\ql c\sk\clpz {=b}\relax - |\doubler\ibu0f0\zq e\qh0g\zq e\qh0g\zq d\tqh0g\relax - &\triopl jjk\relax - &\Ibbl0hi5\qb0{jgjgk}\tqb0g\enotes - %\check - \barre % mesure 124 - \notes\org\sicu J{_I}H\relax - |\doubler\ql c\sk\clpz a\relax - |\doubler\ibu0h0\zq {eg}\qh0j\zq {eg}\qh0j\zq {fh}\tqh0j\relax - &\triopl llm\relax - &\Ibbl0hi5\qb0{lglgm}\tqb0h\enotes - %\check - \barre % mesure 125 - \notes\org\doubler\qu G\sk\cupz H\relax - |\doubler\cl N\sk\clpz c\relax - |\doubler\ibl0h0\zq{m=i}\qb0g\zq{ki}\qb0g\tqb0j\relax - &\Ibl0nk5\isluru0n\qbp0n\sk\sk\nbbl0\qb0{ml}\tslur0k\tqb0k\relax - &\Ibl0nk5\isluru0n\qbp0n\sk\sk\nbbl0\qb0{ml}\tslur0k\tqb0k\enotes - %\check - \barre % mesure 126 - \notes\org\triopu FGG\relax - |\doubler\ql a\qu d\zq N\cl N\relax - |\doubler\zq j\cl h\zql f\Ibu0ji1\qh0j\tqh0{=i}\relax - &\Ibbl0lm1\qb0l\tqb0m\ql k\relax - &\isluru0l\Ibbl0lj5\qb0l\tslur0q\tbbl0\qb0q\Pince n\isluru0k\qbp0k\sk\sk\tbbl0\tslur0j\tqb0j\enotes - \setvoltabox{1}%\check - \barre % mesure 127 - \Notes\org\qu J\sk\ds\relax - |\ql c\sk\ds\relax - |\zq e\zq g\qu j\sk\ds\relax - &\ql j\sk\ds\relax - &\ql j\sk\ds\enotes - \endvoltabox - \nspace -\setrightrepeat - \setvoltabox{2}\setrightrepeat%\check - \barre % mesure 128 - \NOtes\org\qup J\relax - |\qlp c\relax - |\zqp e\zqp g\qup j\relax - &\qlp j\relax - &\qlp j\enotes - \endvoltabox -\ifOrgue \advance\mulooseness -1\relax -\else \advance\mulooseness 1\relax -\fi -\finmorceau - -\bye - diff --git a/musixtex/doc/examples/marconf.tex b/musixtex/doc/examples/marconf.tex deleted file mode 100644 index 048ab60..0000000 --- a/musixtex/doc/examples/marconf.tex +++ /dev/null @@ -1,21 +0,0 @@ -\ifx\mxversion\undefined - \input musixtex - \input musixcpt - \input musixsty -\fi -\newif\ifOrgue -\Orguefalse -\newif\ifFlute -\Flutetrue -\newif\ifOboe -\Oboefalse -%\def\Quer{z} % define Querfl\"ote -% -% -\input marcon1.tex -\eject -\input marcon2.tex -\eject -\input marcon3.tex -\bye - diff --git a/musixtex/doc/examples/marconh.tex b/musixtex/doc/examples/marconh.tex deleted file mode 100644 index fa7aa31..0000000 --- a/musixtex/doc/examples/marconh.tex +++ /dev/null @@ -1,20 +0,0 @@ -\ifx\mxversion\undefined - \input musixtex - \input musixcpt - \input musixsty -\fi -\newif\ifOrgue -\Orguefalse -\newif\ifFlute -\Flutefalse -\newif\ifOboe -\Oboetrue -%\def\Quer{z} % define Querfl\"ote -% -\input marcon1.tex -\eject -\input marcon2.tex -\eject -\input marcon3.tex -\bye - diff --git a/musixtex/doc/examples/marcono.tex b/musixtex/doc/examples/marcono.tex deleted file mode 100644 index eb28d9a..0000000 --- a/musixtex/doc/examples/marcono.tex +++ /dev/null @@ -1,19 +0,0 @@ -\ifx\mxversion\undefined - \input musixtex - \input musixcpt - \input musixsty -\fi -\newif\ifOrgue -\Orguetrue -\newif\ifFlute -\Flutefalse -\newif\ifOboe -\Oboefalse -%\def\Quer{z} % define Querfl\"ote -% -\input marcon1.tex -\eject -\input marcon2.tex -\eject -\input marcon3.tex -\bye diff --git a/musixtex/doc/examples/musixdbrexample.tex b/musixtex/doc/examples/musixdbrexample.tex deleted file mode 100644 index 94bd968..0000000 --- a/musixtex/doc/examples/musixdbrexample.tex +++ /dev/null @@ -1,52 +0,0 @@ -\input musixtex -\input musixdbr - -\instrumentnumber4 \setstaffs23 \setstaffs32 \setlines14 -\setsize2\tinyvalue -\indivbarrules - -\startpiece - % normal barlines - \bar - % separate instrument 2 from 1 - \sepbarrule2\bar - % barlines on staves - \allbarrules\sepbarrule - \allbarrules\sepmultibarrule - \allbarrules\showbarrule - \bar - % barlines between staves - \allbarrules\conbarrule - \allbarrules\conmultibarrule - \allbarrules\hidebarrule - \bar - % dashed barlines on staves - \allbarrules\sepbarrule - \allbarrules\sepmultibarrule - \allbarrules\showdashbarrule - \bar - % dashed barlines between staves - \allbarrules\condashbarrule - \allbarrules\condashmultibarrule - \allbarrules\hidebarrule - \bar - % dotted barlines on staves - \allbarrules\sepbarrule - \allbarrules\sepmultibarrule - \allbarrules\showdotbarrule - \bar - % dotted barlines between staves - \allbarrules\condotbarrule - \allbarrules\condotmultibarrule - \allbarrules\hidebarrule - \bar - % a wild mixture of all - \showdotbarrule1\hidebarrule2\showdashbarrule3\showbarrule4% - \condashbarrule2\conbarrule3\condotbarrule4% - \condashmultibarrule2\sepmultibarrule3% - \bar - % conventional ending - \allbarrules\showbarrule - \allbarrules\conbarrule - \allbarrules\conmultibarrule -\Endpiece \bye diff --git a/musixtex/doc/examples/onuitbri.tex b/musixtex/doc/examples/onuitbri.tex deleted file mode 100644 index 55bc22b..0000000 --- a/musixtex/doc/examples/onuitbri.tex +++ /dev/null @@ -1,25 +0,0 @@ -\ifx\mxversion\undefined - \input musixtex - \input musixcpt - \input musixsty -\fi - -\advance\staffbotmarg by 2\Interligne -\barsinline=0\relax\linesinpage=0\relax -\def\Transpose{0}% -\def\Signature{3}\relax % trois diezes a la clef -\input onuitbrx -\barsinline=0\relax\linesinpage=0\relax -\def\Transpose{1}\relax -\def\Signature{-2}\relax % deux diezes a la clef -\input onuitbrx -\barsinline=0\relax\linesinpage=0\relax -\def\Transpose{2}\relax -\def\Signature{0}\relax % un bemol a la clef -\input onuitbrx -\barsinline=0\relax\linesinpage=0\relax -\def\Transpose{-1}\relax -\def\Signature{1}\relax % un bemol a la clef -\input onuitbrx -\bye - diff --git a/musixtex/doc/examples/onuitbrr.tex b/musixtex/doc/examples/onuitbrr.tex deleted file mode 100644 index 2a07b1c..0000000 --- a/musixtex/doc/examples/onuitbrr.tex +++ /dev/null @@ -1,12 +0,0 @@ -% - -% -\def\Transpose{0}% -\def\Signature{3}\relax % trois diezes a la clef -\input onuitbrx -\signaturegenerale{1}\savesignature\barsinline=0\relax\linesinpage=0\relax -\def\Transpose{-1}\relax -\def\Signature{1}\relax % un dieze a la clef -\input onuitbrx -\bye - diff --git a/musixtex/doc/examples/onuitbrx.tex b/musixtex/doc/examples/onuitbrx.tex deleted file mode 100644 index b18ba5f..0000000 --- a/musixtex/doc/examples/onuitbrx.tex +++ /dev/null @@ -1,174 +0,0 @@ -\fulltitle{\^O nuit brillante} -\shorttitle{\^O nuit brillante} - \fullauthor{No\"el ancien\\Musique A. Sala\\Texte J. Bovet\\Transposition -Daniel Taupin} - \othermention{Paroisse de Gif-sur-Yvette\\Transposition \`a usage -priv\'e} - \shortauthor{Traditionnel -- A. Sala} - \maketitle - % -\tracingstats=1\relax -\relativeaccidentals -\sepbarrules - % -\parindent 15mm - % soufflets crescendo et decrescendo - % -\def\soufflcr#1{\zcharnote{#1}{\kern -0.5cm\cresc}}% -\def\Soufflcr#1{\zcharnote{#1}{\kern -0.5cm\CResc}}% - % -\def\souffldim#1{\zcharnote{#1}{\kern -0.5cm\dimin}}% -\def\Souffldim#1{\zcharnote{#1}{\kern -0.5cm\DImin}}% - % - %\check -\def\nbinstruments{2}\resetsignatures -\global\nbporteesi=1\relax -\global\nbporteesii=1\relax -\global\cleftoksi={{6}{0}{0}{0}}% -\global\cleftoksii={{0}{0}{0}{0}}% -\songbottom{1} % to be used to make heavy bars at staff left -\songtop{2} % to be used to make heavy bars at staff left - % -\signaturegenerale{\Signature}% -\generalmeter{\meterfrac68} - %\check -\def\interfacteur{18}% -\def\instrumenti{\vbox{\hsize=\parindent -\centerline{T\'enors}\centerline{basses}}}% -\def\instrumentii{\vbox{\hsize=\parindent -\centerline{Sopran.}\centerline{Altos}}}% - %\check - % -\def\eightpoint{\Tenpoint}% - %\check -\catcode`\@=13 -\catcodesmusic - % -\def\respire{\notes&\cbreath\enotes}% - % -\def\txt#1|#2&{{\vbox to 0pt{\Smalltype\baselineskip 9pt -\vss\hrule width 9pt height 0pt -\hbox{\vrule height 6pt depth 2pt width 0pt\kern -\internote - #2\kern\internote}\smallskip -\hbox{\vrule height 6pt depth 2pt width 0pt\kern -\internote - #1\kern\internote}\kern -6pt}}}% - % -\elemskip 20pt\relax -\debutmorceau - %\autolines 754\relax -\transpose=\Transpose -\znotes&\Uptext{\moyen Lent}\enotes - % -\znotes\zcharnote {-3}{\ppff p}&\zcharnote{10}{\ppff p}\enotes -\qspace -\NOtes\zqlp M\qup a&\hsong{\^O}\zqlp c\qup f\enotes -\notes\zql L\qu b\sk&\zsong{nuit }\zql e\Ibu0gf1\qh0g\tqh0f\enotes -\notes\zcl L\cu b&\hsong{bri-}\zcl e\cu g\enotes - % - \barre - \Notes\islurd0J\zql J\isluru1c\qu c&\hsong{lan-}\zqlp e\isluru2h\qu h\enotes - \notes\tslur0L\tslur1b\zcl L\cu b&\hsong{--}\tslur2g\cu g\enotes - \Notes\zql M\qu a&\hsong{te}\zql c\qu f\enotes - \notes\ds&\ds\enotes - % - \barre - \Notes\zql K\qu d&\hsong{Nuit }\zql f\qu h\enotes - \notes\zcl L\cu b&\hsong{de }\zcl e\cu g\enotes - \notes\zcl M\cu a&\hsong{vi-}\zcl c\cu f\enotes - \notes\zcl N\cu N&\hsong{ve }\zcl b\cu e\enotes - \hardlyrics{\kern -4pt splen-}\notes\zcl L\cu b&\hsong\thelyrics\zcl e\cu g\enotes - % - \barre - \NOtes\itenl0M\itenu1a\zqlp M\qup a&\hsong{deur.}\itenl2c\itenu3f\zqlp c\qup f\enotes - \Notes\tten0\tten1\zql M\qu a&\hsong{--}\tten2\tten3\zql c\qu f\enotes - \notes\ds&\ds\enotes - % - \barre - \Notes\zql M\qu a&\hsong{Ta }\zql c\qu f\enotes - \notes\zcl M\cu b&\Soufflcr q\hsong{lu-}\zcl e\cu g\enotes - \hardlyrics{\kern -4pt mi\`ere }\notes\zcl M\cu c&\hsong\thelyrics\zcl f\cu h\enotes - \notes\zcl M\cu d&\hsong{\'e-}\zcl g\cu i\enotes - \notes\zcl M\cu e&\hsong{cla-}\zcl h\cu j\enotes - % - \barre - \Notes\islurd0I\zql I\isluru1d\qu d&\roff{\Souffldim q}\hsong{tan-}\zqlp f\isluru2i\qu i\enotes - \notes\tslur0K\tslur1c\zcl I\cu c&\hsong{--}\tslur2g\cu h\enotes - \Notes\zql L\qu b&\hsong{te}\zql e\qu g\enotes - \notes\ds&\ds\enotes - % - \barre - \Notes\zql H\qu c&\hsong{Fait }\zql e\qu h\enotes - \notes\zcl L\cu b&\hsong{le }\zcl e\cu g\enotes - \hardlyrics{jour }\notes\zcl M\cu a&\hsong\thelyrics\zcl c\cu f\enotes - \hardlyrics{dans }\notes\zcl N\cu N&\hsong\thelyrics\zcl b\cu e\enotes - \notes\zcl L\cu b&\zsong{mon }\zcl e\cu g\enotes - % - \barre - \NOtes\itenl0M\itenu1a\zqlp M\qup a&\hsong{c\oe ur.}\itenl2c\itenu3f\zqlp c\qup f\enotes - \notes\tten0\tten1\zql M\qu a&\hsong{--}\tten2\tten3\zql c\qu f\enotes - \notes&\uptext{\sl FIN}\enotes - \setdoublebar - \barre - \znotes\zcharnote {-3}{\ppff f}&\zcharnote{10}{\ppff f}\enotes - \qspace - \notes\zcl a\cu e&\hsong{\txt Mer-|\'E-&}\zcl h\cu -j\enotes - % - \barre - \NOtes\zqlp a\zqup e&\hsong{\txt veil-|toi-&}\zqlp h\qup j\enotes - \notes\zql L\qu e&\hsong{\txt le !|les !&}\zql g\qu i\enotes - \respire - \notes\zcl L\cu e&\hsong{\txt Mer-|\'E-&}\zcl g\cu j\enotes - % - \barre - \Notes\zqlp M\qup c&\hsong{\txt veil-|toi-&}\zqlp f\isluru2i\qu i\enotes - \notes&\hsong{--}\tslur2h\cu h\enotes - \Notes\zql J\qu c&\hsong{\txt le !|les !&}\zql e\qu g\enotes - \notes\ds&\ds\enotes - % - \barre - \hardlyrics{\txt Gloire |res-&}\notes\zcl M\cu M&\hsong\thelyrics\zcl c\cu h\enotes - \notes\roff{\zcl M}\cu N&\hsong{\txt au |plen-&}\zcl c\cu g\enotes - \notes\zcl M\cu a&\hsong{\txt plus |dis-&}\zcl c\cu f\enotes - \Notes\zql K\qu a&\hsong{\txt Haut |sez &}\zql f\qu h\enotes - \notes\zcl K\cu a&\hsong{\txt des |sur &}\zcl f\cu i\enotes - \barre - \NOtes\itenl0H\itenu1a\zqlp H\qup a&\hsong{\txt cieux !|Lui -!&}\itenl2e\itenu3j\zqlp e\qup j\enotes - \Notes\tten0\tten1\zql H\qu a&\hsong{--}\tten2\tten3\zql e\qu j\enotes - \respire - \notes\zcl a\cu e&\hsong{\txt De-|Un &}\zcl h\cu j\enotes - % - \barre - \Notes\zqlp a\zqup e&\hsong{\txt bout, |Dieu &}\zqlp h\qup j\enotes - \hardlyrics{\txt qu'on |sous &}\notes\zcl a\cu e&\hsong\thelyrics\zcl h\cu -j\enotes - \hardlyrics{\txt se |d'hum-&}\notes\zql L\qu e&\hsong\thelyrics\zql g\qu -i\enotes - \notes\zcl L\cu d&\hsong{\txt r\'e-|bles &}\zcl g\cu j\enotes - % - \barre - \Notes\zqlp M\qup c&\hsong{\txt veil-|voi-&}\zqlp f\isluru2i\qu i\enotes - \notes&\hsong{--}\tslur2h\cu h\enotes - \Notes\zql J\qu c&\hsong{\txt le !|les !&}\zql e\qu g\enotes - \notes\ds&\ds\enotes - % - \barre - \Notes\zcharnote {-3}{\ppff p}\zql M\qu a&\zcharnote{10}{\ppff p}\hsong{\txt -Paix |Vient &}\zql c\qu h\enotes - \notes\zcl M\cu a&\Soufflcr q\hsong{\txt sur |\`a &}\zcl c\cu h\enotes - \notes\roff{\itenl0M\zqlp M}\cu N&\hsong{\kern -4pt\txt terre |nous &}\zcl d\cu i\enotes - \notes\cu a&\hsong{\txt en |cet-&}\zcl d\cu h\enotes - \notes\cu b&\hsong{\txt tous |te &}\zcl d\cu g\enotes - % - \barre - \notes\roff{\tten0\zcl M}\itenu1 N\qup N\cl L\cl K&\zsong{\txt - lieux.|nuit.&}\itenl2c\itenl3g\itenu4j\zqlp c\zqp g\qup j\Souffldim q\enotes - \Notes\zql J\tten1\zqu N&\hsong{---}\tten2\tten3\tten4\zql c\zq g\qu j\enotes - \NOtes\ds&\uptext{\kern -3\Internote\it au refrain}\ds\enotes - \finmorceau -\medskip\rightline{\it le \aujourdhui} -\absoluteaccidentals -\vfil\eject - -\endinput diff --git a/musixtex/doc/examples/ossiaexa.tex b/musixtex/doc/examples/ossiaexa.tex deleted file mode 100644 index 4a5da5b..0000000 --- a/musixtex/doc/examples/ossiaexa.tex +++ /dev/null @@ -1,30 +0,0 @@ -\input musixtex -\startmuflex -\hsize70mm -\def\xnum#1#2#3{\off{#1\elemskip}\zcharnote{#2}{\smalltype\it #3}% -\off{-#1\elemskip}}% -\newbox\ornamentbox -\setbox\ornamentbox=\hbox to 0pt{\kern-4pt\vbox{\hsize=2.6cm% -\nostartrule\smallmusicsize\setsize1{\smallvalue}\setclefsymbol1\empty% -\startpiece\addspace{2pt}% -\notes\ibbbl2{'c}0\qb2b\qb2c\qb2d\tbbbl2\qb2c\en% -\notes\xnum{1.15}{'e}3\qb2d\qb2c\tbl2\qb2d\en% -\notes\ibl2{'c}1\usf e\qb2c\en% -\notes\tbl2\qb2{'d}\en% -\zstoppiece% -}\hss} -\normalmusicsize\nopagenumbers -\def\nbinstruments{1}% -\setstaffs12\setclef1{60}% -\generalsignature{-2}\generalmeter{\meterfrac{3}{4}}% -\parindent 0pt% -\stafftopmarg0pt\staffbotmarg5\Interligne\interstaff{10}\relax -\startpiece\addspace\afterruleskip% -\notes\ibl1{'G}{-1}\qb1G\sk\bigna F\tbl1\qb1F|% -\ibbl2{'b}0\qb2b\qb2a\qb2b\tbl2\qb2c\en% -\notes\hl{'E}\bsk\raise6\internote\ds\ibu3{G}1\bigsh F% -\qb3F\qb3G\tbu3\qb3{'A}|\zcharnote{10}{\copy\ornamentbox}\qlp{'c}\sk\sk% -\cl d\en% -\endpiece -\vfill\eject\endmuflex -\bye diff --git a/musixtex/doc/examples/ostinato.tex b/musixtex/doc/examples/ostinato.tex deleted file mode 100644 index 46feebd..0000000 --- a/musixtex/doc/examples/ostinato.tex +++ /dev/null @@ -1,450 +0,0 @@ -\title{Adagio con basso ostinato} -\fulltitle{VIII. \titremorceau} -\csname titremorceautoc\endcsname -\subtitle{(pour orgue)} -\author{Daniel TAUPIN} -\shortauthor{D. Taupin} - -\othermention{Compos\'e en 1992\vrule width 0pt depth 3mm\\G.O.: fonds 8' ou -8'+4' doux\\R\'ec.: cornet ou cromorne\\P\'ed.: 16', tirasse G.O.}% - -\maketitle - -% formes frequentes -% deux croches hautes -\def\dqb#1#2{\Ibl0{#1}{#2}1\qb0{#1}\tqb0{#2}} -\def\dqh#1#2{\Ibu0{#1}{#2}1\qh0{#1}\tqh0{#2}} -\def\pzqu#1{\lpz{#1}\qu{#1}}% -\def\pzql#1{\upz{#1}\ql{#1}}% -% -\parindent 18mm -% -\tracingstats=2\relax -% -\nbporteesii=1\relax -\def\nbinstruments{3} -\global\cleftoksii={{0}{0}{0}{0}}% -\global\cleftoksi={{6}{0}{0}{0}}% -% -\signaturegenerale{-1}\relax % un bemol a la clef -\def\quatretemps{\generalmeter{\meterfrac{4}{4}}}% -\def\troistemps{\generalmeter{\meterfrac{3}{4}}}% -%\check -\def\instrumenti{P\'edale 16'}% -\def\instrumentii{G.O. fonds}% -\def\instrumentiii{R\'ecit}% -%\check -\def\gluemaxskip{7pt}% -% -% -\troistemps -% -\def\trioskip{\multiply\noteskip by 2\relax\divide\noteskip by 3\relax}% -\def\resp{\vnotes 0.2\elemskip&&\cbreath\enotes}% -\def\qqbbh#1#2#3#4#5{\ibbu0{#2}{#1}\qh0{#2}\qh0{#3}\qh0{#4}\tqh0{#5}}\relax -\def\qqbbH#1#2#3#4#5{{\advance\transpose by 1\relax - \ibbu0{#2}{#1}}\qh0{#2}\qh0{#3}\qh0{#4}\tqh0{#5}}\relax -\def\qqbbl#1#2#3#4#5{\ibbl0{#2}{#1}\qb0{#2}\qb0{#3}\qb0{#4}\tqb0{#5}}\relax -% -\debutmorceau -% -\autolines 765\relax -%\check -% -\notes&&\Uptext{\hbox{\kern -16mm\moyen Andante - \bf(\metron{\qu}{65})}}\enotes -\advance\linesinpage by 1\relax -% mesure 1 -\nspace\NOtes\pzql M&&\enotes -\temps \NOtes\pzql M&\pause&\pause\enotes -\temps \NOtes\pzql M&\enotes -%\check -% mesure 2 -\barre\NOtes\pzql M&\zhp c\itenl0f\itenu1h\zhp f\hup h&\hup f\enotes -\temps\NOtes\pzql M&&\enotes -\temps\NOtes\pzql L&&\enotes -%\check -% mesure 3 -\barre\NOtes\pzqu K&\zhlp d\tten0\tten1\itenl0d\itenl1f\zhp f\hup h\relax - &\hup h\enotes -\temps\NOtes\pzqu K&&\enotes -\temps\notes\pzqu J&&\enotes -%\check -% mesure 4 -\barre\NOtes\pzqu I&\tten0\tten1\zhp i\zhlp d\hup f\relax - &\itenl2i\mordant o\hu i\enotes -\temps\NOtes\pzqu I&&\enotes -\temps\notes\pzqu I&\itenu3g\qu g&\tten2\trioskip\Ibu0ij2\qhp0i\sk\tbbu0\tqh0j\enotes -\def\atnextline{\autolines765}% -% mesure 5 -\barre\NOtes\pzqu J&\tten3\zhp e\zhup j\hl g&\hu j\enotes -\temps\NOtes\pzqu J&&\enotes -\temps\NOtes\pzqu J&\itenu0h\ql h&\soupir\enotes -% mesure 6 -\barre\NOtes\pzqu K&\tten0\zh d\zhl{^f}\hup h&\qlp k\enotes -\temps\notes\pzqu K&&\bigaccid\sk\cl{_l}\enotes -\temps\notes\pzqu J&\bigaccid\zq c\ql{_e}&\Ibl0jk1\qb0j\tqb0k\enotes -%\check -% mesure 7 -\barre\NOtes\pzqu I&\zhl d\zhp b\hup g&\hl i\enotes -\temps\NOtes\pzqu G&&\enotes -\temps\NOtes\pzqu I&\itenl0e\ql {=e}&\ql j\enotes -%\check -% mesure 8 -\barre\NOtes\pzqu J&\tten0\zhlp c\itenl0c\zh e\hu h&\qlp j\enotes -\temps\notes\pzqu J&&\sk\cl{k}\enotes -\temps\notes\pzqu I&\zq g\qu d&\Ibl0ij1\qb0i\tqb0j\enotes -% mesure 9 -\barre\NOtes\pzqu H&\tten0\itenu1h\zhp f\zhp c\hup h&\hu h\enotes -\temps\NOtes\pzqu H&&\enotes -\temps\NOtes\pzqu H&&\soupir\enotes -% mesure 10 -\barre\NOtes\pzqu H&\tten1\zhl e\zhp{^c}\itenu0h\hup h&\qup h\enotes -\temps\notes\pzqu H&&\sk\bigsh j\cl j\enotes -\temps\notes\pzqu H&\ql g&\dqb kl\enotes -% mesure 11 -\barre\NOtes\pzqu K&\tten0\zhp d\zhp f\hup h&\hl m\enotes -\temps\NOtes\pzqu K&&\enotes -\temps\NOtes\pzqu J&&\itenu0m\ql m\enotes -% mesure 12 -\barre\NOtes\pzqu I&\zhl d\zhp b\hup g&\tten0\ql m\enotes -\temps\notes\pzqu I&&\dqb lk\enotes -\temps\notes\pzqu I&\itenl0e\ql e&\bigaccid\dqb{^j}k\enotes -% mesure 13 -\barre\NOtes\pzqu H&\tten0\zhp{^c}\zhlp e\hu h&\hl{^j}\enotes -\temps\NOtes\pzqu H&&\enotes -\temps\NOtes\pzqu H&\qu g&\soupir\enotes -% mesure 14 -\barre\NOtes\pzqu I&\itenl0b\itenl1d\zhp b\zhp d\hup f&\hlp k\enotes -\temps\NOtes\pzqu I&&\enotes -\temps\NOtes\pzqu H&&\enotes -% mesure 15 -\barre\NOtes\pzqu G&\tten0\tten1\zhp b\zhp d\itenu0g\hup g&\qlp i\enotes -\temps\notes\pzqu G&&\sk\cl j\enotes -\temps\notes\pzqu I&&\dqb hi\enotes -% mesure 16 -\barre\NOtes\pzqu J&\tten0\itenl0c\zhp c\zhup g\hl e&\qlp j\enotes -\temps\notes\pzqu J&&\sk\cl k\enotes -\temps\notes\pzqu I&\ql d&\dqb ij\enotes -% mesure 17 -\barre\NOtes\pzqu H&\tten0\zhl e\zhp c\hup h&\hu h\enotes -\temps\NOtes\pzqu H&&\enotes -\temps\NOtes\pzqu H&\ql f&\soupir\enotes -%\check -% mesure 18 -\barre\NOtes\pzqu G&\zql g\zhp d\hup i&\qlp i\enotes -\temps\notes\pzqu G&\ql f&\sk\cl j\enotes -\temps\notes\pzqu I&\ql e&\dqb hi\enotes -%\check -% mesure 19 -\barre\NOtes\pzqu J&\pt b\itenl0c\zh c\zhu g\qsk\ql d&\hu g\enotes -\temps\NOtes\pzqu J&\hl e&\enotes -\temps\NOtes\pzqu J&\qu i&\qu f\enotes -%\check -% mesure 20 -\barre\NOtes\pzqu F&\tten0\zh c\zhu h\qsk\zql d&\hu f\enotes -\temps\NOtes\pzql M&\ql e&\enotes -\temps\NOtes\pzql M&\itenl2f\zql f\raise \Interligne\soupir&\soupir\enotes -%\check -% mesure 21 -\barre\NOtes\pzql M&\tten2\zhp c\itenl0f\itenu1h\zhp f\hup h\relax - &\hup f\enotes -\temps\NOtes\pzql M&&\enotes -\temps\NOtes\pzql L&&\enotes -%\check -% mesure 22 -\barre\NOtes\pzqu K&\zhlp d\tten0\tten1\itenl0d\itenl1f\zhp f\hup h\relax - &\hup h\enotes -\temps\NOtes\pzqu K&&\enotes -\temps\notes\pzqu J&&\enotes -%\check -% mesure 23 -\barre\NOtes\pzqu I&\tten0\tten1\zhp i\zhlp d\hu f\relax - &\itenl2i\mordant o\hu i\enotes -\temps\NOtes\pzqu I&&\enotes -\temps\notes\pzqu I&\itenu3g\qu g&\tten2\trioskip\Ibu0ij2\qhp0i\sk\tbbu0\tqh0j\enotes -% mesure 24 -\barre\NOtes\pzqu J&\tten3\zhl e\zhp g\hup j&\hu j\enotes -\temps\NOtes\pzqu J&&\enotes -\temps\NOtes\pzqu J&\ql{_e}&\soupir\enotes -% mesure 25 -\barre\NOtes\pzqu J&\zql d\zhp{^f}\hup h&\hl{_l}\enotes -\temps\NOtes\pzqu H&\hl c&\enotes -\temps\NOtes\pzqu{^F}&&\ql k\enotes -% mesure 26 -\barre\NOtes\pzqu G&\zhl b\zh d\hu g&\hl i\enotes -\temps\NOtes\pzqu G&&\enotes -\temps\NOtes\pzqu I&\soupir&\soupir\enotes -% mesure 27 -\barre\NOtes\pzqu L&\zhl b\zhp e\hup g&\hl{_k}\enotes -\temps\NOtes\pzqu L&&\enotes -\temps\NOtes\pzqu J&\itenl0c\ql c&\ql j\enotes -% mesure 28 -\barre\NOtes\pzqu H&\tten0\itenu1h\zqu e\zhp c\hlp h&\hu h\enotes -\temps\NOtes\pzqu H&\hu f&\enotes -\temps\NOtes\pzqu F&&\soupir\enotes -% mesure 29 -\barre\NOtes\pzqu H&\tten1\zhl{^c}\zhp e\hup h&\qup h\enotes -\temps\notes\pzqu G&&\sk\cu i\enotes -\temps\notes\pzqu F&\bigaccid\ql{=c}&\dqh hg\enotes -%\check -% mesure 30 -\barre\NOtes\pzqu I&\itenl0b\itenl1d\zhu f\zhp b\hlp d&\qu f\enotes -\temps\NOtes\pzqu H&&\qu h\enotes -\temps\NOtes\pzqu H&\itenu2g\qu g&\qu k\enotes -% mesure 31 -\barre\NOtes\pzqu I&\tten1\tten2\tten0\itenu1g\zhu d\zhp b\hlp g&\qlp n\enotes -\temps\notes\pzqu H&&\sk\cl m\enotes -\temps\notes\pzqu G&\itenl0e\qu e&\dqb lk\enotes -%\check -% mesure 32 -\barre\NOtes\pzqu H&\tten0\tten1\itenl1c\zhu g\zhp{^c}\hlp e&\ql{^j}\enotes -\temps\NOtes\pzqu H&&\ql l\enotes -\temps\NOtes\pzqu I&\qu h&\ql h\enotes -%\check -% mesure 33 -\barre\notes\pzqu G&\tten1\itenu1g\zql c\zhup g\qsk\hu d&\dqh ih\enotes -\temps\notes\pzqu G&\hl b&\dqh gf\enotes -\temps\notes\pzqu I&\itenl0e\qu e&\dqh ed\enotes -%\check -% mesure 34 -\barre\NOtes\pzqu H&\tten0\tten1\zhp{^ce}\hup g&\qu{^c}\enotes -\temps\NOtes\pzqu G&&\qu e\enotes -\temps\NOtes\pzqu F&&\qu h\enotes -% mesure 35 -\barre\NOtes\pzqu G&\itenl0b\itenl1d\zhu f\zhp b\hlp d&\qup f\enotes -\temps\notes\pzqu I&&\sk\cu g\enotes -\temps\notes\pzqu H&\qu e&\dqh ef\enotes -% mesure 36 -\barre\NOtes\pzqu K&\tten0\tten1\zq b\zqu g\hlp d&\hu d\enotes -\temps\NOtes\pzqu K&\zh a\hu f&\enotes -\temps\NOtes\pzqu K&&\soupir\enotes -% mesure 37 -%\check -\barre\NOtes\pzqu K&\itenl0d\zhp {ad}\hup f&\hup f\enotes -\temps\NOtes\pzqu K&&\enotes -\temps\NOtes\pzqu J&&\enotes -% mesure 38 -%\check -\barre\NOtes\pzqu I&\tten0\zhp {bd}\hup g&\hup g\enotes -\temps\NOtes\pzqu H&&\enotes -\temps\NOtes\pzqu J&&\enotes -% mesure 39 -%\check -\barre\NOtes\pzqu G&\zhl b\zhp e\hup g&\hu i\enotes -\temps\NOtes\pzqu G\enotes -\temps\NOtes\pzqu I&\ql{^c}&\qu h\enotes -% mesure 40 -%\check -\barre\NOtes\pzqu H&\zh {df}\hu h&\hu h\enotes -\temps\NOtes\pzqu H\enotes -\temps\NOtes\pzqu H&\soupir&\soupir\enotes -% mesure 41 -%\check -\barre\NOtes\pzqu J&\zhl{^f}\zhp d\hup h&\qlp k\enotes -\temps\notes\pzqu J&&\sk\cna l\cl l\enotes -\temps\notes\pzqu J&\bigfl e\ql e&\dqb jk\enotes -%\check -% mesure 42 -\barre\NOtes\pzqu I&\zhl d\zhp b\hup g&\hl i\enotes -\temps\notes\pzqu G&&\sk\cl j\enotes -\temps\notes\pzqu I&\itenl0e\bigna e\ql e&\dqb hi\enotes -%\check -% mesure 43 -\barre\NOtes\pzqu J&\tten0\zhl c\zhp e\hup g&\qlp j\enotes -\temps\notes\pzqu J&&\sk\cl{k}\enotes -\temps\notes\pzqu I&\itenl0c\bigsh c\ql c&\Ibl0ij1\qb0i\tqb0j\enotes -% mesure 44 -\barre\NOtes\pzqu H&\tten0\sh c\zhp c\zhup h\qsk\zql g&\hu h\enotes -\temps\NOtes\pzqu H&\ql f&\enotes -\temps\NOtes\pzqu H&\ql e&\soupir\enotes -%\check -% mesure 45 -\barre\NOtes\pzqu G&\zql g\zhp d\hup i&\qlp i\enotes -\temps\notes\pzqu G&\ql f&\sk\cl j\enotes -\temps\notes\pzqu I&\ql e&\dqb hi\enotes -%\check -% mesure 46 -\barre\NOtes\pzqu J&\zhp c\zhu g\qsk\ql d&\hu g\enotes -\temps\NOtes\pzqu J&\itenl0e\hl e&\enotes -\temps\NOtes\pzqu J&\qu i&\qu h\enotes -% mesure 47 -\barre\NOtes\pzqu H&\tten0\zhl e\zhp c\hup h&\hu h\enotes -\temps\NOtes\pzqu H&&\enotes -\temps\NOtes\pzqu H&\ql f&\soupir\enotes -% mesure 48 -%\check -\barre\NOtes\pzqu J&\zhl{^f}\zhp d\hup h&\qlp k\enotes -\temps\notes\pzqu J&&\sk\cna l\cl l\enotes -\temps\notes\pzqu J&\bigfl e\ql e&\dqb jk\enotes -%\check -% mesure 49 -\barre\NOtes\pzqu I&\zhl d\zhp b\hup g&\hl i\enotes -\temps\notes\pzqu G&&\sk\cl j\enotes -\temps\notes\pzqu I&\itenl0e\bigna e\ql e&\dqb hi\enotes -%\check -% mesure 50 -\barre\NOtes\pzqu J&\tten0\zhl c\zhp e\hup g&\qlp j\enotes -\temps\notes\pzqu J&&\sk\cl{k}\enotes -\temps\notes\pzqu I&\itenl0c\bigsh c\ql c&\Ibl0ij1\qb0i\tqb0j\enotes -% mesure 51 -\barre\NOtes\pzqu H&\tten0\sh c\zhp c\zhup h\qsk\zql g&\hu h\enotes -\temps\NOtes\pzqu H&\ql f&\enotes -\temps\NOtes\pzqu H&\ql e&\soupir\enotes -%\check -% mesure 52 -\barre\NOtes\pzqu G&\zql g\zhp d\hup i&\qlp i\enotes -\temps\notes\pzqu G&\ql f&\sk\cl j\enotes -\temps\notes\pzqu I&\ql e&\dqb hi\enotes -%\check -% mesure 53 -\barre\NOtes\pzqu J&\zhp c\zhu g\qsk\ql d&\hu g\enotes -\temps\NOtes\pzqu J&\hl e&\enotes -\temps\NOtes\pzqu J&\qu i&\qu f\enotes -%\check -% mesure 54 -\barre\NOtes\pzqu F&\zh c\zhu h\qsk\zql d&\hu f\enotes -\temps\NOtes\pzql M&\ql e&\enotes -\temps\NOtes\pzql M&\raise\Interligne\rlap{\soupir}\ql f&\soupir\enotes -%\check -% mesure 55 -\barre\NOtes\pzqu M&\zql e\zhp{^c}\itenu0h\hup h&\qup h\enotes -\temps\notes\pzqu M&\ql f&\sk\bigsh j\cl j\enotes -\temps\notes\pzqu L&\ql g&\dqb kl\enotes -% mesure 56 -\barre\NOtes\pzqu K&\tten0\itenl2d\itenl1f\zhp d\zhp f\hup h&\hl m\enotes -\temps\NOtes\pzqu K&&\enotes -\temps\NOtes\pzqu J&&\itenu0m\ql m\enotes -% mesure 57 -\barre\NOtes\pzqu{=I}&\tten2\tten1\itenu1d\zhp d\zhp f\hup{_h}&\tten0\ql m\enotes -\temps\notes\pzqu I&&\dqb lk\enotes -\temps\notes\pzqu I&&\bigaccid\dqb nm\enotes -%\check -% mesure 58 -\barre\NOtes\pzqu H&\zh{^c}\zhu{=h}\qsk\tten1\zql d&\hl l\enotes -\temps\NOtes\pzqu H&\ql e&\enotes -\temps\NOtes\pzqu{_I}&\raise\Interligne\rlap{\soupir}\ql f&\soupir\enotes -%\check -% mesure 59 -\bigaccid -\barre\NOtes\pzqu{=I}&\itenl0d\zq d\zql f\hup{_h}&\qlp m\enotes -\temps\notes\pzqu I&\tten0\zql d\qsk\itenu0e\zhu e&\sk\cl n\enotes -\temps\notes\pzqu{=J}&\zql{=c}&\dqb lm\enotes -% mesure 60 -\barre\NOtes\pzqu{^J}&\tten0\itenl0c\zq{^c}\zql e\hup{=h}&\qlp n\enotes -\temps\notes\pzqu J&\tten0\itenu0f\zql c\hu f&\sk\cl o\enotes -\temps\notes\pzqu{=J}&\itenl1d\ql d&\dqb mn\enotes -%\check -% mesure 61 -\barre\NOtes\pzqu{=I}&\tten0\tten1\itenl1d\zhp d\zhlp f\hu{_h}&\qlp o\enotes -\temps\notes\pzqu I&&\sk\cl n\enotes -\temps\notes\pzqu I&\qu g&\dqb mn\enotes -%\check -% mesure 62 -\barre\NOtes\pzqu{_I}&\zhp e\zhup g\qsk\tten1\zhl d&\itenu0l\hl l\enotes -\temps\NOtes\pzqu I\enotes -\temps\notes\pzqu I&\bigaccid\ql{^c}&\tten0\dqb lm\enotes -%\check -% mesure 63 -\barre\NOtes\pzqu{=I}&\itenl0d\zhlp d\zhu{_h}\qsk\qu f&\hl k\enotes -\temps\NOtes\pzqu I&\qu e\enotes -\temps\NOtes\pzqu I&\zq f\qu{=h}&\soupir\enotes -% mesure 64 -\barre\NOtes\pzqu H&\tten0\zh f\zhl d\itenu1h\hup h&\qlp m\enotes -\temps\notes\pzqu H&&\sk\cl n\enotes -\temps\notes\pzqu H&\zq e\ql{^c}&\dqb lm\enotes -% mesure 65 -\barre\NOtes\pzqu K&\tten1\zhlp d\zhp f\hup h&\hl k\enotes -\temps\NOtes\pzqu K&&\enotes -\temps\NOtes\pzqu K&&\soupir\enotes -% mesure 66 -\barre\NOtes\pzqu K&\itenu1f\itenl0d\zhp f\zhlp d\hup h&\hup f\enotes -\temps\NOtes\pzqu K&&\enotes -\temps\NOtes\pzqu J&&\enotes -% mesure 67 -\barre\NOtes\pzqu I&\tten1\tten0\zhlp d\zhp f\zhu i&\hu h\enotes -\temps\NOtes\pzqu I&&\enotes -\temps\NOtes\pzqu H&&\qu i\enotes -%\check -% mesure 68 -\barre\NOtes\pzqu G&\zhlp b\zh d\itenu0g\hu g\relax - &\itenl2i\mordant o\hu i\enotes -\temps\NOtes\pzqu G&&\enotes -\temps\notes\pzqu I&\tten0\itenu1e\zq e\qu g&\tten2\trioskip - \Ibu0ij2\qhp0i\sk\tbbu0\tqh0j\enotes -%\check -% mesure 69 -\barre\NOtes\pzqu H&\tten1\itenu0h\zql e\zhp c\hup h&\qu j\enotes -\temps\NOtes\pzqu H&\ql e&\enotes -\temps\NOtes\pzqu H&\ql f&\soupir\enotes -% mesure 70 -\barre\NOtes\pzqu K&\tten0\zh d\zhl{^f}\hup h&\qlp k\enotes -\temps\notes\pzqu K&&\bigaccid\sk\cl{_l}\enotes -\temps\notes\pzqu J&\bigaccid\zq c\ql{_e}&\Ibl0jk1\qb0j\tqb0k\enotes -%\check -% mesure 71 -\barre\NOtes\pzqu I&\zhl d\zhp b\hup g&\hl i\enotes -\temps\NOtes\pzqu G&&\enotes -\temps\NOtes\pzqu I&\itenl0e\ql {=e}&\ql j\enotes -%\check -% mesure 72 -\barre\NOtes\pzqu H&\tten0\itenl0e\zhl c\zhu h\hlp e&\qlp j\enotes -\temps\notes\pzqu H&&\sk\cl{k}\enotes -\temps\notes\pzqu G&\zq b\qu g&\Ibl0ij1\qb0i\tqb0j\enotes -% mesure 73 -\barre\NOtes\pzqu F&\tten0\itenu1h\zhp c\zhlp h\hu e&\hu h\enotes -\temps\NOtes\pzqu F&&\enotes -\temps\NOtes\pzqu F&\qu f&\soupir\enotes -% mesure 74 -\barre\NOtes\pzqu H&\tten1\zhl e\zhp{^c}\hup h&\qup h\enotes -\temps\notes\pzqu H&&\sk\bigsh j\cl j\enotes -\temps\notes\pzqu H&\ql g&\dqb kl\enotes -% mesure 75 -\barre\NOtes\pzqu K&\zhp d\zhup{_h}\hl f&\hl m\enotes -\temps\NOtes\pzqu K&&\enotes -\temps\NOtes\pzqu J&\itenu1g\ql g&\itenu0m\ql m\enotes -% mesure 76 -\barre\NOtes\na I\pzqu I&\itenu2g\tten1\zh d\zhl{=b}\hup g&\tten0\ql m\enotes -\temps\notes\pzqu I&&\dqb lk\enotes -\temps\notes\fl I\pzqu I&\itenl0e\zq{_b}\ql e&\bigaccid\dqb{^j}k\enotes -% mesure 77 -\barre\NOtes\pzqu H&\tten0\tten2\zhp{^c}\zhlp e\qu g&\hl{^j}\enotes -\temps\NOtes\pzqu H&\qu h&\enotes -\temps\NOtes\pzqu H&\cfl i\qu i&\soupir\enotes -% mesure 78 -\barre\NOtes\pzqu I&\zhp{_h}\zhp d\hup f&\hlp k\enotes -\temps\NOtes\pzqu I&&\enotes -\temps\NOtes\pzqu H&&\enotes -% mesure 79 -\barre\NOtes\pzqu G&\zhp b\zhup g\itenu0g\hl e&\qlp i\enotes -\temps\notes\pzqu G&&\sk\cl j\enotes -\temps\notes\pzqu I&\ql{^f}&\dqb hi\enotes -% mesure 80 -\barre\NOtes\pzqu H&\tten0\itenl0c\zhp c\zhup g\hl e&\qlp j\enotes -\temps\notes\pzqu H&&\sk\cl k\enotes -\temps\notes\pzqu G&\ql d&\dqb ij\enotes -% mesure 81 -\barre\NOtes\pzqu F&\tten0\zhl e\zhp c\hup h&\hu h\enotes -\temps\NOtes\pzqu F&&\enotes -\temps\NOtes\pzqu F&\ql f&\soupir\enotes -%\check -% mesure 82 -\barre\NOtes\pzqu G&\zql g\zhp d\hup i&\qlp i\enotes -\temps\notes\pzqu G&\ql f&\sk\cl j\enotes -\temps\notes\pzqu I&\ql e&\dqb hi\enotes -%\check -% mesure 83 -\barre\NOtes\pzqu J&\itenl0c\zhp c\zhu g\qsk\ql d&\hu g\enotes -\temps\NOtes\pzqu J&\hl e&\enotes -\temps\NOtes\pzqu J&\qu i&\qu f\enotes -%\check -% mesure 84 -\barre\NOtes\pzqu F&\tten0\pt b\zh c\zhup h\qsk\zql d&\pointdorgue m\hup f\enotes -\temps\NOtes\pzqu F&\ql e&\enotes -\temps\NOtes\pointdurgue F\qu F&\pointdorgue m\zql f&\enotes -%\check -\finmorceau -% -\medskip\rightline{\it \aujourdhui} -\vfil -\eject diff --git a/musixtex/doc/examples/pacifiqb.tex b/musixtex/doc/examples/pacifiqb.tex deleted file mode 100644 index c409940..0000000 --- a/musixtex/doc/examples/pacifiqb.tex +++ /dev/null @@ -1,9 +0,0 @@ -\ifx\mxversion\undefined - \input musixtex - \input musixcpt - \input musixsty -\fi -\musicsize=16\relax -\def\NoPageCut{\relax} -\input c:/taupin/musixtex/scores/pacifiqn -\bye diff --git a/musixtex/doc/examples/pacifiqn.tex b/musixtex/doc/examples/pacifiqn.tex deleted file mode 100644 index 7839592..0000000 --- a/musixtex/doc/examples/pacifiqn.tex +++ /dev/null @@ -1,1128 +0,0 @@ -\ifx\mxversion\undefined - \input musixtex - \input musixcpt - \input musixsty -\fi -% -\parindent 12mm -% -\title{Pacifique} -\shortauthor{D. Taupin} -\fullauthor{Daniel TAUPIN\\\`a Christiane} - \othermention{Compos\'e en 1972, \sl San Jose (Calif.)\\r\'ev. mai 1981, -janvier 1990} -\maketitle - -\tracingstats=2\relax -% -\nbporteesi=2\relax -\def\nbinstruments{1} -\global\cleftoksi={{6}{0}{0}{0}}% -\def\noteskipLARGE{\def\scalenoteskip{1.5}}% -\def\noteskipLarge{\def\scalenoteskip{1.2}}% -\def\noteskiplarge{\def\scalenoteskip{1.1}}% -\def\noteskipnormal{\def\scalenoteskip{1.0}}% -% -\signaturegenerale{-4}\relax % quatre bemols a la clef -\def\quatretemps{\generalmeter{\meterfrac{4}{4}}}% -\def\troistemps{\generalmeter{\meterfrac{3}{4}}}% -%\check -\def\instrumenti{Piano} -%\check -\generalmeter{\allabreve} -\normal\noteskipLarge -\def\fff{{f}\kern -1pt{f}\kern -1pt{f}}% -\def\gluemaxskip{6pt}% -% -% formes frequentes -% -%au moins deux croches basses et hautes -\def\dqb#1#2#3{\ibl0{#2}{#1}\qb0{#2}\tbl0\qb0{#3}}% -\def\dqh#1#2#3{\ibu0{#2}{#1}\qh0{#2}\tbu0\qh0{#3}}% -%au moins quatre croches basses et hautes -\def\qqb#1#2#3#4#5{\ibl0{#2}{#1}\qb0{#2#3#4}\tbl0\qb0{#5}}% -\def\qqB#1#2#3#4#5{\ibl0{#3}{#1}\qb0{#2#3#4}\tbl0\qb0{#5}}% -\def\qqh#1#2#3#4#5{\ibu0{#2}{#1}\qh0{#2#3#4}\tbu0\qh0{#5}}% -\def\qqH#1#2#3#4#5{\ibu0{#3}{#1}\qh0{#2#3#4}\tbu0\qh0{#5}}% -% octave basse en blanche -\def\bohl#1{{\advance\transpose by-7\relax\zh{#1}\relax}\hl{#1}}% -\def\bohu#1{{\advance\transpose by-7\relax\zh{#1}\relax}\hu{#1}}% -\def\sohl#1{\zh{#1}{\advance\transpose by 7\relax\hl{#1}}\sk}% -\def\sohu#1{\zh{#1}{\advance\transpose by 7\relax\hu{#1}}\sk}% -% -% octave sup. en croches u -\def\soqh#1{\zq{#1}\rlap{\advance\transpose by 7\qh0{#1}}\sk}% -\def\soqu#1{\zq{#1}\rlap{\advance\transpose by 7\qu{#1}}\sk}% -\def\soqb#1{\zq{#1}\rlap{\advance\transpose by 7\qb0{#1}}\sk}% -\def\soql#1{\zq{#1}\rlap{\advance\transpose by 7\ql{#1}}\sk}% -\def\dsoqh#1#2#3{{\advance\transpose by 7\ibu0{#2}{#1}}\soqh{#2}\tbu0\soqh{#3}}% -\def\dsoqb#1#2#3{\ibl0{#2}{#1}\soqb{#2}\tbl0\soqb{#3}}% -%\check -\def\qsoqh#1#2#3#4#5{{\advance\transpose by 7\relax\ibu0{#2}{#1}}\soqh{#2}\relax - \soqh{#3}\soqh{#4}\tbu0\soqh{#5}}% -\def\qsoqb#1#2#3#4#5{\ibl0{#2}{#1}\soqb{#2}\soqb{#3}\soqb{#4}\tbl0\soqb{#5}}% -%\check -\def\qsoqB#1#2#3#4#5{\ibl0{#3}{#1}\soqb{#2}\soqb{#3}\soqb{#4}\tbl0\soqb{#5}}% -%\check -% octave inf. en croches u -\def\boqh#1{{\advance\transpose by -7\relax\zq{#1}}\qh0{#1}}% -\def\boqb#1{{\advance\transpose by -7\relax\zq{#1}}\qb0{#1}}% -\def\dboqh#1#2#3{\ibu0{#2}{#1}\boqh{#2}\tbu0\boqh{#3}}% -\def\dboqb#1#2#3{{\advance\transpose by -7\relax\ibl0{#2}{#1}}\boqb{#2}\tbl0\boqb{#3}}% -%\check -\def\qboqb#1#2#3#4#5{{\advance\transpose by -7\relax\ibl0{#2}{#1}}\boqb{#2}\relax - \boqb{#3}\boqb{#4}\tbl0\boqb{#5}}% -\def\qboqh#1#2#3#4#5{\ibu0{#2}{#1}\boqh{#2}\boqh{#3}\boqh{#4}\tbu0\boqh{#5}}% -%\check -% -\def\arpg#1#2{\znotes\arpeggio{#1}{#2}\enotes} -\def\Arpg#1#2{\znotes\larpeggio{#1}{#2}\enotes} -\def\uarpg#1#2{\znotes\nextstaff\arpeggio{#1}{#2}\enotes} -\def\uArpg#1#2{\znotes\nextstaff\larpeggio{#1}{#2}\enotes} -% -% soufflets crescendo -% -\def\soufflcr{\zmidtwotext{\kern -1cm\raise 5pt\hbox{\Cresc}}} -\def\Soufflcr{\zmidtwotext{\kern -1cm\raise 5pt\hbox{\CREsc}}} -% -\def\interfacteur{11}% -\computewidths -\staffbotmarg=5\Interligne -% -% Changes for 16 pt musicsize -%\showthe\musicsize -\def\Zalapage{\ifx\NoPageCut\undefined\zalapage\else\zbarre\fi}% -\def\Zalaligne{\ifx\NoPageCut\undefined\zalaligne\else\zbarre\fi}% -\def\Alapage{\ifx\NoPageCut\undefined\alapage\else\barre\fi}% -\def\Alaligne{\ifx\NoPageCut\undefined\alaligne\else\barre\fi}% -\def\Eject{\ifx\NoPageCut\undefined\eject\else\par\fi}% -% -\debutmorceau -% -\noteskipLarge -\hyphenpenalty -50\relax -\notes|\Uptext{\moyen\kern -20pt Andante \rm(\metron{\qu}{70})}\enotes -\vnotes 0.2\elemskip\uptext{\kern -5mm\ppff p}|\uptext{\ppff mp}\enotes -\zglu\Notes\PED\zh{Ma}\hl c|\soupir\enotes -\zglu\notes\sk\DEP|\Ilegl0d\dqh3fg\enotes -\temps\notes\PED\zh{Ma}\hl c\sk\sk\DEP|\qqh0hfgh\enotes -% mesure 2 -\barre\notes\PED\zh{Mb}\hl d\sl\sk\DEP|\qqh0ighi\enotes -\temps\notes\PED\zh{Ma}\hl c\sk\sk\DEP|\qqh0jhij\enotes -% mesure 3 -\barre\notes\PED\zh{Mb}\hl d\sk\zcharnote{-5}{\it simile}|\Tleg0\qu k\sk\Ilegl0d\dqh4ik\enotes -\temps\notes\zh{Ma}\hl c|\qqh0jihj\enotes -% mesure 4 -\barre\notes\zh{Mb}\lh N\hl d|\qqh0ihgi\enotes -\temps\notes\zh{Ma}\hl c|\qqh0hgfh\enotes -% mesure 5 -\alaligne\notes\zh{Mb}\lh N\hl d|\qqh0gf{=e}g\enotes -\temps\notes\zh{Ma}\hl c|\Tleg0\qu f\sk\enotes -\temps\notes|\raise -\internote\rlap{\Uptext{\it sempre \ppff mp}}\Ilegl0d\dqh3gh\enotes -% mesure 6 -\barre\notes\zh{LN}\hl b|\qqh0ighi\enotes -\temps\notes\zh{ac}\hl e|\qqh0jhij\enotes -% mesure 7 -\barre\notes\zh{N=b}\hl d|\qqh0{=k}{=i}jk\enotes -\temps\notes\zh{Nc}\hl{=e}|\qqh0{=l}jkl\enotes -% mesure 8 -\barre\notes\zh{Mc}\hl f|\qqh{-3}m{_l}{_k}j\enotes -\temps\notes\zh{M_b}\hl d|\qqh0k{_i}jk\enotes -% mesure 9 -\alaligne\notes\zh{LN}\hl b|\qqh{-3}lkji\enotes -\temps\notes\zh{ac}\hl e|\qqh0jhij\enotes -% mesure 10 -\barre\notes\zh{ad}\hl f|\qqh{-3}kjih\enotes -\temps\notes\lh b\zh c\hl{=e}|\qqh0ighi\enotes -% mesure 11 -\barre\notes\zh{Nb}\hl{=e}|\qqh{-3}jihg\enotes -\temps\notes\zh{Ma}\hl c|\Tleg0\qu h\sk\enotes -\temps\notes|\Ilegl0d\dqh3gh\enotes -% mesure 12 -\barre\notes\zh{Mb}\hl d|\qqh0ihgi\enotes -\temps\notes\zh{Ma}\hl c|\qqh0hgfh\enotes -% mesure 13 -\Alaligne\notes\zh{Mb}\lh N\hl d|\qqh0gf{=e}g\enotes -\temps\notes\zh{Ma}\hl c|\Tleg0\qu f\sk\enotes -\temps\notes\rmidtwotext{\kern -3mm\it un poco}|\Ilegu0r\dqh3gh\enotes -% mesure 14 -\barre\notes\bohl e\rmidtwotext{\it pi\`u forte}\relax - |\zq g\qqh0ighi\enotes -\temps\notes\bohl a|\rlap{\hl e}\zq h\qqh0jhij\enotes -% mesure 15 -\barre\notes\bohu M|\rlap{\hl f}\zq h\qqh0kijk\enotes -\temps\notes\bohu L|\rlap{\hl g}\zq i\qqh{-3}lkji\enotes -% mesure 16 -\barre\notes\bohu a|\rlap{\hl e}\zq h\qqh0jijk\enotes -\temps\notes\bohu L|\rlap{\hl g}\zq i\qqh{-3}lkji\enotes -% mesure 17 -\Alaligne\Notes\bohu M|\zq f\tleg0\qu h\enotes -\temps\notes|\Ilegu0q\dqh3ij\enotes -\temps\notes\bohu K|\rlap{\hl f}\zq h\qqh{-3}kjih\enotes -% mesure 18 -\barre\notes\bohu J|\rlap{\hl c}\zq{=e}\qqh3ghik\enotes -\temps\notes\bohu{=L}|\rlap{\hl e}\zq g\qqh{-3}jihg\enotes -% mesure 19 -\barre\Notes\bohu M|\rlap{\ql f}\zq f\tleg0\qu h\enotes -\temps\notes|\Ilegu0p\dqh3gh\enotes -\temps\notes\bohu K|\rlap{\hl d}\zq f\qqh0ihgi\enotes -% mesure 20 -\barre\notes\bohu J|\rlap{\hl c}\zq f\qqh0hgfh\enotes -\temps\notes\bohu J|\rlap{\hl c}\zq{=e}\qqh0gfeg\enotes -% mesure 21 -\xbarre\Notes\zq F\ql M|\zq{ac}\tleg0\qu f\enotes -\Zalapage\notes\rlap{\zcharnote{-5}{\ppff mf}}\Ilegu0d\dqb3MN\relax - |\soupir\uptext{\ppff p}\enotes -\temps\notes\qqB0aMNa|\zh{fh}\hu j\enotes -% mesure 22 -\barre\notes\qqB0bNab|\zh{gi}\hu{=l}\enotes -\temps\notes\qqB0cabc|\zh{hj}\hu m\enotes -% mesure 23 -\barre\notes\Tleg0\ql d\sk|\zh{hk}\hu m\enotes -\temps\notes\Ilegu0d\dqb4bd|\enotes -\temps\notes\qqB0cbac|\zh{hj}\hu{_l}\enotes -% mesure 24 -\barre\notes\qqB0baNb|\zh i\rh j\hu{=l}\enotes -\temps\notes\qqB0aNMa|\zh{hj}\hu m\enotes -% mesure 25 -\Alaligne\notes\qqB0NM{=L}N|\zh{gj=l}\hl n\enotes -\temps\notes\Tleg0\ql M\zmidtwotext{\it crescendo}\sk|\zh{hjm}\hl o\enotes -\temps\notes\Ilegl0F\dqb3Na|\enotes -% mesure 26 -\barre\notes\zmidtwotext{\it\ poco\ \ a\ \ poco}\qqB0bNab\relax - |\zh{gi_l}\hu n\enotes -\temps\notes\qqB0cabc|\zh{fhj}\hu m\enotes -% mesure 27 -\barre\notes\qqB0{=d}bcd|\zh{fi=k}\hu m\enotes -\temps\notes\qqB0{=e}cde|\zh{gj}\rh i\hu{=l}\enotes -%\check -% mesure 28 -\barre\notes\qqb{-3}f{_e}{_d}c|\zh{f=hj}\hu m\enotes -\temps\notes\qqb{1}bcde|\zh{gil}\hu n\enotes -% mesure 29 -\Alaligne\notes\qqb0cbcd|\zh{_hjm}\hl o\enotes -\temps\notes\qqb0cbab|\zh{fhj}\hl m\enotes -% mesure 30 -\barre\notes\qqb{-3}cbaN|\zh{gj=l}\hl n\enotes -\temps\notes\qqb3MNac|\zh{hjm}\hl o\enotes -%\check -% mesure 31 -\barre\notes\qqb{-3}baNM|\zh{i_ln}\hl p\enotes -\temps\notes\qqb3LMNb|\zh{gil}\hu n\enotes -%\check -%mesure 32 -\barre\notes\Tleg0\ql a\sk|\zh{hjl}\hl o\enotes -\temps\notes\Ilegl0F\dqb3bc|\enotes -\temps\notes\qqb0dcde|\zh{iln}\hl p\enotes -% -% mesure 33 -% changement d'espacement -\def\atnextline{\def\interfacteur{12}}% -\Alaligne\noteskipLARGE\nspace\notes\qqb{-3}cbaN|\zh{j=ln}\hl q\enotes -\temps\notes\Tleg0\ql a\sk|\zh{hjm}\hl o\enotes -\temps\notes\Ilegl0F\dqb3bc|\enotes -% mesure 34 -\barre\notes\qqb{-3}dcba|\zh{ikm}\hl p\enotes -\temps\notes\qqb3Nabc|\zh{j=ln}\hl q\enotes -% mesure 35 -\barre\notes\qqb0dcde|\zh{kmp}\hl r\enotes -\temps\notes\soufflcr\qqb{-3}cbaN|\zh{=lnq}\hl{=s}\enotes -% mesure 36 -\barre\nspace\notes\zmidtwotext{\ppff f}\tleg0\ql M|\zq{m_oq}\ql t\cbreath\enotes -\Zalapage\noteskipLarge\notes\zmidtwotext{\ppff mf}\soupir|\Ilegu0s\dsoqb3fg\enotes -\temps\arpg K5\relax -\notes \zh{Mac}\hl f\uptext{\vbox{\offinterlineskip\hbox{\it arpeggi}\vskip 1mm\hbox{\it nervosi}}}\relax - |\qsoqb0hfgh\enotes -%\check -% mesure 37 -\barre\arpg K5\notes\zh{Mbd}\hl f|\qsoqb0ighi\enotes -\temps\arpg K5\notes\zh{Mac}\hl f|\qsoqb0jhij\enotes -%\check -% mesure 38 -\barre\arpg K5\notes\zh{Mbd}\hl f|\qsoqb0kjik\enotes -\temps\arpg K5\notes\zh{Mac}\hl f|\qsoqb0jihj\enotes -%\check -% mesure 39 -\barre\Arpg J5\notes\zh{=LNc}\lh b\hl{=e}|\qsoqb0ihgi\enotes -\temps\arpg K5\notes\zh{Mac}\hl f|\qsoqb0hgfh\enotes -%\check -% mesure 40 -\Alaligne\Arpg J5\notes\zh{JNc}\lh b\hl{=e}|\qsoqb0gf{=e}g\enotes -\temps\arpg F6\notes\zq{FJMa}\ql c|\Tleg0\zq f\ql m\sk\enotes -\notes\soupir|\Ilegu0t\dsoqb3gh\enotes -%\check -% mesure 41 -\barre\Arpg L5\notes\zh{Lb_e}\hl g|\qsoqb0ighi\enotes -\temps\arpg a4\notes\zh{ace}\hl h|\qsoqb0jhij\enotes -%check -% mesure 42 -\barre\Arpg K5\notes\zh{Mb=d}\hl f|\qsoqb0{=k}ijk\enotes -\temps\Arpg J5\notes\zh{JNc}\hl{=e}|\qsoqb0{=l}jkl\enotes -%check -% mesure 43 -\barre\Arpg K5\notes\zh{Mcf}\hl{=h}|\qsoqb{-3}m{_l}{_k}j\enotes -\temps\Arpg I5\notes\zh{IMb}\hl{_d}\sk|\Tleg0\zq i\ql p\enotes -\temps\notes|\Ilegu0t\dsoqb3jk\enotes -%\check -% mesure 44 -\def\atnextline{\advancebottom{\Interligne}}\relax -\Alaligne\Arpg L5\notes\zh{Lb_e}\hl g|\qsoqb{-3}lkji\enotes -\temps\arpg K5\notes\zh{Mac}\hl f\sk|\Tleg0\zq h\ql o\enotes -\temps\notes|\Ilegu0r\dsoqb3gh\enotes -%\check -% mesure 45 -\barre\arpg I5\notes\zh{IMb}\hl d|\qsoqb0ihgi\enotes -\temps\arpg H5\notes\zh{JMa}\hl c|\qsoqb0hgfh\enotes -%check -% mesure 46 -\def\sfql#1{\usf{#1}\ql{#1}}% -\barre\Arpg J5\notes\soufflcr\zh{JNc}\hl{=e}|\qsoqb0gf{=e}g\enotes -\temps\arpg E5\notes\zq{FJM}\sfql a\sk|\Tleg0\zq f\sfql m\enotes -\temps\notes\zmidtwotext{\ppff f}\dsoqb{-3}F{=E}|\relax - \ifx\mxversion\undefined\Ilegu0s\relax - \else\Ilegu0q\relax - \fi - \dsoqb3fg\enotes -%\check -% mesure 47 -\barre\notes\zq F\ql M\sk\dsoqb3{_E}F|\zq{jm}\qsoqb0hfgh\enotes -\temps\notes\qsoqb0GEFG|\zq{_ln}\qsoqb0ighi\enotes -%\check -% mesure 48 -\Alaligne\noteskipLARGE\notes\zq H\ql a\sk\dsoqb{-3}FE|\zq{lo}\qsoqb0jhij\enotes -\temps\notes\zq D\ql K\sk\dsoqb3EF|\zq{mp}\qsoqb0kijk\enotes -%\check -% mesure 49 -\barre\notes\zq G\ql N\sk\zq E\ql L|\zq{np}\qsoqb{-3}lkji\enotes -\temps\notes\qsoqb0HGHI|\zq{mo}\qsoqb0jijk\enotes -%\check -% mesure 50 -\barre\notes\zq J\ql c\sk\zq J\ql c|\zq{=ln}\qsoqb{-3}jihg\enotes -\temps\notes\qboqb{-3}fe{=d}{_d}|\zq{jm}\qsoqb0hghi\enotes -%\check -% mesure 51 -\Alaligne\notes\zq J\ql c\sk\zq J\ql c|\zq{jm}\qsoqb{-3}hgf{=e}\enotes -\temps\arpg F5\notes\zq{FJM}\ql a\sk|\relax - \ifx\mxversion\undefined\Tleg0\relax - \else\tslur0o\relax - \fi - \zq{fhj}\ql m\enotes -\temps\notes\Ilegl0F\zmidtwotext{\it meno}\dqb3MN|\soupir\enotes -%\check -% mesure 52 -\barre\nspace\uarpg h4\notes\zmidtwotext{\it\ \ forte}\qqb0aNab|\zh{hjm}\hl o\enotes -\temps\uArpg h5\notes\qqb0cbcd|\zh{j_lo}\hl q\enotes -%\check -% mesure 53 -\barre\nspace\uarpg l4\notes\qqb0edef|\zh{lnp}\hl s\enotes -\temps\uarpg l4\notes\qqb{-3}edcb|\zh{lnp}\hl s\enotes -%\check -% mesure 54 -\barre\nspace\uarpg h5\notes\tleg0\ql a\sk|\zh{jlo}\hl q\enotes -\def\atnextline{\advancebottom{-\Interligne}\relax\def\interfacteur{10}}% -\Zalapage\noteskipLarge\notes\dsoqb3J{=K}|\enotes -\temps\uArpg h5\notes\qsoqb0{=L}KLM|\zh{j=ln}\hl q\enotes -% mesure 55 -\barre\noteskipLarge\nspace\uArpg h5\notes\qboqb0gfg{=h}|\zh{j=ln}\hl q\enotes -\temps\uArpg i4\notes\qboqb{-3}gf{=e}d|\zh{=ikn}\hl{=p}\enotes -%\check -%mesure 56 -\barre\nspace\uArpg h5\notes\zq J\ql c\sk\dboqb3{=d}{=e}|\zh{j=ln}\hl q\enotes -\temps\notes\zcharnote j{\kern -2\noteskip\it senza arpeggiare}\relax -\qboqb{-3}f{_e}{_d}c|\zq{m=oq}\ql t\sk\zq{moq}\ql t\enotes -%\check -% mesure 57 -\barre\notes\zmidtwotext{\ppff f}\zq I\ql b\sk|\zh{ikm}\hl p\enotes -\temps\notes\dsoqb3JK|\enotes -\temps\notes\Soufflcr\qsoqb{-3}LKJI|\zq{_lnp}\ql s\sk\zq{lnp}\ql s\enotes -%\check -% mesure 58 -\Alaligne\notes\zq H\ql a\sk|\zh{hjl}\hl o\enotes -\temps\notes\dsoqb3IJ|\enotes -\temps\notes\qsoqb0KJIK|\zq{ikm}\ql p\sk\zq{ikm}\ql p\enotes -%\check -% mesure 59 -\barre\notes\qsoqb0JIHJ|\zh{hjm}\hl o\enotes -\temps\notes\qsoqb0IHGI|\zq{i=ln}\ql p\sk\zq{i=ln}\ql p\sk\enotes -%\check -% mesure 60 -\barre\notes\soufflcr\zq H\ql a|\zh{jmo}\hl q\enotes -\temps\notes\dsoqb3GH|\enotes -\temps\notes\rlap{\sk\sk\zmidtwotext{\ppff ff}}\qsoqb0IHGI\relax - |\zq{kmp}\ql r\sk\zq{kmp}\ql r\sk\enotes -% mesure 61 -%\check -\barre\notes\qsoqb0HGFH|\zq{jmo}\ql q\sk\zq{jmo}\ql q\sk\enotes -\temps\notes\qsoqb0GF{=E}G|\zq{j=ln}\ql q\sk\zq{jln}\ql q\sk\enotes -%\check -%mesure 62 -\def\atnextline{\def\interfacteur{9}}% -\Alaligne\arpg F6\notes\zmidtwotext{\ppff \fff}\zq{FJMa}\ql c\relax - |\zq{moq}\ql t\cbreath\enotes -\temps\noteskipLarge\notes\zmidtwotext{\ppff mp \it subito}\soupir|\Ilegu0r\dqh3fg\enotes -\temps\arpg H5\notes\zh{JMa}\hl c|\qqh0hfgh\enotes -%\check -% mesure 63 -\barre\arpg I4\notes\zh{IKM}\hl b|\qqh0ighi\enotes -\temps\arpg H5\notes\zh{JMa}\hl c|\qqh0jhij\enotes -%\check -% mesure 64 -\barre\arpg I4\notes\zh{IKM}\hl b|\qqh0kjik\enotes -\temps\arpg H5\notes\zh{JMa}\hl c|\qqh0jihj\enotes -%\check -% mesure 65 -% -\barre\Arpg H5\notes\zh{JN}\lh b\hl c|\qqh0ihgi\enotes -\temps\arpg H5\notes\zh{JMa}\hl c|\Tleg0\qu h\sk\enotes -\temps\notes|\Ilegu0q\dqh3gh\enotes -%\check -% mesure 66 -\Alaligne\arpg I4\notes\zh{KMb}\hl d|\qqh0ihgi\enotes -\temps\arpg H5\notes\zh{JMa}\hl c|\qqh0hgfh\enotes -%\check -% mesure 67 -\barre\Arpg H5\notes\zh{J=LN}\hl c|\qqh0gf{=e}g\enotes -\temps\arpg M3\notes\zq{Ma}\ql c|\Tleg0\qu f\enotes -\cleftoksi={{6}{6}{0}{0}}% -\changeclefs\nspace -\notes\soupir|\zcharnote A{\ppff f}\ifx\mxversion\undefined\Ilegu0g\else - \Ilegu0d\fi - \dqb3MN\enotes -%\check -% mesure 68 -\def\bozh#1{{\advance\transpose by -7\zh{#1}}\zh{#1}}\relax -\def\bozq#1{{\advance\transpose by -7\zq{#1}}\zq{#1}}\relax -\barre\arpg{!`F}6\notes\uptext{\ppff f \it e nervoso}\bozh F\hu J\relax - |\qqB0aMNa\enotes -\temps\arpg{!`E}6\notes\bozh E\hu I|\qqB0bNab\enotes -% mesure 69 -%\check -\barre\arpg A6\notes\bozh H\hu L|\qqB0cabc\enotes -\temps\arpg B6\notes\bozh I\hu M|\qqB0{=d}bcd\enotes -%\check -% mesure 70 -\Alaligne\noteskipLARGE\Arpg A7\notes\bozh J\hu N|\qqB0{=e}c{=d}e\enotes -\temps\Arpg {!`E}8\notes\bozh F\zh{=H}\hu M|\qqb{-3}f{_e}{_d}c\enotes -%\check -% mesure 71 -\barre\arpg B6\notes\bozh I\hu M|\qqb3bcdf\enotes -\temps\arpg A8\notes\bozh E\zh I\hu N|\qqb{-3}edcb\enotes -%\check -% mesure 72 -\barre\arpg A6\notes\bozh H\hu L|\qqb3abce\enotes -\temps\arpg B6\notes\bozh I\hu M|\qqb{-3}dcba\enotes -%\check -% mesure 73 -\Alaligne\noteskipLARGE\arpg B5\notes\bozh J\hu{=L}|\qqb3Nabd\enotes -\temps\arpg B6\notes\bozh J\hu N|\qqb{-3}cbaN\enotes -% -% mesure 74 -\barre\arpg {!`D}6\notes\bozh F\hu J|\ifx\mxversion\undefined\Tleg0\relax - \else\tslur0b\fi - \ql a\sk\enotes -\temps\notes|\Ilegu0d\dqb3Na\enotes -\temps\arpg B5\notes\bozh I\hu K|\qqB0baNb\enotes -%\check -% mesure 75 -\barre\arpg C5\notes\bozh J\hu M|\qqB0aNMa\enotes -\temps\Arpg C5\notes\bozh J\hu {=L}\zmidtwotext{\ppff mf}|\qqB0NM{=L}N\enotes -%\check -% mesure 76 -\barre\noteskipLarge\arpg{-8}6\notes\bozq F\zq H\qu J\relax - |\Tleg0\ql M\enotes -\cleftoksi={{6}{0}{0}{0}}% -\changeclefs -\def\atnextline{\def\interfacteur{11}\advancebottom{\Interligne}}\relax -\Zalapage\nspace\notes\zmidtwotext{\it pi\`u dolce}\soupir|\Ilegu0r\dboqh3gh\enotes -\temps\arpg D5\notes\bozh L\hu N|\qboqh0ighi\enotes -% mesure 77 -%\check -\barre\arpg A6\notes\bozh H\hu L|\qboqh0jijk\enotes -\temps\arpg E5\notes\bozh L\hu N|\qboqh{-3}lkji\enotes -% mesure 78 -%\check -\barre\arpg F4\notes\zh{FJ}\hu M|\zq a\qu h\sk\enotes -\temps\notes|\dboqh3ij\enotes -\temps\arpg {!`G}7\notes\bozh I\hu M|\qboqh{-3}kjih\enotes -% mesure 79 -\barre\Arpg C5\Notes\bozh J\hu{=L}|\zq N\qu g\enotes -\temps\notes|\dboqh3hi\enotes -\temps\arpg C6\notes\bozh J\hu N|\qboqh{-3}jihg\enotes -%\check -% mesure 80 -\Alaligne\arpg {!`F}6\notes\bozh F\hu J|\zq a\qu h\sk\enotes -\temps\notes|\dboqh3gh\enotes -\temps\arpg B5\notes\bozh I\hu K|\qboqh0ihgi\enotes -% mesure 81 -\barre\arpg B6\notes\bozh J\hu M|\qboqh0hgfh\enotes -\temps\Arpg B5\notes\bozh J\hu{=L}|\qboqh0gfeg\enotes -%\check -%mesure 82 -\barre\arpg {!`F}6\notes\bozq F\qu J\zmidtwotext{\ppff f}|\Tleg0\zq{Ma}\qu f\sk\enotes -\temps\notes\dboqh3LM\zmidtwotext{\it sempre}|\dsoqb3gh\enotes -\temps\notes\qboqb0NLMN|\zq{ln}\qsoqh0ighi\enotes -% mesure 83 -\barre\notes\zmidtwotext{\it crescendo}\qboqb0aMNa|\zq{lo}\qsoqb0jhij\enotes -\temps\notes\zmidtwotext{\it\kern 1.5\noteskip e}\qboqb0bNab\relax - |\zq{mp}\qsoqb0kijk\enotes -% \check -% mesure 84 -\Alaligne\noteskipLARGE\notes\zmidtwotext{\it\ \ pi\`u}\qboqb{-3}cbaN|\zq{nq}\qsoqb{-3}lkji\enotes -\temps\notes\zmidtwotext{\it animato}\zh F\hl M|\zq{jm}\qsoqb2hijl\enotes -% \check -% mesure 85 -\def\boql#1{{\advance\transpose by -7\relax\zq{#1}}\ql{#1}}% -\def\boqu#1{{\advance\transpose by -7\relax\zq{#1}}\qu{#1}}% -\barre\notes\boql b\sk\boql b|\zq{mp}\qsoqb{-3}kjih\enotes -\temps\notes\bohu L|\zq{jl}\qsoqb2ghik\enotes -% mesure 86 -\barre\notes\boql a\sk\boql a|\zq{mo}\qsoqb{-3}jihg\enotes -\temps\notes\bohu K|\zq{ik}\qsoqb2fghj\enotes -% mesure 87 -\Alaligne\nspace\notes\boql N\sk\boql N|\zq{=ln}\qsoqh{-3}ihgf\enotes -\temps\notes\bohu J|\zq{gi}\qsoqh2{=e}fgi\enotes -% mesure 88 -\barre\notes\qboqh0M{=L}MN|\zq{jm}\qsoqb0hghi\enotes -\temps\notes\qboqb0aNab|\zq{mo}\qsoqb0jij{=k}\enotes -%\check -% mesure 89 -\barre\notes\zmidtwotext{\ppff \fff}\qboqb0c{=b}c{=d}|\relax - \ifx\mxversion\undefined\octsup v9\relax - \else \ioctfinup v\relax - \fi \zq{gj}\qsoqh0{=e}{=d}ef\enotes -\temps\notes\qboqb0{=e}def|\zq{j=l}\qsoqh0gfgh\enotes -%\check -% mesure 90 -\Alaligne\noteskipLarge\notes\qboqb{-2}gg{=e}{_d}|\relax - \ifx\mxversion\undefined\octfin v9\fi - \zq{=ln}\qsoqb{-2}iig{=e}\enotes -\temps\notes\qboqb{-2}cbN{=L}|\qsoqh{-2}{_d}dbN\relax - \ifx\mxversion\undefined\else\toctfin\fi - \enotes -% mesure 91 -%\check -\barre\notes\qboqh{-2}JIG{=E}|\qsoqh{-2}ddbN\enotes -\temps\notes\rlap{\qboqb0CGEC}\ibu0d{-2}\boqh d\qsk\boqh d\boqh b\tbu0\boqh N\enotes -%\check -% mesure 92 -\barre\notes\rlap{\qsk\ibu0A0\boqh C\tbu0\boqh C}\ibu0K0\boqh K\qsk\rq K\tbu0\qh0J|\enotes -\temps\notes\rlap{\qsk\dsoqb0CC}\ibu0d0\boqh d\qsk\rq d\tbu0\qh0c|\enotes -\temps\notes\dsoqb0JJ|\ibu0k0\boqh k\rq k\tbu0\qh0j\enotes -\temps\notes|\rlap{\qsk\dsoqb0cc}\ibu0q0\soqh k\qsk\rq r\tbu0\qh0q\enotes -\cleftoksi={{0}{0}{0}{0}}\zchangeclefs -%\check -% mesure 93 -\barre\noteskipLarge\def\scalenoteskip{1.05}\relax -\notes\dsoqb0jj\dsoqh0cc|\ifx\mxversion\undefined\octsup v6\else\ioctfinup t\fi - \ibl0l0\soqb k\lq q\soqb k\zq p\soqb k\lq p\tbl0\soqb j\enotes -\temps\notes\zq M\cu f|\zq m\cl t\zbreath\enotes -\cleftoksi={{6}{0}{0}{0}}\changeclefs -\def\atnextline{\staffbotmarg=3\Interligne\def\interfacteur{11}}% -\Zalapage\notes\midtwotext{\kern -6mm\it sempre - \ppff \fff}\enotes -\temps\notes\dsoupir\boql f|\ifx\mxversion\undefined\octline v\fi - \ibl0f1\soqb f\soqb g\tbl0\soqb h\enotes -% mesure 94 -\barre\notes\zmidtwotext{\it ed accelerando}\boql f\sk\boql f|\qsoqb0ighi\enotes -\temps\notes\boql f\sk\boql f|\qsoqb0jhij\enotes -%\check -% mesure 95 -\barre\notes\boql f\sk\boql f|\qsoqb0kjik\enotes -\temps\notes\boql f\sk\boql f|\qsoqb0jihj\enotes -%\check -% mesure 96 -\barre\notes\boql f\sk\boql f|\qsoqb0ihgi\enotes -\temps\notes\boql f\sk\boql f|\qsoqb0hgfh\enotes -%\check -% mesure 97 -\Alaligne\noteskipLarge -\notes\boql{=e}\sk\boql e|\ifx\mxversion\undefined\octline t\fi - \qsoqb0gf{=e}g\enotes -\temps\notes\boql f\sk\boql f|\qsoqb3ffgh\enotes -%\check -% mesure 98 -\barre\notes\boql d\sk\boql d|\qsoqb0ighi\enotes -\temps\notes\boql c\sk\boql c|\qsoqb0jhij\enotes -%\check -% mesure 99 -\barre\notes\boql b\sk\boql b|\qsoqb0kjik\enotes -\temps\notes\boql a\sk\boql a|\qsoqb0jihj\enotes -%\check -% mesure 100 -\barre\notes\boql N\sk\boql N|\qsoqb0ihgi\enotes -\temps\notes\boql M\sk\boql M|\soql h\sk\dsoqb3gh\enotes -%\check -% mesure 101 -\Alaligne\notes\boql K\sk\boql K|\ifx\mxversion\undefined\octfin u{17}\fi - \qsoqb0ihgi\enotes -\temps\notes\boql J\sk\boql J|\qsoqb0hgfh\enotes -%\check -% mesure 102 -\barre\notes\boql J\sk\boql J|\qsoqb0gf{=e}g\enotes -\temps\NOtes\pointdorgue d\bohu K|\pointdorgue o\zh{hk}\bohl m\relax - \ifx\mxversion\undefined\else\toctfin\fi \enotes -% mesure 103 -\barre\notes\zmidtwotext{\ppff mp \it dolce}\soupir|\Uptext{\moyen A tempo}\enotes -\temps\notes\islurd0G\dqb3Na|\hpause\enotes -\temps\notes\qqb2bcdf|\zh{fi}\hu k\enotes -%\check -% mesure 104 -\barre\notes\qqb{-3}edcb|\zh{gi}\lh k\hl l\enotes -\temps\notes\tslur0G\ql c\sk|\zh{hj}\hl l\enotes -\temps\notes\Ilegu0d\dqb3bc\enotes -%\check -% mesure 105 -\Alaligne\notes\qqB0dcbd|\zh{il}\hl n\enotes -\temps\notes\qqB0cbac|\zh{hj}\hl m\enotes -% mesure 106 -\barre\notes\qqB0baNb|\lh i\zh j\hl{=l}\enotes -\temps\notes\tleg0\ql a\sk|\zh{hj}\hl m\enotes -\temps\notes\Ilegu0c\dqb3Na|\enotes -%\check -% mesure 107 -\barre\notes\qqB0baNb|\zh{gik}\hl m\enotes -\temps\notes\qqB0aNMa|\zh{hj}\hl m\enotes -%\check -% mesure 108 -\barre\notes\qqB0NM{=L}N|\zh{gj}\lh i\hl{=l}\enotes -\temps\notes\Tleg0\ql M\sk|\zq{hj}\ql m\enotes -\temps\notes\soupir|\Ilegl0M\dqh3MN\enotes -% mesure 109 -\def\atnextline{\advancebottom{-2\Interligne}}% -%\check -\Alaligne\notes\uptext{\it senza arpeggiare}\zh{FJ}\hl M\relax - |\uptext{\it espressivo e delicato}\qqh3abcd\enotes -\temps\notes\rlap{\zh{EI}\hl L}\zh N|\qqh{-3}edcb\enotes -% mesure 110 -\barre\notes\zh H\hl L|\ifx\mxversion\undefined\Tleg0\else\tslur0a\fi - \qu a\sk\enotes -\temps\notes|\Ilegl0a\dqh3c{=d}\enotes -\temps\notes\zh{JN}\hl c|\qqh4{=e}fgh\enotes -%\check -% mesure 111 -\barre\notes\zh{JN}\hl b|\qqh{-6}ig{_d}c\enotes -\temps\notes\zh{FJ}\hl M|\Tleg0\qu c\sk\enotes -\temps\notes|\Ilegl0b\dqh3fg\enotes -% mesure 112 -\barre\notes\zh F\hl L|\rlap{\hl c}\qqh0{=h}ijh\enotes -\temps\notes\zh{IM}\hl b|\rlap{\hl d}\tleg0\qu f\sk\enotes -\temps\notes|\Ilegl0b\dqh3ij\enotes -% mesure 113 -\Alaligne\notes\zh{IM}\hl b|\rlap{\hl d}\qqh{-6}kigf\enotes -\temps\notes\zh{JN}\hl c|\qqH6{=e}gkj\enotes -% mesure 114 -\barre\notes\zh{FJ}\hu M|\ibu0j{-6}\qh0{j=h}\tbu0\tleg0\qh0f\enotes -\temps\notes\zmidtwotext{\it crescendo}|\Ilegu0q\cl{_n}\enotes -\Arpg F5\notes\zh{FJ}\hu{=a}|\qqB0mljl\enotes -% mesure 115 -\barre\arpg I5\notes\zh{IM}\hl d|\qqh{-5}lkif\enotes -\temps\notes\Soufflcr\zh{JN}\hl c|\rlap{\sk\sk\sk\tleg0}\qqH6{=e}gkj\enotes -%\check -% mesure 116 -\barre\notes\zmidtwotext{\ppff ff}\zq{J=L}\ql N|\dsoqh{-3}dc\enotes -\cleftoksi={{0}{0}{0}{0}}\zchangeclefs -\nspace\notes\zq{c=e}\qu g|\dsoqb{-3}kj\enotes -\temps\notes\zq{j=l}\ql n|\dsoqb{-3}rq\enotes -\temps\notes\zq{ce}\qu g|\dsoqb{-3}kj\enotes -\cleftoksi={{6}{0}{0}{0}}\zchangeclefs - %\check -% mesure 117 -\def\motif#1#2#3{\notes\ibu0F4\boqh F\relax - |\sk{\advance\transpose by 3\relax\ibu1{#3}6}\zq{#1}\zq{#2}\qh1{#3}\relax - \tbl0\zq{#1}\zq{#2}\qb0{#3}\tbu1{\advance\transpose by 7\relax - \zq{#1}\zq{#2}\qh1{#3}}\enotes}% -%\check -\staffbotmarg=5\Interligne -\Alapage\vnotes 0.2\elemskip\zmidtwotext{\ppff f}|\zcharnote v{\kern -10mm -\moyen pi\`u vivo \rm(\metron{\qu}{110})}\enotes -\motif acf\temps\motif bdg\relax -% mesure 118 -\barre\motif cfh\temps\motif acf\relax -% mesure 119 -\barre\motif bdg\temps\motif cfh\relax -% mesure 120 -\barre\motif dgi\temps\motif bdg\relax -% mesure 121 -\Alaligne\motif cfh\temps\motif dgi\relax -% mesure 122 -\xbarre\znotes\Soufflcr\enotes\motif {cf}hj\temps\motif cfh\relax -% mesure 123 -\xbarre\motif dfi\temps\motif fhj\relax -% mesure 124 -\barre\motif fik\temps\motif dfi\relax -\generalmeter{\meterfrac 54}\relax -\changecontext -\znotes\zmidtwotext{\kern -5mm\ppff ff}\enotes -% mesure 125 -%\check -\def\motif#1#2#3#4#5#6{\notes\ibu0a0\boqh C\ibu1e0{\advance\transpose by -14\relax -\zq{#1}\zq{#2}\qh1{#3}\zq{#4}\zq{#5}\qh0{#6}}\enotes -\notes{\advance\transpose by -7\relax -\zq{#1}\zq{#2}\qh1{#3}\zq{#4}\zq{#5}\qh0{#6}}\enotes -\notes|\zq{#1}\zq{#2}\qb1{#3}\zq{#4}\zq{#5}\qb0{#6}\enotes -\notes|{\advance\transpose by 7\relax -\zq{#1}\zq{#2}\qb1{#3}\tbl0\zq{#4}\zq{#5}\qb0{#6}}\enotes -\notes|{\advance\transpose by 14\relax -\tbl1\zq{#1}\zq{#2}\qb1{#3}}\enotes}% -%\check -\noteskipLarge\relax -\motif {=e}gjegj\relax -% mesure 126 -\barre\motif fhjfhj\relax -% mesure 127 -\barre\notes\ibu0a0\boqh C\ibu1e0{\advance\transpose by -14\relax -\zq g\rq i\qh1j\zq g\rq i\qh0j}\enotes -\notes{\advance\transpose by -7\relax -\zq g\rq i\qh1j\zq g\rq i\qh0j}\enotes -\notes|\zq g\lq i\qb1j\zq g\lq i\qb0j\enotes -\notes|{\advance\transpose by 7\relax -\zq g\lq i\qb1j\tbl0\zq g\lq i\qb0j}\enotes -\notes|{\advance\transpose by 14\relax -\tbl1\zq g\lq i\qb1j}\enotes -%\check -% mesure 128 -\Alaligne\motif fikfik\relax -% mesure 129 -\barre\motif gi{=l}gil\relax -% mesure 130 -\generalmeter{\allabreve}\changecontext -\noteskipnormal\NOtes|\octfin z1\rlap{\sforz I\zh{ce}\hl g}\relax -\sforz x\zh{j=ln}\hu q\enotes -\temps\NOtes\pointdorgue c\hpause|\pointdorgue o\hpause\enotes -% mesure 131 -\noteskipLarge\transpose=0\relax -\ifx\HalfPieceCut\undefined - \barre -\else - \advance\mulooseness -2\relax - \alapage - \advance\mulooseness 3\relax -\fi -\notes\rlap{\bohu F}\isluru0e\relax - \qqh3MNab|\zcharnote{-4}{\it dolce ed espressivo}\Uptext{\kern -3mm\moyen - tempo I$^{\bf o}$}\enotes -\temps\notes\qqb0cbcd% -\off{\beforeruleskip}\hloff{\Tslurbreak0h}\off{-\beforeruleskip}% -|\zh{hj}\hu m\uptext{\it m.s.}\enotes -% mesure 132 -\Alaligne -\notes -\off{-\afterruleskip}\hloff{\Islurdbreak0h}\off{\afterruleskip}% -\bohu L|\qqb0edef\enotes -\temps\notes|\rlap{\zh{il}\hu n}\qqb{-3}edcb\enotes -% mesure 133 -\barre\Notes\tslur0f\bohu H|\hl c\enotes -\temps\notes|\raise -5\Interligne\rlap{\soupir}\zh{lo}\hl q\enotes -\temps\notes|\Ilegl0K\ibl0c1\qb0{=b}\tqb0c\enotes -% mesure 134 -%\check -\barre\notes\bohu J|\qqb5{=e}gkj\enotes -\temps\notes|\rlap{\zh n\rh p\hu q}\qqB{-6}igdc\enotes -% mesure 135 -\barre\notes\bohl M|\ibl0e0\qb0{=h=ef}\tqb0g\enotes -\temps\notes|\rlap{\zh{m=o}\hu q}\qqb3hijk\enotes -%\check -% mesure 136 -\Alapage\noteskipLarge\Arpg D6\notes\zh{FJM}\hl{=a}|\rlap{\sk\sk\sk - \ifx\mxversion\undefined\tleg0\else\tslur0a\fi}\qqb{-6}lj{=h}f\enotes -\temps\arpg G6\notes\zh{IMb}\hl d|\qqb{-6}ki{_h}g\enotes -%\check -% mesure 137 -\barre\arpg I5\notes\zh{KMb}\hl d|\qqb{-6}ki{_h}g\enotes -\temps\Arpg H5\notes\zmidtwotext{\it crescendo}\zh{JN}\lh b\hl c|\qqh{-6}{=l}kig\enotes -% mesure 138 -%\check -\barre\Arpg H6\notes\zh{=Lb=e}\hl g\zmidtwotext{\it molto}|\qqh{-6}n{=l}ki\enotes -\temps\Arpg b{9}\notes\zh c|\rlap{\zh {=eg}\hl j}\qqh{-6}pnlk\enotes -%\check -% mesure 139 -\barre\Arpg H5\notes\zh{=LN}\bohl c|\qqb{-8}rpnj\enotes -\temps\notes\zmidtwotext{\ppff f}\boql c\sk\boql c|\qsoqb{-8}rpnj\enotes -%\check -% mesure 140 -\Alaligne\noteskiplarge\bigaccid -\notes\zmidtwotext{\vbox{\hbox{\ppff ff \it con fuoco}\smallskip - \hbox{\it e crescendo}}}\soupir|\soupir\enotes -%\check -\noteskipnormal\def\scalenoteskip{0.75}\relax -\notes\ibbl0F3\soqb F\qs\tbl0\soqb G\qs|\qs\ibbu0m3\soqh f\qs\tbu0\soqh g\enotes -%\check -\def\motif#1#2#3#4{\notes\ibbu0b0{\advance\transpose by -7\relax\boqh{#1}}\sk - |\qsk\sk\rlap{\soqb{#1}}\enotes -\notes{\advance\transpose by -7\relax\boqh{#2}}\sk|\rlap{\qsk\sk\soqb{#2}}\enotes -\notes{\advance\transpose by -7\relax\boqh{#3}}\sk|\rlap{\qsk\sk\soqb{#3}}\enotes -\notes{\advance\transpose by -7\relax\boqh{#4}}\sk\qsk|\rlap{\qsk\sk -\tbl0\soqb{#4}}\enotes -}% fin motif -%\check -\temps\motif hfgh\relax -%\check -% mesure 141 -\barre\motif ighi\temps\motif jhij\relax -% mesure 142 -\barre\motif kjik\temps\motif jihj\relax -% mesure 143 -\def\scalenoteskip{0.7}\Alaligne\motif ihgi\temps\motif hgfh\relax -%\check -% mesure 144 -\barre\motif gf{=e}g\temps\motif ffgh\relax -% mesure 145 -\barre\motif ighi\temps\motif jhij\relax -% mesure 146 -\Alaligne\motif {=k}ijk\temps\motif {=l}jkl\relax -% mesure 147 -\barre\motif m{_l}{_k}j\temps\motif iijk\relax -% mesure 148 -\barre\motif lkji\temps\motif hhij\relax -% mesure 149 -\Alaligne\motif kjik\relax -%\check -\def\motif#1#2#3#4#5#6#7#8{\notes\ibbu0b0{\advance\transpose by -7\relax -\boqh{#1}}\sk|\qsk\sk\rlap{\soqb{#5}}\enotes -\notes{\advance\transpose by -7\relax\boqh{#2}}\sk|\rlap{\qsk\sk\soqb{#6}}\enotes -\notes{\advance\transpose by -7\relax\boqh{#3}}\sk|\rlap{\qsk\sk\soqb{#7}}\enotes -\notes{\advance\transpose by -7\relax\boqh{#4}}\sk\qsk|\rlap{\qsk\sk -\tbl0\soqb{#8}}\enotes}% fin motif -%\check -\temps\motif j{^j}{=k}{^k}jjjj\relax -% mesure 150 -\barre\motif {=l}{_l}{=k}{_k}jjjj\relax -\temps\motif jihgjj{=k}{=l}\relax -% mesure 151 -\noteskipLarge\varaccid -\xbarre\Notes\pointdorgue a\zcharnote i{\ppff \fff}\bohl M\relax - |\pointdorgue u\zh{=oq}\sohl m\enotes -%\check -\NOtes\rlap{\pointdurgue F\soupir}\midtwotext{\it\vbox{\hsize 2\noteskip -\centerline{a piacere -}\centerline{% -quasi una}\centerline{cadenza}}}|\pointdorgue m\hpause\enotes -\Zalapage -\transpose=-7\relax -% -\staffbotmarg=3\Interligne -\Notes\charnote C{\ppff f}\dqh8FJ\enotes -% -% -% mesure 152 -% -\def\motif{}% -\def\motifb#1#2#3#4#5#6#7{\ibbl0{#2}{#1}\usf{#2}\qb0{#2}\tbbl0\qb0{#3}% -\nbbl0\qb0{#4}\tbbl0\qb0{#5}\nbbl0\qb0{#6}\tqb0{#7}}% -\def\motifh#1#2#3#4#5#6#7{\ibbu0{#2}{#1}\lsf{#2}\qh0{#2}\tbbu0\qh0{#3}% -\nbbu0\qh0{#4}\tbbu0\qh0{#5}\nbbu0\qh0{#6}\tqh0{#7}}% -\def\motifH#1#2#3#4#5#6#7{{\advance\transpose by 3\ibbu0{#2}{#1}}% -\lsf{#2}\qh0{#2}\tbbu0\qh0{#3}\nbbu0\qh0{#4}\tbbu0\qh0{#5}\nbbu0\qh0{#6}\tqh0{#7}}% -%\check -\noteskipnormal\def\scalenoteskip{1.11}\hyphenpenalty -20\relax -\transpose=0\relax -\barre\notes\motifh8FHJMac\enotes -\temps\notes|\motifb8fhjmoq\enotes -%\check -% mesure 153 -\barre\notes|\motifb{-6}t{=s}tqom\enotes -\zbarre\notes|\na l\motifb{-6}lmjhf{=e}\enotes -\zbarre\notes|\usf f\ibbl0d0\qb0f\tbbl0\qb0c\enotes -\notes\nbbu0\qh0a\tbbu0\qh0M\nbbu0\qh0{=L}\tqh0M\enotes -\zbarre\notes\motifh{-4}JHF{=E}FC\enotes -\transpose=-7\relax -\zbarre\notes\ibbu0I{-6}\qh0H\lsf F\qh0F\lsf F\qh0F\lsf F\tqh0F\enotes -%\check -% mesure 154 -\Alaligne -\transpose=-7\relax -\notes\motifh8FIKMbd\enotes -\zbarre\notes|\motifh8fikmpr\enotes -\transpose=7\relax -\notes|\usf f\ibbl0f4\qb0{fi}\tqb0k\enotes -%\check -% mesure 155 -\transpose=0\relax -\barre\notes|\motifb{-6}t{=s}trpm\enotes -\zbarre\notes|\na l\motifb{-6}lmkif{=e}\enotes -\zbarre\notes|\usf f\ibbl0e0\qb0f\tbbl0\qb0d\enotes -\notes\nbbu0\qh0b\tbbu0\qh0M\nbbu0\qh0{=L}\tqh0M\enotes -\zbarre\notes\motifh{-4}KIF{=E}FD\enotes -\transpose=-7\relax -\Zalaligne\notes\ibbu0I{-6}\qh0I\lsf F\qh0F\lsf F\qh0F\lsf F\tqh0F\enotes -%\check -% mesure 156 -\transpose=-7\relax -\barre\notes\motifH8FJ{_L}Mc{_e}\enotes -\zbarre\notes|\motifH8fj{_l}mq{_s}\enotes -\transpose=7\relax -\zbarre\notes|\sforz h\ibbl0g4\qb0{fj}\tqb0{_l}\enotes -%\check -% mesure 157 -\transpose=0\relax -\barre\notes|\motifb{-6}t{=s}t{_s}qm\enotes -\zbarre\notes|\na l\motifb{-6}lm{_l}jf{=e}\enotes -\zbarre\notes|\sforz h\ibbl0e0\qb0f\tbbl0\qb0{_e}\enotes -\notes\nbbu0\qh0c\tbbu0\qh0M\nbbu0\qh0{=L}\tqh0M\enotes -\Zalaligne\notes\motifh{-6}{_L}JF{=E}F{_E}\enotes -\transpose=-7\relax -\zbarre\notes\ibbu0I{-4}\qh0J\lsf F\qh0F\lsf F\qh0F\lsf F\tqh0F\enotes -%\check -% mesure 158 -\def\motif{}% -\def\motifb{}% -\def\motifh{}% -\noteskipnormal -\barre\notes\transpose=-7\relax\ibbu0H8\qh0{FIK}\tqh0M\enotes -\zbarre\notes\transpose=0\relax\ibbu0I8\qh0{IK}\tqh0M\enotes -\zbarre\notes|\transpose=7\relax\ibbu0I8\qh0{IK}\tqh0M\enotes -\zbarre\notes|\transpose=0\relax\lsf i\ibbu0i8\qh0{ik}\tqh0m\enotes -\zbarre\notes|\transpose=7\relax\lsf g\ibbu0g8\qh0{gik}\tqh0m\enotes -%\check -\def\souffldim{\zmidtwotext{\kern -1cm\raise 5pt\hbox{\Dimin}}}% -% mesure 159 -\transpose=7\relax\def\motifa{\sforz u\ibbu0m0\qh0{nm}\tqh0n}\relax -\def\motifb{\ibbl0k{-8}\qb0{ki}\tqb0f}\relax -\barre\notes\souffldim|\motifa\enotes -\notes|\motifb\enotes -\transpose=0\relax -\zbarre\notes|\motifa\enotes -\notes|\motifb\enotes -\transpose=-7\relax -\zbarre\notes|\motifa\enotes -\notes\motifb\enotes -\transpose=-14\relax -\zbarre\notes\motifa\enotes -\notes\motifb\enotes -\transpose=-21\relax -\zbarre\notes\motifa\enotes -\notes\motifb\enotes -%\check -% mesure 160 -\barre\notes\transpose=-7\relax\ibbu0H8\qh0{FJM}\tqh0N\enotes -\zbarre\notes\transpose=0\relax\ibbu0H8\qh0{HJM}\tqh0N\enotes -\zbarre\notes\transpose=7\relax\ibbu0J0\qh0{HJ}\enotes -\notes|\transpose=7\qb0M\tqb0N\enotes -\zbarre\notes|\transpose=0\relax\ibbu0h8\qh0{hjm}\tqh0n\enotes -\zbarre\notes|\transpose=7\relax\ibbl0h8\qb0{hjm}\tqb0n\enotes -% -% mesure 161 -% sixte et quinte inferieures -\transpose=0\relax -\def\motifb{}\def\motifh{}\def\motifH{}% -\def\bsqh#1{{\advance\transpose by -5\relax\zq{#1}}\qh0{#1}}% -\def\bqqh#1{{\advance\transpose by -4\relax\zq{#1}}\qh0{#1}}% -\def\tbsqh{\tbu0\bsqh}\def\tbqqh{\tbu0\bqqh}% -\cleftoksi={{0}{0}{0}{0}}\changeclefs -\generalmeter{\meterfrac 44}\changecontext\staffbotmarg=5\Interligne -\def\serre{\def\scalenoteskip{0.8}}\serre -\def\motif{\ibbbl2n{-6}\qb2{onm}\tqb2j}% -\transpose=0\relax -\def\atnextline{\serre}\relax -\ifx\mxversion\undefined - \def\everystaff{\znotes\nextstaff\octline t\enotes}\relax -\fi -\Zalapage -\ifx\mxversion\undefined\else - \znotes|\ioctfinup t\enotes -\fi -\notes|\motif\enotes -\zbarre\notes\souffldim|\motif\enotes -\zbarre\notes\hpause|\motif\enotes -\zbarre\notes|\motif\enotes -% -% -\temps\notes\soupir|\motif\enotes -\zbarre\notes\zmidtwotext{\ppff p}|\motif\enotes -\zbarre\notes\ibu0f1\bsqh f|\motif\enotes -\notes\tbsqh g|\motif\enotes -% mesure 162 -\def\Motif#1#2#3#4{\Ibbbl2{#1}{#4}3\hb2{#1#2#3}\tbl2\hb2{#4}}% -\barre\NOtes\ibu0g0\bsqh h\bsqh f\bsqh g\tbsqh h\relax - |\Motif onmj\enotes -\temps\NOtes\ibu0h0\bsqh i\bsqh g\bsqh h\tbsqh i|\Motif ponk\enotes -% mesure 163 -%\check -\def\motif#1#2#3#4{\Ibbbl1{#1}{#4}3\qb1{#1#2#3}\tbl1\qb1{#4}}% -\barre\NOtes\ibu0g0\bsqh j\bsqh h\bsqh i\tbsqh j\relax - |\Motif qpom\enotes -\temps\notes\ibu0j{-6}\bsqh k|\motif rqpm\enotes -\notes\tbsqh i|\motif rqpm\enotes -\zbarre\notes\ibu0i{-6}\bsqh j|\motif qpom\enotes -\notes\tbsqh h|\motif qpom\enotes -%\check -% mesure 164 -\generalmeter{\meterfrac 34}\changecontext -\notes\ibu0h{-4}\zq d\qh0i|\motif pon{=l}\enotes -\notes\tbsqh g|\motif ponl\enotes -\temps\NOtes\zh b\zh{=e}\hu g|\Motif ponl\enotes -%\check -% mesure 165 -\generalmeter{\meterfrac 44}\changecontext\serre -\Notes\Ibu0hg3\bsqh i|\motif ponk\enotes -\Notes\tbsqh g|\motif ponk\enotes -\zbarre\Notes\Ibu0ge3\bsqh h|\motif onmj\enotes -\Notes\tbsqh f|\motif onmj\enotes -\zbarre\NOtes\zq a\qu f\sk\Ibu0gf1\bsqh h\tbsqh f|\Motif onmj\enotes -%\check -% mesure 166 -\barre\serre\notes\ibu0g1\bigna e\bsqh e\relax|\motif nm{=l}i\enotes -\notes\bsqh g|\motif nmli\enotes -\notes\bsqh f|\motif onmj\enotes -\notes\tbsqh h|\motif onmj\enotes -\notes\ibu0i1\bsqh g|\motif ponk\enotes -\notes\bsqh i|\motif ponk\enotes -\notes\bsqh h|\motif qpol\enotes -\notes\tbu0\bsqh j|\motif qpol\enotes -%\check -% mesure 167 -\generalmeter{\meterfrac 34}% -\changecontext\notes\ibu0j1\bigna h\bsqh h\relax -|\motif qp{=o}m\enotes -\notes\bsqh j|\motif qpom\enotes -\notes\bsqh i|\motif rqpm\enotes -\notes\tbsqh k|\motif rqpm\enotes -\notes\ibu0j1\bsqh j|\motif srqm\enotes -\notes\bigfl g\tbsqh l|\motif srqm\enotes -% -% mesure 168 -\generalmeter{\meterfrac 44}\changecontexte -\NOtes\zq f\qu k\sk\ibu0i2\bsqh i\tbsqh k|\Motif rqpm\enotes -\zbarre\NOtes\ibu0i0\bsqh j\bsqh i\fl h\bsqh h\tbsqh j|\Motif qpom\enotes -% -% mesure 169 -\barre\NOtes\ibu0h0\bsqh i\bsqh h\bsqh g\tbsqh i|\Motif ponk\enotes -\zbarre\Notes\ibu0g0\bsqh h\bsqh g\bsqh f\tbsqh h| -\Motif onmj\enotes -% mesure 170 -\barre\Notes\ibu0f0\bsqh g\bsqh f\na e\bsqh e\tbsqh g|\Motif nm{=l}i\enotes -\temps\Notes\zh a\hu f|\Motif onmj\enotes -%\check -% mesure 171 -\barre\Notes\ibu0f0\na a\zq c\bsqh f\zq c\bsqh f\zq c\bsqh f\zq c\tbsqh -f|\na o\Motif onmj\enotes -\temps\Notes\ibu0f0\zq d\bqqh f\zq d\bqqh f\zq d\bqqh f\zq d\tbqqh -f|\Motif p{_o}nk\enotes -%\check -% mesure 172 -\barre\Notes\ibu0g0\zq d\bsqh g\zq d\bsqh g\zq d\bsqh g\zq d\tbsqh -g|\Motif ponk\enotes -\temps\Notes\ibu0h0\zq f\bsqh h\zq f\bsqh h\zq f\bsqh h\zq f\tbsqh -h|\Motif qpom\enotes -% mesure 173 -\barre\Notes\ibu0g0\zmidtwotext{\it smorz.}\relax -\zq{c=e}\qh0i\zq{ce}\qh0i\zq{ce}\qh0i\zq{ce}\tqh0i|\Motif pon{=l}\enotes -\nspace\NOtes\pointdorgue l\hpause|\pointdorgue l\hpause\toctfin\enotes -\suspmorceau\def\everystaff{}\relax -\Eject -%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%% -% finale % -\transpose=0\relax\cleftoksi={{6}{0}{0}{0}}% - \Eject\staffbotmarg=3\Interligne\relax -\def\atnextline{\def\interfacteur{11}}% -\def\scalenoteskip{1.0}% -% mesure 200 -\barno=200\relax -\generalmeter{\allabreve}\reprmorceau -\savemeters\noteskipLarge\saveclefs -\notes\zmidtwotext{\ppff p}|\Uptext{\kern -7mm\moyen -a tempo primo, con molta delicatezza}\soupir\enotes -\temps\notes\hpause|\Ilegl0d\dqh3fg\enotes -\temps\notes\zh{Ma}\hl c|\qqh0hfgh\enotes -% mesure 201 -\xbarre\notes\zh{Mb}\hl d|\qqh0ighi\enotes -\temps\notes\zh{Ma}\hl c|\Tleg0\qu j\sk\enotes -\temps\notes|\Ilegl0d\dqh3ij\enotes -% mesure 202 -\xbarre\notes\zh{Mb}\hl d|\qqh0kjik\enotes -\temps\notes\zh{Ma}\hl c|\qqh0jihj\enotes -%\check -% mesure 203 -\xbarre\notes\zh M\lh N\hl b|\qqh0ihgi\enotes -\temps\notes\zh{Ma}\hl c|\Tleg0\qu h\enotes -\temps\notes|\Ilegl0d\dqh3gh\enotes -%\check -% mesure 204 -\Alaligne\notes\zh{Mb}\hl d|\qqh0ihgi\enotes -\temps\notes\zh{Ma}\hl c|\qqh0hgfh\enotes -% mesure 205 -\barre\notes\zh{Mb}\lh N\hl d|\qqh0gf{=e}g\enotes -\temps\notes\zh{Ma}\hl c|\Tleg0\qu f\sk\enotes -\temps\notes|\Ilegu0r\dqh3gh\enotes -% mesure 206 -\barre\notes\zh{LN}\hl b|\rlap{\hl e}\qqh0ighi\enotes -\temps\notes\zh{La}\hl c|\rlap{\hl e}\qqh0jijk\enotes -% mesure 207 -\barre\notes\zh b\bohl e|\rlap{\hl g}\qqh{-3}lkji\enotes -\cleftoksi={{0}{0}{0}{0}}\changeclefs -\temps\notes\zh{ac}\hl e|\Tleg0\qu h\sk\enotes -\temps\notes|\Ilegu0t\dqh3jk\enotes -% mesure 208 -\Alaligne\notes\zh{Nc}\hu{=e}|\na l\qqb3lmno\enotes -\temps\notes\zh{ce}\hu i|\qqb{-6}pnkj\enotes -% mesure 209 -\barre\nspace\notes\zh{cf}\hu{=h}|\Uptext{\it sempre \ppff p}\relax - \ibl0m0\qb0{=o=lm}\tqb0n\enotes -\temps\notes\zh{c_e}\hu h|\qqb3opqr\enotes -%\check -% mesure 210 -\xbarre\notes\zh{=ac}\hu{_g}|\qqb{-7}sq{=o}m\enotes -\temps\notes\zh{bd}\hu f|\Tleg0\ql r\enotes -\temps\notes|\Ilegu0s\dqb4pr\enotes -% mesure 211 -\xbarre\notes\zh{ac}\hu f|\qqB0qpoq\enotes -\cleftoksi={{6}{0}{0}{0}}\changeclefs -\temps\notes\zh{Nb}\hl{=e}|\qqB0ponp\enotes -% mesure 212 -\generalmeter{\meterfrac 32}\changecontexte -\Notes\zh{Ma}\hl c|\Tleg0\ql o\enotes -\temps\notes|\Ilegu0r\dqb3no\enotes -\temps\notes\zh{KM}\hl b|\qqB0ponp\enotes -\temps\notes\zh{JM}\hl a|\qqB0onmo\enotes -%\check -% mesure 213 -\generalmeter{\allabreve}\changecontexte -\notes\zh{J=L}\hl N|\qqB0nm{=l}n\enotes -\temps\Notes\boqu M|\Tleg0\hl m\enotes -\temps\notes\zmidtwotext{\kern -1.5\noteskip\ppff pp}\Ilegu0e\dqb3MN\enotes -%\check -% mesure 214 -\xbarre\notes\qqb3abcd|\zh{fh}\hu j\enotes -\temps\notes\qqb{-3}cbaN|\zh{=eg}\hu j\enotes -%\check -% mesure 215 -\xbarre\Notes\tleg0\ql a|\zh{fh}\hu j\enotes -\temps\notes\Ilegu0d\dqb3Na\enotes -\temps\notes\qqb0baNb|\zh{fi}\hu k\enotes% mesure 216 -\Alaligne\notes\qqB0aNMa|\zh{fh}\hl j\enotes -\temps\notes\qqB0NM{=L}N|\zh{=eg}\hu j\enotes -% mesure 217 -\barre\notes\Tleg0\hl M|\zh{fh}\hu j\enotes -\cleftoksi={{6}{6}{0}{0}}\changeclefs -\notes|\Ilegl0E\dqh3Na\enotes -\temps\notes\bohu K|\rlap{\hl M}\qqh5bcdf\enotes -% mesure 218 -\barre\notes\bohu L|\rlap{\hl N}\qqh{-3}edcb\enotes -\temps\Notes\bohu H|\Tleg0\rlap{\ql a}\qu c\enotes -\temps\notes|\Ilegl0E\dqh3bc\enotes -%\check -% mesure 219 -\barre\notes\bohu I|\rlap{\hl M}\qqh0dcbd\enotes -\temps\notes\bohu J|\rlap{\hl M}\qqh0cbac\enotes -%\check -% mesure 220 -\Alaligne\notes\bohu J|\rlap{\hl{=L}}\qqh0baNb\enotes -\temps\notes\bohu F\sk|\Tleg0\rlap{\ql J}\qu a\enotes -\temps\notes|\Ilegl0F\dqh3Na\enotes -% mesure 221 -\barre\notes\Uptext{\it diminuendo,\ \ \ ma senza}\bohu D\relax - |\rlap{\hl K}\qqh0baNb\enotes -\temps\notes\bohu C|\rlap{\hl J}\qqh0aNMa\enotes -% mesure 222 -%\check -\barre\notes\Uptext{\it rallentare}\bohu C|\rlap{\hl J}\qqh0NMLN\enotes -\temps\NOtes\bohu F|\Tleg0\rlap{\hl J}\hu M\enotes -% mesure 223 -\barre\notes\bohu F|\itenu0f\itenl1M\roff{\zqp b\zqup d}\bohl f\sk\sk -\itenu2a\itenu3c\zq a\cu c\qsk\enotes -\NOtes\pointdorgue a\bohu F\relax - |\pointdurgue F\tten0\tten1\tten2\tten3\zh{ac}\bohl f\enotes -\finmorceau \rightline{\sl \aujourdhui} -\eject -\bye -\endinput diff --git a/musixtex/doc/examples/pacifiqt.tex b/musixtex/doc/examples/pacifiqt.tex deleted file mode 100644 index 2077a6b..0000000 --- a/musixtex/doc/examples/pacifiqt.tex +++ /dev/null @@ -1,10 +0,0 @@ -\ifx\mxversion\undefined - \input musixtex - \input musixcpt - \input musixsty -\fi -\musicsize=20\relax -\def\NoPageCut{\relax} -\def\HalfPieceCut{\relax} -\input c:/taupin/musixtex/scores/pacifiqn -\bye diff --git a/musixtex/doc/examples/parnasum.tex b/musixtex/doc/examples/parnasum.tex deleted file mode 100644 index decd879..0000000 --- a/musixtex/doc/examples/parnasum.tex +++ /dev/null @@ -1,132 +0,0 @@ -%format musix - -\input musixtex - -\catcode`@=11 -\def\Special{\def\n@bbl{\C@nb\c@z\c@x\m@ne\z@}% - \def\beamst@m{\getcurpos\advance\y@v-\b@x - \y@ii\b@p\y@v \divide\y@ii\tw@nty \advance\y@ii\b@z \stem@skip\z@ - \advance\y@ii\b@n\interbeam \advance\y@ii\tw@\interbeam \st@bot\y@ii\C@stem}% - \def\t@xbl{\C@txb\lthick{\f@ur\b@amthick}\interbeam\hlthick<}}% -\def\DS{\zchar4\ds} -%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%% -% TEX translation of MIDI File : -% o.MID -% -% Written by Hans Kuykens -% this translation of date : 1-9-1993 -%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%% -\centerline{\BIGtype Doctor Gradus ad Parnassum}\bigskip\bigskip -\rightline{\medtype Claude Debussy}\medskip -\musicparskip -\parindent10mm - -\generalmeter{\meterfrac44} -\setstaffs1{2} -\interstaff{11} -\setclef1\bass -\startmuflex\startpiece\systemnumbers -%%% bar 1 -\scale\tinyvalue -\notes\zchar{11}{\p\lower.5ex\hbox{\it\ \'egal et sans s\'echeresse}}% - \itied0C\tinynotesize\stdstemfalse\grcu C% - |\Uptext{\medtype\bf Mod\'er\'ememt anim\'e}\en -\scale\normalvalue -\notes\tslur0H\isslurd0J\lst J\wh J% - |\qs\Ibbu0Nd2\isslurd1N\qb0{Nc}\tqh0d\en -\notes|\ibbu0d0\qb0{eNc}\tqh0e\ibbu0c0\qb0{dMc}\tqh0d\en -\notes|\ibbu0e0\qb0{fab}\tqh0f\en -%%% bar 2 -\bar -\notes\midslur{-4}\ttie0\itied0J\wh J|\ibbu0d0\qb0{eNc}\tqh0e\en -\notes|\ibbu0f0\qb0{gbc}\tqh0g\en -\notes|\ibbu0e0\qb0{fac}\tqh0f\en -\notes|\ibbu0g0\qb0{hbf}\tqh0h\curve{-2}15\tslur1d\midslur{-4}\en -%%% bar 3 -\bar -\notes\zchar4\qp\ttie0\ql J% - |\loffset{1.3}{\islurd1e}\ibbu0f0\qb0{gce}\tslur1f\tqh0g\en -\notes\roffset{1.1}{\zhu{.c}}\roffset{1.75}{\itieu1c}\ibslurd0c\ql c% - |\ibsluru2k\upz{11}\zcu j\ibbl0h0\qb0{je}\DS\qb0g\tqb0j\en -\notes\ql b|\upz{11}\zcu k\ibbl0h0\qb0{ke}\DS\qb0g\tqb0k\en -\notes\ql a|\upz{11}\zcu j\ibbl0h0\qb0{je}\DS\qb0g\tqb0j\en -%%% bar 4 -\bar -\notes\ttie1\zqu c\rql b% - |\upz{10}\zcu i\ibbl0h0\qb0{ie}\DS\qb0g\tqb0i\en -\notes\ql c|\upz9\zcu h\ibbl0h0\qb0{he}\DS\qb0g\tqb0h\en -\notes\ql b|\upz8\zcu g\ibbl0f0\qb0{gc}\DS\qb0e\tqb0g\en -\notes\midslur{-5}\tdbslur0a\ql a% - |\tdbslur2g\upz7\zcu f\ibbl0f0\qb0{fc}\DS\qb0e\tqb0f\en -%%% bar 5 -\bar -\notes\issluru0N\ql N|\ibsluru1f\zqu e\ibbl0d0\qb0{ebc}\tqb0e\en -\notes\ql M|\zqu d\ibbl0c0\qb0{dac}\tqb0d\en -\notes\icresc\ql L\sk\sk\roff{\zchar{12}\tcresc}% - |\zqu g\ibbl0e0\qb0{gbe}\tqb0g\en -\notes\icresc\curve200\tsslur0a\ql a\sk\sk\roff{\zchar{12}\tdecresc}% - |\zqu h\ibbl0e0\qb0{hce}\curve333\tslur1d\tqb0h\en -%%% bar 6 -\bar -\notes\uptext{\llap\p}\issluru0N\ql N% - |\ibsluru1e\zqu e\ibbl0c0\qb0{eac}\tqb0e\en -\notes\ql M|\zqu d\ibbl0c0\qb0{dac}\tqb0d\en -\setclef1{\bass\bass}\changeclefs -\notes\ql L|\zqu c\ibbl0a0\qb0{cNa}\tqb0c\en -\notes\curve236\tsslur0K\ql K% - |\zqu b\ibbl0N0\qb0{bMN}\curve974\tubslur1h\tqb0b\en -%%% bar 7 -\bar -\notes\roff{\lmidstaff\pp}\roffset{1.125}{\lst F\zw F}% - \ibbu0J5\qb0F\roff\icresc\qb0{JK}\tbbu0\qb0L|\ibsluru0{-10}\en -\notes|\Special\nbbl0\qb0{Mac}\tqb0d\en -\notes\ibbl0t{-5}\loff{\zqb0e\zchar{-2}\tcresc}\icresc - |\sk\qb0{dc}\tbbl0\qb0a\nbbl0\qb0M\en -\notes\qb0{LK}\roff{\zchar{-2}\tdecresc}\tqh0J% - |\sk\sk\curve{16}65\tubslur0{-10}\en -%%% bar 8 -\bar -\notes\roff{\lmidstaff{\pp\kern-2mm}}\roffset{1.125}{\lst F\zw F}% - \ibbu0J5\qb0F\roff\icresc\qb0{JK}\tbbu0\qb0L|\ibsluru0{-10}\en -\notes|\Special\nbbl0\qb0{Mac}\tqb0d\en -\notes\ibbl0t{-5}\loff{\zqb0e\zchar{-2}\tcresc}\icresc - |\sk\qb0{dc}\tbbl0\qb0b\nbbl0\qb0a\en -\notes\qb0{LK}\roff{\zchar{-2}\tdecresc}\tqh0J% - |\sk\sk\curve{16}65\tubslur0{-10}\en -%%% bar 9 -\bar -\notes\roff{\lmidstaff{\pp\kern-2mm}}\roffset{1.125}{\lst F\zw F}% - \ibbu0J5\qb0F\roff\icresc\qb0{JK}\tbbu0\qb0L|\ibsluru0{-10}\en -\notes|\Special\nbbl0\qb0{M_ac}\tqb0d\en -\notes\ibbl0t{-5}\loff{\zqb0e\zchar{-2}\tcresc}\icresc - |\sk\qb0{dc}\tbbl0\qb0a\nbbl0\qb0M\en -\notes\qb0{LK}\roff{\zchar{-2}\tdecresc}\tqh0J% - |\sk\sk\curve{16}65\tubslur0{-10}\en -%%% bar 10 -\bar -\notes\roff{\lmidstaff\pp}\roffset{1.125}{\lst F\zw F}% - \ibbu0J5\qb0F\roff\icresc\qb0{JK}\tbbu0\qb0L|\ibsluru0{-10}\en -\notes|\Special\nbbl0\qb0{M_ac}\tqb0d\en -\notes\ibbl0t{-5}\loff{\zqb0e\zchar{-2}\tcresc}\icresc - |\sk\qb0{dc}\tbbl0\qb0{_b}\nbbl0\qb0a\en -\notes\qb0{LK}\roff{\zchar{-2}\tdecresc}\tqh0J% - |\sk\sk\curve{16}66\tubslur0{-10}\en -%%% bar 11 -\bar -\notes\ibbu0K9\qb0{EI}|\ibsluru0{-13}\en -\notes|\qb0L\tqb0{^N}\en -\notes\ibbu0M9\qb0{IL}|\Uptext{\twelveit cresc. --~~~~--~~~~--~~~~--~~~~--}\en -\notes|\qb0N\tqb0b\en -\notes\ibbu0L3\qb0L\en -\znotes\qb0{^N}\en -\setclef1\bass\changeclefs -\notes|\qb0b\tqb0e\en -\notes\ibbu0N3\qb0{Nb}|\sk\sk\qb0e\tqb0{^g}\en -%%% bar 12 -\bar -\qspace -\NOTEs\lcharnote{17}{\twelveit s\kern-.25ex\f~}\isluru3e\wholeshift{% - \ust e\usfz f}\roffset2\icresc\wh e\zchar{19}\tdecresc - |\curve{16}33\tubslur0{-10}\en -\def\atnextbar{\znotes|\centerpause\en}\mulooseness1\stoppiece -\eject\endmuflex\end diff --git a/musixtex/doc/examples/partitur.tex b/musixtex/doc/examples/partitur.tex deleted file mode 100644 index bb2288e..0000000 --- a/musixtex/doc/examples/partitur.tex +++ /dev/null @@ -1,433 +0,0 @@ -% partitur.tex to demonstrate MusiXTeX's capabilities for large scores -% (c) 1997, Werner Icking - -\ifx\mxversion\undefined - \input musixtex - \fi - -% A4-width, letter-length -\hoffset-15.4mm\voffset-15.4mm -\hsize210mm\advance\hsize-20mm -\vsize11in\advance\vsize-20mm\advance\vsize-20pt - -\def\myfootline#1{% -\def\crtextde{Nicht-kommerzielle Vervielf\"altigung erw\"unscht.}% -\def\crtexten{Non-commercial copying welcome.}% -\def\cryear{#1}\setfootline} - -\def\setfootline{\footline={\ifodd\pageno% -{\rlap{\sevenrm\copyright~\cryear, Werner Icking, D-53721 Siegburg, Farnweg 28}% - \hfill\folio\hfill - \llap{\sevenrm\crtextde}}% -\else -{\rlap{\sevenrm\copyright~\cryear, Werner.Icking@gmd.de}% - \hfill\folio\hfill - \llap{\sevenrm\crtexten}}% -\fi}} -\myfootline{1997} - -\input musixmad - -\startmuflex - -\arithmeticskipscale -\let\ni\nextinstrument -\let\ns\nextstaff - -%= Example 1 ============================================================ - -\centerline{\BIGtype C}\par\medskip - -\parindent 90pt - -\instrumentnumber{12} - -\generalmeter{\allabreve} -\generalsignature 0 - -\groupbottom11 -\setstaffs11\setclef1\bass \setname1{Contrabassi} -\setstaffs21\setclef2\bass \setname2{Violoncelli} -\setstaffs31\setclef3\alto \setname3{Viole} -\setstaffs42\setclef4{\treble\treble} \setname4{\vbox{\hbox{Violini I}% - \vskip 6\Interligne\hbox{Violini II}}} -\grouptop14 -\setstaffs52\setclef5{\treble\treble} \setname5{Celesta} -\groupbottom26 -\setstaffs61\setclef6\treble\setclefsymbol6\empty - \setlines61 \setname6{Batteria} -\setstaffs71\setclef7\treble \setname7{Silofono} -\setstaffs81\setclef8\treble \setname8{3 Timpani} -\grouptop28 - -\groupbottom39 -\setstaffs91\setclef9\bass \setname9{Tuba} -\setstaffs{10}1\setclef{10}\bass \setname{10}{3 Tromboni} -\setstaffs{11}1\setclef{11}\treble \setname{11}{3 Trombe in Do} -\setstaffs{12}2\setclef{12}{\treble\treble} - \setsign{12}{-1} \setname{12}{4 Corni in Fa} -\grouptop3{12} - -\systemnumbers\startpiece\addspace\afterruleskip -\Notes \qa{CDEF}&\qa{CDEF}&\qa{`cdef}&\qa{cdef}|\qa{cdef}\ni - \qa{cdef}|\qa{cdef}\ni - \ni\ni\ni - \qa{CDEF}&\qa{CDEF}&\qa{cdef}\ni - \transpose3\qa{cdef}|\transpose3\qa{cdef}\en -\def\atnextbar{% -\znotes&&&&&\lower2\internote\hbox{\centerpause}&\centerpause&\centerpause&\en}% -\generalmeter{\meterfrac34}\changecontext -\Notes \qa{G'AB}&\qa{G'AB}&\qa{`g'ab}&\qa{g'ab}|\qa{g'ab}\ni - \qa{g'ab}|\qa{g'ab}\ni - \ni\ni\ni - \qa{G'AB}&\qa{G'AB}&\qa{g'ab}\ni - \transpose3\qa{g'ab}|\transpose3\qa{g'ab}\en -\def\atnextbar{% -\znotes&&&&&\lower2\internote\hbox{\centerpause}&\centerpause&\centerpause&\en}% -\generalmeter{\meterfrac44}\changecontext -\NOTes \wh{'C}&\wh{'C}&\wh{c}&\wh{'c}|\wh{'c}\ni - \wh{'c}|\wh{'c}\ni - \ni\ni\ni - \wh{'C}&\wh{'C}&\wh{'c}\ni - \transpose3\wh{'c}|\transpose3\wh{'c}\en -\def\atnextbar{% -\znotes&&&&&\lower2\internote\hbox{\centerpause}&\centerpause&\centerpause&\en}% -\setdoubleBAR\stoppiece - -\vfill\eject - -%= Example 2 ============================================================ - -\def\namespace{14mm} % provide space for instrument names -\advance\hoffset\namespace\advance\hsize-\namespace - -\centerline{\BIGtype Sinfonie D-Dur} \par\medskip -\centerline{\BIgtype Haffner Sinfonie} \par\medskip -\centerline{\Bigtype K.V. 385} \par\medskip -\rightline{\medtype Wolfgang Amadeus Mozart (1756--1791)}\par\bigskip - -\instrumentnumber{10}\resetlayout - -\interinstrument 1\Interligne - -\generalmeter{\meterC} -\generalsignature 2 - -\parindent 60pt - -\groupbottom11 -\setstaffs11\setclef1\bass \setname1{\vbox{\hbox{Violoncelli e} - \hbox{Contrabassi}}} -\setstaffs21\setclef2\alto \setname2{Viole} -\setstaffs32\setclef3{\treble\treble} \setname3{\vbox{\hbox{Violini I} - \vskip 6\Interligne\hbox{Violini II}}} -\setinterinstrument3{3\Interligne} -\grouptop13 - -\setstaffs41\setclef4\bass\setsign40 \setname4{Timpani} -\setinterinstrument4{3\Interligne} - -\groupbottom25 -\setstaffs51\setclef5\treble\setsign50 \setname5{\vbox{\hbox{2 Trombe}\hbox{~~~in Re}}} -\setstaffs61\setclef6\treble\setsign60 \setname6{\vbox{\hbox{2 Corni}\hbox{~~~in Re}}} -\setinterinstrument6{3\Interligne} -\grouptop26 - -\groupbottom37 -\setstaffs71\setclef7\bass \setname7{2 Fagotti} -\setstaffs81\setclef8\treble\setsign8{-1}\setname8{\vbox{\hbox{2 Clarinetti}\hbox{~~~in La}}} -\setstaffs91\setclef9\treble \setname9{2 Oboi} -\setstaffs{10}1\setclef{10}\treble \setname{10}{2 Flauti} -\grouptop3{10} -\stafftopmarg 8\Interligne -\staffbotmarg 5\Interligne - -\def\dsp{\pt 5\ds} -\def\TR#1{\zcharnote{#1}{\it tr}} -\def\adue{\zcharnote9{\llap{a}2}} -\def\dyn#1#2{\lower4\internote\hbox{\zcharnote{-#1}{#2}}} -\def\sFp{\sF\ppff p}% - -\afterruleskip0.8\afterruleskip -\beforeruleskip0.2\afterruleskip - -\nobarnumbers\startpiece\addspace\afterruleskip\systemnumbers -\makeatletter -\def\everystaff{\kern-\clef@skip\kern-\namespace\znotes - \zcharnote0{\vbox{\hbox{Vlc. e}\hbox{Cb.}}}\ni - \zcharnote2{Vle.}\ni - \zcharnote2{Vl.II}|\zcharnote4{Vl.I}\ni - \zcharnote2{Timp.}\ni - \zcharnote0{\vbox{\hbox{2 Tr.}\hbox{(Re)}}}\ni - \zcharnote0{\vbox{\hbox{2 Cor.}\hbox{(Re)}}}\ni% - \zcharnote2{2 Fg.}\ni - \zcharnote0{\vbox{\hbox{2 Cl.}\hbox{(Fa)}}}\ni - \zcharnote2{2 Ob.}\ni - \zcharnote2{2 Fl.}% - \en\kern\clef@skip\kern\namespace}% -\makeatother -\NOTEs \dyn0\f\wh{'D}&\dyn0\f\wh d\ni - \dyn2\f\roffset{1.4}{\zwh d}\wh d|\dyn2\f\roffset{1.4}{\zwh d}\zwh d\ni - \dyn0\f\Trille9{1.6}\wh{'D}\ni - \dyn3\f\adue\transpose-1\wh d&\dyn3\f\adue\transpose-1\wh d\ni - \dyn0\f\adue\wh{'D}&\dyn0\f\adue\transpose2\wh d\ni - \dyn0\f\adue\wh{'d}\ni - \loffset{5}{\zcharnote{'''b}{\medtype\bf Allegro con spirito}}% - \dyn0\f\adue\wh{```'d}\en -\bar\addspace{-.5\afterruleskip}% -\notes \ni\ni - \multnoteskip{.7}\tinynotesize\ibbbu0{'b}3\islurd0{`d}\qb0d\tslur0{'a}\tbu0\qb0d\ns - \multnoteskip{.7}\tinynotesize\ibbbu1{'b}3\islurd0{`d}\qb1d\tslur0{'a}\tbu1\qb1d\en - \Notes \isluru0{''D}\ha D&\isluru1{'d}\ha d\ni - \isluru2{''d}\ha d|\isluru3{''d}\ha d\ni - \qa{'D}\ni - \transpose-1\isluru4{'d}\ha d&\transpose-1\isluru5{'d}\ha d\ni - \isluru6{''D}\ha D&\transpose2\isluru7{'d}\ha d\ni - \isluru8{''d}\ha d&\isluru9{''d}\ha d\en -\NOtes &&&\qp\en -\NOtes \tslur0{''D}\ppt D\qa D&\tslur1{'d}\ppt d\qa d\ni - \tslur2{''d}\ppt d\qa d|\tslur3{''d}\ppt d\qa d\ni - \hpause\ni - \transpose-1\tslur4{'d}\qa d&\transpose-1\tslur5{'d}\qa d\ni - \tslur6{''D}\ppt D\qa D&\transpose2\tslur7{'d}\ppt d\qa d\ni - \tslur8{''d}\ppt d\qa d&\tslur9{''d}\ppt d\qa d\en -\Notesp &&&&\qp&\qp\en -\notes \cca{'D}&\cca d&\cca d|\cca d\ni - \ni - \ni\ni - \cca{'D}&\transpose2\cca d&\cca{'d}&\cca{'d}\en -\bar -\NOtes \lpz{'C}\qu C\upz{'C}\qa C\qp&\upz c\ql c\upz{'c}\ql c\qp\ni - \lpz c\qu c\upz{''c}\ql c\qp|\lpz c\qu c\upz{''c}\ql c\qp\ni - \lpz{'A}\qu A\lpz A\qu A\hpause\ni - \transpose-1\lpz{'a}\qu a\lpz a\qu a\hpause\ni - \transpose-1\lpz{'a}\qu a\lpz a\qu a\hpause\ni - \lpz{'C}\qu C\upz{'C}\qa C\qp&\transpose2\lpz c\qu c\upz{'c}\ql c\qp\ni - \upz{'c}\ql c\upz{'c}\ql c\qp&\upz{'c}\ql c\upz{'c}\ql c\qp\en -\Notesp \dsp&\dsp&\dsp|\dsp\ni - \ni - \ni\ni - \dsp&\dsp&\dsp&\dsp\en -\notes \cca{'C}&\cca c&\cca c|\cca c\ni - \ni - \ni\ni - \cca{'C}&\transpose2\cca c&\cca{'c}&\cca{'c}\en -\bar -\NOtes \qa{'B}&\qa b&\qa b|\qa b\ni - \qa{'D}\ni - \transpose-1\zq d\qu{'d}&\transpose-1\zq d\qu{'d}\ni - \qa{'B}&\transpose2\qa b&\qa{'b}&\qa{'b}\en -\Notesp \ibu0{'B}0\qbp0B&\ibu1b0\qbp1b&\ibu2b0\qbp2b|\ibu3b0\qbp3b\ni - \ibl4{'D}0\qbp4D\ni - \transpose-1\zqp d\ibu5{'d}0\qbp5d\ni - \transpose-1\zqp d\ibu6{'d}0\qbp6d\ni - \ibu7{'B}0\qbp7B&\transpose2\ibu8b0\qbp8b\ni - \ibl9{'b}0\qbp9b&\ibl{10}{'b}0\qbp{10}b\en -\notes \tbbu0\tbu0\qb0{'B}&\tbbu1\tbu1\qb1b\ni - \tbbu2\tbu2\qb2b|\tbbu3\tbu3\qb3b\ni - \tbbl4\tbl4\qb4{'D}\ni - \transpose-1\zq d\tbbu5\tbu5\qb5{'d}\ni - \transpose-1\zq d\tbbu6\tbu6\qb6{'d}\ni - \tbbu7\tbu7\qb7{'B}&\transpose2\tbbu8\tbu8\qb8b\ni - \tbbl9\tbl9\qb9{'b}&\tbbl{10}\tbl{10}\qb{10}{'b}\en -\NOtes \TR{10}\islurd0{'B}\pt B\qa B&\TR{11}\islurd1b\pt b\qa b\ni - \TR9\islurd2b\pt b\qa b|\TR9\islurd3b\pt b\qa b\ni - \qa{'D}\ni - \transpose-1\zq d\qu{'d}&\transpose-1\zq d\qu{'d}\ni - \TR{10}\islurd7{'B}\pt B\qa B&\transpose2\TR9\islurd8b\pt b\qa b\ni - \TR9\isluru9{'b}\pt b\qa b&\TR9\isluru{10}{'b}\pt b\qa b\en -\Notes \ni\ni\ni - \qa{'D}\ni - \transpose-1\zq d\qu{'d}&\transpose-1\zq d\qu{'d}\en -\notes \ibbu0{'A}3\qb0A\tslur0B\tbu0\qb0B\ni - \ibbu1a3\qb1a\tslur1b\tbu1\qb1b\ni - \ibbu2a3\qb2a\tslur2b\tbu2\qb2b|\ibbu3a3\qb3a\tslur3b\tbu3\qb3b\ni - \ni - \ni\ni - \ibbu7{'A}3\qb7A\tslur7B\tbu7\qb7B\ni - \transpose2\ibbu8a3\qb8a\tslur8b\tbu8\qb8b\ni - \ibbu9{'a}3\qb9a\tslur9{'b}\tbu9\qb9{`b}\ni - \ibbu{10}{'a}3\qb{10}a\tslur{10}{'b}\tbu{10}\qb{10}{`b}\en -\def\atnextline{% - \setinterinstrument3{8\Interligne}% - \setinterinstrument4{8\Interligne}% - \setinterinstrument6{8\Interligne}% - \stafftopmarg 11\Interligne - \staffbotmarg 8\Interligne }% -\barno200\alaligne -\NOtes \ha{'D}&\ha d\ni - \loffset{1.8}{\isluru2{'d}}\tslur2d\pt d\qa d\ns - \loffset{1.8}{\isluru3{'d}}\tslur3d\pt d\qa d\ni - \qa{'D}\ni - \transpose-1\adue\ha d&\transpose-1\adue\ha d\ni - \adue\ha{'D}&\transpose2\zh{`d}\hu{'d}\ni - \adue\ha{'d}&\adue\ha{'d}\en -\Notes &&&\qp\en -\notes \ni\ni - \ibbl2{'d}2\isluru2d\qb2d\tbl2\qb2e\ns - \ibbl3{'d}2\isluru3d\qb3d\tbl3\qb3e\en -\Notes \qa{'F}&\qa f\ni - \ibl2{'d}2\tslur2f\qb2f|\ibl3{'d}2\tslur3f\qb3f\ni - \hpause\ni - \transpose-1\qa f&\transpose-1\qa f\ni - \qa{'F}&\transpose2\zq{`f}\qu{'f}\ni - \qa{'f}&\qa{'f}\en -\notes \ni\ni - \nbbl2\isluru2{'f}\qb2f\tbl2\qb2g\ns - \nbbl3\isluru3{'f}\qb3f\tbl3\qb3g\en -\Notes \qa{''A}&\qa{'a}\ni - \ibl2{'f}2\tslur2{'a}\qb2a|\ibl3{'f}2\tslur3{'a}\qb3a\ni - \ni - \transpose-1\qa{'a}&\transpose-1\qa{'a}\ni - \qa{''A}&\transpose2\zq a\qu{'a}\ni - \qa{''a}&\qa{''a}\en -\notes \ni\ni - \multnoteskip{.707}\nbbl2\triolet d\isluru2{''a}\qb2{ab}\tbl2\qb2c\ns - \multnoteskip{.707}\nbbl3\triolet d\isluru3{''a}\qb3{ab}\tbl3\qb3c\en -\bar -\NOtes \qa{''DDA`F}&\qa{'dda`f}\ni - \tslur2{''d}\qa d\zq{``d'a}\ql f\zq{`d'a}\ql f\zq{`d'a}\ql f\ns - \tslur3{''d}\qa d\zq{``d'd}\ql{'d}\zq{``d'd}\ql{'d}\zq{``d'd}\ql{'d}\ni - \qa{'DDDD}\ni - \transpose-1\qa{'d}\zq{`f}\qu{'a}\zq{`f}\qu{'a}\zq{`f}\qu{'a}\ni - \transpose-1\qa{'d}\zq{`d}\qu{'d}\zq{`d}\qu{'d}\zq{`d}\qu{'d}\ni - \qa{''DDA`F}&\transpose2\zq d\qa{'d}\zq{``f}\qu{'a}\zq{`f}\qu{'a}\zq{`f}\qu{'a}\ni - \qa{''d}\zq{`d}\ql f\zq d\ql f\zq d\ql f\ni - \qa{''d}\zq{`f}\ql{'d}\zq{`f}\ql{'d}\zq{`f}\ql{'d}\en -\bar -\NOTes \ha{'DD}&\ha{dd}\ni - \zq{d'a}\hl f\zq{`d'a}\hl f|\zq{d'd}\hl{'d}\zq{``d'd}\hl{'d}\ni - \ha{'DD}\ni - \transpose-1\zh f\hu{'a}\zh{`f}\hu{'a}\ni - \transpose-1\zh d\hu{'d}\zh{`d}\hu{'d}\ni - \ha{'DD}&\transpose2\zh{`f}\hu{'a}\zh{`f}\hu{'a}\ni - \zh{'d}\hl f\zh d\hl f&\zh{'f}\hl{'d}\zh{`f}\hl{'d}\en -\bar -\NOTes \ha{'D}\hpause&\ha{d}\hpause\ni - \zq{d'a}\hl f\hpause|\zq{d'd}\hl{'d}\hpause\ni - \ha{'D}\hpause\ni - \transpose-1\zh f\hu{'a}\hpause&\transpose-1\zh d\hu{'d}\hpause\ni - \ha{'D}\hpause&\transpose2\zh{`f}\ha{'a}\hpause\ni - \zh{'d}\ha f\hpause&\zh{'f}\ha{'d}\hpause\en -\Endpiece\def\everystaff{} -\vfill\eject - -\instrumentnumber{6}\resetlayout - -\interinstrument 1\Interligne - -\generalmeter{\meterfrac 2 4} -\generalsignature 1 - -\parindent 60pt - -\groupbottom11 -\setstaffs11\setclef1\bass \setname1{\vbox{\hbox{Violoncelli e} - \hbox{Contrabassi}}} -\setinterinstrument1{0\Interligne} -\setstaffs21\setclef2\alto \setname2{Viole} -\setinterinstrument2{1\Interligne} -\setstaffs32\setclef3{\treble\treble} \setname3{\vbox{\hbox{Violini I} - \vskip 6\Interligne\hbox{Violini II}}} -\setinterinstrument3{2\Interligne} -\grouptop13 - -\groupbottom24 -\setstaffs41\setclef4\treble\setsign60 \setname4{\vbox{\hbox{2 Corni}\hbox{~~~in Sol}}} -\setinterinstrument4{1\Interligne} -\grouptop24 - -\groupbottom35 -\setstaffs51\setclef5\bass \setname5{2 Fagotti} -\setinterinstrument5{1\Interligne} -\setstaffs61\setclef6\treble \setname6{2 Oboi} -\grouptop36 - -\nobarnumbers\startpiece\addspace\afterruleskip\systemnumbers -\makeatletter -\newif\ifstaffseparator\staffseparatortrue -\def\everystaff{\kern-\clef@skip\kern-\namespace\znotes - \zcharnote0{\vbox{\hbox{Vlc. e}\hbox{Cb.}}}\ni - \zcharnote2{Vle.}\ni - \zcharnote2{Vl.II}|\zcharnote4{Vl.I}\ni - \zcharnote0{\vbox{\hbox{2 Cor.}\hbox{(Sol)}}}\ni - \zcharnote2{2 Fg.}\ni - \zcharnote2{2 Ob.}% - \ifstaffseparator\zcharnote{20}{\vbox{\hbox to 8mm{\leaders\hrule height 3pt\hfill}% - \vskip-7pt\hbox to 8mm{\leaders\hrule height 3pt\hfill}}}% - \else\staffseparatortrue\fi - \en\kern\clef@skip\kern\namespace}% -\makeatother -\notes \dyn0\p\qa{'G}&\dyn0\p\qa g\ni - \loffset{1.5}{\dyn4\p}\ibbu2c0\lpz{`g}\qb2g\lpz{'b}\qb2b\lpz d\qb2d\tbu2\lpz b\qb2b\ns - \dyn0\p\roffset{0.5}{\isluru3g}\qa g\ni - \dyn2\p\transpose-4\zh g\hu{'g}\ni - \dyn0\p\zh{''B}\isluru5D\hl D\ni - \loffset{5}{\zcharnote{''b}{\medtype\bf Andante}}% - \roffset{0.3}{\dyn1\p}\zhl{``g}\hu g\en -\notes \qp&\qp\ni - \ibbu2c0\lpz{`g}\qb2g\lpz{'b}\qb2b\lpz d\qb2d\tbu2\lpz b\qb2b\ns - \ibl3{'b}2\tslur3b\qbp3{b**}\tbbl3\tbl3\upz d\qb3d\en -\bar -\notes \dyn1\sF\qa{'D}&\dyn0\sF\qa d\ni - \dyn6\sF\ibbu2d0\lpz a\qb2a\lpz c\qb2c\lpz f\qb2f\tbu2\lpz c\qb2c\ns - \dyn0\sF\pt{'d}\qa d\ni - \dyn6\sFp\transpose-4\zh d\hu{'d}\ni - \dyn0\sFp\loff{\zh{''C}}\tslur5D\hl D\ni - \dyn0\sFp\zh f\hu{'a}\en -\notes \qp&\qp\ni - \ibbu2d0\lpz a\qb2a\lpz c\qb2c\lpz f\qb2f\tbu2\lpz c\qb2c\ns - \sk\sk\dyn2\p\multnoteskip{.667}\ibbl3{'d}{-2}\triolet d\qb3{cb}\tbl3\qb3a\en -\bar -\notes \dyn0\p\ibl0{'G}{-1}\upz G\qb0{G*}\upz{'B}\qb0{B*}\upz D\qb0{D*}\tbl0\upz{`D}\qb0{D*}\ni - \dyn1\p\ibl1d0\upz d\qb1{d*}\upz d\qb1{d*}\upz d\qb1{d*}\tbl1\upz f\qb1{f*}\ni - \dyn4\p\ibbu2e0\lpz b\qb2b\lpz d\qb2d\lpz g\qb2g\tbu2\lpz d\qb2d% - \ibbu2c0\lpz b\qb2b\lpz d\qb2d\lpz c\qb2c\tbu2\lpz a\qb2a\ns - \ibu3g1\lpz g\qb3{g*}\lpz g\qb3{g*}\lpz g\qb3{g*}\tbu3\lpz{'a}\qb3{a*}\en -\def\atnextbar{\znotes&&&\centerpause&\centerpause&\centerpause\en}\alaligne -\notes \slur{'G}Bu4\qa{G***}\ca{`G*}\ds\ni - \slur fgu4\qa{f***}\ca{g*}\ds\ni - \ibbu2c0\lpz a\qb2a\lpz c\qb2c\lpz d\qb2d\tbu2\lpz c\qb2c% - \ibbu2b0\lpz{`g}\qb2g\lpz{'b}\qb2b\lpz d\qb2d\tbu2\lpz b\qb2b\ns - \ibu3{'a}0\slur aad3\qbp3{a**}\tbbu3\tbu3\qb3{^a}\ca{b*}\ds\en -\def\atnextbar{\znotes&&&\centerpause&\centerpause&\centerpause\en}\bar -\notes \ds\dyn3\f\ibbl0{'F}{-3}\qb0{GE}\tbl0\qb0C\qa{`G}\ni - \ds\dyn2\f\ibbl0f{-3}\qb0{ge}\tbl0\qb0c\qa{`g}\ni - \dyn5\f\ibbu2e0\lpz c\qb2c\lpz e\qb2e\lpz g\qb2g\tbu2\lpz e\qb2e% - \dyn5\p\ibbu2e0\lpz c\qb2c\lpz e\qb2e\lpz g\qb2g\tbu2\lpz e\qb2e\ns - \roffset{0.3}{\dyn1\f}\zq g\zq{'c}\ql{e***}\qs\multnoteskip{0.5}% - \tinynotesize\slur fgd1\grcu f\normalnotesize\dyn0\p\ibbl3g0\qb3g% - \tinynotesize\slur fgd1\grcu f\normalnotesize\qb3g% - \tinynotesize\slur fgd1\grcu f\normalnotesize\tbl3\qb3g\ni - \dyn4\sFp\transpose-4\islurd4g\zh g\roffset{0.5}{\isluru5{'g}}\hu g\ni - \dyn0\sFp\islurd6{''C}\zh C\isluru7E\hl E\ni - \dyn0\sFp\islurd8{'c}\zh c\isluru9e\hl e\en -\bar -\notes \ni\ni - \ibbu2e0\lpz c\qb2c\lpz e\qb2e\lpz g\qb2g\tbu2\lpz e\qb2e% - \ibbu2e0\lpz c\qb2c\lpz e\qb2e\lpz g\qb2g\tbu2\lpz e\qb2e\ns - \ibbl3{''b}{-3}\slur cau1\qb3c\tbl3\qb3{`g}\qs\TR{'b}\cca{`g}% - \ibbl3{'b}{-3}\slur cau1\qb3c\qb3{`g}\slur geu1\qb3g\tbl3\qb3e\ni - \transpose-4\tslur4g\islurd4g\zh g\tslur5{'g}\roffset{0.5}{\isluru5g}\hu g\ni - \loffset{0.5}{\tslur6{''C}}\zh C\loffset{0.5}{\tslur7E}\hl E\ni - \loffset{0.5}{\tslur8{'c}}\zh c\loffset{0.5}{\tslur9e}\hl e\en -\def\atnextbar{\znotes\centerpause&\centerpause\en}\bar -\notes \ds\dyn3\f\ibbl0{'F}{-3}\qb0{GD}\tbl0\qb0B\qa{`G}\ni - \ds\dyn2\f\ibbl0f{-3}\qb0{gd}\tbl0\qb0b\qa{`g}\ni - \dyn5\f\ibbu2e0\lpz b\qb2b\lpz d\qb2d\lpz g\qb2g\tbu2\lpz d\qb2d% - \dyn5\p\ibbu2e0\lpz b\qb2b\lpz d\qb2d\lpz g\qb2g\tbu2\lpz d\qb2d\ns - \dyn6\f\zq{`g}\zq{'d}\qu{'d***}\qs\multnoteskip{0.5}% - \tinynotesize\slur fgd1\grcu f\normalnotesize\dyn0\p\ibbl3g0\qb3g% - \tinynotesize\slur fgd1\grcu f\normalnotesize\qb3g% - \tinynotesize\slur fgd1\grcu f\normalnotesize\tbl3\qb3g\ni - \dyn4\sFp\transpose-4\tslur4g\islurd4g\zh g% - \tslur5{'g}\roffset{0.5}{\isluru5g}\hu{g*******}% - \tslur4{`g}\tslur5{'g}\ni - \dyn0\sFp\islurd6{''B}\zh B\isluru7D\hl{D*******}\tslur6B\tslur7D\ni - \dyn1\sFp\islurd8{'b}\zh b\isluru9d\hl{d*******}\tslur8b\tslur9d\en -\endpiece\def\everystaff{} - -\vfill\eject - -\endmuflex -\bye diff --git a/musixtex/doc/examples/pedal.tex b/musixtex/doc/examples/pedal.tex deleted file mode 100644 index e666733..0000000 --- a/musixtex/doc/examples/pedal.tex +++ /dev/null @@ -1,24 +0,0 @@ -\input musixtex -%\largemusicsize -\setstaffs12 -\setclef1{\bass} -\def\raiseped{-8} -\nobarnumbers -\startpiece\addspace\afterruleskip% -\NOtes\qa H\qa I\pdld\qa J\qa K|\wh l\en -\NOtes\pdlu\qa L\qa M|\wh l\en -\bar% -\NOtes\pdld\qa J\qa K\pdlud\qa L\qa M\pdlu\qa N|\wh l\en -\bar% -\NOtes\pdld\qa J\qa K|\wh l\en -\NOtes\qa L\qa M|\wh l\en -\bar% -\NOtes\qa J\qa K\qa L\pdlu\qa M|\wh l\en -\NOtes\pdld\qa J\qa K\qa L\pdlu\qa M|\wh l\en -\bar% -\NOtes\qa J\qa K\qa L\qa M|\wh l\en -\NOtes\pdld\qa J\pdlud\qa K\pdlud\qa L\pdlu\qa M|\wh l\en -\bar% -\Notes\pdld\qa J\sk\qa K\sk\pdlud\qa L\sk\pdlu\qa M|\ibu1e2\qb1{efghij}\tqu1k\en -\stoppiece -\end diff --git a/musixtex/doc/examples/prelfug.tex b/musixtex/doc/examples/prelfug.tex deleted file mode 100644 index a1e6928..0000000 --- a/musixtex/doc/examples/prelfug.tex +++ /dev/null @@ -1,4 +0,0 @@ -\input prelude.tex -\barsinline=0\relax\linesinpage=0\relax -\input fugue.tex -\bye diff --git a/musixtex/doc/examples/prelude.tex b/musixtex/doc/examples/prelude.tex deleted file mode 100644 index 160d9d5..0000000 --- a/musixtex/doc/examples/prelude.tex +++ /dev/null @@ -1,715 +0,0 @@ -\ifx\mxversion\undefined - \input musixtex - \input musixcpt - \input musixsty -\fi -\title{Pr\'elude et fugue} -\fulltitle{\enorme VI. \titremorceau} -\subtitle{(pour orgue)} -\othermention{Compos\'e en 1990} -\author{Daniel TAUPIN} -\shortauthor{D. Taupin} -\csname titremorceautoc\endcsname -\maketitle - -\parindent 18mm -% -\bigskip -\centerline{\moyen PR\'ELUDE}\medskip -\tracingstats=2\relax -% -\nbporteesii=2\relax -\def\nbinstruments{2} -\global\cleftoksii={{6}{0}{0}{0}}% -\global\cleftoksi={{6}{0}{0}{0}}% -% -\signaturegenerale{-2}\relax % sol mineur -\def\quatretemps{\generalmeter{\meterfrac{4}{4}}}% -\def\troistemps{\generalmeter{\meterfrac{3}{4}}}% -\def\deuxtemps{\generalmeter{\meterfrac{2}{4}}}% -\def\Mordant{\mordant{10}}% -%\check -\def\instrumenti{P\'edale 16'}% -\def\instrumentii{G.O.}% -%\check -\def\gluemaxskip{7pt}% -\medskip\noindent{\rm G.O.: Plein jeu, fonds 16' {\sl ad libitum.}}% -\par\noindent{\rm P\'ed.: fonds et anches 16', tirasse G.O.}% -\smallskip -% -\quatretemps% -% -\def\trioskip{\multiply\noteskip by 2\relax\divide\noteskip by 3\relax}% -\def\doubler{\multiply\noteskip by 2\relax}% -\debutmorceau -% calcul de \elemskip en fonction de la largeur de page pour eviter les glues -% -\autolines {17}35\relax -\def\resp{\vnotes 0.2\elemskip&|\cbreath\enotes}% -%\check -% -\hyphenpenalty -50\relax -\notes&|\Uptext{\hbox{\kern -16mm\moyen Maestoso \bf(\metron{\qu}{50})}}\enotes -\advance\linesinpage by 1\relax -% -% formes frequentes -% deux croches hautes -\def\dql#1#2#3{\ibl0{#2}{#1}\qb0{#2}\tbl0\qb0{#3}}% -\def\dqu#1#2#3{\ibu0{#2}{#1}\qh0{#2}\tbu0\qh0{#3}}% -\def\dqh{\dqu}\def\dqb{\dql}% -% -% deux doubles croches hautes -\def\dqbbu#1#2#3{\ibbl0{#2}{#1}\qb0{#2}\tbl0\qb0{#3}}% -\def\dqbbl#1#2#3{\ibbu0{#2}{#1}\qh0{#2}\tbu0\qh0{#3}}% -\def\dqbbh{\dqbbu}\def\dqbbb{\dqbbl}% -% -% quatre doubles croches -\def\qqbbh#1#2#3#4#5{\ibbu0{#2}{#1}\qh0{#2}\qh0{#3}\qh0{#4}\tqh0{#5}}\relax -\def\qqbbH#1#2#3#4#5#6{\ibbu0{#2}{#1}\qh0{#3}\qh0{#4}\qh0{#5}\tqh0{#6}}\relax -\def\qqbbu{\qqbbh}\def\qqbbb{\qqbbl}% -\def\qqbbl#1#2#3#4#5{\ibbl0{#2}{#1}\qb0{#2}\qb0{#3}\qb0{#4}\tqb0{#5}}\relax -\def\qqbbL#1#2#3#4#5#6{\ibbl0{#2}{#1}\qb0{#3}\qb0{#4}\qb0{#5}\tqb0{#6}}\relax -%\check -% quatre croches -\def\qqbh#1#2#3#4#5{\ibu0{#2}{#1}\qh0{#2}\qh0{#3}\qh0{#4}\tqh0{#5}}\relax -\def\qqbH#1#2#3#4#5#6{\ibu0{#2}{#1}\qh0{#3}\qh0{#4}\qh0{#5}\tqh0{#6}}\relax -\def\qqbl#1#2#3#4#5{\ibl0{#2}{#1}\qb0{#2}\qb0{#3}\qb0{#4}\tqb0{#5}}\relax -\def\qqbL#1#2#3#4#5#6{\ibl0{#2}{#1}\qb0{#3}\qb0{#4}\qb0{#5}\tqb0{#6}}\relax -%\check -% -% mesure 1 -\smallnotesize\varaccid -\notes&\zmidtwotext{\ppff ff\hskip 8mm}\qqbbH9KGKNa\enotes -\temps\notes\sk\sk\pause&\qqbbL{-4}abN{^M}N\enotes -\temps\notes&\qqbbl7KNbc\enotes -\temps\notes&\qqbbL{-4}cdbab\enotes -%\check -% mesure 2 -\barre\notes&|\qqbbH8bNbd{^f}\enotes -\temps\notes\sk\sk\pause&|\qqbbH{-4}ggdcd\enotes -\temps\notes&|\qqbbH7dbdfg\enotes -\temps\notes&|\qqbbu0ifgi\enotes -%\check -% mesure 3 -\barre\notes&|\qqbbL0ikgik\enotes -\normalnotesize -\temps\Notes\hpause&|\cl n\qsoupir\enotes -\temps\Notes\ccu G&\itenl1N\itenu2g\zq{Nbd}\ccl g|\itenu3n\zq{ik}\ccu n|\enotes -\temps -\NOtes\pointdorgue 8\qup G&\tten1\tten2\pointdurgue H\zqp{Nce}\qlp g\relax - |\tten3\pointdorgue o\zqp{jl}\qlp n\enotes -\temps\Notes\dsoupir&\dsoupir|\dsoupir\enotes -%\check -% mesure 4 -\autolines {16}35\relax -\smallnotesize\bigaccid -\barre\notes&\qqbbH7IGJLM\enotes -\temps\notes\sk\sk\pause&\qqbbL{-4}MNLKL\enotes -\temps\notes&\qqbbl7JLN{=b}\enotes -\temps\notes&\qqbbL{-4}acNMN\enotes -%\check -% mesure 5 -\barre\notes&\qqbbH7MLN{=b}c\enotes -\temps\notes\sk\sk\sk\pause&|\qqbbH0debce\enotes -\temps\notes&|\qqbbH7cNceg\enotes -\temps\notes&|\qqbbL0hjg{=i}j\enotes -%\check -% mesure 6 -\barre\notes&|\qqbbL0kljln\enotes -\normalnotesize -\temps\notes\hpause&|\cl q\qsoupir\sk\enotes -\temps\Notes\ccu E&\itenu1c\zq{LN}\ccl c|\itenu2j\zq{eg}\ccu j\enotes -\temps -\NOtes\pointdorgue 7\qup D&\tten1\pointdorgue{10}\zqp{K^Ma}\qlp c\relax - |\tten2\pointdorgue{10}\zqp{^fh}\qup j\enotes -\temps\Notes\dsoupir&\dsoupir|\dsoupir\enotes -%\check -% mesure 7 -\barre\autolines 775\relax -\smallnotesize -\notes&\qqbbH8FD{^F}HJ\enotes -\temps\notes\sk\sk\sk\pause&\qqbbH0KLKLJ\enotes -\zbarre\notes&\qqbbl3K{^M}Nb\enotes -\temps\notes&\qqbbL3aabcd\enotes -% mesure 8 -\barre\notes&|\qqbbH3dec{^f}g\enotes -\temps\notes\sk\sk\pause&|\qqbbl2hijk\enotes -\zbarre\notes&|\qqbbL{-2}jlj{=i}j\enotes -\temps\notes&|\bigaccid\qqbbl2{^m}non\enotes -% mesure 9 -\barre\notes\soupir&|\qqbbl{-3}{^m}lkj\enotes -\normalnotesize -\temps\NOtes\qu G&\zq{KN}\ql b|\zq{dg}\ql{_i}\enotes -\smallnotesize\varaccid -\zbarre\notes\sk\sk\sk\hpause&\qsoupir\ibbl0L4\qb0{KN}\tqb0{^M}\enotes -\temps\notes&\qqbbL3LNKba\enotes -% mesure 10 -\barre\notes&\qqbbL2abNdc\enotes -\temps\notes\sk\sk\sk\pause&|\qqbbH4fdbgh\enotes -\zbarre\notes&|\qqbbh{-3}ihg{=f}\enotes -\temps\notes&|\qqbbh{-3}gfed\enotes -%\check -% mesure 11 -\normalnotesize -\barre\NOtes\qu J&\zq {LN}\ql c|\qu e\enotes -\smallnotesize\varaccid -\temps\notes\sk\soupir&|\qsoupir\ibbu0d2\qh0{ce}\tqh0d\enotes -\zbarre\notes\sk\sk\hpause&|\qqbbH2fechg\enotes -\temps\notes&|\qqbbH2hh{^f}ji\enotes -% mesure 12 -\barre\varaccid\notes&|\qqbbH3jjhlk\enotes -\temps\notes\sk\sk\sk\pause&|\qqbbh{-4}lkji\enotes -\zbarre\notes&|\qqbbh{-4}hg{^f}e\enotes -\temps\notes&|\qqbbh{-4}dc{=b}a\enotes -% mesure 13 -\normalnotesize\bigaccid -\barre\NOtes\qu G&\zq {=IK}\lq M\ql N|\qu{=b}\enotes -\smallnotesize\varaccid -\temps\notes\soupir&|\qsoupir\ibbu0a2\qh0{N=b}\tqh0a\enotes -\zbarre\notes\sk\sk\hpause&|\qqbbH2cbNdc\enotes -\temps\notes&|\qqbbh3dbfe\enotes -%\check -% mesure 14 -\barre\notes&|\ifx\mxversion\undefined\off{-2\Interligne}\fi % was for musiCtex - \qqbbh3fd{_h}g\enotes -\temps\notes\sk\sk\sk\pause&|\qqbbl5hfml\enotes -\zbarre\notes&|\qqbbl{-3}kj{i}{_h}\enotes -\temps\notes&|\qqbbh{-3}gfed\enotes -% mesure 15 -\normalnotesize\bigaccid -\barre\NOtes\qu C&\zq {J=LN}\lq b\ql c|\qu{=e}\enotes -\smallnotesize\varaccid -\temps\notes\soupir&|\qsoupir\ibbu0d2\qh0{c=e}\tqh0d\enotes -\zbarre\notes\sk\sk\hpause&|\qqbbh3ecgf\enotes -\temps\notes&|\qqbbh3gei{_h}\enotes -%\check -% mesure 16 -\troistemps -\changecontext\notes&|\ifx\mxversion\undefined\off{-2.4\Interligne}\fi % was for musiCtex - \qqbbL5hig{=l}m\enotes -\temps\notes\sk\pause&\midtwotext{\it animando}|\qqbbl{-3}nmlk\enotes -\temps\notes&|\qqbbl{-3}j{i}{_h}g\enotes -% mesure 17 -\quatretemps\normalnotesize -\changecontext\Notes - \ifx\mxversion\undefined\off{-\Interligne}\fi % was for musiCtex -\qu F&\ifx\mxversion\undefined\off{-1.4\Interligne}\fi % was for musiCtex -\zq {M_ac}\ql f|\ifx\mxversion\indefined\off{-\Interligne}\fi % was for musiCtex - \qu{_h}\enotes -\smallnotesize\varaccid -\temps\notes\soupir&\zmidtwotext{\it poco a poco}|\qsoupir\ibbu0d6\qh0{cf}\tqh0g\enotes -\zbarre\notes\sk\sk\hpause&|\fl h\qqbbh{-3}hgfe\enotes -\temps\notes&|\qqbbh{-3}dc{=b}{=a}\enotes -%\check -% mesure 18 -\normalnotesize -\barre\autolines {16}35\relax\bigaccid -\NOtes\qu G&\zq {=IK}\ql N|\qu{=b}\enotes -\smallnotesize\varaccid -\temps\notes\soupir&|\qsoupir\ibbu0b7\qh0{Nb}\tqh0d\enotes -\temps\notes\sk\sk\hpause&|\qqbbu0gd{^f}g\enotes -\temps\notes&|\qqbbu3{=i}gik\enotes -%\check -% mesure 19 -\barre\notes&|\qqbbl{-2}m{_o}nm\enotes -\temps\notes\hpause&|\qqbbl{-3}lkj{=i}\enotes -\normalnotesize -\temps\notes\cu J&\bigaccid\zq{=LN}\lq b\ccl c|\bigna e\fl i\rq i\zq{eg}\ccu j\enotes -\smallnotesize -\temps\notes\sk\dsoupir&|\ibbu0f5\qh0{cg}\tqh0f\enotes -\temps\notes\sk\soupir&|\qqbbH3hgej{=i}\enotes -% mesure 20 -\normalnotesize\bigaccid -\barre\nspace\notes\cu I&\bigaccid\lfl b\zq{=LN}\lq b\ccl c|\fl i\rq i\zq{=eg}\ccu j\enotes -\smallnotesize\varaccid -\temps\notes\sk\dsoupir&|\ibbu0f5\qh0{cg}\tqh0f\enotes -\temps\notes\sk\soupir&|\qqbbH3hgej{=i}\enotes -\normalnotesize -\temps\notes\bigaccid\cu{_H}&\bigaccid\zq{M_a}\ccl c|\zq{f_h}\ccu j\enotes -\smallnotesize\varaccid -\temps\notes\sk\dsoupir&|\advance\noteskip by 1pt\ibbu0f5\qh0{ch}\tqh0g\enotes -\temps\notes\sk\soupir&|\qqbbH3ihfji\enotes -%\check -% mesure 21 -\normalnotesize\bigaccid -\barre\nspace\notes\cu G&\bigaccid\lfl b\zq{=LN}\lq b\ccl c|\fl i\rq i\zq{=eg}\ccu j\enotes -\smallnotesize\varaccid -\temps\notes\sk\dsoupir&|\ibbu0f5\qh0{cg}\tqh0f\enotes -\temps\notes\sk\soupir&|\qqbbH3hgej{=i}\enotes -\normalnotesize -\temps\notes\cu{F}&\bigaccid\zq{M_a}\ccl c|\zq{f_h}\ccu j\enotes -\smallnotesize\varaccid -\temps\notes\sk\dsoupir&|\advance\noteskip by 1pt\ibbu0f5\qh0{ch}\tqh0g\enotes -\temps\notes\sk\soupir&|\qqbbH3ihfji\enotes -%\check -% mesure 22 -\normalnotesize\bigaccid -\barre\notes\bigaccid\cu{^F}&\bigaccid\sh M\lna a\zq{JMa}\ccl c|\lna h\sh f\zq{fh}\ccu j\enotes -\smallnotesize\varaccid -\temps\notes\sk\dsoupir&|\advance\noteskip by 1pt\ibbu0f5\qh0{dh}\tqh0g\enotes -\temps\notes\sk\soupir&|\qqbbH3ihfj{=i}\enotes -\normalnotesize -\temps\notes\cu{K}&\zq{Ma}\ccl c|\zq{dfh}\ccu j\enotes -\smallnotesize\varaccid -\temps\notes\sk\dsoupir&|\ibbl0i5\qb0{ho}\tqb0n\enotes -\temps\notes\sk\soupir&|\qqbbL3mo{^m}q{=p}\enotes -% mesure 23 -\barre\notes&|\qqbbl3qosr\enotes -\temps\notes\sk\sk\sk\pause&|\qqbbl{-3}srq{_p}\enotes -\temps\notes&|\qqbbl{-3}qpon\enotes -\temps\notes&|\qqbbl{-3}{^m}lkj\enotes -%\check -% mesure 24 -\autolines {17}35\relax -\normalnotesize\varaccid -\barre\notes\qu G&\zq{Nb}\ql d|\Uptext{\hbox{\kern -6mm\moyen Allegro moderato - \bf(\metron{\qu}{65})}}\zqu i\qqbbL{-2}hig{^f}g\enotes -\temps\notes\soupir&\soupir|\zqu i\qqbbL{-2}higfg\enotes -\temps\notes\qu G&\lq a\zq{Nc}\ql e|\zqu j\qqbbL{-2}ijgfg\enotes -\temps\notes\soupir&\soupir|\zqu j\qqbbL{-2}ijgfg\enotes -% mesure 25 -%\check -\barre\notes\qu G&\zq{Nb}\ql d|\zqu k\qqbbL{-2}hig{^f}g\enotes -\temps\notes\soupir&\soupir|\zqu k\qqbbL{-2}higfg\enotes -\temps\notes\qu G&\lq a\zq{Nc}\ql e|\zqu l\qqbbL{-2}ijgfg\enotes -\temps\notes\soupir&\soupir|\zqu l\qqbbL{-2}ijgfg\enotes -%\check -% mesure 26 -\barre\notes\hu G&\zqu N\qqbbl2Ndbd|\doubler\rlap{\dql{-3}ig}\dqu{-3}ki\enotes -\temps\notes&\qqbbl{-2}bdNb|\ibu0i3\zql g\qh0i\sk\tqh0k\enotes -\temps\notes\hu J&\zqu L\qqbbl2LcNc|\rlap{\ibl1h{-4}\qb1j\sk\tqb1e}\relax - \ibu0l{-4}\qh0l\sk\tqh0g\enotes -\temps\notes&\qqbbl{-2}NcLN|\ibu0h6\zql e\qh0g\sk\tqh0l\enotes -%\check -% mesure 27 -\barre\notes\hu F&\zqu M\qqbbl3Mcac|\rlap{\ibl1h{-3}\qb1h\sk\tqb1f}\relax - \ibu0j{-3}\qh0j\sk\tqh0h\enotes -\temps\notes&\qqbbl{-3}acMa|\ibu0h3\zql f\qh0h\sk\tqh0j\enotes -\temps\notes\hu I&\zqu K\qqbbl3KbMb|\rlap{\ibl1g{-3}\qb1i\sk\tqb1d}\relax - \ibu0k{-4}\qh0k\sk\tqh0f\enotes -\temps\notes&\qqbbl{-2}MbKM|\ibu0h5\zql d\qh0f\sk\tqh0k\enotes -%\check -% mesure 28 -\barre\notes\hu E&\zqu L\qqbbl2LbNb|\rlap{\ibl1g{-3}\qb1g\sk\tqb1e}\relax - \ibu0i{-3}\qh0i\sk\tqh0g\enotes -\temps\notes&\qqbbl{-2}NbLN|\ibu0h2\zql e\qh0g\sk\tqh0i\enotes -\temps\notes\hu H&\zqu J\qqbbl3JaLa|\doubler\rlap{\dql{-5}hc}\dqh{-5}je\enotes -\temps\notes&\qqbbl{-2}LaJL|\doubler\zql c\dqu7ej\enotes -% mesure 29 -\barre\notes\hu D&\zqu K\qqbbl2Ka{^M}a|\rlap{\ibl1f{-3}\qb1{^f}\sk\tqb1d}\relax - \ibu0h{-3}\qh0h\sk\tqh0f\enotes -\temps\notes&\qqbbl{-2}MaKM|\ibu0h2\zql d\qh0f\sk\tqh0h\enotes -\temps\notes\doubler\dqu2GH&\rlap{\doubler\cu N\cu a}\relax - \qqbbl2Ndad|\doubler\rlap{\dql2gh}\dqu2ij\enotes -\temps\notes\qu I&\rlap{\cu b}\qqbbl{-2}bdNb|\zql i\qu k\enotes -%\check -% mesure 30 -\barre\notes\bigaccid\hu{=I}&\zqu N\qqbbl2Nd{=b}d|\doubler\rlap{\dql{-5}{=i}{=f}}\dqu{-5}nk\enotes -\temps\notes&\qqbbl{-2}bdNb|\ibu0k5\zql f\qh0k\sk\tqh0n\enotes -\temps\notes\hu J&\zqu L\qqbbl2LcNc|\doubler\rlap{\dql{-3}ge}\dqu{-3}lj\enotes -\temps\notes&\qqbbl{-2}NcLN|\doubler\zql e\dqu4jl\enotes -%\check -% mesure 31 -\barre\notes\hu F&\zqu M\qqbbl3Mcac|\doubler\rlap{\dql0hh}\dqu{-3}mj\enotes -\temps\notes&\qqbbl{-3}acMa|\ibu0j3\zql h\qh0j\sk\tqh0l\enotes -\temps\notes\hu I&\zqu K\qqbbl3K{_b}Mb|\doubler\rlap{\fl i\dql{-3}ih}\dqu{-4}kj\enotes -\temps\notes&\qqbbl{-2}MbKM|\ibu0i4\zql f\qh0i\sk\tqh0k\enotes -%\check -% mesure 32 -\barre\notes\hu E&\zqu L\qqbbl2LbNb|\doubler\rlap{\dql{-3}gg}\dqu{-3}li\enotes -\temps\notes&\qqbbl{-2}NbLN|\ibu0j2\zql g\qh0i\sk\tqh0k\enotes -\temps\notes\hu H&\zqu J\qqbbl3JaLa|\doubler\rlap{\dql{-2}hg}\dqu{-3}ji\enotes -\temps\notes&\rlap{\qu b}\qqbbl{-2}LaJL|\ibu0h2\zql e\qh0h\sk\tqh0j\enotes -% mesure 33 -\barre\notes\hu D&\zqu K\qqbbl2Ka{^M}a|\doubler\rlap{\dql0{^f}f}\dqu{-4}kh\enotes -\temps\notes&\qqbbl{-2}MaKM|\ibu0h2\zql f\qh0h\sk\tqh0j\enotes -%\check -\temps\notes\doubler\dqu{-2}G{^F}&\rlap{\doubler\cu N\cu a}\qqbbl2Ndad\relax -|\doubler\rlap{\dql2gh}\dqu2ij\enotes -\temps\notes\qu G&\rlap{\cu b}\qqbbl{-2}bdNb|\zq i\qu k\enotes -%\check -% mesure 34 -\barre\notes\qup G\sk&\zqu N\qqbbl2Nd{=b}d|\doubler\rlap{\dql{-5}{=i}{=f}}\dqu{-5}nk\enotes -\temps\notes\bigaccid\sk\cu{=I}&\qqbbl{-2}bdNb|\ibu0k5\zql f\qh0k\sk\tqh0n\enotes -\temps\notes\doubler\dqu2JK&\zqu L\qqbbl2LcNc|\doubler\rlap{\dql{-3}gf}\dqu{-3}lk\enotes -\temps\notes\qu L&\qqbbl{-2}NcLN|\zql e\qu j\enotes -%\check -% mesure 35 -\barre\notes\qup F&\zqu M\qqbbl3Mcac|\doubler\rlap{\dql0hh}\dqu{-3}mj\enotes -\temps\notes\sk\cu H&\qqbbl{-3}acMa|\ibu0j3\zql h\qh0j\sk\tqh0m\enotes -\temps\notes\doubler\dqu2IJ&\zqu K\qqbbl3K{_b}Mb|\doubler\rlap{\dql{-2}fe}\dqu{-2}kj\enotes -\temps\notes\qu K&\qqbbl{-2}MbKM|\zql d\qu i\enotes -%\check -% mesure 36 -\barre\notes\qup E&\zqu L\qqbbl2LbNb|\doubler\rlap{\dql{-3}ge}\dqu{-3}lg\enotes -\temps\notes\sk\cu G&\qqbbl{-2}NbLN|\ibu0k2\zql e\qh0g\sk\tqh0l\enotes -\temps\notes\doubler\dqu2HI&\zqu J\qqbbl3JaLa|\doubler\rlap{\dql{-5}he}\dqu{-3}jh\enotes -\temps\notes\qu J&\qqbbl{-2}LaJL|\ibu0h2\zql e\qh0h\sk\tqh0j\enotes -% mesure 37 -\barre\notes\qup D&\zqu K\qqbbl2Ka{^M}a|\doubler\rlap{\dql0{^f}f}\dqu{-4}kh\enotes -\temps\notes\sk\sh F\cu F&\qqbbl{-2}MaKM|\ibu0h2\zql f\qh0h\sk\tqh0k\enotes -\temps\notes\doubler\dqu2GH&\rlap{\doubler\cu N\cu a}\qqbbl2Ndad\relax -|\doubler\rlap{\dql{-2}gf}\dqu{-2}ih\enotes -\temps\notes\qu I&\rlap{\cu b}\qqbbl{-2}bdNb|\zql g\qu g\enotes -%\check -% mesure 38 -\barre\notes\qu G\sk&\zqu N\qqbbl2Nd{=b}d|\doubler\rlap{\dql{-5}{=i}{=f}}\dqu{-5}nk\enotes -\temps\notes\bigaccid\qu{=I}&\qqbbl{-2}bdNb|\ibu0k5\zql f\qh0k\sk\tqh0m\enotes -\temps\notes\qu J&\zqu L\qqbbl2LcNc|\doubler\rlap{\dql{-3}gf}\dqu{-3}lk\enotes -\temps\notes\qu L&\qqbbl{-2}NcLN|\doubler\zql g\dqu{-3}lj\enotes -%\check -% mesure 39 -\barre\notes\qu F&\zqu M\qqbbl3Mcac|\doubler\rlap{\dql0hh}\dqu{-3}mj\enotes -\temps\notes\qu H&\qqbbl{-3}acMa|\ibu0j3\zql h\qh0j\sk\tqh0l\enotes -\temps\notes\qu I&\zqu K\qqbbl3K{_b}Mb|\doubler\rlap{\dql{-2}fe}\dqu{-2}kj\enotes -\temps\notes\qu K&\qqbbl{-2}MbKM|\zql d\doubler\dqu{-3}ki\enotes -%\check -% mesure 40 -\barre\notes\qu E&\zqu L\qqbbl2LbNb|\doubler\rlap{\dql0gg}\dqu{-3}li\enotes -\temps\notes\qu G&\qqbbl{-2}NbLN|\ibu0k2\zql g\qh0i\sk\tqh0k\enotes -\temps\notes\qu H&\zqu J\qqbbl3JaLa|\doubler\rlap{\dql{-2}hg}\dqu{-2}ji\enotes -\temps\notes\qu J&\qqbbl{-2}LaJL|\ibu0i{-2}\zql e\qh0j\sk\tqh0h\enotes -% mesure 41 -\generalmeter{\meterfrac 54}\changecontext -\NOTes\qu K&\zq{Nb}\ql K|\zq{gi}\ql k\enotes -\temps\NOTes\qu G&\zq{LN}\ql c|\zq{gj}\ql l\enotes -\temps\NOTes\qu H&\zq{La}\ql c|\zq{eh}\ql j\enotes -\temps\NOTEs\qup K&\zqp{^Ma}\qlp d|\zqp{^fh}\qlp k\enotes -\temps\NOtes\dsoupir&\dsoupir|\dsoupir\enotes -%\check -% mesure 42 -\quatretemps\changecontext -\notes\qu G\sk&\zqu N\qqbbl2Nd{=b}d|\doubler\rlap{\dql{-5}{=i}{=f}}\dqu{-5}nk\enotes -\temps\notes\bigaccid\qu{=I}&\qqbbl{-2}bdNb|\ibu0k5\zql f\qh0k\sk\tqh0m\enotes -\temps\notes\qu J&\zqu L\qqbbl2LcNc|\doubler\rlap{\dql{-3}gf}\dqu{-3}lk\enotes -\temps\notes\qu L&\qqbbl{-2}NcLN|\doubler\zql g\dqu{-3}lj\enotes -%\check -% mesure 43 -\barre\notes\qu F&\zqu M\qqbbl3Mcac|\doubler\rlap{\dql0hh}\dqu{-3}mj\enotes -\temps\notes\qu H&\qqbbl{-3}acMa|\ibu0j3\zql h\qh0j\sk\tqh0l\enotes -\temps\notes\qu I&\zqu K\qqbbl3K{_b}Mb|\doubler\rlap{\dql{-2}fe}\dqu{-2}kj\enotes -\temps\notes\qu K&\qqbbl{-2}MbKM|\zql d\doubler\dqu{-3}ki\enotes -%\check -% mesure 44 -\barre\notes\qu E&\zqu L\qqbbl2LbNb|\doubler\rlap{\dql0gg}\dqu{-3}li\enotes -\temps\notes\qu G&\qqbbl{-2}NbLN|\ibu0k2\zql g\qh0i\sk\tqh0k\enotes -\temps\notes\qu H&\zqu J\qqbbl3JaLa|\doubler\rlap{\dql{-2}hg}\dqu{-2}ji\enotes -\temps\notes\qu J&\qqbbl{-2}LaJL|\ibu0i{-2}\zql e\qh0j\sk\tqh0h\enotes -% mesure 45 -\barre\NOtes\qu K&\zq{Nb}\ql d|\zq{gi}\ql k\enotes -\temps\NOtes\soupir&\soupir|\soupir\enotes -\temps\NOtes\qu G&\zq{LN}\ql c|\zq{gj}\ql l\enotes -\temps\NOtes\soupir&\soupir|\soupir\enotes -% mesure 46 -\barre\NOtes\qu H&\zq{La}\ql c|\zq{eh}\ql j\enotes -\temps\NOtes\soupir&\soupir|\soupir\enotes -\temps\NOtes\qu K&\zq{^Ma}\ql d|\zq{^fh}\ql k\enotes -\temps\NOtes\soupir&\soupir|\soupir\enotes -%\check -% mesure 47 -\generalmeter{\meterfrac 32}\changecontext -\NOTEs\hu G&\zh I\zh K\hl N|\zh b\zh d\hu g\enotes -\smallnotesize\bigaccid -\notes&|\Uptext{\hbox{\kern -16mm\moyen Maestoso \bf(\metron{\qu}{50})}}\enotes -\notes&\qqbbH9KGKNa\enotes -\temps\notes\sk\sk\pause&\qqbbL{-4}abN{^M}N\enotes -\temps\notes&\qqbbl7KNbc\enotes -\temps\notes&\qqbbL{-4}cdbab\enotes -%\check -% mesure 48 -\quatretemps -\changecontext\notes&|\qqbbH8bNbd{^f}\enotes -\temps\notes\sk\sk\pause&|\qqbbH{-4}ggdcd\enotes -\temps\notes&|\qqbbH7dbdfg\enotes -\temps\notes&|\qqbbu0ifgi\enotes -%\check -% mesure 49 -\barre\notes&|\qqbbL0ikgik\enotes -\normalnotesize -\temps\notes\hpause&|\cl n\qsoupir\sk\enotes -\temps\Notes\ccu G&\itenl1N\itenu2g\zq{Nbd}\ccl g|\itenu3n\zq{ik}\ccu n|\enotes -\temps\NOtes\pointdorgue 8\qup G&\tten1\tten2\pointdurgue H\zqp{Nce}\qlp g\relax - |\tten3\pointdorgue o\zqp{jl}\qlp n\enotes -\temps\Notes\dsoupir&\dsoupir|\dsoupir\enotes -%\check -\autolines {16}35\relax -% mesure 50 -\smallnotesize\bigaccid -\barre\notes&\qqbbH7IGJLM\enotes -\temps\notes\sk\sk\pause&\qqbbL{-4}MNLKL\enotes -\temps\notes&\qqbbl7JLN{=b}\enotes -\temps\notes&\qqbbL{-4}acNMN\enotes -%\check -% mesure 51 -\barre\notes&\qqbbH7MLN{=b}c\enotes -\temps\notes\sk\sk\sk\pause&|\qqbbH0debce\enotes -\temps\notes&|\qqbbH7cNceg\enotes -\temps\notes&|\qqbbL0hjg{=i}j\enotes -%\check -% mesure 52 -\barre\notes&|\qqbbL0kljln\enotes -\normalnotesize -\temps\notes\hpause&|\cl q\qsoupir\sk\enotes -\temps\Notes\ccu E&\itenu1c\zq{LN}\ccl c|\itenu2j\zq{eg}\ccu j\enotes -\temps\NOtes\pointdorgue 7\qup F&\tten1\pointdorgue{10}\zqp{JM_a}\qlp c\relax - |\tten2\pointdorgue{10}\zqp{f_h}\qup j\enotes -\temps\Notes\dsoupir&\dsoupir|\dsoupir\enotes -%\check -% mesure 53 -\smallnotesize\bigaccid -\barre\notes&\qqbbH7KJM{_a}b\enotes -\temps\notes\sk\sk\pause&\qqbbL{-4}acaNa\enotes -\temps\notes&\qqbbl7Mac{=e}\enotes -\temps\notes&\qqbbL{-4}cfcbc\enotes -%\check -% mesure 54 -% \barre\notes&\qqbbH7c{_a}c{=e}f\enotes -\barre\notes&\ibbu0h7\qh0{_a}\qh0c|\sk\sk\qh0{=e}\tqh0f\enotes -\temps\notes\sk\sk\sk\pause&|\qqbbH0f{_h}fef\enotes -\temps\notes&|\qqbbH7ecfhi\enotes -\temps\notes&|\qqbbL0hjhgh\enotes -%\check -% mesure 55 -\troistemps\changecontext\notes&|\qqbbl6f{_h}j{=l}\enotes -\temps\notes\sk\sk\pause&|\qqbbl2mn{_o}n\enotes -\temps\notes&|\qqbbl{-3}m{_l}{_k}j\enotes -% mesure 56 -%\check -\normalnotesize -\quatretemps\changecontext\NOTes\qup I&\zqp M\zqp b\qlp{_d}|\zqp{fi}\qlp{_k}\enotes -\smallnotesize\bigaccid -\temps\Notes\dsoupir&\dsoupir|\dsoupir\enotes -\temps\notes\sk\sk\sk\hpause&\ibbu0h5\qh0M\qh0b|\sk\sk\qh0{_d}\tqh0e\enotes -\temps\notes&|\qqbbh{-2}fdcd\enotes -%\check -% mesure 57 -\barre\notes&|\qqbbH7bb{_d}fh\enotes -\temps\notes\sk\sk\sk\pause&|\qqbbL{-2}gifef\enotes -\temps\notes&|\qqbbH8e{_d}fi{_k}\enotes -\temps\notes&|\qqbbL{-2}kmkjk\enotes -% -% mesure 58 -\barre\notes&|\qqbbl5ikmo\enotes -\temps\notes\hpause&|\qqbbl{-3}p{_o}{_n}m\enotes -\normalnotesize -\temps\NOtes\qup E&\zqp{_Nb}|\zqp e\rlap{\qlp {_g}}\zqp{il}\qup{_n}\enotes -\temps\Notes\dsoupir&\dsoupir|\dsoupir\enotes -% mesure 59 -\smallnotesize\bigaccid -\barre\notes&\ibbl0L7\qb0L\qb0b\enotes -\notes&|\qb0e\tqb0f\enotes -\temps\notes\sk\sk\sk\pause&|\qqbbh{-2}{_g}e{_d}e\enotes -\temps\notes&|\qqbbH6dce{g}j\enotes -\temps\notes&|\qqbbL{-2}jljij\enotes -% mesure 60 -\barre\notes&|\qqbbl5{=h}jl{_n}\enotes -\temps\notes\sk\sk\sk\pause&|\qqbbl2opqp\enotes -\temps\notes&|\qqbbl{-3}o{=n}ml\enotes -\temps\notes&|\qqbbl{-3}{_k}jih\enotes -% mesure 61 -\normalnotesize -\barre\nspace\autolines{18}35\relax -\Notes\cu{_H}&\zmidtwotext{\it accelerando poco a poco}\relax -\zq K\lq a\lfl a\zq M\ccl b|\fl h\zq d\zq f\rq h\ccu i\enotes -\smallnotesize\varaccid -\temps\notes\dsoupir&|\ibbu0g3\qh0{fi}\tqh0h\enotes -\temps\notes\soupir&|\qqbbH3gidih\enotes -\normalnotesize -\temps\Notes\cu G&\zq L\zq N\ccl b|\zq e\zq g\ccu i\enotes -\smallnotesize\varaccid -\temps\notes\dsoupir&|\ibbu0f3\qh0{eg}\tqh0f\enotes -\temps\notes\soupir&|\qqbbH3fgeih\enotes -% mesure 62 -\barre\nspace -\normalnotesize -\Notes\cu F&\zq K\zq M\lfl a\lq a\ccl b|\fl h\zq d\zq f\rq h\ccu i\enotes -\smallnotesize\varaccid -\temps\notes\dsoupir&|\ibbu0f3\qh0{df}\tqh0e\enotes -\temps\notes\soupir&|\qqbbH3ffdih\enotes -\normalnotesize -\temps\Notes\cu E&\zq L\zq N\ccl b|\zq e\zq g\ccu i\enotes -\smallnotesize\varaccid -\temps\notes\dsoupir&|\ibbu0f3\qh0{eg}\tqh0f\enotes -\temps\notes\soupir&|\qqbbH3fgeih\enotes -% mesure 63 -\normalnotesize -\barre\Notes\cu D&\zq K\zq N\ccl{=b}|\zq d\zq g\ccu{=i}\enotes -\smallnotesize\varaccid -\temps\notes\dsoupir&|\ibbu0f3\qh0{dg}\tqh0f\enotes -\temps\notes\soupir&|\qqbbH3fgeji\enotes -\normalnotesize\nspace -\temps\Notes\cu C&\zq{=L}\zq N\lfl b\lq b\ccl c|\fl i\zq{=e}\zq g\rq i\ccu j\enotes -\smallnotesize\varaccid -\temps\notes\dsoupir&|\ibbu0f3\qh0{cg}\tqh0f\enotes -\temps\notes\soupir&|\qqbbH3fgej{=i}\enotes -% mesure 64 -\normalnotesize -\barre\Notes\cu I&\zq{=L}\zq N\lq b\ccl c|\fl i\zq{=e}\zq g\rq i\ccu j\enotes -\smallnotesize\varaccid -\temps\notes\dsoupir&|\ibbu0f3\qh0{cg}\tqh0f\enotes -\temps\notes\soupir&|\qqbbH3fgej{=i}\enotes -\normalnotesize\nspace -\temps\Notes\cu{_H}&\zq M\zq{_a}\ccl c|\zq f\zq{_h}\ccu j\enotes -\smallnotesize\varaccid -\temps\notes\dsoupir&|\ibbu0f3\qh0{c_h}\tqh0g\enotes -\temps\notes\soupir&|\qqbbH3fhfji\enotes -% mesure 65 -\normalnotesize -\barre\Notes\cu G&\zq{=L}\zq N\lq b\ccl c|\fl i\zq{=e}\zq g\rq i\ccu j\enotes -\smallnotesize\varaccid -\temps\notes\dsoupir&|\ibbu0f3\qh0{cg}\tqh0f\enotes -\temps\notes\soupir&|\qqbbH3fgej{=i}\enotes -\normalnotesize -\temps\Notes\cu F&\zq M\zq{=a}\ccl c|\zq f\zq{=h}\ccu j\enotes -\smallnotesize\varaccid -\temps\notes\dsoupir&|\ibbu0f3\qh0{fh}\tqh0g\enotes -\temps\notes\soupir&|\qqbbH3fhfj{=i}\enotes -% mesure 66 -\normalnotesize -\barre\Notes\cu{^F}&\zq{^M}\zq a\ccl c|\zq{^f}\zq h\ccu j\enotes -\smallnotesize\varaccid -\temps\notes\dsoupir&|\ibbu0f3\qh0{dh}\tqh0g\enotes -\temps\notes\soupir&|\qqbbH3fhf{_i}h\enotes -\normalnotesize -\temps\Notes\cu G&\zq K\zq N\ccl b|\zq d\zq g\ccu i\enotes -\smallnotesize\varaccid -\temps\notes\dsoupir&|\ibbu0f3\qh0{di}\tqh0h\enotes -\temps\notes\soupir&|\qqbbH5higik\enotes -\autolines {17}35\relax -%\check -% mesure 67 -\normalnotesize -\barre\notes\hu G&\zqu N\qqbbl2Ndbd|\raise 7\Interligne\rlap{\vbox to 2\Interligne -{\vss\hbox{\moyen Allegro \bf(\metron{\qu}{70})}}}\relax - \doubler\rlap{\dql{-3}ig}\dqu{-5}ni\enotes -\temps\notes&\qqbbl{-2}bdNb|\ibu0i3\zql g\qh0i\sk\tqh0k\enotes -\temps\notes\hu J&\zqu L\qqbbl2LcNc|\rlap{\ibl1h{-4}\qb1j\sk\tqb1e}\relax - \ibu0l{-4}\qh0l\sk\tqh0g\enotes -\temps\notes&\qqbbl{-2}NcLN|\ibu0h6\zql e\qh0g\sk\tqh0l\enotes -%\check -% mesure 68 -\barre\notes\hu F&\zqu M\qqbbl3Mcac|\rlap{\ibl1h{-3}\qb1h\sk\tqb1f}\relax - \ibu0j{-5}\qh0m\sk\tqh0h\enotes -\temps\notes&\qqbbl{-3}acMa|\ibu0h3\zql f\qh0h\sk\tqh0j\enotes -\temps\notes\hu I&\zqu K\qqbbl3KbMb|\rlap{\ibl1g{-3}\qb1i\sk\tqb1d}\relax - \ibu0k{-4}\qh0k\sk\tqh0f\enotes -\temps\notes&\qqbbl{-2}MbKM|\ibu0h5\zql d\qh0f\sk\tqh0i\enotes -%\check -% mesure 69 -\barre\notes\hu E&\zqu L\qqbbl2LbNb|\rlap{\ibl1g{-3}\qb1g\sk\tqb1e}\relax - \ibu0i{-5}\qh0l\sk\tqh0g\enotes -\temps\notes&\qqbbl{-2}NbLN|\ibu0h2\zql e\qh0g\sk\tqh0i\enotes -\temps\notes\hu H&\zqu J\qqbbl3JaLa|\doubler\rlap{\dql{-5}hc}\dqh{-5}je\enotes -\temps\notes&\qqbbl{-2}LaJL|\doubler\zql c\dqu6eh\enotes -% mesure 70 -\barre\notes\hu D&\zqu K\qqbbl2Ka{^M}a|\rlap{\ibl1f{-3}\qb1{^f}\sk\tqb1d}\relax - \ibu0h{-5}\qh0k\sk\tqh0f\enotes -\temps\notes&\qqbbl{-2}MaKM|\ibu0h2\zql d\qh0f\sk\tqh0h\enotes -\temps\notes\doubler\dqu2GH&\rlap{\doubler\cu N\cu a}\relax - \qqbbl2Ndad|\doubler\rlap{\dql2gh}\dqu2ij\enotes -\temps\notes\qu I&\rlap{\cu b}\qqbbl{-2}bdNb|\zql i\qu k\enotes -%\check -% mesure 71 -\barre\notes\bigaccid\hu{=I}&\zqu N\qqbbl2Nd{=b}d|\doubler\rlap{\dql{-5}{=i}{=f}}\dqu{-5}nk\enotes -\temps\notes&\qqbbl{-2}bdNb|\ibu0k5\zql f\qh0k\sk\tqh0n\enotes -\temps\notes\hu J&\zqu L\qqbbl2LcNc|\doubler\rlap{\dql{-3}ge}\dqu{-3}lj\enotes -\temps\notes&\qqbbl{-2}NcLN|\doubler\zql e\dqu4jl\enotes -%\check -% mesure 72 -\barre\notes\hu F&\zqu M\qqbbl3Mcac|\doubler\rlap{\dql0hh}\dqu{-3}mj\enotes -\temps\notes&\qqbbl{-3}acMa|\ibu0j3\zql h\qh0j\sk\tqh0l\enotes -\temps\notes\bigaccid\hu{_I}&\zqu K\qqbbl3K{_b}Mb|\doubler\rlap{\fl i\dql{-3}ih}\dqu{-4}kj\enotes -\temps\notes&\qqbbl{-2}MbKM|\ibu0i4\zql f\qh0i\sk\tqh0k\enotes -%\check -% mesure 73 -\barre\notes\hu E&\zqu L\qqbbl2LbNb|\doubler\rlap{\dql{-3}gg}\dqu{-3}li\enotes -\temps\notes&\qqbbl{-2}NbLN|\ibu0j2\zql g\qh0i\sk\tqh0k\enotes -\temps\notes\hu H&\zqu J\qqbbl3JaLa|\doubler\rlap{\dql{-2}hg}\dqu{-3}ji\enotes -\temps\notes&\qqbbl{-2}LaJL|\ibu0h2\zql e\qh0h\sk\tqh0j\enotes -% mesure 74 -\barre\notes\hu D&\qqbbl2Ka{^M}a|\doubler\rlap{\dql0{^f}f}\dqu{-4}kh\enotes -\temps\notes&\qqbbl{-2}MaKM|\ibu0h2\zql f\qh0h\sk\tqh0j\enotes -%\check -\temps\notes\doubler\dqu{-2}G{^F}&\rlap{\doubler\cu N\cu a}\qqbbl2Ndad\relax -|\doubler\rlap{\dql2gh}\dqu2ij\enotes -\temps\notes\qu G&\rlap{\cu b}\qqbbl{-2}bdNb|\zq i\qu k\enotes -%\check -% mesure 75 -\barre\notes\qup G\sk&\zqu N\qqbbl2Nd{=b}d|\doubler\rlap{\dql{-5}{=i}{=f}}\dqu{-5}nk\enotes -\temps\notes\bigaccid\sk\cu{=I}&\qqbbl{-2}bdNb|\ibu0k5\zql f\qh0k\sk\tqh0n\enotes -\temps\notes\doubler\dqu2JK&\zqu L\qqbbl2LcNc|\doubler\rlap{\dql{-3}gf}\dqu{-3}lk\enotes -\temps\notes\qu L&\qqbbl{-2}NcLN|\zql e\qu j\enotes -%\check -% mesure 76 -\barre\notes\qup F&\zqu M\qqbbl3Mcac|\doubler\rlap{\dql0hh}\dqu{-3}mj\enotes -\temps\notes\sk\cu H&\qqbbl{-3}acMa|\ibu0j3\zql h\qh0j\sk\tqh0m\enotes -\temps\notes\doubler\dqu2IJ&\zqu K\qqbbl3K{_b}Mb|\doubler\rlap{\dql{-2}fe}\dqu{-2}kj\enotes -\temps\notes\qu K&\qqbbl{-2}MbKM|\zql d\qu i\enotes -%\check -% mesure 77 -\barre\notes\qup E&\zqu L\qqbbl2LbNb|\doubler\rlap{\dql{-3}ge}\dqu{-3}lg\enotes -\temps\notes\sk\cu G&\qqbbl{-2}NbLN|\ibu0k2\zql e\qh0g\sk\tqh0l\enotes -\temps\notes\doubler\dqu2HI&\zqu J\qqbbl3JaLa|\doubler\rlap{\dql{-5}he}\dqu{-3}jh\enotes -\temps\notes\qu J&\qqbbl{-2}LaJL|\ibu0h2\zql e\qh0h\sk\tqh0j\enotes -% mesure 78 -\barre\notes\qup D&\zql K\qqbbl2Ka{^M}a|\doubler\rlap{\dql0{^f}f}\dqu{-4}kh\enotes -\temps\notes\doubler\sk\sh F\cu F&\qqbbl{-2}MaKM|\ibu0h2\zql f\qh0h\sk\tqh0k\enotes -\temps\notes\doubler\dqu2GH&\rlap{\doubler\cu N\cu a}\qqbbl2Ndad\relax -|\doubler\rlap{\dql{-2}gf}\dqu{-2}ih\enotes -\temps\notes\qu I&\rlap{\cu b}\qqbbl{-2}bdNb|\zql g\qu g\enotes -%\check -% mesure 79 -\barre\notes\qu G\sk&\zqu N\qqbbl2Nd{=b}d|\doubler\rlap{\dql{-5}{=i}{=f}}\dqu{-5}nk\enotes -\temps\notes\bigaccid\qu{=I}&\qqbbl{-2}bdNb|\ibu0k5\zql f\qh0k\sk\tqh0m\enotes -\temps\notes\qu J&\zqu L\qqbbl2LcNc|\doubler\rlap{\dql{-3}gf}\dqu{-3}lk\enotes -\temps\notes\qu L&\qqbbl{-2}NcLN|\zql g\doubler\dqu{-3}lj\enotes -%\check -% mesure 80 -\barre\notes\qu F&\zqu M\qqbbl3Mcac|\doubler\rlap{\dql0hh}\dqu{-3}mj\enotes -\temps\notes\qu H&\qqbbl{-3}acMa|\ibu0j3\zql h\qh0j\sk\tqh0l\enotes -\temps\notes\qu I&\zqu K\qqbbl3K{_b}Mb|\doubler\rlap{\dql{-2}fe}\dqu{-2}kj\enotes -\temps\notes\qu K&\qqbbl{-2}MbKM|\zql d\doubler\dqu{-3}ki\enotes -%\check -% mesure 81 -\barre\notes\qu E&\zqu L\qqbbl2LbNb|\doubler\rlap{\dql0gg}\dqu{-3}li\enotes -\temps\notes\qu G&\qqbbl{-2}NbLN|\ibu0k2\zql g\qh0i\sk\tqh0k\enotes -\temps\notes\qu H&\zqu J\qqbbl3JaLa|\doubler\rlap{\dql{-2}hg}\dqu{-2}ji\enotes -\temps\notes\qu J&\qqbbl{-2}LaJL|\ibu0i{-2}\zql e\qh0j\sk\tqh0h\enotes -% mesure 82 -\barre\notes\qu K&\qqbbl2KbNb|\doubler\rlap{\dql{-2}ih}\dqu{-2}kj\enotes -\temps\notes\qu L&\qqbbl{-2}NbLN|\doubler\rlap{\dql2gh}\dqu2ij\enotes -\temps\notes\qup K&\qqbbl6KNbd|\rlap{\cl g\sk - \raise -3\internote\dsoupir}\zqp i\qup k\enotes -\notes\sk\sk\dsoupir&|\ql g\sk\raise 3\internote\dsoupir\enotes -% mesure 83 -\barre\notes\qu J&\qqbbl7JLNc|\zq{gj}\ql l\enotes -\temps\NOtes\soupir&\cl e\dsoupir|\soupir\enotes -\temps\notes\qu H&\qqbbl7HJLa|\zq{eh}\ql j\enotes -\temps\NOtes\soupir&\cl c\dsoupir|\soupir\enotes -% mesure 84 -\barre\notes\qu K&\qqbbl7K{^M}ad|\bigaccid\rlap{\cl{^f}\sk -\raise-3\interligne\dsoupir}\zq{h}\qu k\enotes -\temps\NOTEs\soupir&\soupir|\zql f\raise 3\interligne\soupir\enotes -\temps\NOTEs\hpause&\hpause|\hpause\enotes -% mesure 85 -\troistemps\changecontext\NOtes\cu G&\zq{KNb}\cl d|\zq{gik}\cl n\enotes -\temps\NOtes\dsoupir&\dsoupir|\dsoupir\enotes -\temps\NOtes\cu E&\zq{JLN}\cl c|\zq{egj}\cl l\enotes -\temps\NOtes\dsoupir&\dsoupir|\dsoupir\enotes -\temps\NOtes\cu C&\zq{JL}\cl a|\zq{ceh}\cl j\enotes -\temps\NOtes\dsoupir&\dsoupir|\dsoupir\enotes -% mesure 86 -\barre\NOTEs\qu D&\zq{K^M}\ql a|\zq{d^fh}\ql k\enotes -\temps\NOTEs\soupir&\soupir|\soupir\enotes -\cleftoksii={{0}{0}{0}{0}}\changeclefs -\temps\NOtes\zq D\cu K&\cu d|\cu k\enotes -\temps\NOtes\dsoupir&\dsoupir|\dsoupir\enotes -\advance\barsinline by -1\relax -% mesure 87 -\barre\NOTES\zh N\hl G&\hu g|\hu n\enotes -\temps\NOTES\soupir&\soupir|\soupir\enotes -% -\finmorceau -\rightline{\sl\aujourdhui}\vfil\eject -\endinput - diff --git a/musixtex/doc/examples/pslurvgap.tex b/musixtex/doc/examples/pslurvgap.tex deleted file mode 100644 index 216f3d1..0000000 --- a/musixtex/doc/examples/pslurvgap.tex +++ /dev/null @@ -1,21 +0,0 @@ -\input musixtex -\input musixps - -\footline={} - \Nosluradjust \Notieadjust - -\startmuflex \nobarnumbers - -\startextract\NOTes\multnoteskip3\isluru0c\ql c\tslur0s\ql s\enotes - \bar\NOTes\multnoteskip3\isluru0c\ql c\tslur0z\ql z\enotes\endextract - - \instrumentnumber{1} \generalmeter{\meterfrac34} -\startextract -\NOTes\isluru0c\ql c\enotes\notes\tslur0j\ql j\enotes - \bar\NOTes\isluru0c\ql c\enotes\notes\tslur0n\ql n\enotes - \NOTes\isluru0c\ql c\enotes\notes\tslur0s\ql s\enotes - \bar\NOTes\isluru0c\ql c\enotes\notes\tslur0z\ql z\enotes - \endextract - -\endmuflex -\end diff --git a/musixtex/doc/examples/quod.tex b/musixtex/doc/examples/quod.tex deleted file mode 100644 index b73720f..0000000 --- a/musixtex/doc/examples/quod.tex +++ /dev/null @@ -1,162 +0,0 @@ -\input musixtex.tex -\input musixsty.tex -\input musixps -\nohalfties -\def\pstiehgt{0.5} -\def\psslurhgt{0.5} -\vsize9.75in -\voffset-0.5in -\hsize7.0in -\hoffset-0.25in -\smallmusicsize -\bigaccid -\advance\parindent by 10pt -\def\raisebarno{7\internote}% -\nobarnumbers -\relativeaccid -\geometricskipscale - -\instrumentnumber4 -\setclef1\bass\setbassclefsymbol1\bassoct -\setclef4\treble\settrebleclefsymbol4\trebleoct -\generalsignature{+1} -\generalmeter\meterC -\setname1{B} -\setname2{T} -\setname3{A} -\setname4{S} -\songtop4 -\songbottom1 -\fulltitle{Quodlibet} -\subtitle{Variation 30 of the Goldberg Variations for Clavier} -\title{Quodlibet} -\author{J. S. Bach (1685--1750)} -\shortauthor{J. S. Bach} -\othermention{Arranged for Recorders by R. D. Tennent} -\maketitle -\startbarno=0 -\nobarnumbers -\stafftopmarg=3.0\Interligne% -\staffbotmarg=3.0\Interligne% -\startpiece\addspace\afterruleskip% -\systemnumbers% -\Notes\ds&\cu d&\ds&\ds\en -\bar%1 -\Notes\hl N&\ibu1g2\qb1{ghi}\tqh1j&&\hpause\en -\Notes\hl M&\ibl1k{-2}\qb1k&&\en -\notes&\nbbl1\qb1j\tqb1i&&\qp\en -\Notes&\ibu1h0\qb1h&&\ds\en -\notes&\nbbu1\qb1g\tqh1h&&\cu d\en -\def\atnextbar{\znotes&&\centerpause&\en}% -\bar%2 -\Notes\hl L&\ibu1i{-2}\qb1i\tqh1h&\ql n&\ibu3g2\qb3{gh}\en -\Notes&\itied1g\qu g&\ql n&\qb3i\tqh3j\en -\Notes\ql{.K}&\ttie1\qu g&\ql o&\ibl3k{-2}\qb3k\en -\notes&&&\nbbl3\qb3j\tqb3i\en -\Notes&\ibu1f0\shake{n}\qb1f&\cl o&\cu h\en -\notes\cu J&\nbbu1\qb1e\tqh1f&\ds&\ds\en -\bar%3 -\Notes\hu I&\qu g&\ibl2n{-1}\qb2{no}&\ql k\en -\Notes&\ds\cl k&\qb2{n}\tqb2{=m}&\ql k\en -\Notes\hu J&\ibu1j{-2}\qb1{ji}&\ibl2j{0}\qb2{lk}&\ql l\en -\Notes&\qb1h\tqh1g&\qb2j\tqb2p&\ql l\en -\bar%4 -\Notes\hl K&\itied1f\shake{n}\qu f&\ibl2o{-1}\qb2{on}&\ibl3k{-1}\qb3{kl}\en -\notes&\ttie1\ibbu1e{-2}\qb1f\tbbu1\qb1e&\qb2o&\qb3k\en -%\vnotes1.5\elemskip&\nbbbu1\qb1e\tbbu1\qb1f&&\en -\Notes&\itied1d\tqh1d&\tqb2m&\tqb3j\en -\Notes\qu G&\ttie1\qu d&\ibl2n{-2}\qb2n\tqb2m&\ibu3h{-1}\shake{p}\qb3i\tqh3h\en -\Notes\ds&\qp&\ibl2n{-5}\qb2n&\qu g\en -\notes\ibbl0b{-1}\qb0b\tqb0a&&\tqb2k&\en -\bar%5 -\Notes\ibl0M0\qb0N&\ql n&\ibl2n2\qb2n&\hpause\en -\notes\nbbl0\qb0M\tqb0N&&\qb2o&\en -\Notes\ibl0K0\qb0L&\ql n&\qb2p&\en -\notes\nbbl0\qb0K\tqb0L&&\tqb2q&\en -\Notes\ql{.M}&\ql o&\ibl2r{-2}\qb2r&\qp\en -\notes&&\nbbl2\qb2q\tqb2p&\en -\Notes\sk\cu I&\ql o&\ibl2o6\qb2o\itieu2r\tqb2r&\ds\cl k\en -\bar%6 -\Notes\ql{.L}&\ibl1n{-1}\qb1{no}&\ttie2\ibl2r{-2}\qb2r\tqb2q&\ibl3n{-2}\qb3{nm}\en -\Notes&\qb1n&\ql p&\qb3l\en -\notes\ibbl0M2\qb0M\tqb0N&\tqb1m&&\tqb3k\en -\Notes\itieu0a\ql a&\ibl1l{-2}\qb1l&\ql{.o}&\shake{n}\ibl3i0\qb3{^j}\en -\notes&\tqb1k&&\nbbl3\qb3i\tqb3j\en -\notes\ttie0\ibbl0a{-2}\qb0{aN}&\cl{^j}&&\cu h\en -\notes\qb0M\tqb0L&\ds&\ibbl2i2\qb2i\qsk\tqb2{^j}&\ds\en -\bar%7 -\Notes\ql M&\ibu1g0\qb1{fg}&\ibl2k0\qb2{kl}&\qu h\en -\Notes\ql K&\qb1h\tqh1f&\qb2m\tqb2k&\qu h\en -\Notes\ql N&\ibu1g{-2}\qb1{gf}&\ibl2i4\qb2{ik}&\ql i\en -\Notes\qu G&\qb1e\tqh1d&\qb2n\tqb2m&\ql i\en -\bar%8 -\Notes\qu{.H}&\ibu1c4\qb1{^cd}&\ibl2l{-1}\qb2{.l}\roff{\itieu2k\tbbl2\tqb2k}\qsk&\ibu3i{-1}\qb3{hi}\en -\notes&\qb1e&\ttie2\ibbl2j0\qb2k\hqsk\tbbl2\qb2{^j}&\qb3h\en -\Notes\cu{^J}&\itied1h\tqh1h&\itieu2l\tqb2l&\tqh3g\en -\notes\ql K&\ttie1\ibu1h{-2}\qb1h&\ttie2\ibbl2l{-1}\qb2{lk}&\ibu3f{-1}\qb3f\en -\notes&\tqh1g&\qb2l\tqb2j&\tqh3e\en -\Notes\cl K&\cu f&\cl k&\cu d\en -\advance\barno by -1% -\leftrightrepeat -\Notes\ds&\cl m&\ds&\cl o\en -\bar%9 -\Notes\ql d\sk\ql c&\ibl1k0\qb1{kmk}\tqb1{m}&\ql o\sk\ql o&\ibl3m0\qb3{mom}\tqb3o\en -\Notes\ql b&\ibl1k0\qb1n&\ql p&\ibl3k2\qb3k\en -\notes&\qb1k&&\nbbl3\qb3l\tqb3m\en -\Notes\ql N&\qb1k\tqb1n&\ql p&\ibl3n{-4}\qb3n\tqb3l\en -\bar%10 -\Notes\ibl0b{-1}\qb0{cbc}\tqb0a&\cl l\ds\qp&\ibl2o{-1}\qb2{opo}\tqb2n&\ibl3o{-2}\qb3{onm}\tqb3l\en -\Notes\ql{.b}&\ql m&\ibl2m{-2}\qb2m&\ibl3j0\shake n\qb3{^k}\en -\notes&&\tqb2l&\nbbl3\qb3{^j}\tqb3k\en -\Notes\sk\cl a&\ql m&\cl{^k}\ds&\ibl3i8\qb3i\tqb3{p}\en -\bar%11 -\Notes\ql{N}\sk\ql{N}&\ibl1l0\qb1{nln}\tqb1l&\ql p\sk\ql p&\ibl3m0\qb3{lpl}\tqb3{p}\en -\notes\ql{.a}&\ibl1m{-1}\qb1{m*n}&\ql q&\ibbl3k2\qb3{^klm}\tqb3n\en -\Notes&\qb1m&\ql q&\ibl3o{-2}\qb3o\en -\notes\cl{^a}&\tqb1l&&\nbbl3\qb3n\qsk\tqb3{m}\en -\bar%12 -\Notes\ql b&\ibl1k2\qb1{^k}&\ibl2o{-1}\qb2p&\ibl3n{-2}\qb3n\en -\notes&\nbbl1\qb1l\tqb1m&\qb2q&\nbbl3\qb3m\tqb3l\qsk\en -\notes\qu I&\itied1i\qu i&\qb2p&\ibbl3k0\qb3{^kl}\en -\notes&&\tqb2o&\qb3m\tqb3k\en -\Notes\ql{.L}&\ttie1\ibu1i0\qb1i&\ibl2n0\qb2n&\itieu3l\hl l\en -\notes&\nbbu1\qb1h\tqh1i&\nbbl2\qb2m\tqb2n&\en -\Notes&\ibu1g2\qb1g&\cl l&\en -\notes\cl{=K}&\nbbu1\qb1h\tqh1i&\ds&\en -\bar%13 -\notes\qu J&\ibl1j2\qb1j\sk\qb1k&\hpause&\ttie3\ibbl3k1\slur lku1\qb3l\qb3k\slur mlu1\qb3m\tqb3l\en -\notes\ql c&\qb1l\sk\tqb1m&&\ibbl3m1\isluru3n\qb3n\tbbl3\tslur3m\qb3m\tqb3o\en -\notes\ql{.b}&\ibl1n{-1}\qb1n\sk\nbbl1\qb1m\tqb1l&\ql n&\ql{.k}\en -\Notes&\cl k&\ibl2i{-5}\qb2n&\en -\notes\ibbu0J{-2}\qb0J\tqh0I&\ds&\tqb2g&\ibbl3j2\qb3j\tqb3k\en -\bar%14 -\Notes\qu{.H}&\ds&\ibl2j1\qb2{.j}&\ibl3l2\qb3l\en -\notes&\cu h&\sk\tbbl2\tqb2k&\nbbl3\qb3m\tqb3n\en -\Notes&\ibu1e0\qb1e&\ibl2j{-2}\qb2j&\ibl3o{-2}\qb3o\en -\notes\ibbu0I2\qb0I\tqh0J&\nbbu1\qb1d\tqh1e&\tqb2{i}&\tqb3n\en -\notes\ql{.K}&\ibu1g1\qb1f&\ibu2h1\qb2h&\ibbl3m{-2}\shake{o}\qb3m\en -\notes&&&\tbbl3\qb3l\en -\Notes&\itied1g\tqh1g&\tqh2i&\tqb3k\en -\Notes&\ttie1\ibu1g{-1}\qb1g&\ibl2j2\qb2j&\ibu3i{-6}\qb3j\en -\notes\ibbu0J2\qb0J\tqh0K&\tqh1f&\tqb2k&\tqh3d\en -\bar%15 -\Notes\ibu0I0\qb0G&\qu d&\ibu2i0\qb2i&\ibl3i0\qb3i\en -\notes\qb0H&&\nbbu2\qb2h\tqh2i&\qb3j\en -\Notes\qb0I&\qu d&\cu g&\qb3k\en -\Notes\tqh0G&&\ds&\tqb3i\en -\Notes\qu{.J}&\qu e&\ds&\ibu3j{-2}\qb3j\en -\notes&&\ibbl2l{-2}\qb2l\tqb2k&\qb3i\en -\Notes&\qu e&\ibl2j4\qb2j&\qb3h\en -\Notes\cu{^J}&&\tqb2l&\tqh3g\en -\bar%16 -\notes\ql K&\ibu1g{1}\qb1d&\ibbl2h1\qb2{hk}&\ibu3f2\qb3f\en -\notes&\qb1e&\qb2j\tqb2i&\tqh3g\en -\notes\ql K&\qb1d&\ibbl2j0\qb2j\tbbl2\qb2h&\ibu3h{-4}\qb3h\en -\Notes&\tqh1j&\itieu2k\tqb2k&\tqh3f\en -\Notes\ql N&\ibu1i{-2}\qb1i&\ttie2\ibl2j0\qb2k&\qu g\en -\notes&\tqh1h&\nbbl2\qb2j\tqb2k&\en -\Notes\cu G&\cu g&\cl i&\cu g\en -\setrightrepeat -\endpiece% -\eject -\end diff --git a/musixtex/doc/examples/racine.tex b/musixtex/doc/examples/racine.tex deleted file mode 100644 index 0354b45..0000000 --- a/musixtex/doc/examples/racine.tex +++ /dev/null @@ -1,596 +0,0 @@ - -\ifx\mxversion\undefined - \input musixtex - \input musixcpt - \input musixsty -\fi - -\hsize 190mm \vsize 280mm -\hoffset -1.84cm - - -\fulltitle{Cantique de Jean Racine} -\shorttitle{Cantique de Jean Racine} -\shortauthor{G. Faur\'e} -\fullauthor{Gabriel Faur\'e\\Transcription Orgue Daniel Taupin} -\othermention{Gif~: 2.4/9.11.13/19.23/33.37.41/54/46.47.48.51} -\maketitle - -% -\parindent 14mm -\musicsize=20 - -\def\quatreinstruments{\def\nbinstruments{4}\relax -\nbporteesi=1\relax -\nbporteesii=2\relax -\nbporteesiii=1\relax -\nbporteesiv=1\relax -\cleftoksi{6000}\relax -\cleftoksii{6000}\relax -\cleftoksiii{6000}\relax -\cleftoksiv{0000}\relax -\def\staffspacingi{1.0}\def\interinstrumenti{0pt}\relax -\def\staffspacingii{1.0}\def\interinstrumentii{-2\Interligne}\relax -\def\staffspacingiii{0.64}\def\interinstrumentiii{0pt}\relax -\def\staffspacingiv{0.64}\def\interinstrumentiv{0pt}\relax -} - % -\def\sanspedale{\def\nbinstruments{3}\relax -\nbporteesi=2\relax -\nbporteesii=1\relax -\nbporteesiii=1\relax -\cleftoksi{6000}\relax -\cleftoksii{6000}\relax -\cleftoksiii{0000}\relax -\def\staffspacingi{1.0}\def\interinstrumenti{-2\Interligne}\relax -\def\staffspacingii{0.64}\def\interinstrumentii{0pt}\relax -\def\staffspacingiii{0.64}\def\interinstrumentiii{0pt}\relax -} - % - -\def\paroles{\eightrm} - -%\paroles -% \line{G.O. ({\bf I}) : 8'+4', acc. Positif/R\'ecit\hss Gabriel Faur\'e} -% \line{Positif ({\bf II}) : 8'+4'+1 1/3, acc. R\'ecit\hss Transcription Orgue Daniel -%Taupin } -% \line{R\'ecit ({\bf III}) : 8'+4'\hss... } -% \line{P\'edale : 16'+8', acc. Positif\hss } - -\quatreinstruments -\normal -\def\instrumenti{P\'edale} -\def\instrumentii{Manuel} -\def\instrumentiii{\vbox{\hbox{T\'enors}\hbox{Basses}}} -\def\instrumentiv{\vbox{\hbox{Sopran.}\hbox{Altos}}} -\generalmeter{\meterC}% -% -% -% formes frequentes -% deux croches hautes -\def\dqb#1#2{\bigaccid\Ibl0{#1}{#2}1\qb0{#1}\varaccid\tqb0{#2}} -\def\dqh#1#2{\bigaccid\Ibu0{#1}{#2}1\qh0{#1}\varaccid\tqh0{#2}} -\def\sdqh{\ds\dqh} -\def\lsdqb{\raise-3\Internote\ds\dqb} -\def\sdqb{\ds\dqb} -\def\Tqb#1#2#3{\Ibl0{#1}{#3}2\qb0{#1}\varaccid\qb0{#2}\tqb0{#3}} -\def\tQb#1#2#3{\ibl0{#2}0\qb0{#1}\varaccid\qb0{#2}\tqb0{#3}} -\def\Tqh#1#2#3{\Ibu0{#1}{#3}2\qh0{#1}\varaccid\qh0{#2}\tqh0{#3}} -\def\tQh#1#2#3{\ibu0{#2}0\qh0{#1}\varaccid\qh0{#2}\tqh0{#3}} -\def\Sqh#1#2#3{\bigaccid\Tqh{#1}{#2}{#3}\Tqh} -\def\Sqb#1#2#3{\bigaccid\Tqb{#1}{#2}{#3}\Tqb} -\def\Qqh#1#2{\sdqh{#1}{#2}\Tqh} -\def\Qqb#1#2{\sdqb{#1}{#2}\Tqb} -\def\dnu#1#2{\bigaccid\qu{#1}\sk\sk\qu{#2}}% -\def\Dnu#1#2{\bigaccid\zq{!#1}\qu{!`#1}\sk\sk\zq{!`#2}\qu{!#2}}% -\def\dnb#1#2{\bigaccid\ql{#1}\sk\sk\ql{#2}}% -\def\Dnb#1#2{\bigaccid\zq{!#1}\ql{!`#1}\sk\sk\zq{!`#2}\ql{!#2}}% -\def\dnl{\dnb}\def\Dnl{\Dnb} -\def\Hu#1{\bigaccid\zh{!`#1}\hu{!#1}} -\def\Hl#1{\bigaccid\zh{!`#1}\hl{!#1}} -\def\hlu#1#2{\bigaccid\zhl{#1}\hu{#2}} -\def\huu#1#2{\bigaccid\zh{#1}\hu{#2}} -\def\hll#1#2{\bigaccid\zh{#1}\hl{#2}} -\def\qlu#1#2{\bigaccid\zql{#1}\qu{#2}} -\def\quu#1#2{\bigaccid\zq{#1}\qu{#2}} -\def\qll#1#2{\bigaccid\zq{#1}\ql{#2}} -\def\Pause{\sk\sk\sk\sk\sk\pause} -\def\Hpause{\sk\sk\hpause} -% -\def\zmid#1{\zcharnote{12}{\paroles #1}} -% -\staffbotmarg\Interligne - -\generalsignature{-5} -\def\nbinstruments{2}% -\debutmorceau -\autolines{14}{4}{4}% -%Takt 1 -\notes\zcharnote b{$\wedge$}\wh K&\uptext{\kern -1.5\Interligne - \bf II}\sdqb cd\Tqb fcd|\uptext{\moyen Andante}\Hpause\enotes -\temps\notes&\Tqb acd\sdqb cd|\sk\sk\sk\qu f\enotes -%Takt 2 -\barre\notes\hu F&\Sqb acdfda|\hu h\enotes -\temps\notes\hu H&\Qqb {=b}ceca|\hu g\enotes -%Takt 3 -\autolines{13}{4}{4}% -\barre\notes\hu K&\Qqb acdaM|\hup f\enotes -\temps\notes\hu J&\Sqb acdfda|\sk\sk\sk\qu h\enotes -%Takt 4 -\def\atnextline{\autolines{13}44}% -\barre\notes\qu I&\sdqb{=e}f|\qu k\enotes -\temps\notes\qu H&\sdqb fc|\qu j\enotes -\temps\notes\qu G&\sdqb cd|\qu i\enotes -\temps\notes\qu F&\sdqb da|\qu h\enotes -%Takt 5 -\barre\notes\hu H&\sdqb{=b}c|\qu h\enotes -\temps\notes &\Tqb eca|\qu g\enotes -\temps\notes\qu K&\sdqb{=N}a|\qu f\enotes -\temps\notes\qu F&\Tqb daM|\qu f\enotes -%Takt 6 -\barre\notes\hu G&\Qqb{=a}bdbL|\hu e\enotes -\temps\notes\hu H&\Qqb {=b}cec{_a}|\hu g\enotes -%Takt 7 -\barre\notes\dnu KJ&\Qqb{=N}adaM|\hu f\enotes -\temps\notes\dnu IH&\sdqb cd\sdqb da|\soupir\sk\sk\qu f\enotes -%Takt 8 -\barre\notes\hup G&\Qqb {=a}bdbL|\hu e\enotes -\temps\notes\sk\sk\sk\ql N&\Qqb{=b}cedc|\hu i\enotes -%Takt 9 -\barre\notes\dnb ML&\Qqb{=b}cfc{=a}|\hu{=h}\enotes -\temps\notes\dnb KJ&\sdqb ae\sdqb ea|\sk\sk\sk\qu f\enotes -%Takt 10 -\barre\notes\dnu IH&\sdqb{=e}f\sdqb fc|\dnu kj\enotes -\temps\notes\dnu GF&\sdqb cd\Tqb fd{_a}|\dnu i{_h}\enotes -%Takt 11 -\barre\notes\hu H&\Qqb{=b}ceca|\dnu hg\enotes -\temps\notes\dnu DF&\Qqb{=N}adad|\dnu fh\enotes -%Takt 12 -\advance\linesinpage by -1\relax - % -\barre\notes\hu G&\Qqb{=a}bdb{_N}|\hu f\enotes -\temps\notes\hu H&\Qqb N{_a}caN|\hu e\enotes -\def\atnextline{\sanspedale\def\nbinstruments{2}\savemeters}% - % -%Takt 13 -\barre\notes\zcharnote B{\kern -2\Interligne\rm(P\'ed.)}\zhl K\relax - \raise 2\Interligne\sdqb Ma\sdqb aM|\cu d\sk\ds\itenl1d\qu d&\Hpause\enotes -\temps\notes\cl a\sk\ds|\tten1\Tqh dcd&\soupir\enotes -\temps\notes\zcharnote C{\bf I \rm(G.O.)}\soupir|\Tqh fda&\relax - \zmid{Verbe \'e-}\clp M\sk\ccl M\enotes -%Takt 14 -\barre\notes\hu F|\Qqh cdfda&\zmid{gal}\hl a\enotes -\temps\notes\hu H|\Qqh {=b}ceca&\zmid{au}\qlp N\sk\sk\sk\zmid{Tr\`es-}\sk\cl N\enotes -%Takt 15 -\barre\notes\hu K|\Qqh acdaM&\zmid{Haut}\hlp M\enotes -\temps\notes\hu J|\Sqh acdfda&\sk\sk\sk\zmid{notre}\qll Ma\enotes -%Takt 16 -\barre\notes\qu I|\sdqh{=e}f&\zmid{u-}\qll Md\enotes -\temps\notes\qu H|\sdqh fc&\zmid{ni-}\zq M\ql c\enotes -\temps\notes\qu G|\sdqh cd&\zmid{que es-}\zq K\ql b\enotes -\temps\notes\qu F|\sdqh da&\zmid{p\'e}\zq a\ql a\enotes - %\check -%Takt 17 -\def\atnextline{\sanspedale\def\nbinstruments{3}\savemeters}% -\barre\notes\hu H|\Qqh aceca&\zmid{ran-}\zql a\hu c\sk\sk\ql N&\Pause\enotes -\temps\notes\dnu DF|\Qqh acdaM&\zmid{ce}\zq M\ql d\sk\sk\zmid{Jour}\zq M\ql d\enotes - %\check -%Takt 18 -\barre\notes\hu G|\Qqh bdedb&\zmid{\'e-}\zh L\hl d&\Pause\enotes -\temps\notes\hu H|\Qqh NcecN&\zmid{ter-}\zh N\hl c\enotes - %\check -%Takt 19 -\barre\notes\wh I|\Qqh MbdbM&\zmid{nel}\zh M\hl d&\Hpause\enotes -\temps\notes|\Sqh bcdfdb&\zmid{de}\zq M\ql d\sk\sk - \zmid{la}\zq M\ql d&\soupir\sk\sk\zmid{De}\qu f\enotes - %\check -%Takt 20 -\barre\notes\wh H|\Qqh cdfda&\zmid{terre}\hll Md&\zmid{la}\qu h\sk\sk - \zmid{pai-}\qu h\enotes -\temps\notes|\Qqh NdedN&\zmid{et}\zq L\ql d\sk\sk - \zmid{des}\zq M\ql c&\zmid{si-}\qu g\sk\sk - \zmid{ble}\qu g\enotes - %\check -%Takt 21 -\barre\notes\hu K|\Qqh MadaM&\zmid{cieux,}\zh K\hlp d&\zmid{nuit,}\hup f\enotes -\temps\notes\hu J|\Sqh acdfda&\hl J\sk\sk\zmid{nous}\qu a&\sk\sk\sk - \zq f\qu h\enotes - %\check -%Takt 22 -\barre\notes\dnu IH|\sdqh{=e}f\sdqh fc&\zmid{rom-}\qll Ib\sk\sk - \zmid{pons}\qll Hd&\quu fk\sk\sk\quu fj\enotes -\temps\notes\dnu {=G}J|\sdqh bf\sdqh eb&\zmid{le}\qll {=G}d\sk\sk - \zmid{si-}\qll Jc&\quu fi\sk\sk\quu {=e}j\enotes - %\check -%Takt 23 -\barre\notes\hup F|\Qqh {=N}c{=e}cN&\zmid{len-}\hll Fc&\huu {=e}i\enotes -\temps\notes\sk\sk\sk\qu J|\Sqh acfh{_e}c&\zmid{ce,}\qll Mc\sk\sk - \zmid{Di-}\qll Je&\quu fh\sk\sk\quu hj\enotes - %\check -%Takt 24 -\barre\notes\hu K|\Qqh bfhfb&\zmid{vin}\hll Kf&\zhu i\qsk\hl h\enotes -\temps\notes\hu L|\Qqh bd{=g}db&\zmid{Sau-}\hll Lb&\zh{=g}\hu k\enotes - %\check -%Takt 25 -\barre\notes\Dnu a{=N}|\sdqh ce\ds\rq c\dqh b{=e}\relax - &\zmid{veur,}\qll aa\sk\sk\qll{=N}b&\zhup j\dnb e{=e}\enotes -\temps\notes\Dnu ML|\ds\zq a\dqh cf\ds\zq{=a}\dqh c{_g}&\relax -\qll Ma\sk\sk\zmid{jet-}\qll L{=a}&\ql f\sk\sk\quu{_g}j\enotes - %\check -%Takt 26 -\barre\notes\Hu K|\Qqh bdfdb&\zmid{te}\zh K\hlp b\sk\sk\zmid{sur}\relax - &\zhl f\qu i\sk\sk\qu i\enotes -\temps\notes\Hu L|\Qqh bd{=g}db&\hl L\sk\sk\qu b&\zhl{=g}\qu k\sk\sk\qu k\enotes - %\check -%Takt 27 -\barre\notes\Hu{=L}|\Qqh c{=g}igc&\zmid{yeux,}\hll {=L}b&\zhl{=g}\hup j\enotes -\temps\notes\zq F\dnu MH|\Qqh ch{_g}ca&\quu Ma\sk\sk\zmid{Di-}\qll ac\relax - &\ql h\sk\sk\lfl g\zqu h\qsk\ql g\enotes - %\check -%Takt 28 -\barre\notes\Dnu KM|\sdqh fk\zq{=h}\Tqh jfe&\zmid{vin}\qll Kd\sk\sk\quu M{=a}\relax - &\Ilegu1q\zhl f\qu m\sk\sk\qu j\sk\tleg1\enotes -\temps\notes\Dnu ba|\Qqh di{_j}f{=d}&\zmid{Sau-}\qll bb\sk\sk\quu a{=d}&\relax - \Ilegu1q\quu fk\sk\sk\quu {_j}m\sk\tleg1\enotes - %\check -%Takt 29 -\barre\notes\Dnu{=N}{=L}|\Qqh ei{=g}{_d}i&\zmid{veur}\qll {=N}e\sk\sk - \zmid{jet-}\qll {=L}b&\quu il\sk\sk\quu {=g}k\enotes -\temps\notes\Dnu{M}{=K}|\Qqh chfca&\zmid{te}\qll Ma\sk\sk - \zmid{sur}\qll {=K}a&\quu hj\sk\sk\quu fj\enotes - %\check -%Takt 30 -\barre\notes\zh E\hu L|\Qqh c{=g}ec{=N}&\zmid{nous}\hll L{=N}&\huu ej\enotes -\temps\notes\hu E|\Qqh dgedN&\zmid{les}\hll LN&\huu di\enotes - %\check -%Takt 31 -\barre\notes\hu H|\Qqh cehec&\zmid{yeux !}\hll Ha&\huu ch\enotes -\temps\notes\Hpause|\Tqh e{=g}h\zqu j\Tqb jgh&\Hpause - &\Hpause\enotes - %\check -%Takt 32 -\barre\notes\hu J|\zhu l\Qqb{=g}hjgh&\Pause&\Pause\enotes -\temps\notes\hu L|\zhu k\raise -\interligne\ds\dqb{^f}g\Tqb ifg\enotes -\def\atnextline{\sanspedale\def\nbinstruments{1}}% - %\check -%Takt 33 -\advance\linesinpage by -1\relax - % -\barre\notes\hl a|\zhup j\raise -\interligne\ds\dqb e{=g}\Tqb hec\enotes -\temps\notes\hl{=N}|\Tqb egh\zqu l\sdqb jh\enotes - %\check -%Takt 34 -\barre\notes\dnb ML|\bigaccid\zqu o\sdqb{=i}j\bigaccid\zqu{=n}\sdqb kj\enotes -\temps\notes\dnb KJ|\bigaccid\zqu m\sdqb{=g}h\zqu l\sdqb ih\enotes - %\check -%Takt 35 -\barre\notes\dnu IL|\zqu l\sdqb fh\zqu k\raise -\Interligne\ds\dqb e{=g}\enotes -\temps\notes\dnu HJ|\zqu j\raise -2\Interligne\ds\dqb eg\zqu j\Tqb heh\enotes - %\check -%Takt 36 -\barre\notes\hl K|\zhu i\raise -2\Interligne\ds\dqb fh\Tqb dfh\enotes -\temps\notes\hl L|\zhu k\raise -2\Interligne\ds\dqb e{=g}\Tqb ieg\enotes - %\check -\def\atnextline{\quatreinstruments\savemeters}% - %\check -%Takt 37 -\barre\notes&\hl{=L}|\zhu j\raise -2\Interligne\ds\dqb {=g}i\Tqb {=e}gi&\Pause - &\Pause\enotes -\temps\notes\soupir\sk\sk\qu J&\dnb Mc|\Sqh cfhjeh\enotes - %\check -%Takt 38 -\barre\notes\hl K&\hl b|\Qqh fhifh&\Pause&\Pause\enotes -\temps\notes\hl L&\hl d|\Qqh e{=g}ieg\enotes - %\check -%Takt 39 -\barre\notes\wh H&\hlp c|\Qqh e{=g}hec&\Hpause&\Hpause\enotes -\temps\notes&\uptext{\bf II}\sk\sk\sk\soupir|\Sqh eghjhe&\soupir\sk\sk - \zmid{R\'e-}\qll Ha&\soupir\sk\sk\quu ej\enotes - \ifx\mxversion\undefined\hskip -\Interligne\fi % only with MusiCTeX, not MusiX -\cleftoksii{0000}\changeclefs - %\check -%Takt 40 -\barre\notes\hu H&\Qqh eecee|\zh h\hu j&\zmid{pands}\hll Ha&\huu ej\enotes -\temps\notes\hu I&\Qqh ddbdd|\zh f\hu i&\zmid{sur}\hll IM&\huu di\enotes - %\check -%Takt 41 -\barre\notes\wh J&\Qqh cc{=N}cc|\lna e\zq e\qu{=g}\sk\sk\qu e&\relax - \zmid{nous}\qll J{=L}\sk\sk - \zmid{le}\qll Jc&\quu c{=g}\sk\sk\zq c\qu {=e}\enotes -\temps\notes&\Qqh ccbcc|\zq{=d}\qu f\sk\sk\zq e\qu g&\zmid{feu}\qll -Jb\sk\sk\zmid{de la}\zq J\cl b\sk\zq J\cl b&\zq {=d}\qu f\sk - \sk\zq{=e}\cu h\sk\zq e\cu h\enotes - %\check -%Takt 42 -\barre\notes\wh M&\sdqh cc\sdqh cc|\zq f\qu h\sk\sk\zq f\qu h&\zmid{gr\^a-}\zhl -M\qu a\sk\sk\ql f&\huu fh\enotes -\temps\notes&\Qqh ffeff|\zq{=g}\qu i\sk\sk\zq{=h}\qu j&\zmid{ce}\qll Mf\sk\sk - \zmid{puis-}\qll Me&\zq {=g}\qu i\sk\sk\zq {=h}\qu j\enotes - %\check -%Takt 43 -\barre\notes\wh I&\Qqh ffeff|\zh{=h}\hu j&\zmid{gr\^a}\hll Ie&\zh h\hu j\enotes -\temps\notes&\Qqh ffiff|\zq i\qu k\sk\sk\zcharnote{n}{\bf I\rm(G.O.)}\soupir - &\zmid{te,}\qll Id\sk\sk\zmid{que}\qll bf&\zq i\qu k\sk\sk\zq i\qu k\enotes - %\check -%Takt 44 -\barre\notes\hl b&\Qqh ffdff|\zh i\hu k&\zmid{tout}\hll bf&\huu ik\enotes -\temps\notes\hl L&\Qqh eecee|\zh{_g}\hu j&\zmid{l'en-}\hll Le&\zh{_g}\hu j\enotes - %\check -%Takt 45 -\barre\notes\wh M&\Qqh ccfcc|\zh f\hu{=h}&\zmid{fer,}\qll Mc\sk\sk - \zmid{que}\qll Mf&\quu f{=h}\sk\sk\quu fh\enotes -\temps\notes&\Qqh ffeff|\zq{=g}\qu i\sk\sk\zq h\qu j&\zmid{tout}\qll {=N}f\sk\sk - \zmid{l'en-}\qll {=a}e&\quu fi\sk\sk\quu fj\enotes - %\check -%Takt 46 -\barre\notes\wh b&\Qqh ffiff|\zh i\hl k&\zmid{fer}\qll bd\sk\sk - \zmid{fuie}\ql b&\quu fk\sk\sk\quu ik\enotes -\temps\notes&\Qqh iihii|\zq j\ql l\sk\sk\zq{=k}\ql m&\zmid{au}\lq c\ql b\sk\sk - \zmid{son}\qll b{=d}&\quu il\sk\sk\qll hm\enotes - %\check -%Takt 47 -\barre\notes\wh L&\Qqb iihii|\zh{=k}\hl m\zcharnote m{\bf II \rm(Pos.)}\relax - &\zmid{de}\zqp L\qlp{=d}\sk\sk\sk\zmid{ta}\relax - \zq L\cl d&\zhp h\hup m\sk\sk\sk\zq g\cu n\enotes -\temps\notes&\sdqb ig\Tqb ebe|\zq l\cl n\sk\ds\sk\soupir&\zmid{voix}\qll Le\sk - \sk\soupir&\quu gn\sk\sk\zmid{Dis-}\quu in\enotes -\cleftoksii{6000}\changeclefs - %\check -%Takt 48 -\barre\notes\itenl0F\wh F&\Hpause|\sdqh{c}f\zql g\Tqh geb&\soupir\sk\sk - \zmid{Dis-}\qll bg&\Ilegu1o\zmid{si}\quu {=h}m\sk\sk\quu ej\tleg1\enotes -\temps\notes&\soupir\sk\sk\ql N|\zql f\Tqh fc{=h}\zql i\Tqh iec&\relax - \zmid{si-}\qll{=a}f\sk\sk\zmid{pe}\qll{N}e&\zq e\hu j\sk\sk\qu i\enotes -\def\atnextline{\sanspedale\savemeters}% - %\check -%Takt 49 -\barre\notes\tten0\zhl F\zhlp M\qsk\zcharnote D{\it(Ped.)}\relax - |\zhu h\raise -3\Interligne\ds\dqb ce\tQb fce\relax - &\zmid{le}\qll Me\sk\sk\zmid{som-}\zql M\noteskip=1.5\noteskip\dqh dc\relax - &\zq j\zqu{=h}\noteskip=1.5\noteskip\sk\sk\zql h\dqh kl\enotes -\temps\notes\ql I\sk\sk\soupir|\Sqh idfifd&\zmid{meil}\qll Id\sk\sk\soupir - &\quu ik\sk\sk\zmid{d'une}\quu fk\enotes - %\check -%Takt 50 -\barre\notes\itenl1J\wh J\sk\sk\ql d|\sdqh{=e}{=g}\zql f\Tqh fgi&\soupir - \sk\sk\zmid{lan-}\qll Md&\zmid{\^a-}\quu{=e}j\sk\sk\zmid{me}\quu d{=g}\enotes -\temps\notes\ql c\sk\sk\itenu2b\ql b|\bigaccid\zql{=e}\Tqh egi\ds\zq d\dqh fg\relax - &\qll{=L}c\sk\sk\zmid{guis-}\qll{_K}b&\zmid{lan-}\quu bg\sk\sk\rq g\qu f\enotes - %\check -%Takt 51 -\barre\notes\tten1\zhl J\tten2\ql b\sk\sk\noteskip=1.5\noteskip\dqh{=a}{=N}\relax - |\ds\zq c\dqh{=e}{=g}\Tqh{=h}ei&\zmid{san-}\zhl J\ql b\sk\sk\noteskip - =1.5\noteskip\dqb {=a}{=N}&\zhl{=e}\qu{=g}\sk\sk\noteskip=1.5\noteskip - \dqh{=h}i\enotes -\temps\notes\zcl M\cu a\sk\ds\zq F\qu M|\Qqh cfhfc&\zmid{te,}\qll Fa\sk - \sk\zmid{qui}\ql M&\quu fh\sk\sk\soupir\enotes - %\check -%Takt 52 -\barre\notes\Hu b|\Qqh dfifd&\hl b\sk - \zmid{qui}\sk\qu b&\hpause\enotes -\temps\notes\Hu{_a}|\Qqh cfjfc&\zmid{la}\zhl a\ql f\sk - \sk\zmid{con-}\ql f&\soupir\sk\sk\qu f\enotes - %\check -%Takt 53 -\barre\notes\Hu N|\Qqh fiebe&\zmid{duit}\zhl N\ql f\sk\sk\ql e\relax - &\hlp i\sk\sk\qu i\enotes -\temps\notes\Dnu MK|\Qqh dfifb&\zmid{\`a}\qll Md\sk\sk\zmid{l'ou-}\qll Kf\relax - &\qu m\sk\sk\qlu ii\enotes - %\check -%Takt 54 -\barre\notes\Hu L|\Qqh cgigc&\zmid{bli}\hll Lb&\rq j\qu i\sk\sk\noteskip - =1.5\noteskip\rq j\cu i\rq j\cu i\enotes -\temps\notes\Hu M|\Qqh ce{=h}ec&\zmid{ de}\zql M\noteskip=1.5\noteskip - \dqh fe\zmid{tes}\dqh dc&\quu {=h}j\sk\sk\noteskip=1.5\noteskip - \zq h\cu k\zq h\cu l\enotes - %\check -%Takt 55 -\barre\notes\Hu N|\Qqh d{=h}igd&\zmid{lois,}\zhl N\ql c\sk\sk\ql b\relax - &\quu{=h}l\sk\sk\quu ik\enotes -\temps\notes\zmidtwotext{\kern -2\Interligne\bf I \rm(G.O.)}\Dnu ML|\relax - \Qqh df{=h}fc&\soupir\sk\sk\ql M&\Hpause\enotes - %\check -%Takt 56 -\barre\notes\Hu K\zcharnote I{(+P\'ed.)}|\sdqh bf\itenu1i\zqu i\Tqb ifb&\hl b\sk - \zmid{qui}\sk\qu b&\hpause\enotes -\temps\notes\Hu J\zcharnote I{(+P\'ed.)}|\tten1\zqu i\raise -2\Interligne\ds - \dqb bf\zqu {_h}\qsk - \Tqb ifb&\zmid{la}\qll bf\sk\sk\zmid{con-}\qll af&\soupir\sk\sk\qu f\enotes - \def\atnextline{\quatreinstruments}% - %\check -%Takt 57 -\barre\notes\wh I&\hu I|\zhu g\raise -5\Internote\ds\dqb bf\Tqb ifb\relax - &\zmid{duit}\zhl N\ql f\sk\sk\ql e&\hlp i\sk\sk\qu i\enotes -\temps\notes&\Hl b|\zqu f\raise -6\Internote\ds\dqb df\zqu i\Tqb ifd\relax - &\zmid{\`a}\qll Md\sk\sk\zmid{l'ou-}\qll bd&\qu m\sk\sk\quu fk\enotes - %\check -%Takt 58 -\barre\notes\hu H&\Hl a|\itenu1j\zh h\zhu j\raise -3\Interligne\ds - \dqb ce\Tqb ece&\zmid{bli}\hll ac&\quu hl\sk\sk\noteskip=1.5\noteskip - \zq h\cu l\zq h\cu l\enotes -\temps\notes\hu G&\Hl N|\tten1\rh i\zhu j\raise -3\Interligne\ds - \dqb ce\Tqb ece&\zmid{de}\qll Nb\sk\sk\zmid{tes}\qll Nb&\quu il\sk\sk - \noteskip=1.5\noteskip\zq i\cu k\zq i\cu l\enotes - %\check -%Takt 59 -\barre\notes\hu F&\zw F\wh M|\zq{=h}\zqu j\raise -3\Interligne\ds - \dqb c{=e}\Tqb fc{=a}&\zmid{lois !}\zhp M\hl c&\huu {=h}m\enotes -\temps\notes\Hpause&\zmidtwotext{\bf II \rm(Pos.)}|\Sqh cefhfc&\sk - \sk\sk\zmid{\^O}\ql M&\Hpause\enotes -\def\atnextline{\sanspedale}% - %\check -%Takt 60 -\barre\notes\Pause - &\hu F|\Qqh cdfd{_a}&\zmid{Christ sois}\dnb aa&\Pause\enotes -\temps\notes&\hu H|\Qqh {=b}c{_e}ca&\zmid{fa-\ \ \ \ vo-}\dnb NN\enotes - %\check -%Takt 61 -\barre\notes\hu K|\Qqh acdaM&\zmid{ra-}\hl M&\Pause\enotes -\temps\notes\hu J|\Sqh acdfda&\zmid{ble \`a}\ql M\sk\sk\zmid{\ ce}\zql M\cu -a\sk\cu a\enotes - %\check -%Takt 62 -\barre\notes\dnu IH|\sdqh{=e}f\sdqh fc&\zmid{peu-}\zhl M\qu d\sk - \sk\qu c&\Pause\enotes -\temps\notes\qu G|\sdqh cd&\zmid{ple}\qll Kb\enotes -\temps\notes\qu F|\sdqh da&\zmid{fi-}\qll aa\enotes - %\check -%Takt 63 -\barre\notes\hu H|\sdqh ac\Tqh eca&\relax - \Ilegl1F\zmid{d\`e-}\zql a\hu c\sk\sk\ql N\tleg1&\Pause\enotes -\temps\notes\qu D|\sdqh ac&\zmid{le}\qll Md&\enotes -\temps\notes\qu F|\Tqh daM&\zmid{pour}\qll Md\sk\sk\enotes - %\check -%Takt 64 -\barre\notes\hu G|\Qqb bdedb&\zmid{te}\hll Ld&\Pause\enotes -\temps\notes\hu H|\Qqb NcecN&\zmid{b\'e-}\hll Nc\enotes - %\check -%Takt 65 -\barre\notes\wh I|\Qqh MbdbM&\zmid{nir}\hll Md&\Hpause\enotes -\temps\notes|\Sqh bcdfdb&\zmid{main-}\qll Md\sk\sk\zmid{te-}\qll Md&\relax - \soupir\sk\sk\zmid{Re-}\qu f\enotes -%Takt 66 -\barre\notes\wh H|\zh f\zhu h\raise -4\Interligne\ds\dqb ac\Tqb dad&\relax - \zmid{nant}\hll Md&\zmid{\c cois}\ql h\sk\sk\zmid{\c les}\ql h\enotes -\temps\notes|\zh e\zhu g\raise -4\Interligne\ds\dqb ac\Tqb dad&\relax - \zmid{ras-}\qll Ld\sk\sk\zmid{sem-}\qll Lc&\zmid{chants}\ql g\sk\sk - \zmid{qu'il}\ql g\enotes - %\check -%Takt 67 -\barre\notes\zql D\sdqh ac\zql H\Tqh daM|\zh d\zhu f&\relax - \zmid{bl\'e,}\zw d\ql K\sk\sk\qu H&\zmid{of-}\hu f\enotes -\temps\notes\dnb KJ|\Sqh adfhfd&\ql K\sk\sk\ql J&\zmid{re}\hl f\sk - \sk\zmid{Re-}\qu h\enotes - %\check -%Takt 68 -\barre\notes\wh I|\sdqh ad\zqu h\Tqb fda&\zmid{chants}\zhl I\raise\Interligne - \soupir\sk\sk - \qu a&\zmid{\c cois}\zhlp f\qu k\sk\sk\zmid{les}\qu j\enotes -\temps\notes|\zqu k\Tqb fdf\zqu j\Tqb hfd&\zmid{qu'il}\zhl I\ql d\sk\sk\ql c&\relax - \zmid{chants}\qu i\sk\sk\zmid{qu'il}\quu fh\enotes - %\check -%Takt 69 -\barre\notes\qsk\dnu LI|\zhu i\qsk\tQb hbe\Tqb heb&\zmid{offre}\zql L\hu b\sk - \sk\zmid{\`a}\ql I&\zmid{of-}\zh e\hu h\enotes -\temps\notes\dnu LK|\zqu i\Sqb gbegeb&\zmid{ta}\zql L\hu b\sk\sk - \zmid{gloi-}\ql K&\zmid{fre,}\zq e\qu g\sk\sk\zmid{\`a}\qu i\enotes - %\check -%Takt 70 -\barre\notes\zmidtwotext{\kern -\Interligne\bf I \rm(G.O.)}\wh J|\sdqb be\zqu i\Tqb geb\relax - &\zmid{ta}\zhl J\raise\Interligne\soupir\sk\sk\zmid{gloire}\qu b\relax - &\zhlp g\qu l\sk\sk\qu k\enotes -\temps\notes|\zqu l\Tqb geg\zqu k\Tqb ige&\zmid{im-}\zhl J\ql e\sk\sk - \zmid{mor-}\ql d&\qu j\sk\sk\quu gi\enotes - %\check -%Takt 71 -\barre\notes\qsk\Dnl MJ|\zhu j\qsk\tQb icf\Tqb ifc&\zmid{tel-}\zql M\hl c\sk\sk - \ql J&\zh f\hu i\enotes -\temps\notes\Dnl ML|\zqu j\tQb hcf\itenu1h\zqu h\qsk\Tqb gca&\zmid{le,}\relax - \qll Mc\sk\sk\zmid{et}\qll Lc&\zq f\qu h\sk\sk\rq h\qu g\enotes - %\check -%Takt 72 -\barre\notes\Dnl KM|\tten1\zqu h\tQb fdf\zqu{=h}\tQb ece&\zmid{de}\qll Kd\sk\sk - \qll M{=a}&\zhl f\qu m\sk\sk\qu j\enotes -\temps\notes\Dnl ba|\zqu i\Tqb dfd\zqu{_j}\tQb f{=d}f&\zmid{tex}\ql b\sk\sk - \qll {_a}{=d}&\zq f\qu k\sk\sk\zq{j}\qu m\enotes - %\check -%Takt 73 -\barre\notes\Dnl{=N}{=L}|\zqu i\tQb ebe\zqu{=g}\tQb{_d}bd&\zmid{dons}\qll {=N}e\sk - \sk\qll{=L}b&\zq i\qu l\sk\sk\zq{=g}\qu k\enotes -\temps\notes\Dnl M{=K}|\zqu h\tQb cac\zq h\zqu j\tQb fcf&\zmid{qu'il}\qll Ma\sk - \sk\qll{=K}a&\quu hj\sk\sk\quu fj\enotes - %\check -%Takt 74 -\barre\notes\zh E\hu L|\zh{=g}\zhu j\tQb ece\tQb ece&\zmid{tour-}\hll L{=N}\relax - &\huu ej\enotes -\temps\notes\zh{_D}\hu{_K}|\zh g\zhu i\raise -3\Interligne\ds - \dqb be\Tqb ebe&\zmid{ne}\zqp{_K}\qlp N\sk\sk\sk\zmid{com-}\zq K\cl N&\zqp e\qup i\sk - \sk\sk\zq e\cu i\enotes - %\check -%Takt 75 -\barre\notes\Hu J|\zhu h\raise -3\Interligne\ds\dqb ae\tQb eae\relax - &\hll Ja&\zh e\hup h\enotes -\temps\notes|\zcharnote n{\bf II}\sk\enotes -\temps\notes\hu K|\zhu{_j}\tQb fdf\Tqb hfd&\zmid{Et}\hll K{_c}&\hu f\sk - \sk\ql h\enotes - %\check -%Takt 76 -\barre\notes\dnu GI|\zqu i\raise -3\Interligne\ds\dqb dg\zqu h\relax - \raise -3\Interligne\ds\dqb {=d}f&\zmid{de}\qll Gd\sk\sk\qll Ia&\zq d\qu i\sk - \sk\zq{=d}\qu f\enotes -\temps\notes\dnb L{_K}|\zqu{_g}\raise -3\Interligne\ds - \dqb be\zq{=g}\zqu i\tQb gb{=e}&\zmid{tes}\qll LN\sk\sk\qll K{=N}&\relax - \zq d\qu g\sk\sk\zq{=f}\qu i\enotes - %\check -%Takt 77 -\def\atnextline{\quatreinstruments\savemeters}% - % -\barre\notes\Pause&\dnu JG|\zqu h\raise -3\Interligne\ds - \dqb a{_e}\zqu j\tQb {=h}eh&\zmid{dons}\qll Ja\sk\sk\qll Nc&\quu eh\sk\sk - \dfl i\quu il\enotes -\temps\notes\Pause&\dnu F{=G}\relax - |\zqu k\tQb {_h}fh\raise 2\Interligne\rlap{\ds}\Tqh bdb&\zmid{qu'il}\relax - \qll Md\sk\sk\zmid{re-}\qll {=N}b&\zq h\qu k\sk\sk\zq d\qu f\enotes - %\check -%Takt 78 -\barre\notes&\wh H|\Qqh acfca&\zmid{tour-}\hll aa&\zh c\hu h\enotes -\temps\notes&|\Qqh NcecN&\zmid{ne}\zqp H\qlp{_N}\sk\sk\sk - \zmid{com-}\zq H\cl N&\zqp c\qup e\sk\sk\sk\cu d\enotes - %\check - %Takt 79 -\barre\notes\zcharnote b{$\wedge$}\hl K&\zmidtwotext{\bf III - \rm(r\'ecit)}\sdqb Ma\Tqb daM|\sk\hpause&\zmid{bl\'e !}\zhp K\hlp M\relax - &\hup d\enotes -\temps\notes\hpause&\Tqb acd\sdqb da|\soupir\sk\sk\qu f&\sk\sk\sk\soupir - &\sk\sk\sk\soupir \enotes - %\check - %Takt 80 -\barre\notes\hu F&\Qqb cdfda|\hu h&\Pause&\Pause\enotes -\temps\notes\hu G&\Qqb {=a}bdbN|\hu g\enotes - %\check - %Takt 81 -\barre\notes\itenl1H\wh H&\Qqb {=N}adaM|\hup f&\Hpause&\Hpause\enotes -\temps\notes&\Sqb acdfda|\sk\sk\sk\soupir&\soupir\sk\sk -\zmid{Et}\qll Ha&\soupir\sk\sk\zq d\qu f\enotes - %\check - %Takt 82 -\barre\notes\tten1\wh H&\Qqb NdedN|&\zmid{de}\zhl H\dnu NM&\zhu e\qsk\hl d\enotes -\temps\notes&\Qqb NcecN|&\zmid{tes}\hll HL&\huu cg\enotes - %\check - %Takt 83 -\barre\notes\wh K&\Qqb MadaM|&\zmid{dons}\zhp K\hlp M&\zhp d\hup f\enotes -\temps\notes&\Tqb acd\sdqb da|\soupir\sk\sk\qu f&\sk\sk\sk\soupir - &\sk\sk\sk\soupir\enotes - %\check - %Takt 84 -\barre\notes\hu{=H}&|\zqu k\Tqb efe\zqu j\Tqb fef&\Pause&\Pause\enotes -\temps\notes\dnu IJ&|\zqu i\Tqb dfd\zqu h\tQb fcf&\enotes - %\check - %Takt 85 -\barre\notes\dnu KL&|\zqu h\Tqb cfc\zqu g\tQb ebe&\Hpause&\Hpause\enotes -\temps\notes\dnu MF&\Sqb {=a}cMd{_a}M|\qu f\sk\sk\soupir - &\zmid{qu'il}\qll F{=a}\sk\sk - \zmid{re-}\qll F{_a}&\zq c\qu f\sk\sk\zq d\qu {_h}\enotes - %\check - %Takt 86 -\barre\notes\wh G&\Qqh MbdbM|&\zmid{tour-}\zw G\wh b&\zw d\wh f\enotes -\temps\notes&|\Tqh bdf\zq i\cu k\ds\enotes - %\check - %Takt 87 -\barre\notes\wh H&\sdqh Na|\sk\sk\sk\Tqh ceg&\zmid{ne}\relax - \zhlp H\hup N&\zhp c\hup e\enotes -\temps\notes&|\zq h\cu j\sk\ds\soupir&\sk\sk\zmid{com-}\qll HN\relax - &\sk\sk\quu dd\enotes - %\check - %Takt 88 -\barre\notes\itenl1K\wh K&|\Qqh acdaM&\relax - \zmid{bl\'e}\itenl0K\itenu3M\zw K\wh M&\itenl4d\wh d\enotes -\temps\notes&|\Tqb acd\itenu2f\zqu f\Tqb fda\enotes - \advance\barsinline by -1\relax % accepter une mesure de plus - %\check - %Takt 89 -\barre\notes\tten1\wh K&|\tten2\zw {Mad}\wh f\sk - &\tten0\tten3\zw K\wh M&\tten4\wh d\enotes -\finmorceau -\bye - diff --git a/musixtex/doc/examples/recit.tex b/musixtex/doc/examples/recit.tex deleted file mode 100644 index be717f9..0000000 --- a/musixtex/doc/examples/recit.tex +++ /dev/null @@ -1,416 +0,0 @@ -\ifx\mxversion\undefined - \input musixtex - \input musixcpt - \input musixsty -\fi -\title{R\'ecit} -\fulltitle{II. R\'ecit} -\csname titremorceautoc\endcsname -\subtitle{\sl (pour orgue)} -\othermention{Compos\'e en 1990} -\fullauthor{Daniel TAUPIN\\organiste \`a Gif-sur-Yvette} -\maketitle - -\tracingstats=2\relax -% -\nbporteesii=2\relax -\def\nbinstruments{2} -\global\cleftoksii={{0}{0}{0}{0}}% -\global\cleftoksi={{6}{0}{0}{0}}% -% -\signaturegenerale{-2}\relax % deux bemols a la clef -\def\quatretemps{\generalmeter{\meterfrac{4}{4}}}% -\def\troistemps{\generalmeter{\meterfrac{3}{4}}}% -%\check -\def\instrumenti{P\'edale 16'}% -\def\instrumentii{\vbox{\hsize=\parindent\centerline{R\'ecit}\vskip 33pt - \centerline{G.O.}}}% -%\check -\def\gluemaxskip{7pt}% -% -% formes frequentes -% deux croches hautes -\def\dqb#1#2#3{\ibl0{#2}{#1}\qb0{#2}\tbl0\qb0{#3}}% -\def\dqh#1#2#3{\ibu0{#2}{#1}\qh0{#2}\tbu0\qh0{#3}}% -% -\medskip\noindent{\rm G.O.: fonds 8' ou 8'+4' doux}% -\par\noindent{\rm R\'ec.: cornet ou cromorne}% -\par\noindent{\rm P\'ed.: 16', tirasse G.O.}% -\smallskip -% -\troistemps -% -\def\trioskip{\multiply\noteskip by 2\relax\divide\noteskip by 3\relax}% -\debutmorceau -% -\autolines 855\relax -\def\resp{\vnotes 0.2\elemskip&|\cbreath\enotes}% -%\check -% -\hyphenpenalty -50\relax -\NOtes&|\Uptext{ \hbox{\kern -16mm\moyen Adagio \bf(\metron{\qu}{60})}}\enotes -% mesure 1 -\advance\linesinpage by 1\relax -% -\NOtes\hu I&\zh{bd}\hu g|\qu d\enotes -\temps\NOtes&|\qu g\enotes -\temps\NOtes\qu H&\zq{ac}\qu{^f}|\qu h\enotes -%\check -% mesure 2 -\barre\NOtes\hu G&\zhp b\zh d\itenu1g\hup g|\hu i\enotes -\temps\NOtes&|\enotes -\temps\NOtes\qu J&\itenu2e\qu e|\itenl0i\qu i\enotes -%\check -% mesure 3 -\barre\NOtes\hu H&\zhp c\zhp e\tten2\tten1\hup g|\tten0\qu i\enotes -\temps\notes&|\dqh{-2}hg\enotes -\temps\notes\qu J&|\dqh{-2}ji\enotes -%\check -% mesure 4 -\barre\NOtes\hu K&\zh a\zh d\hu{^f}|\hu h\enotes -\temps\NOtes&|\enotes -\temps\NOtes\qu J&\soupir|\soupir\enotes -% mesure 5 -\barre\NOtes\hu I&\itenu0d\zh b\zh d\hu g|\qu d\enotes -\temps\NOtes&|\qu g\enotes -\temps\NOtes\qu H&\tten0\itenu0d\zq a\zq d\qu{^f}|\qu i\enotes -% mesure 6 -\autolines 755\relax -\barre\NOtes\hu G&\tten0\itenu1d\zhp b\zhp d\hup g|\hu k\enotes -\temps\NOtes&|\enotes -\temps\NOtes\qu I&|\qu k\enotes -%\check -% mesure 7 -\barre\NOtes\qu{=I}&\tten1\itenl1N\zqu d\zhp{=b}\hlp N|\qup m\enotes -\temps\notes&\qu{=f}|\sk\cu l\enotes -\temps\notes\qu G&\qu d|\dqh{-5}mk\enotes -%\check -% mesure 8 -\barre\NOtes\hup J&\tten1\zhl N\zhp c\hup e|\qup l\enotes -\temps\notes&|\sk\cu k\enotes -\temps\NOtes&\ql a|\qu j\enotes -% mesure 9 -\barre\notes\hl K&\zhp d\zhp{^f}\hup h|\dqh3kl\enotes -\temps\notes&|\dqh{-3}kj\enotes -\temps\notes\ql J&|\dqh{-3}ih\enotes -% mesure 10 -\barre\NOtes\hu I&\itenu1g\zh b\zhl d\hup g|\qup k\enotes -\temps\notes&|\sk\cu i\enotes -\temps\NOtes\qu J&\zq c\ql e|\qu g\enotes -% mesure 11 -\barre\NOtes\hu K&\tten1\zhl d\zhp g\hup i|\soupir\enotes -\temps\notes&|\dsoupir\cu d\enotes -\temps\notes\qu J&\ql e|\dqh7gj\enotes -% mesure 12 -\barre\NOtes\hup K&\zhp a\zh d\hup{^f}|\hup h\enotes -\temps\NOtes&|\relax\enotes -\temps\NOtes&\ql c|\relax\enotes -% mesure 13 -\barre\NOTes\hu G&\zh g\zh b\hu d|\hu g\enotes -\temps\NOtes\soupir&\soupir|\soupir\enotes -% -% mesure 14 -\barre\NOtes\hu I&\zh b\zh d\hu g|\qu d\enotes -\temps\NOtes&|\qu g\enotes -\temps\NOtes\qu H&\zq a\zq c\qu{^f}|\qu h\enotes -%\check -% mesure 15 -\barre\NOtes\itenl1G\hlp G&\itenu0d\zhu g\zhp b\hlp d|\hu i\enotes -\temps\NOtes&|\relax\enotes -\temps\NOtes&\itenl2N\ql N|\qu i\enotes -%\check -% mesure 16 -\barre\NOtes\tten1\hlp G&\tten2\tten0\itenl1N\zhp{=b}\zqu d\hlp N|\xTrille q{2\noteskip}\hu{=i}\enotes -\temps\NOtes&\qu{=f}|\relax\enotes -\temps\notes&\qu d|\ibu0i0\qh0i\noteskip=0.6\elemskip\relax\nbbu0\qh0h\tqh0i\enotes -%\check -% mesure 17 -\barre\NOtes\hu J&\tten1\zhl N\zhp c\hup e|\qup j\enotes -\temps\notes&|\sk\cu k\enotes -\temps\NOtes\qu H&\ql a|\qu l\enotes -%\check -% mesure 18 -\barre\NOtes\hlp K&\itenu1f\itenu2h\zhp d\zhp {^f}\hup h|\itenl0k\hlp k\enotes -\temps\NOtes&|\relax\enotes -\temps\NOtes&|\relax\enotes -% mesure 19 -\barre\notes\hup J&\tten1\tten2\zhp c\zhp{^f}\hup h|\tten0\dqb5k{^m}\enotes -\temps\notes&|\dqb3no\enotes -\temps\notes&|\dqb{-5}pn\enotes -% mesure 20 -\barre\notes\hup I&\zhp b\zhp d\hup g|\dqb6kn\enotes -\temps\notes&|\dqb3op\enotes -\temps\notes&|\dqb{-5}qo\enotes -% mesure 21 -\barre\notes\hup H&\zhp a\zhp c\hup{^f}|\dqb9ko\enotes -\temps\notes&|\dqb3pq\enotes -\temps\notes&|\dqb{-5}rp\enotes -% mesure 22 -\barre\notes\hup G&\itenl1N\zqu d\zhp N\hlp{=b}|\dqb3n{_o}\enotes -\temps\notes&\qu{=f}|\dqb{-3}nm\enotes -\temps\notes&\qu d|\dqb{-3}lk\enotes -% mesure 23 -\barre\NOtes\qu J&\tten1\zhp N\zhp c\hup e|\qup j\enotes -\temps\notes\qu H&|\sk\cl k\enotes -\temps\notes\qu J&|\dqb{-5}lj\enotes -% mesure 24 -\barre\notes\hu K&\zhp a\zhp d\hup{^f}|\dqb3kl\enotes -\temps\notes&|\dqb{-3}kj\enotes -\temps\notes\qu{^F}&|\dqb{-3}ih\enotes -% mesure 25 -\barre\NOtes\qu G&\zql b\zhp e\hup g|\qup g\enotes -\temps\notes\hu E&\hl c|\sk\cu h\enotes -\temps\notes&|\dqh3ij\enotes -% -% mesure 26 -\barre\NOtes\hup D&\zhl d\zhp{^f}\hup h|\hu h\enotes -\temps\NOtes&|\relax\enotes -\temps\notes&\ql c|\trioskip\ibl0d5\qbp0d\sk\tbbl0\tqb0k\enotes -% mesure 27 -\barre\NOtes\qu G&\itenu1d\itenu2g\zhp b\zhp d\hup g|\qlp k\enotes -\temps\notes\hu I&|\sk\cl l\enotes -\temps\notes&|\dqb5m{_o}\enotes -% mesure 28 -\barre\notes\hup{=I}&\tten1\tten2\itenu1g\zhl{=b}\zhp d\hup g|\dqb{-3}nm\enotes -\temps\notes&|\dqb{-3}lk\enotes -\temps\notes&\ql N|\dqb{-3}j{=i}\enotes -% mesure 29 -\barre\NOtes\hu J&\tten1\zh c\zh e\hu g|\ql k\enotes -\temps\notes&|\ql j\enotes -\resp -\temps\notes\qu H&\soupir|\trioskip\ibl0f5\qbp0f\sk\tbbl0\tqb0m\enotes -% mesure 30 -\barre\notes\hup F&\zhp a\zhp c\itenl1f\hup f|\dqb3mn\enotes -\temps\notes&|\dqb{-3}ml\enotes -\temps\notes&|\dqb{-3}kj\enotes -%\check -% mesure 31 -\barre\NOtes\qup I&\itenl3b\tten1\zhu f\zhp b\hlp d|\hl k\enotes -\temps\notes\sk\cu H&|\relax\enotes -\temps\NOtes\qu G&\itenl2g\qu g|\itenl0g\qu g\enotes -% mesure 32 -\barre\NOtes\hu E&\tten3\tten2\zhl b\zhp e\hup g|\tten0\qup g\enotes -\temps\notes&|\sk\cu d\enotes -\temps\notes\qu J&\ql c|\dqh7gj\enotes -% mesure 33 -\barre\NOtes\hu K&\zh d\zh{^f}\hu a|\hu h\enotes -\temps\Notes&|\relax\enotes -\resp -\temps\notes\qu J&\soupir|\trioskip\ibl0g5\qbp0g\sk\tbbl0\tqb0n\enotes -% mesure 34 -\barre\notes\hup{=I}&\itenu1g\zhp{=b}\zhp d\hup g|\dqb3n{_o}\enotes -\temps\notes&|\dqb{-3}nm\enotes -\temps\notes&|\dqb{-3}lk\enotes -% mesure 35 -\barre\notes\hup J&\tten1\itenl1c\zhp c\zhp e\hup g|\dqb{-3}ml\enotes -\temps\notes&|\dqb{-3}kj\enotes -\temps\notes&|\dqb3kl\enotes -% mesure 36 -\barre\notes\hup H&\tten1\itenu1f\zhp a\zhp c\hup f|\dqb3mn\enotes -\temps\notes&|\dqb{-3}ml\enotes -\temps\notes&|\dqb{-3}kj\enotes -% mesure 37 -\barre\notes\hu I&\tten1\zhl b\zq f\hup d|\dqh{-5}kg\enotes -\temps\notes&\qu{^f}|\dqh3{^f}g\enotes -\temps\notes\qu{=I}&\zqu{_h}\ql{=b}|\dqh3{=i}k\enotes -%\check -% mesure 38 -\barre\NOtes\hu J&\zhu g\zhp c\hlp e|\qu k\enotes -\temps\NOtes&|\qu j\enotes -\resp -\temps\notes\qu H&\qu{=h}|\trioskip\ibl0f5\qbp0f\sk\tbbl0\tqb0m\enotes -% mesure 39 -\barre\notes\hup F&\zhp a\zhp c\itenl1f\hup f|\dqb3mn\enotes -\temps\notes&|\dqb{-3}ml\enotes -\temps\notes&|\dqb{-3}kj\enotes -%\check -% mesure 40 -\barre\notes\hup I&\tten1\zhp f\zhp b\hup d|\dqh{-5}kg\enotes -\temps\notes&|\dqh3{^f}g\enotes -\temps\notes&|\dqh3{_i}k\enotes -%\check -% mesure 41 -\barre\notes\hup J&\itenu1c\itenu2e\zhp N\zhp c\hup e|\dqb3lm\enotes -\temps\notes&|\dqb{-3}lk\enotes -\temps\notes&|\dqb{-3}ji\enotes -% mesure 42 -\barre\notes\hup H&\tten1\tten2\itenl1a\zhp a\zhp c\hup e|\dqh3hi\enotes -\temps\notes&|\dqh{-3}hg\enotes -\temps\notes&|\dqh5hj\enotes -% mesure 43 -\barre\notes\hu K&\tten1\zhp a\zhp d\hup{^f}|\dqb3kl\enotes -\temps\notes&|\dqb{-3}kj\enotes -\temps\notes\qu{^F}&|\dqb{-3}ih\enotes -% mesure 44 -\barre\NOtes\qu G&\zql b\zhp e\hup g|\qup g\enotes -\temps\notes\hu E&\hl c|\sk\cu{^f}\enotes -\temps\notes&|\dqh8gj\enotes -% -% mesure 45 -\barre\NOtes\hup D&\zhp d\zhp{^f}\hup h|\xTrille p{3\noteskip}\hu h\enotes -\temps\NOtes&|\relax\enotes -\temps\NOtes&|\relax\enotes -%\check -% mesure 46 -\barre\NOtes\hup G&\zh b\zh d\hu g|\hu g\enotes -\temps\Notes&|\relax\enotes -\resp -\temps\notes&\soupir|\fl i\trioskip\ibl0i5\qbp0i\sk\tbbl0\tqb0p\enotes -%\check -% mesure 47 -\barre\notes\hup{=L}&\lna e\zhp e\zhp g\hup{_b}|\dqb{-3}p{_o}\enotes -\temps\notes&|\dqb{-3}nm\enotes -\temps\notes&|\dqb{-3}{=l}k\enotes -%\check -% mesure 48 -\barre\NOtes\hup M&\itenl1f\itenl2h\zhp f\zhp{_h}\hup c|\hu j\enotes -\temps\NOtes&|\relax\enotes -\temps\notes&|\trioskip\ibl0h5\qbp0{_h}\sk\tbbl0\tqb0{_o}\enotes -%\check -% mesure 49 -\barre\nspace\notes\hup K&\tten1\tten2\zhp d\zhp f\hup{_h}|\dqb{-3}{_o}n\enotes -\temps\notes&|\dqb{-3}m{_l}\enotes -\temps\notes&|\dqb{-3}kj\enotes -% mesure 50 -\barre\NOtes\hup L&\itenu1e\itenu2g\zhp b\zhp e\hup g|\hu i\enotes -\temps\NOtes&|\relax\enotes -\temps\notes&|\trioskip\ibl0e5\qbp0e\sk\tbbl0\tqb0l\enotes -% mesure 51 -\barre\notes\hup J&\tten1\tten2\zhp c\zhp e\hup g|\dqb{-3}lk\enotes -\temps\notes&|\dqb3jk\enotes -\temps\notes&|\dqb{-5}lj\enotes -%\check -% mesure 52 -\barre\notes\hup K&\itenu1d\zhp{ad}\hup{^f}|\dqb3hi\enotes -\temps\notes&|\dqb{-3}hg\enotes -\temps\notes&|\dqb5hj\enotes -%\check -% mesure 53 -\barre\notes\hup I&\tten1\zhp{bd}\hup g|\dqb3kl\enotes -\temps\notes&|\dqb{-3}kj\enotes -\temps\notes&|\dqb{-5}ki\enotes -% mesure 54 -\barre\notes\hup L&\itenu1c\itenu2e\zh{Nc}\hup e|\dqh3gh\enotes -\temps\notes&|\dqh{-3}g{^f}\enotes -\temps\notes&|\dqh5gi\enotes -% mesure 55 -\barre\notes\hup H&\tten1\tten2\itenl1a\zhp{ac}\hup e|\dqb3jk\enotes -\temps\notes&|\dqb{-3}ji\enotes -\temps\notes&|\dqb{-5}jh\enotes -% mesure 56 -\barre\notes\hup K&\tten1\itenu1d\zhp{ad}\hup{^f}|\dqh{-5}{^f}d\enotes -\temps\notes&|\dqh3ef\enotes -\temps\notes&|\dqh3gh\enotes -% mesure 57 -\barre\notes\itenl0G\hup G&\tten1\itenu1g\zhp{bd}\hup g|\dqh{-5}ig\enotes -\temps\notes&|\dqh3{^f}g\enotes -\temps\notes&|\dqh3hi\enotes -% mesure 58 -\barre\notes\tten0\itenl0G\hup G&\tten1\itenu1g\zhp{ce}\hup g|\dqh{-7}jg\enotes -\temps\notes&|\dqh5{^f}g\enotes -\temps\notes&|\dqh3ij\enotes -% mesure 59 -\barre\notes\tten0\hup G&\tten1\itenu1g\itenl2b\zhp{bd}\hup g|\dqh3kl\enotes -\temps\notes&|\dqh{-3}kj\enotes -\temps\notes&|\dqh{-3}i{_h}\enotes -%\check -% mesure 60 -\generalmeter{\meterfrac 24}% -\advance\elemskip by 1.5pt -\changecontext\notes\qu L&\itenu3e\tten1\tten2\zql b\zh e\hu g|\Uptext{\moyen pi\`u lento}\dqb5gi\enotes -\temps\notes\qu J&\itenl1c\ql c|\dqb3jk\enotes -%\check -% mesure 61 -\barre\NOTes\itenl0H\hu H&\tten1\tten3\itenl1a\zh a\zh c\hu e|\qlpp l\enotes -\temps\notes&|\ccl n\enotes -%\check -% mesure 62 -\barre\NOtes\tten0\hu H&\tten1\itenl1a\lna e\zh a\zh{^c}\hu e|\xTrille q{2\noteskip}\qup{^j}\enotes -\temps\notes&|\trioskip\sk\ibbl0i3\qb0i\tqb0j\enotes -%\check -% mesure 63 -\barre\NOTEs\pointdurgue G\hu K&\tten1\pointdorgue m\zh{ad}\hu{^f}|\pointdorgue m\hl k\enotes -% mesure 64 -\troistemps -\advance\elemskip by -1.5pt -\changecontext\NOtes\hu I&\soupir|\soupir\enotes -\temps\notes&\zq b\zql d\hu g|\dqh7dg\enotes -\temps\notes\qu L&\zq c\ql e|\dqh{-3}ji\enotes -% mesure 65 -\barre\NOTEs\hup K&\itenl0d\zhu h\zhp d\hlp{^f}|\Uptext{\moyen tempo primo}\xTrille o{\noteskip}\hu h\enotes -\temps\notes&\qu j|\dqb{-3}hg\enotes -% mesure 66 -\barre\NOTes\hu G&\tten0\zh{dg}\hu i|\hu g\enotes -\temps\notes\soupir&\soupir|\soupir\enotes -% mesure 67 -\barre\NOtes\hu I&\zh{bd}\hu g|\qu d\enotes -\temps\NOtes&|\qu g\enotes -\temps\NOtes\qu H&\zq{ac}\qu{^f}|\qu h\enotes -% mesure 68 -\barre\NOtes\hu G&\itenu1g\zhp b\zh d\hup g|\hu i\enotes -\temps\NOtes&|\relax\enotes -\temps\NOtes\qu I&\itenl2e\qu e|\itenl0i\qu i\enotes -% mesure 69 -\barre\NOtes\hu J&\tten1\tten2\zhl c\zhp e\hup g|\tten0\qu i\enotes -\temps\notes&|\dqh{-3}hg\enotes -\temps\notes\qu L&\ql a|\dqh{-3}ji\enotes -% mesure 70 -\barre\NOtes\hu K&\zh d\zh{^f}\hu h|\hu h\enotes -\temps\NOtes&|\relax\enotes -\temps\NOtes\qu J&\soupir|\soupir\enotes -% mesure 71 -\barre\NOtes\hu I&\itenl1d\itenu2g\zhp b\zhp d\hup g|\qu d\enotes -\temps\NOtes&|\qu g\enotes -\temps\notes\qu H&|\dqh5ik\enotes -% -% mesure 72 -\barre\NOtes\hup G&\zhp{=b}\tten1\tten2\zhp d\hup g|\qlp m\enotes -\temps\notes&|\sk\cl m\enotes -\temps\notes\qu{=I}&|\dqb{-3}lk\enotes -% mesure 73 -\barre\NOtes\hup J&\zh e\zhu g\hlp c|\hl j\enotes -\temps\Notes&|\relax\enotes -\temps\NOtes&\zq{^f}\qu h|\ql k\enotes -\autolines {12}45\relax -% mesure 74 -\def\qqbbh#1#2#3#4#5{\ibbu0{#2}{#1}\qh0{#2}\qh0{#3}\qh0{#4}\tqh0{#5}}\relax -\def\qqbbH#1#2#3#4#5{\ibbu0{#3}{#1}\qh0{#2}\qh0{#3}\qh0{#4}\tqh0{#5}}\relax -\def\qqbbl#1#2#3#4#5{\ibbl0{#2}{#1}\qb0{#2}\qb0{#3}\qb0{#4}\tqb0{#5}}\relax -%\check -\barre\notes\hu I&\zhl b\zhp d\hup g|\qqbbl0klkj\enotes -\temps\notes&|\qqbbl{-3}kjih\enotes -\temps\notes\qu{=I}&\ql{=b}|\qqbbl{-3}gfed\enotes -% mesure 75 -\autolines{14}35\relax -\alaligne\notes\hu J&\zhu g\zhp c\hup e|\qqbbl0lmlk\enotes -\temps\notes&|\qqbbl{-3}lkji\enotes -\temps\notes\qu H&\qu a|\qqbbh{-3}hg{^f}{=e}\enotes -% mesure 76 -\barre\notes\hu K&\zhl d\zhp{^f}\hup h|\qqbbl0{^m}nm{=l}\enotes -\temps\notes&|\qqbbl{-4}mlkj\enotes -\temps\notes\qu J&\ql c|\qqbbl{-5}ihg{^f}\enotes -% mesure 77 -\barre\notes\qu I&\zq b\zq d\qu g|\qqbbh0g{=e}{^f}g\enotes -\temps\notes\qu H&\zq c\zql e\hu h|\qqbbl4hij{_l}\enotes -\temps\notes\qu K&\zq d\qu{^f}|\qqbbl0k{=l}{^m}k\enotes -\quatretemps -% mesure 78 -\autolines {10}35\relax -\changecontext\barsinline=0\relax -\NOTEs\hlp I&\zwh g\zhp b\hlp d|\hl n\enotes -\temps\NOtes&|\dsoupir\cl d\enotes -\temps\NOtes\qu J&\zq c\ql e|\dqb5gj\enotes -% mesure 79 -\barre\NOtes\hup K&\zw d\zw{^f}\wh h|\xTrille o{3\noteskip}\hlp h\enotes -\temps\NOtes&|\enotes -\temps\NOtes&|\enotes -\temps\notes\qu D&|\dqh{-3}hg\enotes -% mesure 80 -\barre\NOtes\wh G&\zw b\zw d\wh g|\mordant o\wh g\enotes -\temps\NOtes&|\enotes -\temps\NOtes&|\enotes -\temps\NOtes&|\enotes -\finmorceau -\medskip\rightline{\it \aujourdhui} -\eject -\bye diff --git a/musixtex/doc/examples/recueil.tex b/musixtex/doc/examples/recueil.tex deleted file mode 100644 index 9e540aa..0000000 --- a/musixtex/doc/examples/recueil.tex +++ /dev/null @@ -1,156 +0,0 @@ -\ifx\mxversion\undefined - \input musixtex - \input musixcpt - \input musixsty -\fi -\hyphenation{re-gis-tra-tion} -\csname french\endcsname -\tracingstats=2\relax -\line{\ \hss} -\vskip 15mm - -\def\magstep#1{\ifcase#1 \@m\or 1200\or 1440\or 1728\or 2074\or - 2488\or 2986\or 3583\or 4300\or 5160\fi\relax} - -\message{Font name: \fontname\the\font} -\iflongDCfontnames - \font\geant=\fontid bx3583 - \font\assezgros=\fontid r2074 -\else\iflongECfontnames - \font\geant=\fontid bx3583 - \font\assezgros=\fontid rm2074 - \else - \font\geant=\fontid bx12 scaled \magstep 6 - \font\assezgros=\fontid r17 scaled \magstep 1 - \fi -\fi -\centerline{\assezgros Daniel TAUPIN} -\vfil -{\baselineskip 20mm -\centerline{\geant PETITES} -\centerline{\geant PI\`ECES}\centerline{\geant POUR} -\centerline{\geant PLAIRE} -} -\vskip 15mm -\centerline{\sl Petites pi\`eces pas trop difficiles pour orgue} -\smallskip -\centerline{\sl \`a deux claviers et p\'edalier} -\vfil -\centerline{Orsay, \aujourdhui} -\eject -%\check -\null -\vfil -\hbox to \hsize{\hss\vbox{\hsize 12cm -\centerline{\moyen PR\'EFACE ET AVERTISSEMENT} - \bigskip Pour pouvoir avoir l'outrecuidance de se pr\'etendre compositeur \`a -la fin du XX\raise 0.7ex \hbox{\eightrm e} si\`ecle, il est indispensable de -faire preuve d'audaces, de produire du jamais entendu, m\^eme si seule une -minorit\'e infime d'initi\'es, c'est-\`a-dire l'\'elite musicale et -musicologique, est capable d'appr\'ecier la d\'elicate saveur des -\'etranget\'es harmoniques qu'on lui propose. - \medskip Ou bien alors, si l'on veut produire de la musique tonale, il faut -se r\'esigner \`a \^etre catalogu\'e dans cette musique de vari\'et\'es, qui -est r\'eput\'ee \^etre \`a la vraie musique ce que le ``fast-food'' est \`a -la gastronomie. - \medskip En d\'efinitive, l'audace de l'auteur de ces <<~Petites Pi\`eces -Pour Plaire~>> est d'avoir os\'e \'ecrire de la musique qui n'est ni de la -musique <<~contemporaine~>>, ni de la musique de <<~vari\'et\'es~>>, et qui -aurait pu \^etre \'ecrite -- disons modestement~: comme exercices de style -- -par des \'el\`eves des compositeurs des deux ou trois si\`ecles pass\'es. Leur -simple objectif est de charmer les oreilles d'auditeurs de culture classique, -tout en restant compatibles avec le genre des lieux o\`u l'on trouve le plus -d'orgues classiques, \`a savoir les \'eglises. - \medskip -\centerline{\vrule height 0.4pt width 0.5\hsize} -\vskip 1mm - \medskip Comme il est \'ecrit dans le titre, ces pi\`eces n\'ecessitent -l'usage du p\'edalier, mais la partie de p\'edale est rarement difficile~; de -ce fait elles pourront servir de pi\`eces d'initiation \`a l'orgue pour des -pianistes d'un niveau moyen. - \medskip Bien que certaines pi\`eces (notamment le Choral Vari\'e et la -Romance sans Paroles) -mentionnent une registration \`a trois claviers, toutes ces pi\`eces peuvent -\^etre jou\'ees avec les instruments usuels \`a deux claviers et p\'edalier. - \vskip 15mm - \rightline{\vtop{\divide\hsize by 2\relax\centerline{\sl Daniel -TAUPIN}\smallskip \centerline{\sl \aujourdhui}}} - - \bigskip - \centerline{\rm Tous droits de reproduction commerciale r\'eserv\'es} - \centerline{\rm All rights of commercial distribution reserved} - \bigskip - \def\tocitem#1#2{\hbox to \hsize{\hskip 1cm #1\dotfill\ p. #2\hskip 1cm}} - \input recueil.toc -}\hss}\vfil -\eject - \def\titremorceautoc{\edef\zetitre{\titremorceau}% - \write\toc{\noexpand\tocitem{\zetitre}{\the\pageno}}} - \newwrite\toc - \immediate\openout\toc=recueil.toc -% -% -\def\misazero{\def\nbinstruments{2}\nbporteesi=1\relax -\nbporteesii=2\relax -\barsinline=0\relax -\linesinpage=0\relax -\signaturegenerale{0}\savesignature -\resetfacteurs -\computewidths}% -% -\misazero -\input adagio -% -\misazero -\input recit -% -\misazero -\input tierce -% -\misazero -\input choral -% -\misazero -\input reves -% -\misazero -\input prelude -% -\misazero -\input fugue -% -\misazero -\input aria -% -\misazero -\input ostinato -% -\misazero -\input romances -% -\misazero -\input magnific -% -\misazero -\input fantcmol -% -\misazero -\input fugcmoll -% -\misazero -\input chanson -% -\misazero -\input quietude -% -\misazero -\input marcello -% -\misazero -\input purcellx -% -\misazero -\input avemario -% -\closeout\toc -\bye diff --git a/musixtex/doc/examples/rests.tex b/musixtex/doc/examples/rests.tex deleted file mode 100644 index 075089d..0000000 --- a/musixtex/doc/examples/rests.tex +++ /dev/null @@ -1,229 +0,0 @@ -% format plain musixTex musixtEx musIxtex musiCtex -% (c) 1996, Werner Icking -% Multibar rests section revised 2015 for T1.17 by Bob Tennent. -% -\ifx\mxversion\undefined - \input musixtex - \fi -\input musixlit -\hoffset-15.4mm\voffset-15.4mm -\hsize210mm\advance\hsize-20mm -\vsize11in\advance\vsize-20mm\advance\vsize-20pt -\footline{\smalltype Edited by Werner.Icking@gmd.de using {\it Herbert Chlapik, - Die Praxis des Notensetzers, Doblinger Wien 1987, ISBN 3-9000~035-96-2}.\hfil} -\parskip 12pt minus 12pt -\nobarnumbers -%\smallmusicsize -\geometricskipscale -\transpose7 -\settrebleclefsymbol1\empty -\settrebleclefsymbol2\empty -\setinterinstrument1{-2\Interligne} -\def\qpp{\pt 5\qp} -\newbox\xtrcti\newbox\xtrctii\newbox\xtrctiii -\def\xtrct#1{ - \def\writeextract{\extract#1\vskip-6pt} - \ifnum#1=3\def\extractline{\setbox\xtrctiii\hbox}\fi - \ifnum#1=2\def\extractline{\setbox\xtrctii\hbox}\fi - \ifnum#1=1\def\extractline{\setbox\xtrcti\hbox}\fi - \ifnum#1=0\def\extractline{\centerline}\def\writeextract{}\fi} -\def\extract#1{ - \ifnum#1=1\line{\hfil\unhbox\xtrcti\hfil}\fi - \ifnum#1=2\line{\xhfil\unhbox\xtrcti\hfil\unhbox\xtrctii\xhfil}\fi - \ifnum#1=3\line{\xhfil\unhbox\xtrcti\hfil\unhbox\xtrctii\hfil - \unhbox\xtrctiii\xhfil}\fi} -\def\centeron{\def\xhfil{\hfil}}\def\centeroff{\def\xhfil{}}\centeron -\def\wrong{\uPtext{wrong}} -\def\right{\uPtext{right}} -\def\better{\uPtext{better}} -\def\notrec{\uPtext{not recommended}} -\def\uPtext#1{\uptext{\kern-\afterruleskip\medtype\it #1}} -\def\Endextract{\setdoubleBAR\endextract} -\def\Startextract{\startextract\addspace{-0.5\afterruleskip}} - -\bigtype - -Whole rest as whole rest\par - -\xtrct1\generalmeter{\meterfrac21}\Startextract -\NOTes\wh c\pause\en\endextract -\xtrct2\generalmeter{\meterfrac42}\Startextract -\NOtes\wrong\ha c\en\NOTes\pause\en\NOtes\hpause\en\endextract -\xtrct3\generalmeter{\meterfrac42}\Startextract -\NOtes\right\ha c\hpause\en\NOTes\pause\en\setdoublebar\bar -\NOtes\better\ha c\hpause\hpause\hpause\en\endextract -\writeextract - -Whole rest as full bar rest {\medtype --- not used for e.g. 3/16}\par - -\def\CP{\def\atnextbar{\znotes\centerpause\en}} -\def\CPB{\def\atnextbar{\znotes\nextinstrument\centerpause\en}} - -\xtrct1\generalmeter{\meterfrac18}\Startextract\notesp\sk\en\CP -\generalmeter{\meterfrac28}\Changecontext\Notes\sk\en\CP -\generalmeter{\meterfrac38}\Changecontext\Notesp\sk\en\CP -\generalmeter{\meterfrac48}\Changecontext\NOtes\sk\en\CP -\generalmeter{\meterfrac14}\Changecontext\Notesp\sk\en\CP -\generalmeter{\meterfrac24}\Changecontext\NOtes\sk\en\CP -\generalmeter{\meterfrac34}\Changecontext\NOtesp\sk\en\CP -\generalmeter{\meterfrac44}\Changecontext\NOTes\sk\en\CP -\generalmeter{\meterfrac54}\Changecontext\NOTes\sk\en\CP -\generalmeter{\meterfrac64}\Changecontext\NOTes\sk\en\CP -\endextract\writeextract - -\xtrct1\generalmeter{\meterfrac12}\Startextract\Notesp\sk\en\CP -\generalmeter{\meterfrac22}\Changecontext\NOtes\sk\en\CP -\generalmeter{\meterfrac32}\Changecontext\NOtesp\sk\en\CP -\generalmeter{\meterfrac42}\Changecontext\NOTes\sk\en\CP -\generalmeter{\meterfrac62}\Changecontext\NOTes\sk\en\CP -\generalmeter{\meterfrac21}\Changecontext\NOTES\wrong\sk\en\CP -\generalmeter{\meterfrac21}\Changecontext\NOTes\right\pause\pause\en -\endextract\writeextract - -\instrumentnumber2 -\xtrct1\generalmeter{\meterfrac24}\Startextract -\Notes\ca c&\ds\en\bar -\NOtesp\pt c\qa c\en\Notes\ca c\en\CPB\bar -\Notes\ca c\en\NOtesp\pt c\qa c\en\CPB\bar -\NOtesp\pt c\qa c&\wrong\en\CPB\Endextract -\xtrct2\generalmeter{\meterfrac24}\Startextract -\Notes\ca c&\ds\en\bar -\NOtesp\pt c\qa c\en\Notes\ca c\en\CPB\bar -\Notes\ca c\en\NOtesp\pt c\qa c\en\CPB\bar -\NOtes\pt c\qa c&\right\qp\en\Notes&\ds\en\Endextract -\writeextract - -\xtrct1\generalmeter{\meterfrac68}\Startextract -\NOtesp\pt c\qa c&\qpp\en\bar -\NOtesp\pt c\qa c\en\Notes\ibl0c0\qb0{cc}\tbl0\qb0c\en\CPB\bar -\NOtesp\pt c\qa c&\wrong\en\CPB\Endextract -\xtrct2\generalmeter{\meterfrac68}\Startextract -\Notesp\pt c\qa c&\qpp\en\bar -\NOtesp\pt c\qa c\en\Notes\ibl0c0\qb0{cc}\tbl0\qb0c\en\CPB\bar -\NOtesp\pt c\qa c&\right\qpp\en\Endextract -\writeextract -\instrumentnumber1 - -Rests and rhythm\par - -\centeroff -\scale{0.9} -\xtrct1\generalmeter{\meterfrac38}\Startextract -\NOtes\wrong\qp\en\Notes\ca c\en\bar -\Notes\right\ds\ds\ca c\en\setdoublebar\bar -\Notes\wrong\ca c\en\NOtes\qp\en\bar -\Notes\right\ca c\ds\ds\en\endextract -\xtrct2\generalmeter{\meterfrac34}\Startextract -\NOTes\wrong\hpause\en\NOtes\qa c\en\bar -\NOtes\right\qp\qp\qa c\en\setdoublebar\bar -\NOtes\wrong\qa c\en\NOTes\hpause\en\bar -\NOtes\right\qa c\qp\qp\en\endextract -\writeextract - -\scale{0.75} -\xtrct1\generalmeter{\meterfrac68}\Startextract -\Notes\wrong\ca c\en\NOtes\qp\en\Notes\ca c\en\NOtes\qp\en\bar -\Notes\right\ca c\ds\ds\ca c\ds\ds\en\setdoublebar\bar -\Notes\wrong\ca c\ds\ds\ds\ds\ca c\en\bar -\Notes\right\ca c\ds\ds\en\NOtes\qp\en\Notes\ca c\en\endextract -\xtrct2\generalmeter{\meterfrac44}\Startextract -\NOtes\wrong\qa c\en\NOTes\hpause\en\NOtes\qa c\en\bar -\NOtes\right\qa c\qp\qp\qa c\en\endextract -\writeextract - -\scale{0.7} -\xtrct1\generalmeter{\meterfrac34}\Startextract -\NOtes\uPtext{3/4 versus 6/8}\qa c\qp\qp\en -\generalmeter{\meterfrac68}\changecontext -\NOtes\qa c\en\Notes\ds\en\NOtes\qp\en\Notes\ds\en\endextract -\xtrct2\generalmeter{\meterfrac34}\Startextract -\Notes\ca c\ds\en\NOtes\qp\en\Notes\ds\ca c\en -\generalmeter{\meterfrac68}\changecontext -\Notes\ca c\ds\ds\en\NOtes\qp\en\Notes\ca c\en\endextract -\xtrct3\generalmeter{\meterfrac34}\Startextract -\Notes\ca c\ds\en\NOtes\qp\en\Notes\ibl0c0\qb0c\tbl0\qb0c\en -\generalmeter{\meterfrac68}\changecontext -\Notes\ca c\ds\ds\ds\en\Notes\ibl0c0\qb0c\tbl0\qb0c\en\endextract -\writeextract - -\scale{0.7} -\xtrct1\generalmeter{\meterfrac34}\Startextract -\NOtes\qp\qp\en\Notes\ibl0c0\qb0c\tbl0\qb0c\en -\generalmeter{\meterfrac68}\changecontext -\NOtes\qp\en\Notes\ds\ds\en\Notes\ibl0c0\qb0c\tbl0\qb0c\en\endextract -\xtrct2\generalmeter{\meterfrac34}\Startextract -\NOtesp\pt c\qa c\en\Notes\ds\en\NOtes\qp\en -\generalmeter{\meterfrac68}\changecontext -\NOtesp\pt c\qa c\en\NOtes\qp\en\Notes\ds\en\endextract -\xtrct3\generalmeter{\meterfrac32}\Startextract -\NOTes\uPtext{3/2 versus 6/4}\ha c\hpause\hpause\en -\generalmeter{\meterfrac64}\changecontext -\NOTes\ha c\en\NOtes\qp\en\NOTes\hpause\en\NOtes\qp\en\endextract -\writeextract - -\scale{0.8} -\xtrct1\generalmeter{\meterfrac{12}8}\Startextract -\NOTesp\wrong\pt c\ha c\hpausep\en\endextract -\xtrct2\generalmeter{\meterfrac{12}8}\Startextract -\Notes\notrec\ca c\ds\ds\en\NOtes\qp\en\Notes\ds\en\NOtes\qp\en\Notes\ds\en -\NOtes\qp\en\Notes\ds\en\endextract -\xtrct3\generalmeter{\meterfrac{12}8}\Startextract -\NOTesp\right\pt c\ha c\en\NOtesp\qpp\qpp\en\bar -\NOTesp\right\pt c\ha c\en\NOtesp\qp\en\Notes\ds\en\NOtesp\qp\en\Notes\ds\en -\endextract -\writeextract - -\scale{0.6} -\xtrct1\generalmeter{\meterfrac{12}8}\Startextract -\Notes\right\ca c\ds\ds\en\NOtesp\qpp\en\NOTesp\hpausep\en\bar -\Notes\right\ca c\ds\ds\en\NOtes\qp\en\Notes\ds\en\NOTesp\hpausep\en\endextract -\xtrct2\generalmeter{\meterfrac{15}8}\Startextract -\Notes\wrong\ca c\ds\ds\en\NOtesp\qpp\qpp\qpp\qpp\en\bar -\Notes\notrec\ca c\ds\ds\en\Notesp\qp\en\Notes\ds\en -\Notesp\qp\en\Notes\ds\en\Notesp\qp\en\Notes\ds\en\Notesp\qp\en\Notes\ds\en\bar -\Notes\right\ca c\ds\ds\en\NOTes\hpausep\hpausep\en\endextract -\writeextract - -\scale{0.8} -\xtrct1\generalmeter{\meterfrac64}\Startextract -\NOTesp\notrec\hpausep\en\NOTes\hpause\en\NOtes\qa c\en\endextract -\xtrct2\generalmeter{\meterfrac64}\Startextract -\NOTes\right\hpause\en\NOtes\qp\en\NOTes\hpause\en\NOtes\qa c\en\bar -\NOTesp\right\hpausep\en\NOtes\qp\qp\qa c\en\endextract -\xtrct3\generalmeter{\meterfrac64}\Startextract -\NOTesp\right\pt c\ha c\en\NOTes\hpause\en\NOtes\qp\en\bar -\NOTesp\right\pt c\ha c\hpausep\en\endextract -\writeextract - -%\scale{0.8} -%\xtrct1\generalmeter{\meterfrac{3\meterplus 2}8}\Startextract -%\NOTesp\notrec\hpausep\en\NOTes\hpause\en\NOtes\qa c\en\endextract -%\xtrct2\generalmeter{\meterfrac64}\Startextract -%\NOTes\right\hpause\en\NOtes\qp\en\NOTes\hpause\en\NOtes\qa c\en\bar -%\NOTesp\right\hpausep\en\NOtes\qp\qp\qa c\en\endextract -%\xtrct3\generalmeter{\meterfrac64}\Startextract -%\NOTesp\right\pt c\ha c\en\NOTes\hpause\en\NOtes\qp\en\bar -%\NOTesp\right\pt c\ha c\hpausep\en\endextract -%\writeextract - -Multibar rests - -\scale{1.1} -\def\TPF{\off{2.5\elemskip}} -\def\CB#1{\centerbar{#1}} -\def\CN#1{\CB{\ccn{9}{\meterfont{#1}}}} -\xtrct1\generalmeter{}\Startextract -\NOtesp\sk\en\def\atnextbar{\znotes\CN2\CB{\cPAuse}\en}\bar -\NOTes \sk\en\def\atnextbar{\znotes\CN3\CB{\cPAuse\TPF\cpause}\en}\bar -\NOtesp\sk\en\def\atnextbar{\znotes\CN4\CB{\cPAUSe}\en}\bar -\NOTes \sk\en\def\atnextbar{\znotes\CN5\CB{\cPAUSe\TPF\cpause}\en}\bar -\NOTes \sk\en\def\atnextbar{\znotes\CN6\CB{\cPAUSe\TPF\cPAuse}\en}\bar -\NOTEs \sk\en\def\atnextbar{\znotes\CN7\CB{\cPAUSe\TPF\cPAuse\TPF\cpause}\en}\bar -\NOTes \sk\en\def\atnextbar{\znotes\CN8\CB{\cPAUSe\TPF\cPAUSe}\en}\bar -\NOTEs \sk\en\def\atnextbar{\znotes\CN9\CB{\cPAUSe\TPF\cPAUSe\TPF\cpause}\en}\bar -\NOTEs \Hpause4{0.83}\en\def\atnextbar{\znotes\CN{10}\en}\bar -\NOTEsp\Hpause4{0.83}\en\def\atnextbar{\znotes\CN{11}\en}\endextract -\writeextract -\vfill\eject - -\bye diff --git a/musixtex/doc/examples/reves.tex b/musixtex/doc/examples/reves.tex deleted file mode 100644 index 04702a1..0000000 --- a/musixtex/doc/examples/reves.tex +++ /dev/null @@ -1,543 +0,0 @@ - -\ifx\mxversion\undefined - \input musixtex - \input musixcpt - \input musixsty -\fi -\title{R\^eves} -\fulltitle{V. \titremorceau} -\subtitle{(pour orgue)} -\csname titremorceautoc\endcsname -\othermention{Compos\'e en 1990} -\author{Daniel TAUPIN} -\shortauthor{D. Taupin} -\maketitle -\parindent 18mm -% - -\tracingstats=2\relax -% -\nbporteesii=2\relax -\def\nbinstruments{2} -\global\cleftoksii={{0}{0}{0}{0}}% -\global\cleftoksi={{6}{0}{0}{0}}% -% -\signaturegenerale{0}\relax % pas d'armature -\def\quatretemps{\generalmeter{\meterfrac{4}{4}}}% -\def\troistemps{\generalmeter{\meterfrac{3}{4}}}% -\def\deuxtemps{\generalmeter{\meterfrac{2}{4}}}% -\def\Mordant{\mordant{10}}% -%\check -\def\instrumenti{P\'edale 16'}% -\def\instrumentii{\vbox{\hsize=\parindent\centerline{R\'ecit}\vskip 33pt - \centerline{G.O.}}}% -%\check -\def\gluemaxskip{7pt}% -% -\def\doubler{\multnoteskip 2\relax}% -\def\tripler{\multnoteskip 3\relax}% -% formes frequentes -% deux croches hautes -\def\dql#1#2#3{\ibl0{#2}{#1}\qb0{#2}\tbl0\qb0{#3}}% -\def\dqu#1#2#3{\ibu0{#2}{#1}\qh0{#2}\tbu0\qh0{#3}}% -\def\dqh{\dqu}\def\dqb{\dql}% -% -% deux doubles croches hautes -\def\dqbbu#1#2#3{\ibbl0{#2}{#1}\qb0{#2}\tbl0\qb0{#3}}% -\def\dqbbl#1#2#3{\ibbu0{#2}{#1}\qh0{#2}\tbu0\qh0{#3}}% -% -% croche pointee et double croche meme hauteur -\def\cpdcl#1{\trioskip\ibl0{#1}0\qbp0{#1}\sk\tbbl0\tqb0{#1}}% -\def\cpdcu#1{\trioskip\ibu0{#1}0\qhp0{#1}\sk\tbbu0\tqh0{#1}}% -% -% croche et deux doubles croches (1ere = 3eme) -\def\cddcu#1#2{\ibu0{#1}0\qh0{#1}\trioskip - \nbbu0\qh0{#2}\tqh0{#1}}% -\def\cddcl#1#2{\ibl0{#1}0\qb0{#1}\trioskip - \nbbl0\qb0{#2}\tqb0{#1}}% -% -\medskip\noindent{\rm G.O.: bourdon 8', unda maris ou tremblant}% -\par\noindent{\rm R\'ec.: nasard, tremblant}% -\par\noindent{\rm P\'ed.: 16', tirasse G.O.}% -\smallskip -% -\generalmeter{\meterfrac 44\meterfrac 54}% -% -\def\trioskip{\doubler\relax\divide\noteskip by 3\relax}% -\debutmorceau -\autolines {10}45\relax -\footnote{}{\noteskip=18pt\altportee=0pt\resetstem -\tenpoint\bf* \rm Notation :\ \ \zwq 1\ \ \ = \itenl01\wh 1\tten0\qu 1\ \ .}% -\def\resp{\vnotes 0.2\elemskip&|\cbreath\enotes}% -%\check -% -\hyphenpenalty -50\relax -\notes&|\Uptext{\hbox{\kern -16mm\moyen Adagio molto \bf(\metron{\qu}{50})}}\enotes -\advance\linesinpage by 1\relax -% \advance\barsinline by 1\relax -% -\def\qqbbh#1#2#3#4#5{\ibbu0{#2}{#1}\qh0{#2}\qh0{#3}\qh0{#4}\tqh0{#5}}\relax -\def\qqbbH#1#2#3#4#5{\ibbu0{#3}{#1}\qh0{#2}\qh0{#3}\qh0{#4}\tqh0{#5}}\relax -\def\qqbbu{\qqbbh}\def\qqbbb{\qqbbl}% -\def\qqbbl#1#2#3#4#5{\ibbl0{#2}{#1}\qb0{#2}\qb0{#3}\qb0{#4}\tqb0{#5}}\relax -\def\dqbbh#1#2#3{\ibbu0{#2}{#1}\qh0{#2}\tqh0{#3}}\relax -\def\dqbbu{\dqbbh}\def\dqbbb{\dqbbl}% -\def\dqbbl#1#2#3{\ibbl0{#2}{#1}\qb0{#2}\tqb0{#3}}\relax -%\check -\def\qqbh#1#2#3#4#5{\ibu0{#2}{#1}\qh0{#2}\qh0{#3}\qh0{#4}\tqh0{#5}}\relax -\def\qqbH#1#2#3#4#5{\ibu0{#3}{#1}\qh0{#2}\qh0{#3}\qh0{#4}\tqh0{#5}}\relax -\def\qqbl#1#2#3#4#5{\ibl0{#2}{#1}\qb0{#2}\qb0{#3}\qb0{#4}\tqb0{#5}}\relax -%\check -% -% mesure 1 -\Notes\itenu0J\zwq J\zcharnote 8 {\bf *}&\itenl1c\qu c\enotes -\Notes&\tten1\itenl1c\zw c\qsk\wh d\enotes -\Notes&\qu g|\pause\enotes -\Notes&\qu{_h}\enotes -\Notes&\qu{_i}\enotes -% mesure 2 -\barre\nspace\nspace - \notes\tten0\itenu0J\zwq J&\tten1\itenl1c\lh d\lfl d\zhl c\relax - \ibu0g0\qh0g\trioskip\nbbu0\qh0{=h}\tqh0g|\sk\hpause\enotes -\notes&\dqu3ef\enotes -\NOTEs&\tten1\itenl1c\itenl2e\itenu3g\relax - \zhp c\zhp e\hup g|\divide\noteskip by 2\relax\sk\hpause\enotes -\NOtes&|\qu c\enotes -% mesure 3 -\def\atnextline{\autolines {9}45}\relax -\barre\nspace -\Notes\tten0\wh J&\tten1\tten2\tten3\zw c\zw e\itenu1g\wh g|\qu{_d}\enotes -\Notes&|\qu g\enotes -\Notes&|\qu{_h}\enotes -\Notes&|\qu{_i}\enotes -% mesure 4 -\barre\nspace\notes\doubler\hu{=H}&\zw g\tten1\lfl d\fl e\kern 3pt\lh d\hl e\relax - |\ibu0g0\qh0g\trioskip\nbbu0\qh0{_h}\tqh0g\enotes -\notes&|\dqu3{_e}f\enotes -\NOTEs\itenu0J\hup J&\itenu1c\itenu2e\zhp c\hlp{=e}|\hu g\enotes -\NOtes&\qu{_h}|\qu j\enotes -% mesure 5 -%\barre -\alaligne -\notes\tten0\wh J&\tten1\tten2\itenu1c\itenu2e\zw{ceg}\relax - |\ibu0g0\qh0g\trioskip\nbbu0\qh0f\tqh0g\enotes -\notes&|\dqh3ef\enotes -\NOtes&|\qu g\enotes -\NOtes&|\qu{_h}\enotes -% mesure 6 -\barre\NOtes\wh{_H}&\tten1\tten2\itenu2e\zw{_ac}\wh e|\qu{_i}\enotes -\NOtes&|\qu j\enotes -\NOtes&|\qu k\enotes -\notes&|\dql3l{^m}\enotes -% mesure 7 -\barre\nspace\NOtes\zwq E&\tten2\itenu2e\zwq{be}\zwq{^g}|\ql{^n}\enotes -\NOtes&|\ql l\enotes -\notes&|\cddcu i{^j}\enotes -\notes&|\dqu3{^g}h\enotes -\NOtes&|\qu i\enotes -% mesure 8 -\barre\NOtes\zwq J&\tten2\itenl1c\zwq{ce}\zwq{=g}|\ql j\enotes -\NOtes&|\qu{=g}\enotes -\notes&|\cddcu e{^f}\enotes -\notes&|\dqu3cd\enotes -\NOtes&|\qu e\enotes -% mesure 9 -\barre\Notes\zw{^G}&\tten1\itenl1c\zw{ac_e}|\qu{^f}\enotes -\Notes&|\qu{^g}\enotes -\Notes&|\qu{^h}\enotes -\notes&|\dql3jk\enotes -%\check -% mesure 10 -\barre\NOtes\zwq J&\tten1\zwq{Nc=e}|\ql l\enotes -\NOtes&|\ql j\enotes -\notes&|\na g\cddcu g{=h}\enotes -\notes&|\dqu3e{=f}\enotes -\NOtes&|\qu g\enotes -% mesure 11 -\barre\NOtes\zwq F&\fl d\zwq{_af}\rlap{\qsk\hup d}|\qu{_h}\enotes -\NOtes&|\qu{_i}\enotes -\NOtes&|\ql j\enotes -\notes&\itenl0b\hu b|\dql3kl\enotes -\NOtes&|\ql{^m}\enotes -% mesure 12 -\barre\nspace\Notes\zwq E&\tten0\zw b\zwq{e^g}|\ql{^n}\enotes -\Notes&|\ql l\enotes -\notes&|\cddcu i{^j}\enotes -\notes&|\dqu3{^g}{^h}\enotes -\NOtes&\qu{^b}|\qu{^i}\enotes -\def\atnextline{\autolines {11}45}\relax -% mesure 13 -\barre\NOtes\zwq{^J}&\lsh f\zwq{^c^g}\qsk\hu f|\qsk\ql{^j}\enotes -\NOtes&|\qu{^g}\enotes -\notes&\hu d|\na e\cddcu e{^f}\enotes -\notes&|\dqu3{^c}d\enotes -\NOtes&\qu e|\qu e\enotes -% mesure 14 -\barre\NOtes\wh F&\rlap{\lna c\qsk\hup{c}}\zw{a=f}|\qu {=f}\enotes -\NOtes&|\qu{=c}\enotes -\notes&|\dqu3de\enotes -\NOtes&\qu{_d}|\qu f\enotes -% mesure 15 -\barre\nspace\NOtes\wh{_E}&\lfl e\rlap{\qsk\hup e}\zw{_b_g}|\qu{_g}\enotes -\NOtes&|\qu{_d}\enotes -\notes&|\bigfl e\dqu3{e}f\enotes -\NOtes&\qu{=d}|\qu g\enotes -% mesure 16 -\advance\barsinline by -1\relax -\barre\nspace\NOtes\wh{=E}&\lna e\rlap{\qsk\hup e}\zw{=b_h}|\qu{_h}\enotes -\NOtes&|\qu{=e}\enotes -\notes&|\bigfl g\dqu3{g}{_h}\enotes -\NOtes&\qu f|\qu{_i}\enotes -% mesure 17 -\barre\NOtes\zwq J&\zwq{ce}\zwq g|\ql j\enotes -\NOtes&|\qu{=g}\enotes -\notes&|\cddcu ef\enotes -\notes&|\dqu3cd\enotes -\NOtes&|\qu e\enotes -% mesure 18 -\barre\nspace\NOtes\wh{^F}&\zw a\zw{_e}\qsk\itenu1d\wh d|\qu{_e}\enotes -\notes&|\dqu{3}de\enotes -\notes&|\dqu{3}cd\enotes -\notes&|\dqu{3}ef\enotes -% mesure 19 -\barre\NOtes\wh G&\tten1\zw b\zw d\zw g|\qu g\enotes -\notes&|\cddcu d{_e}\enotes -\Notes&|\dqu3bc\enotes -\Notes&|\qu d\enotes -% mesure 20 -\advance\barsinline by -1\relax -\autolines {22}25\relax -\cleftoksii={{6}{0}{0}{0}}\changeclefs -\def\sxtu#1#2#3#4#5#6{{\advance\transpose by 4\ibbu0{#1}2}\qh0{#1}\relax - \qh0{#2}\qh0{#3}\qh0{#4}\qh0{#5}\tqh0{#6}}% -%\check -\def\sxtl#1#2#3#4#5#6{{\advance\transpose by 2\ibbl0{#1}2}\qb0{#1}\relax - \qb0{#2}\qb0{#3}\qb0{#4}\qb0{#5}\tqb0{#6}}% -%\check -% croche et deux doubles croches (1ere = 3eme) -\def\duoskip{\tripler\relax - \divide\noteskip by 2\relax}% -\def\cddcu#1#2{\duoskip\ibu0{#1}0\qh0{#1}\sk - \nbbu0\qh0{#2}\tqh0{#1}}% -\def\cddcl#1#2{\duoskip\ibl0{#1}0\qb0{#1}\sk - \nbbl0\qb0{#2}\tqb0{#1}}% -% -\barre\notes\doubler\wh{_G}&\fl N\sxtl N{_a}{_d}{_e}da|\bigaccid\qu{_e}\enotes -\notes&\sxtl{N}ad{e}da|\qu f\enotes -\notes&\sxtl{N}ad{e}da|\qu g\enotes -\notes&\sxtl{N}{a}{=d}{=e}da|\tripler\dqu2hi\enotes -% mesure 21 -\autolines {29}25\relax -\barre\notes\doubler\wh{^J}&\sxtl M{_a}d{_e}da|\bigsh j\cddcu jk\enotes -\notes&\sxtl M{a}d{e}da|\tripler\dqu{-2}{^g}{^f}\enotes -\notes&\sxtl M{a}d{e}da|\tripler\dqu{2}{^e}f\enotes -\notes&\sxtl M{a}d{e}da|\qu g\enotes -% mesure 22 -\barre\notes\zwq K&\sxtl KMbcbM|\qu h\enotes -\notes&\sxtl KMbcbM|\qu i\enotes -\notes&\sxtl KMbcbM|\tripler\dqu2jk\enotes -\notes&\sxtl KMbcbM|\ql l\enotes -\notes&\sxtl KMbcbM|\ql m\enotes -\autolines {27}25\relax -% mesure 23 -\cleftoksii={{0}{0}{0}{0}}\changeclefs -\barre\notes\itenu0J\zwq J&\sxtu Ncefec|\ql n\enotes -\notes&\sxtu Ncefec|\tripler\dql{-2}lj\enotes -\notes&\sxtu Ncefec|\cddcu gh\enotes -\notes&\sxtu Ncefec|\tripler\dqu2ef\enotes -\notes&\sxtu Ncefec|\qu g\enotes -% mesure 24 -\barre\notes\tten0\hup J&\sxtu Ncefec|\tripler\dqu2hi\enotes -\notes&\sxtu Ncefec|\tripler\dqu2jk\enotes -\notes&\sxtu Ncefec|\tripler\dql4ln\enotes -\notes\qu H&\multnoteskip{1.1}\sxtu ac{_e}{^f}ec|\bigsh m\ql{m}\enotes -% mesure 25 -\autolines {31}25\relax -\barre\notes\zwq G&\noteskip 1.2\noteskip\sxtu ac{=e}{^f}ec|\ql n\enotes -\notes&\sxtu acefec|\tripler\dql{-4}lj\enotes -\notes&\sxtu acefec|\cddcu gh\enotes -\notes&\sxtu acefec|\tripler\dqu2e{^f}\enotes -\notes&\sxtu acegec|\qu g\enotes -% mesure 26 -\barre\notes\doubler\zwq{_G}&\noteskip 1.3\noteskip -\lfl N\bigfl a\sxtu N{a}e{^f}ea|\doubler\qu{_h}\enotes -\notes&\sxtu Naefea|\tripler\dql2{_i}j\enotes -\notes&\sxtu Naefea|\tripler\dql2kl\enotes -\notes&\sxtu Naefea|\tripler\dql2{^m}{^n}\enotes -\notes&\sxtu Naefea|\tripler\ql{_p}\enotes -% mesure 27 -\autolines {28}25\relax\barre\notes\zwq J&\bigna N\sxtu Ncegec|\ql q\enotes -\notes&\sxtu Ncegec|\doubler\ql{=n}\enotes -\notes&\sxtu Ncegec|\bigaccid\cddcl l{=m}\enotes -\notes&\sxtu Ncegec|\tripler\dql2jk\enotes -\notes&\sxtu Ncegec|\ql l\enotes -%\check -% mesure 28 -\barre\notes\zwq H&\noteskip 1.2\noteskip\sxtu ac{_e}{_g}ec|\bigaccid\ql{^m}\enotes -\notes&\sxtu acegec|\tripler\dql{-2}{=l}k\enotes -\notes&\fl a\sxtu ac{=e}fec|\tripler\dql{-2}j{_i}\enotes -\notes&\sxtu acefec|\tripler\dqu{-2}{_h}{_g}\enotes -% mesure 29 -\autolines {24}25\relax -\barre\notes\wh J&\sxtu Ncegec|\cddcu ef\enotes -\notes&\sxtu Ncegec|\tripler\dqu3{=g}{=i}\enotes -\notes&\sxtu Ncegec|\tripler\dql2jk\enotes -\notes&\sxtu Ncegec|\tripler\dql4ln\enotes -%\check -% mesure 30 -\barre\notes\wh H&\sxtu ac{^f}{^g}fc|\ql q\enotes -\notes&\sxtu acfgfc|\tripler\dql{-2}{_p}{^n}\enotes -\notes&\sxtu acfgfc|\tripler\dql{-2}{^m}l\enotes -\notes&\sxtu acfgfc|\tripler\dql{-2}kj\enotes -%\check -\cleftoksii={{6}{0}{0}{0}}\changeclefs -% mesure 31 -\autolines {25}25\relax -\barre\notes\hup J&\sxtl Ncegec|\cddcu gh\enotes -\notes&\sxtl Nce{^f}ec|\tripler\dqu{-2}{^f}e\enotes -\notes&\sxtl Ncefec|\tripler\dqu{-2}dc\enotes -\notes\itenl0H\doubler\qu{_H}&\fl N\sxtl N{_a}d{_e}da|\doubler - \itenl1e\qu{_e}\enotes -%\check -% mesure 32 -\barre\notes\doubler\tten0\wh{_H}&\noteskip 1.1\noteskip\fl N\sxtl -N{_a}d{_e}da|\bigfl e\tten1\qu{e}\enotes -\notes&\noteskip 1.1\noteskip\sxtl Nad{=e}da|\bigaccid\hup{=e}\enotes -\notes&\sxtl Nadeda|\enotes -\notes&\sxtl Nadeda|\enotes -%\check -% mesure 33 -\barre\notes\doubler\wh{_K}&\sxtl M{_a}{_d}fda|\qu f\enotes -\notes&\sxtl Madfda|\tripler\dql2{_h}{_i}\enotes -\notes&\sxtl Madfda|\tripler\dql2j{_k}\enotes -\notes&\sxtl Madfda|\tripler\dql2{_l}m\enotes -%\check -% mesure 34 -\barre\nspace\notes\doubler\wh{_L}&\noteskip 1.2\noteskip - \sxtl M{_N}{_b}{_e}bN|\bigaccid\ql{_p}\enotes -\notes&\sxtl MNbebN|\tripler\dql{-2}{_o}{_n}\enotes -\notes&\sxtl MNbebN|\tripler\dql{-2}m{_l}\enotes -\notes&\sxtl MNbebN|\tripler\dql{-4}{_k}{_i}\enotes -%\check -% mesure 35 -\barre\notes\doubler\wh{_K}&\sxtl M{_a}{_d}fda|\bigfl h\cddcu h{_i}\enotes -\notes&\sxtl Madfda|\tripler\dqu{-2}f{_e}\enotes -\notes&\sxtl Madfda|\tripler\dqu2{_d}e\enotes -\notes&\sxtl Madfda|\qu f\enotes -%\check -% mesure 36 -\barre\notes\doubler\wh{_L}&\sxtl M{_N}{_b}ebN|\doubler\uptext{\it rit.}\qu{_g}\enotes -\notes&\sxtl MNbebN|\doubler\qu{_h}\enotes -\notes&\sxtl MNbebN|\doubler\qu{_i}\enotes -\notes&\sxtl MNbebN|\qu j\enotes -%\check -% mesure 37 -\autolines{30}25\relax -\barre\notes\doubler\itenl0L\wh{=K}&\noteskip 1.2\noteskip\sxtl M{=a}{=d}fda|\itenu2m\wh m\enotes -\notes&\sxtl M{_a}dfda|\enotes -\notes&\noteskip 1.15\noteskip\sxtl M{=N}{_d}{_e}dN|\enotes -\notes&\noteskip 1.15\noteskip\sxtl M{_N}{=d}edN|\enotes -%\check -\barre\autolines{15}35\relax -% mesure 38 -\notes\tten0\itenl0L\wh K&\rlap{\sk\zcharnote D{\sl 3}}\ibl0M5\qb0M\qb0{_N}\tqb0d|\tten2\hlp m\enotes -\notes&\rlap{\sk\zcharnote D{\sl 3}}\ibl0d{-5}\qb0{_e}\qb0d\tqb0N\enotes -\notes&\rlap{\sk\zcharnote D{\sl 3}}\ibl0M5\qb0M\qb0N\tqb0d\enotes -\notes&\rlap{\sk\zcharnote D{\sl 3}}\ibl0d{-5}\qb0e\qb0d\tqb0N|\sk\soupir\enotes -% mesure 39 -\barre\notes\tten0\hup K&\rlap{\sk\zcharnote D{\sl 3}}\ibl0M5\qb0M\qb0{_N}\tqb0d|\enotes -\notes&\rlap{\sk\zcharnote D{\sl 3}}\ibl0d{-5}\qb0{_e}\qb0d\tqb0N|\sk\sk\pause\enotes -\NOtes&\itenl3L\hl L\enotes -\NOtes\itenl2J\qu J&|\enotes -%\check -% mesure 40 -\barre\nspace\autolines{11}45\relax -\NOtes\tten2\zwq J&\tten3\zwq L\itenl1L|\uptext{\it a tempo}\qu c\enotes -\NOtes&\wh{=N}|\qu{_d}\enotes -\NOtes&\itenu2c\hup c|\qu g\enotes -\NOtes&|\qu{_h}\enotes -\NOtes&|\qu{_i}\enotes -% mesure 41 -% -% croche et deux doubles croches (1ere = 3eme) -\def\cddcu#1#2{\ibu0{#1}0\qh0{#1}\trioskip - \nbbu0\qh0{#2}\tqh0{#1}}% -\def\cddcl#1#2{\ibl0{#1}0\qb0{#1}\trioskip - \nbbl0\qb0{#2}\tqb0{#1}}% -% -\barre -\nspace\notes\doubler\hu{_H}&\doubler\tten1\itenl1L\relax -\tten2\itenu2c\zwq L\zwq c\hl{_a}|\cddcu g{_h}\enotes -\notes&|\dqu3{_e}f\enotes -\NOTEs\itenu0J\hup J&\hl{N}|\hu g\enotes -\NOtes&\ql{a}|\qu j\enotes -% mesure 42 -\barre\notes\tten0\wh J&\tten1\tten2\itenu1c\itenl2L\zw{LNc}\relax - |\cddcu gf\enotes -\notes&|\dqh3ef\enotes -\NOtes&|\qu g\enotes -\NOtes&|\qu{_h}\enotes -% mesure 43 -\barre\NOtes\wh{_H}&\tten1\tten2\itenl1N\zw{_ac}\wh L|\qu{_i}\enotes -\NOtes&|\qu j\enotes -\NOtes&|\qu k\enotes -\notes&|\dql3l{^m}\enotes -% mesure 44 -\barre\nspace\NOtes\zwq E&\tten1\itenu2e\zwq{be}\zwq{^N}|\ql{^n}\enotes -\NOtes&|\ql l\enotes -\notes&|\cddcu i{^j}\enotes -\notes&|\dqu3{^g}h\enotes -\NOtes&|\qu i\enotes -% mesure 45 -\barre\NOtes\zwq J&\tten2\itenu1c\zwq{ce}\zwq{=N}|\ql j\enotes -\NOtes&|\qu{=g}\enotes -\notes&|\cddcu e{^f}\enotes -\notes&|\dqu3cd\enotes -\NOtes&|\qu e\enotes -% mesure 46 -\barre\NOtes\zw{^G}&\tten1\itenu1c\zw{ac_e}|\qu{^f}\enotes -\NOtes&|\qu{^g}\enotes -\NOtes&|\qu{^h}\enotes -\notes&|\dql3jk\enotes -%\check -% mesure 47 -\barre\NOtes\zwq J&\tten1\zwq{Lc}\kern 3pt\qsk\zhl M|\ql l\enotes -\NOtes&|\ql j\enotes -\notes&\hl{_a}|\na g\cddcu g{=h}\enotes -\notes&|\dqu3e{=f}\enotes -\NOtes&\ql N|\qu g\enotes -% mesure 48 -\barre\nspace\NOtes\zwq{_G}&\lfl a\zwq{_Nc}\qsk\zwq a|\qu{_h}\enotes -\NOtes&|\qu{_i}\enotes -\NOtes&|\ql j\enotes -\notes&|\dql3kl\enotes -\NOtes&|\ql{^m}\enotes -\cleftoksii={{0}{0}{0}{0}}\changeclefs -% mesure 49 -\barre\NOtes\zwq E&\zw b\zwq{b^g}\zw d|\ql{^n}\enotes -\NOtes&|\ql l\enotes -\notes&|\cddcu i{^j}\enotes -\notes&|\dqu3{^g}{^h}\enotes -\NOtes&\qu{^d}|\qu{^i}\enotes -% mesure 50 -\barre\NOtes\zwq{^J}&\lsh f\zwq{^c^g}\qsk\hu f|\qsk\ql{^j}\enotes -\NOtes&|\qu{^g}\enotes -\notes&\hu d|\bigna e\cddcu e{^f}\enotes -\notes&|\dqu3{^c}d\enotes -\NOtes&\qu e|\qu e\enotes -% mesure 51 -\barre\NOtes\wh F&\lna c\rlap{\qsk\hup c}\zw{a=f}|\qu f\enotes -\NOtes&|\qu{=c}\enotes -\notes&|\dqu3de\enotes -\NOtes&\qu{_d}|\qu f\enotes -% mesure 52 -\barre\autolines{10}35\nspace -\NOtes\wh{_E}&\bigna d\lfl b\rlap{\qsk\hup d}\zw{b_g}|\qu{_g}\enotes -\NOtes&|\qu{_d}\enotes -\notes&|\bigfl e\dqu3{e}f\enotes -\NOtes&\qu{_e}|\qu g\enotes -% mesure 53 -\barre\nspace\NOtes\wh{=E}&\lna e\rlap{\qsk\hup e}\zw{=b_h}|\qu{_h}\enotes -\NOtes&|\qu{=e}\enotes -\notes&|\dqu3{_g}{_h}\enotes -\NOtes&\qu f|\qu{_i}\enotes -% mesure 54 -\barre\NOtes\zwq J&\zwq{cf}\qsk\zw g|\ql j\enotes -\notes&|\cddcu gf\enotes -\notes&|\dqu{-2}ed\enotes -\notes&|\dqu2cd\enotes -\NOtes&\qu{_h}|\qu e\enotes -% mesure 55 -\barre\nspace\NOtes\wh H&\lfl d\zw{c=f}\qsk\zw{dg}|\qu{^f}\enotes -\notes&|\dqu{-2}gf\enotes -\notes&|\dqu{-2}ih\enotes -\notes&|\noteskip 0.9\noteskip\ibu0g{-1}\qh0g\zcharnote n{\sl 3}\relax -\qh0{^f}\tqh0{=f}\enotes -\cleftoksii={{6}{0}{0}{0}}\changeclefs -% mesure 56 -\barre\nspace\NOtes\wh J&\fl a\fl e\zw{Nd}\qsk\zw{ae}|\qu{=e}\enotes -\notes&|\bigsh f\dqu{-2}{f}e\enotes -\notes&|\dqu3{^g}{^h}\enotes -\notes&|\dqu3jk\enotes -%\check -% mesure 57 -\barre\bigaccid -\NOtes\zwq C&\zwq{Nc=e}|\ql l\enotes -\NOtes&|\ql j\enotes -\notes&|\cddcu gh\enotes -\notes&|\dqu{-2}{^f}e\enotes -\notes&|\dqu{-2}dc\enotes -%\check -% mesure 58 -\barre\NOtes\wh{_H}&\zw{^M}\rw d\wh{_e}|\qu{_e}\enotes -\notes&|\trioskip\fl f\ibu0f0\qh0f\zcharnote l{\sl 3}\qh0e\tqh0f\enotes -\notes&|\dqu2ef\enotes -\notes&|\dqu2de\enotes -% mesure 59 -\barre\NOtes\wh J&\zw{Nb}\rw c\wh{=e}|\qu{=e}\enotes -\notes&|\dqu{-2}{=f}e\enotes -\notes&|\dqu4gi\enotes -\notes&|\dqu4jl\enotes -% mesure 60 -\barre\NOtes\wh{_G}&\fl N\zw M\rw N\rw d\wh c|\ql{^m}\enotes -\notes&|\trioskip\ibl0l0\qb0l\zcharnote c{\sl 3}\qb0m\tqb0l\enotes -\notes&|\dqb{-2}kj\enotes -\notes&|\dqu{-2}{_i}{_h}\enotes -% mesure 61 -\barre\NOtes\wh H&\sh M\zw M\zw a\wh d|\qu{=h}\enotes -\notes&|\trioskip\ibu0e0\qh0{^f}\zcharnote n{\sl 3}\qh0e\tqh0f\enotes -\notes&|\dqu2de\enotes -\notes&|\dqu6fi\enotes -% mesure 62 -\barre\NOTEs\hup E&\itenu0a\zwq a\qsk\zhp L\hup N|\hu h\enotes -\notes&|\trioskip\ibu0g{-1}\qhp0g\sk\tbbu0\tqh0{^f}\enotes -\NOTEs\hu D&\itenu1d\zh {^M}\hu d|\hu f\enotes -\resp -% mesure 63 -\barre\Notes\itenl3D\zwq D&\tten0\tten1\itenu1d\zwq{^fad}|\qu d\enotes -\Notes&|\qu{_e}\enotes -\Notes&|\qu h\enotes -\Notes&|\qu{_i}\enotes -\Notes&|\qu j\enotes -% mesure 64 -\barre\notes\tten3\itenl3D\zwq D&\tten1\itenu1d\zh L\zhl N\zwq d|\cddcu h{_i}\enotes -\notes&|\dqu2{^f}g\enotes -\NOTEs&\itenl0M\zhu a\hlp{^M}|\hu h\enotes -\NOtes&\qu{_b}|\ql k\enotes -%\check -% mesure 65 -\barre\notes\tten3\itenl3D\zwq D&\tten0\tten1\itenu1d\zhp{^M}\zwq d\hlp a|\cddcu h{_i}\enotes -\notes&|\dqu2{^f}g\enotes -\NOtes&|\qu h\enotes -\notes&\zh{LN}\hl{_b}|\dqu2gh\enotes -\notes&|\dqu2gh\enotes -% mesure 66 -\barre\notes\tten3\itenl3D\zw D&\tten1\itenu1d\zh{^M}\zw d\hl a|\sh f\cddcu fe\enotes -\NOtes&|\qu d\enotes -\notes&\zh{LN}\hl{_b}|\dqu2gh\enotes -\notes&|\dqu2gh\enotes -% mesure 67 -\barre\notes\tten3\itenl3D\zw D&\tten1\zh{^M}\zw d\hl a|\sh f\cddcu fe\enotes -\NOtes&|\qu d\enotes -\notes&\zh{LN}\itenu2b\hl{_b}|\dqu2gh\enotes -\notes&|\dqu2gh\enotes -% mesure 68 -\barre\nspace\NOTes\tten3\itenl3D\zw D&\tten2\lfl b\zw{_L_Nb_e}|\hl{_i}\enotes -\NOtes&|\ql j\enotes -\NOtes&|\sh j\ql j\enotes -% mesure 69 -\barre\NOTes\tten3\zwq D\pointdorgue 8&\na L\na N\zwq{Kd}\qsk\itenl2N\zh L\hu N|\pointdorgue m\zwq k\enotes -\NOTes&\tten2\zh N\hu {_b}\enotes -\NOtes&\zq{^M}\pointdorgue {11}\qu a\enotes -\finmorceau -\rightline{\sl\aujourdhui}\vfil\eject -\varaccid - -\ifx\toc\undefined - \let\finishpiece \end -\else - \let\finishpiece\relax -\fi -\finishpiece -\endinput - diff --git a/musixtex/doc/examples/romances.tex b/musixtex/doc/examples/romances.tex deleted file mode 100644 index c337b11..0000000 --- a/musixtex/doc/examples/romances.tex +++ /dev/null @@ -1,499 +0,0 @@ -\title{Romance sans paroles} -\fulltitle{IX. \titremorceau} -\subtitle{(pour orgue)} -\othermention{Compos\'e en 1992--93} -\author{Daniel TAUPIN} -\shortauthor{D. Taupin} -\maketitle - -\csname titremorceautoc\endcsname - -% -% formes frequentes -% deux croches hautes -\def\dqb#1#2{\Ibl0{#1}{#2}1\qb0{#1}\tqb0{#2}} -\def\dqh#1#2{\Ibu0{#1}{#2}1\qh0{#1}\tqh0{#2}} -\def\Tqb#1#2#3{\Ibl0{#1}{#3}2\qb0{#1}\qb0{#2}\tqb0{#3}} -\def\Tqh#1#2#3{\Ibu0{#1}{#3}2\qh0{#1}\qh0{#2}\tqh0{#3}} -\def\doubler{\noteskip=2\noteskip}% -\def\bassyn#1{\doubler\dsoupir\cu{#1}\dsoupir} -% -\parindent 18mm -% - -\tracingstats=2\relax -% -\nbporteesii=1\relax -\def\nbinstruments{3} -\global\cleftoksiii={{0}{0}{0}{0}}% -\global\cleftoksii={{0}{0}{0}{0}}% -\global\cleftoksi={{6}{0}{0}{0}}% -% -\signaturegenerale{-2}\relax % deux bemols a la clef -\def\quatretemps{\generalmeter{\meterfrac{12}{8}}}% -\def\troistemps{\generalmeter{\meterfrac{9}{8}}}% -\def\deuxtemps{\generalmeter{\meterfrac{6}{8}}}% -%\check -\def\instrumenti{P\'edale 16'}% -\def\instrumentii{Positif ({\bf II})}% -\def\instrumentiii{R\'ecit ({\bf III})}% -%\check -\def\gluemaxskip{7pt}% -% -\medskip\noindent{\rm G.O.: fonds 8'+4' ou 8'+4'+2' (acc. positif.)}% -\par\noindent{\rm Pos.: fonds 8'+4'+2' doux}% -\par\noindent{\rm R\'ec.: nasard, larigot ({\ppff f}, tremblant {\sl ad lib.})}% -\par\noindent{\rm P\'ed.: 16'+8',(+4' doux {\sl ad lib.})}% -\smallskip -% -\deuxtemps -% -\def\trioskip{\multiply\noteskip by 2\relax\divide\noteskip by 3\relax}% -\def\resp{\vnotes 0.2\elemskip&&\cbreath\enotes}% -\def\qqbbh#1#2#3#4#5{\ibbu0{#2}{#1}\qh0{#2}\qh0{#3}\qh0{#4}\tqh0{#5}}\relax -\def\qqbbH#1#2#3#4#5{{\advance\transpose by 1\relax - \ibbu0{#2}{#1}}\qh0{#2}\qh0{#3}\qh0{#4}\tqh0{#5}}\relax -\def\qqbbl#1#2#3#4#5{\ibbl0{#2}{#1}\qb0{#2}\qb0{#3}\qb0{#4}\tqb0{#5}}\relax -\def\sqbbh#1#2#3#4#5#6#7{\ibbu0{#2}{#1}\qh0{#2}\qh0{#3}\relax - \qh0{#4}\qh0{#5}\qh0{#6}\tqh0{#7}}\relax -\def\sqbbH#1#2.#3#4#5#6#7#8{\Ibbu0{#1}{#2}5\qh0{#3}\qh0{#4}\relax - \qh0{#5}\qh0{#6}\qh0{#7}\tqh0{#8}}\relax -\def\sqbbl#1#2#3#4#5#6#7{\ibbl0{#2}{#1}\qb0{#2}\qh0{#3}\qh0{#4}\relax - \qh0{#5}\qh0{#6}\tqb0{#7}}\relax -\def\sqbbL#1#2.#3#4#5#6#7#8{\Ibbl0{#1}{#2}5\qb0{#3}\qb0{#4}\relax - \qb0{#5}\qb0{#6}\qb0{#7}\tqb0{#8}}\relax -% -\debutmorceau -% -\ifnum\musicsize>16\def\barperline{6}\else\def\barperline{7}\fi -\autolines {6}{\barperline}5\relax -%\check -% -\ifnum\musicsize>16\relax\advance\linesinpage by 1\relax\fi -% mesure 1 -\ifx\mxversion\undefined\kern -\internote\fi -\notes&\sqbbH dd.bdgdbN&\Uptext{\hbox{\kern -16mm\moyen Andante con moto - \bf(\metron{\qup}{60})}}\enotes -\zbarre \notes\pause&\sqbbH dd.a{^c}g{^f}gc&\pause\enotes -%\check -% mesure 2 -\barre\ifx\mxversion\undefined\kern -\Interligne\fi -\notes&\sqbbH ff.d{^f}gigd&\sk\sk\qsk\pt i\soupir\enotes -\zbarre\notes\pause&\sqbbH cc.{=c}dfdca&\sk\soupir\sk\Ilegu3o\sk\cu d\enotes -%\check -% mesure 3 -\barre\ifx\mxversion\undefined\kern -\Interligne\fi -\notes\bassyn G&\sqbbH eg.bdgi{=e}{^f}&\doubler - \qu g\sk\cu h\enotes -\zbarre\notes\doubler\dsoupir\cu I\dsoupir&\sqbbH gg.dfgied&\doubler - \qu i\sk\cu k\enotes -%\check -% mesure 4 -\barre\notes\doubler\dsoupir\cu H\dsoupir&\bigsh c\sqbbH gh.c{=e}g{^j}ge&\doubler - \qup{^j}\enotes -\zbarre\notes\doubler\dsoupir\cu{^J}\dsoupir&\sqbbH ee.acegfe&\doubler - \qu h\tleg3\sk\dsoupir\enotes -%\check -% mesure 5 -\barre\notes\doubler\dsoupir\cu{=I}\dsoupir&\sqbbH fg.dfh{=i}hf&\doubler - \Ilegu3o\Tqh{=i}hg\enotes -\zbarre\notes\doubler\dsoupir\cu{^J}\dsoupir&\sqbbH gh.{=e}gh{^j}hg&\doubler - \Tqh{_i}hg\enotes -%\check -% mesure 6 -\barre\notes\doubler\dsoupir\cu K\dsoupir&\sqbbH gh.d{^f}h{=j}{=i}h&\doubler - \qu{^f}\sk\cu{=e}\enotes -\zbarre\notes\bassyn I&\sqbbH hh.{_i}fgigd&\qu d\tleg3\sk - \cbreath\sk\Ilegu3o\cu d\enotes -%\check -% mesure 7 -\barre\notes\bassyn G&\sqbbH dg.bd{^f}g{=e}f&\doubler - \qu g\sk\cu h\enotes -\zbarre\notes\doubler\dsoupir\cu I\dsoupir&\sqbbH gg.dfgied&\doubler - \qu i\sk\cu k\enotes -%\check -% mesure 8 -\barre\notes\bassyn{^J}&\sqbbH gg.{^c}{=e}g{^j}ge&\doubler - \qlp{=l}\enotes -\zbarre\notes\doubler\dsoupir\cna J\cu{J}\dsoupir&\sqbbH fd.{^f}dhfd{=c}&\relax - \ql k\tleg3\sk - \cbreath\sk\Ilegu3o\cna j\cl j\enotes -%\check -% mesure 9 -\barre\notes\bassyn I&\sqbbH df.dbgd{_e}g&\doubler - \ql i\sk\cl j\enotes -\zbarre\notes\bassyn D&\sqbbH ff.d{^f}jhdf&\doubler - \ql h\sk\cl i\enotes -%\check -% mesure 10 -\barre\notes\bassyn G&\sqbbH fd.igdgdb&\doubler\hu g\tleg3\sk\sk\enotes -\zbarre\notes\bassyn J&\sqbbH bd.Nbcdec&\doubler\sk\dsoupir - \Ilegu3o\cu d\enotes -%\check -% mesure 11 -\barre\notes\bassyn G&\sqbbH df.bdgi{=e}{^f}&\doubler - \qu g\sk\cu h\enotes -\zbarre\notes\doubler\dsoupir\cu I\dsoupir&\sqbbH gg.dfgied&\doubler - \qu i\sk\cu k\enotes -%\check -% mesure 12 -\barre\notes\bassyn H&\sqbbH eg.{^c}{=e}gied&\doubler\qlp n\enotes -\zbarre\notes\bassyn J&\sqbbH fg.{=c}{^f}hjhf&\doubler\ql {^m}\sk\cl{=l}\enotes -%\check -% mesure 13 -\barre\notes\bassyn K&\sqbbH gi.dgijig&\doubler\Tqb kji\enotes -\zbarre\notes\doubler\dsoupir\cu{^J}\dsoupir&\sqbbH gh.{=e}gh{^j}hg&\doubler - \Tqh{i}hg\enotes -%\check -% mesure 14 -\barre\notes\bassyn K&\sqbbH gg.hd{^f}{=j}hf&\doubler\qu h\tleg3\sk\dsoupir\enotes -\zbarre\notes\bassyn G&\sqbbH gi.gdgili&\doubler\Ilegu3o\qu i\sk\cu i\enotes -%\check -% mesure 15 -\barre\notes\bassyn H&\sqbbH hj.hehjlj&\doubler\qu j\sk\cu j\enotes -\zbarre\notes\bassyn I&\sqbbH hj.idgilk&\doubler\qu k\sk\cu k\enotes -%\check -% mesure 16 -\barre\notes\bassyn{^F}&\sqbbH ii.{^j}hdfh{=i}&\doubler\Tqh k{^j}{=j}\enotes -\zbarre\notes\bassyn G&\sqbbH fh.egh{=j}{_i}g&\doubler\Tqh {_i}hg\enotes -%\check -% mesure 17 -\barre\notes\bassyn K&\sqbbH gg.hd{^f}hjh&\qup h\enotes -\zbarre\notes\doubler\qup G&\Ibbu0ge3\qh0{gig}\tqh0d&\cu g\tleg3\sk\dsoupir - \Ilegu3p\enotes -\cleftoksii={6000}\changeclefs -\temps\notes&\zmidtwotext{\kern -\Interligne\bf I \rm(GO)}\Ibbl0bc1\qb0b\tqb0c&\doubler - \uptext{\kern -\Interligne\bf I \rm(GO)}\itenl0d\cu d\enotes -%\check -% mesure 18 -\barre\notes\doubler\qu I\sk\cu{^F}&\sqbbL bM.babNa{^M}&\doubler - \tten0\itenl0d\zqlp d\qu g\sk\zq {^f}\cu h\enotes -\zbarre\notes\doubler\qu G\sk\cu I&\sqbbL Nc.NabN{=e}d&\doubler - \tten0\zql d\zq g\qu i\sk\zcl g\cu g\enotes -%\check -% mesure 19 -\barre\notes\doubler\qu H\sk\dsoupir&\sqbbL ce.{^c}a{=b}cd{=e}&\doubler - \zq g\rq h\qu{^j}\tleg3\sk\dsoupir\enotes -\zbarre\notes\doubler\qu {^F}\sk\cu H&\sqbbL dM.d{=c}{_b}aN{^M}&\doubler - \Ilegu3o\zqp {^f}\zqlp h\qu k\sk\cu {=j}\enotes -%\check -% mesure 20 -\barre\notes\doubler\qup G&\sqbbL LN.{=L}{^M}NabN&\doubler - \zqlp d\zq g\Tqh ihg\enotes -\zbarre\notes\doubler\qup J&\sqbbL cL.cbaN{=M}{=L}&\doubler - \zqlp{=e}\zq g\Tqh ihg\enotes -%\check -% mesure 21 -\barre\notes\doubler\hu K&\sqbbL La.{^M}K{=L}MNa&\doubler - \zq d\zql{^f}\qup h\sk\raise -2.5\Interligne\soupir\enotes -\zbarre\notes\doubler\sk\sk\soupir&\sqbbL NN.bMNabc&\qu d\tleg3\sk - \doubler\cbreath\Ilegu3o\itenl0d\cu d\enotes -%\check -% mesure 22 -\barre\notes\doubler\qu I\sk\cu{^F}&\sqbbL bM.babNa{^M}&\doubler - \tten0\itenl0d\zqlp d\qu g\sk\zq{^f}\cu h\enotes -\zbarre\notes\doubler\qu G\sk\cu I&\sqbbL Nc.NabN{=e}d&\doubler - \tten0\zql d\itenl0g\zq g\itenu1i\qu i\sk - \tten0\tten1\itenl0g\zq g\zq i\cu k\enotes -%\check -% mesure 23 -\barre\notes\doubler\qup{^J}&\sqbbL cM.{^c}{=e}cbaN&\doubler - \tten0\pt f\zqp g\rlap{\qsk\itenu1h\zqp h}\qup{=l}\sk\sk\enotes -\zbarre\notes\doubler\qu K\sk\dsoupir&\sqbbL La.{^M}K{=L}MNa&\relax - \tten1\zq {^f}\zq h\qu k\tleg3\sk\doubler\sk\Ilegu3o\cna j\cl j\enotes -%\check -% mesure 24 -\barre\notes\qup G&\sqbbL aa.{_b}aN{=c}aN&\doubler - \itenl0d\zqp d\zqlp g\qu i\sk\cu j\enotes -\zbarre\notes\qup K&\sqbbL LL.{^M}{=L}MKLM&\doubler - \tten0\zql d\zqp {^f}\qu h\sk \zcu i\raise -3\Interligne\ds\enotes -%\check -% mesure 25 -\barre\notes\hu G&\sqbbL NI.N{^M}NKIK&\doubler\zh b\zh d\hu g\sk\sk\enotes -\zbarre\notes\sk\sk\soupir&\cu G\sk\dsoupir&\sk\tleg3\sk\dsoupir\enotes -\cleftoksii={0000}\changeclefs -\temps\notes&\uptext{(I)}\Ibbu0dc1\qh0d\tqh0c&\relax - \uptext{\bf III}\Ilegu3p\cu d\enotes -%\check -% mesure 26 -\barre\notes\doubler\qu G\sk\cu K&\rlap{\ql b\sk\sk\sk\cl a}\relax -\sqbbH df.bdgdce&\doubler\qu g\sk\cu h\enotes -\zbarre\notes\doubler\qu I\sk\cu H&\rlap{\ql b\sk\sk\sk\qsk\cl c}\relax -\sqbbH ff.dgigd{^f}&\doubler\qu i\sk\cu k\enotes -%\check -% mesure 27 -\barre\notes\doubler\qu G\sk\cu{=I}&\rlap{\ql{=b}\sk\sk\sk\cl d}\relax - \sqbbH fh.dg{=i}g{=f}g&\doubler\ql n\sk\cl m\enotes -\zbarre\notes\qup J&\zqlp c\sqbbH gi.egjghg&\doubler\Tqb lkj\enotes -%\check -% mesure 28 -\barre\notes\doubler\qup H&\rlap{\qsk\zql e}\sqbbH gi.{^f}hjijh&\doubler - \Tqb lkj\enotes -\zbarre\notes\doubler\qup{^J}&\zqlp e\sqbbH gh.{=e}gh{^j}hg&\doubler - \Tqh{_i}hg\enotes -%\check -% mesure 29 -\barre\notes\doubler\qup{=J}&\rlap{\ql d\sk\sk\sk\cna c\cl c}\relax - \sqbbH gg.hg{^f}{=j}hf&\doubler\qu h\sk\cu{^f}\enotes -\zbarre\notes\doubler\qu I\sk\soupir&\rlap{\ql d\sk\sk\sk\cl c}\relax - \sqbbH gg.gihg{^f}g&\qu d\tleg3\sk\cbreath\sk - \Ilegu3o\cu d\enotes -%\check -% mesure 30 -\barre\notes\doubler\qup I&\zqlp b\sqbbH gh.dgigdg&\doubler - \Tqh ghi\enotes -\zbarre\notes\doubler\qup H&\zqlp c\sqbbH gh.eghjhg&\doubler - \Tqb ijk\enotes -%\check -% mesure 31 -\barre\notes\doubler - \qup K&\zqlp c\sqbbH fh.c{=e}{^f}hjh&\doubler - \Tqb k{=l}{^m}\enotes -\zbarre\notes\doubler\qu I\sk\cu{=I}&\zqlp d\sqbbH ii.giki{=i}g&\doubler - \ql n\sk\cl {=m}\enotes -%\check -% mesure 32 -\barre\notes\doubler\qup J&\zqlp c\sqbbH gi.{_e}ghjhg&\doubler - \Tqb {_l}kj\enotes -\zbarre\notes\doubler\qup{^J}&\lsh c\zqlp c\sqbbH gh.{=e}gh{^j}hg&\doubler - \Tqh ihg\enotes -%\check -% mesure 33 -\barre\notes\doubler\qup{_I}&\lna c\zqlp c\sqbbH gh.{_e}gh{=j}hg&\doubler - \Tqh ihg\enotes -\zbarre\notes\doubler\qu K\sk\ds&\zql d\sqbbH ge.{^f}hjhfd&\doubler - \qu h\tleg3\sk\dsoupir\enotes -%\check -% mesure 34 -\barre\notes\doubler\qu G\sk\cu F&\rlap{\ql b\sk\sk\sk\cl d}\relax - \sqbbH ff.dgigdg&\doubler\Ilegu3o\Tqh gh{=i}\enotes -\zbarre\notes\doubler\qup E&\zqlp c\sqbbH gh.eghjhg&\doubler - \Tqb ijk\enotes -%\check -% mesure 35 -\barre\notes\doubler - \qup D&\zqlp c\sqbbH gg.{^f}hjhdf&\doubler - \Tqb k{=l}{^m}\enotes -\zbarre\notes\doubler - \qu{=E}\sk\cu{=I}&\rlap{\ql b\sk\sk\sk\cl{=b}}\sqbbH gg.{=e}g{=i}gdf&\doubler - \ql n\sk\cl m\enotes -% mesure 36 -\barre\notes\doubler\qup J&\lna e\rlap{\qsk\zql e}\sqbbH gi.{^f}hjkjh&\doubler - \Tqb {=l}kj\enotes -\zbarre\notes\doubler\qup H&\zqlp c\sqbbH gh.{_e}ghjhg&\doubler - \Tqb {_i}hg\enotes -% mesure 37 -\barre\notes\doubler\ql{I}\sk\ds&\rlap{\clp{^c}\sk\sk\pt{-5}\raise -4\Interligne\ds}\relax - \sqbbH cc.{^c}egeca&\doubler - \ql{^j}\tleg3\sk\ds\enotes -\cleftoksii={6000}\changeclefs -\zbarre\notes\doubler\qup K&\uptext{\kern -\Interligne(I)}\sqbbL La.{^M}K{=L}MNa&\relax - \uptext{\kern -2\Interligne\bf I}\doubler\Ilegu3o - \zqp {^f}\zqlp h\qu k\sk\cu{=j}\enotes -%\check -% mesure 38 -\barre\notes\qup G&\sqbbL aa.{_b}aNcaN&\doubler - \itenl0d\zqp d\zqlp g\qu i\sk\cu j\enotes -\zbarre\notes\qup K&\sqbbL LL.{^M}{=L}MKLM&\doubler - \tten0\zql d\zqp {^f}\qu h\sk \zcu i\raise -3\Interligne\ds\enotes -%\check -% mesure 39 -\barre\notes\hu G&\sqbbL NI.N{^M}NKIK&\doubler\zh b\zh d\hu g\sk\sk\enotes -\zbarre\notes\sk\sk\soupir - &\cu G\sk\ds&\sk\tleg3\sk\uptext{\rm (I)}\dsoupir\enotes -\cleftoksii={0000}\changeclefs -\temps\notes&\uptext{\bf III}\Ibbu0dc1\qh0d\tqh0c&\relax - \Ilegu3q\cu k\enotes -%\check -% mesure 40 -\barre\notes\doubler\qu G\sk\cu{^F}&\sqbbH bb.babNac&\doubler - \zq{ik}\ql n\sk\zq{j^m}\cl o\enotes -\zbarre\notes\doubler\qu G\sk\cu I&\sqbbH bd.babNdb&\doubler - \zq{kn}\ql p\sk\zq{=mp}\cl r\enotes -%\check -% mesure 41 -\barre\notes\qup H&\sqbbH ce.a{^c}{=e}gfe&\doubler\zq{=lo}\ql{^q}\sk\tleg3\enotes -\zbarre\notes\doubler\qu K\sk\cu{^F}&\sqbbH ff.{^f}dhfd{=c}&\doubler - \Ilegu3r\zqp{^m}\zqlp o\qu r\sk\cl{=q}\enotes -%\check -% mesure 42 -\barre\notes\doubler\qu G\sk\cu J&\sqbbH dd.bdgdec&\doubler - \itenu2n\zq{kn}\ql p\sk\tten2\zq{ln}\cl q\enotes -\zbarre\notes\doubler\qu K\sk\cu K&\sqbbH dd.ac{^f}dcd&\doubler - \zqp k\zqlp{^m}\qu o\sk\cu p\enotes -% mesure 43 -\barre\notes\doubler\hu G&\sqbbH cc.bdgdec&\doubler - \zq{ik}\ql n\tleg3\sk\ds\enotes -\zbarre\notes\doubler\sk\soupir&\sqbbH ff.bd{=e}{^f}gh&\doubler - \Ilegu3r\ql k\sk\itenl0k\cl k\enotes -%\check -% mesure 44 -\barre\notes\doubler\qu I\sk\cu{^F}&\sqbbL if.{!'b}abNa{^M}&\doubler - \tten0\itenl0k\zqlp k\ql n\sk\zq{^m}\cl o\enotes -\zbarre\notes\doubler\qu G\sk\cu I&\sqbbH gj.{'N}abN{=e}d&\doubler - \tten0\zq k\itenl0n\itenu1p\zq n\ql p\sk - \tten0\tten1\zq n\zq p\cl r\enotes -%\check -% mesure 45 -\barre\notes\doubler\qsk\qup H&\qsk\sqbbL jf.{!'^c}{=e}cbaN&\doubler\qsk - \lna s\zqp o\zqp {^q}\qlp{s}\sk\tleg3\sk\enotes -\zbarre\notes\doubler\qu {^F}\sk\cu H&\sqbbH he.hgfed{=c}&\doubler - \Ilegu3s\zqp {^m}\zqlp o\qu r\sk\cu {=q}\enotes -%\check -% mesure 46 -\barre\notes\doubler\qup G&\sqbbH ce.bcd{=e}{^f}g&\doubler - \zqlp k\zq n\Tqh pon\enotes -\zbarre\notes\doubler\qup J&\sqbbL ff.eihg{=f}{=e}&\doubler - \zqlp{=l}\zq n\Tqh pon\enotes -%\check -% mesure 47 -\barre\notes\doubler\qup K&\sqbbL eh.{!'^M}K{=L}MNa&\doubler - \zqp {k^m}\qlp o\enotes -\zbarre\notes\doubler\qu G\sk&\Ibbu0gc3\qh0{g_ed}\tqh0c&\cl n\tleg3\sk\dsoupir\enotes -\cleftoksii={6000}\changeclefs -\temps\notes\ds&\Ibbl0bc1\qb0b\tqb0c&\doubler - \Ilegu3r\itenl0k\cu k\enotes -%\check -% mesure 48 -\barre\notes\doubler\qu I\sk\cu{^F}&\sqbbL bM.babNa{^M}&\doubler - \tten0\itenl0k\zqlp k\qu n\sk\zq {^m}\cu o\enotes -\zbarre\notes\doubler\qu G\sk\cu I&\sqbbL Nc.NabN{=e}d&\doubler - \tten0\zq k\zq n\ql p\sk\cl n\enotes -%\check -% mesure 49 -\barre\notes\doubler\qu H\sk\dsoupir&\sqbbL ce.{^c}a{=b}cd{=e}&\doubler - \lq n\zq o\ql{^q}\tleg3\sk\dsoupir\enotes -\cleftoksii={0000}\changeclefs -\zbarre\notes\doubler\qup K&\sqbbH eh.{!'^M}K{=L}MNa&\doubler - \Ilegu3r\zq {^m}\zq o\ql r\sk\cna q\cl q\enotes -%\check -% mesure 50 -\barre\notes\qup G&\sqbbH hh.{!'_b}aNcaN&\doubler - \itenl0k\zqp k\zqlp n\qu p\sk\cu q\enotes -\zbarre\notes\qup K&\sqbbH ee.{!'^M}{=L}MKLM&\doubler - \tten0\itenl0k\zqp k\zqlp {^m}\qu o\sk \cu p\enotes -%\check -% mesure 51 -\barre\notes\hu G&\sqbbH gd.{!'N}{^M}NKIK&\doubler\tten0\zh i\zh k\hl n\sk\sk\enotes -\zbarre\notes\sk\sk\soupir&\cu N\zmidtwotext{\bf I \ppff ff}\sk\dsoupir - &\sk\tleg3\sk\dsoupir\enotes -\cleftoksii={6000}\changeclefs -\temps\notes&\cl c&\cu d\enotes -%\check -% mesure 52 -\barre\NOtes\qu G\sk\cu H&\Tqb bN{^M}&\zqlp d\zq g\qu i\sk\zq{^f}\cu h\enotes -\zbarre\NOtes\Tqh IHG&\Tqb KMN&\zqlp d\Ibu1gi2\zq b\qh1g\zq{^f}\qh1h\zq g\tqh1i\enotes -%\check -% mesure 53 -\barre\NOtes\qu H\sk\cu J&\Tqb aLN&\zqlp e\zq g\qu j\sk\zq{g}\cu i\enotes -\zbarre\NOtes\qup K&\Tqb {^M}KJ&\zqp d\zqlp{^f}\qu h\sk\cu h\enotes -%\check -% mesure 54 -\barre\NOtes\qup I&\Tqb IKN&\zql d\Ibu1ig2\zq g\qh1i\zq{^f}\qh1h\zcl e\zq g\tqh1i\enotes -\zbarre\NOtes\qup{^J}&\Tqh {=L}{^J}N&\zqp{=e}\zqlp g\qu{^j}\sk\cu j\enotes -% check -% mesure 55 -\barre\notes\qup K&\sqbbL aJ.aN{^M}{=L}KJ&\doubler - \zqp{^f}\zqlp h\qu k\sk\cu k\enotes -\zbarre\notes\doubler\qu G\sk\cu J&\sqbbL IK.IKNK{_L}J&\doubler - \zq d\zq g\itenu1g\qu i\sk\tten1\zq e\zq g\cu j\enotes -%\check -% mesure 56 -\barre\notes\qup K&\sqbbL KK.KJK{^M}aJ&\doubler\zqp d\zqlp {^f}\qu h\sk\cu i\enotes -\zbarre\notes\qup G&\sqbbL Ia.IK{=L}MNa&\doubler\zq{bd}\qu g\sk\ds\enotes -%\check -% mesure 57 -\barre\notes\qup I&\sqbbL aa.babNab&\doubler - \uptext{\it non legato}\zq{dg}\qu i\sk\zq{dg}\cu i\enotes -\zbarre\notes\qup H&\sqbbL bb.cbcabc&\doubler\zq{eh}\qu j\sk\zq{eh}\cu j\enotes -%\check -% mesure 58 -\barre\notes\qup I&\sqbbL aa.d{^c}dbNd&\doubler\zq g\zq i\qu k\sk\zq{eg}\cu k\enotes -\zbarre\notes\qup {^F}&\sqbbL NN.{=c}aKMac&\doubler\zqp{^f}\zqlp h\Tqh k{^j}{=j}\enotes -%\check -% mesure 59 -\barre\notes\qup G&\sqbbL aa.{=b}aNbaN&\doubler - \zq{dg}\qu {=i}\sk\zq{dg}\cu i\enotes -\zbarre\notes\qup E&\sqbbL Ma.{!`e}gh{=j}{_i}g&\doubler - \zq e\zql g\Tqh {_i}hg\enotes -%\check -% mesure 60 -\barre\notes\qup D&\sqbbL LL.aK{^M}aca&\itenl1d\zqp d\zqp {^f}\qup h\enotes -\zbarre\notes\doubler\qu G&\cl N\sk\ds&\tten1\zq d\cu g\sk\dsoupir - \enotes -\temps\notes\ds&\zmidtwotext{\kern -2\Interligne\fff}\Ibbl0bc1\qb0b\tqb0c&\doubler - \Ilegu3o\itenl0d\cu d\enotes -%\check -% mesure 61 -\barre\notes\doubler\qu I\sk\cu{^F}&\sqbbL bM.babNa{^M}&\doubler - \tten0\itenl0d\zqlp d\qu g\sk\zq {^f}\cu h\enotes -\zbarre\notes\doubler\qu G\sk\cu I&\sqbbL Nc.NabN{=e}d&\doubler - \tten0\zql d\zq g\qu i\sk\zcl g\cu g\enotes -%\check -% mesure 62 -\barre\notes\doubler\qu H\sk\dsoupir&\sqbbL ce.{^c}a{=b}cd{=e}&\doubler - \zq g\rq h\qu{^j}\tleg3\sk\dsoupir\enotes -\zbarre\notes\doubler\qu {^F}\sk\cu H&\sqbbL dM.d{=c}{_b}aN{^M}&\doubler - \lst f\zq {^f}\zq h\qu k\sk\lppz f\zq {fh}\cu {=j}\enotes -%\check -% mesure 63 -\barre\notes\doubler\qu I\sk\cu G&\sqbbL aa.NabNcb&\doubler - \lst d\zq d\zq g\qu i\sk\lppz e\zq{eg}\cu j\enotes -\zbarre\notes\doubler\qu K\sk\cu D&\sqbbL NN.aNa{^M}ba&\doubler - \lst d\zq{d^f}\qu h\sk\lppz d\zq{d^f}\qu i\enotes -%\check -% mesure 64 -\barre\notes\doubler\qu G\sk\ds&\sqbbL NH.NLKJIH&\doubler - \zhp {bd}\hup g\enotes -\ifnum\musicsize<17\relax\autolines695\relax\fi -\zbarre\NOtes\qu G\sk\ds&\cu G\ds\cl a&\relax - \sk\ds\uptext{\kern 3\Interligne\llap{\moyen maestoso}}\rq d\cu c\enotes -%\check -% mesure 65 -\barre\NOtes\qu G\sk\cu{^F}&\ust N\ql N\sk\uppz a\zq{^M}\cl a&\relax - \lst b\zq{bd}\qu g\sk\lppz d\zq{^fd}\cu h\enotes -\zbarre\NOtes\qu G\sk\cu{=F}&\ust b\zq N\ql b\sk\uppz d\zq{=Mb}\cl d&\relax - \lst d\zq{dg}\qu i\sk\lppz f\zq{=fi}\cu k\enotes -%\check -% mesure 66 -\barre\NOtes\qu{=E}\sk\cu G&\lsh c\zqp{=LNc}\qlp{=e}&\relax - \Ilegu3o\lsh j\zqp{gj=l}\qlp n\enotes -\zbarre\NOtes\qu{^F}\sk\ds&\zq{^Ma}\ql d\sk\ds&\tleg3\zq {^fh}\ql k\sk\ds\enotes -%\check -% mesure 67 -\barre\NOtes\qu H\sk\cu I&\ust c\zq{_La}\ql c\sk\uppz b\zq{KN}\cl b&\relax - \lst e\zq{_eh}\qu{=j}\sk\lppz d\zq{dg}\cu i\enotes -\zbarre\NOtes\qu J\sk\cu{^J}&\zql L\qup N\sk\cl{=L}&\relax - \rlap{\zq c\ql e\sk\lsh c\zq c\cl{=e}}\Tqh hgh\enotes -%\check -% mesure 68 -\barre\Notes\hu K&\zh{=J^M}\hl a&\hu d\sk\sk\sk\enotes -\zbarre\NOtes\soupir&\ds\zq{^M}\cl a&\ds\rq d\cu c\enotes -%\check -% mesure 69 -\advance\maxbarsinline by 1\relax -\barre\NOtes\qu G\sk\cu{^F}&\ust N\ql N\sk\uppz a\zq{^M}\cl a&\relax - \lst b\zq{bd}\qu g\sk\lppz d\zq{^fd}\cu h\enotes -\zbarre\NOtes\qu G\sk\cu{=F}&\ust b\zq N\ql b\sk\uppz d\zq{=Mb}\cl d&\relax - \lst d\zq{dg}\qu i\sk\lppz f\zq{=fi}\cu k\enotes -%\check -% mesure 70 -\barre\NOtes\qup C&\zq{J=LN}\ql c\sk\ds&\zq{=egj}\ql{=l}\sk\ds\enotes -\zbarre -\NOtes\qu D\sk\cu{^F}&\zqp{^Ma}\qlp d&\zqp{^f}\zqlp h\qu k\sk\cu j\enotes -%\check -% mesure 71 -\barre\notes\qup G&\doubler\zcl K\zqp N\qup b\ql J&\relax - \rlap{\zq d\cl g\sk\zq{_e}\ql g}\ibu0i0\qh0i\sk\nbbu0\qh0{ihj}\tqh0i\enotes -\zbarre\notes\qup D&\doubler\zcl K\zqp{^M}\qup a\ql J&\relax - \rlap{\zq d\cl{^f}\sk\zq{c}\ql f}\ibu0h0\qh0h\sk\nbbu0\qh0{hgi}\tqh0h\enotes -% mesure 72 -\barre\NOtes\hup G\sk\sk&\zql{J}\zqp{=L}\itenu0N\qup N\sk\cl H&\relax - \zqp{c}\zqlp{=e}\itenu1g\qup g\enotes -\zbarre\NOtes&\zqp{I}\zqlp K\tten0\qup N&\zqp{b}\zqlp{d}\tten1\qup g\enotes -%\check -\finmorceau -% -\medskip\rightline{\it \aujourdhui} -\vfil -\eject diff --git a/musixtex/doc/examples/scale.tex b/musixtex/doc/examples/scale.tex deleted file mode 100644 index ac0d005..0000000 --- a/musixtex/doc/examples/scale.tex +++ /dev/null @@ -1,67 +0,0 @@ -\voffset-15.4mm\vsize=259mm -\hoffset-10.4mm\hsize=185mm -\nobarnumbers\nopagenumbers -\smallmusicsize\relativeaccid -\parindent45pt -\def\scale#1#2{\setname1{\vbox{\hbox{#1}\hbox{#2}}\hfill}% - \startpiece\addspace\afterruleskip - \notesp\qa{cdefg'abcba`gfedc}\en\setdoublebar\bar - \notesp\qa{abcde^f^g'a`=g=fedcba}\en\endpiece} -\def\german{\parindent45pt\def\Dur{Dur}\def\Moll{Moll} - \def\C{C}\def\Cis{Cis}\def\Des{Des}\def\D{D}\def\Es{Es}\def\E{E} - \def\F{F}\def\Fis{Fis}\def\Ges{Ges}\def\G{G}\def\As{As}\def\A{A} - \def\B{B}\def\H{H}\def\Ces{Ces} - \def\a{a}\def\ais{ais}\def\b{b}\def\h{h}\def\c{c}\def\cis{cis} - \def\d{d}\def\dis{dis}\def\es{es}\def\e{e}\def\f{f}\def\fis{fis} - \def\g{g}\def\gis{gis}\def\as{as}} - -\def\flat{\raise 0.5\Interligne\hbox{\musicsixteen 2}} -\def\sharp{\raise1.0\Interligne\hbox{\hskip1pt\musicsixteen 4}} -\def\english{\parindent45pt\def\Dur{major}\def\Moll{minor} - \def\C{C}\def\Cis{C\sharp}\def\Des{D\flat}\def\D{D}\def\Es{E\flat}\def\E{E} - \def\F{F}\def\Fis{F\sharp}\def\Ges{G\flat}\def\G{G}\def\As{A\flat}\def\A{A} - \def\B{B\flat}\def\H{B}\def\Ces{C\flat} - \def\a{a}\def\ais{a\sharp}\def\b{b\flat}\def\h{b}\def\c{c}\def\cis{c\sharp} - \def\d{d}\def\dis{d\sharp}\def\es{e\flat}\def\e{e}\def\f{f}\def\fis{f\sharp} - \def\g{g}\def\gis{g\sharp}\def\as{a\flat}} - -%--\german -\english - -\startmuflex -\transpose0 \generalsignature{-7} \scale{\Ces-\Dur}{\as-\Moll} -\vfil\hrule\vfil -\transpose4 \generalsignature{-6} \scale{\Ges-\Dur}{\es-\Moll} -\transpose1 \generalsignature{-5} \scale{\Des-\Dur}{\b-\Moll} -\transpose5 \generalsignature{-4} \scale{\As-\Dur}{\f-\Moll} -\transpose2 \generalsignature{-3} \scale{\Es-\Dur}{\c-\Moll} -\transpose6 \generalsignature{-2} \scale{\B-\Dur}{\g-\Moll} -\transpose3 \generalsignature{-1} \scale{\F-\Dur}{\d-\Moll} -\transpose0 \generalsignature0 \scale{\C-\Dur}{\a-\Moll} -\transpose4 \generalsignature1 \scale{\G-\Dur}{\e-\Moll} -\transpose1 \generalsignature2 \scale{\D-\Dur}{\h-\Moll} -\transpose5 \generalsignature3 \scale{\A-\Dur}{\fis-\Moll} -\transpose2 \generalsignature4 \scale{\E-\Dur}{\cis-\Moll} -\transpose6 \generalsignature5 \scale{\H-\Dur}{\gis-\Moll} -\transpose3 \generalsignature6 \scale{\Fis-\Dur}{\dis-\Moll} -\vfil\hrule\vfil -\transpose0 \generalsignature7 \scale{\Cis-\Dur}{\ais-\Moll} -\eject\musicparskip -\transpose0 \generalsignature0 \scale{\C-\Dur}{\a-\Moll} -\transpose0 \generalsignature7 \scale{\Cis-\Dur}{\ais-\Moll} -\transpose1 \generalsignature{-5} \scale{\Des-\Dur}{\b-\Moll} -\transpose1 \generalsignature2 \scale{\D-\Dur}{\h-\Moll} -\transpose2 \generalsignature{-3} \scale{\Es-\Dur}{\c-\Moll} -\transpose2 \generalsignature4 \scale{\E-\Dur}{\cis-\Moll} -\transpose3 \generalsignature{-1} \scale{\F-\Dur}{\d-\Moll} -\transpose3 \generalsignature6 \scale{\Fis-\Dur}{\dis-\Moll} -\transpose4 \generalsignature{-6} \scale{\Ges-\Dur}{\es-\Moll} -\transpose4 \generalsignature1 \scale{\G-\Dur}{\e-\Moll} -\transpose5 \generalsignature{-4} \scale{\As-\Dur}{\f-\Moll} -\transpose5 \generalsignature3 \scale{\A-\Dur}{\fis-\Moll} -\transpose6 \generalsignature{-2} \scale{\B-\Dur}{\g-\Moll} -\transpose6 \generalsignature5 \scale{\H-\Dur}{\gis-\Moll} -\transpose7 \generalsignature{-7} \scale{\Ces-\Dur}{\as-\Moll} -\transpose7 \generalsignature0 \scale{\C-\Dur}{\a-\Moll} -\endmuflex -\eject\bye diff --git a/musixtex/doc/examples/souvenir.tex b/musixtex/doc/examples/souvenir.tex deleted file mode 100644 index 9ab7f02..0000000 --- a/musixtex/doc/examples/souvenir.tex +++ /dev/null @@ -1,31 +0,0 @@ -\input musixtex -\input musixsty -\input musixcpt -% -\def\Transpose{0}% -\def\Signature{-3}\relax % trois bemols a la clef -\generalsignature{\Signature}\savesignature -\barsinline=0\relax\linesinpage=0\relax -\input souvenix -% -\def\Transpose{-4}% -\def\Signature{-4}\relax % quatre bemols a la clef -\generalsignature{\Signature}\savesignature -\barsinline=0\relax\linesinpage=0\relax -\input souvenix -% -\bye - -\def\Transpose{-4}\relax -\def\Signature{3}\relax % trois diezes a la clef -\generalsignature{\Signature}\savesignature -\barsinline=0\relax\linesinpage=0\relax -\input souvenix -% -\def\Transpose{-3}\relax -\def\Signature{-2}\relax % deux bemols a la clef -\generalsignature{\Signature}\savesignature -\barsinline=0\relax\linesinpage=0\relax -\input souvenix -\bye - diff --git a/musixtex/doc/examples/souvenix.tex b/musixtex/doc/examples/souvenix.tex deleted file mode 100644 index a9ce439..0000000 --- a/musixtex/doc/examples/souvenix.tex +++ /dev/null @@ -1,474 +0,0 @@ - -\fulltitle{Un souvenir...} -\shortauthor{Rossi/Capitani} -\title{Un souvenir} -\othermention{Paroles d'Oreste ROSSI} -\fullauthor{Musique de Fernand CAPITANI}% -\maketitle - -\ifx\Transpose\undefined\def\Transpose{0}\fi -\ifx\Signature\undefined\def\Signature{-3}\fi - -\tracingstats=1\relax -%\check -% -% -% soufflets crescendo et decrescendo -% -\def\soufflcr#1{\zcharnote{#1}{\kern -1cm\cresc}}% -\def\Soufflcr#1{\zcharnote{#1}{\kern -1cm\CResc}}% -% -\def\souffldim#1{\zcharnote{#1}{\kern -1cm\dimin}}% -\def\Souffldim#1{\zcharnote{#1}{\kern -1cm\DImin}}% -% -%\check -\def\nbinstruments{2} -\setstaffs12\relax -\setstaffs21\relax -\setclefs1{6000}% -\setclefs2{0000}% -% -\generalsignature{\Signature}% -\generalmeter{\meterfrac{4}{4}} -%\check -\def\interfacteur{10}% -\parindent 15mm -\def\instrumenti{Piano}% -\def\instrumentii{Chant}% -\setinterinstrument1{4\Interligne} -%\check -\def\respire{\notes\nextinstrument\cbreath\enotes}% -% -%\check -\catcode`\@=13 -% -\def\doct#1#2{\Ibl0{#1}{#2}1{\zq{'#1}}\qb0{#1}{\zq{'#2}}\tqb0{#2}}% -\def\doctu#1#2{{\advance\transpose by 7\relax -\Ibu0{#1}{#2}1\zq{#1}}\qh0{#1}{\zq{'#2}}\tqh0{#2}}% -% -\def\nbinstruments{1}\computewidths -\debutmorceau -\autolines {10}44\relax -\transpose=\Transpose -\notes|\Uptext{\raise 2\Interligne\hbox{\moyen Moderato}}\enotes -% -\def\rchone{\lq q\zq{lnp}\ql s}% -\def\Lchone{\lh c\zh{be}\hl g}% -\def\lchone{\lq c\zq{be}\ql g}% -\def\Lchtwo{\zh{bd}\hl g}% -\def\lchtwo{\zq{bd}\ql g}% -\def\octs#1{\zw{#1}\advance\transpose by 7\zw{#1}\raise 3\Interligne\soupir}% -\znotes\zmidtwotext{\kern -3mm\ppff p}\enotes -\temps\NOtes\octs E|\soupir\enotes -\temps\NOtes\Lchone|\rchone\enotes -\temps\NOtes|\rchone\enotes -\temps\NOtes\lchone|\rchone\enotes - %\check -% mesure 2 -\barre\NOtes\octs G|\itenl1k\itenl2n\itenu3p\itenu4r\zw{knpr}\enotes -\temps\NOtes\Lchtwo\enotes -\temps\NOtes\sk\enotes -\temps\NOtes\lchtwo\enotes - %\check -% mesure 3 -% -\def\lchthree{\lq f\zq{ce}\ql h}% -\def\Lchthree{\lh f\zh{ce}\hl h}% -\xbarre\NOtes\octs H|\tten1\tten2\tten3\tten4\zq{knp}\ql r\enotes -\temps\notes\Lchthree|\doct jk\enotes -\temps\NOtes|\zq{lnq}\ql s\enotes -\temps\notes\lchthree|\doct kj\enotes -% - %\check -% mesure 4 -\def\lchfour{\zq{be}\ql g}% -\def\Lchfour{\zh{be}\hl g}% -\xbarre\NOtes\octs G|\zw{inp}\qsk\zql m\enotes -\temps\NOtes\Lchfour|\ql l\enotes -\temps\NOtes|\ql k\enotes -\temps\NOtes\lchfour|\Fl k\ql k\enotes -% - %\check -% mesure 5 -% -\def\lchfive{\lq e\zq c\ql f}% -\def\Lchfive{\lh e\zh c\hl f}% -\def\uchfive{\lq m\zq{hl}\ql o}% -\barre\autolines 854\relax -\NOtes\octs F|\soupir\enotes -\temps\NOtes\lFl c\Lchfive|\uchfive\enotes -\temps\NOtes|\uchfive\enotes -\temps\notes\lchfive|\lq m\zq l\doct hh\enotes -% - %\check -% mesure 6 -% -\def\lchsix{\lq c\zq{Nb}\ql e}% -\def\Lchsix{\lNa c\lh c\zh{Nb}\hl e}% -\xbarre\NOtes\octs B|\itenl1g\itenu2n\zw{gn}\qsk\ql m\enotes -\temps\NOtes\Lchsix|\ql l\enotes -\temps\NOtes|\ql j\enotes -\temps\NOtes\lchsix|\ql i\enotes -% - %\check -% mesure 7 -\def\lchseven{\zq{Ma}\ql c}% -\def\Lchseven{\Fl c\zh{Mac}\hl e}% -\xbarre\NOtes\octs B|\tten1\tten2\zq g\qu n\enotes -\temps\notes\bigaccid\Lchseven|\doctu fg\enotes -\temps\NOtes|\Fl j\zh h\zhl j\kern 1pt\zq f\zqu m\enotes -\temps\Notes\lchseven|\doctu ef\enotes -% - %\check -% mesure 8 -\xbarre\NOTes\itenl1E\itenu2L\zw E\zw L\raise 3\Interligne\hpause - |\Na j\rh j\zh{egi}\hu l\enotes -\temps\NOTes\Fl c\Lchthree|\lh m\zh{il}\hl p\enotes -% - %\check -% mesure 9 -\xbarre\notes\qsk\enotes -\NOTEs\llap{\lNa c\kern 1pt}\tten1\tten2\zw{EL}\lw c\zw{be}\wh g\relax - |\lw p\zw{lnq}\wh s\enotes -\setdoublebar\suspmorceau -% - %\check -% mesure 10 -\def\nbinstruments{2}\generalmeter{}\savemeters - %\computewidths - %\advance\linesinpage by 1 - \lreprmorceau -\llap{\leftrepeatsymbol}% -\def\txt#1|#2&{\hsong{\vbox to 0pt{\Smalltype\baselineskip 10pt -\vss\hrule width \noteskip height 0pt -\hbox{\vrule height 6pt depth 2pt width 0pt\kern -\internote - #2\kern\internote}\smallskip -\hbox{\vrule height 6pt depth 2pt width 0pt\kern -\internote - #1\kern\internote}}}}% -\znotes\zmidtwotext{\kern -3mm\ppff p}&\enotes -% -\def\arpg#1#2{\vnotes 0.2\elemskip\larpeggio{#1}{#2}\enotes}% -\def\uarpg#1#2{\vnotes 0.2\elemskip|\larpeggio{#1}{#2}\enotes}% -% -\vnotes 0.2\elemskip\rlap{\larpeggio E6}\larpeggio c6\enotes -\notes\zw{EILNb}|\wh g&\ds\enotes -\temps\notes&\txt Se |De &\cu g\enotes -\temps\notes&\txt sou-|la &\cu g\enotes -\temps\notes&\txt ve-|mer-&\cu g\enotes -\temps\notes&\txt nir |veil-&\cu i\enotes -\temps\notes&\txt c'est |leuse &\cu i\enotes -\temps\notes&\txt croire |a-&\cu j\enotes -\temps\notes&\txt en |ven-&\cu j\enotes - %\check -% mesure 11 -\xbarre\vnotes 0.2\elemskip\larpeggio G5|\larpeggio d4\enotes -\NOtes\zh{GK}\hu b|\zh{dgi}\hu k&\txt co-|tu-&\hl k\enotes -\temps\vnotes 0.2\elemskip\larpeggio M8|\larpeggio i4\enotes -\NOtes\zh{Nd}|\zhl g\zh{knp}\hu r&\txt re |re &\hl k\enotes -% - %\check -% mesure 12 -\xbarre -\vnotes 0.2\elemskip\rlap{\larpeggio D8}\larpeggio b4\enotes -\notes\zw{EILNb}|\zw g\qsk\hl f&\ds\enotes -\temps\notes&\txt Que |Qui &\cu g\enotes -\temps\notes&\txt tout |un &\cu g\enotes -\temps\notes&\txt vient |jour &\cu g\enotes -\temps\notes|\hl e&\txt de |a &\cu i\enotes -\temps\notes&\txt re-|pu &\cu i\enotes -\temps\notes&\txt com-|nous &\cu j\enotes -\temps\notes&\txt men-|u-&\cu j\enotes - %\check -% mesure 13 -\xbarre\vnotes 0.12\elemskip\larpeggio E6\qsk|\larpeggio c4\enotes -\NOtes\zw{GKb}|\Sh h\zw{dik}\qsk\zhl h\sk&\txt cer |nir &\wh k\enotes -\temps\NOtes|\hl g\enotes -% - %\check -% mesure 14 -\alaligne -\notes\zh{JN}\hl c|\zh{eg}\hu l&\ds\enotes -\temps\notes&\txt\kern -\Interligne C'est |Je &\cl l\enotes -\temps\notes&\txt re-|gar- &\cl k\enotes -\temps\notes&\txt voir-|de &\cu j\enotes -\temps\notes\bigaccid\zh H\zh L\Na a\hl a|\zh{cj}\zhu e\qsk\zql i&\txt - l'\^e-|mal-&\cu i\enotes -\temps\notes&\txt tre |gr\'e &\cu i\enotes -\temps\notes|\bigaccid\Na h\ql h&\txt qu'on |mes &\cu j\enotes -\temps\notes&\txt a- |bles-&\cu j\enotes - %\check -% mesure 15 -\xbarre\NOTes\zh{F}\zhl J\zh{ac}|\zh{e}\hu g&\txt do-|su-&\hu g\enotes -\temps\NOTes\zh{M}\hl c|\zh{hjl}\hl n&\txt re |res &\hu g\enotes -% - %\check -% mesure 16 -\xbarre -\notes\bigaccid\Sh a\zw{FLac}|\zw e\wh g&\ds\enotes -\temps\notes&\txt Et |L'in-&\cu g\enotes -\temps\notes&\txt re-|ef-&\cu g\enotes -\temps\notes&\txt trou-|fa-&\cu g\enotes -\temps\notes&\txt ver |\c ca-&\cu f\enotes -\temps\notes&\txt tout |ble &\cu f\enotes -\temps\notes&\txt le |sou-&\cu g\enotes -\temps\notes&\txt pas-|ve-&\cu g\enotes - %\check -% mesure 17 -\xbarre\NOtes\Na a\zw{Ia}|\zh{g}\zhu i\qlp d&\txt s\'e... |nir... &\wh i\enotes -\temps\notes|\Ibbl0ef2\qb0e\Sh e\qb0e\tqb0f\enotes -\NOTes|\Sh f\Sh m\zhl f\zh{ikm}\hu p\enotes -% - %\check -% mesure 18 -\setdoublebar\alaligne -% -\autolines {10}44\relax -\znotes\zmidtwotext{\kern -3mm\ppff p}&\uptext{\rm REFRAIN}\soupir\enotes -\temps\NOtes\octs E|\soupir\enotes -\temps\NOtes\Lchone|\rchone&\hsong{Un }\ql l\enotes -\temps\NOtes|\rchone&\hsong{sou- }\ql l\enotes -\temps\NOtes\lchone|\rchone&\hsong{ve- }\ql l\enotes - %\check -% mesure 19 -\barre\NOtes\octs G|\itenl1k\itenl2n\itenu3p\itenu4r\zw{knpr}&\hsong{nir }\wh k\enotes -\temps\NOtes\Lchtwo\enotes -\temps\NOtes\sk\enotes -\temps\NOtes\lchtwo\enotes - %\check -% mesure 20 -% -\xbarre\NOtes\octs H|\tten1\tten2\tten3\tten4\zq{knp}\ql r&\soupir\enotes -\temps\Notes\Lchthree|\doct jk&\hsong{\kern -2\Interligne C'est l'i-}\cl j\cl k\enotes -\temps\NOtes|\zq{lnq}\ql s&\hsong{ma- }\ql l\enotes -\temps\Notes\lchthree|\doct kj&\hsong{ge d'un }\cl k\cl j\enotes -% - %\check -% mesure 21 -\xbarre\NOtes\octs G|\zh{inl}\hl p&\hsong{r\^e- }\hl i\enotes -\temps\NOtes\Lchfour|\enotes -\temps\NOtes|\zh{inl}\hl p&\hsong{be }\hl i\enotes -\temps\NOtes\lchfour|\enotes -% - %\check -% mesure 22 -% -\def\lchttwo{\zq a\zq c\ql e}% -\def\Lchttwo{\zh a\zh c\hl e}% -\def\uchttwo{\zq{hjl}\ql o}% -\barre\NOtes\octs F|\soupir&\soupir\enotes -\temps\NOtes\Lchttwo|\uchttwo&\hsong{\kern -\internote D'une }\qu h\enotes -\temps\NOtes|\uchttwo&\hsong{\kern -\internote heu- }\qu h\enotes -\temps\Notes\lchttwo|\zq j\zq l\doct hh&\hsong{\kern -\internote re trop }\cu h\cu h\enotes -% - %\check -% mesure 23 -% -\def\Lchtthree{\lh c\zh{Nb}\hl e}% -\def\lchtthree{\lq c\zq{Nb}\ql e}% -\barre\NOtes\octs B|\zh{gjl}\hl n&\hsong{br\`e-}\hu g\enotes -\temps\NOtes\Lchtthree|\enotes -\temps\NOtes|\itenl1g\itenl2j\itenu3l\itenu4n\zh{gjl}\hl n&\hsong{be }\hu g\enotes -\temps\NOtes\lchsix|\enotes -% - %\check -% mesure 24 -\def\Lchtfour{\zh{Mac}\hl e}% -\barre\NOtes\octs B|\tten1\tten2\tten3\tten4\zq{gjl}\qu n&\soupir\enotes -\temps\Notes\Lchtfour|\doctu fg&\hsong{Qui ne }\cu f\cu g\enotes -\temps\NOtes|\zq f\qu m&\hsong{beut }\qu f\enotes -\temps\Notes\lchseven|\doctu ef&\hsong{pas fi-}\cu e\cu f\enotes -% - %\check -% mesure 25 -\barre\NOtes\octs E|\zh{gil}\hu n&\hsong{nir }\hu g\enotes -\temps\NOtes\lchtthree\enotes -\temps\NOtes\soupir|\Sh m\zh{ikm}\hu p&\hsong{--}\hu i\enotes -\temps\NOtes\qu I\enotes -% - %\check -% mesure 26 -\barre\temps\NOtes\octs E|\soupir&\soupir\enotes -\temps\NOtes\Lchone|\rchone&\hsong{Un }\ql l\enotes -\temps\NOtes|\rchone&\hsong{sou-}\ql l\enotes -\temps\NOtes\lchone|\rchone&\hsong{ve-}\ql l\enotes -% - %\check -% mesure 27 -\barre\NOtes\octs G|\itenl1k\itenu3p\itenu4r\Sh o\zw{kpr}\qsk\zql o&\hsong{nir }\wh k\enotes -\temps\NOtes\Lchtwo|\ql n\enotes -\temps\NOtes\sk|\Sh m\ql m\enotes -\temps\NOtes\lchtwo|\ql n\enotes - %\check -% mesure 28 -% -\barre\NOtes\octs H|\tten1\tten3\tten4\zq{kp}\ql r&\soupir\enotes -\temps\Notes\Lchthree|\doct jk&\hsong{\kern -2\Interligne C'est tou-}\cl {jk}\enotes -\temps\NOtes|\zq{lnq}\ql s&\hsong{te }\ql l\enotes -\temps\Notes\lchthree|\doct kj&\hsong{la ten-}\cl{kj}\enotes -% - %\check -% mesure 29 -\barre\NOtes\octs G|\zh{in}\zhl p\qsk\zqu m&\hsong{dres-}\hu i\enotes -\temps\NOtes\Lchfour|\qu l\enotes -\temps\NOtes\sk|\zh{in}\zhl p\qsk\zqu k&\hsong{se }\hu i\enotes -\temps\NOtes\lchfour|\Fl k\qu k\enotes -% - %\check -% mesure 30 -% -\barre\NOtes\octs F|\soupir&\soupir\enotes -\temps\NOtes\lFl c\Lchfive|\uchfive&\hsong{Des }\qu h\enotes -\temps\NOtes|\uchfive&\hsong{beaux }\qu h\enotes -\temps\Notes\lchfive|\lq m\zq l\doct hh&\hsong{jours d'i-}\cu{hh}\enotes -% - %\check -% mesure 31 -% -\barre\NOtes\octs B|\zh{g}\zhl n\qsk\qu m&\hsong{bres-}\hu g\enotes -\temps\NOtes\Lchsix|\qu l\enotes -\temps\NOtes|\itenl1g\itenu2n\zh{g}\zhl n\qsk\qu j&\hsong{se }\hu g\enotes -\temps\NOtes\lchsix|\qu i\enotes -% - %\check -% mesure 32 -\barre\NOtes\octs B|\tten1\tten2\zq g\qu n&\soupir\enotes -\temps\Notes\Lchseven|\doctu fg&\hsong{Que l'on }\cu f\cu g\enotes -\temps\NOtes|\Fl j\zh h\zhl j\kern 1pt\zq f\zqu m&\txt voit |croit&\qu f\enotes -\temps\Notes\lchseven|\doctu ef&\txt re-ve-|re-te-&\cu e\cu f\enotes -% - %\check -% mesure 33 -\barre\NOtes\octs E|\Na j\rh j\zh{egi}\hu l&\txt nir|nir&\wh e\enotes -\temps\NOtes\qu N\enotes -\temps\NOtes\qu a\enotes -\temps\NOtes\Sh a\qu a\enotes -% - %\check -% mesure 34 -\barre\notes\zh G\zhl K|\zh b\hu d&\ds\enotes -\temps\notes&\hsong{Un }\Ibu0eh2\qh0d\enotes -\notes&\hsong{soir }\qh0g\enotes -\notes&\hsong{tu }\bigaccid\Sh h\tqh0h\enotes -\temps\notes\zh I\hu N|\zh k\hl g&\hsong{as }\ibu0j0\qh0i\enotes -\notes&\hsong{pu }\qh0k\enotes -\notes&\hsong{te }\qh0j\enotes -\notes&\hsong{re-}\tqh0i\enotes - %\check -% mesure 35 -\barre\NOTes\Sh H\zw H\wh N|\zw e\zw g\hu k&\hsong{pren-}\hl k\enotes -\temps\NOTes|\hu j&\hsong{dre }\hl j\enotes - %\check -% mesure 36 -\barre\notes\zw K\bigaccid\Sh a\wh a|\bigaccid\Sh f\zw f\wh j&\ds\enotes -\temps\notes&\hsong{\kern -\internote Tout }\ibu0j0\qh0j\enotes -\notes&\hsong{bri-}\qh0j\enotes -\notes&\hsong{ser, }\tqh0j\enotes -\notes&\hsong{tout }\Ibu0kh4\qh0k\enotes -\notes&\hsong{a-}\qh0k\enotes -\notes&\hsong{n\'e-}\bigaccid\Sh h\qh0h\enotes -\notes&\hsong{an-}\tqh0h\enotes - %\check -% mesure 37 -\barre\notes\Ibu0Ga3\qh0{GKN}\Sh a\tqh0a|\zw{g}\wh i&\hsong{tir }\wh i\enotes -\temps\notes|\Ibu0cf3\qh0{bdg}\Sh f\tqh0f\enotes - %\check -% mesure 38 -\barre\notes\zh I\hu M|\zh d\bigaccid\Na f\hu f&\ds\enotes -\temps\notes&\hsong{\kern -3\internote Mais }\Ibu0gj3\qh0f\enotes -\notes&\hsong{pour }\qh0i\enotes -\notes&\hsong{moi }\tqh0j\enotes -\temps\notes\zh K\hl b|\zh f\hl i&\hsong{qui }\Ibu0ki3\qh0k\enotes -\notes&\hsong{ne }\qh0k\enotes -\notes&\hsong{sais }\qh0j\enotes -\notes&\hsong{com-}\tqh0i\enotes - %\check -% mesure 39 -\barre\NOTes\zw J\wh b|\bigaccid\Fl g\zw e\wh g&\hsong{pren-}\hu k\enotes -\temps\NOTes&\hsong{dre }\hu j\enotes - %\check -% mesure 40 -\barre\NOtes\zmidtwotext{\it rit.}\zw F\wh M|\zw e\zw j\qsk\zhl i&\soupir\enotes -\temps\NOtes&\hsong{\kern -\internote Qu'on }\ql j\enotes -\temps\NOtes|\Sh h\hl h&\hsong{peut }\ql k\enotes -\temps\NOtes&\hsong{men-}\ql l\enotes - %\check -% mesure 41 -\barre\NOtes\zw I\qu b|\bigaccid\Na h\zw{hm}\qsk\qu k&\hsong{tir }\wh m\enotes -\temps\NOtes\qu c|\qu j\enotes -\temps\NOtes\Sh c\qu c|\Sh i\qu i\enotes -\temps\NOtes\qu d|\Na i\qu i\enotes - %\check -% mesure 42 -\barre\temps\NOtes\zmidtwotext{\it a tempo}\octs E|\soupir&\soupir\enotes -\temps\NOtes\Lchone|\rchone&\hsong{Un }\ql l\enotes -\temps\NOtes|\rchone&\hsong{sou-}\ql l\enotes -\temps\NOtes\lchone|\rchone&\hsong{ve-}\ql l\enotes - %\check -% mesure 43 -\barre\NOtes\octs G|\itenl1k\itenu3p\itenu4r\Sh o\zw{kpr}\qsk\zql o&\hsong{nir }\wh k\enotes -\temps\NOtes\Lchtwo|\ql n\enotes -\temps\NOtes\sk|\Sh m\ql m\enotes -\temps\NOtes\lchtwo|\ql n\enotes - %\check -% mesure 44 -% -\barre\NOtes\octs H|\tten1\tten3\tten4\zq{kp}\ql r&\soupir\enotes -\temps\Notes\Lchthree|\doct jk&\hsong{\kern -2\Interligne C'est l'i-}\cl {jk}\enotes -\temps\NOtes|\zq{lnq}\ql s&\hsong{ma-}\ql l\enotes -\temps\Notes\lchthree|\doct kj&\hsong{ge d'un}\cl{kj}\enotes -% - %\check -% mesure 45 -\barre\NOtes\octs G|\zh{in}\zhl p\qsk\zqu m&\hsong{r\^e-}\hu i\enotes -\temps\NOtes\Lchfour|\qu l\enotes -\temps\NOtes\sk|\zh{in}\zhl p\qsk\zqu k&\hsong{be }\hu i\enotes -\temps\NOtes\lchfour|\Fl k\qu k\enotes -% - %\check -% mesure 46 -% -\barre\autolines {9}54\relax -\NOtes\octs F|\soupir&\soupir\enotes -\temps\NOtes\lFl c\Lchfive|\uchfive&\hsong{\kern -\internote D'une }\qu h\enotes -\temps\NOtes|\uchfive&\hsong{\kern -\internote heu-}\qu h\enotes -\temps\Notes\lchfive|\lq m\zq l\doct hh&\hsong{\kern -\internote re trop}\cu{hh}\enotes -% - %\check -% mesure 47 -% -\xbarre\NOtes\octs B|\zh{g}\zhl n\qsk\qu m&\hsong{br\`e-}\hu g\enotes -\temps\NOtes\Lchsix|\qu l\enotes -\temps\NOtes|\itenl1g\itenu2n\zh{g}\zhl n\qsk\qu j&\hsong{be }\hu g\enotes -\temps\NOtes\lchsix|\qu i\enotes -% - %\check -% mesure 48 -\xbarre\NOtes\octs B|\tten1\tten2\zq g\qu n&\soupir\enotes -\temps\Notes\Lchseven|\doctu fg&\hsong{\kern -\internote Qui ne }\cu f\cu g\enotes -\temps\NOtes|\Fl j\zh h\zhl j\kern 1pt\zq f\zqu m&\hsong{\kern -\internote veut }\qu f\enotes -\temps\Notes\lchseven|\doctu ef&\hsong{\kern -\internote pas fi-}\cu e\cu f\enotes -% - %\check -% mesure 49 -\xbarre\NOTes\itenl1E\itenl2L\octs E\relax -|\Na j\rh j\zh{egi}\hu l&\hsong{nir...}\wh e\enotes -\temps\NOTes - \ifnum\transpose<-2\relax - \Fl c\qsk\lh e\zh c\zh f\hl h\else \sk\fi -|\ifnum\transpose<-2\else - \rlap{\Fl c\qsk\lh e\zh c\zh f\zhl h}\fi - \zh{il}\rh m\hu p\relax -\enotes - %\check -% mesure 50 -\xbarre\NOTes\Na c\qsk\tten1\tten2\zh E\zhl L\rh c\zh b\zh e\hu g|\qsk -\lh q\zh l\zh n\zh p\hl s\enotes -\temps\NOtes\qu E|\hpause&\pause\enotes -\temps\NOtes\soupir\enotes -\setrightrepeat\finpartition -\medskip\rightline{\it le \aujourdhui} -\eject - - - - diff --git a/musixtex/doc/examples/tierce.tex b/musixtex/doc/examples/tierce.tex deleted file mode 100644 index 1a17a98..0000000 --- a/musixtex/doc/examples/tierce.tex +++ /dev/null @@ -1,376 +0,0 @@ -\ifx\mxversion\undefined - \input musixtex - \input musixcpt - \input musixsty -\fi -\title{Tierce en taille} -\fulltitle{III. \titremorceau} -\csname titremorceautoc\endcsname -% -\parindent 18mm - -\subtitle{\sl (pour orgue)} -\othermention{Compos\'e en 1990} -\author{Daniel TAUPIN} -\maketitle - -\tracingstats=2\relax -% -\nbporteesii=2\relax -\def\nbinstruments{2} -\global\cleftoksii={{0}{3}{0}{0}}% -\global\cleftoksi={{6}{0}{0}{0}}% -% -\signaturegenerale{1}\relax % un dieze a la clef -\def\quatretemps{\generalmeter{\allabreve}}% -\def\troistemps{\generalmeter{\meterfrac{3}{2}}}% -\def\deuxtemps{\generalmeter{\meterfrac{2}{2}}}% -\def\Mordant{\mordant{10}}% -\def\tenPince{\pince{10}}% -%\check -\def\instrumenti{P\'edale 16'}% -\def\instrumentii{\vbox{\hsize=\parindent\centerline{R\'ecit}\vskip 33pt - \centerline{G.O.}}}% -%\check -\def\gluemaxskip{7pt}% -% -% formes frequentes -% -% deux croches hautes -\def\dql#1#2#3{\ibl0{#2}{#1}\qb0{#2}\tbl0\qb0{#3}}% -\def\dqu#1#2#3{\ibu0{#2}{#1}\qh0{#2}\tbu0\qh0{#3}}% -\def\dqh{\dqu}\def\dqb{\dql}% -% -% deux doubles croches hautes -\def\dqbbu#1#2#3{\ibbl0{#2}{#1}\qb0{#2}\tbl0\qb0{#3}}% -\def\dqbbl#1#2#3{\ibbu0{#2}{#1}\qh0{#2}\tbu0\qh0{#3}}% -% -% croche pointee et double croche meme hauteur -\def\cpdcl#1{\trioskip\ibl0{#1}0\qbp0{#1}\sk\tbbl0\tqb0{#1}}% -\def\cpdcu#1{\trioskip\ibu0{#1}0\qhp0{#1}\sk\tbbu0\tqh0{#1}}% -% -\medskip\noindent{\rm G.O.: fonds 8' ou 8'+4' doux}% -\par\noindent{\rm R\'ec.: cornet ou cromorne}% -\par\noindent{\rm P\'ed.: 16', tirasse G.O.}% -\smallskip -% -\quatretemps -% -\def\trioskip{\multiply\noteskip by 2\relax\divide\noteskip by 3\relax}% -\debutmorceau -\noautolines -\advancebottom{4\internote}% -%\autolines {8}44\relax -\def\resp{\vnotes 0.2\elemskip&|\cbreath\enotes}% -%\check -% -\hyphenpenalty -50\relax -\notes&|\Uptext{ \hbox{\kern -16mm\moyen Adagio \bf(\metron{\qu}{60})}}\enotes -\def\qqbbh#1#2#3#4#5{\ibbu0{#2}{#1}\qh0{#2}\qh0{#3}\qh0{#4}\tqh0{#5}}\relax -\def\qqbbH#1#2#3#4#5{\ibbu0{#3}{#1}\qh0{#2}\qh0{#3}\qh0{#4}\tqh0{#5}}\relax -\def\qqbbu{\qqbbh}\def\qqbbb{\qqbbl}% -\def\qqbbl#1#2#3#4#5{\ibbl0{#2}{#1}\qb0{#2}\qb0{#3}\qb0{#4}\tqb0{#5}}\relax -\def\dqbbh#1#2#3{\ibbu0{#2}{#1}\qh0{#2}\tqh0{#3}}\relax -\def\dqbbu{\dqbbh}\def\dqbbb{\dqbbl}% -\def\dqbbl#1#2#3{\ibbl0{#2}{#1}\qb0{#2}\tqb0{#3}}\relax -%\check -\def\qqbh#1#2#3#4#5{\ibu0{#2}{#1}\qh0{#2}\qh0{#3}\qh0{#4}\tqh0{#5}}\relax -\def\qqbH#1#2#3#4#5{\ibu0{#3}{#1}\qh0{#2}\qh0{#3}\qh0{#4}\tqh0{#5}}\relax -\def\qqbl#1#2#3#4#5{\ibl0{#2}{#1}\qb0{#2}\qb0{#3}\qb0{#4}\tqb0{#5}}\relax -%\check -% -% mesure 1 -\notes\hup G&\itenu1g\itenu2i\zw i\zw g\hlp d|\cpdcl g\enotes -\temps\NOTEs&|\hu d\enotes -\temps\notes\qu J&\ql e|\trioskip\tenPince\qqbbl{-5}edeb\enotes -% mesure 2 -\barre\NOTEs\hu I&\tten1\tten2\zh d\zhl g\hup i|\hu d\enotes -\temps\notes\qu L&\itenl1e\ql e|\cpdcu N\enotes -\temps\notes\qu H&\tten1\itenu0h\zq c\zql e\qu h|\dqu3ab\enotes -% mesure 3 -\barre\NOTes\hu K&\tten0\zw d\zh f\hu h|\xTrille i{1.0\noteskip}\qup a\enotes -\temps\notes&|\ibbu0N3\trioskip\qh0N\tqh0a\enotes -\temps\NOtes\hu G&\zh g\hu i|\itenl0b\qu b\enotes -\temps\notes&|\trioskip\tten0\qqbbh3bbcd\enotes -% mesure 4%\autolines{9}44\relax -\barre\NOTes\hu H&\zh f\zh h\hu j|\xTrille i{1.2\noteskip}\qup c\enotes -\temps\notes&|\sk\trioskip\ibbu0b3\qh0b\tqh0c\enotes -\temps\NOtes\hu I&\itenl1d\zh d\zh g\hu i|\itenl0d\qu d\enotes -\temps\notes&|\trioskip\tten0\qqbbh3defg\enotes -% mesure 5 -\barre\NOtes\hu K&\tten1\zql d\zh f\hu h|\tenPince\ql f\enotes -\temps\notes&\zql c|\dql{-2}ed\enotes -\temps\notes\hu I&\zh b\zh d\hu g|\dql6dg\enotes -\temps\notes&|\dql{-8}dN\enotes -% mesure 6 -\barre\NOTes\hu H&\zh c\zhl e\hup h|\qup c\enotes -\temps\notes&|\cu c\enotes -\temps\NOtes\hu D&\itenl1d\zh d\zhl f|\xTrille i{1.5\noteskip}\qup c\enotes -\temps\notes&\qu j|\sk\cu b\enotes -% mesure 7 -\barre\NOTEs\hup G&\tten1\zhp d\zhp g\hup i|\hup b\enotes -\resp -\temps\notes\soupir&\soupir|\cpdcu N\enotes -% mesure 8 -\barre\NOTes\hu H&\zh c\zhl e\wh h|\qup a\enotes -\temps\notes&|\cu b\enotes -\temps\NOTes\hu K&\itenl1d\zh d\hl f|\xTrille i{1.0\noteskip}\qup a\enotes -\temps\notes&|\trioskip\dqbbh3Na\enotes -% mesure 9 -\barre\NOtes\hu G&\tten1\zh d\zh g\hu i|\itenl1b\qu b\enotes -\temps\notes&|\tten1\qqbbh3bb{^c}d\enotes -\temps\NOTes\hu H&\itenu1h\zh{^ce}\hu h|\xTrille i{\noteskip}\qup{c}\enotes -\temps\notes&|\trioskip\ibbu1b3\qh1b\tqh1c\enotes -% mesure 10 -\barre\NOTes\hup K&\tten1\zhp {df}\hup h|\hup d\enotes -\resp -\temps\notes\soupir&\soupir|\cpdcu a\enotes -% mesure 11 -\barre\NOTes\wh H&\zh{=c}\zhl e\wh h|\qup{=c}\enotes -\temps\notes&|\cu c\enotes -\temps\notes\hu K&\itenl2d\zh d\zhl f|\ibu0c3\qh0c\trioskip\nbbu0\qh0d\tqh0e\enotes -\temps\notes&|\tenPince\dql{-3}dc\enotes -% mesure 12 -\troistemps -\changecontext\NOTes\hu G&\tten2\itenl2d\zh d\zh g\hu i|\xTrille i{\noteskip}\qup b\enotes -\temps\notes&|\cu a\enotes -\temps\NOTEs\wh K&\zw d\tten2\zw f\wh h|\Mordant \wh a\enotes -\resp -% mesure 13 -\deuxtemps\changecontext\notes\wh{=J}&\zw{=cf}\wh h|\cpdcl h\enotes -\temps\NOTes&|\hu f\enotes -\temps\notes&|\trioskip\pince j\qqbbl{-3}hghd\enotes -% mesure 14 -\barre\NOtes\hu I&\zh{bd}\hu g|\qu g\enotes -\temps\NOtes&|\qu N\enotes -\temps\NOtes\hu H&\itenu2h\zh{ce}\hu h|\itenl1a\qu a\enotes -\temps\notes&|\trioskip\tten1\qqbbu3aabc\enotes -% mesure 15 -\barre\NOtes\hu K&\tten2\itenl2d\zh{df}\hu h|\itenl1d\qu d\enotes -\temps\notes&|\trioskip\tten1\qqbbu3ddef\enotes -\temps\notes\qu I&\tten2\zq d\zq b\qu g|\ibu0e{-9}\qh0g\tqh0N\enotes -\temps\notes\qu J&\zq{ch}\qu e|\dql{-3}cb\enotes -%\check -% mesure 16 -\troistemps -\changecontext\temps\NOtes\qu K&\zql d\zh f\hu h|\xTrille i{1.5\noteskip}\qup a\enotes -\temps\notes\qu D&\zql c|\sk\cu N\enotes -\temps\NOTes\wh G&\zw{bd}\zw g|\wh N\enotes -\resp -% mesure 17 -\deuxtemps -\changecontext\notes\hup I&\zw{gi}\hlp d|\cpdcl g\enotes -\temps\NOTes&|\hl d\enotes -\temps\notes\qu J&\ql e|\trioskip\tenPince\qqbbl{-5}edeb\enotes -% mesure 18 -\barre\NOTEs\hup H&\itenl1e\itenu2h\zhp{^c}\zhp e\hup h|\hup{^c}\enotes -\temps\notes\qu {^J}&\tten1\tten2\zq e\rq g\qu h|\cpdcu a\enotes -% mesure 19 -\barre\NOtes\qu K&\zhl d\zq f\qu h|\ql h\enotes -\temps\notes\qu I&\zq g\qu i|\dql{-3}gf\enotes -\temps\NOtes\hu H&\zh{^c}\zhl e\qu h|\xTrille l{1.5\noteskip}\qlp e\enotes -\temps\notes&\qu g|\sk\cl d\enotes -% mesure 20 -\barre\NOTEs\hup D&\zhp d\zhp f\hup h|\hlp d\enotes -\resp -\temps\notes\qu J&\itenl1c\itenu2h\zq{=ce}\qu h|\cpdcu a\enotes -% mesure 21 -\barre\NOTes\hu H&\tten1\tten2\zw f\zw h\hl c|\hu c\enotes -\temps\notes&|\cu c\enotes -\temps\notes\hu K&|\ibl1c3\qb1c\trioskip\nbbl 1\qb1d\tqb1e\enotes -\temps\notes&\itenl1d\ql d|\tenPince\dql{-2}dc\enotes -% mesure 22 -\barre\NOtes\hu G&\tten1\zh g\zh i\hu d|\itenu1 b\qu b\enotes -\notes&|\tten1\trioskip\qqbbl3bbcd\enotes -\temps\notes\hu J&\zh c\zh e\hu g|\cpdcl e\enotes -\temps\notes&|\dql{-6}ea\enotes -% mesure 23 -\barre\NOtes\hu I&\zh d\zh g\hu i|\itenu0d\qu d\enotes -\temps\notes&|\tten0\trioskip\qqbbh{-1}dNab\enotes -\temps\NOTes\hu H&\itenu2h\zh e\zh h\hu c|\qup c\enotes -\temps\notes&|\cu c\enotes -% mesure 24 -\troistemps\changecontext\NOTes\hu F&\tten2\itenl2f\zh f\zh h\hu c|\xTrille i{1.2\noteskip}\qup c\enotes -\temps\notes&|\cu b\enotes -\temps\NOTEs\wh I&\tten2\zw{^d}\zw f\wh i|\Mordant \wh b\enotes -\resp -% mesure 25 -\barre\notes\wh H&\zw{^df}\hup i|\cpdcl f\enotes -\temps\NOTes&|\hu{^d}\enotes -\temps\notes&\qu h|\trioskip\tenPince\qqbbl{-3}fefb\enotes -% mesure 26 -\barre\notes\hu G&\zh b\zh e\hu g|\cpdcl e\enotes -\temps\NOtes&|\hu e\enotes -\temps\notes\hu H&\zh {cf}\hu h|\enotes -\temps\notes&|\trioskip\ibl0f3\qb0f\sk\nbbl0\qb0g\tqb0h\enotes -% mesure 27 -\barre\NOTes\hu I&\itenl1b\itenu2g\zh {bd}\hu g|\hu d\enotes -\temps\NOTes\hl L&\tten1\tten2\zh b\zh e\hu g|\hl g\enotes -% mesure 28 -\barre\temps\notes\hu H&\zh c\zh f\hu h|\qqbl{-2}fedc\enotes -\temps\NOTEs\hu I&\itenl1d\zh d\zh g\hu i|\hu b\enotes -% mesure 29 -\troistemps\changecontext\NOTes\hu K&\tten1\itenl1d\zh d\zh f\hu h|\xTrille i{\noteskip}\qup a\enotes -\temps\notes&|\cu N\enotes -\temps\NOTEs\hup G&\tten1\zhp d\zhp g\hup i|\hup N\enotes -\temps\Notes\soupir&\soupir|\soupir\enotes -%\check -% mesure 31 -\deuxtemps\changecontext\notes\hup G&\itenu1g\itenu2i\zw i\zw g\hlp d|\cpdcl g\enotes -\temps\NOTEs&|\hu d\enotes -\temps\notes\qu J&\ql e|\trioskip\tenPince\qqbbl{-5}edeb\enotes -% mesure 31 -\barre\NOTEs\hu I&\tten1\tten2\zhl d\zhp g\hup i|\hu d\enotes -\temps\notes\qu L&\itenl1e\zql e|\cpdcu N\enotes -\temps\notes\qu H&\tten1\itenu1h\zq c\zql e\qu h|\dqu3ab\enotes -% mesure 32 -\barre\NOTes\hu K&\tten1\zw d\zh f\hu h|\xTrille i{1.0\noteskip}\qup a\enotes -\temps\notes&|\ibbu0N3\trioskip\qh0N\tqh0a\enotes -\temps\NOtes\hu G&\zh g\hu i|\itenl0b\qu b\enotes -\temps\notes&|\trioskip\tten0\qqbbh3bbcd\enotes -% mesure 33 -\barre\NOtes\hu J&\zw g\zh c\hl e|\itenu0e\ql e\enotes -\temps\notes&|\trioskip\tten0\qqbbl3eefg\enotes -\temps\notes\hu I&\zh b\hl d|\dql6dg\enotes -\temps\notes&|\dql{-8}dN\enotes -% mesure 34 -\barre\NOtes\hu H&\zh c\zhl e\wh h|\itenl0a\qu a\enotes -\temps\notes&|\tten0\trioskip\qqbbh3aabc\enotes -\temps\NOtes\hu K&\zh d\hl f|\itenl0d\qu d\enotes -\temps\notes&|\tten0\trioskip\qqbbh3ddef\enotes -%\check -% mesure 35 -\cleftoksii={{0}{0}{0}{0}}\changeclefs -\barre\NOTes\hu I&\zhl d\zhp g\hup i|\qup g\enotes -\temps\notes&|\cu h\enotes -\temps\notes\qu L&\hl e|\dqu{-4}ge\enotes -\temps\notes\qu H&\zq h\qu j|\dqu{-3}ji\enotes -% mesure 36 -\troistemps\changecontext\NOtes\qu K&\zw d\zh f\hu h|\xTrille o{\noteskip}\qup h\enotes -\temps\notes\qu D&|\sk\cu g\enotes -\temps\NOtes\hup G&\zhp{dg}\hup i|\hup g\enotes -\resp -\temps\notes\soupir&\soupir|\cpdcu b\enotes -% mesure 37 -\deuxtemps\changecontext\notes\hu I&\zh{^d}\zhl f\wh i|\dqu3ij\enotes -\temps\notes&|\dqu{-3}ih\enotes -\temps\notes\hu L&\zh g\hl e|\pince o\dqu{-3}gf\enotes -\temps\notes&|\dqu{-5}ge\enotes -% mesure 38 -\barre\notes\hu{^J}&\zh{^c}\zhl e\wh h|\dqu3hi\enotes -\temps\notes&|\dqu{-3}hg\enotes -\temps\notes\hu K&\zh d\hl f|\pince o\dqu{-3}fe\enotes -\temps\NOtes&|\qu d\enotes -% mesure 39 -\barre\notes\hu I&\zh b\zhl d\wh g|\dqu3gh\enotes -\temps\notes&|\dqu{-8}gd\enotes -\temps\notes\hu J&\zh c\hl e|\dqu3ef\enotes -\temps\NOtes&|\pince o\qu e\enotes -% mesure 40 -\barre\notes\hu H&\zh{^c}\zhl e\wh h|\dqu3hi\enotes -\temps\notes&|\dqu{-8}he\enotes -\temps\notes\hu J&\zh d\hl f|\dqu3fg\enotes -\temps\NOtes&|\pince o\qu f\enotes -%\check -% mesure 41 -\barre\notes\hu G&\zhl d\zw g\wh i|\dqu3ij\enotes -\temps\notes&|\dqu{-3}ih\enotes -\temps\notes\hu L&\hl e|\dqu{-3}gf\enotes -\temps\notes&|\dqu{-5}ge\enotes -%\check -% mesure 42 -\barre\notes\hu H&\itenu1h\zh c\zhl e\wh h|\dqu3jk\enotes -\temps\notes&|\dqu{-3}ji\enotes -\temps\notes\hu{^J}&\hl{^c}|\dqu{-3}hg\enotes -\temps\notes&|\dqu{-3}fe\enotes -% mesure 43 -\barre\notes\qu K&\tten1\zql d\zh f\hu h|\dqu3fg\enotes -\temps\notes\qu{=J}&\ql{=c}|\pince o\dqu{-6}fd\enotes -\temps\NOTes\hu I&\zh{bd}\hu g|\qup g\enotes -\temps\notes&|\cu h\enotes -% mesure 44 -\troistemps\changecontext\NOtes\qu K&\itenl0d\zh d\zh f\hu h|\xTrille o{1.5\noteskip}\qup h\enotes -\temps\notes\qu D&|\sk\cu g\enotes -\temps\NOTEs\wh G&\tten0\zw b\zw d\wh g|\Mordant\wh g\enotes -\resp -% mesure 45 -\cleftoksii={{0}{3}{0}{0}}\changeclefs -\barre\notes\hup G&\itenu1g\itenu2i\zw i\zw g\hlp d|\cpdcl g\enotes -\temps\NOTEs&|\hu d\enotes -\temps\notes\qu J&\ql e|\trioskip\tenPince\qqbbl{-5}edeb\enotes -% mesure 46 -\barre\NOTEs\hu I&\tten1\tten2\zh d\zhl g\hup i|\hu d\enotes -\temps\notes\qu L&\itenl1e\ql e|\cpdcu N\enotes -\temps\notes\qu H&\tten1\itenu0h\zq c\zql e\qu h|\dqu3ab\enotes -% mesure 47 -\barre\NOTes\hu K&\tten0\zw d\zh f\hu h|\xTrille i{1.0\noteskip}\qup a\enotes -\temps\notes&|\ibbl0N3\trioskip\qb0N\tqb0a\enotes -\temps\NOtes\hu G&\zh g\hu i|\itenl0b\qu b\enotes -\temps\notes&|\trioskip\tten0\qqbbh3bbcd\enotes -% mesure 48 -\barre\NOTes\hu H&\zh f\zh h\hu j|\xTrille i{1.2\noteskip}\qup c\enotes -\temps\notes&|\sk\trioskip\ibbl0b3\qb0b\tqb0c\enotes -\temps\NOtes\hu I&\itenl1d\zh d\zh g\hu i|\itenl0d\qu d\enotes -\temps\notes&|\trioskip\tten0\qqbbh3defg\enotes -% mesure 49 -\barre\NOtes\hu K&\tten1\zql d\zh f\hu h|\tenPince\ql f\enotes -\temps\notes&\zql c|\dql{-2}ed\enotes -\temps\notes\hu I&\zh b\zh d\hu g|\dql6dg\enotes -\temps\notes&|\dql{-8}dN\enotes -% mesure 50 -\troistemps\changecontext\NOTes\hu H&\zh c\zhl e\hup h|\xTrille i{\noteskip}\qup a\enotes -\temps\notes&|\cu b\enotes -\temps\NOTEs\wh I&\zw{^d}\zw f\wh i|\Mordant\wh b\enotes -\resp -% mesure 51 -\deuxtemps\changecontext\notes\wh H&\zw{^df}\hup i|\cpdcl f\enotes -\temps\NOTes&|\hu{^d}\enotes -\temps\notes&\qu h|\trioskip\tenPince\qqbbl{-3}fefb\enotes -% mesure 52 -\barre\notes\hu G&\zh b\zh e\hu g|\cpdcl e\enotes -\temps\NOtes&|\hu e\enotes -\temps\notes\hu H&\zh {cf}\hu h|\enotes -\temps\notes&|\trioskip\ibl0f3\qb0f\sk\nbbl0\qb0g\tqb0h\enotes -% mesure 53 -\barre\NOTes\hu I&\itenl1b\itenu2g\zh {bd}\hu g|\hu d\enotes -\temps\NOTes\hl L&\tten1\tten2\zh b\zh e\hu g|\hl g\enotes -% mesure 54 -\barre\temps\notes\hu H&\zh c\zh f\hu h|\qqbl{-2}fedc\enotes -\temps\NOTes\hu I&\itenl1d\zw d\zh g\hu i|\xTrille i{1.5\noteskip}\qup b\enotes -\temps\notes&|\cu a\enotes -% mesure 55 -\barre\NOTes\wh K&\tten1\zw d\zw f\wh h|\Mordant \wh a\enotes -\resp -% mesure 56 -\barre\notes\wh{=J}&\zw{=cf}\wh h|\cpdcl h\enotes -\temps\NOTes&|\hu f\enotes -\temps\notes&|\trioskip\pince{11}\qqbbl{-3}hghd\enotes -% mesure 57 -\barre\NOtes\hu I&\zh{bd}\hu g|\qu g\enotes -\temps\NOtes&|\qu N\enotes -\temps\NOtes\hu H&\itenu2h\zh{ce}\hu h|\itenl1a\qu a\enotes -\temps\notes&|\trioskip\tten1\qqbbu3aabc\enotes -% mesure 58 -\barre\NOtes\hu K&\tten2\itenl2d\zh{df}\hu h|\itenl1d\qu d\enotes -\temps\notes&|\trioskip\tten1\qqbbu3ddef\enotes -\temps\notes\qu I&\tten2\zq d\zq b\qu g|\ibu0e{-9}\qh0g\tqh0N\enotes -\temps\notes\qu J&\zq{hc}\qu e|\dql{-3}cb\enotes -%\check -% mesure 59 -\barre\NOTes\hu K&\itenl1d\zw d\zh g\hu i|\hu b\enotes -\temps\NOTes\hu D&\zh f\hu h|\xTrille i{\noteskip}\qup a\enotes -\temps\notes&|\cu N\enotes -% mesure 60 -\barre\NOTEs\wh G&\tten1\zw{bd}\zw g|\wh N\enotes -\mulooseness 3\relax -\finmorceau -\rightline{\sl\aujourdhui}\vfil\eject - -\ifx\toc\undefined - \let\finishpiece \end -\else - \let\finishpiece\relax -\fi -\finishpiece -\endinput - diff --git a/musixtex/doc/examples/traeumer.tex b/musixtex/doc/examples/traeumer.tex deleted file mode 100644 index f97c8f8..0000000 --- a/musixtex/doc/examples/traeumer.tex +++ /dev/null @@ -1,299 +0,0 @@ -%format musix - -\input musixtex - -%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%% -% TEX translation of MIDI File : -% b.MID -% -% Written by Hans Kuykens -% this translation of date : 1-9-1993 -%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%% - -\musicparskip - -\def\slopecresc#1#2#3#4{\rlap{\varline{#1}{#2\noteskip}{#3}}% - \rlap{\varline{#1}{#2\noteskip}{#4}}}% - -\def\liftqp#1{\raise#1\Interligne\rlap\qp} -\def\liftds#1{\raise#1\Interligne\rlap\ds} -\def\raiseped{-6} - -\nopagenumbers\parindent10mm - -\centerline{\BIGfont Tr\"aumerei}\bigskip -\rightline{\medtype Robert Schumann}\smallskip - -\generalsignature{-1} -\generalmeter\meterC -\setstaffs12 -\interstaff{12} -\setclef1\bass -\meterskip\Interligne -\relativeaccid -\startbarno0\startmuflex\startpiece\systemnumbers -%%% bar 0 -\nspace -\NOtes\zmidstaff\p\qp|\isluru2j\qu c\en -%%% bar 1 -\leftrepeat -\NOtes\sPED\zqu F\roff{\itied0F\zw F}|\liftqp{-4}\issluru1g\hu f\en -\qspace -\Notes\itieu3J\zhp J\issluru4b\hup a|\lpt c\lpt M\zh c\hl M\en -\Notes|\ttie1\ttie2\cu f\ibsluru5d% - \roff{\slopecresc{12}{4.3}8{11}}\ibu0d5\qb0e\en -\Notes|\qb0f\tqh0h\en -%%% bar 2 -\bar -\Notes\ttie0\zql F\ttie3\zq J\tslur4b\qu a|\liftqp{-2}\ibu1i5\qb1j\en -\znotes|\tubslur5j\tqh1m\en -\qspace -\notes\multnoteskip\smallvalue\sPED\tinynotesize\ibbu0J9\qb0I\islurd0N\tqh0M\en -\NOtes\ttie0\lpt M\zhl M\hu d|\islurd1f\zhlp f\hu m\en -\Notes\ibsluru0b\ibu0b{-1}\qb0c\tqh0b|\ibsluru2k\ibu2k{-2}\qb2l\tqh2k\en -%%% bar 3 -\bar -\Notes\zchar{-7}\Dep\tslur0J\zql J\qu a% - |\tsslur1f\zql f\ibu2j5\qb2j\tubslur2k\tqh2m\en -\Notes\ibsluru0a\zhl J\ibu0a{-2}\qb0b\tqh0a% - |\ibsluru1f\zhl e\ibu3f5\qb3g\tqh3h\en -\Notes\tubslur0M\qu N|\ibu3h5\qb3i\tubslur1i\tqh3k\en -\Notes\ibslurd0I\ibsluru1L\roffset{.5}{\slopecresc{-8}{2.6}48}% - \ibl0I5\qb0H\tbl0\zqb0J\bsk\ibu1L5\qb1M\tqh1N% - |\itied2c\ibsluru3e\zql{!c}\ibu4e5\qb4f\zq e\tqh4g\en -%%% bar 4 -\bar -\Notes\tdbslur0M\zql M\qu a% - |\ttie2\zql c\zq f\ibu2h5\qb2h\tqh2j\en -\Notes\tubslur1J\ibslurd0K\zhu N\ibl1K3\qb1J\tqb1K% - |\tubslur3g\zhl c\zh g\hu e\en -\Notes\ibl0J{-1}\qb0J\qb0I\en -\Notes\liftqp1\qb0G\tqb0H|\ibsluru2c\zql c\qu c\en -\def\atnextline{\Liftslur02\Liftslur23\def\interstaff{12}}% -%%% bar 5 -\bar -\NOtes\zchar{-7}\sPed\tsslur0M% - \roff{\isslurd0F\zw F}\qu F|\liftqp{-4}\issluru1g\hu f\en -\qspace -\Notes\issluru3J\zhp J\issluru4b\hup a|\lpt c\lpt M\zh c\hl M\en -\Notes|\ttie1\tubslur2f\cu f\ibsluru5d% - \roff{\slopecresc{12}{4.3}8{11}}\ibu0d5\qb0e\en -\Notes|\qb0f\tqh0h\en -%%% bar 6 -\bar -\Notes\tsslur0F\zq F\tsslur3J\zq J\tslur4b\qu a|\liftqp{-2}\ibu1k5\qb1j\en -\znotes|\tubslur5l\tqh1o\en -\qspace -\notes\multnoteskip\smallvalue\sPED\tinynotesize\ibbu0L9\qb0{^J}\islurd0b\tqh0O\en -\NOtes\ttie0\islurd0a\issluru1e\lpt a\zhl a\hup e% - |\islurd2g\lpt g\lh g\zhlp h\qup o\en -\Notes\sk\sk\DEP|\ibsluru3m\ibu2m{-3}\qb2n\qb2m\tqh2l\en -%%% bar 7 -\bar -\Notes\sPED\tsslur0a\tslur1e\lpt K\lpt a\zq K\zql a\qup d% - |\tsslur2h\zqlp h\ibu4l0\qb4m\en -\Notes|\qb4o\en -\Notes|\qb4k\en -\nspace -\Notes\DEP\islurd0M\isluru1c\zq M\cl c|\ibslurd4h\zcl{_h}\tqh4m\en -\Notes\sPED\tslur0N\ttie1\zqp N\qlp c|\ibl3g0\zqb3g\qup l\en -\Notes|\qb3j\en -\Notes|\qb3e\en -\nspace -\Notes\DEP\islurd0a\zcl a\ibsluru1b\cu c|\zcu{_l}\tqb3{^f}\en -%%% bar 8 -\bar -\nspace -\Notes\sPED\tsslur0a\zhl N\ibu1d0\qb1{^b}|\tdbslur4h\zqu k\zhl{=f}\en -\Notes\qb1g\en -\Notes\DEP\qb1a|\qu{=l}\en -\notes\tqh1b\en -\notes|\tinynotesize\grcu j\en -\Notes\tubslur1b\zcu c\ibslurd0K\ibl0K{-2}\qb0J% - |\curve105\tslur3g\zql e\hu j\en -\Notes\liftds3\qb0K\en -\nspace -\Notes\liftqp3\qb0{=I}|\liftds{-2}\en -\Notes\tqb0G|\isluru2j\cu c\en -%%% bar 9 -\rightrepeat -\NOtes\zchar{-7}\sPed\tdbslur0L\roff{\zw F}\qu F% - |\liftqp{-4}\issluru1g\hu f\en -\qspace -\Notes\zhp J\hup a|\lpt c\lpt M\zh c\hl M\en -\Notes|\ttie1\ttie2\cu f\ibsluru5d% - \roff{\slopecresc{12}{4.3}8{11}}\ibu0d5\qb0e\en -\Notes|\qb0f\tqh0h\tubslur5g\en -%%% bar 10 -\bar -\Notes\ds|\loffset{1.3}{\ibsluru5g}\ibl3j{-1}\zqb3j% - \rlap{\varline{14}{1.5\noteskip}8}% - \rlap{\varline{15}{1.5\noteskip}{11}}\ibu5i3\qb5j\en -\nspace -\Notes\zchar{-7}\Dep\islurd0G\ibsluru1M\zcu N\zcl J% - |\tubslur5j\loffset{.33}{\na i}\tbl3\zqb3i\tqh5{_l}\en -\nspace -\Notes\zchar{-7}\sPed\islurd2K\zhl K\ibu2L5\qb2{^M}|\zhl h\hu l\en -\Notes\tqh2a\en -\NOtes\ibu2d5\zqb2d\roffset{1.5}{\isluru3d}\rhl d\en -\Notes|\tqb2{^f}\en -\Notes\zchar{-7}\Dep\tsslur2L\invertslur1\curve300\tslur1e\ibl1L3\qb1K% - |\zql h\ibsluru4i\ibu5i{-3}\qb5k\en -\Notes\tqb1M|\tqh5j\en -%%% bar 11 -\bar -\Notes\tslur0H\ttie3\zqlp N\qup d|\lpt g\zql g\ibu3h0\qb3i\en -\Notes|\qb3k\en -\Notes|\qb3g\en -\nspace -\Notes\isluru0M\zq J\cl{^M}|\islurd3a\zcl{_e}\tqh3h\en -\Notes\tslur0N\zqp K\qlp N|\ibl2e0\zqb2d\qup i\en -\Notes|\tdbslur3M\qb2g&\en -\Notes|\ibslurd3e\qb2b\en -\Notes\islurd0L\cl{_L}|\zcu h\tqb2c\en -%%% bar 12 -\bar -\Notes\tsslur0K\lpt K\zql K\ibu0a0\qb0b|\qup g\en -\Notes\qb0d\en -\Notes\qb0N|\invertslur3\zchar{.5}{\curve{-1}00\tslur3c}\en -\Notes\islurd0G\islurd1K\issluru2a\zcl K\tqh0a% - |\roff{\islurd3c}\issluru5d\rcl c\cu d\en -\qspace -\Notes\tsslur1K\tsslur2a\ibl0K{-2}\zqb0K\ibu1N{-2}\qb1a% - |\tsslur3c\tsslur5d\tslur4d\zql b\qu d\en -\Notes\zqb0N\qb1N\en -\Notes\zqb0G\qb1G|\ds\en -\Notes\tbl0\zqb0H\tqh1H|\ibsluru3f\cu f\en -%%% bar 13 -\bar -\NOtes\zchar{-9.5}\sPed\curve{-5}30\tsslur0C\qu B% - |\liftqp{-3}\itieu2i\hu i\en -\Notes\zhp d\hlp M|\zhp f\hlp b\en -\Notes|\ttie3\ttie2\cu i\en -\Notes|\icresc\ibsluru2g\ibu0g5\qb0h\en -\Notes|\qb0i\en -\Notes|\tqh0k\en -%%% bar 14 -\bar -\Notes\ds|\zqu m\ibu4m{5}\qb4m\en -\Notes\DEP\islurd0J\ibsluru1c\zcl N\cu d% - |\roff{\zchar{-3}\tcresc}\tubslur2n\tqh4p\en -\nspace -\Notes\sPED\isslurd2a\zhl a\ibu2b3\qb2{^c}|\zhl l\hu p\en -\Notes\tqh2e\en -\NOtes\ibu2h5\zqb2h\roff{\isluru3h}\rhl h\en -\Notes|\tqb2{^j}\en -\Notes\DEP\tsslur2a\invertslur1\curve300\tslur1i\ibl1b3\qb1a% - |\zql l\ibsluru4n\ibu5n{-3}\qb5o\en -\Notes\tqb1c|\tqh5n\en -\def\atnextline{\Liftslur02\Liftslur4{-2}}% -%%% bar 15 -\bar -\Notes\ttie0\ttie3\zqlp d\qup h|\lpt k\zql k\ibu3l0\qb3m\en -\Notes|\qb3o\en -\Notes|\qb3k\en -\Notes\isluru0c\zq N\cl{^c}|\islurd3d\zcl i\tqh3l\en -\Notes\tslur0d\zqp a\qlp d|\ibl2h0\zqb2h\qup m\en -\Notes|\tdbslur3b\qb2k&\en -\Notes|\ibslurd3h\qb2f\en -\Notes\islurd0L\cl b|\zcu l\tqb2g\en -%%% bar 16 -\bar -\Notes\isslurd1a\zhl a|\ibl3f{-2}\zqb3f\qup k\en -\notes|\qb3h\en -\Notes\qb3d|\curve{-4}00\invertslur3\tslur3a\en -\nspace -\Notes\zq e\tqh3{^c}|\issluru2h\zcu h\rcl g\en -\qspace -\Notes\tsslur1a\ibl0b2\zqb0a\qu d% - |\zchar{12}{\twelveit ritard.}\tubslur4h\tsslur2h\zql f\qu h\en -\Notes\islurd2a\tqb0b\en -\nspace -\Notes\zchar{-7}\sPed\zcu{=c}\roff{\tsslur2a\ibl0N{-7}\qb0b}% - |\ibsluru2g\zql e\qu g\en -\qspace -\Notes\zchar{-7}\Dep\liftds2\tqb0J% - |\roff{\stdstemfalse\tinynotesize\grcu c}\en -%%% bar 17 -\bar -\NOtes\curve{-6}40\tsslur0G\zchar{-7}\sPed\zqu F\cchar{11}\p - \roff{\isslurd0F\zw F}% - |\zchar{12}{\twelveit a tempo}\liftqp{-4}\issluru1g\hu f\en -\qspace -\Notes\issluru3J\zhp J\issluru4b\hup a|\pt b\pt L\zh c\hl M\en -\Notes|\ttie1\tslur2e\cu f\ibsluru5d% - \roff{\slopecresc{12}{4.3}8{11}}\ibu0d5\qb0e\en -\Notes|\qb0f\tqh0h\en -%%% bar 18 -\bar -\Notes\tsslur0F\zq F\tsslur3J\zq J\tsslur4b\qu a|\liftqp{-2}\ibu1i5\qb1j\en -\znotes|\tubslur5j\tqh1m\en -\qspace -\notes\multnoteskip\tinyvalue\sPED\tinynotesize\ibbu0J9\qb0I\islurd0N\tqh0M\en -\NOtes\ttie0\lpt M\zhl M\hu d|\islurd1f\zhlp f\hu m\en -\Notes\ibsluru0b\ibu0b{-1}\qb0c\tqh0b|\ibsluru2k\ibu2k{-2}\qb2l\tqh2k\en -%%% bar 19 -\bar -\Notes\zchar{-7}\Dep\tslur0J\zql J\qu a% - |\tsslur1g\zql f\ibu2j5\qb2j\tubslur2k\tqh2m\en -\Notes\ibsluru0a\zhl J\ibu0a{-2}\qb0b\tqh0a% - |\ibsluru1f\zhl e\ibu3f5\qb3g\tqh3h\en -\Notes\tubslur0M\qu N|\ibu3h5\qb3i\tubslur1i\tqh3k\en -\Notes\ibslurd0I\ibsluru1L\roffset{.5}{\slopecresc{-8}{1.6}38}% - \ibl0I3\qb0H\tbl0\zqb0J\bsk\ibu1L3\qb1M\tqh1N% - |\isslurd2c\ibsluru3f\zql{!c}\ibu4f3\qb4f\zq e\tqh4g\en -%%% bar 20 -\def\atnextline{\Liftslur04}\bar -\Notes\tdbslur0M\zql M% - \rlap{\kern-2mm\varline{-6}{1.5\noteskip}3}% - \rlap{\kern-2mm\varline{-5.5}{1.5\noteskip}8}\qu a% - |\tsslur2c\zql c\zq f\ibu2h5\qb2h\tqh2j\en -\Notes\tubslur1K\ibslurd0K\zhu N\ibl1K3\qb1J\tqb1K% - |\tubslur3g\zhl c\zh g\hu e\en -\Notes\ibl0J{-1}\qb0J\qb0I\en -\Notes\liftqp1\qb0G\tqb0H|\ibsluru2c\zql c\qu c\en -%%% bar 21 -\bar -\NOtes\zchar{-7}\sPed\tdbslur0L\zqu F\roff{\isslurd0F\zw F}% - |\liftqp{-4}\issluru1g\hu f\en -\Notes\issluru3J\zhp J\issluru4b\hup a|\pt b\pt L\zh c\hl M\en -\Notes|\ttie1\tubslur2f\cu f\ibsluru5d% - \roff{\slopecresc{12}{4.3}8{11}}\ibu0d5\qb0e\en -\Notes|\qb0f\tqh0h\en -%%% bar 22 -\bar -\def\tx#1{\cchar{14}{\twelveit #1}}% -\def\rtx#1{\zchar{14}{\twelveit #1}}% -\def\ctx{\cchar{14}{\twelveit --}}% -\Notes\tsslur0F\zq F\tsslur3J\zq J\tslur4b\qu a|\liftqp{-2}\ibu1k5\qb1j\en -\Notes|\tubslur5l\tqh1o\en -\nspace -\NOtes\zchar{-8}{\kern1pt\sPed}\fermataup b\cchar{16}\pp - \isslurd0G\zhp{G^I}\hlp{^b}% - |\islurd2g\lpt g\lpt k\lh f\zhp g\zhl k\fermataup s\qup o\en -\Notes\tx{ri}\sk\sk\ctx|\ibsluru3m\ibu2m{-3}\qb2n\qb2m\tqh2k\en -%%% bar 23 -\bar -\Notes\rtx{tar}\zchar{-7}\Dep\tsslur0J\zq{Ja}\ql c% - |\tsslur2g\zql f\ibu2j5\qb2j\tubslur3k\tqh2m\en -\Notes\ctx\zhl J\zhu c\roff{\ibsluru0a\ibu0a{-2}\qb0b}% - |\ibsluru1f\zhl e\ibu3f5\qb3g\en -\qspace -\Notes\tqh0a|\tqh3h\en -\Notes\ctx\tubslur0L\qu N|\ibu3h5\qb3i\tubslur1i\tqh3k\en -\Notes\tx{dan}\isluru1N\ibl0I3\zq N\qb0I\rtx{\twelveit~--}% - |\isslurd2d\ibsluru3f\zql d\ibu4f3\qb4g\en -\nspace -\Notes\zq a\tqb0K|\zq{^f}\tqh4h\en -%%% bar 24 -\bar -\Notes\tslur1b\zq N\ql b|\tsslur2d\zql d\zq g\ibu1k3\qb1i\en -\Notes\ctx|\tubslur3k\tqh1k\en -\Notes\zchar{11}\p\ibslurd0G\issluru1J\zqu J\ibl0G{-3}\qb0J% - |\isluru2i\zql N\zq b\ibu1c2\qb1d\en -\Notes\tx{do}\tqb0C|\islurd3c\zq c\tqh1e\en -\NOTes\tslur0J\tsslur1J\fermatadown C\zh F\hu J% - |\zhl a\tsslur3d\zh c\tslur2h\fermataup m\hu f\en -%\mulooseness-2\relax -\mulooseness-1\relax -\Endpiece\eject\endmuflex\end diff --git a/musixtex/doc/examples/widor.tex b/musixtex/doc/examples/widor.tex deleted file mode 100644 index 5fc02a8..0000000 --- a/musixtex/doc/examples/widor.tex +++ /dev/null @@ -1,792 +0,0 @@ -\title{Toccata} -\shortauthor{Ch.-M. Widor} -\subtitle{(extraite de la cinqui\`eme symphonie pour orgue)} -\fullauthor{Charles-Marie WIDOR} -\maketitle -\parindent 13mm -% - -\tracingstats=2\relax -% -\nbporteesi=2\relax -\def\nbinstruments{1} -\global\cleftoksi={{0}{0}{0}{0}}% -% -\signaturegenerale{-1}\relax -\def\Mordant{\mordant{10}}% -%\check -\def\instrumenti{Manuel}% -%\check -\def\gluemaxskip{7pt}% -% -\def\bnotes{\barre\notes}\def\bnoteP{\bnotes\Pause} -\def\tnotes{\temps\notes} -\def\zbnotes{\zbarre\notes} -\def\doubler{\multiply\noteskip by 2\relax}% -\def\Pause{\sk\sk\sk\sk\sk\sk\sk\pause}% -% formes frequentes -% -\def\qbupz#1{\upz{#1}\qb0{#1}} -\def\qhlpz#1{\lpz{#1}\qh0{#1}} -%\check -\def\umotif#1#2#3#4#5#6#7#8#9{\varaccid -{\advance\transpose by 2\ibbl0{#9}0}\relax -\ilegu0{#1}\qb0{#1}\tleg0\qb0{#2#3}% -\qbupz{#1}\qbupz{#4#5}\qbupz{#6#7}\qbupz{#8#9}\qbupz{#7}\tbl0\qbupz{#5}}% -%\check -\def\mmotif#1#2#3#4#5#6#7#8#9{\varaccid -{\advance\transpose by -2\ibbu0{#1}0}\relax -\ilegl0{#3}\qh0{#1}\tleg0\qh0{#2#3}% -\qhlpz{#1}\qhlpz{#4#5}\qhlpz{#6#7}\qhlpz{#8#9}\qhlpz{#7}\tbu0\qhlpz{#5}}% -\def\Mmotif#1#2#3#4#5{\mmotif#1!#2!#3!#4!#5} -\def\Umotif#1#2#3#4#5{\umotif#1!#2!#3!#4!#5} -%\check -% -\def\culpz#1{\lpz{#1}\cu{#1}}% -\def\clupz#1{\upz{#1}\cl{#1}}% -% -%\check -% double accord de 4 + soupir -\def\dbuq#1#2#3#4{\lst{#4}\ibu0{#1}0\zq{#1#2#3}\qh0{#4}\sk -\lpz{#4}\zq{#1#2#3}\tqh0{#4}\sk\dsoupir\sk}% -\def\dblq#1#2#3#4{\ust{#1}\ibl0{#4}0\zq{#1#2#3}\qb0{#4}\sk -\upz{#1}\zq{#1#2#3}\tqb0{#4}\sk\dsoupir\sk}% -% -\def\dblql#1#2#3#4{\ust{#1}\ibl0{#4}0\zq{#1#3}\lq{#2}\qb0{#4}\sk -\upz{#1}\zq{#1#3}\lq{#2}\tqb0{#4}\sk\dsoupir\sk}% -\def\dbuqr#1#2#3#4{\lst{#4}\ibu0{#1}0\rq{#2}\zq{#1#3}\qh0{#4}\sk -\lpz{#4}\rq{#2}\zq{#1#3}\tqh0{#4}\sk\dsoupir\sk}% -% -%\check -% double accord de 3 + soupir -\def\dbut#1#2#3{\lst{#3}\ibu0{#1}0\zq{#1#2}\qh0{#3}\sk -\lpz{#3}\zq{#1#2}\tqh0{#3}\sk\dsoupir\sk}% -\def\Dbut#1#2#3{\ibu0{#1}0\zq{#1#2}\bupz0\qh0{#3}\sk -\zq{#1#2}\bupz0\tqh0{#3}\sk\dsoupir\sk}% -\def\dblt#1#2#3{\ust{#1}\ibl0{#3}0\zq{#1#2}\qb0{#3}\sk -\upz{#1}\zq{#1#2}\tqb0{#3}\sk\dsoupir\sk}% -% -\def\dbutr#1#2#3{\lst{#3}\ibu0{#1}0\zq{#1}\rq{#2}\qh0{#3}\sk -\lpz{#3}\rq{#2}\zq{#1}\tqh0{#3}\sk\dsoupir\sk}% -\def\Dbutr#1#2#3{\ibu0{#1}0\zq{#1}\rq{#2}\bupz0\qh0{#3}\sk -\rq{#2}\zq{#1}\bupz0\tqh0{#3}\sk\dsoupir\sk}% -\def\dbltl#1#2#3{\ust{#1}\ibl0{#3}0\zq{#1}\lq{#2}\qb0{#3}\sk -\upz{#1}\zq{#1}\lq{#2}\tqb0{#3}\sk\dsoupir\sk}% -% -%\check -% double accord de 2 + soupir -\def\dbud#1#2{\lst{#2}\ibu0{#1}0\zq{#1}\qh0{#2}\sk -\lpz{#2}\zq{#1}\tqh0{#2}\sk\dsoupir\sk}% -\def\Dbud#1#2{\ibu0{#1}0\zq{#1}\bupz0\qh0{#2}\sk -\zq{#1}\bupz0\tqh0{#2}\sk\dsoupir\sk}% -% -% double accord de 3 doubles croches -\def\ddbut#1#2#3{\lpz{#3}\ibbu0{#1}0\zq{#1#2}\qh0{#3}% -\lpz{#3}\zq{#1#2}\tqh0{#3}}% -\def\ddblt#1#2#3{\upz{#1}\ibbl0{#3}0\zq{#1#2}\qb0{#3}% -\upz{#1}\zq{#1#2}\tqb0{#3}}% -% -% double accord de 2 doubles croches -\def\ddbud#1#2{\lpz{#2}\ibbu0{#1}0\zq{#1}\qh0{#2}% -\lpz{#2}\zq{#1}\tqh0{#2}}% -\def\ddbld#1#2{\upz{#1}\ibbl0{#2}0\zq{#1}\qb0{#2}% -\upz{#1}\zq{#1}\tqb0{#2}}% -% -% double accord de 3 + soupir -\def\dbutmr#1#2#3{\lst{#3}\ibu0{#1}0\rq{#2}\zq{#1}\qh0{#3}\sk -\lpz{#3}\rq{#2}\zq{#1}\tqh0{#3}\sk\dsoupir\sk}% -% -% double accord de 2 + soupir -\def\dbudr#1#2{\lst{#2}\ibu0{#1}0\rq{#1}\qh0{#2}\sk -\lpz{#2}\rq{#1}\tqh0{#2}\sk\dsoupir\sk}% -% -% double accord de 3 doubles croches -\def\ddbutr#1#2#3{\lpz{#3}\ibbu0{#1}0\rq{#2}\zq{#1}\qh0{#3}% -\lpz{#3}\rq{#2}\zq{#1}\tqh0{#3}}% -\def\ddbltl#1#2#3{\upz{#1}\ibbl0{#3}0\lq{#2}\zq{#1}\qb0{#3}% -\upz{#1}\lq{#2}\zq{#1}\tqb0{#3}}% -% -% double accord de 2 doubles croches -\def\ddbudr#1#2{\lpz{#2}\ibbu0{#1}0\rq{#1}\qh0{#2}\relax -\lpz{#2}\rq{#1}\tqh0{#2}}% -% -% accord de 4, 3 doubles croches inf -\def\lmotbba#1#2#3#4{\dbuq{#1}{#2}{#3}{#4}% -\ddbut{#2}{#3}{#4}}% -%\check -% -% accord de 4, 2 doubles croches sup -\def\lmotbbb#1#2#3#4{\dbuq{#1}{#2}{#3}{#4}% -\ddbud{#1}{#2}}% -%\check -% -% accord de 4, 2 doubles croches med -\def\lmotbbc#1#2#3#4{\dbuq{#1}{#2}{#3}{#4}% -\ddbud{#2}{#3}}% -%\check -% -% accord de 2, 2 doubles croches med -\def\lmotbbd#1#2#3{\dbud{#1}{#2}% -\ddbud{#2}{#3}}% -%\check -% -\def\bld#1#2{\zq{#2}\clupz{#1}}% -\def\blt#1#2#3{\zq{#3#2}\clupz{#1}}% -\def\bltl#1#2#3{\zq{#3}\lq{#2}\clupz{#1}}% -\def\blq#1#2#3#4{\zq{#4#3#2}\clupz{#1}}% -\def\blql#1#2#3#4{\lq{#2}\zq{#3#4}\clupz{#1}}% -% -\def\bud#1#2{\zq{#1}\culpz{#2}}% -\def\budr#1#2{\rq{#1}\culpz{#2}}% -\def\but#1#2#3{\zq{#1#2}\culpz{#3}}% -\def\butr#1#2#3{\zq{#1}\rq{#2}\culpz{#3}}% -\def\buq#1#2#3#4{\zq{#1#3#2}\culpz{#4}}% -\def\buqr#1#2#3#4{\zq{#1#3}\rq{#2}\culpz{#4}}% -\def\tblq#1#2#3#4{\dblq{#1}{#2}{#3}{#4}\blq{#1}{#2}{#3}{#4}}% -\def\tblql#1#2#3#4{\dblql{#1}{#2}{#3}{#4}\blql{#1}{#2}{#3}{#4}}% -\def\tbuq#1#2#3#4{\dbuq{#1}{#2}{#3}{#4}\buq{#1}{#2}{#3}{#4}}% -\def\tblt#1#2#3{\dblt{#1}{#2}{#3}\blt{#1}{#2}{#3}}% -\def\tbltl#1#2#3{\dbltl{#1}{#2}{#3}\bltl{#1}{#2}{#3}}% -%\check -% -\def\tbuqr#1#2#3#4{\dbuqr{#1}{#2}{#3}{#4}\buqr{#1}{#2}{#3}{#4}}% -%\check -% -% accord de 3, final croche -\def\tbut#1#2#3{\dbut{#1}{#2}{#3}\but{#1}{#2}{#3}}% -\def\Tbut#1#2#3{\Dbut{#1}{#2}{#3}\but{#1}{#2}{#3}}% -%\check -% -\def\tbutr#1#2#3{\dbutr{#1}{#2}{#3}\butr{#1}{#2}{#3}}% -\def\Tbutr#1#2#3{\Dbutr{#1}{#2}{#3}\butr{#1}{#2}{#3}}% -%\check -% -% accord de 2, final croche -\def\tbud#1#2{\dbud{#1}{#2}\bud{#1}{#2}}% -\def\Tbud#1#2{\Dbud{#1}{#2}\bud{#1}{#2}}% -%\check -% -\def\register#1{\boxit{\hbox{\bf #1}}} -% -\generalmeter{\meterfrac 42}% -% -\ifnum\musicsize=16\def\bottomfacteur{7}\else\def\bottomfacteur{5}\fi -\debutmorceau -% -\ifnum\musicsize=16\relax - \autolines{19}47\else - \autolines{19}36\fi -\ifx\undefined\horizontalscore \else\autolines{19}54\fi -%\check -% -\bigaccid -\hyphenpenalty -50\relax -\notes\zmidtwotext{\fff}|\zcharnote{w}{\kern -20mm\moyen Allegro -\bf(\metron{\qu}{100})}\enotes -% -%\check -% -% mesure 1 -\tnotes\lmotbba mjhf|\umotif t!s!q!o!m\enotes -\tnotes\tbuq ljhf|\umotif s!r!q!o!m\enotes -\zbnotes\tbuqr kjhf|\umotif r!q!q!o!m\enotes -\tnotes\tbuq ljhf|\umotif s!r!q!o!m\enotes -% mesure 2 -\bnotes\lmotbba mjhf|\umotif t!s!q!o!m\enotes -\tnotes\tbuq ljhf|\umotif s!r!q!o!m\enotes -\ifnum\musicsize=16\relax - \autolines {17}47\else - \autolines {17}36\fi -\ifx\undefined\horizontalscore \else\autolines{17}54\fi -\zbnotes\tbuqr kjhf|\umotif r!q!q!o!m\enotes -\tnotes\na i\tbuq lige|\umotif s=p!p!n!m\enotes -% mesure 3 -\bnotes\lmotbba jgec|\umotif q=p!n!l!j\enotes -\nspace\tnotes\na i\tbuq igec|\na p\umotif p!o!n!l!j\enotes -\zbnotes\tbuqr hgec|\umotif o!n!n!l!j\enotes -\tnotes\tbuq igec|\umotif p!o!n!l!j\enotes -% mesure 4 -\bnotes\lmotbba jgec|\umotif q=p!n!l!j\enotes -\nspace\tnotes\na i\tbuq igec|\na p\umotif p!o!n!l!j\enotes -\zbnotes\tbuqr hgec|\umotif o!n!n!l!j\enotes -\tnotes\sh f\na i\tbut ifd|\na p\umotif p^m!m!k!j\enotes -% mesure 5 -\bnotes\na b\lmotbbc gdbN|\umotif n^m!k=i!g\enotes -\nspace\tnotes\sh c\tbut gec|\umotif o^n!l^j!h\enotes -\zbnotes\tbutr gfd|\umotif o=m!m!k!h\enotes -\tnotes\sh c\tbut gec|\umotif o^n!l^j!h\enotes -% mesure 6 -\bnotes\lmotbbb fd!N|\umotif o!m!m!k!h\enotes -\qspace -\tnotes\lsh d\sh f\tbut hfd|\na p\umotif p^o^m^k=i\enotes -\zbnotes\tbutr hge|\umotif p!n!n!l!i\enotes -\tnotes\tbut hfd|\umotif p!o!m!k!i\enotes -% mesure 7 -\bnotes\lmotbbb ge!N|\na p\umotif p!n!n!l=i\enotes -\nspace\tnotes\fl i\tbut ige|\umotif q!p!n!l!j\enotes -\zbnotes\tbut ifd|\umotif q!m!m!k!j\enotes -\tnotes\tbutr ihf|\umotif q!o!o!m!j\enotes -% mesure 8 -% increase the number of instruments at the next line change -\def\manuale{}% nothing until changed -\def\pedalepause{}% -\def\atnextline{\nbporteesii=2\relax - \nbporteesi=1\relax - \def\nbinstruments{2}\relax - \global\cleftoksii={{0}{0}{0}{0}}\global\cleftoksi={{6}{0}{0}{0}}\relax - \def\pedalepause{\Pause}\def\manuale{&}\relax - \signaturegenerale{-1}}\relax -% -\bnotes\pedalepause\manuale\tbut ige|\umotif q!n!n!l!j\enotes -\tnotes\manuale\sh j\fl e\tbuqr jige|\sh q\umotif q!n!n!l^j\enotes -% -\zbnotes\pedalepause\manuale\tbuq kigd|\umotif r^q!p!n!k\enotes -\tnotes\manuale\na c\na l\tbuq ligc\relax - |\ibbl0{p}0\ilegu0{s}\qb0{s}\tleg0\qb0{^r}% -\qbupz{s}\qbupz{=q}\qbupz{p}\qbupz{n}\qbupz{p}\tbl0\qbupz{q}\enotes -% mesure 9 -%\check -% modification de la liaison initiale en pizz. -\def\umotif#1#2#3#4#5#6#7#8#9{\varaccid -{\advance\transpose by 2\ibbl0{#9}0}\qbupz{#1}\qbupz{#2#3}% -\qbupz{#1}\qbupz{#4#5}\qbupz{#6#7}\qbupz{#8#9}\qbupz{#7}\tbl0\qbupz{#5}}% -%\check -\def\mmotif#1#2#3#4#5#6#7#8#9{\varaccid -{\advance\transpose by -2\ibbu0{#1}0}\qhlpz{#1}\qhlpz{#2#3}% -\qhlpz{#1}\qhlpz{#4#5}\qhlpz{#6#7}\qhlpz{#8#9}\qhlpz{#7}\tbu0\qhlpz{#5}}% -% -%\check -\bnotes\zcharnote{E}{\llap{\ff}}\relax -\doubler\qlp f\sk\sk\cu F&\lmotbba mjhf|\umotif t!s!q!o!m\enotes -\tnotes\doubler\qlp e\sk\sk\cu F&\tbuq ljhf|\umotif s!r!q!o!m\enotes -\zbnotes\doubler\qlp d\sk\sk\cu F&\tbuqr kjhf|\umotif r!q!q!o!m\enotes -\tnotes\doubler\qlp e\sk\sk\cu F&\tbuq ljhf|\umotif s!r!q!o!m\enotes -% mesure 10 -\bnotes\doubler\qlp f\sk\sk\cu F&\lmotbba mjhf|\umotif t!s!q!o!m\enotes -\tnotes\doubler\qlp e\sk\sk\cu F&\tbuq ljhf|\umotif s!r!q!o!m\enotes -\zbnotes\doubler\qlp d\sk\sk\cu F&\tbuqr kjhf|\umotif r!q!q!o!m\enotes -\tnotes\doubler\qlp e\sk\sk\cu G&\na i\tbut lig|\umotif s=p!p!n!m\enotes -% mesure 11 -\bnotes\itenu1c\wh c&\lmotbba jgec|\umotif q=p!n!l!j\enotes -\nspace\tnotes&\na i\tbuq igec|\na p\umotif p!o!n!l!j\enotes -\zbnotes\tten1\hl c&\tbuqr hgec|\umotif o!n!n!l!j\enotes -\tnotes\hpause&\na i\tbuq igec|\na p\umotif p!o!n!l!j\enotes -% mesure 12 -\bnotes\doubler\qlp c\sk\sk\cu C&\lmotbba jgec|\umotif q=p!n!l!j\enotes -\nspace\tnotes\doubler\qlp{=b}\sk\sk\cu C&\na i\tbuq igec|\na p\umotif p!o!n!l!j\enotes -\zbnotes\doubler\qlp a\sk\sk\cu C&\tbuqr hgec|\umotif o!n!n!l!j\enotes -\tnotes\doubler\qlp b\sk\sk\cu D&\sh f\na i\tbut ifd|\na p\umotif p^m!m!k!j\enotes -% mesure 13 -\bnotes\whp N&\na b\lmotbbc gdbN|\umotif n^m!k=i!g\enotes -\tnotes&\tbut gec|\umotif n!m!l!j!g\enotes -\zbnotes&\tbut gdb|\umotif n!m!k!i!g\enotes -\tnotes\hpause&\sh c\tbut gec|\umotif o^n!l^j!h\enotes -% mesure 14 -\bnotes\doubler\qlp N\sk\sk\cu G&\sh c\tbut hec|\umotif -o^n!l^j!h\enotes -\tnotes\doubler\qlp N\sk\sk\cu G&\tbut hec|\umotif o!n!l!j!h\enotes -\zbnotes\doubler\qlp M\sk\sk\cu F&\tbut hfd|\na p\umotif -p!m!m!k=i\enotes -\tnotes\doubler\qlp L\sk\sk\cu E&\tbutr hge|\sh q\umotif -q!o!o!n^j\enotes -% mesure 15 -\ifnum\musicsize=16\relax - \autolines{17}46\else - \autolines{17}35\relax -\fi -\ifx\undefined\horizontalscore \else\autolines{17}53\fi -\bnotes\itenu1K\wh K&\lmotbbd hfd|\umotif r^q!o!m!k\enotes -\tnotes&\tbud hf|\umotif r!q!o!m!k\enotes -\zbnotes\tten1\hl K&\na i\tbut ifd|\na p\umotif p!o!o!m!k\enotes -\tnotes\hpause&\tbut jfd|\na q\umotif q!p!o!m!k\enotes -% mesure 16 -\bnotes\doubler\qlp a\sk\sk\cu H&\sh d\lsh f\na i\tbut -ifd|\na p\umotif p^o^m^k=i\enotes -\tnotes\doubler\qlp a\sk\sk\cu H&\tbut ifd|\umotif p!o!m!k!i\enotes -\zbnotes\doubler\qlp N\sk\sk\cu G&\tbut ige|\sh q\umotif -q!n!n!l^j\enotes -\tnotes\doubler\qlp{^M}\sk\sk\cu{^F}&\na i\sh f\tbutr ihf|\sh r\umotif -r!p!p!o^k\enotes -%\check -% mesure 17 -\bnotes\itenu1L\wh L&\na i\dbud ig\ddbud ge|\umotif -s^r=p!n!l\enotes -\tnotes&\dbud ig\but ige|\umotif s!r!p!n!l\enotes -\zbnotes\tten1\hl L&\tbut jge|\umotif q=p!p!n!l\enotes -\tnotes\hpause&\tbut kge|\na r\umotif r=p!p!n!l\enotes -% mesure 18 -\bnotes\doubler\fl b\qlp b\sk\sk\cu I&\dbut jge\bud ge|\umotif q=p!n!l!j\enotes -\tnotes\doubler\qlp b\sk\sk\cu I&\dbut jge\bud ge|\umotif q!p!n!m!j\enotes -\zbnotes\doubler\qlp a\sk\sk\cu H&\dbuqr kjhf\but jhf|\umotif -r^q!o!m!k\enotes -\tnotes\doubler\qlp N\sk\sk\cu G&\fl i\tbuqr ljig\relax - |\varaccid\ibbl0{p}0\ilegu0{s}\qb0{s}\tleg0\qb0{^r}% -\qbupz{s}\qbupz{=q}\qbupz{_p}\qbupz{n}\qbupz{p}\tbl0\qbupz{s}\enotes -% mesure 19 -\bnotes\doubler\qlp M\sk\sk\cu F&\lmotbba mkhf|\umotif t!s!r!n!m\enotes -\nspace\tnotes\doubler\qlp N\sk\sk\cu G&\sh j\tbuqr lijg|\umotif s^r^q!p!n\enotes -\nspace\zbnotes\doubler\qlp M\sk\sk\cu F&\tbut khf|\sh q\umotif -r!q!o!m!l\enotes -\tnotes\doubler\qlp L\sk\sk\cu E&\na j\tbut jhe|\na q\umotif -q!o!o!l!j\enotes -% mesure 20 -\bnotes\doubler\qlp K\sk\sk\cu D&\fl i\tbutr ihd|\umotif p!o!o!m!i\enotes -\tnotes\doubler\qlp L\sk\sk\cu E&\tbut ige|\umotif p!n!n!l!i\enotes -\zbnotes\doubler\qlp{^J}\sk\sk\cu{^C}&\sh c\tbutr hgc|\umotif -o!n!n!l!h\enotes -\tnotes\doubler\qlp K\sk\sk\cu D&\tbut hfd|\umotif o!m!m!k!h\enotes -% mesure 21 -\bnotes\wh I&\mmotif h^f!f!d!b|\sh m\dblt omk\ddblt omk\enotes -\tnotes&\mmotif i!g!g!d!b|\tblq rpnk\enotes -\zbnotes\wh J&\mmotif g=f!f!d!c|\lna m\tbltl nmi\enotes -\tnotes&\mmotif g!e!e!d!c|\tblt nli\enotes -%\check -% mesure 22 -\bnotes\hu F&\dbut fca\ddbut fca|\umotif m!l!j!h!f\enotes -\tnotes\sk\hpause&\tbut eca|\umotif l!k!j!h!f\enotes -\zbnotes\Pause&\tbutr dca|\umotif k!j!j!h!f\enotes -\tnotes&\tbut eca|\umotif l!k!j!h!f\enotes -% mesure 23 -\global\cleftoksii={{6}{0}{0}{0}}\changeclefs -\bnotes\Pause&\umotif f!e!c!a!M|\dblt mjh\ddblt mjh\enotes -\tnotes&\umotif e!d!c!a!M|\tblt ljh\enotes -\zbnotes\hpause&\umotif d!c!c!a!M|\tbltl kjh\enotes -\tnotes\lpz F\qu F\sk\sk\sk\soupir&\umotif d=b!b!a!M|\na i\dblt -oki\na p\blt pki\enotes -% mesure 24 -\bnotes\qu E\sk\sk\sk\soupir&\lsh N\na b\tblt ebN|\mmotif l^k=i^g!e\enotes -\tnotes\sk\hpause&\sh d\tblt dbN|\mmotif k^j!i!g!e\enotes -\qspace -\zbnotes\Pause&\lsh c\tbltl cbN|\mmotif j!i!i!g!e\enotes -\tnotes&\tblt dbN|\mmotif k!i!i!g!e\enotes -% mesure 25 -\bnoteP&\umotif e^d=b^N!L|\lsh g\na i\dblt lig\ddblt lig\enotes -\nspace\tnotes&\umotif d^c!b!N!L|\sh k\tblt kig\enotes -\zbnotes\sk\hpause&\qsk\sh c\umotif c=b!b^N!L|\sh g\sh j\lna i\qsk\tbltl jig\enotes -\tnotes\lpz E\qu E\sk\sk\sk\soupir&\umotif c^a!a!N!L|\relax - \sh h\sh n\dblt njh\sh o\blt ojh\enotes -% mesure 26 -\bnotes\fl E\qu E\sk\sk\sk\soupir&\lfl b\na N\fl e\dblt -ebN\ddbld bN|\fl l\mmotif l!k!i!g_e\enotes -\tnotes\sk\hpause&\tblt dbN|\mmotif k!i!i!g!e\enotes -\qspace -\zbnotes\sk\hpause&\lsh c\tbltl cbN|\sh j\mmotif - j!i!i!g!e\enotes -\global\cleftoksii={{0}{0}{0}{0}}\changeclefs -\tnotes\ilegl1G\fl L\hl L&\sh c\dbutmr gcb\zq g\rq c\culpz b|\umotif - n^m^j!i!g\enotes -% mesure 27 -\bnotes\tleg1\hu G&\na b\dbut gdb\ddbud db|\umotif n^m!k=i!g\enotes -\nspace\tnotes\sk\hpause&\sh f\tbut fdb|\umotif m!k!k!i!g\enotes -\zbnotes\Pause&\sh e\tbutr edb|\bigsh l\umotif l!k!k!i!g\enotes -\tnotes\ilegl1I\hl N&\na i\tbutr ied|\bigna p\umotif p^o!l!k!i\enotes -% mesure 28 -%\check -\bnotes\na I\tleg1\hu I&\na i\lsh f\sh d\dbut ifd\ddbud fd|\na p\umotif - p^o^m^k=i\enotes -\nspace\tnotes\sk\hpause&\sh h\tbut hfd|\sh o\umotif o!m!m!k!i\enotes -\zbnotes\Pause&\na h\tbut hfd|\na o\umotif o!m!m!k!i\enotes -\tnotes\na b\ilegu1c\hl b&\sh k\dbut khf\zq{kh}\culpz f|\sh r\umotif - r!o!o!m!k\enotes -% mesure 29 -%\check -\bnotes\fl b\tleg1\hl b&\na f\lfl i\na k\dbut kif\ddbut ifd|\na r\umotif - r^q!p!m!k\enotes -\nspace\tnotes\doubler\soupir\sk\dsoupir\cu I\relax -&\fl g\fl l\dbutmr lhg\rq h\lpz g\cu g|\fl s\umotif s!o!o_n_l\enotes -\zbnotes\hl b&\dbut kif\ddbut ifd|\na r\umotif - r^q!o!m!k\enotes -\nspace\tnotes\doubler\soupir\sk\dsoupir\cu I\relax -&\fl g\fl l\dbutmr lhg\rq h\lpz g\zq l\cu g|\fl s\umotif - s!o!o_n_l\enotes -% mesure 30 -%\check -\bnotes\hl b&\dbut kif\ddbut ifd|\umotif r^q!p!m!k\enotes -\tnotes\sk\hpause -&\dbut kif\zq{if}\culpz d|\umotif r!q!p!m!k\enotes -\zbnotes&\dbut kif\zq{if}\culpz d|\umotif r!q!p!m!k\enotes -\tnotes\pause&\dbut kif\zq{if}\culpz d|\umotif r!q!p!m!k\enotes -% mesure 31 -%\check -\bnoteP&\zcharnote N{\llap{\register{II} }}% -\zmidtwotext{\llap{\mf}}\dbut khf\ddbut hfd|\zcharnote s{\llap{(I)}}% -\umotif r^q!o!m!k\enotes -\tnotes&\dbut khf\zq{hf}\culpz d|\umotif r!q!o!m!k\enotes -\zbnotes\Pause&\dbut khf\zq{hf}\culpz d|\umotif r!q!o!m!k\enotes -\tnotes&\dbut khf\zq{hf}\culpz d|\umotif r!q!o!m!k\enotes -% mesure 32 -%\check -\bnoteP&\qsk\zcharnote a{\llap{(II)}}% -\bigsh g\dbutr kgf\rq g\culpz f|\qsk\zcharnote r{\llap{\register{II} }}% -\umotif r^q^n!m!k\enotes -\tnotes&\dbutr kgf\rq g\culpz f|\umotif r!q!n!m!k\enotes -\zbnotes\Pause&\dbutr kgf\rq g\culpz f|\umotif r!q!n!m!k\enotes -\tnotes&\dbutr kgf\rq g\culpz f|\umotif r!q!n!m!k\enotes -% mesure 33 -%\check -\signaturegenerale{2}\Changecontext -\ifnum\musicsize=16\relax - \def\atnextline{\nbporteesi=2\relax - \def\nbinstruments{1}\relax - \global\cleftoksi={{0}{0}{0}{0}}\relax - \def\pedalepause{}\def\manuale{}}\fi -% -\znotes\manuale\zmidtwotext{\llap{\register{III} \pp}}\enotes -\notes\pedalepause\manuale\mmotif k!j!h!f!d|\dblt rom\ddblt rom\enotes -\tnotes\manuale\mmotif j!i!h!f!d|\tblq qomk\enotes -\zbnotes\pedalepause\manuale\mmotif i!h!h!f!d|\tblql pomk\enotes -\tnotes\manuale\mmotif j!h!h!f!d|\tblq qomk\enotes -% -% mesure 34 -\bnotes\pedalepause\manuale\mmotif k!j!h!f!d|\dblt rom\ddblt rom\enotes -\tnotes\manuale\mmotif j!i!h!f!d|\tblq qomk\enotes -\zbnotes\pedalepause\manuale\mmotif i!h!h!f!e|\tblql pomk\enotes -\tnotes\manuale\mmotif j^g!g!f!e|\tblql qlnk\enotes -% -%\check -% mesure 35 -\bnotes\pedalepause\manuale\dbut hec\ddbud ec|\umotif o^n!l!j!h\enotes -\nspace\tnotes\manuale\bigsh g\tbut gec|\umotif n!m!l!j!h\enotes -\zbnotes\pedalepause\manuale\tbutr fec|\umotif m!l!l!j!h\enotes -\tnotes\manuale\sh g\tbut gec|\bigsh n\umotif n!l!l!j!h\enotes -% -%\check -% mesure 36 -\ifnum\musicsize=16\advance\linesinpage by -1\relax\fi -% -\bnotes\pedalepause\manuale\mmotif h^g!e!c!a|\dblt olj\ddblt olj\enotes -\nspace\tnotes\manuale\mmotif g!f!e!c!a|\bigsh n\tblq nljh\enotes -\zbnotes\pedalepause\manuale\mmotif f!e!e!c!a|\tblql mljh\enotes -\tnotes\manuale\mmotif g^d!d!b!a|\bigsh k\tblql nhki\enotes -% -%\check -% mesure 37 -\bnotes\pedalepause\manuale\bigsh N\dbut ebN\bud bN|\umotif l^k!i^g!e\enotes -\qspace -\tnotes\manuale\mmotif e^c!c^a!L|\bigaccid\lsh h\sh j\tblq mjhf\enotes -\zbnotes\pedalepause\manuale\dbud db\bud db|\umotif m=k!k!i!f\enotes -\tnotes\manuale\mmotif e!c!c!a!L|\tblq mjhf\enotes -% -%\check -% mesure 38 -\bnotes\pedalepause\manuale\tbud db|\umotif m!k!k!i!f\enotes -\qspace -\tnotes\manuale\mmotif f^d!d^b!L|\bigaccid - \lsh n\lsh i\sh k\sh g\tblq nkig\enotes -\zbnotes\pedalepause\manuale\tbud ec|\sh n\umotif n!l!l!j^g\enotes -\qspace -\tnotes\manuale\mmotif f^d!d^b!L|\bigaccid\lsh i\sh k\tblq nkig\enotes -%\check -% mesure 39 -\bnotes\pedalepause\manuale\dbud ec\bud ec|\sh n\umotif n!l!l!j^g\enotes -\tnotes\manuale\bigna g\dbut gec\but gec|\umotif o!l!l!j!h\enotes -\zbnotes\pedalepause\manuale\dbut gdb\but gdb|\umotif o!k!k!i!h\enotes -\tnotes\manuale\tbutr gfd|\umotif o!m!m!k!h\enotes -% -%\check -% mesure 40 -\bnotes\pedalepause\manuale\tbut gec|\umotif o!l!l!j!h\enotes -\tnotes\manuale\tbut geb|\umotif p!n!n!l!i\enotes -\zbnotes\pedalepause\manuale\bigfl b\tbut geb|\bigna q\umotif q!n!n!l=j\enotes -\tnotes\manuale\tbut gea|\bigsh q\ibbl0{l}0\ilegu0{q}\qb0{q}\tleg0\qb0{n}% -\qbupz{q}\qbupz{n}\qbupz{l}\qbupz{^j}\qbupz{l}\tbl0\qbupz{j}\enotes -\ifnum\nbinstruments=1\relax - \global\cleftoksi={{6}{0}{0}{0}}\else - \global\cleftoksi={{6}{0}{0}{0}}\global\cleftoksii={{6}{0}{0}{0}}\fi -\changeclefs -%\check -% mesure 41 -\bnotes\pedalepause\manuale\qsk\zcharnote f{\llap{\pp}}\lsh N\tbltl cbN|\qsk - \mmotif j!i!i^g^e\enotes -\nspace\tnotes\manuale\tbltl cbM|\bigsh k\mmotif k!i!i!g^d\enotes -\qspace -\zbnotes\pedalepause\manuale\bigaccid\lsh a\tbltl cba|\bigna l\mmotif l!j!j!i=e\enotes -\qspace -\tnotes\manuale\bigaccid\lsh N\tbltl cbN|\bigsh l\mmotif l!j!j!i^e\enotes -\ifnum\nbinstruments=1\relax - \global\cleftoksi={{0}{0}{0}{0}}\else - \global\cleftoksi={{6}{0}{0}{0}}\global\cleftoksii={{0}{0}{0}{0}}\fi -\addspace{-2\afterruleskip}\changeclefs\notes\manuale \zcharnote N{\register{II}}\enotes -%\check -% mesure 42 -\bnotes\pedalepause\manuale -\zcharnote o{\it cresc.}\relax - \zwp{^a}\Dbud fc\ddbud fc|\zcharnote r{(III)}\umotif m!j!j^h!f\enotes -\nspace\tnotes\manuale\bigna f\Tbud fc|\bigna m\umotif m=l!j!h=f\enotes -\zbnotes\pedalepause\manuale\Tbud ec|\umotif l^k!j!h!e\enotes -\tnotes\manuale\zhl c\bigsh h\Tbud he|\bigsh o\umotif o!l!l!j!h\enotes -% -%\check -% mesure 43 -\bnotes\pedalepause\manuale\zwp d\bigna f\bigfl i\Dbud if\ddbud if|\bigfl p\umotif p=m!m!k_i\enotes -\tnotes\manuale\Tbud hf|\umotif o^n!m!k!h\enotes -\zbnotes\pedalepause\manuale\bigfl h\Tbud hf|\bigfl o\umotif o=n!m!k_h\enotes -\tnotes\manuale\zhl f\Tbud kh|\umotif r!o!o!m!k\enotes -% -% mesure 44 -\barre -\def\atnextline{\nbporteesii=2\relax - \nbporteesi=1\relax - \def\nbinstruments{2}\relax - \global\cleftoksii={{0}{0}{0}{0}}\global\cleftoksi={{6}{0}{0}{0}}\relax - \def\pedalepause{\Pause}\def\manuale{&}\relax - \signaturegenerale{2}}\relax -% -\notes\pedalepause\manuale\bigaccid\sh f\qsk\na h\zwp f\Dbud kh\ddbud kh|\qsk - \umotif r=o!o^m!k\enotes -\tnotes\manuale\Tbud jh|\umotif q^p!o!m!j\enotes -\zbnotes\manuale\bigna h\qsk\na j\Tbud jh|\qsk\bigna q\umotif q=p!o!m=j\enotes -\tnotes\manuale\zhl h\Tbud mj|\umotif t!q!q!o!m\enotes -% -%\check -% mesure 45 -\bnotes\pedalepause\manuale\bigsh j\qsk\zmidtwotext{\llap{\mf}}\zcharnote a{\llap{(II)}}\relax -\bigsh g\bigsh l\zhl g\Dbud lj\budr ji|\zcharnote r{\llap{\register{II}}}\qsk - \bigsh s\umotif s>r!q!p^l\enotes -\tnotes\manuale\zhl h\bigna j\Tbud mj|\umotif t=q!q!o!m\enotes -\zbnotes\pedalepause\manuale\zhl g\bigsh j\Dbud lj\loff{\ddbudr ji}|\umotif s!r^q!p!l\enotes -\tnotes\manuale\qsk\zhl h\bigna j\Tbud mj|\qsk\umotif t=q!q!o!m\enotes -% -%\check -% mesure 46 -\bnotes\doubler\pt 5\soupir\sk\sk\cl c\manuale\bigaccid -\lsh j\sh g\sh l\dblt ljg\bud jg|\bigsh s\umotif s>r!q!p^l\enotes -\tnotes\bigsh e\wh e\manuale\dbut ljg\ddbld jg|\umotif s!r!q!p!l\enotes -\zbnotes\manuale\tblt ljg|\umotif s!r!q!p!l\enotes -\tnotes\hpause\manuale\dblt ljg\bld jg|\umotif s!r!q!p!l\enotes -% -% mesure 47 -\generalsignature{-1}\Changecontext -\notes\doubler\pt 5\soupir\sk\sk - \cl c\manuale\bigfl h\dblt mjh\bud jh|\umotif t!s!q_o!m\enotes -\tnotes\wh f\manuale\dbut mjh\ddbud jh|\umotif t!s!q!o!m\enotes -\zbnotes\manuale\dblt mjh\bud jh|\umotif t!s!q_o!m\enotes -\tnotes\hpause\manuale\dblt mjh\bud jh|\umotif t!s!q!o!m\enotes -% -%\check -% mesure 48 -\bnotes\qsk\qsk\doubler\pt 5\soupir\sk\sk\bigna b\cl -b&\qsk\lfl h\na i\zcharnote N{\llap{\register{I}}}\qsk - \zmidtwotext{\llap{\ff}}\bigaccid -\dbltl mhi\budr ih|\qsk\qsk -\zcharnote r{\llap{(II)}}\umotif t!s_r_q!m\enotes -\tnotes\wh f&\dbltl mhi\ddbudr ih|\umotif t!s!r!q!m\enotes -\qspace\zbnotes&\dbltl mhi\budr ih|\umotif t!s!r!q!m\enotes -\tnotes\hpause&\dbltl mhi\budr ih|\umotif t!s!r!q!m\enotes -%\check -% -% mesure 49 -\bnotes\qsk\hpause&\zmidtwotext{\llap{\fff}}\relax - \zcharnote a{\llap{(I)}}\bigaccid -\lfl h\na i\qsk\dbltl mhi\budr ih|\zcharnote r{\llap{\register{I}}}\qsk - \umotif t!s_r_q!m\enotes -\tnotes\doubler\fl K\ql K\sk\soupir&\dbltl mhi\budr ih|\umotif t!s!r!q!m\enotes -\zbnotes\doubler\na b\ql b\sk\soupir&\dbltl mhi\budr ih|\umotif t!s!r!q!m\enotes -\tnotes\doubler\ql f\sk\soupir&\tbltl mhi|\umotif t!s!r!q!m\enotes -%\check -% -% mesure 50 -\bnotes\doubler\zh F\hu M&\zhl f\bigna h\Dbut mjh\ddbut mjh|\umotif t=s=q!o!m\enotes -\tnotes\doubler\zh E\hu L&\zhl e\Tbut ljh|\umotif s!r!q!o!m\enotes -\zbnotes\doubler\zh D\hu K&\zhl d\Tbutr kjh|\umotif r!q!q!o!m\enotes -\tnotes\doubler\zh E\hu L&\zhl e\Tbut ljh|\umotif s!r!q!o!m\enotes -% mesure 51 -\bnotes\doubler\zh F\hu M&\zhl f\Dbut mjh\ddbut mjh|\umotif t!s!q!o!m\enotes -\tnotes\doubler\zh E\hu L&\zhl e\Tbut ljh|\umotif s!r!q!o!m\enotes -\zbnotes\doubler\zh D\hu K&\zhl d\Tbutr kjh|\umotif r!q!q!o!m\enotes -\tnotes\doubler\zh E\hu L&\zhl e\na i\Tbut lig|\umotif s=p!p!n!m\enotes -% mesure 52 -\bnotes\zbv C\zbv J&\zbv c\Dbut jge\ddbut jge|\umotif q=p!n!l!j\enotes -\nspace\tnotes&\na i\Tbut ige|\umotif p!o!n!l!j\enotes -\zbnotes&\Tbutr hge|\umotif o!n!n!l!j\enotes -\tnotes&\Tbut ige|\umotif p!o!n!l!j\enotes -% mesure 53 -\bnotes\doubler\zh J\hl c&\dbut jge\ddbud ge|\umotif q=p!n!l!j\enotes -\nspace\tnotes\doubler\zh{=I}\hl{=b}&\na i\tbut ige|\umotif p!o!n!l!j\enotes -\zbnotes\doubler\zh H\hl a&\tbutr hge|\umotif o!n!n!l!j\enotes -\tnotes\doubler\zh I\hl b&\sh f\na i\tbuqr idfc|\umotif p^m!m!k!j\enotes -% mesure 54 -\bnotes\itenl2G\zw G\itenu1N\wh N&\na b\dbut gdb\ddbud db|\umotif n^m!k=i!g\enotes -\tnotes&\tbut gec|\umotif n!m!l!j!g\enotes -\zbnotes\tten1\tten2\zh G\hl N&\tbut gdb|\umotif n!m!k!i!g\enotes -\tnotes\hpause&\sh c\tbut gec|\umotif o^m!l^j!h\enotes -% mesure 55 -\bnotes\doubler\zh N\hl G&\sh c\tbut hec|\umotif -o^n!l^j!h\enotes -\tnotes\doubler\zh N\hl G&\tbut hec|\umotif o!n!l!j!h\enotes -\zbnotes\doubler\zh M\hu F&\tbut hfd|\na p\umotif -p!m!m!k=i\enotes -\tnotes\doubler\zh L\hu E&\tbutr hge|\sh q\umotif -q!o!o!n^j\enotes -% mesure 56 -\bnotes\itenl2D\zw D\itenu1K\wh K&\lmotbbd hfd|\umotif r^q!o!m!k\enotes -\tnotes&\dbud hf\but hfd|\umotif r!q!o!m!k\enotes -\zbnotes\tten1\tten2\zh D\hu K&\na i\tbut ifd|\na p\umotif p!o!o!m!k\enotes -\tnotes\hpause&\tbut jfd|\na q\umotif q!p!o!m!k\enotes -% mesure 57 -\bnotes\doubler\zh a\hl H&\sh d\lsh f\na i\tbut -ifd|\na p\umotif p^o^m^k=i\enotes -\tnotes\doubler\zh a\hl H&\tbut ifd|\umotif p!o!m!k!i\enotes -\zbnotes\doubler\zh N\hl G&\tbut ige|\sh q\umotif -q!n!n!l^j\enotes -\tnotes\doubler\zh{^M}\hl{^F}&\sh f\tbutr ihf|\sh r\umotif -r!p!p!o^k\enotes -%\check -% mesure 58 -\bnotes\itenl2E\itenu1L\zw E\wh L&\na i\dbud ig\ddbud ge|\umotif -s^r=p!n!l\enotes -\tnotes&\dbud ig\but ige|\umotif s!r!p!n!l\enotes -\zbnotes\tten2\tten1\zh E\hu L&\tbut jge|\umotif q=p!p!n!l\enotes -\tnotes\hpause&\tbut kge|\na r\umotif r!p!p!n!l\enotes -% mesure 59 -\bnotes\doubler\fl b\fl I\zh b\hu I&\dbut jge\bud ge|\umotif q=p!n!l!j\enotes -\tnotes\doubler\zh b\hu I&\dbut jge\bud ge|\umotif q!p!n!l!j\enotes -\zbnotes\doubler\zh a\hu H&\dbuqr kjhf\but jhf|\umotif -r^q!o!m!k\enotes -\tnotes\doubler\zh N\hu G&\tbuqr ljig\relax - |\varaccid\ibbl0{p}0\qbupz{s}\qbupz{^r}% -\qbupz{s}\qbupz{=q}\qbupz{_p}\qbupz{n}\qbupz{p}\tbl0\qbupz{s}\enotes -% mesure 60 -\bnotes\doubler\zh M\hu F&\lmotbba mkhf|\umotif t!s!r!n!m\enotes -\nspace\tnotes\doubler\zh N\hu G&\sh j\tbuqr lijg|\umotif s^r^q!p!n\enotes -\zbnotes\doubler\zh M\hu F&\tbut khf|\umotif -r^q!o!m!l\enotes -\tnotes\doubler\zh L\hu E&\na j\tbut jhe|\na q\umotif -q!o!o!l!j\enotes -% mesure 61 -\bnotes\doubler\zh K\hu D&\tbutr ihd|\umotif p!o!o!m!i\enotes -\tnotes\doubler\zh L\hu E&\tbut ige|\umotif p!n!n!l!i\enotes -\zbnotes\doubler\zh{^J}\hu{^C}&\sh c\tbutr hgc|\umotif -o!n!n!l!h\enotes -\tnotes\doubler\zh K\hu D&\tbut hfd|\umotif o!m!m!k!h\enotes -% mesure 62 -\bnotes\wh I&\mmotif h^f!f!d!b|\sh m\dblt omk\ddblt omk\enotes -\tnotes&\mmotif i!g!g!d!b|\tblq rpnk\enotes -\zbnotes\wh J&\mmotif g=f!f!d!c|\lna m\tbltl nmi\enotes -\tnotes&\mmotif g!e!e!d!c|\tblt nli\enotes -%\check -% mesure 63 -\bnotes\zbv F&\dblql mkjf\ddbutr kjf|\umotif t!r!r!q!m\enotes -\nspace\tnotes&\dblq mkif\but kif|\umotif t!r!r!p!m\enotes -\zbnotes&\dblql mijf\bltl jif|\umotif t!q!q!p!m\enotes -\tnotes&\dblq mjhf\bld jf|\umotif t!q!q!o!m\enotes -%\check -% mesure 64 -\bnoteP&\dbltl kjf\ddbld jf|\umotif r!q!q!m!k\enotes -\tnotes&\dblt kif\bld if|\umotif r!p!p!m!k\enotes -\zbnotes\pedalepause&\dbltl jif\bld if|\umotif q!p!p!m!j\enotes -\tnotes&\dblt jhf\bud fM|\umotif q!o!o!m!j\enotes -% -% mesure 65 -\bnoteP&\zcharnote N{\llap{\register{II}}}\qsk\zmidtwotext{\it diminuendo}\relax - \dblt ifd\ddbud fd|\qsk\zcharnote o{\llap{(I)}}\umotif p!o!o!m!i\enotes -\tnotes&\dbutr ied\budr ed|\umotif p!n!n!l!i\enotes -\zbnotes\pedalepause&\dbut hec\bud ec|\umotif o!n!n!l!h\enotes -\tnotes&\dbutr hdc\budr dc|\umotif o!m!m!k!h\enotes -% -% mesure 66 -\bnoteP&\dbut hdb\ddbud hf|\ibbl0m0\qbupz o\qbupz m\qbupz o\qbupz m\relax - \qbupz k\qbupz k\qbupz m\tbl0\qbupz o\enotes -\tnotes&\tblt kig|\umotif r!p!p!n!k\enotes -\zbnotes\sk\hpause&\dbutr gfc\bud fc|\umotif n!m!m!j!g\enotes -\tnotes\doubler\pt 5\soupir\sk\sk\cl M&\dbut gec\cl q|\umotif n!l!l!i!g\enotes -% -% mesure 67 -\bnotes\hl f&\Ioctfinup0p\dbltl mkj\ddbltl mkj|\mmotif m!k!k!j!f\enotes -\tnotes\hpause&\tblt mki|\mmotif m!k!k!i!f\enotes -\zbnotes\hpause&\tbltl mji|\mmotif m!j!j!i!f\enotes -\tnotes\doubler\pt 5\soupir\sk\sk\cl M&\tblt mjh|\mmotif m!j!j!h!f\enotes -% -% mesure 68 -\bnotes\hl f&\dbutr kjf\ddbltl kjf|\mmotif k!j!j!f!d\enotes -\tnotes\hpause&\tblt kif|\mmotif k!i!i!f!d\enotes -\zbnotes\hpause&\tbltl jif|\zcharnote L{\kern\noteskip\it sempre - diminuendo}\mmotif j!i!i!f!c\enotes -\tnotes\doubler\pt 5\soupir\sk\sk\cl M&\dblt jhf\bigfl e\rq f\cu e\relax - |\mmotif j!h!h!f!c\enotes -% -% mesure 69 -\bnotes\doubler\ql f\sk\soupir&\dbut ifd\ddblt ifd|\Mmotif ihhfd\enotes -\nspace\tnotes\doubler\pt 5\soupir\sk\sk\cl M&\bigna e\tblt ige|\Mmotif igged\enotes -\zbnotes\doubler\ql f\sk\soupir&\dbut hec\ddbut hec|\Mmotif hggec\enotes -\tnotes\doubler\pt 5\soupir\sk\sk\cu F&\tbut hfd|\Mmotif hffda\enotes -% -% mesure 70 -\bnotes\hl M&\dbut hdb\ddbld hf|\ibbu0g0\relax -\qhlpz h\qhlpz f\qhlpz h\qhlpz f\qhlpz d\qhlpz d\qhlpz f\tbu0\qhlpz h\enotes -\tnotes\hpause&\tblt kig|\Mmotif kiigd\enotes -\zbnotes\hpause&\tbutr gfc|\Mmotif gffcN\enotes -\tnotes\doubler\ql M\sk\soupir&\tbuqr gceb|\Mmotif geecN\enotes -% -% mesure 71 -\bnotes\doubler\lpz F\qu F\sk\soupir&\doubler - \zq{hfc}\lpz a\qu a\sk\soupir|\Mmotif fecaM\enotes -\tnotes\sk\hpause&\mmotif h^g!f!d!a|\doubler - \ibu0h0\zq{hf}\qhlpz a\tbu0\zq{hf}\qhlpz a\soupir\enotes -\zbnotes\doubler\upz M\ql M\sk\soupir&\doubler - \zq{hfc}\lpz a\qu a\sk\soupir|\Mmotif fecaM\enotes -\tnotes\sk\hpause&\Mmotif hgfda|\doubler - \ibu0h0\zq{hf}\qhlpz a\tbu0\zq{hf}\qhlpz a\soupir\enotes - \ifx\undefined\horizontalscore \else\autolines{17}43\fi -% -% mesure 72 -\bnotes\doubler\upz M\ql M\sk\soupir&\doubler - \zq{hfc}\lpz a\qu a\sk\soupir|\Mmotif fecaM\enotes -\tnotes\hpause&\dbut hfd\ddbut hfd|\mmotif h^g!f!d!a\enotes -\zbnotes\hpause&\tbut hfc|\Mmotif hgfca\enotes -\tnotes\doubler\ql M\sk\soupir&\tblt kif|\mmotif k^j!i!f!d\enotes -% -% mesure 73 -\bnotes\doubler\qsk\upz f\ql f\sk\soupir - &\qsk\tbutr jif|\qsk\bigna j\Mmotif jiifc\enotes -\tnotes\doubler\upz f\ql f\sk\soupir - &\tbutr jif|\zcharnote b{\it cresc.}\Mmotif jiifc\enotes -\zbnotes\hpause&\tblt jhf|\Mmotif jhhfc\enotes -\tnotes\doubler\upz f\ql f\sk\soupir&\tbutr jgf|\Mmotif jggfc\enotes -% -% mesure 74 -\def\Xmotif#1#2#3#4#5#6#7#8#9{{\advance\transpose by 8\relax -\advance\transpose by \interfacteur\ibbl0{#7}0}\sk\sk\sk\sk\sk\bigaccid -\qhlpz{#8#9}\varaccid\qhlpz{#7}\qhlpz{#5}\relax -|\qbupz{#1}\qbupz{#2#3}\qbupz{#1}\qbupz{#4#5}\qbupz{#6#7}\sk\sk\tbu0}% -%\check -\bnotes\doubler\upz f\ql f\sk\soupir&\ibu0i0\doubler - \zq{jh}\qhlpz f\tbu0\zq{jh}\qhlpz f\soupir\Toctfin0\relax - |\Mmotif jhhfc\enotes -\tnotes\sk\hpause&\zcharnote N{\register{I}}\zcharnote n{\llap{\it cresc. - }}\Xmotif j=i!h!f!c\enotes -\zbnotes\Pause&\Xmotif m!l!j!h!f\enotes -\tnotes&\Xmotif o^n!m!j!h\enotes -% -% mesure 75 -\bnotes&|\ibbl0j0\qbupz o\qbupz{^n}\qbupz o\qbupz m\qbupz j\enotes -\notes\sk\sk\pause&\qhlpz c\qhlpz f\tbu0\qhlpz h\enotes -\tnotes&\Xmotif m!l!j!h!f\enotes -\zbnotes\Pause&\Xmotif o!n!m!j!h\enotes -\tnotes&\Xmotif q=p!o!m!j\enotes -% -% mesure 76 -\ifnum\musicsize=16\relax - \elemskip=0.66\elemskip\advance\barsinline by -1\fi -\ifx\undefined\horizontalscore\else - \elemskip=0.66\elemskip\advance\barsinline by -1\fi -\barre\NOTes\pause&\pause|\zbv t\itenu1t\pause\sk\enotes -\tnotes\midtwotext{\fff}&\midtwotext{\fff}\enotes -\temps\NOTEs\wh F&\fl e\zw e\rw f\zw h\wh j|\zw m\zw o\wh q\sk\enotes -% -% mesure 77 -\barre\NOTEs\qsk\wh I&\qsk\fl e\zw e\rw f\zw h\wh j|\qsk - \zw m\zw o\tten1\zbv t\itenu1t\wh q\enotes -\temps\NOtes\wh I&\zw d\zw i\roff{\zq d\ql f}\zhp {=e}\hlp g\sk\sk -|\zw m\zw p\roff{\ql m\hlp n}\sk\enotes -% mesure 78 -\barre\ifnum\musicsize=16\NOTes\else\NOtes\fi - \tinynotesize\itenl2F\cu F&\tinynotesize - \zq c\zq f\cu h|\tinynotesize\tinynotesize\zq m\cl o\enotes -\NOTES\tten2\pointdurgue E\zbv F\zbv M&\relax - \zbv c\zbv f\zbv h\sk|\zbv m\zbv o\tten1\zbv t\pointdorgue t\enotes -\temps\temps\finmorceau -\rightline{\sl\aujourdhui}\vfil\eject -\varaccid - - diff --git a/musixtex/doc/examples/widor_16.tex b/musixtex/doc/examples/widor_16.tex deleted file mode 100644 index 24f3ba0..0000000 --- a/musixtex/doc/examples/widor_16.tex +++ /dev/null @@ -1,20 +0,0 @@ -\ifx\mxversion\undefined - \input musixtex - \input musixcpt - \input musixsty -\fi - -\musicsize=16\relax -\vsize 275mm -\tracingstats=2\relax - -\barsinline=0\relax -\linesinpage=0\relax -\staffbotmarg\Interligne -\resetfacteurs -\computewidths -\othermention{\'edition compacte aide-m\'emoire} -% -\input widor -\bye - diff --git a/musixtex/doc/examples/widor_20.tex b/musixtex/doc/examples/widor_20.tex deleted file mode 100644 index 9d318ff..0000000 --- a/musixtex/doc/examples/widor_20.tex +++ /dev/null @@ -1,18 +0,0 @@ -\ifx\mxversion\undefined 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The first way, using explicit macros, consists for -example in coding \keyindex{fl}\pitchp~to put a \ital{flat} at the -pitch $p$, presumably right before a note at the same pitch. This is a -non-spacing command and will automatically place the accidental an -appropriate distance to the left of the anticipated note head. -Naturals, sharps, double flats and double sharps are coded \keyindex{na}\pitchp, -\keyindex{sh}\pitchp, \keyindex{dfl}\pitchp~and \keyindex{dsh}\pitchp~respectively. - -The alternate macros \keyindex{lfl}, \keyindex{lna}, \keyindex{lsh}, -\keyindex{ldfl} and \keyindex{ldsh} -place the same accidentals, but shifted one note head width -to the left. These can be used if a note head has been shifted to the left, or -to avoid collision with other accidentals -in a chord. If you want to shift an accidental by some other amount for -more precise positioning, you could use \keyindex{loffset} with the normal -accidental macro as the second parameter. - - The second way of coding accidentals is to modify the parameter of a -note command. Just put the symbol -\verb|^| for a sharp, \verb|_| for a flat, \verb|=|~for a natural, -\verb|>| for a double sharp, or \verb|<| for a double -flat, right before the letter or number representing the pitch. -For example, \verb|\qb{^g}| yields a -$G\sharp$. This may be used effectively in collective coding, e.g. -\verb|\qu{ac^d}|. - - There are two sizes of accidentals. By default they will be large unless there -is not enough space between notes, in which case they will be made small. Either -size can be forced locally by coding \keyindex{bigfl}, \keyindex{bigsh}, etc., or -\keyindex{smallfl}, \keyindex{smallsh}, etc. If you want all accidentals to -be large, then declare \keyindex{bigaccid} near the top of the input file. For -exclusively small ones use \keyindex{smallaccid}; \keyindex{varaccid} will restore -variable sizes. - - For editorial purposes, small accidentals can be placed \ital{above} note -heads. This is done using \keyindex{uppersh}\pitchp, \keyindex{upperna}\pitchp, or -\keyindex{upperfl}\pitchp: - -\begin{music}\nostartrule -\startextract -\NOtes\uppersh l\qa l\en -\NOtes\upperna m\qa m\en -\NOtes\upperfl l\qa l\en -\zendextract -\end{music} - -\vspace*{-2ex} -It also possible to introduce \ital{\ixem{cautionary accidental}s}, -i.e.,~small accidentals enclosed in parentheses. This is done by preceding -the name of the accidental keyword with ``\verb|c|''\label{cautionary}. -Available cautionary accidentals are \keyindex{csh}, \keyindex{cfl}, -\keyindex{cna}, -\keyindex{cdfl} and \keyindex{cdsh}, which give - -\begin{music}\nostartrule -\startextract -\NOtes\csh g\qa g\en -\NOtes\cfl h\qa h\en -\NOtes\cna i\qa i\en -\NOtes\cdfl j\qa j\en -\NOtes\cdsh k\qa k\en -\zendextract -\end{music} - -\vspace*{-2ex} -\noindent The distance between notes and accidentals is controlled by -\keyindex{accshift}\verb|=|\ital{any \TeX\ dimension}, where -positive values shift to the left and negative to right, with a -default of~\verb|0pt|. -For ``big'' cautionary accidentals, use, for example, -\verb|{|\keyindex{largenotesize}\verb|\csh|\pitchp\verb|}| or see Section~\ref{brapar}. diff --git a/musixtex/doc/musixdoc/barlines.tex b/musixtex/doc/musixdoc/barlines.tex deleted file mode 100644 index b3f1d54..0000000 --- a/musixtex/doc/musixdoc/barlines.tex +++ /dev/null @@ -1,310 +0,0 @@ -\chapter{Bar Lines} - \section{Single, double, and invisible bar lines}\label{doublebars} -The usual macro to typeset a single bar line is \keyindex{bar}. -There is a possibility of -confusion with a command in \TeX's math mode that has exactly the same name. -However, there will generally be no problem, because inside -\verb|\startpiece...\endpiece|, -\verb|\bar| will take the musical meaning, while outside, it will have the -mathematical one. -If for some reason you need the math \verb|\bar| inside, you can use -\verb|\endcatcodesmusic...\bar...\catcodesmusic|. - -To typeset a double bar line with two thin rules, use \keyindex{doublebar}. You could -also issue \keyindex{setdoublebar} to cause the next \verb|\bar| (or -\keyindex{stoppiece}, \keyindex{alaligne}, or \keyindex{alapage}) to be replaced -by a double bar. -There is no specific command to print a thin-thick double bar line, but -\keyindex{setdoubleBAR} will cause one in the same cases where -\verb|\setdoublebar| would cause a thin-thin double bar line. -To typeset a double-bar line in the middle of a bar, use \keyindex{zdoublebar}; -use \keyindex{zzdoublebar} to force the mid-bar double-bar line to the end -of a system. - -To make the next bar line invisible, use \keyindex{setemptybar} before -\verb|\bar|. - -You can suppress the beginning vertical rule with saying \keyindex{nostartrule} -and restore the default with \keyindex{startrule} after that. Note that -it is conventional practice to omit beginning rules for single-staff music. - -\section{Simple discontinuous bar lines} -Normally, bars (as well as double bars, final bars and repeat bars) are -drawn continuously from the bottom of the lowest staff of the -lowest instrument to the top of the highest staff of the uppermost -instrument. However, if desired, they can be made discontinuous between -instruments by saying \keyindex{sepbarrules}. An example of this is given in -%avrb -%{\tt ANGESCAO} (or {\tt ANGESCAM}) example; it has also been used in the -%avre -\texttt{avemaria.tex} in Section~\ref{avemaria}\label{avemaria2}. - -Continuous bar lines can be restored with \keyindex{stdbarrules}. In -the extension library are some more types of bar rules, mainly for very old -music, see Section~\ref{otherbars}. - -% DAS. Andre, are there some other kinds of bars in an addon? - -\section{Elementary asynchronous bar lines} - - Situations may arise where the bar lines in different instruments are not -aligned with one another. To set this up, first say \verb|\sepbarrules|. -Then use a combination of the following five commands: - -\begin{itemize}\setlength{\itemsep}{0ex} -\item\keyindex{hidebarrule}\onen~hides the bar rule for instrument $n$, until -this is changed by \verb|\showbarrule|\onen. -\item\keyindex{showbarrule}\onen~stops hiding the bar rule for instrument $n$, -until this is changed by \verb|\hidebarrule|\onen. -\item\keyindex{Hidebarrule}\onen~hides the bar rule for instrument $n$, only -for the next bar. -\item\keyindex{Showbarrule}\onen~shows the bar rule for instrument -$n$ once only, -and then resets it. -% -% DAS ??? -% and then resets it to \verb|hidebarrule|. -% -\item\keyindex{showallbarrules} resets all defined instruments to -\verb|\showbarrule|\onen. This command is automatically inserted with double -bars, final bars and repeats. -\end{itemize} - -Thus, this example - -\begin{music} -\instrumentnumber3 -\setmeter3{{\meterfrac{3}{4}}} -\setmeter2{{\meterfrac{2}{4}}} -\setmeter1{{\meterfrac{3}{8}}} -\nobarnumbers -\sepbarrules - -\startextract -\NOtes\pt f\qa f&\qa f&\qa f\en -\hidebarrule2\hidebarrule3\bar -\NOtes\multnoteskip{.333}\Tqbu fff&\qa f&\qa f\en -\showbarrule2\bar -\NOtes\pt f\qa f&\qa f&\qa f\en -\hidebarrule2\showbarrule3\bar -\NOtes\multnoteskip{.333}\Tqbu fff&\qa f&\qa f\en -\showbarrule2\hidebarrule3\bar -\NOtes\pt f\qa f&\qa f&\qa f\en -\hidebarrule2\bar -\NOtes\multnoteskip{.333}\Tqbu fff&\qa f&\qa f\en -\setdoublebar -\bar\hidebarrule3 -\NOtes\pt f\qa f&\qa f&\qa f\en -\Hidebarrule2\bar -\NOtes\multnoteskip{.333}\Tqbu fff&\qa f&\qa f\en -\bar -\NOtes\pt f\qa f&\qa f&\qa f\en -\message{Showbarrule3 coming}% -\Hidebarrule2\Showbarrule3\bar -\NOtes\multnoteskip{.333}\Tqbu fff&\qa f&\qa f\en -\bar -\NOtes\pt f\qa f&\qa f&\qa f\en -\Hidebarrule2\bar -\NOtes\multnoteskip{.333}\Tqbu fff&\qa f&\qa f\en -\setrightrepeat -\endextract -\end{music} - -\noindent was obtained with the following coding: -\begin{quote}\begin{verbatim} -\instrumentnumber3 -\setmeter3{{\meterfrac{3}{4}}} -\setmeter2{{\meterfrac{2}{4}}} -\setmeter1{{\meterfrac{3}{8}}} -\nobarnumbers -\sepbarrules - -\startextract -\NOtes\pt f\qa f&\qa f&\qa f\en -\hidebarrule2\hidebarrule3\bar -\NOtes\multnoteskip{.333}\Tqbu fff&\qa f&\qa f\en -\showbarrule2\bar -\NOtes\pt f\qa f&\qa f&\qa f\en -\hidebarrule2\showbarrule3\bar -\NOtes\multnoteskip{.333}\Tqbu fff&\qa f&\qa f\en -\showbarrule2\hidebarrule3\bar -\NOtes\pt f\qa f&\qa f&\qa f\en -\hidebarrule2\bar -\NOtes\multnoteskip{.333}\Tqbu fff&\qa f&\qa f\en -\setdoublebar -\bar\hidebarrule3 -\NOtes\pt f\qa f&\qa f&\qa f\en -\Hidebarrule2\bar -\NOtes\multnoteskip{.333}\Tqbu fff&\qa f&\qa f\en -\bar -\NOtes\pt f\qa f&\qa f&\qa f\en -\message{Showbarrule3 coming}% -\Hidebarrule2\Showbarrule3\bar -\NOtes\multnoteskip{.333}\Tqbu fff&\qa f&\qa f\en -\bar -\NOtes\pt f\qa f&\qa f&\qa f\en -\Hidebarrule2\bar -\NOtes\multnoteskip{.333}\Tqbu fff&\qa f&\qa f\en -\setrightrepeat -\zendextract -\end{verbatim}\end{quote} - -\section{Dotted, dashed, asynchronous and discontinuous bar lines}\label{musixdbr} - -The extension -package \href{http://icking-music-archive.org/software/musixtex/add-ons/musixdbr.tex} -{\underline{\ttxem{musixdbr.tex}}} by Rainer {\sc Dunker} provides commands for -dashed, dotted, and arbitrarily discontinuous bar lines. It supports -individual bar line settings for each instrument, multi-staff instruments, -different sizes of staves, and even different numbers of lines per staff, - -To use the package, you must \verb|\input musixdbr| after \verb|musixtex|, and -execute the macro \keyindex{indivbarrules} which activates individual bar line -processing. Then the following commands are available: - -\begin{itemize}\setlength{\itemsep}{0ex} - -\item \keyindex{sepbarrule}\onen~separates bar lines of instrument $n$ from those of instrument $n-1$ - -\item \keyindex{condashbarrule}\onen~connects bar lines of instrument $n$ to those of instrument $n-1$ - with a dashed line - -\item \keyindex{condotbarrule}\onen~connects bar lines of instrument $n$ to those of instrument $n-1$ - with a dotted line - -\item \keyindex{conbarrule}\onen~connects bar lines of instrument $n$ to those of instrument $n-1$ - -\item \keyindex{hidebarrule}\onen~hides bar lines of instrument $n$ - -\item \keyindex{showdashbarrule}\onen~dashes bar lines of instrument $n$ - -\item \keyindex{showdotbarrule}\onen~dots bar lines of instrument $n$ - -\item \keyindex{showbarrule}\onen~shows bar lines of instrument $n$ - -\item \keyindex{sepmultibarrule}\onen~separates bar lines within multistaff instrument $n$ - -\item \keyindex{condashmultibarrule}\onen~dashes bar lines between staves of multistaff instrument $n$ - -\item \keyindex{condotmultibarrule}\onen~dots bar lines between staves of multistaff instrument $n$ - -\item \keyindex{conmultibarrule}\onen~ shows bar lines between staves of multistaff instrument $n$ - -\item \keyindex{allbarrules}[\ital{any of the above commands, without numerical parameter}] sets bar -line style for all instruments together. - -\end{itemize} - -Dashing and dotting style may be changed by redefining the macros -\verb|\barlinedash| or \verb|\barlinedots| respectively (see original definitions in \verb|musixdbr.tex|). - -Here is an example of the use of these macros: - -\begin{music} -\input musixdbr - -\instrumentnumber4 \setstaffs23 \setstaffs32 \setlines14\setsize2\tinyvalue -\indivbarrules -\parindent0pt\startextract -%\startpiece -%\scale{2} - % normal barlines - \bar - % separate instrument 2 from 1 - \sepbarrule2 - \notes\en\bar - % barlines on staves - \allbarrules\sepbarrule - \allbarrules\sepmultibarrule - \allbarrules\showbarrule - \NOTes\en\bar - % barlines between staves - \allbarrules\conbarrule - \allbarrules\conmultibarrule - \allbarrules\hidebarrule - \NOTes\en\bar - % dashed barlines on staves - \allbarrules\sepbarrule - \allbarrules\sepmultibarrule - \allbarrules\showdashbarrule - \NOTes\en\bar - % dashed barlines between staves - \allbarrules\condashbarrule - \allbarrules\condashmultibarrule - \allbarrules\hidebarrule - \NOTes\en\bar - % dotted barlines on staves - \allbarrules\sepbarrule - \allbarrules\sepmultibarrule - \allbarrules\showdotbarrule - \NOTes\en\bar - % dotted barlines between staves - \allbarrules\condotbarrule - \allbarrules\condotmultibarrule - \allbarrules\hidebarrule - \NOTes\en\bar - % a wild mixture of all - \showdotbarrule1\hidebarrule2\showdashbarrule3\showbarrule4% - \condashbarrule2\conbarrule3\condotbarrule4% - \condashmultibarrule2\sepmultibarrule3% - \NOTes\en\bar - % conventional ending - \allbarrules\showbarrule - \allbarrules\conbarrule - \allbarrules\conmultibarrule - \NOTes\en\setdoubleBAR\endextract -\end{music} - -This is the code: - -\begin{quote}\begin{verbatim} -\input musixdbr -\instrumentnumber4\setstaffs23\setstaffs32\setlines14\setsize2\tinyvalue -\indivbarrules\parindent0pt\startextract - % normal barlines - \bar - % separate instrument 2 from 1 - \sepbarrule2 - \notes\en\bar - % barlines on staves - \allbarrules\sepbarrule - \allbarrules\sepmultibarrule - \allbarrules\showbarrule - \NOTes\en\bar - % barlines between staves - \allbarrules\conbarrule - \allbarrules\conmultibarrule - \allbarrules\hidebarrule - \NOTes\en\bar - % dashed barlines on staves - \allbarrules\sepbarrule - \allbarrules\sepmultibarrule - \allbarrules\showdashbarrule - \NOTes\en\bar - % dashed barlines between staves - \allbarrules\condashbarrule - \allbarrules\condashmultibarrule - \allbarrules\hidebarrule - \NOTes\en\bar - % dotted barlines on staves - \allbarrules\sepbarrule - \allbarrules\sepmultibarrule - \allbarrules\showdotbarrule - \NOTes\en\bar - % dotted barlines between staves - \allbarrules\condotbarrule - \allbarrules\condotmultibarrule - \allbarrules\hidebarrule - \NOTes\en\bar - % a wild mixture of all - \showdotbarrule1\hidebarrule2\showdashbarrule3\showbarrule4% - \condashbarrule2\conbarrule3\condotbarrule4% - \condashmultibarrule2\sepmultibarrule3% - \NOTes\en\bar - % conventional ending - \allbarrules\showbarrule - \allbarrules\conbarrule - \allbarrules\conmultibarrule - \NOTes\en\setdoubleBAR\zendextract -\end{verbatim}\end{quote} - diff --git a/musixtex/doc/musixdoc/barnumbering.tex b/musixtex/doc/musixdoc/barnumbering.tex deleted file mode 100644 index 9ad9d5c..0000000 --- a/musixtex/doc/musixdoc/barnumbering.tex +++ /dev/null @@ -1,127 +0,0 @@ -\chapter{Bar Numbering} -The current bar number is stored in a count register call \keyindex{barno}. -When \verb|\startpiece| is encountered, \verb|\barno| is set equal to -another count register called \verb|\startbarno|, whose default value is one. -Therefore, if you want the first bar to have a number $n$ different from~$1$, you -may either say \verb|\startbarno=|$n$ before \verb|\startpiece|, or say -\verb|\barno=|$n$ afterwards, but before the first bar line. You may also alter the bar -number at any time, either by explicitly resetting \verb|\barno|, or by -incrementing it with a command like \verb|\advance\barno-1|. - -\musixtex\ supports two distinct modes for printing bar numbers. In \ital{periodic} -bar numbering, the bar number is -placed above the top staff with a user-selectable frequency. In -\ital{system} bar numbering, the -number will appear at the beginning of each system. - -\section{Periodic bar numbering} -In a normal piece, periodic bar number printing is turned on by default, with a frequency -of one. In an extract, the default is to not print bar numbers. -To turn off bar numbering say \keyindex{nobarnumbers}. To reinstate periodic -bar numbering, or to initiate it in an extract, say \keyindex{barnumbers}. -To change to a -different frequency $n$, say \verb|\def|\keyindex{freqbarno}\verb|{|$n$\verb|}|. - -The appearance and positioning of the bar number is controlled by the -token \keyindex{writethebarno}, which by default is defined as\\ -\verb|\def\writethebarno{\fontbarno\the\barno\kernm\qn@width}| -where the font is defined as \verb|\def\fontbarno{\it}|. You can change -either of these as desired, for example - - \medskip -\begin{music}\barnumbers -\parindent0pt\startpiece -\Notes\Dqbu gh\Dqbl jh\en -\notes\Dqbbu fg\Dqbbl hk\en\bar -\Notes\Tqbu ghi\Tqbl mmj\en -\def\fontbarno{\bf}% -\notes\Tqbbu fgj\Tqbbl njh\en\bar -\Notes\Qqbu ghjh\Qqbl jifh\en\bar -\notes\Qqbbu fgge\Qqbbl jhgi\en\endpiece -\end{music} -\noindent which was coded as -\begin{quote}\begin{verbatim}\barnumbers -\Notes\Dqbu gh\Dqbl jh\en -\notes\Dqbbu fg\Dqbbl hk\en\bar -\Notes\Tqbu ghi\Tqbl mmj\en -\def\fontbarno{\bf}% -\notes\Tqbbu fgj\Tqbbl njh\en\bar -\Notes\Qqbu ghjh\Qqbl jifh\en\bar -\notes\Qqbbu fgge\Qqbbl jhgi\en -\end{verbatim}\end{quote} - -\section{System bar numbering} -To have a bar number printed just above the beginning of each system, use -\keyindex{systemnumbers}. The distance above the staff is controlled -by \verb|\raisebarno|, which by default is \verb|4\internote| (to fit -above a treble clef). This can be redefined with the command -\begin{quote} -\verb|\def|\keyindex{raisebarno}\verb|{|\ital{any \TeX~dimension}\verb|}| -\end{quote} -Similarly, the horizontal position is defined by \keyindex{shiftbarno} -which by default is \verb|0pt|. - -The number normally is enclosed in a -box. If you don't like that, you may redefine the macro \verb|\writebarno| -which by default is defined as -\begin{quote} -\verb|\def|\keyindex{writebarno}\verb|{\boxit{\eightbf\the\barno\barnoadd}}| -\end{quote} -This uses the utility \musixtex\ macro \keyindex{boxit} which will enclose -any text string in a box. - -Here are some possible alternate formats for system bar numbers: - -\medskip -\begin{music}\nostartrule -\def\fontbarno{\it}% -\let\extractline\hbox -\startbarno=36 -\hbox to \hsize{% -\hss - \raise20pt\hbox{(a) }% - \systemnumbers\startextract - \Notes\wh g\en - \zendextract -\hss - \def\writebarno{\tenrm\the\barno\barnoadd}% - \def\raisebarno{2\internote}% - \def\shiftbarno{2.5\Interligne}% - \raise20pt\hbox{(b) }% - \systemnumbers\startextract - \Notes\wh g\en - \zendextract -\hss - \def\writebarno{\llap{\tenbf\the\barno\barnoadd}}% - \def\raisebarno{2\internote}% - \def\shiftbarno{1.3\Interligne}% - \raise20pt\hbox{(c) }% - \systemnumbers\startextract - \Notes\wh g\en - \zendextract -\hss} -\end{music} -\noindent These were coded as -\begin{itemize}\setlength{\itemsep}{0ex} - \item[(a)] (default) - \item[(b)] - \begin{verbatim} -\def\writebarno{\tenrm\the\barno\barnoadd}% -\def\raisebarno{2\internote}% -\def\shiftbarno{2.5\Interligne}% - \end{verbatim} - \item[(c)] - \begin{verbatim} -\def\writebarno{\llap{\tenbf\the\barno\barnoadd}}% -\def\raisebarno{2\internote}% -\def\shiftbarno{1.3\Interligne}% - \end{verbatim} -\end{itemize} - -If the previous line does not stop with a bar rule, then the next -printed system bar number will immediately be followed by the contents -of the token \keyindex{writezbarno}, whose -default setting is the lower case character `\verb|a|'. You might want to -change this to `\verb|+|', in which case you should say -\verb|\def\writezbarno{+}|. - diff --git a/musixtex/doc/musixdoc/beams.tex b/musixtex/doc/musixdoc/beams.tex deleted file mode 100644 index dbf57e2..0000000 --- a/musixtex/doc/musixdoc/beams.tex +++ /dev/null @@ -1,627 +0,0 @@ -\chapter{Beams} -\section{Starting a beam} - -Each beam must be declared with a macro issued before the first spacing -note under the beam is coded. Two distinct kinds of macros are provided -for this. The first kind initiates a ``fixed-slope'' beam, with an arbitrary -slope and starting height chosen by the user, while the second kind, a -``semi-automatic'' beam, -\ital{computes}~the slope and, in addition, adjusts the starting height in some -cases. - -\def\nps{{\tt\char123}$n${\tt\char125}\pitchp{\tt\char123}$s${\tt\char125}} - -The basic form of the macros for starting fixed-slope beams is exemplified -by the one for a single upper beam, \keyindex{ibu}\nps. Here -$n$ is the reference number of the beam, $p$ the starting ``pitch'', and -$s$ the slope. - -The reference number is assigned by the user. -It is needed because more than one beam may be open at -a time, and it tells \musixtex\ to which beam subsequent beamed notes and -other beam specification commands are assigned. -By default, the reference number must be in the range [$0,5$], -but the range for 8th to 128th beams will be expanded to [$0,8$] or [$0,11$] -if \verb|musixadd| or \verb|musixmad| respectively has been \verb|\input|. - -Alternatively, you can specify the number of $8$th to $64$th beams -directly\footnote{$8$th to $64$th beams are so basic that the maximum -number of these beams is related to the maximum number of instruments -by this command. -Using $m>12$ may require e-\TeX.} -with \keyindex{setmaxinstruments}\verb|{|$m$\verb|}| -within the range $7|, - \verb|<|, \verb&|&, \verb|&|, \verb|!|, \verb|*|, \verb|.|, and \verb|:|\ .\\ -The symbols are given their special meanings by executing the macro -\keyindex{catcodesmusic}, and are restored to their plain \TeX\ meanings with -\keyindex{endcatcodesmusic}. When setting either a self-contained score or -a musical extract, you normally need not worry -about this at all, because \verb|\startpiece| or \verb|\startextract| executes -\verb|\catcodesmusic| and \verb|\endpiece| or \verb|\endextract| executes -\verb|\endcatcodesmusic|. But there are some special situations where you -might need to use these catcode-modifying macros explicitly. One is if you -were to define a personalized macro outside -\verb|\startpiece ... \endpiece|, but which incorporated any of the -symbols with their \musixtex\ meanings. Another would be if you wished to have -access to facilities enabled by alternate style files such as -{\tt\ixem{french.sty}} which change \keyindex{catcode}s themselves. In -such cases, provided you have input \verb|musixtex.tex|, you can always -invoke \keyindex{catcodesmusic} to set the \keyindex{catcode}s at their -\musixtex\ values, and \keyindex{endcatcodesmusic} to restore them to their -prior values. diff --git a/musixtex/doc/musixdoc/examples.tex b/musixtex/doc/musixdoc/examples.tex deleted file mode 100644 index 6ca8631..0000000 --- a/musixtex/doc/musixdoc/examples.tex +++ /dev/null @@ -1,125 +0,0 @@ -\chapter{\musixtex\ Examples} - -The file \verb|musixdoc.tex|, the source for this manual, contains many useful -examples. In the manual, many examples are accompanied by a display of the code -that produced them, while for a few only an image of the extract is included and you'll -have to look in the \verb|musixdoc| source files to see the coding. - -Other useful examples cannot be embedded in the source, either because they are -meant to be in \TeX, not \LaTeX, or because they are simply too large. For -these the source files also are provided separately. - -When compiling or viewing any of the examples, you should keep in mind that -most DVI previewers and laser printers have -their origin one inch below and one inch to the right of the upper right corner -of the paper, while the musical examples have their upper left -corner just one centimeter to the right and below the top left corner of the page. -Therefore, special parameters may have to be given to the DVI transcription -programs unless special \keyindex{hoffset} and \keyindex{voffset} \TeX\ -commands have been included within the \TeX\ source. - -\section{Small examples} - -\begin{itemize}\setlength{\itemsep}{0ex} - -\item{\tt ossiaexa.tex}~: This is a stand-alone example of the use of ossia, -provided by Olivier Vogel (Section~\ref{ossia} on page \pageref{ossia}). - -\item{\tt 8bitchar.tex}~: Using 8bit characters. - -\end{itemize} - -\section{Full examples} -The small examples above and the longer ones mentioned below are included in -the documentation folder of the \musixtex\ package. -Some of them require -\verb|musixcpt.tex| which makes examples created in -Music\TeX\ compatible with \musixtex. Here we mention a few of -special interest. - -\subsection{Examples mentioned in the manual} - -\begin{itemize}\setlength{\itemsep}{0ex} - \item{\tt avemaria.tex}~: the ``M\'editation'' (alias ``Ave Maria'') by -Charles {\sc Gounod} for organ and violin or voice.\index{Gounod, C.@{\sc Gounod, C.}} -To run this five-page example you'll also need \texttt{avemariax.tex}. -It demonstrates the use of separated bar rules (Section~\ref{avemaria2}) -and the use of staves of different sizes (Section~\ref{avemaria}). -Also, an additional instrument is created for lyrics. This was a common -practice before the \texttt{musixlyr} package was created by Rainer Dunker. - - \item{\tt glorias.tex}~: a local melody for the French version of -\ital{Gloria in excelsis Deo}, a three-page piece demonstrating the use of the hardlyrics -commands (Section~\ref{glorias}). {\tt gloriab.tex} is the same piece, but with organ accompaniment. - -\end{itemize} - -\subsection{Other examples, provided by the authors of \musixtex } - -\begin{itemize}\setlength{\itemsep}{0ex} - - \item{\tt traeumer.tex}~: the famous ``Tr\"aumerei'' by -Robert {\sc Schumann}\index{Schumann, R.@{\sc Schumann, R.}} for piano, in genuine -\musixtex\ but with some -additions to perform ascending bitmapped \itxem{crescendos}. -There are also S-shaped slurs between 2 staves. - - \item{\tt parnasum.tex}~: the first page of ``Doctor gradus ad -Parnassum'' by Claude {\sc Debussy}\index{Debussy, -C.@{\sc Debussy, C.}} for piano. -It contains a rather complex example of a new command \verb+\Special+ -to create staff-jumping doubly beamed notes. -\end{itemize} - -\subsection{Additional documentation} - -\begin{itemize}\setlength{\itemsep}{0ex} - - \item{\tt sottieng}~: Notation mistakes, provided by Jean-Pierre Coulon. - -\end{itemize} - -\section{Compiling \texttt{musixdoc.ltx}} - -This manual is an excellent example of a primarily text document with embedded -musical excerpts. For this reason, it is a \LaTeX\ document and must be compiled -with \verb|latex| rather than \verb|etex|. Those wishing to combine text and -musical excerpts should carefully study how it is done here. - -Before compiling or recompiling \verb|musixdoc.ltx|, you should remove all the auxiliary -files {\tt musixdoc.[mx1\|\allowbreak mx2\|\allowbreak aux\|\allowbreak toc\|\allowbreak ind\|\allowbreak idx\|\allowbreak ilg\|\allowbreak out]} -if they are present. Then the following command sequence will produce \verb|musixdoc.ps|: -\begin{quote}\begin{verbatim} -latex musixdoc -musixflx musixdoc -latex musixdoc -makeindex musixdoc -latex musixdoc -latex musixdoc -dvips -e0 musixdoc -\end{verbatim}\end{quote} -The initial three steps \verb|latex|\allowbreak$\to$\allowbreak\verb|musixflx|\allowbreak$\to$\allowbreak\verb|latex| build up the basic appearance of the document including musical examples. -The \verb|makeindex| step produces the database for the index. -After that, \verb|latex| must be run at least twice to complete cross referencing. -Finally, \verb|dvips| converts the \verb|.dvi| file into \verb|.ps|; -the \texttt{-e0} option prevents \texttt{dvips} from making pixel adjustments -intended for letters in words. -To produce \verb|musixdoc.pdf|, use \verb|ps2pdf| or the Distiller component of Adobe Acrobat, or open \verb|musixdoc.ps| in \texttt{GSview}, go to -{\tt File\|Convert}, select \verb|pdfwrite| at 600 dpi resolution, and click -\verb|OK|. - -Alternatively, if you have the \verb|musixtex| script, just run -\verb|musixtex -x musixdoc| -(where -the \verb|-x| option is only needed to create a new index database). - -%If you use an older version of \LaTeX\ which doesn't automatically -%invoke $\varepsilon$\hbox{-}\nobreak\TeX, you will encounter the -%error ``{\tt !~No room for new \string\count}''. -%This is because \verb|musixdoc.tex| invokes \verb|musixtex.tex|, which together with \LaTeX\ -%requires more storage registers than available in \TeX. -%You may be able get around this by using the command -%\verb|elatex| instead of \verb|latex|; -%however, it is strongly recommended to upgrade your \TeX\ system to a more recent -%version in which \verb|latex| automatically invokes $\varepsilon$\hbox{-}\nobreak\TeX. - diff --git a/musixtex/doc/musixdoc/extensions.tex b/musixtex/doc/musixdoc/extensions.tex deleted file mode 100644 index 8d66b23..0000000 --- a/musixtex/doc/musixdoc/extensions.tex +++ /dev/null @@ -1,2369 +0,0 @@ -\chapter{Extension Library} -All of the following files are invoked by saying \keyindex{input} \ital{filename}. -In some cases, -\verb\musixtex\ must be input \emph{before} the extension, -but most of them are fully compatible with \verb\musixtex.tex\ in that they do not redefine -any existing macros and just provide additional functionality. -In future -versions of \musixtex\ we may very well incorporate many of them directly into -\verb|musixtex.tex|, but for now we leave them separate. - - \section{musixadd}\ixtt{musixadd.tex} -Increases the number of instruments, slurs and beams from six to nine. - - \section{musixadf} -\input musixadf -This file and the associated fonts (by Hiroaki \textsc{Morimoto}) -define some additional and alternative musical accents, as follows. -\begin{description} -\item[small swells, larger sforzatos:] -\ \\\begin{music} -\nostartrule -\startextract -\NOTes - \ccharnote{-8}{\Bslash ulsw}\ulsw l\ql l% - \ccharnote{13}{\Bslash llsw}\llsw f\qu f% -\en\bar -\NOtes - \ccharnote{-8}{\Bslash uSfz}\uSfz l\ql l% - \ccharnote{13}{\Bslash lSfz}\lSfz f\qu f\qsk% -\en -\endextract -\end{music} -\item[breaths:] -\ \\ -\begin{music} -\nostartrule -\startextract -\NOTes - \zcharnote{-8}{\Bslash cuBreath}\cuBreath \qu f% - \zcharnote{13}{\Bslash clBreath}\clBreath \qu f% -\en\bar -\NOtes - \ccharnote{-8}{\Bslash zuBreath}\zuBreath \qu f% - \ccharnote{13}{\Bslash zlBreath}\zlBreath \qu f% -\en -\endextract -\end{music} -\item[coda with serifs, upright segno:] -\ \\ -\begin{music} -\nostartrule -\startextract -\NOTes - \sk - \ccharnote{-4}{\Bslash scoda}\scoda n\sk\sk% - \ccharnote{-4}{\Bslash upsegno}\upsegno n\sk% -\en -\endextract -\end{music} -\end{description} -The following commands will replace the default specified accents by the new ones -defined in \texttt{musixadf.tex}: - \verb|\replacesforzato|, - \verb|\replacecoda|, - \verb|\replacesegno|. - - \section{musixbm} -This file does nothing; it is retained only for compatibility with -\musixtex{} version 1.10 or earlier. -Since version 1.11, \verb|musixtex.tex| itself contains all the functions -of the older \texttt{musixbm}, namely -commands for 128th notes, either with flags or with beams: -\keyindex{ibbbbbu}, -\keyindex{ibbbbbl}, -\keyindex{nbbbbbu}, -\keyindex{nbbbbbl}, -\keyindex{tbbbbbu}, -\keyindex{tbbbbbl}, -\keyindex{Ibbbbbu}, -\keyindex{Ibbbbbl}, -\keyindex{cccccu}, -\keyindex{cccccl}, -\keyindex{ccccca}, -\keyindex{zcccccu} and -\keyindex{zcccccl}. - - - \section{musixbbm}\label{musixbbm} - Provides $256$th notes, but only for use within beams, via the commands -\keyindex{ibbbbbbu}, -\keyindex{ibbbbbbl}, -\keyindex{nbbbbbbu}, -\keyindex{nbbbbbbl}, -\keyindex{tbbbbbbu}, -\keyindex{tbbbbbbl}, -\keyindex{Ibbbbbbu} and -\keyindex{Ibbbbbbl}. - -By default \texttt{musixbbm} provides six $256$th beams with -reference number $0$ to $5$. -You can specify a larger maximum number -directly with \keyindex{setmaxcclvibeams}\verb|{|$m$\verb|}| within the -range\footnote{This may require e-\TeX.} $7\leq m\leq 100$. - -\section{musixcho}\label{song} - Enables certain macros intended for choral music\footnote{Remember -that we now recommend using \texttt{musixlyr} for any except the -simplest lyrics. The extension \texttt{musixcho} is only for those -diehards who choose to ignore this advice}. Provides the following commands: -\keyindex{biglbrace}, \keyindex{bigrbrace}, \keyindex{braceheight}, -\keyindex{Dtx} and \keyindex{Drtx} for two-line text, \keyindex{Ttx} and -\keyindex{Trtx} for three-line text, \keyindex{Qtx} and \keyindex{Qrtx} for -four-line text. To eliminate zigzagging lyrics lines, all multiple line texts -are automatically vertically justified with the macro \keyindex{ChroirStrut}, -defined as \verb|\vphantom{\^Wgjpqy}|. - -The macros \keyindex{tx}\verb|{|$text$\verb|}|, -\keyindex{rtx}\verb|{|$text$\verb|}| cause song text to be left-justified -on the insertion point rather then centered. - \keyindex{hf}\verb|{|$m$\verb|}| sets a text -continuation rule of length $m$ \verb|\noteskip|. - -Consult the source file {\tt musixdoc.tex} to see the coding of the following -example: - -\begin{music} -\ninerm -\parindent9mm -\braceheight5.4\Interligne\relax -%\rightline{Arr.: H.~W.~Eichholz} -\instrumentnumber2 -\generalsignature{-2} -\generalmeter{\meterfrac22} -\setclef1\bass -\relativeaccid -\setinterinstrument1{11\Interligne} -\songtop2 -\songbottom1 -\setname2{\vbox{\hsize\parindent\centerline{Sop}\centerline{Alt}}} -\setname1{\vbox{\hsize\parindent\centerline{Ten}\centerline{Bass}}} -\sepbarrules\nobarnumbers -\beforeruleskip-2pt -\startpiece -%% bar 1 -\znotes&\rlap{\kernm2em\Qrtx 1.|2.|3.|4.*}\en -\NOTes\sslur ILd1\sslur bNu1\zhl I\hu b% - &\Qtx\ixhf{Oh}|No|No|There'll*\issluru0f\sslur dad1\zhup f\hl d\en -\Notes\zhl L\hu N&\Qtx ~|more|more|~be*\hl{^c}\en -\NOtes&\tsslur0g\qu g\en -%%% bar 2 -\bar -\NOtes\zql I\qu b&\Qrtx\thf freedom,|weepin',|moanin',|singin',*\zqu i\ql d\en -\NOTesp\lpt I\zhl I\hup b&\zhup i\hlp d\en -%%% bar 3 -\bar -\nspace -\NOTes\sslur JMd1\sslur bau1\zhl J\hu b% - &\Qtx\ixhf{oh}|no|no|there'll*\issluru0j\sslur edd1\zhup j\hl{^e}\en -\Notes\zhl M\hu a&\Qtx~|more|more|~be*\hl{=e}\en -\NOtes&\tsslur0k\qu k\en -%%% bar 4 -\bar -\NOtes\zql I\qu b&\Qrtx\thf freedom,|weepin',|moanin',|singin',*\zqu j\ql d\en -\NOTesp\lpt I\zhl I\hup b&\zhup i\hlp d\en -%%% bar 5 -\bar -\NOTesp\sslur IJd1\sslur bau1\lpt I\zhl I\hup b% - &\Qtx\ixhf{oh}|no|no|~there'll*\isslurd0f\issluru1j\zhup k\hlp f\en -\NOtes\zql J\qu a&\Qtx~|more|more|~be*\tsslur1f\zqu f\roff{\tsslur0e\ql e}\en -%%% bar 6 -\bar -\NOtes\zql K\qu b&\Qrtx\thf freedom,|weepin',|moanin',|singin',*\zqu i\ql f\en -\NOtes\zql J\qu b&\zqu i\ql e\en -\NOtes\zql I\qu b&\rlap{\kernm1\Internote\bigrbrace}\rtx~~~~over*\zqu i\ql d\en -\NOtes\zql G\qu b&\zqu k\ql f\en -%%% bar 7 -\bar -\nspace -\NOTes\zhl J\hu b\caesura&\tx ~me,*\zhu j\hl{^e}\caesura\en -\Notes\zcl J\cu b&\rtx ~over*\zcu j\cl e\en -\NOtesp\zqlp J\qup b&\zqup k\lpt e\ql e\en -\endpiece -\end{music} - -\section{musixcpt} - -Empowers \musixtex\ to run files created under -Musi\textbf{c}TeX, the predecessor of \musixtex, such as some of the examples -provided by Daniel {\sc Taupin}. It is not needed for any files created -under \musixtex, and is included mainly for historical completeness. - -\section{musixdat} -Enables the command \keyindex{today}, which sets the current date in one of -several possible languages. The language is selected by an optional - preparatory command \verb|\date...|. -The default is \keyindex{dateUSenglish}, but this can changed, either at the -end of \ttxem{musixdat.tex} for a permanant change, or right before issuing -\verb|\today|. Available choices and sample results are summarized below: -\smallskip -\begin{quote}\begin{tabular}{ll}\hline -\verb|\dateUSenglish|&\dateUSenglish\today\\ -\verb|\dateaustrian|&\dateaustrian\today\\ -\verb|\dateenglish|&\dateenglish\today\\ -\verb|\datefrench|&\datefrench\today\\ -\verb|\dategerman|&\dategerman\today\\\hline -\end{tabular}\end{quote} - -\section{musixdbr} -Enables dashed and dotted bar lines (see Section~\ref{musixdbr}). - -\section{musixdia}\label{diam} -Enables notes with diamond-shaped heads as follows: -\begin{itemize}\setlength{\itemsep}{0ex} - \item Solid note heads (\raise.5ex\hbox to .6em{\musixchar37}) are obtained -using the macros - \keyindex{yqu}, \keyindex{yqup}, -\keyindex{yqupp}, \keyindex{yql}, \keyindex{yqlp}, \keyindex{yqlpp}, -\keyindex{yzq}, \keyindex{yzqp}, \keyindex{yzqpp}, \keyindex{yqb}, -\keyindex{ycu}, \keyindex{yccu}, \keyindex{ycccu}, \keyindex{yccccu}, -\keyindex{ycl}, \keyindex{yccl}, \keyindex{ycccl}, \keyindex{yccccl}, -\keyindex{ycup}, \keyindex{ycupp}, \keyindex{yclp}, \keyindex{yclpp}. -(Think of d{\it y}\kern.5pt amond). A solid diamond with no stem is obtained -with \keyindex{ynq} (spacing) or \keyindex{yznq} (non-spacing). - \item Open note heads (\raise.5ex\hbox to .6em{\musixchar38}) are obtained -using the macros -\keyindex{dqu}, \keyindex{dqup}, -\keyindex{dqupp}, \keyindex{dql}, \keyindex{dqlp}, \keyindex{dqlpp}, -\keyindex{dzq}, \keyindex{dzqp}, \keyindex{dzqpp}, \keyindex{dqb}, -\keyindex{dcu}, \keyindex{dccu}, \keyindex{dcccu}, \keyindex{dccccu}, -\keyindex{dcl}, \keyindex{dccl}, \keyindex{dcccl}, \keyindex{dccccl}, -\keyindex{dcup}, \keyindex{dcupp}, \keyindex{dclp}, \keyindex{dclpp}. -(Think of {\it d}\kern.5pt iamond). -An open diamond with no stem is obtained -with \keyindex{dnq} (spacing) or \keyindex{dznq} (non-spacing). - \end{itemize} - -One use of these note heads is for a string part with \itxem{harmonic notes}. -%(see \ref{othernotes}) -% DAS removed description which was misplaced in the samll=notes section 2.18 4/30/06 -For example, - -\begin{music} -\parindent0pt -\generalsignature{-2} -\generalmeter\allabreve -\startextract -\NOTes\dzq o\zh d\hu h\en -\Notes\ibu0k0\zq g\yqb0k\qb0j\zq e\yqb0i\tbu0\qb0j\en -\bar -\NOTes\dzq g\hu k\en -\NOTes\hpause\en -\bar -\NOTes\dzq o\zh d\hl h\en -\Notes\ibl0e0\zq g\yqb0k\qb0j\zq e\yqb0i\tbl0\qb0j\en -\bar -\NOTes\dzq g\hu k\en -\NOTes\hpause\en -\endextract -\end{music} -\noindent was coded as follows: -\begin{quote}\begin{verbatim} -\generalsignature{-2} -\generalmeter\allabreve -\startextract -\NOTes\dzq o\zh d\hu h\en -\Notes\ibu0k0\zq g\yqb0k\qb0j\zq e\yqb0i\tbu0\qb0j\en -\bar -\NOTes\dzq g\hu k\en -\NOTes\hpause\en -\bar -\NOTes\dzq o\zh d\hl h\en -\Notes\ibl0e0\zq g\yqb0k\qb0j\zq e\yqb0i\tbl0\qb0j\en -\bar -\NOTes\dzq g\hu k\en -\NOTes\hpause\en -\endextract -\end{verbatim}\end{quote} - -Another use is for percussion parts. In fact the file \verb|musixdia.tex| -is automatically loaded if you input {\tt musixper.tex} (see Section~\ref{perc}). - -\section{musixec}\label{ecfonts} - This package will replace the \texttt{OT1}-encoded Computer Modern fonts -by \texttt{T1}-encoded EC versions. -Use as follows: -\begin{quote}\begin{verbatim} -\input musixtex -\input musixec -[\input musixsty] -... -\end{verbatim}\end{quote} -For example, - -\begin{music} -\input musixec -é è â ç ü ñ\\ -\end{music} - \noindent may be coded as -\begin{quote} -\begin{verbatim} -\input musixec -é è â ç ü ñ\\ -\end{verbatim} -\end{quote} - - - \section{musixeng} - This package is provided for music typesetters who are allergic to the default -rest names, which are -taken from French, German or Italian. It does not provide new features, only -new command names: -\medskip - \begin{quote}\begin{tabular}{ll}\hline -\ital{original}&\ital{alternate}\\\hline -\keyindex{PAUSe}&\keyindex{Qwr}\\ -\keyindex{PAuse}&\keyindex{Dwr}\\ -\keyindex{liftpause}&\keyindex{liftwr}\\ -\keyindex{pausep}&\keyindex{wrp}\\ -\keyindex{pause}&\keyindex{wr}\\ -\keyindex{lifthpause}&\keyindex{lifthr}\\ -\keyindex{hpausep}&\keyindex{hrp}\\ -\keyindex{hpause}&\keyindex{hr}\\ -\keyindex{qp}&\keyindex{qr}\\ -\keyindex{ds}&\keyindex{er}\\ -\keyindex{qs}&\keyindex{eer}\\ -\keyindex{hs}&\keyindex{eeer}\\ -\keyindex{qqs}&\keyindex{eeeer}\\\hline -\end{tabular}\end{quote} - -\section{musixext} - -This file does nothing; it is retained only for compatibility with -\musixtex{} version 1.17 or earlier. -Since version 1.18, \verb|musixtex.tex| itself contains all the functions -of the older \texttt{musixext}, namely -definitions of -\begin{itemize} -\item -\keyindex{raggedstoppiece}~, which inhibits right-justification of the last -line of a score. -\item -\keyindex{slide}\itbrace{p}\itbrace{x}\itbrace{s}~, which provides a glissando -starting at pitch {\it p} and extending for {\it x} \verb|\internote|s with -slope {\it s} (ranging from $-8$ to $8$). -\end{itemize} - - \section{musixf{}l{}l} - \input musixfll - Enables modification of \ixem{ledger lines}. Ledger lines normally exceed the -width of a note head by $25$ percent in each direction. If the space between -notes is insufficient, the ledger lines of -consecutive notes may meet, creating visual ambiguities. Therefore, -\musixtex{} shortens the -ledger lines if notes are set so close together that the ledger lines may -meet. But because \musixtex{} does not know whether consecutive notes need -ledger lines, this automatic shortening may be superfluous. The extension -file \ttxem{musixfll.tex} allows this feature to be switched off and on. -Upon inputting \verb|musixfll.tex|, the automatic shortening of ledger lines -is switched off. From then on, it may be switched on again using -\keyindex{autoledgerlines} and switched off again using -\keyindex{longledgerlines}. Both macros have global effect. - - The following example shows that narrowly set scales look better with -\keyindex{autoledgerlines} (the default behavior), whereas single notes -requiring ledger lines look better with \keyindex{longledgerlines}. - -\medskip -\begin{music} -\nostartrule -\startextract -\notes\multnoteskip{0.7}\Uptext{autoledgerlines}\autoledgerlines - \ibbbu0b0\qb0{cba`gfg'a}\tbu0\qb0b% - \ibbbl0{''b}0\qb0{abcdedc}\tbl0\qb0b% - \ibbbu0{``b}0\qb0{dad}\tbu0\qb0a% - \ibbbl0{''b}0\qb0{`g'c`g}\tbl0\qb0{'c}\en -\endextract -\medskip -\startextract -\notes\multnoteskip{0.7}\Uptext{longledgerlines}\longledgerlines - \ibbbu0b0\qb0{cba`gfg'a}\tbu0\qb0b% - \ibbbl0{''b}0\qb0{abcdedc}\tbl0\qb0b% - \ibbbu0{``b}0\qb0{dad}\tbu0\qb0a% - \ibbbl0{''b}0\qb0{`g'c`g}\tbl0\qb0{'c}\en -\endextract -\autoledgerlines -\end{music} - - \section{musixftab}\label{frenchtab}\index{tablature}\index{musixftab@{\tt musixftab.tex}} -This extension replaces the default (Helvetica) numerals of the tablature commands -of Section~\ref{tablature} with the traditional script letters of French tablature. -These glyphs are generated in \keyindex{tabfnt} by arguments \texttt{0}--\texttt{9} -or by (capital) Latin letters \texttt{A}--\texttt{R} (excluding \texttt{J}). -\clearpage - -The example of Section~\ref{tablature} with \texttt{musixftab.tex} is as follows: -\medskip - -\begin{music} -\input musixftab -\input musixps -%\tabstylespacetrue -\largemusicsize -\def\psslurhgt{0.5} -\instrumentnumber{1} -\generalmeter{\meterfrac34} -\generalsignature{-1} -\setlines16\setclefsymbol1\tabclef\setsize1{1.2}\setsign10 -\nobarnumbers -\parindent=2ex -\setname1{\tabstringfnt\baselineskip=1.2\internote% -\vbox{\hbox{F}\hbox{D}\hbox{A}\hbox{F}\hbox{D}\hbox{A}}} -\nostartrule -\startextract -\scale{0.6} -\NOtes\tzqu\qa{*}\en -\NOtesp\zltab50\zltab40\tzqup\ltab30\en -\Notes\tzcu\ltab30\en -\bar% -\NOtes\zltab50\zltab42\zltab31\tzqu\ltab22\en -\NOtesp\zltab64\zltab35\zltab30\tzqup\ltab22\en -\Notes\tzcu\ltab22\en -\bar% -\NOtes\zltab50\zltab30\zltab20\tzqu\ltab10\en -\NOtes\zltab61\zltab40\tzqup\ltab20\en -\Notes\tzcu\ltab33\en -\bar% -\NOtes\zltab70\zltab55\tzqu\ltab45\en -\NOtes\zltab60\zltab53\ltab44\en -\notesp\zltab64\tzccu\ltab42\ilsluru03\ltab53\ltab52\tlslur03\ltab53\en -\bar% -\notesp\ztab{10}0\tzccu\ltab42\ilsluru03\ltab52\ltab53\tlslur03\ltab50\en -\NOtesp\zltab50\zltab40\tzqup\ltab30\en -\Notes\tzcu\ltab30\en -\bar% -\zendextract -\end{music} -\medskip - - \section{musixgre}\label{gregnotes}\index{gregorian chant} - -% \section{Gregorian chant: staffs and clefs} -Gregorian chant is often coded using four line staffs -(see -%sections \ref{gregorian} and -Section~\ref{stafflinenumber}) and using special notes called -\itxem{neumes} (which are described later in this section). It also requires -special clefs. One way to substitute them for the modern ones is for example -with commands like - -\keyindex{setaltoclefsymbol}\verb|3\gregorianCclef| - -\noindent or - -\keyindex{setbassclefsymbol}\verb|3\gregorianFclef| , - -\noindent which will cause instrument number~$3$ to display the selected gregorian -clef. The standard clefs can be restored for every instrument with -\keyindex{resetclefsymbols}. Note that when using this method you must -specify whether to substitute for the bass or alto clef -symbol (there is no treble clef in gregorian -chant). The reason is that \musixtex\ selects and -raises the F and C clefs differently, according to the arguments of the -\keyindex{setclef} command. Therefore, if one had substituted any F clef -symbol while saying \verb|\setclef1{1000}|, then an F clef would duly appear -on the staff, but it would be set at the position of an alto clef, thus -seriously misleading the musician. - -Another method of clef substitution employs \keyindex{setclefsymbol} (see -Section~ \ref{treblelowoct}), which substitutes the clef given by -the second argument \ital{for all clef symbols} of the instrument given by the first, -regardless of the actual musical meaning of the new clef symbol. This method is -generally appropriate only if you want to change the clef symbol(s) of -an instrument for the whole of the score. - - As an example, the same gregorian scale has been written with a gregorian C -clef on all four lines of the staff: - - \begin{music}\nostartrule - \parindent 19mm - \instrumentnumber{4} - \setname1{1st line} \setname2{2nd line} - \setname3{3rd line} \setname4{4th line} - \setlines1{4}\setlines2{4}\setlines3{4}\setlines4{4} - \sepbarrules - \generalmeter{\empty} - \setclef1{1000} \setclef2{2000} \setclef3{3000} \setclef4{4000} - \setaltoclefsymbol1\gregorianCclef - \setaltoclefsymbol2\gregorianCclef - \setaltoclefsymbol3\gregorianCclef - \setaltoclefsymbol4\gregorianCclef -\startextract -\Notes\squ{abcdefghi}&\squ{abcdefghi}&\squ{abcdefghi}&\squ{abcdefghi}&\en -\zendextract -\end{music} - - The coding was: - \begin{verbatim} - \instrumentnumber{4} - \setname1{1st line} \setname2{2nd line} - \setname3{3rd line} \setname4{4th line} - \setlines1{4}\setlines2{4}\setlines3{4}\setlines4{4} - \sepbarrules - \generalmeter{\empty} - \setclef1{1000} \setclef2{2000} \setclef3{3000} \setclef4{4000} - \setaltoclefsymbol1\gregorianCclef - \setaltoclefsymbol2\gregorianCclef - \setaltoclefsymbol3\gregorianCclef - \setaltoclefsymbol4\gregorianCclef -\startextract -\Notes\squ{abcdefghi}&\squ{abcdefghi}&\squ{abcdefghi}&\squ{abcdefghi}&\en -\zendextract - \end{verbatim} - -All of the special gregorian symbols available in \musixtex\ are described -in the following subsections. - -\subsection{Clefs} - -\begin{itemize}\setlength{\itemsep}{0ex} - \item Gregorian C clef: \raise 2.5pt\hbox to 1cm{\gregorianCclef\hfil}~= - \keyindex{gregorianCclef}, normally activated for instrument $n$ with the -command - \keyindex{setaltoclefsymbol}\itbrace{n}\keyindex{gregorianCclef} -\item Gregorian F clef: \raise 2.5pt\hbox to 1cm{\gregorianFclef\hfil}~= -\keyindex{gregorianFclef}, normally activated with the command -\keyindex{setbassclefsymbol}\itbrace{n}\keyindex{gregorianFclef} - \end{itemize} - - \subsection{Elementary symbols} - - - \begin{itemize}\setlength{\itemsep}{0ex} - - \item Diamond shaped \itxem{punctum} (This has a different shape compared to the -percussion diamond): \raise 2.5pt\hbox{\xgregchar1}~ = -\keyindex{diapunc}\pitchp\ . - \item Square \itxem{punctum}: \raise 2.5pt\hbox{\xgregchar5}~ = -\keyindex{squ}\pitchp\ or \keyindex{punctum}\pitchp\ . - \item Left stemmed \itxem{virga} (not in the 1905 gregorian standard): \raise -2.5pt\hbox{\xgregchar6}~ = \keyindex{lsqu}\pitchp\ . - \item Right stemmed \itxem{virga}: \raise 2.5pt\hbox{\xgregchar7}~ = -\keyindex{rsqu}\pitchp\ or \keyindex{virga}\pitchp\ . - \item \ital{Apostropha}\index{apostropha}: \raise 2.5pt\hbox{\xgregchar3}~ = -\keyindex{apostropha}\pitchp\ . - \item \ital{Oriscus}\index{oriscus}: \raise 2.5pt\hbox{\xgregchar10}~ = -\keyindex{oriscus}\pitchp\ . - - \item \ital{Quilisma}\index{quilisma}: \raise 2.5pt\hbox{\xgregchar125}~ = -\keyindex{quilisma}\pitchp\ . - \item \ital{Punctum auctum} (up)\index{punctum auctum}: \raise -2.5pt\hbox{\xgregchar9}~ = -\keyindex{punctumauctup}\pitchp\ . - \item \ital{Punctum auctum} (down)\index{punctum auctum}: \raise -2.5pt\hbox{\xgregchar8}~ = -\keyindex{punctumauctdown}\pitchp\ . - \item Diamond shaped \ital{punctum auctum} (down)\index{punctum auctum}: -\raise 2.5pt\hbox{\xgregchar2}~ = \keyindex{diapunctumauctdown}\pitchp\ . - \item \ital{Punctum deminutum}\index{punctum deminutum}: \raise -2.5pt\hbox{\xgregchar4}~ = \keyindex{punctumdeminutum}\pitchp\ . - \item \ital{Apostropha aucta}\index{apostropha aucta}: \raise -2.5pt\hbox{\xgregchar11}~ = \keyindex{apostropha aucta}\pitchp\ . - -\end{itemize} - All non-\ital{liquescens} symbols have non-spacing variants, namely -\keyindex{zdiapunc}, \keyindex{zsqu}, \keyindex{zlsqu}, \keyindex{zrsqu}, -\keyindex{zapostropha} and \keyindex{zoriscus}. - -\subsection{Plain complex neumes} -Other \itxem{neumes} can be obtained by combining two or more of these -symbols. Since \itxem{neumes} have a special note head width, an additional -shifting macro is provided, namely \keyindex{groff}. It is similar to -\verb|\roff|, but the offset is smaller. For use with comples neumes, another -shifting macro is provided, namely \keyindex{dgroff}, which causes an -offset twice the offset of \verb|\groff|. - - Since most of these symbols depend on relative pitches of their components, -we cannot provide all possible compact combinations as single symbols. The ones -that are available in \verb|musixgre| are described below. In the following, -$p_1$, $p_2$, $p_3$, and $p_4$ represent pitches specified as usual. Please refer to -the source file \verb|musixtex.tex| if you wish to see the coding of those -examples for which it is not quoted here. - -\def\twop{\itbrace{p_1}\itbrace{p_2}} -\def\threep{\twop\itbrace{p_3}} -\def\fourp{\threep\itbrace{p_4}} - -\begin{description}\setlength{\itemsep}{0ex} - \item[\keyindex{bivirga}\twop], for example: - - \begin{music}\nostartrule - \elemskip 10pt - \setsize1{\Largevalue} - \instrumentnumber 1 - \setstaffs 1 1 - \setlines 1 4 - \setclef 1{3000} - \setaltoclefsymbol 1 \gregorianCclef - \startextract - \notes \bivirga ab\en - \notes \bivirga cc\en - \zendextract - \end{music} - - This example was coded as: - \begin{quote}\begin{verbatim} - \instrumentnumber 1 - \setstaffs 1 1 - \setlines 1 4 - \setclef 1{3000} - \setaltoclefsymbol 1 \gregorianCclef - \startextract - \notes \bivirga ab\en - \notes \bivirga cc\en - \zendextract - \end{verbatim}\end{quote} - - \item[\keyindex{trivirga}\threep], for example: - - \begin{music}\nostartrule - \elemskip 10pt - \setsize1{\Largevalue} - \instrumentnumber 1 - \setstaffs 1 1 - \setlines 1 4 - \setclef 1{3000} - \setaltoclefsymbol 1 \gregorianCclef - \startextract - \Notes \trivirga abc\en - \Notes \trivirga cca\en - \zendextract - \end{music} - - \item[\keyindex{bistropha}\twop], for example: - - \begin{music}\nostartrule - \elemskip 10pt - \setsize1{\Largevalue} - \instrumentnumber 1 - \setstaffs 1 1 - \setlines 1 4 - \setclef 1{3000} - \setaltoclefsymbol 1 \gregorianCclef - \startextract - \notes \bistropha ab\en - \notes \bistropha cc\en - \zendextract - \end{music} - - \item[\keyindex{tristropha}\threep], for example: - - \begin{music}\nostartrule - \elemskip 10pt - \setsize1{\Largevalue} - \instrumentnumber 1 - \setstaffs 1 1 - \setlines 1 4 - \setclef 1{3000} - \setaltoclefsymbol 1 \gregorianCclef - \startextract - \Notes \tristropha abc\en - \Notes \tristropha cca\en - \zendextract - \end{music} - - \item[\keyindex{clivis}\twop], for example: - - \begin{music}\nostartrule - \elemskip 10pt - \setsize1{\Largevalue} - \instrumentnumber 1 - \setstaffs 1 1 - \setlines 1 4 - \setclef 1{3000} - \setaltoclefsymbol 1 \gregorianCclef - \startextract - \notes \clivis ba\en - \notes \clivis ca\en - \zendextract - \end{music} - - \item[\keyindex{lclivis}\twop], for example: - - \begin{music}\nostartrule - \setsize1{\Largevalue} - \elemskip 10pt - \instrumentnumber 1 - \setstaffs 1 1 - \setlines 1 4 - \setclef 1{3000} - \setaltoclefsymbol 1 \gregorianCclef - \startextract - \notes \lclivis ba\en - \notes \lclivis ca\en - \zendextract - \end{music} - - \item[\keyindex{podatus}\twop], for example: - - \begin{music}\nostartrule - \elemskip 10pt - \instrumentnumber 1 - \setsize1{\Largevalue} - \setstaffs 1 1 - \setlines 1 4 - \setclef 1{3000} - \setaltoclefsymbol 1 \gregorianCclef - \startextract - \notes \podatus ab\en - \notes \podatus ac\en - \notes \podatus cf\en - \zendextract - \end{music} - - \item[\keyindex{podatusinitiodebilis}\twop], for example: - - \begin{music}\nostartrule - \elemskip 10pt - \instrumentnumber 1 - \setsize1{\Largevalue} - \setstaffs 1 1 - \setlines 1 4 - \setclef 1{3000} - \setaltoclefsymbol 1 \gregorianCclef - \startextract - \notes \podatusinitiodebilis ab\en - \notes \podatusinitiodebilis ac\en - \notes \podatusinitiodebilis cf\en - \zendextract - \end{music} - - \item[\keyindex{lpodatus}\twop], for example: - - \begin{music}\nostartrule - \elemskip 10pt - \setsize1{\Largevalue} - \instrumentnumber 1 - \setstaffs 1 1 - \setlines 1 4 - \setclef 1{3000} - \setaltoclefsymbol 1 \gregorianCclef - \startextract - \notes \lpodatus ab\en - \notes \lpodatus ce\en - \zendextract - \end{music} - - \item[\keyindex{pesquassus}\twop], for example: - - \begin{music}\nostartrule - \elemskip 10pt - \instrumentnumber 1 - \setsize1{\Largevalue} - \setstaffs 1 1 - \setlines 1 4 - \setclef 1{3000} - \setaltoclefsymbol 1 \gregorianCclef - \startextract - \notes \pesquassus ab\en - \notes \pesquassus ae\en - \zendextract - \end{music} - - \item[\keyindex{quilismapes}\twop], for example: - - \begin{music}\nostartrule - \elemskip 10pt - \instrumentnumber 1 - \setsize1{\Largevalue} - \setstaffs 1 1 - \setlines 1 4 - \setclef 1{3000} - \setaltoclefsymbol 1 \gregorianCclef - \startextract - \notes \quilismapes ab\en - \notes \quilismapes ae\en - \zendextract - \end{music} - - \item[\keyindex{torculus}\threep], for example: - - \begin{music}\nostartrule - \elemskip 10pt - \instrumentnumber 1 - \setsize1{\Largevalue} - \setstaffs 1 1 - \setlines 1 4 - \setclef 1{3000} - \setaltoclefsymbol 1 \gregorianCclef - \startextract - \notes \torculus aba\en - \notes \torculus cfd\en - \notes \torculus afc\en - \zendextract - \end{music} - - \item[\keyindex{torculusinitiodebilis}\threep], for example: - - \begin{music}\nostartrule - \elemskip 10pt - \instrumentnumber 1 - \setsize1{\Largevalue} - \setstaffs 1 1 - \setlines 1 4 - \setclef 1{3000} - \setaltoclefsymbol 1 \gregorianCclef - \startextract - \notes \torculusinitiodebilis aba\en - \notes \torculusinitiodebilis cfd\en - \notes \torculusinitiodebilis afc\en - \zendextract - \end{music} - - \item[\keyindex{Porrectus}\threep], for example: - - \begin{music}\nostartrule - \elemskip 10pt - \instrumentnumber 1 - \setsize1{\Largevalue} - \setstaffs 1 1 - \setlines 1 4 - \setclef 1{3000} - \setaltoclefsymbol 1 \gregorianCclef - \startextract - \notes \Porrectus bab\en - \notes \Porrectus bac\en - \notes \Porrectus bNd\en - \notes \Porrectus bMe\en - \notes \Porrectus bLe\en - \zendextract - \end{music} -\noindent coded: - \begin{quote}\begin{verbatim} - \notes \Porrectus bab\en - \notes \Porrectus bac\en - \notes \Porrectus bNd\en - \notes \Porrectus bMe\en - \notes \Porrectus bLe\en - \end{verbatim}\end{quote} - - \verb|\Porrectus| exists in four different shapes, depending on the -difference between first and second argument. The constraint is that - $$ p_1-4 \leq p_2 \leq p_1-1 $$ otherwise a diagnostic occurs. Note also that -\keyindex{bporrectus} provides the first curved part of the \verb|porrectus| -command, if you should need it. It has two arguments, the starting pitch and the lower -pitch. - - \item[\keyindex{Porrectusflexus}\fourp], for example: - - \begin{music}\nostartrule - \elemskip 10pt - \instrumentnumber 1 - \setsize1{\Largevalue} - \setstaffs 1 1 - \setlines 1 4 - \setclef 1{3000} - \setaltoclefsymbol 1 \gregorianCclef - \startextract - \notes \Porrectusflexus bacN\en - \notes \Porrectusflexus bNdb\en - \notes \Porrectusflexus bMeb\en - \notes \Porrectusflexus bLea\en - \zendextract - \end{music} -\noindent coded: - \begin{quote}\begin{verbatim} - \notes \Porrectusflexus bacN\en - \notes \Porrectusflexus bNdb\en - \notes \Porrectusflexus bMeb\en - \notes \Porrectusflexus bLea\en - \end{verbatim}\end{quote} - - - \item[\keyindex{climacus}\threep], for example: - - \begin{music}\nostartrule - \elemskip 10pt - \instrumentnumber 1 - \setsize1{\Largevalue} - \setstaffs 1 1 - \setlines 1 4 - \setclef 1{3000} - \setaltoclefsymbol 1 \gregorianCclef - \startextract - \Notes \climacus cbN\en - \Notes \climacus cba\en - \Notes \climacus dbN\en - \zendextract - \end{music} - - \item[\keyindex{climacusresupinus}\fourp], for example: - - \begin{music}\nostartrule - \elemskip 10pt - \instrumentnumber 1 - \setsize1{\Largevalue} - \setstaffs 1 1 - \setlines 1 4 - \setclef 1{3000} - \setaltoclefsymbol 1 \gregorianCclef - \startextract - \Notes \climacusresupinus cbNa\en - \Notes \climacusresupinus cbab\en - \Notes \climacusresupinus dbNb\en - \zendextract - \end{music} - - \item[\keyindex{lclimacus}\threep], for example: - - \begin{music}\nostartrule - \elemskip 10pt - \setsize1{\Largevalue} -\instrumentnumber 1 - \setstaffs 1 1 - \setlines 1 4 - \setclef 1{3000} - \setaltoclefsymbol 1 \gregorianCclef - \startextract - \notes \lclimacus cbN\en - \notes \lclimacus cfd\en - \notes \lclimacus afc\en - \zendextract - \end{music} - - \item[\keyindex{scandicus}\threep], for example: - - \begin{music}\nostartrule - \elemskip 10pt - \instrumentnumber 1 - \setsize1{\Largevalue} - \setstaffs 1 1 - \setlines 1 4 - \setclef 1{3000} - \setaltoclefsymbol 1 \gregorianCclef - \startextract - \notes \scandicus abe\en - \notes \scandicus ceg\en - \zendextract - \end{music} - - \item[\keyindex{salicus}\threep], for example: - - \begin{music}\nostartrule - \elemskip 10pt - \instrumentnumber 1 - \setsize1{\Largevalue} - \setstaffs 1 1 - \setlines 1 4 - \setclef 1{3000} - \setaltoclefsymbol 1 \gregorianCclef - \startextract - \Notes \salicus abe\en - \Notes \salicus ceg\en - \zendextract - \end{music} - - \item[\keyindex{salicusflexus}\fourp], for example: - - \begin{music}\nostartrule - \elemskip 10pt - \instrumentnumber 1 - \setsize1{\Largevalue} - \setstaffs 1 1 - \setlines 1 4 - \setclef 1{3000} - \setaltoclefsymbol 1 \gregorianCclef - \startextract - \Notes \salicusflexus abec\en - \Notes \salicusflexus cegd\en - \zendextract - \end{music} - - \item[\keyindex{trigonus}\threep], -%DAS ???????????? -%for example\footnote{The second example is in principle irrelevant, -%but it shows the possibilities, in case of.}: -for example: - - \begin{music}\nostartrule - \elemskip 10pt - \instrumentnumber 1 - \setsize1{\Largevalue} - \setstaffs 1 1 - \setlines 1 4 - \setclef 1{3000} - \setaltoclefsymbol 1 \gregorianCclef - \startextract - \Notes \trigonus aaN\en - \Notes \trigonus cef\en - \zendextract - \end{music} - -\end{description} - -\subsection{Liquescens complex neumes}\index{liquescens neumes} -\begin{description}\setlength{\itemsep}{0ex} - \item[\keyindex{clivisauctup}\twop], for example: - - \begin{music}\nostartrule - \elemskip 10pt - \setsize1{\Largevalue} - \instrumentnumber 1 - \setstaffs 1 1 - \setlines 1 4 - \setclef 1{3000} - \setaltoclefsymbol 1 \gregorianCclef - \startextract - \notes \clivisauctup ba\en - \notes \clivisauctup ca\en - \zendextract - \end{music} - \item[\keyindex{clivisauctdown}\twop], for example: - - \begin{music}\nostartrule - \elemskip 10pt - \setsize1{\Largevalue} - \instrumentnumber 1 - \setstaffs 1 1 - \setlines 1 4 - \setclef 1{3000} - \setaltoclefsymbol 1 \gregorianCclef - \startextract - \notes \clivisauctdown ba\en - \notes \clivisauctdown ca\en - \zendextract - \end{music} - \item[\keyindex{podatusauctup}\twop], for example: - - \begin{music}\nostartrule - \elemskip 10pt - \instrumentnumber 1 - \setsize1{\Largevalue} - \setstaffs 1 1 - \setlines 1 4 - \setclef 1{3000} - \setaltoclefsymbol 1 \gregorianCclef - \startextract - \notes \podatusauctup ab\en - \notes \podatusauctup ac\en - \notes \podatusauctup cf\en - \zendextract - \end{music} - \item[\keyindex{podatusauctdown}\twop], for example: - - \begin{music}\nostartrule - \elemskip 10pt - \instrumentnumber 1 - \setsize1{\Largevalue} - \setstaffs 1 1 - \setlines 1 4 - \setclef 1{3000} - \setaltoclefsymbol 1 \gregorianCclef - \startextract - \notes \podatusauctdown ab\en - \notes \podatusauctdown ac\en - \notes \podatusauctdown cf\en - \zendextract - \end{music} - - \item[\keyindex{pesquassusauctdown}\twop], for example: - - \begin{music}\nostartrule - \elemskip 10pt - \instrumentnumber 1 - \setsize1{\Largevalue} - \setstaffs 1 1 - \setlines 1 4 - \setclef 1{3000} - \setaltoclefsymbol 1 \gregorianCclef - \startextract - \notes \pesquassusauctdown ab\en - \notes \pesquassusauctdown ae\en - \zendextract - \end{music} - - \item[\keyindex{quilismapesauctdown}\twop], for example: - - \begin{music}\nostartrule - \elemskip 10pt - \instrumentnumber 1 - \setsize1{\Largevalue} - \setstaffs 1 1 - \setlines 1 4 - \setclef 1{3000} - \setaltoclefsymbol 1 \gregorianCclef - \startextract - \notes \quilismapesauctdown ab\en - \notes \quilismapesauctdown ae\en - \zendextract - \end{music} - - \item[\keyindex{torculusauctdown}\threep], for example: - - \begin{music}\nostartrule - \elemskip 10pt - \instrumentnumber 1 - \setsize1{\Largevalue} - \setstaffs 1 1 - \setlines 1 4 - \setclef 1{3000} - \setaltoclefsymbol 1 \gregorianCclef - \startextract - \notes \torculusauctdown aba\en - \notes \torculusauctdown cfd\en - \notes \torculusauctdown afc\en - \zendextract - \end{music} - - \item[\keyindex{Porrectusauctdown}\threep], for example: - - \begin{music}\nostartrule - \elemskip 10pt - \instrumentnumber 1 - \setsize1{\Largevalue} - \setstaffs 1 1 - \setlines 1 4 - \setclef 1{3000} - \setaltoclefsymbol 1 \gregorianCclef - \startextract - \notes \Porrectusauctdown bac\en - \notes \Porrectusauctdown bNd\en - \notes \Porrectusauctdown bMe\en - \notes \Porrectusauctdown bLe\en - \zendextract - \end{music} - - \item[\keyindex{climacusauctdown}\threep], for example: - - \begin{music}\nostartrule - \elemskip 10pt - \instrumentnumber 1 - \setsize1{\Largevalue} - \setstaffs 1 1 - \setlines 1 4 - \setclef 1{3000} - \setaltoclefsymbol 1 \gregorianCclef - \startextract - \Notes \climacusauctdown cbN\en - \Notes \climacusauctdown caM\en - \Notes \climacusauctdown aNM\en - \zendextract - \end{music} - - \item[\keyindex{scandicusauctdown}\threep], for example: - - \begin{music}\nostartrule - \elemskip 10pt - \instrumentnumber 1 - \setsize1{\Largevalue} - \setstaffs 1 1 - \setlines 1 4 - \setclef 1{3000} - \setaltoclefsymbol 1 \gregorianCclef - \startextract - \notes \scandicusauctdown abe\en - \notes \scandicusauctdown ceg\en - \zendextract - \end{music} - - \item[\keyindex{salicusauctdown}\threep], for example: - - \begin{music}\nostartrule - \elemskip 10pt - \instrumentnumber 1 - \setsize1{\Largevalue} - \setstaffs 1 1 - \setlines 1 4 - \setclef 1{3000} - \setaltoclefsymbol 1 \gregorianCclef - \startextract - \Notes \salicusauctdown abe\en - \Notes \salicusauctdown ceg\en - \zendextract - \end{music} - - \item[\keyindex{clivisdeminut}\twop], for example: - - \begin{music}\nostartrule - \elemskip 10pt - \setsize1{\Largevalue} - \instrumentnumber 1 - \setstaffs 1 1 - \setlines 1 4 - \setclef 1{3000} - \setaltoclefsymbol 1 \gregorianCclef - \startextract - \notes \clivisdeminut ba\en - \notes \clivisdeminut ca\en - \zendextract - \end{music} - - \item[\keyindex{podatusdeminut}\twop], for example: - - \begin{music}\nostartrule - \elemskip 10pt - \instrumentnumber 1 - \setsize1{\Largevalue} - \setstaffs 1 1 - \setlines 1 4 - \setclef 1{3000} - \setaltoclefsymbol 1 \gregorianCclef - \startextract - \notes \podatusdeminut ab\en - \notes \podatusdeminut ac\en - \notes \podatusdeminut cf\en - \zendextract - \end{music} - - \item[\keyindex{torculusdeminut}\threep], for example: - - \begin{music}\nostartrule - \elemskip 10pt - \instrumentnumber 1 - \setsize1{\Largevalue} - \setstaffs 1 1 - \setlines 1 4 - \setclef 1{3000} - \setaltoclefsymbol 1 \gregorianCclef - \startextract - \notes \torculusdeminut aba\en - \notes \torculusdeminut cfd\en - \notes \torculusdeminut afc\en - \zendextract - \end{music} - - \item[\keyindex{torculusdebilis}\threep], for example: - - \begin{music}\nostartrule - \elemskip 10pt - \instrumentnumber 1 - \setsize1{\Largevalue} - \setstaffs 1 1 - \setlines 1 4 - \setclef 1{3000} - \setaltoclefsymbol 1 \gregorianCclef - \startextract - \notes \torculusdebilis aba\en - \notes \torculusdebilis cfd\en - \notes \torculusdebilis afc\en - \zendextract - \end{music} - - \item[\keyindex{Porrectusdeminut}\threep], for example: - - \begin{music}\nostartrule - \elemskip 10pt - \instrumentnumber 1 - \setsize1{\Largevalue} - \setstaffs 1 1 - \setlines 1 4 - \setclef 1{3000} - \setaltoclefsymbol 1 \gregorianCclef - \startextract - \notes \Porrectusdeminut bac\en - \notes \Porrectusdeminut bNd\en - \notes \Porrectusdeminut bMe\en - \notes \Porrectusdeminut bLe\en - \zendextract - \end{music} - - \item[\keyindex{climacusdeminut}\threep], for example: - - \begin{music}\nostartrule - \elemskip 10pt - \instrumentnumber 1 - \setsize1{\Largevalue} - \setstaffs 1 1 - \setlines 1 4 - \setclef 1{3000} - \setaltoclefsymbol 1 \gregorianCclef - \startextract - \Notes \climacusdeminut cbN\en - \Notes \climacusdeminut caM\en - \Notes \climacusdeminut aML\en - \zendextract - \end{music} - - \item[\keyindex{scandicusdeminut}\threep], for example: - - \begin{music}\nostartrule - \elemskip 10pt - \instrumentnumber 1 - \setsize1{\Largevalue} - \setstaffs 1 1 - \setlines 1 4 - \setclef 1{3000} - \setaltoclefsymbol 1 \gregorianCclef - \startextract - \notes \scandicusdeminut abe\en - \notes \scandicusdeminut ceg\en - \zendextract - \end{music} -\end{description} - -\section{musixgui}\ixtt{musixgui.tex} Provides macros for -typesetting modern style \itxem{guitar chords}. For example: - -\begin{music} -\hsize130mm -\tenrm -\parindent0pt -\generalmeter{\meterfrac34} -\generalsignature1 -\startbarno0 -\def\txh{-6.5} -\def\tx#1*{\zchar\txh{\lrlap{\kern3\Internote#1}}} -\def\rtx#1*{\zchar\txh{\kern-3\Internote#1}} -\stafftopmarg10\Interligne -\raiseguitar{20} -\nostartrule -\startpiece -\addspace{.5\afterruleskip}% -\NOtes\tx We*\qa d\en -\bar -\NOtes\guitar G{}o-----\gbarre3\gdot25\gdot35\gdot44\tx wish*\qa g\en -\Notes\tx you*\ca g\en -\Notes\tx a*\ca h\en -\Notes\zchar\txh{merry}\ca g\en -\Notes\ca f\en -\bar -\NOtes\guitar C5o-----\gbarre4\gdot26\gdot36\gdot45\rtx christmas,*\qa e\en -\NOtes\qa e\en -\NOtes\guitar {e/H}5o-----\gbarre3\gdot35\gdot45\gdot54\tx we*\qa e\en -\bar -\NOtes\guitar {A$\!^7$}5o-----\gbarre1\gdot23\gdot42\tx wish*\qa h\en -\Notes\tx you*\ca h\en -\Notes\tx a*\ca i\en -\Notes\zchar\txh{merry}\ca h\en -\Notes\ca g\en -\bar -\NOtes\guitar D{}xxo---\gdot42\gdot53\gdot62\rtx christmas,*\qa f\en -\NOtes\qa d\en -\zbar -\NOtes\guitar{D/c}{}xo----\gdot23\gdot42\gdot53\gdot62\tx we*\qa d\en -\bar -\NOtes\guitar{B$^7$}{}xo----\gdot22\gdot31\gdot42\gdot62\tx wish*\qa i\en -\Notes\tx you*\ca i\en -\Notes\tx a*\ca j\en -\Notes\tx ~mer-*\ca i\en -\Notes\tx ry*\ca h\en -\bar -\NOtes\guitar e{}xxo---\gdot32\tx ~christ-*\qa g\en -\NOtes\tx mas*\qa e\en -\Notes\guitar {G/d}{}xxo---\gdot63\tx and*\ca d\en -\Notes\tx a*\ca d\en -\bar -\NOtes\guitar{C$^6$}{}xo----\gdot23\gdot32\gdot42\gdot51\tx ~~hap~-*\qa e\en -\NOtes\tx py*\qa h\en -\NOtes\guitar{D$^7$}{}xo---x\gdot25\gdot34\gdot45\gdot45\gdot53\tx new*\qa f\en -\bar -\NOTes\guitar G{}o-----\gbarre3\gdot25\gdot35\gdot44\tx ~year.*\ha g\en -\setdoublebar\endpiece -\end{music} - -\medskip -The macro \keyindex{guitar} sets the grid, chord name, barre type, -and on-off indicators for the strings. For example, the first -chord in above example was coded as - -\verb|\guitar G{}o-----\gbarre3\gdot25\gdot35\gdot44| - -\noindent where the first argument is the text to be placed above the grid, the -second is empty (relative barre), and the next six characters indicate if the string -is played or not with either \verb|x|, \verb|o| or \verb|-|. The dots are set with -\keyindex{gdot}~$sb$ where the $s$ is the string and $b$ is the barre. The -rule is set with \keyindex{gbarre}~$b$ where $b$ indicates the position of the barre. - -The whole symbol may be vertically shifted with -\keyindex{raiseguitar}\onen, where $n$ is a number -in units of \keyindex{internote}. When using guitar chords, it might be -useful to reserve additional -space above the chord by advancing \keyindex{stafftopmarg} to -something like \verb|stafftopmarg=10\Interligne|. - -For frequently used chords, it might be useful to define your own -macros, e.g. - -\verb|\def\Dmajor{\guitar D{}x-----\gdot42\gdot53\gdot62}%| - -\section{musixhv}\label{helvetica} - - -Replaces the default Computer Modern text fonts by Helvetica (sans serif) fonts; -see Section~\ref{UserFonts}. -Use as follows: -\begin{quote}\begin{verbatim} -\input musixtex -\input musixhv -... -\end{verbatim}\end{quote} - -The usual ``small'' type commands are supported: -\begin{quote} -\begin{tabular}{lr} -\keyindex{tinytype} & 7pt \\ -\keyindex{smalltype} & 8pt \\ -\keyindex{Smalltype} & 9pt \\ -\keyindex{normtype}& 10pt \\ -\keyindex{medtype} & 12pt \\ -\end{tabular} -\end{quote} -For all of these, the following variants are supported: -\begin{quote} -\begin{tabular}{ll} -\verb|\rm| & ``Roman'' (sans serif) \\ -\verb|\bf| & bold \\ -\verb|\it| & ``italic'' (actually oblique) \\ -\verb|\bi| & ``bold-italic'' (actually bold-oblique) \\ -\verb|\sc| & small capitals\\ -\end{tabular} -\end{quote} -The ``big'' type commands are as follows: -\begin{quote} -\begin{tabular}{lr} -\keyindex{bigtype} & 14pt\\ -\keyindex{Bigtype} & 17pt\\ -\keyindex{BIgtype}& 20pt\\ -\keyindex{BIGtype} & 25pt\\ -\end{tabular} -\end{quote} -The default variant for all of these is small-caps; -however, \keyindex{font} commands are defined -for all the usual variants at all of these sizes. -To letter-space a title, use the \verb|\so| -command in the \verb\soul\ package. - - -The following bold-oblique fonts for dynamic marks are defined: -\begin{quote}\begin{tabular}{lr} -\keyindex{ppfftwelve} & 8pt \\ -\keyindex{ppffsixteen} & 10pt\\ -\keyindex{ppfftwenty} & 12pt \\ -\keyindex{ppfftwentyfour} & 14pt \\ -\keyindex{ppfftwentynine} & 17pt \\ -\end{tabular}\end{quote} - - \section{musixjt}\label{JazzText}\index{musixjt@{\tt musixjt.tex}} - - Jazz scores often use a ``handwriting'' font \texttt{JazzText} originally designed by -Richard Sigler and now bundled with Finale. This font is -widely available and is said to be ``free for personal use'' but this -is not sufficiently ``free'' for packaging into TeXLive. A similar -font \texttt{MuseJazzText} is bundled with MuseScore and because it is OFL-licensed, -it can be distributed with \musixtex. -This font will be used for all textual elements of your \musixtex\ score if you input \texttt{musixjt.tex} -after \texttt{musixtex.tex}. Here is an example: - -\smallskip -\begin{music} -\input musixjt -\begin{center} -\Bigtype Q\,U\,O\,D\,L\,I\,B\,E\,T\\[1ex] -\medtype Variation 30 of the Goldberg Variations for Clavier -\end{center} -\def\pstiehgt{0.5} -\def\psslurhgt{0.5} -\smallmusicsize -\bigaccid -\parindent=10pt -\def\raisebarno{7\internote}% -\nobarnumbers -\relativeaccid -\geometricskipscale -\instrumentnumber4 -\setclef1\bass\setbassclefsymbol1\bassoct -\setclef4\treble\settrebleclefsymbol4\trebleoct -\generalsignature{+1} -\generalmeter\meterC -\setname1{B} -\setname2{T} -\setname3{A} -\setname4{S} -\songtop4 -\songbottom1 -\startbarno=0 -\nobarnumbers -\startextract -\scale{0.76} -\znotes&&&\ccn{16}{\rm\kern-1ex Arranged for Recorders}\en -\Notes\ds&\cu d&\ds&\ds\en -\bar%1 -\Notes\hl N&\ibu1g2\qb1{ghi}\tqh1j&&\hpause\en -\Notes\hl M&\ibl1k{-2}\qb1k&&\en -\notes&\nbbl1\qb1 j\tqb1i&&\qp\en -\Notes&\ibu1h0\qb1h&&\ds\en -\notes&\nbbu1\qb1g\tqh1h&&\cu d\en -\def\atnextbar{\znotes&&\centerpause&\en}% -\bar%2 -\Notes\hl L&\ibu1i{-2}\qb1i\tqh1h&\ql n&\ibu3g2\qb3{gh}\en -\Notes&\itied1g\qu g&\ql n&\qb3i\tqh3j\en -\Notes\ql{.K}&\ttie1\qu g&\ql o&\ibl3k{-2}\qb3k\en -\notes&&&\nbbl3\qb3j\tqb3i\en -\Notes&\ibu1f0\shake{n}\qb1f&\cl o&\cu h\en -\notes\cu J&\nbbu1\qb1e\tqh1f&\ds&\ds\en -\bar%3 -\Notes\hu I&\qu g&\ibl2n{-1}\qb2{no}&\ql k\en -\Notes&\ds\cl k&\qb2{n}\tqb2{=m}&\ql k\en -\Notes\hu J&\ibu1j{-2}\qb1{ji}&\ibl2j{0}\qb2{lk}&\ql l\en -\Notes&\qb1h\tqh1g&\qb2j\tqb2p&\ql l\en -\bar%4 -\Notes\hl K&\itied1f\shake{n}\qu f&\ibl2o{-1}\qb2{on}&\ibl3k{-1}\qb3{kl}\en -\notes&\ttie1\ibbu1e{-2}\qb1f\tbbu1\qb1e&\qb2o&\qb3k\en -%\vnotes1.5\elemskip&\nbbbu1\qb1e\tbbu1\qb1f&&\en -\Notes&\itied1d\tqh1d&\tqb2m&\tqb3j\en -\Notes\qu G&\ttie1\qu d&\ibl2n{-2}\qb2n\tqb2m&\ibu3h{-1}\shake{p}\qb3i\tqh3h\en -\Notes\ds&\qp&\ibl2n{-5}\qb2n&\qu g\en -\notes\ibbl0b{-1}\qb0b\tqb0a&&\tqb2k&\en -\znotes&&&\lcn{16}{\rm J.S. Bach (1685-1750)}\en -\zendextract -\end{music} - -\clearpage - - \section{musixlit}\label{litu}\label{otherbars} - Provides a notation style intermediate between gregorian and baroque, for -example - -\makeatletter -\catcodesmusic -%\def\vnotes#1\elemskip{\noteskip#1\@l@mskip \multnoteskip\scal@noteskip -% \not@s} - -%\def\not@s{\def|{\nextstaff}\def&{\nextinstrument}\normaltranspose\transpose -% \check@nopen\notes@open\@ne -% \kern\n@skip\advance\x@skip\n@skip \locx@skip\x@skip -% \n@skip\noteskip \noinstrum@nt\z@ \begininstrument} - -%\def\en{\@ndstaff\notes@open\z@ -% \ifx\@ne\V@sw \widthtyp@\z@\t@rmskip \let\V@sw\empty \fi} - -\def\double#1{\roffset{1.2}{\advancefalse#1}#1} -\makeatother - - % Don't know if this example correct ??? But looks nice... -\begin{music} -\ninerm -\parindent0pt -\instrumentnumber{2} -\interstaff{11} -\generalsignature2 -\setclefsymbol2\oldGclef -\setstaffs1{2} -\setclef1\bass -\setinterinstrument1{-\Interligne} -\startpiece -\shortbarrules -\addspace\afterruleskip -\hardlyrics{Il nous a sign\'es de son - }\notes\zw d\wh K|\zw f\wh h&\rtx\thelyrics*\Hpause h1\en -\qspace\qspace -\NOTes\zhl N\hu d|\zhl g\hu i&\tx sang*\double{\cnql i}\en -\bar -\hardlyrics{Et nous avons \'e- - }\notes\zw d\wh K|\zw f\wh h&\rtx\thelyrics~-*\Hpause h1\en -\qspace\qspace -\NOTes\zhl M\hu c|\zhl f\hu h&\rtx t\'e*\double{\cnql i}\en -\NOtes\zql L\qu e|\zql b\qu g&\tx ~pro-*\cnqu g\en -\NOtes\zql b\qu d|\zql d\qu f&\tx ~t\'e-*\cnqu f\en -\NOTes\zhl a\hu c|\zhl e\hu h&\tx g\'es.*\double{\cnqu h}\en -\bar -\NOtes\zql M\qu d|\zql d\qu h&\tx ~~Al~-*\cnqu h\en -\NOtes\zql K\qu a|\zql f\qu k&\tx ~~le~-*\cnql k\en -\NOTes\zhl H\hu a|\zhl e\hu j&\tx ~~lu~-*\double{\cnql j}\en -\bar -\NOTEs\zhl K\hu a|\zhl f\hu k&\tx ~~ia !*\cnhl k\en -\sepbarrules -\endpiece - -\startpiece -\interbarrules -\addspace\afterruleskip -\hardlyrics{Il nous a sign\'es de son - }\notes\zw d\wh K|\zw f\wh h&\rtx \thelyrics*\Hlonga h1\en -\qspace\qspace -\NOTes\zhl N\hu d|\zhl g\hu i&\tx sang*\chl i\en -\bar -\hardlyrics{Et nous avons \'e - }\notes\zw d\wh K|\zw f\wh h&\rtx \thelyrics~-*\Hlonga h1\en -\qspace\qspace -\NOTes\zhl M\hu c|\zhl f\hu h&\rtx t\'e*\chl i\en -\NOtes\zql L\qu e|\zql b\qu g&\tx ~pro-*\cqu g\en -\NOtes\zql b\qu d|\zql d\qu f&\tx ~t\'e-*\cqu f\en -\NOTes\zhl a\hu c|\zhl e\hu h&\tx g\'es.*\chu h\en -\bar -\NOtes\zql M\qu d|\zql d\qu h&\tx ~~Al~-*\cqu h\en -\NOtes\zql K\qu a|\zql f\qu k&\tx ~~le~-*\cql k\en -\NOTes\zhl H\hu a|\zhl e\hu j&\tx ~~lu~-*\chl j\en -\bar -\NOTEs\zbreve K\breve a|\zbreve f\breve k&\tx ~~ia !*\zbreve k\en -\sepbarrules -\endpiece -\end{music} -\endcatcodesmusic - - This package provides: - \begin{itemize}\setlength{\itemsep}{0ex} - \item\keyindex{oldGclef} which replaces the ordinary G clef with an old one, -using (for instrument 2 as an example): - \verb|\settrebleclefsymbol2\oldGclef| - - \item\keyindex{cqu} $p$ provides a square-headed quarter note with stem up at -pitch $p$. - - \item\keyindex{cql} $p$ provides a square-headed quarter note with stem down at -pitch $p$. - - \item\keyindex{chu} $p$ provides a square-headed half note with stem up at -pitch $p$. - - \item\keyindex{chl} $p$ provides a square-headed half note with stem down at -pitch $p$. - - \item\keyindex{cqb} $n$ $p$ provides a square-headed beam note for beam $n$ at pitch $p$. - - \item\keyindex{zcqb} $n$ $p$ provides a non-spacing square-headed beam note for beam $n$ at pitch $p$. - - \item\keyindex{cnqu} $p$ and \keyindex{cnql} $p$ provide a stemless square -headed -quarter note at pitch $p$. - - \item\keyindex{cnhu} $p$ and \keyindex{cnhl} $p$ provide a stemless square -headed half note at pitch $p$. - -%\item\keyindex{Hpause} $p$ $n$ provides an arbitrary length pause at pitch -%$p$ and of length $n$ \keyindex{noteskip}. However, in the first of the above -%example, this feature has been used to denote an arbitrary length note rather -%than a rest! - - \item\keyindex{Hlonga} $p$ $n$ provides an arbitrary length note at pitch -$p$ and of length $n$ \keyindex{noteskip}. -This feature has been used to denote an arbitrary length note in the second of -the above examples; -in the first example, \keyindex{Hpause} -was used to denote an arbitrary length note rather -than a rest. - - \item\keyindex{shortbarrules} has been used to provide bar rules shorter than -the staff vertical width. - - \item\keyindex{interbarrules} has been used to provide bars between the -staffs, rather that over them. This is an arbitrary question of taste\ldots - \end{itemize} - - \section{musixlyr} \ixtt{musixlyr.tex} - Enables the recommended method for adding lyrics to a score (see Section~\ref{musixlyr}). - - \section{musixmad} \ixtt{musixmad.tex} Increases the number of -instruments, slurs and beams up to twelve. When using this extension, it is -not necessary to explicitly input \verb|musixadd.tex|. -If you need greater numbers of these elements, see Sections~\ref{musixmad_setmaxgroups}, -\ref{musixmad_setmaxinstruments_ccxviiibeams}, -\ref{musixmad_setmaxoctlines}, -\ref{musixmad_setmaxslurs} and -\ref{musixmad_setmaxtrills}. - - -\section{musixper}\label{perc} - -Provides special symbols intended for percussion parts. Included are a -\ital{drum clef}---comprising two vertical parallel lines---and notes with -various specially shaped heads. The note symbols that are available are as -follows: - - \begin{itemize}\setlength{\itemsep}{0ex} - \item The \raise.5ex\hbox{\musixchar113}~{}~symbol which is obtained using the -\verb|\qu|, \verb|\qb|, \verb|\cu|, etc. macros preceded by a -``\verb|dc|'' (think of {\it d}iagonal {\it c}ross). -Available are -\keyindex{dcqu}, -\keyindex{dcql}, -\keyindex{dcqb}, -\keyindex{dczq}, -\keyindex{dccu}, -\keyindex{dcccu}, -\keyindex{dccl} and -\keyindex{dcccl}. - - \item The \raise.5ex\hbox{\musixchar112}~{}~symbol which is obtained using the -\verb|\qu|, \verb|\qb|, \verb|\cu|, etc. macros preceded by a -``\verb|dh|'' -(think of {\it d}iagonal cross {\it h}alf open). -Available are -\keyindex{dhqu}, -\keyindex{dhql}, -\keyindex{dhqb}, -\keyindex{dhzq}, -\keyindex{dhcu}, -\keyindex{dhccu}, -\keyindex{dhcl} and -\keyindex{dhccl}. - - \item The \raise.5ex\hbox{\musixchar111}~{}~symbol which is obtained using the -\verb|\qu|, \verb|\qb|, \verb|\cu|, etc. macros preceded by a -``\verb|do|'' -(think of {\it d}iagonal cross {\it o}pen). -Available are -\keyindex{doqu}, -\keyindex{doql}, -\keyindex{doqb}, -\keyindex{dozq}, -\keyindex{docu}, -\keyindex{doccu}, -\keyindex{docl} and -\keyindex{doccl}. - - \item The \raise.5ex\hbox{\musixchar114}~{}~symbol which is obtained using the -\verb|\qu|, \verb|\qb|, \verb|\cu|, etc. macros preceeded by -``\verb|x|'' (e.g.\ for spoken text of songs). -Available are -\keyindex{xqu}, -\keyindex{xql}, -\keyindex{xqb}, -\keyindex{xzq}, -\keyindex{xcu}, -\keyindex{xccu}, -\keyindex{xcl} and -\keyindex{xccl}. - - \item The \raise.5ex\hbox{\musixchar115}~{}~symbol which is obtained using the -\verb|\qu|, \verb|\qb|, \verb|\cu|, etc. macros preceeded by -``\verb|ox|'' . -Available are -\keyindex{oxqu}, -\keyindex{oxql}, -\keyindex{oxqb}, -\keyindex{oxzq}, -\keyindex{oxcu}, -\keyindex{oxccu}, -\keyindex{oxcl} and -\keyindex{oxccl}. - - \item The \raise.5ex\hbox{\musixchar118}~{}~symbol which is obtained using the -\verb|\qu|, \verb|\qb|, \verb|\cu|, etc. macros preceeded by -``\verb|ro|'' (think of {\it r}h{\it o}mbus). -Available are -\keyindex{roqu}, -\keyindex{roql}, -\keyindex{roqb}, -\keyindex{rozq}, -\keyindex{rocu}, -\keyindex{roccu}, -\keyindex{rocl} and -\keyindex{roccl}. - - \item The \raise.5ex\hbox{\musixchar116}~{}~symbol which is obtained using the -\verb|\qu|, \verb|\qb|, \verb|\cu|, etc. macros preceeded by -``\verb|tg|'' (think of {\it t}rian{\it g}le). -Available are -\keyindex{tgqu}, -\keyindex{tgql}, -\keyindex{tgqb}, -\keyindex{tgzq}, -\keyindex{tgcu}, -\keyindex{tgccu}, -\keyindex{tgcl} and -\keyindex{tgccl}. - - \item The \raise.5ex\hbox to 1em{\musixchar117\hfil}~{}~symbol which is obtained -using the -\verb|\qu|, \verb|\qb|, \verb|\cu|, etc.~macros preceeded by -``\verb|k|'' . -Available are -\keyindex{kqu}, -\keyindex{kql}, -\keyindex{kqb}, -\keyindex{kzq}, -\keyindex{kcu}, -\keyindex{kccu}, -\keyindex{kcl} and -\keyindex{kccl}. - \end{itemize} - -The diamond shaped noteheads described in Section~\ref{diam} are also -available, because \verb|musixper.tex| inputs \verb|musixdia.tex|. - -If any of the foregoing notes need to be dotted, you must use the explicit -dotting macros \verb|\pt|, \verb|\ppt|, or \verb|\pppt| as described in -Section~\ref{dots}. - -Since the usage of these note symbols is -not standardized, it would be wise to include in the score a explanation -of which symbol corresponds to which specific percussion instrument. - -A special \itxem{drum clef}---comprising two heavy vertical bars---can -be made to replace the normal clef for the $n$-th intrument by saying -\keyindex{setclefsymbol}\onen\keyindex{drumclef} . -To cause this to appear at the right vertical position, the instrument should -previously have been assigned a treble clef (or not explicitly assigned any -clef, thereby giving it a treble clef by default). - -Percussion music might be written on a staff with either one or five lines. -If there are several different percussions instruments it may be useful to -use a five-line staff with a drum clef, and differentiate the instruments -by the type of the note heads and the apparent -pitch of the note on the staff. Here is an example of the -latter\footnote{provided by Agusti {\sc Mart\'in Domingo}}: - -\medskip -\begin{music} -\generalmeter{\meterfrac44} -\setclefsymbol1\drumclef -\parindent0pt\startpiece -\leftrepeat -\Notes\zql f\rlap\qp\ibu0m0\xqb0{nn}\en -\Notes\kzq d\zql f\zq j\xqb0n\tbu0\xqb0n\en -\Notes\zql f\rlap\qp\ibu0m0\xqb0{nn}\en -\Notes\kzq d\zql f\zq j\xqb0n\tbu0\xqb0n\en -\bar -\Notes\zql f\rlap\qp\ibu0m0\kqb0{nn}\en -\Notes\xzq d\zql f\zq j\kqb0n\tbu0\kqb0n\en -\Notes\zql f\rlap\qp\ibu0m0\kqb0{nn}\en -\Notes\xzq d\zql f\zq j\kqb0n\tbu0\kqb0n\en -\bar -\Notes\zql f\rlap\qp\ibu0m0\oxqb0{nn}\en -\Notes\oxzq d\zql f\zq j\kqb0n\tbu0\oxqb0n\en -\Notes\zql f\rlap\qp\ibu0m0\oxqb0{nn}\en -\Notes\oxzq d\zql f\zq j\kqb0n\tbu0\oxqb0n\en -\setrightrepeat\endpiece -\end{music} -\noindent Its coding is - \begin{quote}\begin{verbatim} -\begin{music} -\instrumentnumber{1} -\generalmeter{\meterfrac44} -\setclefsymbol1\drumclef -\parindent0pt\startpiece -\leftrepeat -\Notes\zql f\rlap\qp\ibu0m0\xqb0{nn}\en -\Notes\kzq d\zql f\zq j\xqb0n\tbu0\xqb0n\en -\Notes\zql f\rlap\qp\ibu0m0\xqb0{nn}\en -\Notes\kzq d\zql f\zq j\xqb0n\tbu0\xqb0n\en -\bar -\Notes\zql f\rlap\qp\ibu0m0\kqb0{nn}\en -\Notes\xzq d\zql f\zq j\kqb0n\tbu0\kqb0n\en -\Notes\zql f\rlap\qp\ibu0m0\kqb0{nn}\en -\Notes\xzq d\zql f\zq j\kqb0n\tbu0\kqb0n\en -\bar -\Notes\zql f\rlap\qp\ibu0m0\oxqb0{nn}\en -\Notes\oxzq d\zql f\zq j\kqb0n\tbu0\oxqb0n\en -\Notes\zql f\rlap\qp\ibu0m0\oxqb0{nn}\en -\Notes\oxzq d\zql f\zq j\kqb0n\tbu0\oxqb0n\en -\setrightrepeat\endpiece -\end{music} - \end{verbatim}\end{quote} - -Here is an example of a single-line percussion staff using -diamond-shaped note heads: - -\begin{music} -\parindent 19mm -\instrumentnumber{3} -\setname1{keyboard} \setname2{drum} \setname3{monks} -\setlines2{1} -\setlines3{4} -\setinterinstrument1{-2\Interligne}% less vertical space above -\setinterinstrument2{-2\Interligne}% and below the percussion -\sepbarrules -\setsign1{-1} % one flat at keyboard -\generalmeter{\meterfrac24} -\setmeter3\empty -\setclef3\alto -\setclef1\bass -\setstaffs12 % 2 staffs at keyboard -\setclefsymbol3\gregorianCclef % gregorian C clef at instrument 3 -\setclefsymbol2\drumclef % cancel G clef at instrument 2 -\startextract -\Notes\hu F|\zh c\hu h&\dnq4&\squ{acd}\en\bar -\NOtes\qu I|\zq N\qu d&\qp&\diapunc f\en -\NOtes\qu J|\zq a\qu e&\ynq4&\diapunc e\en\bar -\notes\hu G|\zh b\hu d&\dnq4&\zsqu d\rsqu g\squ{hgh}\en -\endextract -\end{music} -\noindent which is coded as follows: - -\begin{verbatim} -\parindent 19mm -\instrumentnumber{3} -\setname1{keyboard} \setname2{drum} \setname3{monks} -\setlines2{1} -\setlines3{4} -\setinterinstrument1{-2\Interligne}% less vertical space above -\setinterinstrument2{-2\Interligne}% and below the percussion -\sepbarrules -\setsign1{-1} % one flat at keyboard -\generalmeter{\meterfrac24} -\setmeter3{\empty} -\setclef3{\alto} -\setclef1{\bass} -\setstaffs1{2} % 2 staffs at keyboard -\setclefsymbol3{\gregorianCclef} % gregorian C clef at instrument 3 -\setclefsymbol2{\drumclef} % cancel G clef at instrument 2 -\startextract -\end{verbatim} - -% (DAS) Sorry, guys, I couldn't figure out how to get the |'s to work in this -% verbatim. -% -\vskip-11pt -\def\Vert{{\tt\char'174}} -\noindent\verb|\Notes\hu F|\Vert\verb|\zh c\hu h&\dnq4&\squ{acd}\en\bar|\\ -\verb|\NOtes\qu I|\Vert\verb|\zq N\qu d&\qp&\diapunc f\en|\\ -\verb|\NOtes\qu J|\Vert\verb|\zq a\qu e&\ynq4&\diapunc f\en\bar|\\ -\verb|\notes\hu G|\Vert\verb|\zh b\hu d&\dnq4&\zsqu d\rsqu g\squ{hgh}\en|\\ -\verb|\endextract| - - \section{musixplt}\index{musixplt@{\tt musixplt.tex}}\label{palatino} -Replaces the default Computer Modern text fonts by Palatino fonts; -see Section~\ref{UserFonts}. -Use as follows: -\begin{quote}\begin{verbatim} -\input musixtex -\input musixplt -... -\end{verbatim}\end{quote} - -The usual ``small'' type commands are supported: -\begin{quote} -\begin{tabular}{lr} -\keyindex{tinytype} & 7pt \\ -\keyindex{smalltype} & 8pt \\ -\keyindex{Smalltype} & 9pt \\ -\keyindex{normtype}& 10pt \\ -\keyindex{medtype} & 12pt \\ -\end{tabular} -\end{quote} -For all of these, the following variants are supported: -\begin{quote} -\begin{tabular}{ll} -\verb|\rm| & Roman \\ -\verb|\bf| & bold \\ -\verb|\it| & italic \\ -\verb|\bi| & bold italic \\ -\verb|\sc| & small capitals (and old-style figures)\\ -\end{tabular} -\end{quote} -The ``big'' type commands are as follows: -\begin{quote} -\begin{tabular}{lr} -\keyindex{bigtype} & 14pt\\ -\keyindex{Bigtype} & 17pt\\ -\keyindex{BIgtype}& 20pt\\ -\keyindex{BIGtype} & 25pt\\ -\end{tabular} -\end{quote} -The default variant for the ``small'' types is Roman and for -the ``big'' ones, small-caps; -however, \keyindex{font} commands are defined -for all the usual variants at all of these sizes. -To letter-space a title, use the \verb|\so| -command in the \verb\soul\ package. - - -The following bold-italic fonts for dynamic marks are defined: -\begin{quote}\begin{tabular}{lr} -\keyindex{ppfftwelve} & 8pt \\ -\keyindex{ppffsixteen} & 10pt\\ -\keyindex{ppfftwenty} & 12pt \\ -\keyindex{ppfftwentyfour} & 14pt \\ -\keyindex{ppfftwentynine} & 17pt \\ -\end{tabular}\end{quote} - - \section{musixpoi} - Adds definitions of less common singly and doubly dotted notes. -Available are -\keyindex{ccup}, -\keyindex{zccup}, -\keyindex{cclp}, -\keyindex{zcclp}, -\keyindex{ccupp}, -\keyindex{zccupp}, -\keyindex{cclpp}, -\keyindex{zcclpp}, -\keyindex{cccup}, -\keyindex{zcccup}, -\keyindex{ccclp}, -\keyindex{zccclp}, -\keyindex{cccupp}, -\keyindex{zcccupp}, -\keyindex{ccclpp}, -\keyindex{zccclpp}, -\keyindex{ccccup}, -\keyindex{zccccup}, -\keyindex{cccclp}, -\keyindex{zcccclp}, -\keyindex{ccccupp}, -\keyindex{zccccupp}, -\keyindex{cccclpp} and -\keyindex{zcccclpp}. - - \section{musixppff}\label{musixppff}\index{musixppff@{\tt musixppff.tex}} - -This replaces the default definitions used for dynamic marks to use a ``mini-font'' -\verb\xppff10\ designed by Hiroaki \textsc{Morimoto}. It is used as follows: - -\begin{quote}\begin{verbatim} -\input musixtex -\input musixppff -... -\end{verbatim}\end{quote} -\noindent The new dynamic marks are as follows: -\font\xppff=xppff10 -\begin{quote} -\xppff -pppp\ ppp\ pp\ p\ mp\ mf\ f\ fp\ sf\ ff\ fff\ ffff\ sfz\ sfzp -\end{quote} -Note that the \verb|xppff10| font has defined glyphs only for the following five characters: f, m, p, s and~z; -use \keyindex{ppff} etc.\@ -for other bold-italic text in music. - - \section{musixps}\label{musixps}\index{musixps@{\tt musixps.tex}} - Activates type K Postscript slurs, ties, and hairpins; see Chapter~\ref{PostscriptSlurs}. -Use as follows: -\begin{quote}\begin{verbatim} -\input musixtex -\input musixps -... -\end{verbatim}\end{quote} - - \section{musixstr}\label{musixstr}\index{musixstr@{\tt musixstr.tex}} - Provides bowing and other symbols for \itxem{string instruments}\footnote{provided -by Werner {\sc Icking}}. The symbol can be posted at the desired position using - \verb|\zcharnote|\pitchp\verb|{|$command$\verb|}|. The available symbols and -their meanings are as follows: - -{\input musixstr -\begin{quote}\begin{description}\setlength{\itemsep}{0ex} - - \item[\hbox to 1em{\AB}~: \keyindex{AB} or \keyindex{downbow}] down-bow - - \item[\hbox to 1em{\AUF}~: \keyindex{AUF} or \keyindex{upbow}] up-bow - - \item[\hbox to 1em{\SP}~: \keyindex{SP}] at the top of bow - - \item[\hbox to 1em{\FR}~: \keyindex{FR}] at the nut of bow - - \item[\GB\ or \Gb~: \keyindex{GB} or \keyindex{Gb}] whole bow - - \item[\UH\ or \Uh~: \keyindex{UH} or \keyindex{Uh}] lower half of bow - - \item[\OH\ or \Oh~: \keyindex{OH} or \keyindex{Oh}] upper half of bow - - \item[\MI\ or \Mi~: \keyindex{MI} or \keyindex{Mi}] middle of bow - - \item[\UD\ or \Ud~: \keyindex{UD} or \keyindex{Ud}] lower third of bow - - \item[\OD\ or \Od~: \keyindex{OD} or \keyindex{Od}] upper third of bow - - \item[\Pizz~: \keyindex{Pizz}] left hand pizzicato or trill - - \end{description}\end{quote} - } - - - %\check - \section{musixsty}\index{musixsty@{\tt musixsty.tex}}\label{musixsty} - - Provides certain text-handling facilities for titles, footnotes, and other -items not related to lyrics. It should not be used with \LaTeX. It includes - \begin{itemize}\setlength{\itemsep}{0ex} - \item definitions of \keyindex{hsize}, \keyindex{vsize}, -\keyindex{hoffset}, \keyindex{voffset} suitable for A$4$ paper; those using -other sizes may wish to modify it once and for all; - \item a \keyindex{rectoverso}\verb|{|\emph{dimension}\verb|}| command to set up even/odd-page - asymmetric margins; - \item a set of text size commands: - - \begin{description}\setlength{\itemsep}{0ex} - \item[\keyindex{eightpoint}] which sets the usual \keyindex{rm}, -\keyindex{bf}, \keyindex{sl}, \keyindex{it} commands to $8$ point font size; - \item[\keyindex{tenpoint}] which sets the usual \keyindex{rm}, -\keyindex{bf}, \keyindex{sl}, \keyindex{it} commands to $10$ point font size; - \item[\keyindex{twlpoint}] (or \keyindex{twelvepoint}) to get $12$ point font size; - \item[\keyindex{frtpoint}] to get $14.4$ point font size; - \item[\keyindex{svtpoint}] to get $17.28$ point font size; - \item[\keyindex{twtypoint}] to get $20.74$ point font size; - \item[\keyindex{twfvpoint}] to get $24.88$ point font size; - \end{description} - \item commands for creating title-page headings: - \begin{itemize}\setlength{\itemsep}{0ex} \item \keyindex{author} or -\keyindex{fullauthor} to be put at the right of the first page, below the -title of the piece; the calling sequence is, for example - - \verb| \author{Daniel TAUPIN\\organiste \`a Gif-sur-Yvette}| - - \noindent where the \verb|\\| causes the author's name to be displayed on -two lines; - - \item \keyindex{shortauthor} to be put at the bottom of each page; - \item \keyindex{fulltitle} which is the main title of the piece; - \item \keyindex{subtitle} is displayed below the main title of the piece; - \item \keyindex{shorttitle} or \keyindex{title} - which is the title repeated at the bottom of each page; - \item \keyindex{othermention} which is displayed on the left of the page, -vertically aligned with author's name. It may contain \verb|\\| to display it on -several lines; - \item \keyindex{headline} which displays the argument at the top of the title page (use - \verb|\hss| after or before the argument text or both to left-align or - right-align or center the text); - \item \keyindex{maketitle} which displays all the previous stuff; - \end{itemize} - - \item commands for making \itxem{footnotes}: - \begin{itemize}\setlength{\itemsep}{0ex} - \item The normal Plain-\TeX\ \keyindex{footnote} command, which has two -arguments---not just one as in \LaTeX\protect\index{LATEX@\LaTeX}---namely -the label of the footnote, which can be any sequence of characters, and -the text of the footnote. This command does not work inside -boxes, so it cannot be issued within music; - - \item The \keyindex{Footnote} command, which counts the footnotes and uses a -number as the label of the footnote (equivalent to \LaTeX's \verb|\footnote| -command). The same restriction as with \verb|\footnote| applies concerning -its use within the music coding; - - \item The \keyindex{vfootnote} command, taken from the Plain-\TeX, which -places a footnote at the bottom of the current page, but does not put -the footnote label at the place the command is entered in the main text. This -also may not be used within music, but if a footnote is needed whose reference -lies inside the music, it can be entered in two steps: - \begin{enumerate} - \item manually insert the reference inside the music, using e.g., \verb|zcharnote|; - \item post the footnote itself with \verb|\vfootnote| outside the music, -either before \keyindex{startpiece} or between \keyindex{stoppiece} and -\keyindex{contpiece} or equivalent commands. - \end{enumerate} - - \end{itemize} - - \end{itemize} - - \section{musixtmr}\index{musixtmr@{\tt musixtmr.tex}}\label{times} - Replaces the default Computer Modern text fonts by Times fonts; - see Section~\ref{UserFonts}. -Use as follows: -\begin{quote}\begin{verbatim} -\input musixtex -\input musixtmr -... -\end{verbatim}\end{quote} - -The usual ``small'' type commands are supported: -\begin{quote} -\begin{tabular}{lr} -\keyindex{tinytype} & $7$pt \\ -\keyindex{smalltype} & $8$pt \\ -\keyindex{Smalltype} & $9$pt \\ -\keyindex{normtype}& $10$pt \\ -\keyindex{medtype} & $12$pt \\ -\end{tabular} -\end{quote} -For all of these, the following variants are supported: -\begin{quote} -\begin{tabular}{ll} -\verb|\rm| & Roman \\ -\verb|\bf| & bold \\ -\verb|\it| & italic \\ -\verb|\bi| & bold italic \\ -\verb|\sc| & small capitals \\ -\end{tabular} -\end{quote} -The ``big'' type commands are as follows: -\begin{quote} -\begin{tabular}{lr} -\keyindex{bigtype} & $14$pt\\ -\keyindex{Bigtype} & $17$pt\\ -\keyindex{BIgtype}& $20$pt\\ -\keyindex{BIGtype} & $25$pt\\ -\end{tabular} -\end{quote} -The default variant for all of them is Roman; -however, \keyindex{font} commands are defined -for all the usual variants at all of these sizes. -To letter-space a title, use the \verb|\so| -command in the \verb\soul\ package. - - -The following bold-italic fonts for dynamic marks are defined: -\begin{quote}\begin{tabular}{lr} -\keyindex{ppfftwelve} & 8pt \\ -\keyindex{ppffsixteen} & 10pt\\ -\keyindex{ppfftwenty} & 12pt \\ -\keyindex{ppfftwentyfour} & 14pt \\ -\keyindex{ppfftwentynine} & 17pt \\ -\end{tabular}\end{quote} - -\section{musixtnt}\label{musixtnt} -This package (tnt = Transform Notes) provides a macro \keyindex{TransformNotes} which makes -possible several ``transformations'' of the effect of notes commands such as \keyindex{notes}. -The \verb\musixtnt\ package is distributed separately from \verb\musixtex\. - -In general the effect of \verb|\TransformNotes{|\textit{input}\verb|}{|\textit{output}\verb|}| -is that subsequent notes commands in the source will expect their arguments -to match the \textit{input} pattern but -the notes will be typeset according to the \textit{output} pattern. - -For example, -\begin{verbatim} - \TransformNotes{#2}{#2} -\end{verbatim} -would be appropriate for a four-instrument score (arguments \verb|#2|, \verb|#3|, \verb|#4|, and \verb|#5|, separated by three -\verb\&\s, but the third instrument (\verb|#4|) will be discarded. - -The instrument/staff numbers in the first argument must start at $2$ and increase -consecutively, using \verb|&| (or \| for multi-staff instruments) as a separator. -The reason that the segment identifiers start at $2$ is that the first argument for \keyindex{vnotes} -is a spacing parameter. - -It is -essential that every \verb|\znotes|, \verb|\notes|, \verb|\Notes|, \verb|\NOtes|, etc.\@ command in -the score match the pattern of the first argument to \keyindex{TransformNotes} exactly; for example, -too few (or too many) -note segments will result in unintentionally discarded material and possibly compilation failure. -Similarly, it is not possible to use \keyindex{nextinstrument}, \keyindex{nextstaff}, \keyindex{selectinstrument} or \keyindex{selectstaff}, or to hide the \verb|&| (or \|) tokens inside -a user-defined macro. -An auxiliary program \verb|msxlint| distributed in the \verb\musixtnt\ package can be used to detect such incompatibilities. - -\keyindex{TransformNotes} may be used anywhere between \keyindex{startpiece} -and the command that ends the piece. - -\subsection{Extracting single-instrument parts from multi-instrument scores} - -To extract -a single-instrument part from a (copy of a) multi-instrument \musixtex\ score: -\begin{itemize} -\item Set \verb|\nbinstrument| to 1; for example, with command \verb|\instrumentnumber1|. -\item Use \keyindex{TransformNotes} to discard all but one of the note segments in notes -commands. -For example, the following line placed after -\verb|\startpiece| (but before any note commands) would be appropriate for a -four-instrument score and will result in a single-instrument part for the second of -these: -\begin{verbatim} - \TransformNotes{#2}{#3}% -\end{verbatim} -\end{itemize} -Caveats: -\begin{itemize} -\item -Some additional revisions to the source for the part might be necessary: -\begin{itemize} -\item adjusting \verb|\setname|, \verb|\setclef|, \verb|\setsign|, -\verb|\setmeter| and \verb|\setstaffs| commands, as necessary; see -Section~\ref{CodingRules} for coding techniques that will make this easier. - -\item ensuring that tempo and roadmap markings (\textbf{D.C.}, \textbf{Fine}, etc.) are in - the appropriate instrument segment; -\end{itemize} -\item -When the extracted part score is compiled and viewed, it may be seen -that horizontal-spacing commands designed for \emph{multiple} instruments can produce bad -spacing when used for a \emph{single} instrument. Bad spacing can be corrected manually but -this is very tedious; an auxiliary program called \verb\autosp\ -can be used to automate this process; see Section~\ref{autosp}. -\end{itemize} - -\subsection{Other applications} - -The \keyindex{TransformNotes} macro may be used for other purposes. Here are some examples: -\begin{list}{}{}\item - \verb|\TransformNotes{#2}{#2&\transpose+7#3}%| -\end{list} -will begin transposing\index{transpose@{\Bslash transpose}} just the second instrument (argument \verb|#3|). -\begin{list}{}{}\item - \verb|\TransformNotes{#2|\|\verb|#3}{#2|\|\verb|#3&\tinynotesize#4}%| -\end{list} -will begin typesetting the notes of the second instrument (\verb|#4|) in tiny size. -\begin{list}{}{}\item - \verb|\TransformNotes{#2}{#3}%| -\end{list} -will switch the order of the two instruments. -\begin{list}{}{}\item - \verb|\TransformNotes{#2}{#2}%| -\end{list} -will restore normal two-instrument processing. - - -The \texttt{musixtnt} implementation of \keyindex{TransformNotes} is not compatible with the -\texttt{musixlyr} extension -package for lyrics described in Section~\ref{musixlyr}. For extracting or omitting parts -in scores with lyrics, one may either use the -\texttt{autosp}\index{autosp@{\tt autosp}} preprocessor discussed in Section~\ref{autosp}, which provides -an alternative implementation of \keyindex{TransformNotes}, -or the techniques described in Chapter~\ref{parts}. - - \section{musixtri}\index{musixtri@{\tt musixtri.tex}} -Provides triply dotted note symbols. -Available are: -\keyindex{lpppt}, -\keyindex{whppp}, -\keyindex{zwppp}, -\keyindex{huppp}, -\keyindex{hlppp}, -\keyindex{zhppp}, -\keyindex{zhuppp}, -\keyindex{zhlppp}, -\keyindex{quppp}, -\keyindex{qlppp}, -\keyindex{zquppp}, -\keyindex{zqlppp}, -\keyindex{zqppp}, -\keyindex{cuppp}, -\keyindex{zcuppp}, -\keyindex{clppp}, -\keyindex{zclppp}, -\keyindex{qbppp} and -\keyindex{zqbppp}. - - \section{musixvbm}\ixtt{musixvbm.tex} -\label{musixvbm} -By default, \texttt{musixtex} produces beams using special fonts. Unfortunately, long beams may have -unsightly minor discontinuities (gaps or bumps). The \texttt{musixvbm} add-on -by Hiroaki \textsc{Morimoto} produces smooth vectorized beams; simply input -\texttt{musixvbm} in the preamble of your score (after inputting \texttt{musixtex}). -For example, compare - -\medskip -\begin{music} -\let\extractline\hbox -\vectorizedbeamfalse % disable vectorized beams -\nostartrule -\setclef1{\bass} -\hbox to \hsize{% -\hss -\startextract -\nnotes\ibbl0G1\qb0{GJKLMLMLMLMLMLMK}\tqb0L\en -\zendextract -\hss -\raise20pt\hbox{ and } -\hss -\vectorizedbeamtrue % re-enable vectorized beams -\startextract -\nnotes\ibbl0G1\qb0{GJKLMLMLMLMLMLMK}\tqb0L\en -\zendextract -\hss} -\end{music} -\medskip -\noindent -with various magnifications. The output on the left shows a font-based beam; the one -on the right -shows the same beam with -\texttt{musixvbm} activated. -All the other beams in this report are vectorized. - - -The only known disadvantage with use of \texttt{musixvbm} is that many \texttt{dvi} viewers -(including \texttt{xdvi} and \texttt{yap}) do not support the ``\texttt{tpic} specials'' -that implement vectorized beams in \texttt{dvi} output, so that no beams are shown\footnote{% -The \texttt{dviout} program for Windows supports \texttt{tpic} specials; -it is available from CTAN and in the Win32 distribution of TeXLive.}; -however, Postscript and PDF -output generated using \texttt{dvips} and \texttt{ps2pdf} (or using -\texttt{dvipdfm}, -or by processing the score using \texttt{pdfetex}) should be satisfactory. - -If Postscript hairpins -(as described in Section~\ref{PostscriptSlurs}) are not being used, -the \texttt{musixvbm} add-on also vectorizes crescendos and -decrescendos. - -\section{tuplet} - -This file does nothing; it is provided for compatibility with -\musixtex{} version 1.20 or earlier and legacy scores. -Since version 1.21, \verb|musixtex.tex| itself contains all the functions -of the older \texttt{tuplet.tex}, namely -definitions of -\keyindex{tuplettxt}, -\keyindex{uptuplet} and -\keyindex{downtuplet}. -See Section~\ref{tuplet}. diff --git a/musixtex/doc/musixdoc/extracting.tex b/musixtex/doc/musixdoc/extracting.tex deleted file mode 100644 index 2039733..0000000 --- a/musixtex/doc/musixdoc/extracting.tex +++ /dev/null @@ -1,101 +0,0 @@ -\chapter{Extracting Parts from a Multi-Instrument Score}\label{parts} -From the typesetting viewpoint, the major characteristic of orchestral and -chamber music is that the scores not only have several instruments, but -variants of the same basic score are needed in which one of the instruments is -highlighted while some others are typeset in smaller notes or are -omitted. -Of course, it must be possible to permute the highlighted instruments and -the small-type instruments or -omitted instruments, depending on the instrument to which the -version of the score is dedicated. - -The following is the most general approach to part extraction when -using \musixtex\ without \textbf{PMX} or \textbf{M-Tx} pre-processors. A -simpler approach which will work for most purposes is described in Section~\ref{musixtnt}. - -\section{Coding rules}\label{CodingRules} - To make a ``selectable'' orchestral score you must prepare the master score -(i.e., the score with all instruments typed) as follows: - - \begin{enumerate} - \item Avoid referring to instrument numbers with roman -numerals. For example use \verb|\setclefs|~$n$ instead of -\verb|\cleftoksiii=| . - \item Introduce symbolic names for the instruments; for example, define: - \begin{verbatim} - \def\Piano{1}% - \def\Flute{2}% - \def\Oboe{3}% - \def\Soprano{4}% - \end{verbatim} -and code, for example - \smallskip - - \verb|\setstaffs\Piano2| rather than \verb|\setstaffs12|. - - \item If, initially, the Piano is the instrument number 1, replace all -\verb|\notes|, \verb|\Notes|, \verb|\NOtes|, etc., with -\verb|\notes\selectinstrument\Piano|, \verb|\Notes\selectinstrument\Piano|, -\verb|\NOtes\selectinstrument\Piano|, etc. - - \item Instead of using \verb|&| or \verb|\nextinstrument| to move to -instrument $n+1$, use \verb|\selectinstrument\Flute| and similar instead. - \end{enumerate} -For example, -\begin{verbatim} - \Notes\selectinstrument\Piano ... | ... - \selectinstrument\Flute ... - \selectinstrument\Oboe ... - \selectinstrument\Soprano ... \en -\end{verbatim} -With this coding, difficult things such as putting the Flute above the Oboe -are done easily: just say \verb|\def\Flute{3}| and \verb|\def\Oboe{2}|. - - \section{Selecting, hiding or putting instruments in the background} - - To put, for example, the Flute and the Oboe in the background, i.e., typesetting -them in small notes, state at the beginning: - \begin{quote} - \verb|\setsize\Flute\tinyvalue\setsize\Oboe\tinyvalue| - \end{quote} -where the value \keyindex{tinyvalue} for \keyindex{setsize} corresponds to notes and staffs -of size \keyindex{tinynotesize}. - If, instead of putting an instrument in the background, one wants to omit it, -this is done by: - \begin{quote} - \verb|\setstaffs\Flute{0}\setstaffs\Oboe{0}| - \end{quote} -since nothing is typeset for -instruments having \emph{zero} staffs (not to be confused with one-line staffs such -as percussions). - - \section{Recommendations} - \begin{itemize} - \item When hiding instruments, reduce -\keyindex{instrumentnumber} by the number of hidden instruments; otherwise -bars and leading braces will enclose the position of these dummy arguments, -which would be ugly. - - \item Exchange the actual instrument numbers so that hidden instruments have -numbers \emph{greater} than the value of \verb|\instrumentnumber|. - Hidden instruments with numbers -less than \verb|\instrumentnumber| will cause an excess of vertical -space at their phantom positions; this is not -recommended. - - \item In hidden instruments, rests no longer behave like \verb|\hbox{...}| and -\verb|raise|-ing them will result in an error. - - \item In hidden instruments, explicit \verb|\hbox|es will remain as empty -boxes, thus causing abnormal vertical spacings between instruments. Therefore, -anything suspect should be made conditional with: - -\begin{quote} -\keyindex{ifactiveinstrument}\ \textit{code to be omitted if instrument is hidden}\ \verb|\fi| -\end{quote} -Most \musixtex{} commands become properly hidden if requested. But -problematic -parts of code can nonetheless be protected with \verb|\ifactiveinstrument|. - - \end{itemize} - diff --git a/musixtex/doc/musixdoc/fonts.tex b/musixtex/doc/musixdoc/fonts.tex deleted file mode 100644 index 2326b86..0000000 --- a/musixtex/doc/musixdoc/fonts.tex +++ /dev/null @@ -1,231 +0,0 @@ -\chapter{Font Selection and Text Placement} - -\section{Predefined text fonts} -While any font with support for \TeX\ can be used by \musixtex, certain styles and -sizes can be selected using shortcut commands. -For ordinary text, the shortcuts cover fonts of nine different -sizes and six styles. The sizes in points are $7$, $8$, $9$, $10$, $12$, $14$, $17$, $20$, and $25$; -the styles are from the standard Computer Modern family: Roman, bold, italic, bold italic -and small capitals. -The size selection macros from smallest to biggest are -\keyindex{tinytype}, -\keyindex{smalltype}, -\keyindex{Smalltype}, -\keyindex{normtype}, \keyindex{medtype}, \keyindex{bigtype}, -\keyindex{Bigtype}, -\keyindex{BIgtype} and \keyindex{BIGtype}. -The style may be selected or changed using \keyindex{rm} (Roman), \keyindex{bf} -(bold), \keyindex{it} (italic), \keyindex{bi} (bold italic) or -\keyindex{sc} (small-capitals). If no style is explicitly selected, Roman style -will be used for the sizes \verb|\medtype| or smaller; for the larger sizes, -bold style is the default. Thus, for example, -eight point italic is selected with \verb|\smalltype\it|, while -twelve point Roman is selected using \verb|\medtype\rm| or simply -\verb|\medtype|. To change between styles while maintaining the same size, -code \verb|\rm|, \verb|\it|, \verb|\bf|, \verb|\bi| or \verb|\sc|, as in Plain \TeX. -When \musixtex\ is started, the default font for ordinary text is -ten point Roman, equivalent to \verb|\normtype\rm|. - -Another group of fonts, in bold extended italic style, is predefined in point sizes -$8$, $10$, $12$, $14$, and $17$ for dynamic markings. The appropriate font for the current -staff size may be selected simply by using \keyindex{ppff} as a -font specification. Macros \keyindex{tinydyn}, \keyindex{smalldyn}, \keyindex{normdyn}, or \keyindex{meddyn} may be -used to redefine \verb|\ppff| to represent one of the smallest four. - - -A selection of predefined fonts is summarized in Table~\ref{predefinedfonts}. The second column gives an -explicit control sequence that can alternatively be used locally as a font specification. -\font\ctinytype=cmr7 -\font\ctinytypebf=cmbx7 -\font\ctinytypeit=cmti7 -\font\csmalltype=cmr8 -\font\csmalltypebf=cmbx8 -\font\csmalltypeit=cmti8 -\font\cSmalltype=cmr9 -\font\cSmalltypebf=cmbx9 -\font\cSmalltypeit=cmti9 -\font\cnormtype=cmr10 -\font\cnormtypebf=cmbx10 -\font\cnormtypeit=cmti10 -\font\cnormtypebi=cmbxti10 -\font\cnormtypesc=cmcsc10 -\font\cmedtype=cmr12 -\font\cmedtypebf=cmbx12 -\font\cmedtypeit=cmti12 -\font\cmedtypebi=cmbxti10 scaled \magstep1 -\font\cmedtypesc=cmcsc10 scaled \magstep1 -\font\cbigtype=cmbx12 scaled \magstep1 -\font\cBigtype=cmbx12 scaled \magstep2 -\font\cBIgtype=cmbx12 scaled \magstep3 -\font\cBIGtype=cmbx12 scaled \magstep4 -\font\cppfftwelve=cmbxti10 at 8pt -\font\cppffsixteen=cmbxti10 -\font\cppfftwenty=cmbxti10 scaled \magstep1 -\font\cppfftwentyfour=cmbxti10 scaled \magstep2 -\font\cppfftwentynine=cmbxti10 scaled \magstep3 -\font\cbigtype=cmbx12 scaled \magstep1 -\font\cBigtype=cmbx12 scaled \magstep2 -\font\cBIgtype=cmbx12 scaled \magstep3 -\font\cBIGfont=cmbx12 scaled \magstep4 -\begin{table} -\begin{center} -\renewcommand{\arraystretch}{1.15} - \begin{tabular}{lll} - \hline - Size and style & Font specification & Example \\ - \hline - \verb|\tinytype| & \verb|\sevenrm| & {\ctinytype tiny Roman} \\ - \verb|\tinytype\bf| & \verb|\sevenbf| & {\ctinytypebf tiny bold} \\ - \verb|\tinytype\it| & \verb|\sevenit| & {\ctinytypeit tiny italic} \\ - \verb|\smalltype| & \verb|\eightrm| & {\csmalltype small Roman} \\ - \verb|\smalltype\bf| & \verb|\eightbf| & {\csmalltypebf small bold} \\ - \verb|\smalltype\it| & \verb|\eightit| & {\csmalltypeit small italic} \\ - \verb|\Smalltype| & \verb|\ninerm| & {\cSmalltype Small Roman} \\ - \verb|\Smalltype\bf| & \verb|\ninebf| & {\cSmalltypebf Small bold} \\ - \verb|\Smalltype\it| & \verb|\nineit| & {\cSmalltypeit Small italic} \\ - \verb|\normtype| & \verb|\tenrm| & {\cnormtype normal Roman} \\ - \verb|\normtype\bf| & \verb|\tenbf| & {\cnormtypebf normal bold} \\ - \verb|\normtype\it| & \verb|\tenit| & {\cnormtypeit normal italic}\\ - \verb|\normtype\bi| & \verb|\tenbi| & {\cnormtypebi normal bold italic}\\ - \verb|\normtype\sc| & \verb|\tensc| & {\cnormtypesc normal small capitals}\\ - \verb|\medtype| & \verb|\twelverm| & {\cmedtype medium Roman} \\ - \verb|\medtype\bf| & \verb|\twelvebf| & {\cmedtypebf medium bold} \\ - \verb|\medtype\it| & \verb|\twelveit| & {\cmedtypeit medium italic}\\ - \verb|\medtype\bi| & \verb|\twelvebi| & {\cmedtypebi medium bold italic}\\ - \verb|\medtype\sc| & \verb|\twelvesc| & {\cmedtypesc medium small capitals}\\ - \verb|\bigtype| & \verb|\frtbf| & {\cbigtype big bold} \\[.4ex] - \verb|\Bigtype| & \verb|\svtbf| & {\cBigtype Big bold} \\[.4ex] - \verb|\BIgtype| & \verb|\twtybf| & {\cBIgtype BIg bold} \\[.4ex] - \verb|\BIGtype| & \verb|\twfvbf| & {\cBIGtype BIG bold} \\ - ~ & \verb|\ppfftwelve| & {\cppfftwelve pp ff diminuendo}\\ - ~ & \verb|\ppffsixteen| & {\cppffsixteen pp ff diminuendo}\\ - ~ & \verb|\ppfftwenty| & {\cppfftwenty pp ff diminuendo}\\ - ~ & \verb|\ppfftwentyfour| & {\cppfftwentyfour pp ff diminuendo}\\[.4ex] - ~ & \verb|\ppfftwentynine| & {\cppfftwentynine pp ff diminuendo}\\[.4ex] - \hline - \end{tabular} -\end{center} -\caption{Various predefined fonts} -\label{predefinedfonts} -\end{table} - -\section{User-defined text fonts} - -Since \musixtex\ is a superset of \TeX, you are free to use the standard \TeX\ -machinery for defining and using any special font you desire. You must first -of course ensure that (a)~all the necessary font files (e.g., \verb|bla10.tfm|, -\verb|bla10.pfb|, or equivalents) are installed in the right places in your system, (b)~all -configuration files (e.g., \verb|config.ps| or equivalent) have been updated, and -(c)~the \TeX\ file-name database has been updated, as required by your \TeX\ system. Then you can use the font just as -in any \TeX\ document, e.g., by coding \verb|\font blafont=bla10| and then -\verb|\zchar{10}{\blafont Text in user-defined font}|. - -You might also wish to replace once and for all the typefaces invoked by the -commands described in the previous section. Again, before doing this, you must -follow steps (a-c) of the previous paragraph for all fonts in question. -\label{UserFonts} -You can use bitmapped fonts, which are converted to -Postscript by e.g.,~\verb|dvips|, but you also may replace them -by native Postscript fonts. - -The extension library -\verb|musixtmr.tex|\footnote{by Hiroaki {\sc Morimoto}} -replaces the default Computer Modern text fonts by -the Times series of fonts; see Section~\ref{times}. -Other extension libraries, \verb|musixplt.tex| and \verb|musixhv.tex|, replace the default text fonts by -Palatino and Helvetica fonts, respectively; see Sections~\ref{palatino} and \ref{helvetica}. -\font\tnormtype=ptmr7t -\font\tnormtypebf=ptmb7t -\font\tnormtypeit=ptmri7t -\font\tbigtype=ptmr7t scaled \magstep2 -\font\tBigtype=ptmr7t scaled \magstep3 -\font\pnormtype=pplr8r -\font\pnormtypebf=pplb8r -\font\pnormtypeit=pplri8r -\font\pbigtype=pplrc8r at 14pt -\font\pBigtype=pplrc8r at 17pt -\font\hnormtype=phvr8r at 10pt -\font\hnormtypebf=phvb8r at 10pt -\font\hnormtypeit=phvro8r at 10pt -\font\hbigtype=phvr8r at 14pt -\font\hBigtype=phvr8r at 17pt -Here is a comparison of some Times, -Palatino and Helvetica fonts: -\begin{center} - \begin{tabular}{lll} - \hline - {\tnormtype normal Times Roman} & {\pnormtype normal Palatino Roman} &{\hnormtype normal Helvetica Roman} \\ - {\tnormtypebf normal Times bold} & {\pnormtypebf normal Palatino bold}& {\hnormtypebf normal Helvetica bold} \\ - {\tnormtypeit normal Times italic} & {\pnormtypeit normal Palatino italic } & {\hnormtypeit normal Helvetica italic }\\[.4ex] - {\tbigtype Times big} & {\pbigtype Palatino big } & {\hbigtype Helvetica big } \\[.4ex] - {\tBigtype Times Big } & {\pBigtype Palatino Big } & {\hBigtype Helvetica Big } \\ - \hline - \end{tabular} -\end{center} - -For users who prefer to stick with the default Computer Modern -family but want to use the T$1$-encoded EC variants, the extension library -\verb|musixec.tex| is available; see Section~\ref{ecfonts}\@. - -\section{Text placement}\label{textplacement} -Special macros are provided to allow precise placement of any \TeX\ text, vertically -relative to the staff, and horizontally relative to any note in -the staff. - -The macros in the first group will vertically position the text with the -baseline at any specified pitch or staff line. They must be used -inside \verb|\notes...\en|. They will not insert any additional -horizontal space. They have the forms -\keyindex{zcharnote}\pitchp\verb|{|\ital{text}\verb|}|, \keyindex{lcharnote}\pitchp\verb|{|\ital{text}\verb|}|, -and \keyindex{ccharnote}\pitchp\verb|{|\ital{text}\verb|}|, -where \ital{p} is the pitch. With the first one, text will spill to the right -from the current insertion point, with the second it will spill to the left, and with the -third it will be centered horizontally. -The following abbreviations are available: -\begin{quote} -\begin{tabular}{lcl} -\keyindex{zcn}& for&\verb|\zcharnote| \\ -\keyindex{lcn}& for&\verb|\lcharnote| \\ -\keyindex{ccn}& for&\verb|\ccharnote| \\ -\end{tabular} -\end{quote} - -There are similar macros \keyindex{zchar}\pitchp\verb|{|\ital{text}\verb|}|, -\keyindex{lchar}\pitchp\verb|{|\ital{text}\verb|}|, and \keyindex{cchar}\pitchp\verb|{|\ital{text}\verb|}|, -which differ from the previous three in that the pitch \ital{must} be given with -a number (representing the number of staff positions up from the lowest line), -and that the number need not be an integer. - -To vertically position any text midway between two consecutive staves, use -\keyindex{zmidstaff}\verb|{|{\it text}\verb|}|, \keyindex{lmidstaff}\verb|{|{\it text}\verb|}|, -or \keyindex{cmidstaff}\verb|{|{\it text}\verb|}| at the appropriate point in the lower staff. - -The macros \keyindex{uptext}\verb|{|\ital{text}\verb|}| and -\keyindex{Uptext}\verb|{|\ital{text}\verb|}| -are simply shorthands for -\verb|\zchar{10}{|\ital{text}\verb|}| and -\verb|\zchar{14}{|\ital{text}\verb|}|, -respectively. - -The text items handled by all of the above macros can include any appropriate -string of \TeX\ -control sequences, including font definitions, \verb|\hbox|'es, etc. - -Material posted with any of the macros described in this section will not -create any additional horizontal or vertical space within the current system, -and will overwrite anything in the current system that gets in the way. It is -the typesetter's responsibility to ensure there is adequate white space -within the current system to accommodate any text placed with -these macros. On the other hand, if text is placed far above or below a -system, \musixtex\ will usually insert additional vertical space if needed. - -\section{Rehearsal marks} - -Rehearsal marks are usually -boxed or circled uppercase letters or digits. They can be defined using the macros -\keyindex{boxit}\verb|{|\ital{text}\verb|}| or -\keyindex{circleit}\verb|{|\ital{text}\verb|}|. For boxed text, -the margin between the text and box is controlled by the dimension -register \keyindex{boxitsep}, which can be reset to any \TeX\ dimension if the -default value of \verb|3pt| is unsatisfactory. To place the mark, use \verb|\Uptext| or -any of the other macros defined in the previous section. diff --git a/musixtex/doc/musixdoc/frontmatter.tex b/musixtex/doc/musixdoc/frontmatter.tex deleted file mode 100644 index e2f919c..0000000 --- a/musixtex/doc/musixdoc/frontmatter.tex +++ /dev/null @@ -1,143 +0,0 @@ -\title{\Huge\bfseries\musixtex\\[\bigskipamount] -\LARGE\bfseries Using \TeX{} to write polyphonic\\or -instrumental music\\\Large\itshape Version 1.35} -\author{} - - -%\author{\Large\rm Daniel \sc Taupin\\\large\sl -% Laboratoire de Physique des Solides\\\normalsize\sl -% (associ\'e au CNRS)\\\normalsize\sl -% b\^atiment 510, Centre Universitaire, F-91405 ORSAY Cedex\\\medskip -% \\\Large\rm Ross \sc Mitchell\\\large\sl -% CSIRO Division of Atmospheric Research,\\\normalsize\sl -% Private Bag No.1, Mordialloc, Victoria 3195,\\ Australia \\\medskip -% \\\Large\rm Andreas \sc Egler\\\large\sl -% (Ruhr--Uni--Bochum)\\ Ursulastr. 32\\ D-44793 Bochum} -\date{Revised \today} -\maketitle -\vfill -\thispagestyle{empty} -\begin{flushright}\it -If you are not familiar with \TeX{} at all, I would recommend\\ -to find another software package to do musical typesetting.\\ -Setting up \TeX{} and \musixtex\ on your machine and mastering it is\\ -an awesome job which gobbles up a lot of your time and disk space.\\[\medskipamount] -But, once you master it\ldots\\[\smallskipamount] -Hans {\sc Kuykens} (ca.~1995) - -\vspace*{4ex} -In my humble opinion, that whole statement is obsolete.\\[\smallskipamount] -Christof\/ {\sc Biebricher} (2006) -\end{flushright} - -\clearpage - -\pagenumbering{roman}\setcounter{page}{2} - - -\vspace*{20ex} -\begin{quote} -\musixtex{} may be freely copied, duplicated and used in conformance to -the GNU General Public License (Version 2, 1991, see included file {\tt -copying})\footnote{Thanks to the Free Software Foundation for advice. See -\href{http://www.gnu.org}{\underline{\tt http://www.gnu.org}}}. - -You may take it or parts of it to include in other packages, but no packages -called \musixtex{} without specific suffix may be distributed under the name -\musixtex{} if different from the original distribution (except obvious bug -corrections). - - Adaptations for specific implementations (e.g., fonts) should be provided as -separate additional \TeX\ or \LaTeX\ files which override original definitions. - \end{quote} - -\clearpage - -\chapter*{Preface} -\addcontentsline{toc}{chapter}{Preface} -\musixtex\ was developed by Daniel Taupin, Ross Mitchell and Andreas -Egler, -building -on earlier work by Andrea Steinbach and Angelika Schofer. -Unfortunately, Daniel Taupin, the main developer, died all too early in a 2003 -climbing accident. The \musixtex\ community was shocked by this tragic and unexpected -event. You may read tributes to Daniel Taupin that are archived at the -\href{http://icking-music-archive.org}{\underline{Werner Icking Music Archive}} (WIMA\index{WIMA}). - -Since then, the only significant update to \musixtex\ has been in version 1.15 (April 2011) which -takes advantage of the greater capacity of the e\TeX\ version of \TeX. -This manual -is the definitive reference to all features of -\musixtex\ version~1.33a. - -Novice users need not start here. -Most -music typesetting tasks can be accomplished entirely by using the \textbf{PMX} -(for instrumental music) or \mbox{\textbf{M-Tx}} (for vocal music) -preprocessors to generate the \musixtex\ input file, relieving the user of -learning any of the commands or syntax of \musixtex\ itself. It is only -for out-of-the-ordinary constructions that one must learn these details in order -to insert the necessary \musixtex\ commands into the preprocessor's input file -as so-called inline \TeX. - -Advanced users might -want to use \verb|autosp|, another preprocessor. It simplifies -the production of \musixtex\ scores by automating the choice of -note-spacing commands; see Section~\ref{autosp}. - -It is possible to create inputs for \musixtex, \textbf{PMX}, \mbox{\textbf{M-Tx}} or -\texttt{autosp} using any text editor, such as \verb|notepad| or \verb|vi| or -\verb|emacs|. Currently there is no graphical user interface for -generating input files, other than \TeX-oriented integrated -graphical development environments such as \TeX Works. - -The \href{http://icking-music-archive.org/software/indexmt6.html} -{\underline{Werner Icking Music Archive}} contains excellent and detailed -instructions for installing \TeX, \musixtex{} and the strongly recommended -preprocessors \textbf{PMX} -and \mbox{\textbf{M-Tx}} on -\href{http://icking-music-archive.org/software/htdocs/Getting_Started_Four_Scenar.html#SECTION00022000000000000000} -{\underline{Linux/\unix}}, -\href{http://icking-music-archive.org/software/htdocs/Getting_Started_Four_Scenar.html#SECTION00021000000000000000} -{\underline{Windows}} and -\href{http://icking-music-archive.org/software/htdocs/Getting_Started_Four_Scenar.html#SECTION00023000000000000000} -{\underline{Mac OS}}. -See -\href{http://icking-music-archive.org/software/htdocs/Introduction.html#SECTION00012000000000000000} -{\underline{this}} -page at WIMA for documentation of -\textbf{PMX} and \mbox{\textbf{M-Tx}}. - -\begin{flushright} -Oliver Vogel\\ Don Simons\\ Andre van Ryckeghem\\ Cornelius Noack\\ -Hiroaki Morimoto\\ -Bob Tennent\\ \today -\end{flushright} - -\clearpage - -\makeatletter -\renewcommand\tableofcontents{% - \if@twocolumn - \@restonecoltrue\onecolumn - \else - \@restonecolfalse - \fi - \chapter*{\contentsname - \@mkboth{% - \contentsname}{\contentsname}}% - \addcontentsline{toc}{chapter}{Contents} % added by RDT - \@starttoc{toc}% - \if@restonecol\twocolumn\fi - } -\makeatother - - -%\begin{small} -\tableofcontents -%\end{small} - -\clearpage -\setcounter{page}{1} -\pagenumbering{arabic} -\renewcommand{\thepage}{\arabic{page}} diff --git a/musixtex/doc/musixdoc/index.tex b/musixtex/doc/musixdoc/index.tex deleted file mode 100644 index c56508b..0000000 --- a/musixtex/doc/musixdoc/index.tex +++ /dev/null @@ -1,10 +0,0 @@ -\makeatletter -\renewenvironment{theindex} - {\pagestyle{plain}\parindent\z@ - \parskip\z@ \@plus .3\p@\relax - \let\item\@idxitem} - {\thispagestyle{plain}} -\makeatother -\begin{multicols}{3}[\chapter*{Index}\addcontentsline{toc}{chapter}{Index}] - \printindex -\end{multicols} diff --git a/musixtex/doc/musixdoc/introduction.tex b/musixtex/doc/musixdoc/introduction.tex deleted file mode 100644 index cb6d87f..0000000 --- a/musixtex/doc/musixdoc/introduction.tex +++ /dev/null @@ -1,822 +0,0 @@ -\chapter{Introduction to \musixtex} - -This chapter is not a tutorial on the use of \musixtex, but instead serves as -an overview of some of its capabilities, quirks, and history. - -\musixtex\ is a set of macros and fonts which enables music typesetting -within the \TeX\ system. It requires as a prerequisite a working -installation of \TeX. -\musixtex\ might be regarded as the digital equivalent of a box of type. It -contains symbols for staves, notes, chords, beams, slurs and ornaments, -ready to be arranged to form a sheet of music. But it must be told how to position -those symbols on the page. This could be done by the typesetter -himself, if he or she elects to proceed by entering \musixtex\ commands manually -into an input file. However most users will find it far less taxing to let -such decisions be made largely by the preprocessor -\href{http://icking-music-archive.org/software/indexmt6.html#pmx} -{\underline{\textbf{PMX}}}, which in addition uses a much simpler input -language than \musixtex. - -Lyrics can also be handled by \musixtex. There is a set of primitive -commands for this which are described later. But there is also a far -more adaptable set of macros contained in the extension file -\verb|musixlyr.tex|, and there is the preprocessor -\href{http://icking-music-archive.org/software/indexmt6.html#mtx} -{\underline{\mbox{\textbf{M-Tx}}}}\ which provides easy, transparent access to -these macros. - -Most users of \TeX\ are familiar with \LaTeX, a set of \TeX\ macros -which eases document layout. In fact many may only use \LaTeX. -Until recently, \LaTeX\ and \musixtex\ coexisted only grudgingly, owing -primarily to the limited availabily of storage registers. But with modern -versions of \TeX\ and with the use of e\LaTeX, only a modest increase in -complexity is incurred with the addition of musical excerpts to a \LaTeX\ -document. Still, fortunately, for typesetting a musical score there is -rarely if ever any advantage to using \LaTeX. Only if one wanted to create a -text document with embedded musical examples would there be much use for it. -Even in that case there is a perfectly fine way to avoid using \musixtex\ -directly in the document file, namely, by using \musixtex\ to create -\verb|pdf| or \verb|eps| files for -each of the examples, and then embedding references to those in the file for -the larger document. But for anyone who still wants to use both together, there is -no better example than this manual, as generated with the files -\verb|musixdoc.tex| and \verb|musixdoc.sty|. A few further details about such -nonstandard applications are given in Section~\ref{excerpts}. - -\section{Primary features of \musixtex} - \subsection{Music typesetting is two-dimensional} Written music is not -usually a linear sequence of symbols like a literary text. Rather, -except for unaccompanied single-note instruments like clarinets, -trumpets and human voices, it has the form of a two-dimensional matrix. - Thus, a logical way of coding music consists -in horizontally accumulating a set of \ital{vertical combs} with -\ital{horizontal teeth} as depicted in Table~\ref{readtable}. -%\def\hboxit#1{\boxit{\rlap{#1}\hphantom{note sequence three}}} - \begin{table} - \begin{center} - \small - \renewcommand{\arraystretch}{1.4} - \setlength{\arrayrulewidth}{1.5pt} - \setlength{\tabcolsep}{2ex} - \begin{tabular}{|ll|ll|}\fbox{note sequence one} - &\fbox{note seq.\ four} - &\fbox{note seq.\ seven} - &\fbox{note seq.\ ten}\\\fbox{note sequence two} - &\fbox{note seq.\ five} - &\fbox{note seq.\ eight} - &\fbox{note seq.\ eleven}\\\fbox{note sequence three} - &\fbox{note seq.\ six} - &\fbox{note seq.\ nine} - &\fbox{note seq.\ twelve}\\ - \end{tabular} - \end{center} - \caption{A logical way of coding music}\label{readtable} - \end{table} -Accordingly, in \musixtex\ the fundamental macro used to represent -one of those vertical combs (or one of the columns in Table~\ref{readtable}) -is of the form -\begin{center} -\verb|\notes ... & ... & ... \en|\footnote{The command -\keyindex{en} is an abbreviation for the command \keyindex{enotes}, which may also be used.} -\end{center}\index{"&@{\tt\char'046}} -\noindent where the character \verb|&| is used to separate the notes to be -typeset on respective staves of the various instruments, starting from the -bottom. - -In the case of an instrument whose score has to be written with -several staves, they are separated by the -character \|\index{\tt\char'174@{\tt\char'174}}. - -Thus, a score written for a keyboard instrument and -a single-line instrument (e.g., piano and violin) -will be coded as follows: -\begin{center} -\verb=\notes ... | ... & ...\en= -\end{center} -\noindent for each column of simultaneous \ital{groups of notes}. -Each of those groups, represented by a single box in Table~\ref{readtable}\ -and by a sequence of three dots in the the two example macros above, may contain -not only chord notes to be played simultaneously, but short sequences of -consecutive -notes or chords. As we'll soon see, this implies the need for two fundamentally different -kinds of basic macros in \musixtex: those whose tokens are automatically followed -by some amount of space (called \ital{spacing} macros), and those that are not. -The former type, for example, -would be used to produce the notes and rests in a single-line score; -the latter would be used, for example, for chord notes and ornaments. - -\subsection{Horizontal spacing} -Deciding upon the proper horizontal spacing of notes is a very complicated matter -that we will not address in any detail here. Obviously short-duration notes -should be closer together than longer ones. Almost as obviously, the spacing -cannot be linearly proportional to the duration; otherwise for example a whole -note would occupy 32 times as much horizontal space as a thirty-second note. And -in polyphonic scores the spacing in one staff is often influenced by the notes -in another. This is a decision that the typesetter or preprocessor -must make. Once the decision is made, \musixtex\ can provide the desired spacing. -The main mechanism is through a set of macros described in -Section~\ref{newspacings}. At this point we shall only mention that to control -spacing, one of those -macros will be selected to replace the symbol \verb|\notes| in the two examples -above, and it will imply that whenever a spacing macro in encountered within -a group of notes, a -certain specific amount of horizontal space will be inserted. - - \subsection{Music tokens} -The tokens provided by \musixtex\ include -\begin{itemize}\setlength{\itemsep}{0ex} - \item note symbols without stems; - \item note symbols with stems, and flags for eighth notes and -shorter; - \item beam beginnings and endings; - \item beginnings and endings of ties and slurs; - \item accidentals; - \item ornaments: arpeggios, trills, mordents, turns, staccatos, -pizzicatos, fermatas, etc.; - \item bar lines; - \item meters, key signatures, clefs. -\end{itemize} -For example, \verb|\wh a| produces a whole note at nominal frequency 222.5~Hz, -\verb|\wh h| produces one an octave higher, \verb|\qu c| -produces an up-stemmed quarter note C (250~Hz), and \verb|\cl J| produces a down-stemmed C -eighth note an octave lower. - - To generate chords with solid note heads, the non-spacing macro \keyindex{zq} -can be used. It produces a solid note head at the specified pitch, -the vertical position of which -is memorized and recalled whenever the next stemmed note (possibly with a flag) is -coded. The stem length is automatically adjusted to link all simultaneous notes. Thus, the -\mbox{C-major} chord - -\begin{music}\nostartrule -\startextract\NOtes\zq{ceg}\qu j\en\zendextract -\end{music} - \noindent is coded \verb|\zq c\zq e\zq g\qu j| or more concisely, -\verb|\zq{ceg}\qu j|; the \verb|u| in the spacing note macro -\verb|\qu| is what generates the upstem. - - \subsection{Beams} -Each beam \index{beams} is generated by a pair of macros. The first defines -the beginning horizontal position (implicitly the current position), altitude, -direction (upper or lower), multiplicity (number of lateral bars), slope and -reference number. This latter feature is needed so independent beams -can overlap. The second macro of the pair specifies the termination -location (again implicitly) and the reference number. - - \subsection{Setting anything on the score} -A general macro (\keyindex{zcharnote}) provides a means of -putting any sequence of symbols (possibly contained in an \verb|\hbox{...}|) at any -pitch of any staff of any instrument. This allows any symbol defined in a font -(letters, math symbols, etc.) to be placed in the score at a position keyed -to the music both in time (horizontally) and pitch (vertically) on the staff, -\section{A simple example} - Before going into more detail, we give below an example of the two first -bars of the sonata in \mbox{C-major} KV545 by {\sc Mozart}\index{Mozart, W.A.@{\sc -Mozart, W.A.}}: - -\begin{music} -\parindent11mm -\setname1{Piano} -\setstaffs12 -\generalmeter{\meterfrac44} -\startextract -\Notes\ibu0f0\qb0{cge}\tbu0\qb0g|\hl j\en -\Notes\ibu0f0\qb0{cge}\tbu0\qb0g|\ql l\sk\ql n\en -\bar -\Notes\ibu0f0\qb0{dgf}|\qlp i\en -\notes\tbu0\qb0g|\ibbl1j3\qb1j\tbl1\qb1k\en -\Notes\ibu0f0\qb0{cge}\tbu0\qb0g|\hl j\en -\zendextract -\end{music} - The coding is as follows: -\begin{quote}\begin{verbatim} -\begin{music} - \parindent10mm - \instrumentnumber{1} % a single instrument - \setname1{Piano} % whose name is Piano - \setstaffs1{2} % with two staffs - \generalmeter{\meterfrac44} % 4/4 meter chosen - \startextract % starting real score - \Notes\ibu0f0\qb0{cge}\tbu0\qb0g|\hl j\en - \Notes\ibu0f0\qb0{cge}\tbu0\qb0g|\ql l\sk\ql n\en - \bar - \Notes\ibu0f0\qb0{dgf}|\qlp i\en - \notes\tbu0\qb0g|\ibbl1j3\qb1j\tbl1\qb1k\en - \Notes\ibu0f0\qb0{cge}\tbu0\qb0g|\hl j\en - \zendextract % terminate excerpt -\end{music} - \end{verbatim}\end{quote} -\begin{itemize}\setlength{\itemsep}{0ex} - \item \verb|\ibu0f0| begins an upper beam, aligned on the -\ital{f}, reference number 0, slope 0 - \item \verb|\tbu0| terminates this beam before writing -the second \ital{g} by means of \verb|\qb0g| - \item \verb|\qb..| indicates a note belonging to a beam. - \item \verb|\sk| sets a space between the two quarters in the right -hand, so that the second one is aligned with the third eighth in the left hand. - \item\verb|\qlp| is a dotted quarter note. - \item\verb|\ibbl1j3| begins a double beam, aligned on the \ital{C} -(\verb|j| at this pitch) with slope 15\%. -\end{itemize} - -\section{The three pass system}\label{threepass} -\subsection{Introduction} -\TeX's line-breaking procedure implicitly assumes -that a normal line of text will contain many words, so that inter-word -glue need not stretch or shrink too much to justify the line. -One might at first consider extending this to music, treating each bar like a -word with no stretchable internal space. But typically this would lead to unsightly -gaps before each bar rule, simply because the number of bars per line -is normally many fewer than the number of words in a line of text. -\musixtex\ needs a more sophisticated horizontal spacing algorithm -than is used in \TeX. - -To understand how \musixtex\ solves this problem, we have to -recognize two different kinds of horizontal space, \ital{hard}\ and -\ital{scalable}. Hard space is fixed and always represents the same -physical distance. -Examples of hard space are the widths of bar rules, clefs, -and key signatures. Scalable space can be stretched as needed. It -is what is normally used for the space after notes or rests. At the -outset it is only defined in a relative sense. In other words, -scalable spaces are defined as multiples of \verb|\elemskip|, an -initially undefined basic spacing unit. For example, in \textbf{PMX}\ -all sixteenth notes -are typically assigned a scalable width of \verb|1.41\elemskip|. -One main job of \musixtex\ is to compute the physical value of -\verb|\elemskip|, often expressed in points (72nds of an inch). -The correct value is that which makes all the scalable space on -a line just fill up what's not occupied by hard space. Obviously -it may vary from line to line. - -To this end a three pass system was developed. To start the -first pass on the file \verb|jobname.tex|, you would enter\footnote{ -In many cases it will suffice to run {\tt tex}, but with \musixtex~1.15, -it is possible to create a file requiring the enhanced capacity of -{\tt etex}. Since {\tt etex} can handle any file {\tt tex} can, it's best -always to use {\tt etex}.} -\verb|etex jobname|. -Information about each bar is written to -an external file named \verb|jobname.mx1|. -This file begins with a header containing parameters -such as line width and paragraph indentation. Then the hard and -scalable space is listed for each bar. -\index{scalable width}\index{hard width} - -The second pass, which is started with \verb|musixflx jobname|, -determines optimal values of the basic spacing unit \verb|\elemskip| -for each line, so as to properly fill each line, and to spread -the piece nicely over an integral number of full lines. This routine was originally written -in \textsc{fortran} rather than \TeX, the main reason -being the lack of an array handling capability in \TeX; the current version -of \verb|musixflx| is a \textsc{lua} script, which may be executed without -compilation in any standard \TeX\ system. - -\verb|musixflx| reads in the file \verb|jobname.mx1|, and writes its -output to \verb|jobname.mx2|. The latter file contains a single entry for -each line of music in the reformatted output. The key piece of information -is the revised value of \keyindex{elemskip} for each line. - -Next, the file is \TeX-ed again, by entering \verb|etex jobname|. On this third pass, -the \verb|jobname.mx2| file is read in, and the information -is used to physically define the final score and embed the -page descriptions into a \verb|dvi|\ file. - -You may wonder how the same command can -cause something different to happen the second time it is issued. The explanation -is that \musixtex\ checks for the presence of \verb|jobname.mx2|. If it's -not present, the first pass is executed; if it is, the third pass. Obviously if -you've made some corrections that affect any horizontal spacing, you must remember -to delete the old \verb|jobname.mx2| and then rerun all three passes, or -build or use a script that does so. - -\subsection{An example} - -Here's an example. Here, no value for \verb|\elemskip| is explicitly specified, -so \musixtex\ assigns a single, default value. After the first pass you might get -the following output: - -\begin{music} -\hsize=100mm -\generalmeter{\meterfrac24}% -\parindent 0pt -\setsign1{-3} -\nostartrule -\startpiece\bigaccid -\NOtes\qu{ce}\en -\bar -\NOtes\qu{gh}\en -\bar -\NOtes\qu{=b}\en -\Notes\ds\cu g\en -\bar -\NOtes\qu{^f=f}\en -\raggedstoppiece\contpiece% this is cheated, the problem was to get -% pass 1 and pass 3 at the same time -\NOtes\qu{=e}\itied0e\qu{_e}\en -\bar -\Notes\ttie0\Qqbu ed{_d}c\en -\bar -\Notes\ibu0b{-2}\qb0{=b}\en -\notes\nbbu0\qb0{=a}\tqh0N\en -\Notes\Dqbu cf\en -\raggedstoppiece\contpiece -\NOtes\uptext{\it tr}\qu e\uptext{\it tr}\qu d\en -\bar -\NOtes\qu c\qp\en -\setdoubleBAR\raggedstoppiece -\end{music} - -\noindent Note that the space after every quarter note is the same, and -that lines are not justified. -After running \verb|musixflx| and \TeX-ing the second time you'll -get: - -\begin{music} -\hsize=100mm -\generalmeter{\meterfrac24}% -\parindent 0pt -\generalsignature{-3} -\nostartrule -\startpiece\bigaccid -\NOtes\qu{ce}\en -\bar -\NOtes\qu{gh}\en -\bar -\NOtes\qu{=b}\en -\Notes\ds\cu g\en -\bar -\NOtes\qu{^f=f}\en -\bar -\NOtes\qu{=e}\itied0e\qu{_e}\en -\bar -\Notes\ttie0\Qqbu ed{_d}c\en -\bar -\Notes\ibu0b{-2}\qb0{=b}\en -\notes\nbbu0\qb0{=a}\tqh0N\en -\Notes\Dqbu cf\en -\bar -\NOtes\uptext{\it tr}\qu e\uptext{\it tr}\qu d\en -\bar -\NOtes\qu c\qp\en -\Endpiece -\end{music} - -\noindent Now \musixtex\ has determined a number of lines -(which is different from the original number), the lines are justified, -and if you look carefully you -can see that the space after quarters in the first line -is smaller than in the second. This example was coded as: -\begin{verbatim} -\hsize=100mm -\generalmeter{\meterfrac24}% -\parindent 0pt -\generalsignature{-3} -\nostartrule -\startpiece\bigaccid -\NOtes\qu{ce}\en\bar -\NOtes\qu{gh}\en\bar -\NOtes\qu{=b}\en -\Notes\ds\cu g\en\bar -\NOtes\qu{^f=f}\en\bar -\NOtes\qu{=e}\itied0e\qu{_e}\en\bar -\Notes\ttie0\Qqbu ed{_d}c\en\bar -\Notes\ibu0b{-2}\qb0{=b}\en -\notes\nbbu0\qb0{=a}\tqh0N\en -\Notes\Dqbu cf\en\bar -\NOtes\uptext{\it tr}\qu e\uptext{\it tr}\qu d\en\bar -\NOtes\qu c\qp\en\Endpiece -\end{verbatim} - -\subsection{Adjusting the layout} - -One benefit of the 3-pass system is the quick and easy -alteration to the layout which can be achieved -by changing only one parameter, namely \keyindex{mulooseness}. This value -acts analogously to \TeX's \verb|\looseness| command. For non-\TeX-perts: if you -state \verb|\looseness=-1| somewhere inside any paragraph, then -\TeX\ will try to make the paragraph one line shorter than it normally would. -With \verb|\mulooseness|, \musixtex\ does the same, but for \ital{systems} -and \ital{sections} rather than lines and paragraphs. A system is just a group of -staves treated as a unit, and in this discussion is analogous to a line of text. -What is a \ital{section}? It's any chunk of coding not containing a -forced system break, System breaks can be forced with -\keyindex{stoppiece}, \keyindex{endpiece}, \keyindex{zstoppiece}, -\keyindex{Stoppiece}, \keyindex{Endpiece}, \keyindex{alaligne} -\keyindex{zalaligne}, \keyindex{alapage} or \keyindex{zalapage}. If none -of these is present, the section comprises the whole piece. -Somewhere\footnote{Advisably, at the beginning or -at the end of the section, for the sake of clarity.} -before the end of the section, you can change the value of -\keyindex{mulooseness} to something different from the default of $0$, and -\musixtex\ will typeset that section with a different number of systems. - -To give an easy example, changing the last line in the previous example to: -\begin{verbatim} -\NOtes\qu c\qp\en\mulooseness=1\Endpiece -\end{verbatim} -yields: - -\begin{music} -\hsize=100mm -\generalmeter{\meterfrac24}% -\parindent 0pt -\generalsignature{-3} -\nostartrule -\startpiece\bigaccid -\NOtes\qu{ce}\en -\bar -\NOtes\qu{gh}\en -\bar -\NOtes\qu{=b}\en -\Notes\ds\cu g\en -\bar -\NOtes\qu{^f=f}\en -\bar -\NOtes\qu{=e}\itied0e\qu{_e}\en -\bar -\Notes\ttie0\Qqbu ed{_d}c\en -\bar -\Notes\ibu0b{-2}\qb0{=b}\en -\notes\nbbu0\qb0{=a}\tqh0N\en -\Notes\Dqbu cf\en -\bar -\NOtes\uptext{\it tr}\qu e\uptext{\it tr}\qu d\en -\bar -\NOtes\qu c\qp\en -\mulooseness1\Endpiece -\end{music} - -\noindent On the other hand, -\begin{verbatim} -\NOtes\qu c\qp\en\mulooseness=-1\Endpiece -\end{verbatim} -yields - -\begin{music} -\hsize=100mm -\generalmeter{\meterfrac24}% -\parindent 0pt -\generalsignature{-3} -\nostartrule -\startpiece\bigaccid -\NOtes\qu{ce}\en -\bar -\NOtes\qu{gh}\en -\bar -\NOtes\qu{=b}\en -\Notes\ds\cu g\en -\bar -\NOtes\qu{^f=f}\en -\bar -\NOtes\qu{=e}\itied0e\qu{_e}\en -\bar -\Notes\ttie0\Qqbu ed{_d}c\en -\bar -\Notes\ibu0b{-2}\qb0{=b}\en -\notes\nbbu0\qb0{=a}\tqh0N\en -\Notes\Dqbu cf\en -\bar -\NOtes\uptext{\it tr}\qu e\uptext{\it tr}\qu d\en -\bar -\NOtes\qu c\qp\en -\mulooseness-1\Endpiece -\end{music} - -\noindent which is tighter than you would ever want, but serves to further -demonstrate the use of \keyindex{mulooseness}. - -If you want to build up a \musixtex\ input file -manually (which in fact very few users will ever need to do, considering the -availability of \textbf{PMX}), here is a roadmap for one way to proceed: -\begin{enumerate} - \item Enter the data one \verb|\notes| group at a time, taking care to select the -relative horizontal spacing for each group (via the macros discussed in Section~\ref{newspacings}) -so as to maintain a consistent relationship between scalable space and note durations. -This will be discussed in a great deal more detail in Chapter~\ref{preparing}. - \item \TeX~$\Longrightarrow$ {\tt musixflx} $\Longrightarrow$ \TeX. - \item Look at the output and decide if you want to have more or fewer -systems, e.g.,~to fill the page or to get an even number of -pages.\index{musixflx@{\tt musixflx}} - \item If you want to change the number of systems in a section, adjust -\keyindex{mulooseness} accordingly. Keep in mind that each section cannot have fewer -systems than bars. -\item Delete \verb|jobname.mx2| and repeat the process\\ -\TeX~$\Longrightarrow$ \verb|musixflx| $\Longrightarrow$ \TeX. - -\end{enumerate} - -There is an alternate way to proceed if you know at the outset -how many systems -you want in a section. You can specify it directly by assigning a -positive number to \keyindex{linegoal} somewhere within the -section (\verb|\linegoal| requires -version 0.83 or later of \verb|musixflx|). -\keyindex{mulooseness} must be zero -for \keyindex{linegoal} to work. Both are automatically reset to -zero after processing the end of a section e.g., as defined by -\keyindex{stoppiece}. - -Finally, for large scores (more than 4 pages or so), having -only one section and an overall value of \verb|\mulooseness| becomes -impractical since one wants not only to have nicely spaced systems, but also -completely filled pages without empty top and -bottom margins on the last page. It is then wise to force the total number of -pages and possibly the line breaks in each page, which can be done using -\keyindex{alapage} and/or \keyindex{alaligne}\footnote{This is the technique -always used by \textbf{PMX} in constructing a \musixtex\ input file.}. -%avrb -%, or more automatically by -%means of the \keyindex{autolines} command borrowed from \musictex\ and -%implemented in the additional {\ttxem{musixcpt.tex}} file -%avre - -There is another advantage to \musixtex's way of using scalable space and -the three pass system. In -\TeX nical terms it eliminates the need for \ital{glue}, and enables -every horizontal position in a line to be computed. This in turn enables certain -variable length symbols such as slurs to be specified by macros entered at -their beginning and ending points, rather than having to estimate the -length of the symbol and enter it at the starting point. - - \subsection{Using \texttt{musixflx}} - -On most systems, \verb|musixflx| can be invoked by typing the name of the program -and the name of the file to be acted upon; i.e., -\begin{quote} -\verb|musixflx jobname.mx1| -\end{quote} -Optionally, you can add a letter to indicate one of the debug modes, which are: -\begin{quote} -\verb|d | for debug information to screen\\ -\verb|f | for debug information to file \verb|jobname.mxl|\\ -\verb|s | to get the computed lines immediately on screen -\end{quote} -To allow for ease of use with scripts, \verb|musixflx| can be fed -with either \verb|jobname.mx1|, \verb|jobname.tex| or only -\verb|jobname|, any one of which will open \verb|jobname.mx1|. - - \subsection{Unrecorded spaces: the novice's bugaboo} - -Because of the way \musixtex\ accounts for hard and scalable space and avoids -using glue, it is absolutely essential that every horizontal space be -properly entered into the input file. The most common error in this regard -is including a blank space in the midst \ital{or at the end} of an input line. -Such a blank space, or for that matter any stray character not entered with -an appropriate \musixtex\ macro, will not be properly -recognized and recorded by \musixtex, but it will still be treated like -ordinary text by \TeX. The symptoms of such a transgression will be an -{\bf Overfull hbox} warning during the third pass, and the appearance of -either excessive blank horizontal space or thick black vertical lines in -the page image. - -\medskip -\centerline{\fbox{Considerable discipline is needed to avoid this problem!}} -\smallskip - -The best technique for avoiding such unpleasantness is to avoid entering -any nonessential blanks within input lines, and to end every -input line with either \verb|%|\index{%@{\tt\char37}} or -\keyindex{relax}, unless it already ends with a control sequence -ending in a letter. - -There are other ways to enter unrecorded space which should be -avoided. Between \verb|\startpiece| and \verb|\stoppiece| or -\verb|\endpiece|, never use \verb|\hskip| or \verb|\kern| except -within \ital{zero}-boxes like \verb|\rlap|, \verb|\llap|, -\verb|\zcharnote|, \verb|\uptext|, etc., and never assign hard -values to scalable dimensions like \verb|\noteskip|, -\verb|\elemskip|, \verb|\afterruleskip| and \verb|\beforeruleskip|\footnote{Note that {\Bslash hardspace} does not fall in this -category; it is specifically designed to enter hard space in a way -that \musixtex\ can properly record it}. - -Here is a checklist of tips related to spacing issues. Because the -foregoing several paragraphs are so important, some of their content -is repeated in the list. - -\begin{enumerate} - \item -Between \verb|\startpiece| and \verb|\stoppiece| or \verb|\endpiece|, -end every input line with a either \verb|%| or a command with no arguments -(including \verb|\relax| and \verb|\en|). - \item \verb|\off| must only be used with scalable values, e.g., -\verb|\noteskip|, \verb|\elemskip|, \verb|\afterruleskip|, and - \verb|\beforeruleskip|. - \item Remember that \verb|\qqsk|, \verb|\qsk| and \verb|\hqsk| are scalable, i.e., \verb|\qsk| - doesn't necessarily mean exactly one note head width (it depends on \verb|\elemskip|). - \item Lyrics and any other non-\musixtex\ text must be put in zero-width boxes -such as - \verb|\zcharnote|, \verb|\zchar|, \verb|\rlap|, \verb|\lrlap|, \verb|\llap|, -\verb|\uptext|, or \verb|\zsong|. Additional specific capabilities for entering -lyrics are provided by - \verb|\hardlyrics|, \verb|\hsong|, and---most significantly---the -text-placement macros defined in \verb|musixlyr.tex| (see Chapter~\ref{lyrics}, -p.~\pageref{lyrics}). - \item -Between \verb|\startpiece| and \verb|\stoppiece| or \verb|\endpiece|, -don't assign hard values to \verb|\noteskip|, \verb|\beforeruleskip|, -or \verb|\afterruleskip|. -\end{enumerate} - - -\section{Further highlights} - %\check - \subsection{Key signatures} -\begin{sloppypar} -A single key signature can be assigned~to~all~instruments,~for~example~by -\keyindex{generalsignature}\verb|{-2}| -which sets two flats on each staff. \keyindex{generalsignature} -can be overridden for selected instruments, for example by -\keyindex{setsign}\verb|2{1}| which puts one sharp on each staff -of instrument number 2. Of course, the current signature as well -as meters and clefs may change at any time.\end{sloppypar} -\subsection{Transposition} -With some extra attention, a score can be input in such a way that it is -fairly easily transposed. There is an internal register -called \keyindex{transpose}, the default value of which is zero, but which may be -set to any reasonable positive or negative value. It defines a number of pitch -steps (lines or spaces on a staff) by which all pitched symbols with be offset, provided -they have been entered with letter values to represent their pitch. -However, -it will neither change the local accidentals nor the key signature. - -For -example, suppose a piece were originally input in F major, and it contained a -B natural, and you wanted to transpose it to G. If you simply set -\verb|\transpose| to 1 with no other special considerations, then -the key signature would not change, and -the B~natural would appear as a C~natural, whereas it should be a C~sharp. -So first you must explicitly change the key signature. Then, to -solve the problem with accidentals, you should declare -\verb|\relativeaccid|, which will cause the actual appearance of any -accidental to depend on the pitch of -the accidental as well as the current key signature. But the use of this -facility requires the typesetter to have entered the original set of accidentals -according to a nonstandard convention wherein an accidental does not -specifically refer to the black or white keys on a piano, but to the -amount by which the pitch is altered up or down from what it would naturally -have been, taking the key signature into account.\index{relative accidentals} This -is discussed in more detail in Section~\ref{transposeaccids}. Now, finally, you -can enter \verb|\transpose=1| with more or less the desired effect. - -More or less, because there is also an issue with stem -and beam directions. Normally a typesetter would want full control over them, -and would exercise that control by entering them with macros that explicitly -assign the direction. Naturally the assigned directions would persist -even after changing \verb|\transpose|. With respect to stems of unbeamed notes, -this matter can also be addressed at -the input level, by using special macros for notes that leave the -decision about stem directions up to \musixtex. These macros do the right -thing in the face of transposition. They are discussed in -Chapter~\ref{autostemdirections}. Unfortunately there is no corresponding -such facility for beams, so the typesetter will have to edit the transposed -score to adjust beam directions as required\footnote{\textbf{PMX} -will automatically adjust both stem and beam directions when transposing, which -is yet another reason to use it. However -if a piece is to be transposed, the typesetter must still explicitly activate relative accidentals -and enter accidentals according to the relative-accidental convention.}. - - %\check - \subsection{Extracting parts from a score} -It is possible to extract separate scores for -each individual instrument of a multi-instrument score. -If you use \textbf{PMX}, it is very easy; -see the documentation for \textbf{PMX}. -If you use \musixtex\ without a preprocessor, -see Chapter~\ref{parts}. - -%After assigning symbolic numbers to instruments, -%there are macros (see \ref{instrum-inhibit}) that permit -% \begin{itemize}\setlength{\itemsep}{0ex} -% \item choosing which instrument the following source code is attached to, -% \item choosing which staff of an instrument the following source code is -%attached to, -% \item hiding one or several instruments by zeroing out their staff sizes and staff -%numbers. -% \end{itemize} - - %\check - \subsection{Staff and note sizes} - Although the standard staff size is 20pt, \musixtex\ allows scores with -sizes of 16, 24, or 29pt. Furthermore, any instrument may be assigned its own special staff -size (usually smaller than the overall staff size), and there are special macros -(e.g., \verb|\smallnotesize|, \verb|\tinynotesize|) that cause notes, beams, and -accidentals all to take a different size. - -\subsection{Add-in macro libraries} -During the early stages of \musixtex's development, common versions of \TeX\ itself were -very limited in capacity, especially in terms of the numbers of registers that could -be defined for use in macros. For this historical reason, many important enhancements -to \musixtex\ are available only via add-in libraries. The user can thus pick and choose -which to include for any particular compilation. Most of these are included in -a \musixtex\ distribution, and their uses are discussed in this manual. The -libraries have names like \verb|blabla.tex|, and are activated by including a line -like \verb|\input blabla|\ within the the input file. The most common such files -are \ttxem{musixadd.tex} and \ttxem{musixmad.tex} which respectively increase the -number of instruments from the default 6 to 9 or 12 as well as increasing available numbers -of other features; \verb|musixps.tex| which enables Type~K Postscript slurs; and -\verb|musixlyr.tex| which greatly eases typesetting lyrics. In fact the latter two, -while now included in \musixtex\ distributions, are not documented in this manual but -in separate files, namely \verb|musixps.tex| itself and -\verb|mxlyrdoc.pdf| respectively. - - -\section{Installing and Using \musixtex}\label{using} - -As stated in the preface, -the \href{http://icking-music-archive.org/software/indexmt6.html} -{\underline{Werner Icking Music Archive}}\ (WIMA) contains excellent and detailed -instructions for installing \TeX, \musixtex{} and the strongly recommended -preprocessors \textbf{PMX} -(for instrumental music) and \mbox{\textbf{M-Tx}} (for vocal music) under -\href{http://icking-music-archive.org/software/htdocs/Getting_Started_Four_Scenar.html#SECTION00022000000000000000} -{\underline{Linux/\unix}}, -\href{http://icking-music-archive.org/software/htdocs/Getting_Started_Four_Scenar.html#SECTION00021000000000000000} -{\underline{Windows}} and -\href{http://icking-music-archive.org/software/htdocs/Getting_Started_Four_Scenar.html#SECTION00023000000000000000} -{\underline{Mac OS}}. - -As stated in Section~\ref{threepass}, to compile a \musixtex-formatted score, you must run -in sequence \verb|etex|, \verb|musixflx|, -and \verb|etex| again. This will produce a \verb|.dvi| file. From this point -forward, this file can be processed like the device-independent output file -for any \TeX\ document. The most common approach and the only one to -be discussed here is to next generate a Postscript file. This is accomplished -by running \verb|dvips|, which is included in every \TeX\ system; to prevent -inappropriate adjustments that \verb|dvips| makes by default, it is recommended to -add the option \verb|-e0|. To view the -Postscript, most users run {\tt GSview} or {\tt gv}, a front-end to {\tt ghostscript}, which must -be separately downloaded and installed. Finally, you may produce a PDF file -using \verb|ps2pdf| or GSview, and view that with any PDF viewer, such as -the Adobe Reader or {\tt GSview}. - -You also can view the \verb|.dvi| file directly using a DVI viewer such as Yap or \verb|xdvi|, -but, if you are using type K Postscript slurs or vectorized beams, some DVI viewers will not display them. - -Rather than executing all the foregoing programs separately, most users will -find it more convenient to use the \verb|musixtex| script that comes in most -distributions of \musixtex. For example, \verb|musixtex jobname| -will by default run the three passes described in Section~\ref{threepass}, -convert the result to PDF and delete intermediate files. -There are many options available to -change the behavior; run - -\verb|musixtex -h| - -\noindent to get a summary. - - -\section{Where to get help using \musixtex} - -The home base for all matters related to \musixtex\ is the -Werner Icking Music Archive, at -\href{http://icking-music-archive.org}{\underline{http://icking-music-archive.org}}. -There is a -\href{http://tug.org/mailman/listinfo/tex-music}{\underline{mailing list}}, -hosted by TUG, the \TeX\ Users Group, where you will always find -someone willing to answer questions and help solve problems. - - \section{A very brief history of \musixtex} -The idea of using \TeX\ to typeset music appears to have originated -around 1987 with the master's thesis of Andrea -{\sc Steinbach} and Angelika {\sc Schofer}\footnote{Steinbach A. \& Schofer -A., \ital{Automatisierter Notensatz mit \TeX}, master's thesis, -Rheinische Friedrich-Wilhelms Universit\"at, -Bonn, Germany, 1987}. They called their package -\mutex\index{mutex@\protect\mutex}. It was limited to a single staff. -It introduced two key concepts: (1) using -a large number of font characters to construct beams and slurs, and (2) using -\TeX\ glue to help control horizontal spacing and justification. - -The next major step came around 1991 when Daniel {\sc Taupin} created \musictex. -Its major enhancement was to allow multiple staves. But this came at a -price: some flexibility was lost in controlling horizontal spacing and -a great deal of trial and error became necessary to avoid excessive or -insufficient gaps before and after bar lines. - -\musictex\ was a single-pass system. To remedy its shortcomings it became clear -that a multi-pass system would be required. Around 1997 Dr.~Taupin along with Ross {\sc Mitchell} -and Andreas {\sc Egler} created the first version of \musixtex. At last a fully -automatic procedure was coded so as to provide pleasing horizontal spacing in -multi-staff scores. - -Significant enhancements to \musixtex, which have already been mentioned, have been provided -by Stanislav {\sc Kneifl} (Type~K Postscript slurs) and -Rainer {\sc Dunker} (Lyrics handling via \verb|musixlyr.tex|). - -Since Dr.~Taupin passed away in 2003, \musixtex\ has been maintained by a -varying cast including Olivier {\sc Vogel}, Hiroaki {\sc Morimoto}, -Bob {\sc Tennent}, Andre {\sc Van Ryckeghem}, -Cornelius {\sc Noack}, and Don {\sc Simons}. - -No discussion of the history of \musixtex\ would be complete without mentioning -the contributions of Werner {\sc Icking}. From the early days of \mutex\ until -his untimely death in 2001, he served this line of software as its most prominent -proponent, beta tester, web site and mailing list editor, consultant, -problem solver, and inspiration for -many third-party enhancements including \textbf{PMX}. In fact he founded the -mailing list and the archive that now is named in his honor. The web site is -currently edited by Christian {\sc Mondrup}, the software page by Bob {\sc Tennent}, -and the mailing list by Maurizio {\sc Codogno}. - - diff --git a/musixtex/doc/musixdoc/layout.tex b/musixtex/doc/musixdoc/layout.tex deleted file mode 100644 index a22a882..0000000 --- a/musixtex/doc/musixdoc/layout.tex +++ /dev/null @@ -1,185 +0,0 @@ -\chapter{Managing the Layout of your Score} -\section{Line and page breaking}\label{linebreak} -If every bar ends with \verb|\bar| and no other line- or page-breaking commands -are used, then the external program \verb|musixflx| will decide where to insert -line and page breaks. Line breaks will only come at bar lines. The total -number of lines will depend on the initial value of \verb|\elemskip|, which by -default is \verb|6pt| in \verb|\normalmusicsize|. - -You can force a line or page break by replacing \keyindex{bar} with -\keyindex{alaligne} or \keyindex{alapage} respectively. On the other hand, -to forbid line-breaking at a particular bar, replace \verb|\bar| -with \keyindex{xbar}. To force a line or page break where there is -no bar line, use \keyindex{zalaligne} or \keyindex{zalapage}. To mark any -mid-bar location as an optional line-breaking point, use \keyindex{zbar}; -to force the mid-bar bar line to the end of a system, use \keyindex{zzbar}. - -The heavy final double bar of a piece is one of the consequences of -\keyindex{Endpiece} or \keyindex{Stoppiece}. If you just want to terminate -the text with a simple bar, say \keyindex{stoppiece} or \keyindex{endpiece}. -To terminate it with no bar line at all, code \keyindex{zstoppiece}. -If you want to suppress right-justification of the last line of a score, -use \keyindex{raggedstoppiece}; the bar line can be suppressed by -using \keyindex{zendpiece} (or \keyindex{setemptybar}). - -Once you have stopped the score by any of these means, you may want to restart -it, and there are several ways to do so. If you don't need to change the key -signature, meter, or clef, -you can use \keyindex{contpiece} for no indentation, or \keyindex{Contpiece} -to indent by \keyindex{parindent}. If you do want to change some score -attribute that takes up space, for example -with \keyindex{generalsignature} after \verb|\stoppiece|, then to restart you -must use \keyindex{startpiece}. However, if you don't want \verb|\barno| reset -to 1, you must save its new starting value to \verb|\startbarno|. You may also -wish to modify instrument names or \verb|\parindent| before restarting. - -Recall that thin-thin or thin-thick double bars or blank bar lines can be -inserted without stopping by using the commands described in Section~\ref{doublebars}. -Those commands can also be used before \verb|\stoppiece|, -\verb|\alaligne|, or \verb|\alapage| - -\section{Page layout} -Blank space above and below each staff is controlled by the dimension -registers \keyindex{stafftopmarg} and \keyindex{staffbotmarg}. For more -info see Chapter~\ref{LayoutParameters}. - -The macro \keyindex{raggedbottom} will remove all vertical glue and -compact everything toward the top of page. -In contrast, the macro \keyindex{normalbottom} will restore default -behavior, in which vertical space between the systems is distributed -so that the first staff -on the page is all the way at the top and the last staff all the way at -the bottom. -The macro \keyindex{musicparskip} will allow the existing space between -systems to increase by up to \verb|5\Interligne|. - -The following values of page-layout parameters will allow as much material -as possible -on a page, provided the printer supports these dimensions which -imply approximately half-inch margins: - -\begin{center} -\begin{tabular}{|l|l|}\hline -\multicolumn{1}{|c|}{A$4$}&\multicolumn{1}{|c|}{letter}\\\hline -\verb+\hsize=190mm+&\verb+\hsize=7.5in+\\\hline -\verb+\vsize=270mm+&\verb+\vsize=10in+\\\hline -\end{tabular} -\end{center} -\zkeyindex{parindent}\zkeyindex{hoffset}\zkeyindex{voffset} -\zkeyindex{hsize}\zkeyindex{vsize} -You may have to be more conservative if you have headlines or footlines -or want -even/odd-page asymmetry, such as with the \keyindex{rectoverso} -command in \verb|musixsty.tex| (Section~\ref{musixsty}). -If a score is going to be ``published'' at a public repository (such as -\mbox{\textsc{imslp}}), you may want to allow for \emph{either} -A$4$ \emph{or} letter paper, for example by setting the \verb|\hsize| to~190~mm -and the \verb|\vsize| to~10~in. - -To generate a score in ``landscape''\index{landscape mode} mode, adjust the -text-size parameters above accordingly (e.g., \verb+\hsize=10in+ and \verb+\vsize=7.5in+) -and add a suitable \verb\papersize\ ``special'' to the \TeX\ output, as in -\verb+\special{papersize=11in,8.5in}+. - - -For \emph{any} values of -\verb|\hsize| and \verb|\vsize|, -material will normally be centered on the page by using -command sequences such as the following, which simply split the difference between the page size and the text size, -and then subtract one inch because of \TeX\ conventions: -\begin{enumerate} -\item[For A$4$ paper, portrait mode (210~mm $\times$ 297~mm):]\quad\\[-2ex] -\begin{verbatim} -\hoffset=210mm\advance\hoffset-\hsize\divide\hoffset2 -\advance\hoffset-1.0in -\voffset=297mm\advance\voffset-\vsize\divide\voffset2 -\advance\voffset-1.0in -\end{verbatim} -\item[For letter-size paper, portrait mode (8.5~in $\times$ 11~in):] \quad\\[-2ex] -\begin{verbatim} -\hoffset=8.5in\advance\hoffset-\hsize\divide\hoffset2 -\advance\hoffset-1.0in -\voffset=11in\advance\voffset-\vsize\divide\voffset2 -\advance\voffset-1.0in -\end{verbatim} -\end{enumerate} - -To determine the maximal dimensions that \emph{your} printer is capable of, -process the standard file \verb|testpage.tex| with \LaTeX\ and -print the result. The ``rulers'' on four sides will indicate -how much of the one-inch ``margin'' material outside the frame can actually be printed. -Your \verb|\hsize| and \verb|\vsize| parameters can be increased, or, if necessary, decreased -accordingly. If your score is going to be printed by a publisher or a colleague, you can send -\verb|testpage.pdf| to them to determine what margins are necessary for their -printer. - -However, if the margins on the \verb|testpage| output are \emph{not} -symmetric, -the printer is mis-aligned. -If this can't be corrected, the margin offsets will -have to be adjusted. Ideally, this should be done in the \TeX\ configuration -so all \TeX\ output will be corrected, but offsets can be adjusted -for just \verb|musixtex| output using -\verb|\advance\hoffset ...| and/or -\verb|\advance\voffset ...| -after the ``normal'' settings given above. - - - - -\section{Page numbering, headers and footers}\index{page -number}\index{footnote} - -There are no special page numbering facilities in \musixtex; you must rely on -macros from plain \TeX. There is a count register in \TeX\ called -\verb|\pageno|. It is always initialized to $1$ and incremented by one -at every page break. By saying \keyindex{pageno}\verb|=|$n$, it can be reset to any -value at any time, and will continue to be incremented from the new value. - -By default, \TeX\ will place a page number on -every page, centered at the bottom. Unfortunately, this is not the preferred -location according to any standard practice. To suppress this default -behavior, say \keyindex{nopagenumbers}. - -One way to initiate page numbering in a more acceptable location is to take -advantage of the facts that (a) \TeX\ prints the contents of the control sequences -\keyindex{headline} and \keyindex{footline} at the top and bottom -respectively of every page, and (b) the value of \verb|\pageno| can be printed by -saying \keyindex{folio}. Therefore, for example, the following sequence of -commands, issued anywhere before the end of the first page, will cause page -numbers and any desired text to be printed at the top of every page, -alternating between placement of the number at the left and right margins, and -alternating between the two different text strings (the capitalized text in -the example): - -\begin{quote}\begin{verbatim} -\nopagenumbers -\headline={\ifodd\pageno\rightheadline\else\leftheadline\fi}% -\def\rightheadline{\tenrm\hfil RIGHT RUNNING HEAD\hfil\folio}% -\def\leftheadline{\tenrm\folio\hfil LEFT RUNNING HEAD\hfil}% -\voffset=2\baselineskip -\end{verbatim}\end{quote} - -\section{Controlling the total number of systems and pages}\index{page/line layout} - -Once all the notes are entered into a \musixtex\ score, it would be convenient -if there were a simple sequence of commands to -cause a specified number of systems to be uniformly distributed over a -specified number of pages. Unfortunately that's not directly -possible\footnote{It \textit{is} possible in \textbf{PMX}.}. -Rather, some trial and error will usually be required to achieve the desired final -layout. To this end, some combination of the following strategies may be used: - - \begin{enumerate}\setlength{\itemsep}{0ex} - \item Assign a value to the count register \keyindex{linegoal} representing -the total number of systems. The count register \keyindex{mulooseness} must be $0$ if using -\verb|\linegoal|. - \item Explicitly force line and page breaking as desired, using -the macros \verb|\alaligne|, \verb|\alapage|, \verb|\zalaligne| -or \verb|\zalapage|. - \item Adjust both \keyindex{mulooseness} and the initial value of -\keyindex{elemskip}: increasing \verb|\mulooseness| from its default of 0 will -increase the total number of systems, while changing the initial value of -\verb|\elemskip| (use \verb|\showthe\elemskip| to find its default value) may change the -total number of systems accordingly. - \end{enumerate} diff --git a/musixtex/doc/musixdoc/lyrics.tex b/musixtex/doc/musixdoc/lyrics.tex deleted file mode 100644 index 41d52fa..0000000 --- a/musixtex/doc/musixdoc/lyrics.tex +++ /dev/null @@ -1,407 +0,0 @@ -\chapter{Lyrics}\index{lyrics}\label{lyrics} -\musixtex{} itself doesn't manage lyrics very well. You should use -\verb+musixlyr+ instead, a \musixtex\ extension package for lyrics handling by Rainer Dunker. -The \TeX~source and -\href{http://icking-music-archive.org/software/musixtex/add-ons/mxlyrdoc.pdf} -{\underline{documentation}}~are included in the \musixtex~distribution. - -But first we recall briefly the older methods, which may still be useful when -only a small number of words are involved. - -\section{Native lyrics method: placing single words} -\subsection{Native \musixtex\ commands for lyrics} - \begin{enumerate}\setlength{\itemsep}{0ex} - \item An obvious solution is to use the commands -\keyindex{zcharnote} (expanded to the right), -\keyindex{lcharnote} (expanded to the left), -\keyindex{ccharnote} (centered), to post the text at any position (computed in -\verb|\internote|s) with respect to the lower line of the current staff. -The pitch should be usually negative, to have the text below the staff. - -Example:\quad -\raisebox{0ex}[4ex][3ex]{\musicintextnoclefn{\notes\sk\zcharnote{N}{Word}\wh g\sk\en}} -\quad is coded by \quad -\verb|\zcharnote{N}{Word}\wh g|~. - -\item The vertical position can also be given with a number in the commands -\keyindex{zchar} (expanded to the right), -\keyindex{lchar} (expanded to the left), -\keyindex{cchar} (centered). The number is internally multiplied by \verb|\internote|~. - -Example:\quad -\raisebox{0ex}[4ex][3ex]{\musicintextnoclefn{\notes\sk\cchar{-4}{Word}\wh g\sk\en}} -\quad is coded by \quad -\verb|\cchar{-5}{Word}\wh g|~. - -\item Of easier use are the commands \keyindex{zsong} (right of the note), -\keyindex{lsong} (left) and \keyindex{csong} (centered) which post the lyrics -at the lower staff line \ital{minus} the previous -\keyindex{interinstrument}~$n$ or the \keyindex{staffbotmarg} quantity. These -commands only have one argument, namely the lyrics text: -%\begin{center} -\keyindex{zsong}\verb|{|\ital{text}\verb|}|\quad -\keyindex{lsong}\verb|{|\ital{text}\verb|}|\quad -\keyindex{csong}\verb|{|\ital{text}\verb|}| -%\end{center} - Depending on the values of the inter-instrument spacings and margins, the -resulting vertical position might be inappropriate. Then it can be changed for -any specific $n$-th instrument until further change using -\begin{quote} -\keyindex{setsongraise}~$n$\verb|{|\ital{any \TeX-dimension}\verb|}| -\end{quote} -As an example, the following French song\\ - \begin{music} - \generalsignature{1} - \startextract - \geometricskipscale - \NOtes\zsong{Au }\qu g\en - \NOtes\zsong{clair }\qu g\en - \NOtes\zsong{de }\qu g\en - \NOtes\zsong{la }\qu h\en - \bar - \NOTes\zsong{lu- }\hu i\en - \NOTes\zsong{ne, }\hu h\en - \bar - \NOtes\zsong{mon }\qu g\en - \NOtes\zsong{a- }\qu i\en - \NOtes\zsong{mi }\qu h\en - \NOtes\zsong{Pier- }\qu h\en - \bar - \NOTes\zsong{rot, }\wh g\sk\en - \endextract - \end{music} - -\noindent was coded as: -\begin{quote}\begin{verbatim} - \generalsignature{1} - \startextract - \geometricskipscale - \NOtes\zsong{Au }\qu g\zsong{clair }\qu g\en - \NOtes\zsong{de }\qu g\zsong{la }\qu h\en\bar - \NOTes\zsong{lu- }\hu i\zsong{ne, }\hu h\en\bar - \NOtes\zsong{mon }\qu g\zsong{a- }\qu i\en - \NOtes\zsong{mi }\qu h\zsong{Pier- }\qu h\en\bar - \NOTes\zsong{rot, }\wh g\sk\en - \zendextract -\end{verbatim}\end{quote} -\end{enumerate} - -\subsection{Adapting note spacing for lyrics} - -The command \keyindex{hardlyrics}\verb|{longword}| provides a spacing that is equal to the length -of the text argument \verb|{longword}|. In the same time the argument \verb|{longword}| -is saved in \keyindex{thelyrics} - -As an example \quad -\raisebox{0ex}[5ex][4ex]% -{\musicintextnoclefn{\staffbotmarg2\Interligne% -\hardlyrics{clair}\notes\hsong{\thelyrics}\wh g\en\notes\wh{gg}\en}} -\quad is coded by: -\begin{tabular}{l} -\verb|\hardlyrics{clair}%|\\ -\verb|\notes\hsong{\thelyrics}\wh g\en|\\ -\verb|\notes\wh{gg}\en|\\ -\end{tabular} - -All notes with long lyrics need such a treatment. The commands only carry out on -\verb|\notes| (not on \verb|\Notes|, \verb|\NOtes|...). - -If you want to go back to the normal placing on an easy way, you simply can replace -'\verb|\hardlyrics|' by '\verb|\softlyrics|'. - - A complete score is given in example {\tt glorias.tex}\label{glorias} and in -{\tt gloriab.tex}, the latter exhibiting not only the song tune but also the -organ accompaniment. - -Alternate versions of \verb|\hsong| are \keyindex{dhsong} which has a fixed -length of \verb|2\noteskip| and \keyindex{thsong} whose fixed length is -\verb|3\noteskip|. These are useful when the text is set below (or above) a -collective coding of two or three notes. - -\section{Musixlyr}\label{musixlyr} - -Lyrics are best handled by the \texttt{musixlyr}\index{musixlyr} package by Rainer Dunker. -The package can be used by inserting a line in your source code: -\begin{quote}\begin{verbatim} -\input musixtex -\input musixlyr -... -\end{verbatim}\end{quote} - -The manual, the input file and a few examples are in \musixtex\ distributions, or they -may be downloaded -\href{http://icking-music-archive.org/software/musixtex/add-ons/musixlyr21c.zip} -{\underline{for Windows}} or \href{http://icking-music-archive.org/software/musixtex/add-ons/musixlyr21c.tgz} -{\underline{for \unix}}. Look at the manual for a detailed description. Here is an overview -of the commands and an example of use.\pagebreak - -\def\keyexample#1{\keyindex{#1}} - -\noindent\begin{small}\begin{tabbing} -\verb|\NOtes|\keyexample{assignlyricshere}\verb|{alto}\qa c\en|\quad\= assigning without staff number\kill -Example\> Explanation -\end{tabbing} -\vspace{-1ex} -\hrule -\vspace{-2ex} -\begin{tabbing} -\verb|\NOtes|\keyexample{assignlyricshere}\verb|{alto}\qa c\en|\quad\= assigning without staff number\kill -\keyexample{setlyrics}\verb|{sopr}{the ly_-ric words_}|\> defining the lyrics text\\ -\keyexample{copylyrics}\verb|{sopr}{alto}|\> alto has same lyrics as soprano\\ -\keyexample{appendlyrics}\verb|{alto}{more words}|\> alto lyrics is longer\\ -\keyexample{assignlyrics}\verb|2{sopr,alto}|\>soprano and alto lyrics at staff $2$\\ -\keyexample{assignlyricsmulti}\verb|{1}{2}{alto}|\>assign alto lyrics to staff $2$ of instrument $1$\\ -\verb|\NOtes|\keyexample{assignlyricshere}\verb|{alto}\qa c\en|\>assigning without staff number\\ -\keyexample{auxlyr}\verb|\assignlyrics{2}{sopr}|\> assign soprano above staff $2$\\[.8ex] -\keyexample{lyrrule}\verb|\qu c|...\keyexample{lyrruleend}\verb|\qu c|\>make a melisma by hand\\ -\keyexample{beginmel}\verb|\qu c|...\keyexample{endmel}\verb|\qu c|\>melisma, same as word extension underline\\[.8ex] -\keyexample{lyr}\verb|\qu c|\>force a syllable from lyrics text at this note or rest\\ -\keyexample{lyric}\verb|{word}\qu c|\>insert syllable 'word' at this note\\ -\verb|\loffset{2}{|\keyexample{lyric*}\verb|{1.}}\qu c|\>combine \verb|1.| with regular syllable\\ -\keyexample{lyrich}\verb|{syl}\qu c|\>same as \verb|\lyric|, but with hyphenation\\ -\keyexample{lyrich*}\verb|{}\qu c|\>same as \verb|\lyric*|, but with hyphenation\\ -\keyexample{lyricsoff}...\keyexample{lyricson}\>stop lyrics, then start again\\ -\keyexample{nolyr}\verb|\qu c|\>no syllable at this note\\[.8ex] -\keyexample{llabel}\verb|{labelname}name|\>labelling a ``go to'' target in text\\ -\keyexample{golyr}\verb|{labelname}\qu c|\>perform a jump, in music code\\[.8ex] -\keyexample{lyrpt}\verb|,\qu c|\>add a comma to the syllable under this note\\ -\keyexample{lyrnop}\verb|\qu c|\>remove last character in syllable\\ -\keyexample{lclyr}\verb|\qu c|\>make first character lower case\\ -\keyexample{llyr}\verb|\qu c|\>left justified syllable\\ -\keyexample{leftlyrtrue}\verb|\qu c|...\keyexample{leftlyrfalse}\verb|\qu c|\>start and stop left justification as the default\\ -\keyexample{lyroffset}\verb|{-4}\qu c|\>shift syllable $1$ notehead to the left\\[.8ex] -\keyexample{minlyrspace}\verb|{3pt}\qu c|\>define minimum space between the words\\ -\keyexample{forcelyrhyphenstrue}\verb|\qu c|\>always use a hyphen from now on\\ -\keyexample{forcelyrhyphensfalse}\verb|\qu c|\>remove hyphen and make one word if necessary \\ -\keyexample{showlyrshifttrue}\verb|\qu c|\>show the lyric shift\\[.8ex] -\keyexample{lyrraise}\verb|{1}{a 2\Interligne}|\>raise lyrics below staff $1$ by \verb|2\Interligne|\\ -\keyexample{lyrraisemulti}\verb|{1}{2}{a 2\Interligne}|\>raise alto lyrics above staff $2$ of instrument $1$\\ -\keyexample{lyrraisehere}\verb|{b 2\Interligne}\qu c|\>raise lyrics below this staff by \verb|2\Interligne|\\[.8ex] -\keyexample{minlyrrulelength}\verb|{2mm}|\>melismas shorter than $2$mm are not shown \\ -\keyexample{minmulthyphens}\verb|{15mm}|\>distance between hyphens in 'hyphen melisma'\\ -\verb|\def|\keyexample{lyrhyphenchar}\verb|{-}|\>chose a hyphen character\\ -\verb|\setlyrics{|\keyexample{lyrlayout}\verb|{\it}..}|\>apply italics to all lyrics lines\\ -\keyexample{verses}\verb|{,\beginmel}\qu c|\>initiate melisma at second verse\\[.8ex] -\verb|\small|\keyexample{setlyrstrut}\>adapt the vertical distance between lyrics lines\\ -\keyexample{lyrstrutbox}\verb|{10pt}|\> (re)define the distance between the lyrics lines\\[.8ex] -\keyexample{lyrmodealter}\verb|2|\>attach lyrics of staff $2$ to the upper voice\\ -\keyexample{lyrmodealtermulti}\verb|{1}{2}|\>attach lyrics of instr.\ $1$ staff $2$ to the upper voice\\ -\keyexample{lyrmodealterhere}\verb|\qu c|\>attach lyrics of this staff to the upper voice\\ -\keyexample{lyrmodenormal}\verb|2|\>restore the default behaviour\\ -\keyexample{lyrmodenormalmulti}\verb|{1}{2}|\>restore the default behaviour at staff $2$ of instr.\ $1$\\ -\keyexample{lyrmodenormalhere}\verb|\qu c|\>restore the default behaviour of this staff\\[.8ex] -\keyexample{lyrlink}\>linking two words with a '$_{_\smile}$'\\ -\keyexample{lowlyrlink}\>same as \verb|\lyrlink| but a little bit lower\\[.8ex] -\keyexample{resetlyrics}\>set word pointer to the first word in all lyrics lines\\[.8ex] -\keyexample{enableauxlyrics}\>don't use this anymore\\ -\keyexample{setsongraise}\verb|{1}{2\Interligne}|\>same as \verb|{\lyrraise}{1}{b 2\Interligne}|\\ -\keyexample{auxsetsongraise}\verb|{1}{2\Interligne}|\>same as \verb|{\lyrraisemulti}{1}{b 2\Interligne}|\\ -\keyexample{oldlyrlinestart}\>don't let the lyrics extend to the left margin\\ -\end{tabbing}\end{small} - -As a further illustration of the use of the commands, have a look at the following -example\footnote{The example is taken from the \texttt{musixlyr} manual.}: - -\medskip\medskip -%\oneversespace -\begin{music} -\input musixlyr - \resetlyrics \small -\lyrmodealter0 - \setlyrics{soprano}{bring her die Gans,} \auxlyr{\assignlyrics1{soprano}} - \copylyrics{soprano}{alto} \assignlyrics1{alto} - - \generalsignature{-2} - \advance\stafftopmarg1\Interligne - \advance\staffbotmarg2\Interligne - - \startextract\addspace\afterruleskip - \NOtes\zqu g\ql e\en - \bar - \Notes\zqu i\beginmel\ibslurd0f\ibl0f{-1}\qb0{fe}\en - \Notes\auxlyr\beginmel\ibsluru1i\zqup i\qb0d\en - \Notes\tqb0e\en - \Notes\endmel\tbslurd0e\ql c\en - \notes\ibbu0h{-1}\qb0h\tqh0g\en - \NOtes\auxlyr\endmel\tbsluru1h\zqu h\ql c\en - \bar - \NOTEs\auxlyr\lyr\zwh i% The lyrics of the whole notes - \lyr\wh b\en % must be given manually. - \endextract - \lyrmodenormal0 -\end{music} -\medskip - -%\oneversespace - -which was coded as: -\begin{quote} -\begin{verbatim} -% define lyrics above the staff -\setlyrics{soprano}{bring her die Gans,} -% lyric beneath the staff are the same -\copylyrics{soprano}{alto} -% assign alto lyrics below staff 1 on the notes with stem down -\assignlyrics1{alto} -% assign soprano lyrics above staff 1 on the notes with stem up -\auxlyr{\assignlyrics1{soprano}} -% attach both lyrics to the upper voice -\lyrmodealter0 -\generalsignature{-2} -% make place for the lyrics -\advance\stafftopmarg1\Interligne\advance\staffbotmarg2\Interligne -\startextract\addspace\afterruleskip -\NOtes\zqu g\ql e\en\bar -% start melisma in lower lyrics -\Notes\zqu i\beginmel\ibslurd0f\ibl0f{-1}\qb0{fe}\en -% start melisma in upper lyrics -\Notes\auxlyr\beginmel\ibsluru1i\zqup i\qb0d\tqb0e\en -% end melisma in lower lyrics -\Notes\endmel\tbslurd0e\ql c\en -\notes\ibbu0h{-1}\qb0h\tqh0g\en -% start melisma in upper lyrics -\NOtes\auxlyr\endmel\tbsluru1h\zqu h\ql c\en\bar -% The lyrics of the whole notes (without stem) must be given manually. -\NOTEs\auxlyr\lyr\zwh i\lyr\wh b\en -\endextract -\lyrmodenormal0 -\end{verbatim}\end{quote} - - \section{Getting enough vertical space for lyrics} - Since songs are -usually equivalent to a one-staff instrument (possibly with several voices) -the recommended solution consists in adjusting the distance between -instruments using either \keyindex{interinstrument}\verb|=|\ital{any -\TeX-dimension} to give more place below all instruments or using -\keyindex{setinterinstrument} to make more space above. Note that {\Bslash -setinterinstrument} defines spacing above and not below an instrument. Since -lyrics are usually set below the staff, the first argument of a -\verb|\setinterinstrument| should be the song instrument number \ital{minus -one}. - - In the case of a single staff tune, or if the song instrument is the lowest -one, then additional place can be provided using \keyindex{staffbotmarg}. - -\section{Fine tuning the placement of the lyrics} - When not using \verb|\hardlyrics|, on short notes, sometimes - the lyrics are shifted away from the notes or they collide with other words. - This are a few approaches to get around this: -\begin{enumerate}\setlength{\itemsep}{0ex} -\item Making more music lines for the notes to go further apart. This could be done with -\verb|\mulooseness|. -\item Stretch a bar with short notes in it by i.e.,~replacing \verb|\notes| by \verb|\NOTes|. -\item Insert space between the notes by using \verb|\sk|, \verb|\hsk|, \verb|\qsk|, \verb|\qqsk|, ... -\item Stretch a bar with short notes in it by using the command \keyindex{scale}: -\begin{verbatim} -\scale{1.6}\notes..\en\scale{1}% -\end{verbatim} -This method can be used in \textbf{PMX} but only with care, because it changes horizontal spacing -in a way that \textbf{PMX} will not be aware of. It will not move bars to the next line, but -will shorten the other bars on the line. - -As an example, the lyrics of this music line are better placed by using \verb|\scale| in -the first bar and moving to the left the word 'mon'. Note that the hyphen is removed -when there is no place for it: - - \begin{music} - \input musixlyr - \resetlyrics - \setlyrics{v1}{Au clair de la lu-ne, mon a-mi Pier-rot,}% - \assignlyrics1{}\assignlyrics1{v1}% - \staffbotmarg2\Interligne\generalsignature{1}% - \startextract - \geometricskipscale - \notes\qu{gggh}\en\bar - \Notes\hu{ih}\en\bar - \notes\qu{gihh}\en\bar - \Notes\wh g\en - \endextract -% \end{music} -%%%%% combined for saving registers %%%%% -% \begin{music}\nostartrule -% \input musixlyr - \resetlyrics - \setlyrics{v1}{Au clair de la lu-ne, \kernm1exmon a-mi Pier-rot,}% - \assignlyrics1{}\assignlyrics1{v1}% - \staffbotmarg2\Interligne\generalsignature{1}% - \startextract \geometricskipscale - \scale{1.4}\notes\qu{gggh}\en\bar\scale{1}% - \Notes\hu{ih}\en\bar - \notes\qu{gihh}\en\bar - \Notes\wh g\en - \endextract - \end{music} - -\medskip -The code of the second music line is (\verb|\assignlyrics1{}| is only needed because -lyrics are assigned before this in this manual): -\begin{quote}\begin{verbatim} - \begin{music} - \input musixlyr - \resetlyrics - \setlyrics{v1}{Au clair de la lu-ne, \kernm1exmon a-mi Pier-rot,}% - \assignlyrics1{}\assignlyrics1{v1}% - \staffbotmarg2\Interligne\generalsignature{1}% - \startextract \geometricskipscale - \scale{1.4}\notes\qu{gggh}\en\bar\scale{1}% - \Notes\hu{ih}\en\bar - \notes\qu{gihh}\en\bar - \Notes\wh g\en - \endextract - \end{music} -\end{verbatim}\end{quote} - -\item Moving a word in any direction - -\begin{small} -\noindent\begin{tabular}{ll} -\multicolumn{2}{l}{\Bslash setlyrics\{alto\}\{\Bslash kernm3ex1.$\sim\sim$firstsyllable...\}}\\ -& left-move verse number\\ -\verb|\setlyrics{alto}{...\kern1exword...}| &right-move a single word\\ -\verb|\setlyrics{alto}{...\lower2pt\hbox{word}...}|& lower a single word\\ -\verb|\setlyrics{alto}{...\raise2pt\hbox{word}...}|& raise a single word\\ -\multicolumn{2}{l}{\Bslash def\Bslash strut\{\Bslash vbox to 2\Bslash Interligne\{\}\}% -\Bslash setlyrics\{alto\}\{\Bslash lyrlayout\{\Bslash strut\}...\}} \\ -& control distance between verses\\ -\verb|\lyrlayout{\vphantom{Mp(\lowlyrlink}|& minimum distance between verses\\ -\multicolumn{2}{l}{\Bslash setbox\Bslash lyrstrutbox=\Bslash hbox\{\Bslash vphantom\{yM\Bslash lyrlink\}\}}\\ -& redefine default lyrstrut -\end{tabular} -\end{small} - -\item Placing of accents can be made easier as shows this example: -\begin{center} -\begin{minipage}{50mm} -\begin{music}\nostartrule -\input musixlyr -\catcode`\ä\active \defä{\"a} -\catcode`\ö\active \defö{\"o} -\catcode`\å\active \letå\aa -\setlyrics1{å ä ö} -\assignlyrics1{}\assignlyrics11 -\startextract - \setsongraise1{1ex}\NOtes\qa{ggg}\en -\zendextract -\end{music} -\end{minipage}% -\begin{minipage}{80mm} -\verb|\catcode`\|\"a\verb|\active \def|\"a\verb|{\"a}|\\ -\verb|\catcode`\|\"o\verb|\active \def|\"o\verb|{\"o}|\\ -\verb|\catcode`\|\aa\verb|\active \let|\aa\verb|\aa|\\ -\verb|\setlyrics1{|\aa\ \"a\ \"o\verb|} \assignlyrics1{}|\\ -\verb|\assignlyrics11|\\ -\verb|\startextract|\\ -\verb|\NOtes\qa{ggg}\en|\\ -\verb|\zendextract|\\ -\end{minipage} -\end{center} -\item Using an 8-bit encoded characterset.\label{8bit} -If you use default (Computer Modern) fonts, you will want to switch to -the EC variants -by putting -%\verb+\input plainenc\relax\inputencoding{cp850}+ % doesn't work! -\verb+\input musixec+ -after \verb+\input musixtex+ in your source file. - -\end{enumerate} - diff --git a/musixtex/doc/musixdoc/miscellaneous.tex b/musixtex/doc/musixdoc/miscellaneous.tex deleted file mode 100644 index 83b62be..0000000 --- a/musixtex/doc/musixdoc/miscellaneous.tex +++ /dev/null @@ -1,1095 +0,0 @@ -\chapter{Miscellaneous Other Notations} -%avre - \section{Metronomic indications} -%Metronomic indication deserves a special macro. The mention: -% -%\medskip -%\centerline{\def\nbinstruments{0}\metron{\hup}{60}} -% -%\smallskip\noindent -%is coded by \keyindex{metron}\verb|{\hup}{60}| (normally embedded in -%\keyindex{Uptext} which is in turn embedded within \verb|\notes...\en|). -% -% On the other hand, music writers sometimes want to specify that the duration -%of a previous note is equal to a distinct furthernote. Thus -% -% \smallskip -%\centerline{\def\nbinstruments{0}\metronequiv{\qup}{\qu}} -% -%\smallskip\noindent -%is coded by \keyindex{metronequiv}\verb|{\qup}{\qu}|. - -By way of example, the notations -\begin{quote} -\def\nbinstruments{0} -\metron{\qu}{60} -\quad and\quad -\def\nbinstruments{0}\metronequiv{\qup}{\qu} -\end{quote} -are -respectively coded as -\keyindex{metron}\verb|{\qu}{60}| and \keyindex{metronequiv}\verb|{\qup}{\qu}|, -which are normally placed using \keyindex{Uptext}. -Also, you can set a smaller metronomic indication like -\begin{quote} - \def\nbinstruments{0}\metron{\smallnotesize\lqu}{ca.~72} -\quad or \quad -\def\nbinstruments{0}\metron{\tinynotesize\lqu}{ca.~72} -\end{quote} -by writing -\begin{quote} -\verb|\metron{\smallnotesize\lqu}{ca.~72}| -\end{quote} -or -\begin{quote} -\verb|\metron{\tinynotesize\lqu}{ca.~72}| -\end{quote} - - \section{Accents} - -You may use\footnote{Note from the editor: the reason the names of some of -these macros don't seem to suggest the terms used in the -descriptions is that apparently Daniel Taupin had in mind other terms, -such as \emph{pizzicato}.} -\begin{itemize}\setlength{\itemsep}{0ex} - \item \keyindex{upz}\pitchp~(upper \itxem{staccato}) to put a dot above a note -head at pitch $p$, - \item \keyindex{lpz}\pitchp~(lower \ital{staccato}) to put a dot below a note -head at pitch $p$, - \item \keyindex{usf}\pitchp~(upper \itxem{sforzando}) to put a $>$ accent above -a note head at pitch $p$, - \item \keyindex{lsf}\pitchp~(lower \itxem{sforzando}) to put a $>$ accent below -a note head at pitch $p$, - \item \keyindex{ust}\pitchp~(upper \itxem{tenuto}) to put a -hyphen above a note head at pitch $p$, - \item \keyindex{lst}\pitchp~(lower \ital{tenuto}) to put a -hyphen below a note head at pitch $p$, - \item \keyindex{uppz}\pitchp~(upper \itxem{staccatissimo}) to put a solid vertical -wedge above a note head at pitch $p$, - \item \keyindex{lppz}\pitchp~(lower \ital{staccatissimo}) to put an inverted -solid vertical wedge below a note head at pitch $p$, - \item \keyindex{usfz}\pitchp~(upper \itxem{forzato}) to put a -``dunce cap'' above a note head at pitch $p$, - \item \keyindex{lsfz}\pitchp~(lower \ital{forzato}) to put an inverted -``dunce cap'' below a note head at pitch $p$, - \item \keyindex{upzst}\pitchp~(upper \itxem{mezzo-staccato/portato}) to put a -dot and a hyphen above a note head at pitch $p$, - \item \keyindex{lpzst}\pitchp~(lower \ital{mezzo-staccato/portato}) to put a -dot and a hyphen below a note head at pitch $p$, - \item \keyindex{flageolett}\pitchp~to put a -small circle above a note head at pitch $p$. -\end{itemize} -These marks are horizontally centered relative to solid note heads. -To -compensate for the fact that whole notes are wider, you may use -\begin{quote} -\keyindex{wholeshift}\verb|{|\ital{Any nonspacing macro}\verb|}| -\end{quote} -to center accents -(and other items) above or below a whole note. For example, -\keyindex{Fermataup}\pitchp~(described in Section~{\ref{ornaments}}) is -\emph{defined} as \keyindex{wholeshift}\verb|{|\keyindex{fermataup}\pitchp\verb|}|. - -There are also variants of the most common accents\footnote{Thanks to Klaus -{\sc Bechert}'s corrections.} which will be automatically positioned -above or below a beam. They are spelled like the corresponding normal -accent, but preceded with the letter \verb|b|, and their argument, instead of -the pitch, is the beam reference number . Thus - -\medskip -\begin{music}\nostartrule -\startextract -\Notes\ibu0f3\busfz0\qb0f\bupz0\qb0g\bust0\qb0h% - \buppz0\qb0i\busf0\qb0j\butext0\tqh0k\en -\Notes\Ibl0lg5\blsfz0\qb0l\blpz0\qb0k\blst0\qb0j% - \blppz0\qb0i\blsf0\qb0h\bltext0\tqb0g\en -\zendextract -\end{music} -\noindent was coded as -\begin{quote}\begin{verbatim} \startextract -\Notes\ibu0f3\busfz0\qb0f\bupz0\qb0g\bust0\qb0h% - \buppz0\qb0i\busf0\qb0j\butext0\tqh0k\en -\Notes\Ibl0lg5\blsfz0\qb0l\blpz0\qb0k\blst0\qb0j% - \blppz0\qb0i\blsf0\qb0h\bltext0\tqb0g\en -\zendextract -\end{verbatim}\end{quote} -\zkeyindex{busfz} -\zkeyindex{bupz} -\zkeyindex{bust} -\zkeyindex{buppz} -\zkeyindex{busf} -\zkeyindex{butext} -\zkeyindex{blsfz} -\zkeyindex{blpz} -\zkeyindex{blst} -\zkeyindex{blppz} -\zkeyindex{blsf} -\zkeyindex{bltext} - -The macros \verb|\bltext| and \verb|\butext| are detailed in the next section, -where the mystery of why they produce the number~$3$ is resolved. - - -\section{Numbers and brackets for xtuplets}\label{tuplet} - -The following table lists all the special macros that place a number indicating -an xtuplet. Some also place a bracket above or below the notes, and are -intended for use with unbeamed notes. -In the table, $p$ is a pitch, $k$ is a number, $n$ is a beam number, -$w$ is a bracket width in \verb|\internote|s, and $s$ is the bracket slope as -a multiple of $1.125$~degrees. The macro \verb|\txt| contains a default number -which will be placed by the first and third through sixth macros, -and is initially defined as \verb|\def\txt{3}|. -The macro -\verb|\tuplettxt| serves the same role for the last two macros. -The font used is defined by -\verb|\txtfont| and is, by default, \verb|\eightit| (in normal music size) but may be re-defined. -\zkeyindex{txtfont} - -The first four commands in the table -are normally used with beamed xtuplets. As indicated in the -last column, the last four produce a sloping bracket and may be used with -unbeamed xtuplets. - - -\begin{center} - \begin{tabular}{lclcc} - \hline - ~ & Number & ~ & Needs & ~ \\ - Macro and arguments & printed & Where invoked & Bracket \\ - \hline - \verb|\triolet|\pitchp & \verb|\txt| & before beam & none \\ - \verb|\xtuplet|\itbrace{k}\pitchp & $k$ & before beam & none \\ - \verb|\butext|\itbrace{n} & \verb|\txt| & before note at number & none \\ - \verb|\bltext|\itbrace{n} & \verb|\txt| & before note at number & none \\ - \verb|\uptrio|\pitchp\itbrace{w}\itbrace{s} & \verb|\txt| & before first note & solid \\ - \verb|\downtrio|\pitchp\itbrace{w}\itbrace{s} & \verb|\txt| & before first note & solid \\ - \verb|\uptuplet|\pitchp\itbrace{w}\itbrace{s} & \verb|\tuplettxt| & before first note & with gap \\ - \verb|\downtuplet|\pitchp\itbrace{w}\itbrace{s} & \verb|\tuplettxt| & before first note & with gap \\ - \hline - \end{tabular} -\end{center} -\medskip - -Here are some examples of the first six macros in the table:\\ -\vskip-3pt -\begin{music} -\parindent0mm -\generalmeter{\meterfrac24} -\nostartrule -\startpiece -\addspace\afterruleskip -\notesp\xtuplet6n\isluru0l\ibl0l0\qb0{lllll}\tslur0l\tqb0l\en\bar -\notesp\triolet n\isluru0l\Ibl0ln2\qb0{lm}\tslur0n\tqb0n\en -\notesp\ibslurd0k\Ibl0km2\qb0k\bltext0\qb0l\tdbslur0m\tqb0m\en\bar -\Notesp\triolet o\isluru0l\ql{lm}\tslur0n\ql n\en\bar -\Notesp\uptrio o16\ql l\en\notesp\cl n\en -%avrb -\Notesp\downtrio O16\qu e\en\notesp\cu g\en -%avre -\endpiece -\end{music} -whose coding is -\begin{quote}\begin{verbatim} -\notesp\xtuplet6n\isluru0l\ibl0l0\qb0{lllll}\tslur0l\tqb0l\en\bar -\notesp\triolet n\isluru0l\Ibl0ln2\qb0{lm}\tslur0n\tqb0n\en -\notesp\ibslurd0k\Ibl0km2\qb0k\bltext0\qb0l\tdbslur0m\tqb0m\en\bar -\Notesp\triolet o\isluru0l\ql{lm}\tslur0n\ql n\en\bar -\Notesp\uptrio o16\ql l\en\notesp\cl n\en -\Notesp\downtrio O16\qu e\en\notesp\cu g\en -\end{verbatim}\end{quote} -\zkeyindex{xtuplet}\zkeyindex{triolet} - -\medskip -Next are examples using \keyindex{uptuplet} and \keyindex{downtuplet}. -A re-definition of \verb|\tuplettxt| inside a notes group only applies -inside that group and leaves the default definition intact. -To get the -number properly centered in the gap, you must include some extra space after -the number in the definition of \verb|\tuplettxt|. As you can see in -the last bar, if the span becomes too small, the macros still won't provide -enough room for the number in the gap; in this case it would be better to -use the macros without gaps. - -% Examples: -% -% Draw a triplet bracket over the notes, starting at pitch "p", -% 1.25\noteskip wide, with a slope up of 3-3/8 degrees: -% -% \uptuplet p{1.25}3 -% -% Draw a sextuplet bracket under the notes, starting at pitch "a", -% 2.5\noteskip wide, with a slope down of 4-1/2 degrees: -% -% \def\tuplettxt{\smallppff 6\/\/} -% \downtuplet{a}{2.5}{-4} - -\begin{music} -%\input tuplet -\parindent0mm -\generalmeter{\meterfrac24} -%\startpiece -\nostartrule -\startextract -\addspace\afterruleskip -\notesp\triolet o\Ibl0ln2\qb0{lm}\tqb0n\en -\notesp\Ibl0km2\qb0k\bltext0\qb0l\tqb0m\en\bar -\notesp\def\tuplettxt{5\/\/}\uptuplet o{4.1}2\cl{jklmn}\en\bar -\Notesp\uptuplet o16\ql l\en\notesp\cl n\en -\Notesp\downtuplet O16\qu e\en\notesp\cu g\en\bar -\notesp\uptuplet o16\ccl l\en\notesp\cccl n\en -\notesp\downtuplet O16\ccu e\en\notesp\cccu g\en -%\endpiece -\endextract -\end{music} - -\noindent with coding - -\begin{quote}\begin{verbatim} -\parindent0mm -\generalmeter{\meterfrac24} -\startextract -\addspace\afterruleskip -\notesp\triolet o\Ibl0ln2\qb0{lm}\tqb0n\en -\notesp\Ibl0km2\qb0k\bltext0\qb0l\tqb0m\en\bar -\notesp\def\tuplettxt{5\/\/}\uptuplet o{4.1}2\cl{jklmn}\en\bar -\Notesp\uptuplet o16\ql l\en\notesp\cl n\en -\Notesp\downtuplet O16\qu e\en\notesp\cu g\en\bar -\notesp\uptuplet o16\ccl l\en\notesp\cccl n\en -\notesp\downtuplet O16\ccu e\en\notesp\cccu g\en -\end{verbatim}\end{quote} - -A modern notation uses a \emph{ratio} such as $5$:$6$ to specify the intended duration -of an x-tuplet. This is supported in \musixtex\ by the command -\keyindex{xxtuplet}, as in - -\begin{music} -\nostartrule -\startextract\addspace\afterruleskip -\notes\xxtuplet5:6o\ibl0j3\qb0{jklm}\tql0n\en -\endextract -\end{music} - -\noindent with coding \verb|\xxtuplet5:6o\ibl0j3\qb0{jklm}\tql0n|. For the -other x-tuplet commands (apart from \verb|\triolet|, which is defined in terms of \verb|\xtuplet|), -it is possible to define \verb|\txt| or -\verb|\tupletxt| as a ratio, as in -\begin{quote}\begin{verbatim} -\def\txt{5:6} -\end{verbatim}\end{quote} - - \section{Ornaments} -\label{ornaments} - - - \subsection{Simple ornaments}\index{ornaments} - -The argument $p$ in the following macros for ordinary ornaments is the -pitch at which the ornament itself appears. They are all nonspacing macros. -You may use -\begin{itemize}\setlength{\itemsep}{0ex} - \item \keyindex{mordent}\pitchp\ for \hbox to .75em{\mordent 0\hss} - \item \keyindex{Mordent}\pitchp\ for \hbox to 1.5em{\kern 0.6em\Mordent 0\hss} - \item \keyindex{shake}\pitchp\ for \hbox to .75em{\shake 0\hss} - \item \keyindex{Shake}\pitchp\ for \hbox to 1.5em{\kern 0.6em\Shake 0\hss} - \item \keyindex{Shakel}\pitchp\ for \hbox to 1.5em{\kern 0.6em\Shakel 0\hss} - \item \keyindex{Shakesw}\pitchp\ for \hbox to 1.5em{\kern 0.6em\Shakesw 0\hss} - \item \keyindex{Shakene}\pitchp\ for \hbox to 1.5em{\kern 0.6em\Shakene 0\hss} - \item \keyindex{Shakenw}\pitchp\ for \hbox to 1.5em{\kern 0.6em\Shakenw 0\hss} - \item \keyindex{turn}\pitchp\ for \hbox to 1.5em{\kern 0.6em\turn 0\hss} - \item \keyindex{backturn}\pitchp\ for \hbox to 1.5em{\kern 0.6em\backturn 0\hss} - \item \keyindex{tr}\pitchp\ for \hbox to 1.5em{\kern 0.6em\tr 0\hss} - \item \keyindex{trt}\pitchp\ for \hbox to 1.5em{\kern 0.6em\trt 0\hss}\quad (J. S.~Bach's \textit{trillo und mordant}) - \item \keyindex{xtr}\pitchp\ for \hbox to 1.5em{\kern 0.5em\xtr 0\hss} - \item \keyindex{ptr}\pitchp\ for \hbox to 1.5em{\kern 0.5em\ptr 0\hss} - \end{itemize} -To -compensate for the fact that whole notes are wider, you may use -\begin{quote} -\keyindex{wholeshift}\verb|{|\mbox{\ital{Any nonspacing macro}}\verb|}| -\end{quote} -to center any of these ornaments -above (or below) a whole note. - - -In the following macros for fermatas, the argument $p$ is the pitch of the -notehead on which the fermata rests, assuming no additional vertical -adjustments are needed for stems or intervening staff lines. They are all -nonspacing macros. You may use -\begin{itemize}\setlength{\itemsep}{0ex} - \item \keyindex{fermataup}\pitchp\ for -\raisebox{0ex}[0ex][0ex]{\notesintext{\notes\fermataup1\en}}, -\end{itemize} -\begin{itemize}\setlength{\itemsep}{3ex} - \item \keyindex{fermatadown}\pitchp\ for -\raisebox{0ex}[0ex][0ex]{\notesintext{\notes\fermatadown2\en}}, - \item \keyindex{Fermataup}\pitchp\ for -\raisebox{-1ex}[-1ex][0ex]{\musicintextnoclef{\notes\Fermataup 7\zwh{'c}\en}}~, -centered over a whole note, - \item \keyindex{Fermatadown}\pitchp\ for -\raisebox{-1ex}[0ex][0ex]{\musicintextnoclef{\notes\Fermatadown1\zwh{'c}\en}}~, -centered under a whole note. - \end{itemize} -\bigskip - -A \itxem{breath} mark -\raisebox{-5ex}[0ex][0ex]{\notesintext{\notes\zbreath\en}} -can be put just above the staff with \keyindex{zbreath}. This is a nonspacing -macro. On the other hand, \keyindex{cbreath} will cause a space of one -\verb|\noteskip| and place the comma midway through the space. - -The \keyindex{caesura} command inserts a slash \verb|0.5\noteskip| before -the place it is entered, while adding no space: - -\begin{music}\nostartrule -\startextract -\NOTes\zhu j\hl{^e}\caesura\en -\Notes\zcu j\cl e\en -\zendextract -\end{music} - - - \subsection{Arpeggios} -\ital{Arpeggios} (i.e.~~~\arpeggio{-2}3) can be coded with the macro -\keyindex{arpeggio}\pitchp\itbrace{m} -where $p$ is the pitch of -the base of the arpeggio symbol and $m$ is its height in units of -\verb|\interligne|, the distance from one staff line to the next. It should be -issued before the affected chord. It is -automatically positioned to the left of the chord, but inserts no spacing. -Its variant \keyindex{larpeggio} sets the arpeggio symbol roughly -one note head width to the left of the default position, and is intended to -avoid collision with single accidentals on chord notes. - - \subsection{Arbitrary length trills} - There are two styles of arbitrary length trills\index{trills}, each with two -variants. -For a trill with preassigned length, use \keyindex{trille}\pitchp\itbrace{l} -for \hbox to 1cm{\noteskip1cm\trille11\hss} or -\keyindex{Trille}\pitchp\itbrace{l} for~~\hbox to -2cm{\noteskip1cm\Trille12\hss}, where $p$ is the pitch and $l$ the length in -current \verb|\noteskips|. - -To let \musixtex\ compute the length of the trill, or if it extends across a -system break, you can use \keyindex{Itrille}$n$\pitchp\ to start a plain -trill, where $n$ is a trill reference number between 0 and 5; then -\keyindex{Ttrille}$n$ to terminate it. To get the {\it tr} at the -beginning, use \keyindex{ITrille}$n$\pitchp\ to start the trill and -\verb|\Ttrille|$n$ to close it. - -\begin{sloppypar} -As with other elements, you can specify the maximum number -directly with \keyindex{setmaxtrills}\verb|{|$m$\verb|}|, where $70$ is the number of \itxem{sharps} in the -signature and $s<0$ the number of \itxem{flats}\footnote{We once saw a -score in G-minor where the signature consisted of two flats (B and E) plus -one sharp (F). This is not directly supported by \musixtex.}. To override -the common key signature for instrument $n$, use -\keyindex{setsign}\verb|{|$n$\verb|}{|$s$\verb|}|. Note that differing -key signatures cannot be assigned to different staves of the same instrument. - -\subsection{Meters} - -A common \itxem{meter} for all staves can be specified by - \keyindex{generalmeter}\verb|{|$m$\verb|}|,\label{generalmeter} -where $m$ describes the appearance of the meter indication, and can take several -different forms. If the meter is a \ital{fraction} (e.g.,~$3/4$) the command is - \verb|\generalmeter{|\keyindex{meterfrac}\verb|{3}{4}}|. -Other possible tokens~$m$ are \keyindex{meterC}, -\keyindex{allabreve}, \keyindex{reverseC}, \keyindex{reverseallabreve}, \keyindex{meterN} and -\keyindex{meterplus}. -To insert extra space before the meter is -written, use \keyindex{meterskip}$d$ where $d$ is any hard \TeX\ -%dimension\footnote{{\Bslash\tt meterskip} is not a macro but a -dimension\footnote{{\tt\Bslash meterskip} is not a macro but a -dimension register. Whatever follows it -must be a \TeX\ dimension and {\it it must not be enclosed in braces}.}. -The assignment must occur outside \verb|\startpiece...\endpiece| and will be -reset to zero after first meter is posted. - -These are illustrated in the following example: - - %\check -\begin{music} -\generalmeter\meterC -\nostartrule -\parindent0pt\startpiece -\NOtes\qa{cegj}\en -\generalmeter\allabreve\changecontext -\NOTes\ha{ce}\en -\generalmeter\reverseC\changecontext -\NOTEs\zbreve g\en -\generalmeter\reverseallabreve\changecontext -\NOTEs\zwq g\en -\generalmeter{\meterfrac{3\meterplus2\meterplus3}8}\changecontext -\notesp\Tqbu ceg\Dqbl jg\Tqbu gec\en -\generalmeter{\meterN3}\meterskip4pt\changecontext -\Notes\qa{ceg}\en\setemptybar -\endpiece -\end{music} -\noindent which was coded as: -\begin{quote}\begin{verbatim} -\generalmeter\meterC -\nostartrule -\parindent0pt\startpiece -\NOtes\qa{cegj}\en -\generalmeter\allabreve\changecontext -\NOTes\ha{ce}\en -\generalmeter\reverseC\changecontext -\NOTEs\zbreve g\en -\generalmeter\reverseallabreve\changecontext -\NOTEs\zwq g\en -\generalmeter{\meterfrac{3\meterplus2\meterplus3}8}\changecontext -\notesp\Tqbu ceg\Dqbl jg\Tqbu gec\en -\generalmeter{\meterN3}\meterskip4pt\changecontext -\Notes\qa{ceg}\en\setemptybar -\endpiece -\end{verbatim}\end{quote} - -To override the common meter for any staff, use -\keyindex{setmeter}\verb|{|$n$\verb|}{{|$m_1$\verb|}{|$m_2$\verb|}{|$m_3$\verb|}{|$m_4$\verb|}}|.\linebreak -This works just like \verb|\setclef|. For example, -\verb|setmeter3{{\meterfrac{12}8}\allabreve}| -sets the meter to 12/8 for the first staff of the third instrument, and -\ital{alla breve} for the second staff. - - -\subsection{Instrument names} - -To set an \itxem{instrument name}, use -\keyindex{setname}\verb|{|$n$\verb|}{|\ital{name of the instrument}\verb|}|. -This will place the name in the space to the left of the -first staff or group of staves for instrument $n$. To specify the amount of space -available, use \verb|\parindent|$d$ where $d$ is any hard \TeX\ dimension. -For multi-line instrument names, use \TeX\ commands as in the following: -\begin{verbatim} - \setname1{\vbox{% - \hbox to\parindent{\hss Bass\hss}% - \hbox to\parindent{\hss Recorder\hss}}} -\end{verbatim} - - \section{Groupings of instruments}\label{curlybrackets} -By default, all staves in a system will be joined -at the left by a thin, vertical rule. In addition, if an instrument has more than -one staff, they will be joined by a big, curly brace. Now we introduce a way -to delineate groups of instruments or choirs with a square brace containing two parallel -vertical rules, the left one thick and the right one thin. This is commonly used -to group together the voices in a choir. - -If there is only one choir, this can be done with - \begin{quote} -\keyindex{songtop}\onen\\ -\keyindex{songbottom}\verb|{|$m$\verb|}| -\end{quote} -\noindent where $m$ and $n$ are the instrument numbers of the first -and last voices. An example is shown in Section~\ref{song}. - -If there is more than one choir to be set off with -square braces, each one can be specified with - \begin{quote} -\keyindex{grouptop}\verb|{|$g$\verb|}{|$n$\verb|}|\\ -\keyindex{groupbottom}\verb|{|$g$\verb|}{|$m$\verb|}| -\end{quote} -\noindent where $m$ and $n$ are the instrument numbers of the first -and last voices of group number~$g$. \musixtex{} allows up to three -groups, numbered from $1$ to $3$. The command \verb|\songtop| is equivalent -to \verb|\grouptop 1|; \verb|\songbottom| is equivalent to -\verb|\groupbottom 1|. - -With \ttxem{musixadd.tex} or \ttxem{musixmad.tex}, the allowable number of -groups is increased to four. -Alternatively, you can specify the allowable number of groups to $m$ by -\keyindex{setmaxgroups}\verb|{|$m$\verb|}|% -\footnote{Using $m>4$ may require e-\TeX.}. -\label{musixmad_setmaxgroups} - -If any of the instruments grouped this way has more than one staff, the -heavy curly brace will be shifted to the left of the square brace. - -Previously defined square braces can be removed by declaring -\verb|\songtop| less than \verb|\songbottom|. The same applies to -\verb|\grouptop| and \verb|\groupbottom| for the same group number. - - An alternate command allows you to specify all choirs at once: -\begin{quote} - \keyindex{akkoladen}\verb|{{|{\it lower\_1\/}\verb|}{|{\it upper\_1\/}% - \verb|}{|{\it lower\_2\/}\verb|}{|{\it upper\_2\/}\verb|}{|% - {\it lower\_3\/}\verb|}{|{\it upper\_3\/}\verb|}}| -\end{quote} -\noindent where {\it lower\_n\/} and {\it upper\_n\/} are instrument -numbers that denote the span of bracket number $n$. For -setting fewer than three brackets, just omit all unneeded -\verb|{|{\it lower\_n\/}\verb|}{|{\it upper\_n\/}\verb|}|~pairs. - -For example, - \verb|\instrumentnumber{5}\akkoladen{{1}{2}{3}{5}}| -\noindent yields the first example below, with five single-staff instruments -divided into two groups. -The second example has two instruments, the first (lower) with two staves and the -second with three. Each instrument is set off by default with a curly bracket. - -If for some reason you want more than one \ital{instrument}\ grouped -within a curly -bracket, then you can use the -command - - \keyindex{curlybrackets}\verb|{{|{\it lower\_1\/}\verb|}{|{\it upper\_1\/}% - \verb|}{|{\it lower\_2\/}\verb|}{|{\it upper\_2\/}\verb|}...| - -\noindent to be used as illustrated in the third example below.\\ -\begin{small} -\begin{minipage}[t]{29ex} -\begin{music} - % just to avoid wasting space ... - \sepbarrules - \smallmusicsize - \instrumentnumber{5} \akkoladen{{1}{2}{3}{5}} - \startextract\notes\en\bar\notes\en\zendextract -\end{music} -\begin{quote}is coded as: -\begin{verbatim} - \sepbarrules - \smallmusicsize - \instrumentnumber{5} - \akkoladen{{1}{2}{3}{5}} - \startextract - \notes\en\bar\notes\en - \zendextract -\end{verbatim}\end{quote} -\end{minipage} -\begin{minipage}[t]{27ex} -\begin{music} - \sepbarrules - \smallmusicsize - \instrumentnumber2 \setstaffs12\setstaffs23 - \startextract \notes\en\bar\notes\en\zendextract -\end{music} -\begin{quote}is coded as: -\begin{verbatim} - \sepbarrules - \smallmusicsize - \instrumentnumber2 - \setstaffs12 - \setstaffs23 - \startextract - \notes\en\bar\notes\en - \zendextract -\end{verbatim}\end{quote} -\end{minipage} -\begin{minipage}[t]{27ex} -\begin{music} - \sepbarrules - \smallmusicsize - \instrumentnumber5 %\setstaffs12\setstaffs23 - \curlybrackets{1235} - \startextract \notes\en\bar\notes\en\zendextract -\end{music} -\begin{quote}is coded as: -\begin{verbatim} - \sepbarrules - \instrumentnumber5 - \smallmusicsize - \curlybrackets{1235} - \startextract - \notes\en\bar\notes\en - \zendextract -\end{verbatim}\end{quote} -\end{minipage} -\end{small} - - - - diff --git a/musixtex/doc/musixdoc/slurstiesTypeK.tex b/musixtex/doc/musixdoc/slurstiesTypeK.tex deleted file mode 100644 index c387eb2..0000000 --- a/musixtex/doc/musixdoc/slurstiesTypeK.tex +++ /dev/null @@ -1,382 +0,0 @@ - \chapter{Postscript Slurs, Ties and Hairpins}\label{PostscriptSlurs} - -\input musixps - - -All of the aforementioned limitations of font-based slurs can be circumvented -by using type~K Postscript slurs\footnote{``K'' stands for Stanislav Kneifl, -the developer of the type~K Postscript slur package.}. As well as slurs, the package includes -ties and crescendos. -Its use is very similar to font-based slurs, and in fact identical if only -the elementary slur and tie initiation and termination macros are used. - -In order to use type~K Postscript slurs, ties and hairpins, you must first place \texttt{musixps.tex} -anywhere \TeX\ can find it. You must also place \texttt{psslurs.pro} -somewhere that \texttt{dvips} can find it. - -The \index{mxsk font}\texttt{mxsk} font is required for ``half ties,'' which -are special symbols that are used by default for the second portion of a tie -that crosses a line break. If you like -this treatment you must install the font in your \TeX\ system. However, perfectly -acceptable line-breaking ties will appear if you invoke \keyindex{nohalfties}, -and then you will not have to install this font. - -Once the software mentioned in the prior two paragraphs is installed and the -\TeX\ filename database is refreshed, the type~K package can be -invoked by including the command \verb|\input musixps| -near the beginning of your source file (but after loading \verb\musixtex.tex\). -The resulting dvi file should then be converted into Postscript using \textbf{dvips}. -If desired, a PDF file can then be generated with \textbf{ps2pdf}, \textbf{ghostscript}, -or \textbf{Adobe Acrobat} (see Section~\ref{using} for more information on this). - -Two minor inconveniences with type~K Postscript slurs are that (1) they won't appear -in many dvi previewers, and (2) they won't appear in PDF files generated with -\textbf{pdftex} or \textbf{dvipdfm}. The former limitation can be circumvented by using a Postscript -viewer such as \textbf{GSview}. The latter simply requires that you create an intermediate -Postscript file with \textbf{dvips}, then make the PDF with any of the software -mentioned above. - - -\section{Initiating and terminating type K Postscript slurs} - -Basic usage of type K slurs is the same as for font-based slurs. To initiate one, -use for example \verb|\isluru0g| to start an upper slur with ID 0 above a virtual note -at pitch level {\tt g}. To terminate one, use a command like -\verb|\tslur0i| which terminates the slur with ID 0 on a -virtual note at pitch level {\tt i}. -Both types of commands are non-spacing and must precede the first or last -note under the slur. - -Termination macros are not restricted to being used -with their initiation counterpart. For example, a slur -beginning as a ``beam'' slur may be terminated as a -normal slur, or \emph{vice versa}. These would be achieved by using macro pairs -\verb|\ibslur...\tslur...| or \verb|\islur...\tbslur...|, respectively. -Unlike font-based slurs, adjusting the vertical positioning of the slur termination should not be necessary. - -You can shift the starting or ending point slightly to the left -or right by substituting one of the commands \keyindex{ilsluru}, -\keyindex{ilslurd}, \keyindex{irsluru}, -\keyindex{irslurd}, \keyindex{trslur} or \keyindex{tlslur}. -For shifts farther to the left, use -\keyindex{iLsluru}, -\keyindex{iLslurd} -or \keyindex{tLslur}; -for shifts farther to the right, use -\keyindex{iRsluru}, -\keyindex{iRslurd} -or \keyindex{tRslur}. - - -You can control the shape of type~K slurs with variants of -the termination command. To make the slur a bit flatter than default use -\keyindex{tfslur}0f; a bit higher, \keyindex{thslur}0f; higher still, -\keyindex{tHslur}0f; or -even higher, \keyindex{tHHslur}0f. These commands have an effect like -\keyindex{midslur} does for font-based slurs. - -All combinations of the shifting and curvature variants are allowed, -e.g.\ \verb|\trHHslur|. - - -The following examples demonstrate how much better the type K slurs perform -in the extreme situations of the prior two typeset examples. The coding is -exactly the same as above except that \verb|\input musixps| has been added: -\begin{quote}\begin{verbatim} -\begin{music}\nostartrule -\input musixps -\startextract\NOTes\multnoteskip3\isluru0c\ql c\tslur0s\ql s\en -.... -\end{verbatim}\end{quote} - -\begin{music}\nostartrule -\instrumentnumber{1} -\generalmeter{\meterfrac34} -\startextract\NOTes\multnoteskip3\isluru0c\ql c\tslur0j\ql j\en - \bar\NOTes\multnoteskip3\isluru0c\ql c\tslur0n\ql n\en\zendextract -\startextract\NOTes\multnoteskip3\isluru0c\ql c\tslur0s\ql s\en - \bar\NOTes\multnoteskip3\isluru0c\ql c\tslur0z\ql z\en\zendextract - -\startextract -\NOTes\isluru0c\ql c\en\notes\tslur0j\ql j\en\bar -\NOTes\isluru0c\ql c\en\notes\tslur0n\ql n\en -\NOTes\isluru0c\ql c\en\notes\tslur0s\ql s\en\bar -\NOTes\isluru0c\ql c\en\notes\tslur0z\ql z\en -\zendextract -\end{music} - - - - -For maximal control over type K slurs, you can use one of the commands -\keyindex{iSlur}~$npvh$ and -\keyindex{tSlur}~$npvhca$, where the characters in -$npvhca$ respectively stand for ID number, height, vertical offset, horizontal offset, -curvature, and angularity. -All offsets are in \verb|internote|, and the slur direction is determined -by the sign of the vertical offset. See the comments in \verb|musixps.tex| -for precise definitions of the other parameters. Examples of permissible forms for -these commands are -\verb|iSlur0c11| and \verb|tSlur0{!d}11{.2}0|. - -The next example shows how you can use \verb|iSlur| in difficult -circumstances: - - -\begin{music}\nostartrule -\nobarnumbers -\generalsignature1% -\generalmeter{\meterfrac{2}{4}}% -\nostartrule -\startextract -\NOtes\zchar{-8}{\Bslash irslur...\Bslash tlslur}\irslurd0{'b}\zhl b\sk\zq{!e}\qu{'c}\en\bar -\NOtes\zh{'d}\zhu{`f}\off{7.2pt}\tlslur0{'b}\ql b\ql b\en\bar -% -\NOtes\zchar{-8}{\Bslash irslur...\Bslash tlfslur}\irslurd0{'b}\zhl b\sk\zq{!e}\qu{'c}\en\bar -\NOtes\zh{'d}\zhu{`f}\off{7.2pt}\tlfslur0{'b}\ql b\ql b\en\bar -% -\NOtes\zchar{-8}{\Bslash iSlur...\Bslash tSlur}\iSlur0{'b}{-.5}3\zhl b\sk\zq{!e}\qu{'c}\en\bar -\NOtes\zh{'d}\zhu{`f}\off{7.2pt}\tSlur0{'b}{.5}{-1}{.3}0\ql b\ql b\en -\zendextract -\end{music} -\noindent with this coding: - -\begin{quote}\begin{verbatim} -\NOtes\irslurd0{'b}\zhl b\sk\zq{!e}\qu{'c}\en\bar -\NOtes\zh{'d}\zhu{`f}\off{7.2pt}\tlslur0{'b}\ql b\ql b\en\bar -% -\NOtes\irslurd0{'b}\zhl b\sk\zq{!e}\qu{'c}\en\bar -\NOtes\zh{'d}\zhu{`f}\off{7.2pt}\tlfslur0{'b}\ql b\ql b\en\bar -% -\NOtes\iSlur0{'b}{-.5}3\zhl b\sk\zq{!e}\qu{'c}\en\bar -\NOtes\zh{'d}\zhu{`f}\off{7.2pt}\tSlur0{'b}{.5}{-1}{.3}0\ql b\ql b\en -\end{verbatim}\end{quote} - - -The ID number for a slur, tie or crescendo should -normally range from $0$ to $9$. If it is bigger -than nine but less than $15$, -the object can cross a line break but not a page break. If bigger than -14 but less than $2^{31}$, it can't be broken at all, - nor can a slur termination be positioned at a beam with - e.g., \verb|\tbsluru{17684}{16}|; however \verb|\ibsluru{152867}{16}| is okay. - -It's also okay to have opened simultaneously a slur, tie and crescendo all -with the same ID, or a slur, tie and decrescendo, but not a crescendo and -decrescendo. - -\def\emen{{\tt\char123}$n${\tt\char125\char123}$m${\tt\char125}} - -` -\section{Type~K Postscript beam slurs} -Type~K beam slurs are defined differently than the font-based ones: -They require as parameters both a slur ID number $n$ and a beam ID number $m$, -but that's all. The commands are -\keyindex{iBsluru}\emen, \keyindex{iBslurd}\emen, and -\keyindex{tBslur}\emen. -They must be placed \ital{after} the beam initiation or termination command. -Type~K slurs may start on one beam and end on another. -For example, - -\begin{quote}\begin{verbatim} -\Notes\ibu0i0\iBsluru00\qb0{eh}\tbu0\qb0i\ibu0j0\qb0{jl}\tbu0% - \slurtext{6}\tBslur00\qb0e\en -\end{verbatim}\end{quote} - -\noindent produces -%\begin{center} -%\includegraphics[scale=1]{./mxdexamples/psbeamslur.eps} -%\end{center} - -\begin{music}\nostartrule\startextract -\Notes\ibu0g2\iBsluru00\qb0{eh}\tbu0\qb0i\ibu0j0\qb0{jl}\tbu0% - \slurtext{6}\tBslur00\qb0e\en -\zendextract -\end{music} - -This example also illustrates the use of the macro -\keyindex{slurtext}. It has just one parameter---some text to be -printed---and it centers it just above or below the midpoint of -the next slur that is closed. -This works only for non-breaking slurs; if the slur is broken, -the text -disappears\footnote{If you insist on viewing files with a dvi viewer that -doesn't display -type~K slurs, you may also find that -figures placed with \keyindex{slurtext} will appear at the end of the -slur rather than the middle.}. -%The placing of the slur text is done with a very dirty Postscript -%hack, so I am not really sure that everything you want to typeset -%will be placed at the correct position (if you are interested, see -%the end of psslurs.pro for details). If you find something that won't -%work, let me know. - -% DAS: why do we need this ??? -%\paragraph{General coding for Postscript slurs and ties of type K.} -%This can be done by: -%\begin{quote}\begin{verbatim} -%\i[h.shift]slur[u|d]{slur ID}{note height} -%\t[h.shift][slur height]slur{slur ID}{note height} -%\iBslur[u|d]{slur ID}{beam ID} -%\tB[slur.height]slur{slur ID}{beam ID} -%\end{verbatim}\end{quote} -%\noindent where h.shift can be 'l', 'r' or nothing -%and slur.height can be 'f', nothing, 'h', 'H' or 'HH' -% -%Example: \keyindex{tlfslur} means 'terminate left flat slur'. -% -% -%There are also simple slurs with same invocation and parameters as the -%original ones. - -\section{Type~K Postscript ties} -All of the foregoing Type~K slur commands -except the shape-changing ones -have counterparts for ties. Simply -replace ``\verb|slur|'' with ``\verb|tie|'', and for terminations omit -the pitch parameter. Type~K ties not only are positioned differently by -default, but they also have different shapes than slurs. If you want to change -the shape of a tie, redefine \verb|\pstiehgt| from its default of $0.7$. - -\section{Dotted type K slurs and ties.}%please check the capital D(otted) -A slur or tie can be made dotted simply by entering \keyindex{dotted} anywhere before -the beginning of the slur or tie. Only the first slur or tie following this -command will be affected. On the other hand, if you enter \keyindex{Dotted}, then \emph{all} -slurs and ties from this point forward will be dotted until you say -\keyindex{Solid}. Furthermore, inside \verb|\Dotted...\Solid| you can make any individual -slur or tie solid saying \verb|\solid| before its beginning. - -\section{Avoiding collisions with staff lines.} -In Postscript it is possible to do computations that would be very hard -to implement directly in TeX. Type~K slurs can use this facility to check whether -the curve of a slur or tie is anywhere nearly tangent to any staff line, and if -so, to adjust -the altitude of the curve to avoid the collision. By default this feature is turned -on. -You can disable it either -globally (\keyindex{Nosluradjust}, \keyindex{Notieadjust}) or locally -(\keyindex{nosluradjust}, \keyindex{notieadjust}), and you can also turn it -back on globally (\keyindex{Sluradjust}, -\keyindex{Tieadjust}) or locally (\keyindex{sluradjust}, \keyindex{tieadjust}). -Here ``locally'' -means that the command will only affect the next slur or tie to be opened. - -\section{Type K Postscript hairpins}\label{kcresc} - -There are two different types. The first type is normally initiated with either -\keyindex{icresc}\onen~or \keyindex{idecresc}\onen, and terminated with -\keyindex{tcresc}\onen, where $n$ is a hairpin index, -which is virtually unlimited but certain restrictions apply if it exceeds $14$. -The altitude is set by the value of \keyindex{setcrescheight}, which by default -is $-5$ and which must be expressed numerically. Note that -\keyindex{tcresc}~is the same as \keyindex{tdecresc}. - -You can shift the starting or ending point horizontally by replacing the -foregoing macros with -\keyindex{ilcresc}, \keyindex{ildecresc}, -\keyindex{ircresc}, \keyindex{irdecresc}, -\keyindex{tlcresc}, \keyindex{tldecresc}, -\keyindex{trcresc}, \keyindex{trdecresc}, -for example to make space for an alphabetic dynamic mark. - -The second form of Postscript hairpin macros allows individual and arbitrary -specification of the altitude and horizontal offset. The syntax is -\keyindex{Icresc}\itbrace{n}\itbrace{h}\itbrace{s}, where $h$ is the -altitude---which must be numerical---and $s$ is the horizontal offset -in \verb|\internote|. Similar syntax obtains for \keyindex{Idecresc}\ -and \keyindex{Tcresc}. - -These hairpins may span several lines. If one of them spans three systems -then the height of the middle section can be adjusted with -\keyindex{liftcresc}\itbrace{n}\itbrace{h}. The height of the first and last -parts of a broken crescendo will be defined by the height parameter in -\keyindex{Icresc}~or \keyindex{Tcresc}. - -There are numerous other nuances and shorthand macros that are described -in the comments in \verb|musixps.tex|. - -As an example of a Postscript hairpin, - -\begin{music}\nostartrule -\generalmeter{\meterfrac{12}8} -\startextract -\Notes\ccharnote{-8}{\ppp}\Icresc0{-7}6\ca{bdegh'bde}\en -\Notes\Tcresc0{-4}{-2}\zcharnote{-5}{\fff}\ca{'f}\en -\zendextract -\end{music} - -\noindent was coded as -\begin{quote}\begin{verbatim} -\input musixps -\generalmeter{\meterfrac{12}8} -\startextract -\Notes\ccharnote{-8}{\ppp}\Icresc0{-7}6\ca{bdegh'bde}\en -\Notes\Tcresc0{-4}{-2}\zcharnote{-5}{\fff}\ca{'f}\en -\zendextract -\end{verbatim}\end{quote} - - -\section{Line-breaking slurs, ties and hairpins} -Tyle K slurs, ties and crescendos going across line breaks are handled -automatically. In fact they can go over more lines than two (this is -true also for ties, though it would be somewhat strange). - -There is a switch \verb|\ifslopebrkslurs| that controls the default -height of the end point -of the first segment of all broken slurs. By default the height will be -the same as the beginning. To have it raised by \verb|3\internote|, simply -issue the command \keyindex{slopebrkslurstrue}. To revert to the default, -use \keyindex{slopebrkslursfalse}. - -To locally override the default height of the end of the first segment, -use the command \keyindex{breakslur}\enpee, -which sets the height for slur number $n$ to pitch $p$, just like with -font-based slurs. - -You can raise or lower the starting point of the second segment of a broken slur -with the command \keyindex{liftslur}\verb|{|$n$\verb|}{|$h$\verb|}|, with -parameters slur ID and relative offset in -\verb|\internote|s measured from the slur beginning. Its effect is -the same as \keyindex{Liftslur} for font-based slurs, except it is not -necessary to code -it within \verb|\atnextstaff{}|, just anywhere inside the slur. - -As already mentioned, anything with $\mathrm{ID}<10$ is broken fully automatically, but -you should be careful about slurs, ties and crescendos with $10\le\mathrm{ID}<15$. -These cannot cross page breaks, although they can cross line breaks. - -If the second segment of a broken tie is less than 15pt long, then by -default it will have a special shape which begins horizontally. These shapes are -called \ital{half ties} and are contained in the font \index{mxsk font}\verb|mxsk|. -Of course if they are to be used, the font files must be integrated into the -\TeX\ installation. Their use can be turned off with \keyindex{nohalfties} -and back on with \keyindex{halfties}. - -%\paragraph{Backwards compatibility.} -%There are several ``aliases'' which allow to use the old, bitmapped slur -%commands for PS slurs without any change. There are however a few differences: -%the \keyindex{invertslur} is not implemented yet and -%the \keyindex{curve} and \keyindex{midslur} macros have no effect. - -%\paragraph{Memory requirements.} -\enlargethispage*{4ex} -\section{A few final technical details} -Each \verb|\i...| and \verb|\t...| -produces a \verb|\special| command, which must be stored in TeX's main memory. -Therefore, if too many slurs occur in one page, some memory problems could -occur. The only solution is to use font-based slurs. -%The only solutions are to use Big\TeX\ -%BigTex? it is apparently the mascot for the Texas State Fair - -Type~K slurs need the Postscript header file -\index{psslurs.pro}\texttt{psslurs.pro} to be included in the -output Postscript file. This is made to happen by the \TeX\ command -\verb|\special{header=psslurs.pro}|, which is automatically -included when you \verb|\input musixps|. So normally this is not -of concern. However if you wish to extract a subset of pages from -the master \verb|dvi| file using \index{dvidvi}\texttt{dvidvi}, then -you have three options: (1)~include the first page in the subset, -(2)~manually issue the -\verb|\special| command in the \TeX\ source for the first page of the subset, or -(3)~use the option \texttt{-h psslurs.pro} when you run \texttt{dvips}. - diff --git a/musixtex/doc/musixdoc/slurstiesfont.tex b/musixtex/doc/musixdoc/slurstiesfont.tex deleted file mode 100644 index 8674dc0..0000000 --- a/musixtex/doc/musixdoc/slurstiesfont.tex +++ /dev/null @@ -1,598 +0,0 @@ -\chapter{Font-based Slurs, Ties and Hairpins} -Two fundamentally different implementations of slurs, ties, and hairpins are -available. First, there are the -original \ital{font-based} versions. These are constructed with traditional -\TeX\ font characters that were created with \MF\ and stored in \TeX\ font files. -Second, it is now possible -to generate these shapes directly with Postscript, dispensing altogether with -the font characters\footnote{Please do not be confused by the availability of -Postscript versions of the font-based slur fonts (along with all other \musixtex\ fonts). -Once installed in a \TeX\ system, -their function and use are 100\% transparently identical with bitmapped versions -of the slur fonts. On the other -hand, Postscript slurs are functionally distinct from font-based slurs, and only - share some of the same syntax.}. We shall first describe the font-based versions, -then Type~K Postscript slurs, which are one of two available Postscript slur -options\footnote{An -alternate approach to Postscript slurs, called {\it Type~M} after its developer -Hiroaki {\sc Morimoto}, is available from the -\href{http://icking-music-archive.org/software/indexmt6.html} -{\underline{Icking Music Archive}}.}. If you plan to use Type~K Postscript slurs, -you may skip directly to Chapter~\ref{PostscriptSlurs}. - -Font-based slurs and ties provided by \musixtex\ can be divided into two categories: -\label{simpleslur} -\begin{itemize}\setlength{\itemsep}{0ex} - \item Those where the complete slur symbol is composed of a single - character from one of the slur fonts, and - \item those where the slur symbol is composed of three distinct - characters, to form the beginning, middle and end of the slur. -\end{itemize} -The former are called \ital{simple slurs} and the latter, -\ital{compound slurs}. In many cases the distinction between the two is -invisible to the user, in that many of the macros described below will -automatically select between the two types. However, there are other macros -that allow simple slurs to be forced. - -The next few sections describe the usual method of slur coding, where the -choice between simple or compound slurs is made automatically. -In this case, slurs are initiated and terminated by separate macros, -similar to beams. - - \section{Font-based slur initiation} -A slur must be initiated \ital{before} -the spacing note on which the slur begins, and terminated \ital{before} the -note on which it ends. - -The basic slur initiation macro is -\keyindex{isluru}\enpee, which initiates an upper slur, with reference -number $n$, beginning on a note at pitch $p$. The starting point of the slur is -centered above a virtual quarter note head at pitch~$p$\footnote{The slur will start in the same place regardless of whether there is -{\it actually} a note at pitch $p$.}. -Similarly, \keyindex{islurd}\enpee\ initiates a lower slur. -These slurs are terminated by coding -\keyindex{tslur}\enpee\ where $n$ is the reference number and $p$ is the -termination pitch. - -As with beams, the reference number $n$ by default can take values from $0$ to $5$, or -up to $8$ or $11$ respectively if \ttxem{musixadd.tex} or \ttxem{musixmad.tex} is included. -You can also specify the maximum number -directly with \keyindex{setmaxslurs}\verb|{|$m$\verb|}| where -$7\hu{>f}% - \zchar{12}{\bs hl}\loff{\zchar{-4}{\bs cdsh}}\cdsh l\hl l% - \zchar{12}{\bs qu}\zchar{-4}\^\qu{^f}% - \zchar{12}{\bs ql}\loff{\zchar{-4}{\bs csh}}\csh l\ql l% - \zchar{12}{\bs cu}\zchar{-4}=\cu{=f}% - \zchar{12}{\bs cl}\loff{\zchar{-4}{\bs cna}}\cna l\cl l% - \zchar{12}{\bs ccu}\zchar{-4}\_\ccu{_f}% - \zchar{12}{\bs ccl}\loff{\zchar{-4}{\bs cfl}}\cfl l\ccl l% - \zchar{12}{\bs cccu}\zchar{-4}<\cccu{9$, -but it can also be a letter. -{\Bslash Ioctfindown}~$np$ starts a lower octave transposition line at pitch $p$ -(usually $p<-1$). Both extend until terminated with {\Bslash Toctfin}. The -difference between {\Bslash Ioctfinup}~$n$ and {\Bslash Ioctfindown}~$n$ is -the relative position of the figure ``8'' with respect to the dashed line, and -the sense of the terminating hook As shorthand, \keyindex{ioctfinup} is equivalent to -\verb|\Ioctfinup 0| and \keyindex{ioctfindown} is equivalent to -\verb|\Ioctfindown 0|. - -For example, - -\medskip - \begin{music}\nostartrule -\instrumentnumber{1} -\setstaffs12 -\setclef1{6000} -% -\startextract -\notes\wh{CDEFGH}|\wh{cde}\Ioctfinup 1p\wh{fgh}\en -\bar -\notes\Ioctfindown 2A\wh{IJKLMN}|\wh{ijklmn}\en -\bar -\Notes\wh{NMLKJI}|\wh{nmlkji}\Toctfin1\en -\bar -\Notes\wh{HGFED}\Toctfin2\wh C|\wh{hgfedc}\en -\zendextract -\end{music} -\noindent is coded as -\begin{quote}\begin{verbatim} -\begin{music}\nostartrule -\instrumentnumber{1} -\setstaffs12 -\setclef1{6000} -% -\startextract -\notes\wh{CDEFGH}|\wh{cde}\Ioctfinup 1p\wh{fgh}\en -\bar -\notes\Ioctfindown 2A\wh{IJKLMN}|\wh{ijklmn}\en -\bar -\Notes\wh{NMLKJI}|\wh{nmlkji}\Toctfin1\en -\bar -\Notes\wh{HGFED}\Toctfin2\wh C|\wh{hgfedc}\en -\zendextract -\end{music} -\end{verbatim}\end{quote} - %\check - - The elevation of octaviation lines may be changed in midstream using -\keyindex{Liftoctline}~$n$$p$, where $n$ is the reference number of the - octave line, and $p$ a (possibly negative) number of -\keyindex{internote}s (staff pitch positions) by which elevation of the dashed line should be changed. -This may be useful when octaviation lines extend over several systems and the -elevation needs to be changed in systems after the one where it was initiated. - diff --git a/musixtex/doc/musixdoc/writingnotes.tex b/musixtex/doc/musixdoc/writingnotes.tex deleted file mode 100644 index bc8b3cd..0000000 --- a/musixtex/doc/musixdoc/writingnotes.tex +++ /dev/null @@ -1,294 +0,0 @@ - \chapter{Writing Notes}\label{autostemdirections} -There are two major kinds of note macros, those that include a space (of -length \keyindex{noteskip}) after -the printed symbol, and those that don't cause any space. A single-line melody would be -written using the first type. All notes of a chord except the last would -use the second. - -Another distinction concerns stemmed notes. Some macros explicitly set the -stem direction with either ``\verb|u|'' or ``\verb|l|'' contained in the name of -the macro. On the other hand, an ``\verb|a|'' in the macro's name usually signifies -\ital{automatic} stem direction selection. In this case notes below the middle -staff line will get up stems, otherwise down. - -Note pitches can be specified either by letters or numbers. If no transposition -or octaviation is in effect, letters ranging -from \verb|a| to \verb|z| represent notes starting with the A below -middle C. Upper case letters from \verb|A| to \verb|N| represent pitches -two octaves lower than their lower case counterparts. Any letter can be used in -any clef, but some users may -prefer to use the lower case letters in treble clef, and the upper case ones -in bass clef. - -Alternatively, a one- or two-digit, positive or negative integer can always be used. -The number represents -the vertical position on the staff, with \verb|0| for the lowest line and -\verb|1| for the space right above, \ital{regardless of the clef}. -Unlike with letters, the -associated pitch will depend on the clef, and notes entered this way are -immune to transposition and octaviation. - -Notes lower than \verb|A| and higher than \verb|z| can be entered, with -either numbers as just described, or with octaviation as will be explained in -Chapter~\ref{octaviation}. - - \section{Normal (unbeamed) spacing notes}\label{NormalNotes} -In the following, \verb|{|$p$\verb|}| signifies a pitch specification as -described above. However it -is understood that if the pitch is a single character, the brackets are -not necessary, provided that if it is a letter, a space separates the -macro from the letter. - - -\begin{quote}\begin{description}\setlength{\itemsep}{0ex} - \item[\keyindex{breve}{\tt\char123}$p${\tt\char125} :]breve (\hbox to 8pt{\zbreve1\hss}) . - \item[\keyindex{longa}{\tt\char123}$p${\tt\char125} :]longa (\hbox to8pt{\zlonga1\hss}) . - \item[\keyindex{longaa}{\tt\char123}$p${\tt\char125} :]longa with automatic stem direction\footnote{Editor's note: Evidently there is no explicit up-stemmed longa} . - \item[\keyindex{maxima}{\tt\char123}$p${\tt\char125} :]maxima (\hbox to16pt{\zmaxima1\hss}) . - \item[\keyindex{wq}{\tt\char123}$p${\tt\char125} :]arbitrary duration note (\hbox to8pt{\zwq1\hss}) -(also used as alternate representation of a \ital{breve}). - \item[\keyindex{wqq}{\tt\char123}$p${\tt\char125} :]long arbitrary duration note -(\hbox to8pt{\zwqq1\hss}) (also used as alternate -representation of a \ital{longa}). - \item[\keyindex{wh}{\tt\char123}$p${\tt\char125} :]whole note. - \item[\keyindex{hu}{\tt\char123}$p${\tt\char125} :]half note with stem up. - \item[\keyindex{hl}{\tt\char123}$p${\tt\char125} :]half note with stem down. - \item[\keyindex{ha}{\tt\char123}$p${\tt\char125} :]half note with automatic stem direction - \item[\keyindex{qu}{\tt\char123}$p${\tt\char125} :]quarter note with stem up. - \item[\keyindex{ql}{\tt\char123}$p${\tt\char125} :]quarter note with stem down. - \item[\keyindex{qa}{\tt\char123}$p${\tt\char125} :]quarter note with automatic stem direction. - \item[\keyindex{cu}{\tt\char123}$p${\tt\char125} :]eighth note\footnote{The ``{\tt c}'' -within this macro name stands for the equivalent British term ``crotchet''} with stem up. - \item[\keyindex{cl}{\tt\char123}$p${\tt\char125} :]eighth note with stem down. - \item[\keyindex{ca}{\tt\char123}$p${\tt\char125} :]eighth note with automatic stem direction. - \item[\keyindex{ccu}{\tt\char123}$p${\tt\char125} :]sixteenth note with stem up. - \item[\keyindex{ccl}{\tt\char123}$p${\tt\char125} :]sixteenth note with stem down. - \item[\keyindex{cca}{\tt\char123}$p${\tt\char125} :]sixteenth note with automatic stem direction. - \item[\keyindex{cccu}{\tt\char123}$p${\tt\char125} :]$32$nd note with stem up. - \item[\keyindex{cccl}{\tt\char123}$p${\tt\char125} :]$32$nd note with stem down. - \item[\keyindex{ccca}{\tt\char123}$p${\tt\char125} :]$32$nd note with automatic stem direction. - \item[\keyindex{ccccu}{\tt\char123}$p${\tt\char125} :]$64$th note with stem up. - \item[\keyindex{ccccl}{\tt\char123}$p${\tt\char125} :]$64$th note with stem down. - \item[\keyindex{cccca}{\tt\char123}$p${\tt\char125} :]$64$th note with automatic stem direction. - \item[\keyindex{cccccu}{\tt\char123}$p${\tt\char125} :]$128$th note with stem up. - \item[\keyindex{cccccl}{\tt\char123}$p${\tt\char125} :]$128$th note with stem down. - \item[\keyindex{ccccca}{\tt\char123}$p${\tt\char125} :]$128$th note with automatic stem direction. -\end{description}\end{quote} - As an example, the sequence - - %\check -\begin{music}\nostartrule -\startextract -\Notes\cu c\cl j\en\bar -\Notes\ccu c\ccl j\en\bar -\Notes\cccu c\cccl j\en\bar -\Notes\ccccu c\ccccl j\en\bar -\Notes\cccccu c\cccccl j\en -\zendextract -\end{music} - \noindent was coded as -\begin{quote}\begin{verbatim} -\Notes\cu c\cl j\en\bar -\Notes\ccu c\ccl j\en\bar -\Notes\cccu c\cccl j\en\bar -\Notes\ccccu c\ccccl j\en\bar -\Notes\cccccu c\cccccl j\en -\end{verbatim}\end{quote} - - - -For \keyindex{breve} there is a possibility of -confusion with a command in \TeX's math mode that has exactly the same name. -However, there will generally be no problem, because inside -\verb|\startpiece...\endpiece|, -\verb|\breve| will take the musical meaning, while outside, it will have the -mathematical one. -If for some reason you need the math \verb|\breve| inside, you can use -\verb|\endcatcodesmusic...\breve...\catcodesmusic|. - - \section{Non-spacing note heads} -These macros are used to create chords. Any number of them can be entered -in sequence, followed by a spacing note. All of the note heads will be -joined to the spacing note and the stem length will automatically be adjusted -as needed. - -\begin{quote}\begin{description}\setlength{\itemsep}{0ex} - \item[\keyindex{zq}{\tt\char123}$p${\tt\char125} :]quarter (or shorter) note head. - \item[\keyindex{zh}{\tt\char123}$p${\tt\char125} :]half note head. -\end{description}\end{quote} -%das ??? -% \begin{remark} Notes of duration longer than whole notes are -%always non-spacing. This saves one useless definition, since these notes are -%always longer than other simultaneous ones. If needed they can be followed by -%\keyindex{sk} to force spacing. -%\end{remark} - - \section{Shifted non-spacing note heads} -These symbols are used mainly -in chords containing an interval of a \ital{second}. They provide note -heads shifted either to the left or right of the default position by -the width of one note head. - -\begin{quote}\begin{description}\setlength{\itemsep}{0ex} -\item[\keyindex{rw}{\tt\char123}$p${\tt\char125} :]whole note head shifted right. -\item[\keyindex{lw}{\tt\char123}$p${\tt\char125} :]whole note head shifted left. -\item[\keyindex{rh}{\tt\char123}$p${\tt\char125} :]half note head shifted right\footnote{Some may not -have realized that half and whole note heads have different shapes}. -\item[\keyindex{lh}{\tt\char123}$p${\tt\char125} :]half note head shifted left. -\item[\keyindex{rq}{\tt\char123}$p${\tt\char125} :]quarter note head shifted right. -\item[\keyindex{lq}{\tt\char123}$p${\tt\char125} :]quarter note head shifted left. -\end{description}\end{quote} - - \section{Non-spacing notes} -These macros provide normal notes, with stems if applicable, but without any -following space. -\begin{quote}\begin{description}\setlength{\itemsep}{0ex} - \item[\keyindex{zhu}\pitchp~:]half note with stem up but no spacing. It acts like -\verb|\hu| for chord building, i.e., it will join together any immediately -preceding non-spacing note heads. - \item[\keyindex{zhl}\pitchp~:]half note with stem down but no spacing. It acts like -\keyindex{hl} for chord building. - \item[\keyindex{zqu}\pitchp~:]quarter note with stem up but no spacing. It acts like -\verb|\qu| for chord building. - \item[\keyindex{zql}\pitchp~:]quarter note with stem down but no spacing. It acts -like \verb|\ql| for chord building. - \item[\keyindex{zcu}\pitchp, \keyindex{zccu}, \keyindex{zcccu}, - \keyindex{zccccu}, \keyindex{zcccccu} -:]eighth, ..., note with stem up but no spacing. They act like -\verb|\cu| for chord building. - \item[\keyindex{zcl}\pitchp, \keyindex{zccl}, \keyindex{zcccl}, - \keyindex{zccccl}, \keyindex{zcccccl} -:]eighth, ..., note with stem down but no spacing. They act -like \verb|\cl| for chord building. - \item[\keyindex{rhu}\pitchp, \keyindex{rhl}, \keyindex{rqu}, \keyindex{rql}, - \keyindex{rcu}, \keyindex{rcl} :] \verb|\rhu| acts like \verb|\zhu|, - but the note is shifted one note width to the right; others analogous. - \item[\keyindex{lhu}\pitchp, \keyindex{lhl}, \keyindex{lqu}, \keyindex{lql}, - \keyindex{lcu}, \keyindex{lcl} :]same - as above, but the note is shifted one note width to the left. - \item[\keyindex{zw}\pitchp~:]whole note with no following space. - \item[\keyindex{zwq}\pitchp~:]arbitrary duration note - (\hbox to8pt{\zwq1\hss}) with no following space. - \item[\keyindex{zbreve}\pitchp~:]breve - (\hbox to8pt{\zbreve1\hss}) with no following space. - \item[\keyindex{zlonga}\pitchp~:]longa - (\hbox to8pt{\zlonga1\hss}) with no following space. - \item[\keyindex{zmaxima}\pitchp~:]maxima - (\hbox to16pt{\zmaxima1\hss}) with no following space. -\end{description}\end{quote} - %\check - -\section{Spacing note heads} - -Although not needed in normal music scores, these may be useful in -very special cases. - -\begin{quote}\begin{description}\setlength{\itemsep}{0ex} -\item[\keyindex{nh}{\tt\char123}$p${\tt\char125} :]spacing half note head. -\item[\keyindex{nq}{\tt\char123}$p${\tt\char125} :]spacing quarter note head. -\end{description}\end{quote} - -\noindent As an example, the sequence - -\begin{music}\nostartrule - \startextract -\notes\nq c\nq j\en\barre -\Notes\nh c\nh j\en\barre -\notes\nq {cdef}\en -\zendextract -\end{music} - -\noindent was coded as - -\begin{quote}\begin{verbatim} -\notes\nq c\nq j\en\barre -\Notes\nh c\nh j\en\barre -\notes\nq {cdef}\en -\end{verbatim}\end{quote} - -Non spacing variants are also provided, namely -\keyindex{znh} and \keyindex{znq}. -% DAS: why??? - - \section{Dotted notes}\label{dots} - -By appending one or two \verb|p|'s (for ``pointed'') to the name, many of the -macros just introduced provide one or two dots after the notehead: -\keyindex{whp}, \keyindex{whpp}, -\keyindex{zwp}, \keyindex{zwpp}, -\keyindex{hup}, \keyindex{hupp}, -\keyindex{hlp}, \keyindex{hlpp}, -\keyindex{hap}, \keyindex{happ}, -\keyindex{zhp}, \keyindex{zhpp}, -\keyindex{qup}, \keyindex{qupp}, -\keyindex{qlp}, \keyindex{qlpp}, -\keyindex{qap}, \keyindex{qapp}, -\keyindex{zqp}, \keyindex{zqpp}, -\keyindex{cup}, \keyindex{cupp}, -\keyindex{clp}, \keyindex{clpp}, -\keyindex{qbp} and \keyindex{qbpp}, all followed by a pitch argument. -The ones that start with ``\verb|z|'' are used in chords. -The dot(s) will be raised if the note is on a line. - -A more explicit way uses one of the macros -\keyindex{pt}{\tt\char123}$p${\tt\char125}, -\keyindex{ppt}{\tt\char123}$p${\tt\char125}, or -\keyindex{pppt}{\tt\char123}$p${\tt\char125} right -before any note macro to place one to three dots after the normal note -head at pitch $p$. Again they will be raised if on a line. In fact this is the only -way to get a triple-dotted note. -For example a -quarter note with one dot could be coded \verb|\pt h\qu h|, with two dots -as \keyindex{ppt}\verb| h\qu h| and with three as -\keyindex{pppt}\verb| h\qu h|. -As a matter of style, if two voices share one staff, the dots in -the lower voice should be \emph{lowered} if the note is on a line. For -this you can use \keyindex{lpt}, -\keyindex{lppt} and \keyindex{lpppt}. - -Yet another method for posting a dot is to insert a \ital{period} before -the letter representing the pitch. Thus \verb|\qu{.a}| is equivalent to -either \verb|\pt a\qu a| or \verb|\qup a| . This may be useful when -using \ital{collective coding}, which will be discussed in the next -section. - -Non-spacing dotted notes can be produced using -\keyindex{zhup}, \keyindex{zhlp}, \keyindex{zqup}, \keyindex{zqlp}, -\keyindex{zcup}, \keyindex{zclp}, \keyindex{zqbp}, followed by a pitch, -and similarly with two \verb|p|'s for -double-dotted notes. -The following provide dotted chord notes shifted left or right: -\keyindex{lhp}, -\keyindex{rhp}, -\keyindex{lqp}, -\keyindex{rqp}, -and similarly with two \verb|p|'s for -double-dotted notes. - - -\section{Sequences of equally spaced notes; collective coding} -\label{CollectiveCoding} - -It isn't necessary to write a separate macro -sequence \verb|\notes...\en| for every individual column of notes. -Rather, a single such macro can contain all the notes in all staves -over an extended horizontal range, as long as all spacings are equal or -multiples of a unique value of \keyindex{noteskip}. -The notes in each staff could be entered one after another as normal -spacing notes as already described in Section~\ref{NormalNotes}. Then -each spacing note will cause the insertion point to advance horizontally by the -operative value of \verb|\noteskip| defined by the choice of -\verb|\notes|, \verb|\Notes|, \verb|\NOtes|, etc. Of course in such sequences -non-spacing chord notes can be entered right before their associated -spacing note. If you need to skip forward by one \verb|\noteskip|, for -example after a quarter note when there are two eighth notes in -another staff, you can use \keyindex{sk}. - -If there are only spacing notes in such a sequence, a further -simplification is available, called \ital{collective coding}. For instance -\verb|\qu{cdefghij}| writes the C major scale in quarters with -up stems. Similarly \verb|\cl{abcdef^gh}| writes the -\ital{A-minor} scale in non-beamed eighths. (Here ``\verb|^|'' represents -a sharp). If necessary a void can be inserted in a collective coding sequence -by using~\verb|*|\index{*}. Not all note-generating macros can be -used to perform collective coding, but most of them can. diff --git a/musixtex/doc/musixlyr/README.musixlyr b/musixtex/doc/musixlyr/README.musixlyr deleted file mode 100644 index bbf9abd..0000000 --- a/musixtex/doc/musixlyr/README.musixlyr +++ /dev/null @@ -1,74 +0,0 @@ - - musixlyr -- a MusiXTeX Extension Package for Lyrics Handling - Version 2.1c - - (C) Rainer Dunker 1996-2003 - - -musixlyr is a set of TeX macros to be used with Taupin MusiXTeX -(version T.52 or later) for typesetting vocal music. Its purpose is -to compensate two drawbacks of MusiXTeX's lyrics handling: - - o Typesetting lyrics with the ``native'' MusiXTeX commands \zcharnote, - \zsong etc. tends to be quite inefficient, particularly if the - lyrics have to be changed or corrected. The idea underlying - musixlyr is to separate lyrics coding from music coding and let TeX - weave them together with as little manual interference as - possible. As a result you can enter and edit lyrics (nearly) as - easily as normal text. - - o MusiXTeX has no built-in mechanism for centering hyphens between - syllables and for handling hyphenation at long melismas. This is - implemented in musixlyr following the example of engraved music. - - -New in version 2.1: - - o \appendlyrics: Appends additional lyrics to existing lyrics line - without discarding the remainder of the current lyrics - - o A couple of bugs fixed - - -New in version 2.0: - - o Support for lyrics on multi-staff instruments - - o Melisma declaration as part of the lyrics definition, - i.e. within \setlyrics - - o Improved scheme for vertical lyrics positioning - - o Using PMX: Automatic detection of upper/lower voice context in - a two-voice staff; explicitly addressing lyrics commands to - auxiliary lyrics with \auxlyr is no longer required - - o Context-dependent lyrics settings that do not need to be - adressed to absolute instrument/staff numbers, making lyrics - assignment robust against PMX part extraction - - o No more TeX register allocations per verse - (i.e. musixlyr uses only a small, fixed number of registers) - - o Facility for posting "extra" lyrics anywhere on a staff, - even where no notes are present at all - - o Slightly more robust processing of undefined verses - - -See the included file mxlyrdoc.dvi about how to make use of musixlyr. -This DVI file has been created using MusiXTeX T.103. If you have -another version installed, the music examples of the manual may be -corrupted due to font incompatibilities. Nevertheless, the rest of -the manual will remain readable so that you will be able to install -musixlyr and recompile the mxlyrdoc.tex file in order to get -everything right. - -All kinds of comments, suggestions, and bug reports are welcome! - -Author: Rainer Dunker - Wachtelweg 31 - 85591 Vaterstetten - Germany - - E-mail: rainer.dunker@web.de diff --git a/musixtex/doc/musixlyr/examples/nonmoriar.pdf b/musixtex/doc/musixlyr/examples/nonmoriar.pdf deleted file mode 100644 index d23648b..0000000 Binary files a/musixtex/doc/musixlyr/examples/nonmoriar.pdf and /dev/null differ diff --git a/musixtex/doc/musixlyr/examples/nonmoriar.tex b/musixtex/doc/musixlyr/examples/nonmoriar.tex deleted file mode 100644 index 4f0c45a..0000000 --- a/musixtex/doc/musixlyr/examples/nonmoriar.tex +++ /dev/null @@ -1,23 +0,0 @@ -\input musixtex -\input musixlyr - -\generalmeter\allabreve -\generalsignature2 -\nobarnumbers -\scale{0.9} -\setlyrics{latin} {Non mo-ri-ar sed} -\setlyrics{german}{Ich wer-de nicht ster-ben, son-dern} -\assignlyrics1{latin,german} -\setsongraise1{-1.5mm} -\startextract - \znotes\verses{,\lyrlayout{\it}}\en - \NOTEs\wh{'a}\en\bar - \NOTes\verses{\beginmel}\ha{'b}\verses{\endmel}\ha a\en\bar - \NOtesp\beginmel\qup{'a}\en - \Notes\ca{'b}\en - \NOtes\verses{,\endmel}\qa{'c}\verses{,\beginmel}\itieu0d\qa d\en\bar - \NOtes\ttie0\qa{'d}\endmel\qa c\en - \NOtes\verses{\beginmel}\ha{'d}\en\bar - \NOTes\verses{\endmel}\ha{'ee}\en -\endextract -\bye diff --git a/musixtex/doc/musixlyr/mxlyrdoc.pdf b/musixtex/doc/musixlyr/mxlyrdoc.pdf deleted file mode 100644 index be0b5bb..0000000 Binary files a/musixtex/doc/musixlyr/mxlyrdoc.pdf and /dev/null differ diff --git a/musixtex/doc/musixlyr/mxlyrdoc.tex b/musixtex/doc/musixlyr/mxlyrdoc.tex deleted file mode 100644 index e5b897c..0000000 --- a/musixtex/doc/musixlyr/mxlyrdoc.tex +++ /dev/null @@ -1,1876 +0,0 @@ -%% -%% mxlyrdoc.tex: Manual for the MusiXTeX lyrics package musixlyr -%% -%% Copyright (C) 1996-2003 Rainer Dunker -%% -%% This document is free software; you can redistribute it and/or modify -%% it under the terms of the GNU General Public License as published by -%% the Free Software Foundation; either version 2 of the License, or -%% any later version. -%% -%% This document is distributed in the hope that it will be useful, -%% but WITHOUT ANY WARRANTY; without even the implied warranty of -%% MERCHANTABILITY or FITNESS FOR A PARTICULAR PURPOSE. See the -%% GNU General Public License for more details. -%% -%% You should have received a copy of the GNU General Public License -%% along with this document; if not, write to the Free Software -%% Foundation, Inc., 675 Mass Ave, Cambridge, MA 02139, USA. -%% -%% Author: -%% Rainer Dunker -%% Wachtelweg 31 -%% 85591 Vaterstetten -%% Germany -%% -%% E-mail: rainer.dunker@web.de -%% -\documentclass[twoside]{article} -\usepackage{musixtex,multicol,makeidx} - -\input musixlyr - -\textwidth210mm \advance\textwidth-2in % These format settings -\textheight297mm \advance\textheight-2in % can be freely changed! -\advance\textheight-\headheight \advance\textheight-\headsep -\footskip0pt \topmargin0pt \evensidemargin0pt \oddsidemargin0pt - -\pagestyle{headings} -\parskip0.5ex plus 0.25ex minus 0.25ex -\parindent0pt -\sloppy - -\nobarnumbers -\smallmusicsize - -% -% command index -% -\makeatletter -\renewenvironment{theindex} - {\let\item\@idxitem - \begin{multicols}{2} - \parskip0pt} - {\end{multicols}} -\def\printcmd#1{{\tt\char92 #1}} -\def\ci#1{\printcmd{#1}\bci{#1}} -\def\bci#1{\index{#1@\printcmd{#1}}} % "blind" command index entry -\makeindex - -\let\myqnwidth\qn@width -\makeatother - -\def\musixlyr{{\tt musixlyr}} -\def\PMX{{\bf PMX}} -\def\var#1{\hbox{$\langle$#1$\rangle$}} -\def\oneversespace{\par\vspace*{2mm}} -\def\twoversesspace{\par\vspace*{7mm}} - - - - -\begin{document} - - -\title{\musixlyr\ --- a \musixtex\ Extension Package for Lyrics Handling - (Version 2.1c)} -\author{\copyright\ Rainer Dunker 1996--2003\\ - {\tt rainer.dunker@web.de}} -\maketitle -\thispagestyle{empty} - - -{\small\sl (The page layout of this document is tailored to A4 paper - format, but the text width and height can be freely changed in order - to meet other paper sizes; no part of the layout relies on a - particlular size.)\/} - -{\parskip0pt\tableofcontents} - - - -\section{Introduction} - - -\subsection{Basic concepts} - -\musixlyr\ is a set of \TeX\ macros to be used with Taupin \musixtex\ -(version T.52 or later) for typesetting vocal music. Its purpose is -to compensate two drawbacks of \musixtex's lyrics handling: -\begin{itemize} - \item Typesetting lyrics with the ``native'' \musixtex\ commands - \verb|\zcharnote|, \verb|\zsong| etc.\ tends to be quite - inefficient, particularly if the lyrics have to be changed or - corrected. The idea underlying \musixlyr\ is to separate lyrics - coding from music coding and let \TeX\ weave them together with as - little manual interference as possible. As a result you can enter - and edit lyrics (nearly) as easily as normal text. - \item \musixtex\ has no built-in mechanism for centering hyphens between - syllables and for handling hyphenation at long melismas. This is - implemented in \musixlyr\ following the example of engraved music. -\end{itemize} - - - -\subsection{New since version~2.0} - -\musixlyr~2.0 provides the following major enhancements: -\begin{itemize} - \item Support for lyrics on multi-staff instruments - $\longrightarrow$~section~\ref{multi-staff-instruments} - % - \item Melisma declaration as part of the lyrics definition, - i.\,e.~within \ci{setlyrics} - $\longrightarrow$~section~\ref{melismas} - % - \item Improved scheme for vertical lyrics positioning - $\longrightarrow$~section~\ref{vertical-positioning} - % - \item Facility for posting lyrics anywhere on a staff, even where no - notes are present at all - $\longrightarrow$~section~\ref{lyric*-verse-numbers} -\end{itemize} - -These new features are especially interesting when \musixlyr\ is used in -conjunction with \PMX: -\begin{itemize} - \item Automatic detection of upper/lower voice context in - a two-voice staff; explicitly addressing lyrics commands to - auxiliary lyrics with \ci{auxlyr} is no longer required - $\longrightarrow$~section~\ref{auxlyr-attachment} - % - \item Context-dependent lyrics settings that do not need to be - adressed to absolute instrument/staff numbers, making lyrics - assignment robust against part extraction - $\longrightarrow$~section~\ref{assignment-by-context} -\end{itemize} - -Finally, a few improvements have been made that do not bear explicit -new features but work rather behind the scenes: -\begin{itemize} - \item No more \TeX\ register allocations for each verse name newly - defined by \ci{setlyrics} or \ci{copylyrics}; the use - of those registers has been replaced by macros. - % - \item Due to the abandoned per-verse register allocations, the - \ci{enableauxlyrics} command is obsolete. It is retained for the - sake of backward compatibility, but it has no effect. - % - \item Slightly more robust processing of undefined verses. An error - is raised immediately when an undefined verse is assigned to a - staff/instrument, and the undefined verse name is implicitly - defined as having empty lyrics. This avoids obscure errors in later - stages of \TeX\ processing. -\end{itemize} - -The current version~2.1c is mainly a bugfix version of~2.0, with a few -functional additions: -\begin{itemize} - \item Possibility to add additional lyrics to an existing lyrics - definition without discarding the remainder of the current lyrics - line contents; useful if lyrics are defined in several portions - spread over the score (see~\ref{appendlyrics}). - \item The \musixlyr\ version is identified by the predefined macro - \verb|\musixlyrversion|, enabling other \TeX\ code to check for - version compatibility (according to a suggestion by Dirk Laurie). -\end{itemize} - -Suggestions for other useful things are welcome. - - - -\subsection{Backward incompatibility issues} - -The following properties make \musixlyr\ versions~2.$x$ incompatible -to earlier versions: -\begin{itemize} - \item - It is no longer possible to represent ``empty syllables'' by - empty \TeX\ environments `\verb|{}|' within \ci{setlyrics}; see - also section~\ref{empty-syllable}. - % - \item - Within \ci{setlyrics}, the underscore character has got a - special meaning and thus can no longer be used as usual; see - section~\ref{melismas-by-underscores}. - % - \item - By default, auxiliary lyrics are now placed vertically {\em - above\/} (no longer below) the staff they are assigned to; see - section~\ref{auxlyr-vertical-position-default}. -\end{itemize} - - -The following bugfix of \musixlyr~2.1b also implies a slight backward -incompatibility: -\begin{itemize} - \item - At the beginning of a music line (system), lyrics have often been - right-shifted because \musixlyr\ has assumed MusiXTeX's horizontal - ``zero'' position as the left boundary for lyrics positioning. Now, - lyrics are allowed to extend into the left margin as far as - required for centered placement under/above the note. - - Although this is a more ``natural'' behaviour, it may lead to - collisions between lyrics and other stuff (like dynamic marks) that - have not occurred using older \musixlyr\ versions. In such a case, - there are two ways to solve the problem: - % - \begin{itemize} - \item Restore the former \musixlyr\ behaviour globally by saying - \begin{quote} - \ci{oldlyrlinestart} - \end{quote} - near the top of your score source. - % - \item Right-shift the colliding lyrics where necessary using - \ci{lyroffset} (see~\ref{lyroffset}). - \end{itemize} - \end{itemize} - - - -\subsection{Restrictions} - -\begin{itemize} - \item \musixlyr\ does not influence the \musixtex/{\tt musixflx} - spacing algorithm in order to make the notes spacing dependent on - the space requirements of the lyrics. See section~\ref{horizpos} - about how spacing problems are handled. - % - \item \musixlyr\ seems to work correctly in my preferred working - environment, but I cannot exclude problems in situations I have - not undergone (especially concerning the use of \musixtex\ - preprocessors, the \musixtex\ extension library, and past or - future \musixtex\ releases). Thus it is important that you point out - encountered bugs and incompatibilities to me; there is little - chance that I notice them on my own. - - Please do also bother me if you find this manual --- or parts of - it --- incomprehensible or incomplete. -\end{itemize} - - - -\section{Installation} - -Put the {\tt musixlyr.tex} file into a directory that is included in -your \verb|TEXINPUTS| search path --- that's all. (Refer to your local \TeX\ -documentation for details on this.) - - - -\section{Usage} - -Before using \musixlyr\ macros, state -\begin{quote}\verb|\input musixlyr|\end{quote} -near the beginning of your source file but {\bf after} the -\verb|\input musixtex| (\LaTeX: \verb|\usepackage{musixtex}|) -command. - - - -\subsection{Entering lyrics} - - -\subsubsection{Lyrics as lines of words} - -As opposed to the ``vertical'' music construction of -\musixtex, \musixlyr\ treats lyrics ``horizontally'' as {\em lyrics -lines.\/} Each separate ``thread'' of words is a separate lyrics -line; thus, in the following example\footnote{Excerpt from -``Tourdion'' by {\sc Pierre Attaignant} ({\sl ars -musica\/} vol.\,4, M\"oseler Verlag Wolfenb\"uttel/Z\"urich)}, - -\begin{music} - \setlyrics{soprano} - {Quand je bois du vin clai-ret, a-mi tout} - \setlyrics{alto}{Le bon vin nous} - \setlyrics{tenor}{Bu-vons bien, bu-vons mes a-mis,} - \copylyrics{tenor}{bass} - \assignlyrics4{soprano} - \assignlyrics3{alto} - \assignlyrics2{tenor} - \assignlyrics1{bass} - \setsongraise3{-1.5mm} - \small - \instrumentnumber4 - \generalsignature2 - \generalmeter{\meterfrac32} - \setclef1\bass - \songtop4 - \songbottom1 - \sepbarrules - \startextract - \NOtes\wh{`e}\sk\sk\sk\ha e&% - \wh g\sk\sk\sk\ha e&% - \wh b\sk\sk\sk\ha b&% - \qa{efg'a!gf}\en\bar - \NOTesp\wh{`e}&\wh{'b}&\wh e&\hup e\en - \NOtes\sk\ha{`e}&\sk\ha{'b}&\sk\ha e&\qa{fg'a}\en - % force hyphens of incomplete words: - \def\atnextbar{\znotes\lyric{}&\lyric{}\en}% - \endextract -\end{music} -\oneversespace - -there are four lyrics lines notwithstanding that two of them consist -of the same words. - -Note that the number of lyrics lines does not depend on the number -of staves: Any number of lyrics lines (including none) can be attached -to each staff (more about multiple lyrics lines per staff in -section~\ref{multilyrlines}). - - -\subsubsection{Setting up a lyrics line} - -A lyrics line is set up using the command -\begin{quote} - \ci{setlyrics}\verb|{|\var{name}\verb|}{|\var{words}\/\verb|}| -\end{quote} -where \var{name} is a name\footnote{This name must not contain -backslashes or commas. Most other characters do not cause problems; -however, it is safer to use only letters and digits.} for the lyrics -line (e.\,g.\ the name of the voice singing these lyrics) and -\var{words} is the complete text where multi-syllable words must be -given {\bf hyphenated.} For example, the soprano lyrics of the above -example are set as follows: -\begin{quote} - \bci{setlyrics} - \begin{verbatim} -\setlyrics{soprano}{Quand je bois du vin clai-ret, a-mi tout}\end{verbatim} -\end{quote} - -Important notes on using \ci{setlyrics}: -\begin{itemize} - \item - Within the lyrics definition, spaces and hyphens are used to - split the whole text into words or syllables. If you want a space - or hyphen appear {\em within\/} a word/syllable, use the command - \verb|\space| or \ci{lyrhyphenchar}, respectively, instead. - \item - \label{empty-syllable}% - If you want the lyrics attachment to skip over a note, - i.\,e.~a certain note shall not receive a syllable, you may - achieve this by inserting an empty syllable in the \var{words} - text. However, neither a ``really empty'' syllable (i.\,e.~two - consecutive separating spaces) nor an empty environment \verb|{}| - will work, but you may use either \verb|{\empty}| or - \verb|\empty{}| for this. - - Normally, the \ci{nolyr} command (discussed later in this - manual) should be used for this purpose, but an empty syllable may - be more handy if it occurs in only one of multiple assigned - verses; see also sections~\ref{melismas-by-underscores} - and~\ref{multilyrlines}. - \item - Note that, since lyrics lines are cut into pieces which are - processed separately, you cannot apply things like temporary font - changes in the usual manner (i.\,e.~using \TeX\ - environments). See section~\ref{layoutpar} about how to accomplish - layout changes. - \item - Applying \ci{setlyrics} to an already defined \var{name} - redefines the lyrics line. This may be useful at very long pieces - because setting up and applying lyrics in smaller portions - (e.\,g.\ movement by movement) saves both time and memory. - \item - It is possible to specify melismas --- that shall occur later when - a verse is attached to the music --- already within - \ci{setlyrics}; see section~\ref{melismas-by-underscores} for - details. - -\end{itemize} - -There are two variants of the \verb|\setlyrics| command available: -\begin{itemize} - \item - If several voices have the same lyrics, you do not have to copy - and paste the lyrics for each further voice; just say - \begin{quote}\ci{copylyrics}\verb|{|\var{from name}% - \verb|}{|\var{to name}\verb|}|\end{quote} - to set up a lyrics line named \var{to name} with the same contents - as \var{from name}. - \item - Applying \ci{setlyrics} to an already defined \var{name} - has the effect of discarding all previous contents of \var{name}, - even if part of the lyrics is still pending for being - processed. If you want to {\em append\/} further lyrics to an already - existing lyrics line instead --- without interrupting the - processing of the current lyrics contents ---, use the command - \label{appendlyrics} - \begin{quote} - \ci{appendlyrics}\verb|{|\var{name}\verb|}{|\var{words}\/\verb|}| - \end{quote} - instead of \verb|\setlyrics|. - % A warning about performance loss due to \appendlyrics's material - % accumulation may be added here; it should occur only if \golyr - % jumps to or near to the lyrics beginning are performed. -\end{itemize} - - -\subsubsection{Assigning lyrics lines to staves} - -{\bf Note:} During the following discussion, the term {\em staff\/} is -used wherever \musixtex\ would precisely use the term {\em -instrument\/} instead, assuming that lyrics are posted to single-staff -instruments only. However, everything also applies to the assignment -of lyrics to staves of multi-staff instruments; see -section~\ref{multi-staff-instruments} about how to use lyrics in a -multi-staff instrument context. - -To assign a lyrics line to a staff, say -\begin{quote}\ci{assignlyrics}\verb|{|\var i% - \verb|}{|\var{name}\verb|}|\end{quote} -where \var i is the instrument number (counted as usual from bottom to -top) and \var{name} the name of the lyrics line. - -The resulting assignment can be redefined everywhere. This is useful -if the arrangement of voices on staves changes within the score; when -a voice is continued on a different staff at the next system, use -\ci{assignlyrics} (preferrably enclosed in \verb|\atnextline{...}|) to -make the respective lyrics line follow this change without -interrupting the flow of words. - -If a lyrics line is assigned to instrument \var i and you want it to be -continued on a different instrument while assigning no other lyrics line -to instrument \var i, you must explicitly cancel the former assignment by -saying \ci{assignlyrics}\verb|{|\var i\verb|}{}|. - -{\bf Caution:} Never assign a lyrics line to more than one -staff simultaneously; if the same lyrics are needed at -several staves in parallel, use \ci{copylyrics} (see above). - -As a summary of this section, here is the complete ``lyrics -definition section'' of the above example: -\begin{quote} - \bci{setlyrics} - \bci{copylyrics} - \bci{assignlyrics} - \begin{verbatim} -\setlyrics {soprano}{Quand je bois du vin clai-ret, a-mi tout} -\setlyrics {alto} {Le bon vin nous} -\setlyrics {tenor} {Bu-vons bien, bu} -\copylyrics{tenor} {bass} -\assignlyrics4{soprano} -\assignlyrics3{alto} -\assignlyrics2{tenor} -\assignlyrics1{bass}\end{verbatim} -\end{quote} - -See also section~\ref{assignment-by-context} about an alternative way -to assign lyrics to staves. - - - -\subsection{Managing the attachment of lyrics to notes} -\label{manipulation} - - -\subsubsection{Automatic lyrics attachment} -\label{auto-attachment} - -By default, the syllables of a lyrics line are consecutively attached to -all {\em spacing\/} notes of the assigned staff. Chords thus receive only -one syllable since they usually contain exactly one spacing note. -However, this may be different if you are using auxiliary lyrics; -see section~\ref{auxlyrics} for details. - -``Spacing'' in this context means: generated by one of the commands -\verb|\qu|, \verb|\hu|, \verb|\wh|, etc.\ and not by \verb|\zqu|, -\verb|\zhu|, \verb|\zq|, etc. Spacing or not does {\em not\/} depend on -whether the note-generating command is enclosed in \verb|\znotes| or -any other \verb|\notes| command. So if any note seems to have been -left out by the attachment automatism, first make sure that this -note is generated using a command not beginning with \verb|\z|. - -If the number of words of a lyrics line gets exhausted before all -notes of the respective staff are processed, ``???'' is posted at all -remaining notes. - - -\subsubsection{Addressing manipulations to lyrics} - -In the ``ideal'' case, the attachment automatism perfectly distributes the -lyrics over the music. In practice, however, situations in which the -automatism must be ``helped'' manually are frequent. Such -manipulations must be posted within the music code. Here are the -basic rules: -\begin{enumerate} - \item All lyrics manipulations must be stated inside - \verb|\notes...\enotes|. - (Exception: melisma specifications within \verb|\setlyrics|, see - section~\ref{melismas-by-underscores}). - \item Lyrics manipulations solely refer to the lyrics line(s) - attached to the current staff (``current'' with respect to the - enclosing `\verb|&|' characters). - \item Similar to many other \musixtex\ commands (e.\,g.\ for beams - and slurs), lyrics manipulations must be issued before the - corresponding note commands. -\end{enumerate} -Examples in the following sections will illustrate the application. - - -\subsubsection{Melismas} -\label{melismas} - -Regarding lyrics and music separately, melismas are no property of -either one; instead, they characterize the relation between both and -play a role only where music and lyrics occur together. Using -\musixlyr, however, lyrics coding and music coding are basically -unrelated, but melismas do have to be specified somewhere. You have to -decide yourself whether you regard melismas as an attribute rather of -the lyrics or rather of the music (this may vary according to the type -of score you are preparing, or may even differ within a score); -\musixlyr\ provides two corresponding styles of melisma specification -which are discussed in the following paragraphs. - -\begin{description} - \item[Melismas as a music property.] - Within the music code, a melisma is initiated and terminated by the - command pair - \begin{quote} - \hspace*{\fill}\ci{beginmel}\hfill\ci{endmel}\hspace*{\fill} - \end{quote} - issued before the first and last note, respectively, of the melisma. - This left-justifies the current word/syllable, suspends lyrics until - after the melisma, and sets up a ``word extension - underline''\footnote{I am not sure whether this is the appropriate - term; it is taken from the {\sl Finale\/} reference manual.} unless - the current word is continued afterwards and thus has to be - hyphenated. For example, - - \begin{music} - \resetlyrics - \instrumentnumber1 - \small\scale{0.6} - \setlyrics{melismatic}{a me-lis-ma} - \assignlyrics1{melismatic} - \startextract - \NOtes\beginmel\qa{def}\endmel\qa e\en\bar - \NOtes\beginmel\qa{def}\endmel\qa g\en\bar - \NOtes\beginmel\qa{'a!gf}\endmel\qa e\en\bar - \NOtes\beginmel\qa{defe}\en\bar - \NOTEs\endmel\wh d\en - \endextract - \end{music} - \oneversespace - - has been coded as: - \begin{quote} - \bci{beginmel} - \bci{endmel} - \begin{verbatim} -... -\NOtes\beginmel\qa{def}\endmel\qa e\en\bar -\NOtes\beginmel\qa{def}\endmel\qa g\en\bar -\NOtes\beginmel\qa{'a!gf}\endmel\qa e\en\bar -\NOtes\beginmel\qa{defe}\en\bar -\NOTEs\endmel\wh d\en -...\end{verbatim} - \end{quote} - If a system break occurs within the melisma, hyphenation or underline - is continued at the next system, thus automatic line breaking is - applicable. - - \item[Melismas as a lyrics property.] - \label{melismas-by-underscores} - To specify a melisma within a lyrics definition (i.\,e.~within - \ci{setlyrics} or \ci{appendlyrics}), simply append an underscore - character to a syllable to make it span over an additional note, - two underscores to span over two additional notes, and so - on. Alternatively, you may append to a syllable a single underscore - followed by a number which denotes the number of {\em additional\/} - melisma notes: \verb|abc_| is equivalent to \verb|abc_1|, - \verb|abc__| to \verb|abc_2|, and so on. - - No matter which of the two underscore appendix styles you use: If a - melismatic syllable is hyphenated to the following one, the melisma - denotation must {\bf precede} the hyphen --- for example: - \verb|abc__-def| ({\bf not:} \verb|abc-__def|). - - All melisma properties mentioned above (lyrics suspension, left - justification of syllable, word extension underline, system break - support) also apply to melismas specified this way. For reference, - here is the lyrics definition section of the example above, this time - utilizing the underscore melisma technique (note that, in this case, - all \ci{beginmel} and \ci{endmel} commands must be omitted in the - music section): - - \begin{quote} - \ci{setlyrics}\verb|{melismatic}{a___ me_3-lis___-ma_4}| - \end{quote} - - \item[Comparing both points of view.] - The music-oriented melisma view (using \ci{beginmel}/\ci{endmel}) is - advantageous for music with a rather loose binding to certain lyrics, - e.\,g.~folk songs that are to be printed with various verse compilations - or in different languages. You may then enter each verse without - taking care of melismas because they are coded just once as part of - the music. - - On the other hand, the lyrics-focused melisma style (using - underscores) is best suited to pieces with a fixed lyrics-to-music - binding; it is easier to type and to read, but less flexible as - regards combining the same lyrics with different music. It is - especially advantageous for multiple verses (see - section~\ref{multilyrlines}) with different syllables-to-notes - distribution (see verse~3 of the ``Drunken sailor'' example in - section~\ref{versenumbers}); it is much easier to code each verse's - melismas individually than tracking all melismas in parallel using - the \ci{verses} command (see again section~\ref{multilyrlines}). - - \item[Note.] - You may use both styles within the same score but you should avoid - activating both melisma types simultaneously at the same lyrics line; - the result of such an occurrence is undefined. -\end{description} - - -\subsubsection{Turning automatic lyrics attachment on/off} - -If the attachment automatism is unsuitable for some -situation --- e.\,g.\ at complex polyphonic voicings or wherever you -want to place all syllables manually --- you can turn it off using -\begin{quote}\ci{lyricsoff}\end{quote} -after the last note that shall get a syllable. (If your piece begins -with a lyrics-less section, state \ci{lyricsoff} before the first -note of a staff.) To re-enable automatic lyrics attachment, use -\begin{quote}\ci{lyricson}\end{quote} -before the first note that shall get a syllable. - -If automatic lyrics attachment shall skip over certain single notes -only, the \ci{nolyr} command is more suitable (see -section~\ref{nolyr-command}). - - -\subsubsection{Lyrics repetition and skipping} - -As in the following example of a polyphonic piece, - -\begin{music} - \resetlyrics - \instrumentnumber2 - \setclef1\bass - \songtop2 - \songbottom1 - \small - \setlyrics{amen1} - {\llabel{amenlabel}A-men!} \assignlyrics1{amen1} - \copylyrics{amen1}{amen2} \assignlyrics2{amen2} - \startextract - \NOtes% lower staff: - \itenu0K\beginmel\wh K\sk\sk\sk - \midslur2\tten0\endmel\hlp K&% - % upper staff: - \qa f\lyrnop\lyrpt,\qa g% - \golyr{amenlabel}\lclyr\qa h\lyrnop\lyrpt,\qa{_i}% - \golyr{amenlabel}\lclyr\beginmel\islurd1h\qa{hg}% - \tslur1f\endmel\qa f\en - \NOTEs\wh N&\wh g\en - \endextract -\end{music} -\oneversespace - -it often happens that some lyrics phrases are repeated by some but -not all voices, or that each voice has its individual arrangement of -lyrics repetitions. Nevertheless, you do not have to enter -these repetitions directly within \ci{setlyrics}; instead, you -enter the lyrics as if they were performed in an unbroken -sequence. Repetitions and skips are then handled using a ``go to'' -technique involving the following steps: -\begin{description} - \item[Labelling ``go to'' targets.] A syllable which has to be jumped at - must be preceded (without spaces in between) by - \begin{quote}\ci{llabel}\verb|{|\var{label name}\verb|}|\end{quote} - within \ci{setlyrics}. - \item[Performing jumps.] Within the music code, say - \begin{quote}\ci{golyr}\verb|{|\var{label name}\verb|}|\end{quote} - before the note at which the jump has to be performed. - - {\bf Caution:} If you try to jump to an undefined lyrics label, no - meaningful error message is produced. However, if \TeX\ reports an - error at a \ci{golyr} command, you should check conformity of - defined and used labels. -\end{description} -The following actions must be taken in special cases: -\begin{description} - \item[Adding punctuation marks.] Usually a comma or period is - appended to the word preceding a jump; this is done by the command - \begin{quote}\ci{lyrpt}\var{punctuation char}\end{quote} - where \var{punctuation char} can be any single punctuation - character. - \item[Removing punctuation marks.] Before adding a punctuation mark - to a word as said above, an already existing punctuation mark - should be removed by the command: - \begin{quote}\ci{lyrnop}\end{quote} - \item[Lower case letters.] Words at jump targets often begin with a - capital letter which should appear lower case after a jump; - this can be forced by the command: - \begin{quote}\ci{lclyr}\end{quote} -\end{description} -Here is a code excerpt from the above example, summarizing the use of -all mentioned commands: -\begin{quote}\small - \bci{llabel} - \bci{copylyrics} - \bci{setlyrics} - \bci{lyrnop} - \bci{lyrpt} - \bci{golyr} - \bci{lclyr} - \bci{beginmel} - \bci{endmel} - \begin{verbatim} -\setlyrics{amen1} - {\llabel{amenlabel}A-men!} \assignlyrics1{amen1} -\copylyrics{amen1}{amen2} \assignlyrics2{amen2} -\startextract - \NOtes% lower staff: - \itenu0K\beginmel\wh K\sk\sk\sk - \midslur2\tten0\endmel\hlp K&% - % upper staff: - \qa f\lyrnop\lyrpt,\qa g% - \golyr{amenlabel}\lclyr\qa h\lyrnop\lyrpt,\qa{_i}% - \golyr{amenlabel}\lclyr\beginmel\islurd1h\qa{hg}% - \tslur1f\endmel\qa f\en - \NOTEs\wh N&\wh g\en -\endextract\end{verbatim} -\end{quote} -Note that the ``go to'' technique is recommendable mainly if different -voices perform different repetitions or skips on the same lyrics; if -all voices perform the same sequence of repetitions, however, it is -easier to hard-code them within \ci{setlyrics}. - - -\subsubsection{Miscellaneous} -\label{miscmanip} - -\begin{description} - \item[Excluding single notes.] - \label{nolyr-command}% - In the following situation, - - \begin{music} - \resetlyrics - \instrumentnumber1 - \setlyrics1{ca-den-za} - \assignlyrics11 - \startextract - \NOtes\zqlp{'c}\qu e\en - \Notes\qu{'d}\nolyr\cl b\en - \bar - \NOTes\zhl{'c}\hu c\en - \endextract - \end{music} - \oneversespace - - the eighth note must be excluded from receiving a syllable. This - can be accomplished saying - \begin{quote}\ci{nolyr}\end{quote} - before the command generating this note. - \item[Manual lyrics posting.] When automatic lyrics attaching is - switched off, a word or syllable can be placed manually saying - \begin{quote}\ci{lyr}\end{quote} - before the command generating the note that shall get this - word/syllable. - - This command also works independently from a following note command; - you can issue it before a rest, a \verb|\sk| or even alone for - itself in order to place a word/syllable wherever you want (no - matter whether the attachment automatism is on or off). - - Manipulations to the posted word/syllable have to be placed {\em - before\/} the \ci{lyr} command. - \item[Left justification.] Say - \begin{quote}\ci{llyr}\end{quote} - in order to have the next word/syllable left-justified to the - notehead instead of centered. - - If you prefer to have left justification as the default, say - \begin{quote}\ci{leftlyrtrue}\end{quote} - before your piece begins (\ci{leftlyrfalse} to restore centered - lyrics). - \item[Word extension underlines.] The melisma commands (see - \ref{melismas}) automatically manage word extension underlines; - however, they can be set manually: Say - \begin{quote}\ci{lyrrule}\end{quote} - before the respective note command to initiate an underline {\em - after\/} the word, and - \begin{quote}\ci{lyrruleend}\end{quote} - before the note where the underline shall be terminated. - - Note that no underline will be drawn if the word is continued - afterwards so that the underline would interfere with the - hyphenation. - \item[Horizontal offset.]\label{lyroffset}% - To shift a word/syllable out of its default - horizontal position, say - \begin{quote}\ci{lyroffset}\verb|{|\var n\verb|}|\end{quote} - which --- similar to \verb|\roffset| --- moves the next word/syllable - \var n quarter note head widths to the right (left if \var n - is negative). - - Note that the effect of \ci{lyroffset} may be overridden by - automatic lyrics shifting. If you want to gain complete manual - control over the positioning, you have to disable the shifting - automatism; see section \ref{horizpos} for details. - \item[Extra lyrics.] If, as in the following - example\footnote{Excerpt from ``In the town where I was born'' - ({\sl Eine kleine Melodie,\/} Strube, M\"unchen 1989)}, - - \begin{music} - \resetlyrics - \instrumentnumber2 - \generalsignature1 - \setclef1\bass - \songtop2 - \songbottom1 - \interinstrument=6mm - \setsongraise2{-0.5mm} - \scale{1.5} - \forcelyrhyphenstrue - \small - \setlyrics{lower}{yel-low sub-ma-rine,} \assignlyrics1{lower} - \copylyrics{lower}{upper} \assignlyrics2{upper} - \startextract - \Notes\ibl0N0\zqbp0N\ibu1N0\qbp1b&% - \ibl2f0\zqbp2d\ibu3g0\qbp3g\en - \notes\tbbl0\tbl0\zqb0N\tbbu1\tbu1\qb1b&% - \tbbl2\tbl2\zqb2d\tbbu3\tbu3\qb3g\en - \Notes\ibl0M0\zqbp0M\ibu1N0\qbp1b&% - \ibl2f0\zqbp2d\ibu3g0\qbp3g\en - \notes\tbbl0\tbl0\zqb0M\tbbu1\tbu1\qb1b&% - \tbbl2\tbl2\zqb2d\tbbu3\tbu3\qb3g\en - \Notes\ibl0L{-1}\zqbp0L\hu b&\zhl d\hu g\en - \notes\tbbl0\tbl0\lyric{ya,}\qb0K\en - \Notes\ibl0L1\lyric{ya,}\qbp0L\en - \notes\tbbl0\tbl0\lyric{ya,}\qb0M\en - \endextract - \end{music} - \oneversespace - - a voice has ``extra'' lyrics (such as ``hmm'', ``ah'', ``ya'', etc.) - in addition to the ``main'' lyrics, you need not enter them within - \ci{setlyrics} (which would inhibit using \ci{copylyrics}); - instead, you can enter them directly within the music code using - the command - \begin{quote}\ci{lyric}\verb|{|\var{extra syllable}\verb|}|\end{quote} - before the note where they shall appear. (Note that the effect is - different from using \verb|\csong| which would not apply automatic - hyphenation, horizontal positioning control, and \musixlyr's - vertical positioning scheme.) Automatic lyrics attaching --- if - active --- is suspended at that note. All manipulations can be - applied; they must be given before the \ci{lyric} command. - - If you want the syllable linked to the following one by a hyphen, - use \ci{lyrich} instead of \ci{lyric}. - - It may sometimes be necessary to post lyrics where no note is - present at all, i.\,e.~in the empty space between notes. This is, - however, possible with \verb|\lyric|, but is is unsuitable because - automatic lyrics attachment shall {\em not\/} be suspended at the - next note. In this case one of the commands \ci{lyric*} or --- for - hyphenated syllables --- \ci{lyrich*} should rather be used; they - have no effect on the ``regular'' flow of lyrics. - \label{lyric*-verse-numbers}% - One application for this are vertically aligned verse numbers. For - example, - - \begin{quote} - \bci{lyric*} - \bci{verses} - \begin{verbatim} -\setlyrics1{Spring time} -\setlyrics2{Au-tumn} -\assignlyrics1{1,2} -... -\znotes\loffset{2.2}{\verses{\lyric*{1.},\lyric*{2.}}}\en -\hardspace{4mm}% -\NOTes\hu{ee}\en -...\end{verbatim} - \end{quote} - - yields: - - \begin{music} - \resetlyrics - \setlyrics1{Spring time} - \setlyrics2{Au-tumn} - \assignlyrics1{1,2} - \lyrraise1{b -1.5mm} - \scale{1.2} - \startextract - \znotes\loffset{2.2}{\verses{\lyric*{1.},\lyric*{2.}}}\en - \hardspace{4mm}% - \NOTes\hu{ee}\en - \endextract - \twoversesspace - \end{music} - - (See section~\ref{multilyrlines} about attaching multiple verses - to a single staff, a feature that has not been introduced so far.) - - You may even obtain verse numbers that are repeated at the - beginning of each system by enclosing the \verb|\znotes...| command - for setting the numbers in \verb|\def\everystaff{...}|. - - Another possible application --- combined with empty syllables --- - is coping with unusual lyrics situations at voltas; for example, - - \begin{music} - \twoversesspace - \setlyrics1{first pass} - \setlyrics2{se-cond pass} - \assignlyrics1{1,2} - \resetlyrics - \scale{2} - \startextract - \NOTEs\wh g\en - \Setvolta1\def\atnextbar{\znotes\verses{,\lyric{}}\en}\bar - \NOTEs\wh g\en - \znotes\verses{,\lyrich*{}}\en \Setvolta2\setendvoltabox\rightrepeat - \NOTEs\verses\lyricsoff\pause\en\bar - \NOTEs\ha{gg}\en\setendvolta - \endextract - \twoversesspace - \end{music} - - is accomplished by: - - \begin{quote} - \bci{verses} - \bci{lyric} - \bci{lyrich*} - \begin{verbatim} -\setlyrics1{first pass} -\setlyrics2{se-cond pass} -\assignlyrics1{1,2} -\startextract - \NOTEs\wh g\en - \Setvolta1\def\atnextbar{\znotes\verses{,\lyric{}}\en}\bar - \NOTEs\wh g\en - \znotes\verses{,\lyrich*{}}\en - \Setvolta2\setendvoltabox\rightrepeat - \NOTEs\verses\lyricsoff\pause\en\bar - \NOTEs\ha{gg}\en\setendvolta -\endextract\end{verbatim} - \end{quote} - - The trick used here is to inject empty syllables into the second - verse at the barlines around the first volta; they serve as anchors - for the hyphenation suspended under this volta. - - Note that the \ci{lyric}, \ci{lyric*}, \ci{lyrich}, and - \ci{lyrich*} commands cannot be used at staves without assigned - lyrics lines. -\end{description} - - - -\subsection{Horizontal positioning} -\label{horizpos} - -\musixlyr\ takes care of blank space between words. If a word --- at -its default position --- would come too close to or overlap the -previous word, it is shifted right in order to ensure a minimum of -blank space. This minimal interword space can be set by -\begin{quote}\ci{minlyrspace}\verb|=|\var{any \TeX\ dimension}\end{quote} -and is initially set to~3\,pt. - -%The situation is different if two syllables belong to the same -%word. Such syllables are allowed to close up; only overlapping is -%inhibited by shifting. If the space between such syllables is -%narrower than a hyphen, the hyphen is omitted unless you force -%hyphens in every spatial situation saying -%\begin{quote}\verb|\forcelyrhyphenstrue|\end{quote} -%(to restore the default behaviour: \verb|\forcelyrhyphensfalse|). In -%this case, enough room is made for the hyphen by shifting the right -%syllable if necessary. - -\leavevmode\label{nicerhyphens}% -The situation is different if two syllables belong to the same -word. Such syllables are allowed to close up; only overlapping is -inhibited by shifting. If the ``natural'' space between such syllables is -narrower than a hyphen, the hyphen is omitted and the two syllables -close up completely (eventually by left-shifting the second syllable -to prevent a small gap). You may though force -hyphens in every spatial situation saying -\begin{quote}\ci{forcelyrhyphenstrue}\end{quote} -(to restore the default behaviour: \ci{forcelyrhyphensfalse}). In -this case, enough room is made for the hyphen by right-shifting the -second syllable if necessary. - -If the note spacing is quite narrow, lyrics shifting may get -accumulated within a system. In order to prevent shifting words too -far out of their original position, a wider note spacing should be -considered. The command -\begin{quote}\ci{showlyrshifttrue}\end{quote} -marks each lyric shift with a black rectangle of the respective -width, thus making it easy to detect questionable positionings. - -If you prefer to completely disable lyrics shifting, set -\ci{minlyrspace} to a large negative value (e.\,g.~$-10$\,cm). - - - -\subsection{Vertical positioning} -\label{vertical-positioning} - -By default, \musixlyr\ places lyrics vertically centered between the -two adjacent staves. Lyrics below the lowest or above the topmost -staff of a system are centered around the system's bottom or top -margin line.% -\footnote{This is not necessarily the most reasonable way, but it is - compatible to \musixtex's \printcmd{csong} behaviour.} - -In most scores, you will have to deviate from this standard and -manually adjust the lyrics' vertical position. This can be done per -staff with the command -\begin{quote} - \ci{lyrraise}\verb|{|\var n\verb|}|\verb|{|\var{pos}\var{raise}\verb|}| -\end{quote} -which applies the following setting to the lyrics attached to staff -number~\var n: \var{pos} is one of the letters \verb|a| -and~\verb|b|. \verb|a| sets the lyrics above the staff, \verb|b| below -the staff. \var{raise} is a dimension value by which the lyrics are -lifted above (or lowered under, if it is negative) the default -position as mentioned above. \ci{lyrraise}\verb|{|\var n\verb|}{b0pt}| -is the initial setting for all staves. - -It is possible to apply changes to the vertical position at any place -within the score, but in most cases it is most reasonable to do so -within \verb|\atnextline{...}| which ensures consistent, even spacing -within each system. - -For the sake of backward compatibility, applying \musixtex's command -\ci{setsongraise}\verb|{|\var n\verb|}{|\var{raise}\verb|}| -implicitly performs a -\ci{lyrraise}\verb|{|\var n\verb|}|\verb|{b|\var{raise}\verb|}|, -but not vice versa --- i.\,e.~\ci{lyrraise} has no effect on lyrics -set with \musixtex's lyrics commands \verb|\csong|, -\verb|\zsong|,~etc. Likewise, the obsolete \musixlyr\ command -\ci{auxsetsongraise} implies \verb|\auxlyr{\lyrraise...{b...}}|, but -not vice versa (see section~\ref{auxlyrics} to learn about the meaning -of \verb|\auxlyr|). - - - -\subsection{Setting lyrics layout parameters} -\label{layoutpar} - - -\subsubsection{Available parameters} - -\begin{description} - \item[Font:] There is no special font command; the current font is - used for lyrics. It can be changed using the usual \TeX/\LaTeX\ - commands. - \item[Minimum length of word extension underlines:] A word extension - underline is omitted if it would become too short. The minimum - length can be set by - \begin{quote}\ci{minlyrrulelength}\verb|=|\var{any \TeX\ dimension} - \end{quote} - and is initially set to~2\,mm. If you prefer to completely inhibit - the underlines, set this parameter to an unsurpassably high value - (e.\,g.~the width of your paper). - \item[Minimum inter-syllable distance for multiple hyphens:] If the - space between two hyphenated syllables (or between one of the - syllables and the respective system margin) is wider than this - distance, it is filled with a line of hyphens instead of a single - hyphen. The minimum distance to be filled with more than one - hyphen can be set by - \begin{quote}\ci{minmulthyphens}\verb|=|\var{any \TeX\ dimension}\end{quote} - and is initially set to~15\,mm. If you prefer to completely inhibit - filling with multiple hyphens, set this parameter to an - unsurpassably high value. - \item[Hyphen character:] This can be redefined by: - \begin{quote}\verb|\def|\ci{lyrhyphenchar}\verb|{|\dots\verb|}|\end{quote} -\end{description} -Further layout parameters discussed elsewhere are: vertical -positioning (section \ref{vertical-positioning}), word justification -(section \ref{miscmanip}), minimum interword distance, and forcing -hyphens (section \ref{horizpos}). - -{\bf Note:} In order to change the mentioned parameters globally, the -respective commands must be issued {\em outside\/} -\verb|\notes...\enotes|. - -\subsubsection{Individual settings per staff} -\label{indivlayout} - -All layout parameters can be set either globally (applying to all -lyrics lines) or individually, i.\,e.\ valid for a single specified staff. -An individual change is accomplished by enclosing the proper command -in -\begin{quote}\ci{lyrlayout}\verb|{|\dots\verb|}|\end{quote} -and issuing this within \verb|\notes...\enotes| in the section of the -referred-to staff. For example, -\begin{quote} - \verb|\notes...&|\ci{lyrlayout}\verb|{\it\leftlyrtrue}...&...\en| -\end{quote} -applies italic font and left justification to the lyrics line(s) -assigned to the second staff. - -Applying \ci{lyrlayout} to the same staff again overrides -{\em all\/} previous individual settings for this staff; -pay attention to this if you have made several individual settings and -want to reset some but retain others. Saying \ci{lyrlayout}\verb|{}| -restores the global settings for a staff. - -The \ci{lyrlayout} command can also be used within -\ci{setlyrics}; this is useful if an individual setting -(especially a font change) should apply to a particular -portion of lyrics rather than to a portion of music. For example, -\begin{quote} - \ci{setlyrics}\verb|{x}{An |\ci{lyrlayout}% - \verb|{\it}em-pha-sized\lyrlayout{} phrase}| -\end{quote} -causes the word ``emphasized'' to appear italic wherever it is posted -within the music. (Be sure to attach \ci{lyrlayout} commands to -the corresponding lyrics portions {\em without\/} blank spaces in -between.) - -{\bf As an exception,} the {\bf vertical positioning of lyrics} cannot be -changed within \ci{lyrlayout}; instead, it is handled staff-wise -using the special commands discussed in -section~\ref{vertical-positioning}. - - - -\subsection{Multiple verses per staff} -\label{multilyrlines} - -An arbitrary number of verses can be assigned to a staff -straightforwardly by saying -\begin{quote}\ci{assignlyrics}\verb|{|\var n\verb|}{|% - \var{names}\verb|}|\end{quote} -where \var{names} is a {\bf comma-separated list} of the desired -lyrics line names, listed from top to bottom. In the following -example\footnote{Excerpt from: ``Non moriar sed vivam'', motet by -{\sc Martin Luther}}, - -\begin{music} - \resetlyrics - \generalmeter\allabreve - \generalsignature2 - \scale{0.9} - \setlyrics{latin} {Non mo-ri-ar sed} - \setlyrics{german}{Ich wer-de nicht ster-ben, son-dern} - \assignlyrics1{latin,german} - \small - \setsongraise1{-1.5mm} - \startextract - \znotes\verses{,\lyrlayout{\footnotesize\it}}\en - \NOTEs\wh{'a}\en\bar - \NOTes\verses{\beginmel}\ha{'b}\verses{\endmel}\ha a\en\bar - \NOtesp\beginmel\qup{'a}\en - \Notes\ca{'b}\en - \NOtes\verses{,\endmel}\qa{'c}\verses{,\beginmel}\itieu0d\qa d\en\bar - \NOtes\ttie0\qa{'d}\endmel\qa c\en - \NOtes\verses{\beginmel}\ha{'d}\en\bar - \NOTes\verses{\endmel}\ha{'ee}\en - \endextract -\end{music} -\twoversesspace - -the lyrics lines have been set up as follows: -\begin{quote} - \bci{assignlyrics} - \begin{verbatim} -\setlyrics{latin} {Non mo-ri-ar sed} -\setlyrics{german}{Ich wer-de nicht ster-ben, son-dern} -\assignlyrics1{latin,german}\end{verbatim} -\end{quote} - - -\subsubsection{Handling verses individually} - -If you code lyrics attachment manipulations the way -described in section~\ref{manipulation}, these manipulations apply -{\em to all lyrics lines\/} of the referred staff {\em -simultaneously.\/} In order to address each lyrics line separately, -use the command -\begin{quote} - \ci{verses}\verb|{|\var{man1}\verb|,|\var{man2}\verb|,|\dots\verb|}| -\end{quote} -where \var{man1} is a sequence of commands to manipulate the upper -lyrics line, \var{man2} to manipulate the second lyrics line from -above, and so on. These command sequences may be empty. Delimiting -commas after the last non-empty list entry can be omitted. For example, -\begin{quote} - \ci{verses}\verb|{,,\beginmel,\golyr{abc}}| -\end{quote} -leaves the upper two lyrics lines unaltered, initiates a melisma at -the third, performs a jump to label {\tt abc} at the fourth, and -leaves all further ones (whatever their number may be) unaltered. As -another example, the font change for the german lyrics of the above -excerpt is accomplished by -\begin{quote} - \verb|\znotes|\ci{verses}\verb|{,\lyrlayout{\footnotesize\it}}\en| -\end{quote} -before the first note is coded. - - -\subsubsection{Vertical positioning} -\label{multiple-vert-pos} - -A block of multiple lyrics lines is vertically centered around the position -which a single lyrics line would have taken; thus you can do things -like - -{\small\setlyrstrut - \resetlyrics - \setlyrics{Winter1}{Win-ter a-de\rlap{,} a-ber dein Schei-den macht\rlap{,}} - \setlyrics{Winter2}{schei-den tut weh\rlap,} - \assignlyrics1{Winter1,Winter2} - \generalmeter{\meterfrac34} - \generalsignature2 - \setsongraise1{-2mm} - \startextract - \NOtes\qa{ffe}\en\bar - \NOTesp\hup d\en\rightrepeat - \assignlyrics1{Winter1}% - \NOtes\qa{fgh}\en\bar - \NOtes\qa h\en - \Notes\beginmel\Ibu0gf1\qb0g\endmel\tqh0f\en - \NOtes\qa g\en - \endextract} -\twoversesspace - -without having to adjust the vertical position within the -piece. (See the source of this manual for the coding of this -example.) - -\leavevmode\label{lyrstrut}% -The vertical distance between the baselines of multiple verses is -appropriate for the default 10~points font size of plain \TeX. -However, the size-switching commands \verb|\smalltype|, -\verb|\medtype|~etc.\ do not implicitly adjust the vertical distance -to the chosen font size. Since the vertical distance of lyrics is -controlled by the concept of a {\em lyrics strut\/}\footnote{In -analogy to \TeX's {\tt\char92 strut}; see {\sl The \TeX book\/} by -{\sc D.~E.~Knuth.}}, you should perform this adjustment explicitly with -the command -\begin{quote}\ci{setlyrstrut}\end{quote} -directly after each ``global'' font size change (i.\,e.~after each size -change not issued within \verb|\lyrlayout{...}|; -see~\ref{indivlayout}) unless you do not want the spacing to be -adjusted. (\TeX perts only: If you like to define your own vertical -spacing, you may redefine the \ci{lyrstrutbox} yourself.) - - - -\subsection{Auxiliary lyrics} -\label{auxlyrics} - -If you have typeset two voices of a polyphonic arrangement within one -staff, you normally want to give each voice its own lyrics lines. -Usually, the two voices are distinguished by means of the notes' stem -direction; the lyrics of the up-stemmed voice are typeset above, -those of the down-stemmed voice below the staff. \musixlyr\ -provides the facility to maintain such two lyrics ``streams'' per -staff; one of them --- which is handled exactly as described so -far --- will be called {\em main lyrics,\/} the second one {\em -auxiliary lyrics.\/} - - -\subsubsection{Addressing auxiliary lyrics} - -Only two rules are to be obeyed for directing commands to auxiliary lyrics: -\begin{enumerate} - \item Enclose everything concerning auxiliary lyrics in: - \begin{quote}\ci{auxlyr}\verb|{...}|\end{quote} - For example, assign lyrics line~{\tt verse1} to staff~2 as - auxiliary lyrics by: - \begin{quote}\ci{auxlyr}\verb|{\assignlyrics{2}{verse1}}|\end{quote} - For example, begin a melisma at the next note of the ``auxiliary'' voice by: - \begin{quote}\ci{auxlyr}\verb|{\beginmel}|\end{quote} - (For \TeX perts: If the argument of \ci{auxlyr} consists of - only one token, the braces can be omitted, so that - \verb|\auxlyr\beginmel| does the same.) - \item There are exactly two exceptions to the first rule. The first - one are the \ci{setlyrics}, \ci{appendlyrics}, and \ci{copylyrics} - commands which need not be enclosed in \ci{auxlyr}\verb|{...}|; - their function is independent of the later use of the defined - lyrics lines as either main or auxiliary lyrics. - - The second exception concerns lyrics commands issued as type-1 - \TeX\ strings in a \PMX\ source; see below for details. -\end{enumerate} - -\label{auxlyr-vertical-position-default}% -Auxiliary lyrics are lifted above the staff by default, i.\,e.~they have -the same vertical position as main lyrics belonging to the staff above -the current staff. If this causes collisions with the main lyrics of -the upper staff, you have to shift the lyrics away from each other -using the vertical spacing commands discussed in -section~\ref{vertical-positioning}. - - -\subsubsection{Automatic attachment of auxiliary lyrics} -\label{auxlyr-attachment} - -While it is easy to attach only one lyrics ``stream'' to a single -voice within a system automatically, the attachment of both main and -auxiliary lyrics involves the task of determining which note belongs -to which voice. Unfortunately, \musixtex\ does not explicitly state a -note's membership of a particular voice; therefore, a heuristic -method has to be used to gather this information. However, -the situation is completely different if you prepare your scores with -the \PMX% -\footnote{If you don't know what \PMX\ is, have a look at: - {\tt http://icking-music-archive.sunsite.dk/musixtex/software/pmx/}} -preprocessor. The following paragraphs explain managing the lyrics -attachment automatism for both cases --- \PMX\ and -non-\PMX\ --- separately. - - -\paragraph{Using \PMX.} -\label{pmx-autodetection} - -(This paragraph requires some \PMX\ knowledge.) For \PMX-prepared -scores (which \musixlyr\ detects automagically\footnote{% - This automatic \PMX\ detection may cause problems for processing - \PMX\ scores prepared with the \PMX-unaware \musixlyr\ - version~1.0. See section~\ref{no-pmx-autodetection} about how to - solve this backward-incompatibility issue. -}), the distinction -between the two voices of a staff works fully automatic. This applies -to both the automatic lyrics attachment as well as explicit lyrics -manipulations --- i.\,e.,~you do not have to use \ci{auxlyr}\verb|{...}| for -manipulating auxiliary lyrics. (This only applies to manipulations -that appear in a voice's context, i.\,e.~within a type-1 \TeX\ string.) -For reference, see the following example\footnote{Excerpt from -``Waldesnacht, du wunderk\"uhle'' by {\sc Johannes Brahms} ({\sl Eine -kleine Melodie,\/} Strube, M\"unchen 1989)}, - -\oneversespace -\begin{music} - \resetlyrics\small - \setlyrics{soprano}{all der ir-ren Qua-len los.} - \auxlyr{\assignlyrics1{soprano}} - \copylyrics{soprano}{alto} - \assignlyrics1{alto} - - \auxlyr{\lyrraise1{a -3\internote}} - \staffbotmarg5.5\Interligne - \stafftopmarg5\Interligne - \generalsignature2 - \lyrmodealter0 - - \startextract\addspace\afterruleskip - \scale{1.2}% - \NOtes\zhu{=j}\lower6\internote\qp\lifthpause{-3}\sk\qu h\en - \bar - \NOtes\auxlyr\beginmel\roffset{.8}{\isluru2j}\zhup f\lower8\internote\qp\en - \NOTes\hl{^d}\en - \NOTes\zql e\itieu0e\qu e\en - \bar - \NOtes\beginmel\islurd1c\zql c\ttie0\tslur2h\auxlyr\endmel\qu e% - \roff{\endmel\tsslur1d\zhl d}\qu{=d}% - \auxlyr\beginmel\itieu0d\hu d% - \ql d\en - \bar - \NOTes\zhl d\ttie0\auxlyr\endmel\hu d% - \zhl a\hu c\en - \bar - \NOTes\zhl a\fermataup l\hu d\hpause\en - \setdoubleBAR\endextract -\end{music} -\oneversespace - -which can be obtained by the following \PMX\ code (processed with -\PMX\ version~2.3): -\begin{quote} -\bci{auxlyr} -\begin{verbatim} ---- -\input musixtex % These commands are necessary -\input pmx % because pmx.tex MUST be \input -\input musixlyr % before musixlyr.tex! - -\setlyrics{soprano} % \setlyrics and \copylyrics - {all der ir-ren Qua-len los.} % need not be enclosed in -\copylyrics{soprano}{alto} % \auxlyr{...}. - -\assignlyrics1{alto} -\auxlyr{\assignlyrics1{soprano} - \lyrraise1{a 3\Interligne}} - -\let\BM\beginmel % For brevity within the subsequent -\let\EM\endmel % music coding recommended. ---- -1 1 4 4 0 0 3 2 0 5 20 0 - -t -./ - -% 1st and 2nd bar: -r4-6 r2-6 | r4-8 d24s e4 // -c25n a4 | \BM\ f2d s+4 \isu0e{.8}\ e4 / -% 3rd bar: -\BM\ c s \EM\ d2r s d4 // -\ts0e0\EM\ e s+3 dn \BM\ d2 s / -% 4th bar: - d2 a // % Note that \BM and \EM -\EM\ d s c / % apply either to main -% 5th bar: % or to auxiliary lyrics, -a r+0 // % depending on which voice -d of rb / % they appear in.\end{verbatim} -\end{quote} - -By default, main lyrics are attached to the lower voice (whose -lines end with \verb|//| in the \PMX\ source), auxiliary lyrics to the -upper voice; due to \PMX\ internals, this ensures that if only one -voice is present, main lyrics are attached to it. However, situations -exist in which it is desirable to have main lyrics attached to the -upper voice, e.\,g.~when you have only main lyrics and want to -synchronize them with the soprano voice instead of the alto voice -(both of them set on the same staff). In this case, you can toggle the -attachment of lyrics to voices with the command -\begin{quote}\ci{lyrmodealter}\verb|{|\var n\verb|}|\end{quote} for -staff number \var n; the command -\begin{quote}\ci{lyrmodenormal}\verb|{|\var n\verb|}|\end{quote} -restores the default behaviour. If $\hbox{\var n}=0$ then the change -affects all staves. - - -\paragraph{Using ``plain'' \musixtex\ without \PMX.} - -In this context, there are two basically different modes for lyrics -attachment: -\begin{enumerate} - \item In {\em normal mode\/} (which is active by default) only main - lyrics are provided automatically as described in - section~\ref{auto-attachment}. All auxiliary lyrics must be issued - manually by saying \ci{auxlyr}\ci{lyr} before the respective note. - This mode is useful when you do not have auxiliary lyrics at all - or when auxiliary lyrics occur only occasionally within the piece. - \item In {\em alternative mode\/}, both main and auxiliary lyrics - are provided automatically. The two voices of a staff are - distinguished by means of their notes' stem direction; the lower - voice gets main lyrics, the upper one auxiliary lyrics. This - implies that the automatism fails at stemless - notes\footnote{Ancient notes, namely breve, longa, and maxima, are - also treated as stemless notes by \musixtex's internals.}, thus you - have to provide lyrics manually by saying \ci{lyr} or - \ci{auxlyr}\ci{lyr}, respectively, before such notes. This mode is - meant for staves which continuously contain two polyphonic voices - with separate lyrics. -\end{enumerate} - -The appropriate mode can be chosen staff-wise: The command -\begin{quote}\ci{lyrmodealter}\verb|{|\var n\verb|}|\end{quote} -enables alternative mode for staff number \var n; the command -\begin{quote}\ci{lyrmodenormal}\verb|{|\var n\verb|}|\end{quote} -restores normal mode. As stated above, $\hbox{\var n}=0$ performs the -choice affecting all staves. - -For illustration, have a look at the following -example\footnote{Excerpt from ``Audite nova'' by {\sc Orlando di -Lasso} ({\sl ars musica\/} vol.\,4, M\"oseler Verlag -Wolfenb\"uttel/Z\"urich)}: - -\oneversespace -\begin{music} - \resetlyrics \small - \lyrmodealter0 - \setlyrics{soprano}{bring her die Gans,} \auxlyr{\assignlyrics1{soprano}} - \copylyrics{soprano}{alto} \assignlyrics1{alto} - - \generalsignature{-2} - \advance\stafftopmarg3\Interligne - \advance\staffbotmarg2\Interligne - - \startextract\addspace\afterruleskip - \NOtes\zqu g\ql e\en - \bar - \Notes\zqu i\beginmel\ibslurd0f\ibl0f{-1}\qb0f\en - \Notes\qb0e\en - \Notes\auxlyr\beginmel\ibsluru1i\zqup i\qb0d\en - \Notes\tqb0e\en - \Notes\endmel\tbslurd0e\ql c\en - \notes\ibbu0h{-1}\qb0h\en - \notes\tqh0g\en - \NOtes\auxlyr\endmel\tbsluru1h\zqu h\ql c\en - \bar - \NOTEs\auxlyr\lyr\zwh i% The lyrics of the whole notes - \lyr\wh b\en % must be given manually. - \endextract - \lyrmodenormal0 -\end{music} -\oneversespace - -The lyrics were defined as follows: -\begin{quote} - \bci{auxlyr} - \bci{assignlyrics} - \begin{verbatim} -\setlyrics{soprano}{bring her die Gans,} -\copylyrics{soprano}{alto} - -\assignlyrics1{alto} -\auxlyr{\assignlyrics1{soprano}} - -\lyrmodealter0 % provide main + aux. lyrics automatically\end{verbatim} -\end{quote} - -This is the complete notes section: -\begin{quote} - \bci{auxlyr} - \begin{verbatim} -\NOtes\zqu g\ql e\en -\bar -\Notes\zqu i\beginmel\ibslurd0f\ibl0f{-1}\qb0f\en -\Notes\qb0e\en -\Notes\auxlyr\beginmel\ibsluru1i\zqup i\qb0d\en -\Notes\tqb0e\en -\Notes\endmel\tbslurd0e\ql c\en -\notes\ibbu0h{-1}\qb0h\en -\notes\tqh0g\en -\NOtes\auxlyr\endmel\tbsluru1h\zqu h\ql c\en -\bar -\NOTEs\auxlyr\lyr\zwh i% The lyrics of the whole notes - \lyr\wh b\en % must be given manually.\end{verbatim} -\end{quote} - -Note that, as opposed to using \PMX, there is no special provision -for attaching main lyrics to the upper voice. If you desire a single -lyrics ``thread'' synchronized with the upper voice, please use -auxiliary lyrics instead and position them below the staff (see -section~\ref{vertical-positioning}). -Alternatively, you may use main lyrics in normal lyrics mode and code -the lower voice completely non-spacing (in the sense explained -in~\ref{auto-attachment}), the upper voice completely spacing; this -should not be too complicated for mainly homophonic pieces. - - - -\subsection{Lyrics at multi-staff instruments} -\label{multi-staff-instruments} - -So far in this manual, the term {\em staff\/} has always been used for -what \musixtex\ precisely calls an {\em instrument\/}. This section, -however, correctly adopts the \musixtex\ terminology. - -Lyrics can be assigned to staves of a multi-staff instrument. To do -so, use -\begin{quote} - \ci{assignlyricsmulti}\verb|{|\var i\verb|}{|\var s\verb|}{...}| -\end{quote} -instead of \verb|\assignlyrics...|; here, \var s~addresses the desired -staff number (counted from bottom to top) of instrument~\var i. - -Nevertheless, -\ci{assignlyrics}\verb|{|\var i\verb|}{...}| -can be used as well if instrument~\var i has multiple staves; in this -case, it is equivalent to -\verb|\assignlyricsmulti{|\var i\verb|}{1}{...}|, -i.\,e.~it affects only the first staff (and not all staves, as may be -presumed). - -In the same spirit, the following ``multi'' commands replace the -standard ones within a multi-staff instrument context: -\begin{quote} - \ci{lyrraisemulti}\\ - \ci{lyrmodenormalmulti}\\ - \ci{lyrmodealtermulti} -\end{quote} - -All other \musixlyr\ commands or features can be used the same way as -within a single-staff instrument context. - -Using lyrics at multi-staff instruments can be useful, for example, -for typesetting songs with piano accompaniment:% -\footnote{Example taken from songbook {\sl Am Brunnen vor dem Tore\/}, -Delphin Verlag M\"unchen/Z\"urich 1981} - -\begin{music} - \resetlyrics - \setlyrics{verse}{Gu-ter Mond, du gehst_ so_ stil_-le} - \assignlyricsmulti11{} - \assignlyricsmulti12{verse} - \lyrraisemulti12{b 2\internote} - \setstaffs12 - \generalsignature{-1} - \generalmeter\meterC - \setclef1\bass - \interstaff{13} - \scale{1.3} - \startextract - \Notes\qp|\ibl0j{-2}\qb0j\tqb0i\en - \bar\hardspace{1.7\myqnwidth}% - \NOtes\isluru1d\lq c\zq M\ql d|\qa h\en - \NOtes\zq c\zq M\ql e|\qa h\en - \Notes\lq c\zq M\ql d|\islurd0h\ibu0h2\qb0h\tslur0i\tqh0i\en - \Notes\tslur1e\zq c\zq M\ql e|\isluru0j\ibl0j2\qb0j\tslur0k\tqb0k\en - \bar\hardspace\myqnwidth - \Notes\isluru1d\lq c\zq M\ql d|\isluru0j\ibl0j{-2}\qb0j\tslur0i\tqb0i\en - \NOtes\zq c\zq M\ql e|\qa g\en - \NOtes\lq c\zq M\ql d|\qp\en - \znotes\midslur2\tsslur1d\en - \zendextract -\end{music} - -The lyrics of this example are defined as follows: -\begin{quote} - \bci{assignlyricsmulti} - \bci{lyrraisemulti} - \begin{verbatim} -\setlyrics{verse}{Gu-ter Mond, du gehst_ so_ stil_-le} -\assignlyricsmulti{1}{2}{verse} -\lyrraisemulti {1}{2}{b \internote}\end{verbatim} -\end{quote} - - - -\subsection{Managing lyrics assignment according to current context} -\label{assignment-by-context} - -Managing the properties of lyrics lines assignment to instruments by -absolute instrument numbers --- as it is done with the -\ci{assignlyrics}, \ci{lyrraise}, and \ci{lyrmodealter} -commands --- may cause difficulties whenever the score's number and -order of instruments shall be rearranged; in this case instrument -numbers change, thus the instrument number parameters of the -mentioned lyrics-related commands have to be adjusted. - -This is especially unpleasant where such a rearrangement is done -automatically, e.\,g.~by \PMX's part extraction facility {\em -scor2prt\/}; this is intended to work without any manual editing -of the generated part files. - -To address this issue, \musixlyr\ provides {\em context-dependent\/} -variants of the commands mentioned above. For example: Instead of -\verb|\assignlyrics{2}{soprano}|, you may say something like: -\begin{quote} - \verb|\notes...&|\ci{assignlyricshere}\verb|{soprano}...\en| -\end{quote} -\ci{assignlyricshere}\verb|{|\var{name(s)}\verb|}| assigns the given verse -\var{name(s)} to the instrument/staff whose context it occurs in within the -\verb|\notes...\en| construct; no absolute instrument/staff number needs to -be specified. - -For example, the following two code fragments are equivalent: - -\begin{quote} - \footnotesize - \hfill - \def\arraystretch{1}% - \begin{tabular}{l@{\qquad}|@{\qquad}l} - \begin{tabular}[t]{@{}l@{}} - \ci{assignlyrics}\verb| {1} {acct}%|\\ - \ci{assignlyricsmulti}\verb|{2}{2}{verse}%|\\ - \verb.\NOtes\qa c&\qa e|\qa g\en. - \end{tabular} - & - \begin{tabular}[t]{@{}l@{}} - \verb|\NOtes|\ci{assignlyricshere}\verb|{acct}\qa c%|\\ - \verb| &\qa e%|\\ - \verb. |.\ci{assignlyricshere}\verb|{verse}\qa g\en| - \end{tabular} - \end{tabular} - \hfill\strut -\end{quote} - -Using \PMX, the context-dependent commands must be given as type-1 -inline \TeX\ strings. Here is the same example, coded as \PMX input: - -\begin{quote} - \footnotesize - \hfill - \def\arraystretch{1}% - \begin{tabular}{l@{\qquad}|@{\qquad}l} - \begin{tabular}[t]{@{}l@{}} - \ci{assignlyrics}\verb| {1} {acct}\|\\ - \ci{assignlyricsmulti}\verb|{2}{2}{verse}\|\\ - \verb|c44 /|\\ - \verb|e44 /|\\ - \verb|g44 /|\\ - \end{tabular} - & - \begin{tabular}[t]{@{}l@{}} - \hphantom{\tt .NOtes.assignlyricshere.acct..qa cg.en}\\ - \\ - \ci{assignlyricshere}\verb|{acct}\ c44 /|\\ - \verb| e44 /|\\ - \ci{assignlyricshere}\verb|{verse}\ g44 /|\\ - \end{tabular} - \end{tabular} - \hfill\strut -\end{quote} - -The first one (left) results in wrong lyrics assignments in {\em -scor2prt\/} output; the second one (right) is robust against part -extraction. - -This is the complete set of ``here'' commands that can be applied the -same way: -\begin{quote} - \ci{assignlyricshere}\\ - \ci{lyrraisehere}\\ - \ci{lyrmodenormalhere}\\ - \ci{lyrmodealterhere} -\end{quote} - -All other \musixlyr\ commands are context-driven anyway, i.\,e.~using -the mentioned ``here'' commands you can completely omit any absolute -instrument/staff number assignment. - - - -\subsection{Miscellaneous} - -\subsubsection{Avoiding problems after {\tt\char92 - endpiece...\char92 startpiece}} - -Sometimes, after having suspended the music with \verb|\endpiece| and -restarted it with \verb|\startpiece| (or the respective -\verb|\...extract| commands), the lyrics lines are totally misaligned -because the internal lyrics positioning parameters are not reset -properly. Saying -\begin{quote}\ci{resetlyrics}\end{quote} -before the beginning of the new music section should solve this -problem. - - -\subsubsection{Improved centering of words with punctuation marks} - -Centered words with an attached punctuation mark often seem a bit -left-shifted since the punctuation mark also counts for the -centering. To have a word centered solely with respect to its -letters, enclose the punctuation mark in \verb|\rlap{...}| as it is -done in the example of section~\ref{multiple-vert-pos}. Unfortunately, -this circumvents the lyrics shifting automatism, and is incompatible -with the use of \ci{lyrnop}. - - -\subsubsection{Verse numbers} -\label{versenumbers} - -There is no special command for this topic. See the following example: - -\begin{music} - \resetlyrics - \generalmeter{\meterfrac24} - \scale{1.8} - \setlyrics{sailor1} - {\llap{1.} What shall we do with a drun-ken sail-or\rlap{?}} - \setlyrics{sailor2} - {\llap{2.} Take him and shake him and try to\lyrlink a-wake him,} - \setlyrics{sailor3}{\llap{3.} Give him a dose of_ salt and wa-ter,} - \setlyrics{sailor4}{\llap{4.} Give him a dash with a bo-som's rub-ber,} - \assignlyrics1{sailor1,sailor2,sailor3,sailor4} - \small\setlyrstrut - \setsongraise1{-6mm} - \startextract - \znotes\llyr\lyroffset{-2}% make the numbers stand off to the left - \lyr% post the numbers - \en - \Notes\ibu0h0\qb0h\en - \notes\nbbu0\qb0h\tqh0h\en - \Notes\ibu0h0\qb0h\en - \notes\nbbu0\qb0h\tqh0h\en\bar - \Notes\Dqbu hd\Dqbu fh\en - \endextract -\end{music} -\oneversespace -\twoversesspace - -To see how this is accomplished, look for the example's coding within -{\tt mxlyrdoc.tex}. - -Section~\ref{lyric*-verse-numbers} explains an alternative method for -setting vertically aligned verse numbers. - - -\subsubsection{``Lyrics slurs''} - -If two consecutive syllables of a lyrics line share the same note (as -in the second verse of the above example), you may want to link them -together with a small slur under them \mbox{like\lyrlink this.} To do -this, use the command \ci{lyrlink} instead of the respective blank -space within the \verb|\setlyrics| definition. - -If any of the adjacent characters extend under their \TeX\ baseline -(like `g', `j', `p', etc.), use \ci{lowlyrlink} which lowers the -slur accordingly (e.\,g.: \mbox{sing\lowlyrlink gladly}). - - -\subsubsection{Restoring the \PMX-unaware behaviour of \musixlyr~1.0} -\label{no-pmx-autodetection} - -As stated in section~\ref{pmx-autodetection}, \musixlyr\ distinguishes -between main and auxiliary lyrics context in a special way when it -detects that the score has been set up using \PMX. However, this -automatic \PMX\ detection may cause problems for processing \PMX\ -scores prepared with the \PMX-unaware \musixlyr\ version~1.0. To solve -this, you can force the old \musixlyr\ behaviour by an explicit macro -redefinition as follows: - -Within {\tt musixlyr.tex}, find the code fragment -\begin{quote}\begin{verbatim} -\ifx\nextvoice\undefined - \def\decide@lyrmode{% - \call@lyrmode - ... - \fi\fi\fi\fi\fi\fi\fi} -\else\end{verbatim}\end{quote} -(which is about 25 lines long). Copy it, exluding the first and the -last line, to your score source and surround it by the -\verb|\makeatletter...\makeatother| command pair. This -should then look like this: -\begin{quote}\begin{verbatim} -\makeatletter - \def\decide@lyrmode{% - \call@lyrmode - ... - \fi\fi\fi\fi\fi\fi\fi} -\makeatother\end{verbatim}\end{quote} - -To restore the \PMX-aware \musixlyr\ behaviour of version~1.1 and -newer, copy the {\em second\/} \verb|\decide@lyrmode| definition -from {\tt musixlyr.tex} to the desired place in your score and -surround it with \verb|\makeatletter...\makeatother|. - -To do these redefinitions within a \PMX\ input file, it is probably -always best to wrap them in macro definitions within the \PMX\ file -preamble. This way, you can switch between the ``old'' and ``new'' -\musixlyr\ behaviour by simply calling these macros in \PMX's -inline-\TeX\ style. - -\pagebreak[4] -\section{Command index} -\printindex - - - -\section{Software license} - -\musixlyr\ (including this manual) is free software; you can -redistribute it and/or modify it under the terms of the GNU General -Public License as published by the Free Software Foundation; either -version~2 of the License, or any later version. - -\musixlyr\ is distributed in the hope that it will be useful, -but WITHOUT ANY WARRANTY; without even the implied warranty of -MERCHANTABILITY or FITNESS FOR A PARTICULAR PURPOSE. See the -GNU General Public License for more details. - -You should have received a copy of the GNU General Public License -along with \musixlyr; if not, write to the Free Software -Foundation, Inc., 675 Mass Ave, Cambridge, MA 02139, USA. - -\medskip -Author: -\begin{tabular}[t]{l} - Rainer Dunker\\ - Wachtelweg 31\\ - 85\,591 Vaterstetten\\[0.5ex] - Germany\\[1ex] - E-mail: \tt rainer.dunker@web.de -\end{tabular} - -\end{document} diff --git a/musixtex/doc/musixtex-install.pdf b/musixtex/doc/musixtex-install.pdf deleted file mode 100644 index 763ba69..0000000 Binary files a/musixtex/doc/musixtex-install.pdf and /dev/null differ diff --git a/musixtex/doc/musixtex-install.tex b/musixtex/doc/musixtex-install.tex deleted file mode 100644 index b3e78f4..0000000 --- a/musixtex/doc/musixtex-install.tex +++ /dev/null @@ -1,158 +0,0 @@ -\documentclass[11pt]{article} -\usepackage[textwidth=6.5in,textheight=8.5in]{geometry} -\usepackage[osf]{mathpazo} -\usepackage{textcomp} -\PassOptionsToPackage{urlcolor=black,colorlinks}{hyperref} -\RequirePackage{hyperref} -\usepackage{xcolor} -\newcommand{\myurl}[1]{\textcolor{blue}{\underline{\textcolor{black}{\url{#1}}}}} -\newcommand{\musixflxVersion}{0.83.3} -\begin{document} -\title{Installation of MusiXTeX} -\author{Bob Tennent\\ -\small\url{rdt@cs.queensu.ca}} -\date{\today} -\maketitle -\thispagestyle{empty} - -\section{Introduction} -Before trying to install from CTAN, check whether your TeX distribution -provides packages for MusiXTeX; this will be easier than doing it yourself. -But if your TeX distribution -doesn't have MusiXTeX (or doesn't have the most recent version), this distribution -of MusiXTeX is very easy to install, though -you may need to read the material on -installation of (La)TeX files in the -TeX FAQ\footnote{% -\myurl{http://www.tex.ac.uk/cgi-bin/texfaq2html}}, -particularly -the pages on -which tree to use\footnote{% -\myurl{http://www.tex.ac.uk/cgi-bin/texfaq2html?label=what-TDS}} -and installing files\footnote{% -\myurl{http://www.tex.ac.uk/cgi-bin/texfaq2html?label=inst-wlcf}}. - -\section{Installing \texttt{musixtex.tds.zip}} - -In this distribution of MusiXTeX, most of the files to be installed -(including macros, scripts, and documentation) are in a zipped TEXMF hierarchy -\begin{list}{}{}\item -\myurl{http://mirror.ctan.org/install/macros/musixtex.tds.zip} -\end{list} -at CTAN. Simply download and unzip this archive in the root folder/directory of whichever TEXMF tree -you decide is most appropriate, likely a ``local'' or ``personal'' one. -This should work with any TDS\footnote{% -\myurl{http://www.tex.ac.uk/cgi-bin/texfaq2html?label=tds}} -compliant TeX distribution, including MikTeX, TeXlive and teTeX. - -After unzipping the archive, update the filename database as necessary, -for example, by executing \verb\texhash ~/texmf\ or -clicking the button labelled ``Refresh FNDB" in the MikTeX settings program. - -MusiXTeX requires a large set of specialized fonts. If necessary, install the -\texttt{musixtex-fonts} package. - -You should now be able to process files that use the MusiXTeX macros using -\verb\etex\ or \verb\pdfetex\; -documentation for MusiXTeX is installed under \verb\.../doc/generic/musixtex...\ -in the TEXMF tree. But the music will be ``squeezed'' to the left; to produce -proper spacing, go on. - -\section{Installing \texttt{musixflx}} - -The next step in the installation is to install -the one crucial file that can't be installed in a TEXMF tree: a \texttt{musixflx} executable, which calls -the script that implements -the second pass of the three-pass MusiXTeX typesetting system described in Section~1.3 of the -MusiXTeX manual (\verb\musixdoc.pdf\). In this MusiXTeX package, the -calculations are done by a Lua script -\begin{list}{}{} -\item \verb|.../scripts/musixtex/musixflx.lua| -\end{list} -On a Unix-like system (with \texttt{luatex} installed), you can put a -symbolic link to \texttt{musixflx.lua} in any directory on the executable PATH as follows: -\begin{list}{}{} -\item \verb\ln -s musixflx\ -\end{list} -On Windows, you can \emph{either} -copy the batch file -\begin{list}{}{} -\item \verb|Windows\musixflx.bat| -\end{list} -to a folder -on the executable PATH \emph{or} add the folder -\verb|Windows| to the executable PATH -as follows: -in ``My Computer'' -click on -\begin{center} -View System Information\quad$\rightarrow$\quad Advanced\quad$\rightarrow$\quad Environment Variables -\end{center} -scroll -down to ``path'', select it, click edit, and add the path to \verb|Windows| after a semi-colon. -Documentation for \verb\musixflx\ is in the \verb\doc/generic/musixtex/scripts\ directory. - -\section{Installing \texttt{musixtex}} - -The Lua script \verb\.../scripts/musixtex/musixtex.lua\ -is simply a convenient wrapper that, by default, -runs the following processes in order (and then deletes intermediate files): -\begin{itemize}\topsep=0pt\itemsep=0pt -\item pre-processors \verb|prepmx|, \verb|pmxab| or \verb|autosp|, -as necessary -\item \verb\etex\ (1st pass) -\item \verb\musixflx\ (2nd pass) -\item \verb\etex\ (3rd pass) -\item \verb\dvips\ (to convert \verb\dvi\ output to Postscript) -\item \verb\ps2pdf\ (to convert \verb\ps\ output to Portable Document Format) -\end{itemize}% -To install, follow the instructions given in the preceding section; i.e., -on Unix-like systems, -install a symbolic link \verb\musixtex\; on Windows, -ensure that the corresponding batch file -is in a folder on the executable PATH. Documentation is in the -\verb\doc/generic/musixtex/scripts\ directory. - -If the \verb\musixps.tex\ package is not used to produce slurs, it is possible to use \verb\pdfetex\ -rather than \verb\etex\, in which case a PDF file will be produced directly, -without the use of \verb\dvips\ and \verb\ps2pdf\; use the \verb\-p\ option in the call to \verb\musixtex\. -The \verb\-d\ option will replace \verb\dvips\ and \verb\ps2pdf\ by \verb\dvipdfm\; again, -this option is usable only if Postscript slurs are \emph{not} used. Use the \verb\-s\ option -to stop processing after the third pass; i.e., at the \verb\dvi\ file. -Use the \verb\-l\ option for \verb\LaTeX\ processing and the \verb\-f\ option to restore the defaults for subsequent files. - -The cross-platform TeXWorks editing environment can -be configured -to use the relevant \verb\musixtex\ script as a typesetting process as follows: -\begin{center} -Edit\quad$\rightarrow$\quad Preferences\quad$\rightarrow$\quad Typesetting -\end{center} -then click on + to add a new processing tool as follows: -\begin{description}\itemsep=0pt -\item[Name:] \verb\musixtex\ -\item[Program:] \verb\musixtex\ -\item[Arguments:] \verb\$basename\ -\end{description} -If necessary, add the path to the directory/folder containing the \verb\musixtex\ -script to the list of Paths for TeX and related programs. - -\section{Discussion} -Many users, especially beginners, will find it easier to use the PMX and -M-Tx pre-processors, which accept a simpler input language than MusiXTeX -itself. -Advanced users may want to use the \texttt{autosp} pre-processor -which simplifies the creation of \texttt{musixtex} scores by automating -the choice of note-spacing commands. -These pre-processor packages may be found at CTAN under \verb\support\. - -Additional documentation, additional -add-on packages, and many examples of MusiXTeX typesetting may be found -at the Werner Icking Music Archive\footnote{% -\myurl{http://icking-music-archive.org}}. -Support for users of MusiXTeX and related software may be obtained via -the MusiXTeX mail list\footnote{% -\myurl{http://tug.org/mailman/listinfo/tex-music}}. -MusiXTeX may be freely copied, modified and used in conformance to the -GNU General Public License (Version~2 or, at your option, any later version; see included file \verb\gpl.txt\). - -\end{document} diff --git a/musixtex/doc/notationMistakes/coulhack.tex b/musixtex/doc/notationMistakes/coulhack.tex deleted file mode 100644 index 1f79787..0000000 --- a/musixtex/doc/notationMistakes/coulhack.tex +++ /dev/null @@ -1,70 +0,0 @@ -% thicker ledger lines -\def\myhlthick{1.5\lthick} -\makeatletter -\def\h@linei{% - \y@ii\n@v\internote - \y@iii\y@ii - \advance\y@ii\myhlthick - \advance\y@iii-\myhlthick - \y@vi\noteskip % noteskip -%-\ifnum\y@vi=\z@ \y@vi\maxdimen\fi % (or maxdimen if noteskip = 0) - \advance\y@vi-\y@v % - notewidth - \y@vi0.7\y@vi % this may be eaten =: additional length - \y@iv\h@lf\qn@width\ifnum\y@vi>\y@iv \y@vi\y@iv\fi % not more than 0.5 qn@width - \y@iv0.2\qn@width \ifnum\y@vi<\y@iv \y@vi\y@iv\fi % not less than 0.2 qn@width - \y@iv\y@v % notewidth - \advance\y@iv\y@vi % + additional length =: total length - \kernm\h@lf\y@vi % center the ledger line -%-\message{noteskip = \the\noteskip, length = \the\y@iv, notewidth = \the\y@v}% - \vrule\@height\y@ii\@depth-\y@iii\@width\y@iv - \kernm\y@iv\kern\h@lf\y@vi} - -% same adapted from MUSIXFLL.TEX - -\ifx\undefined\longledgerlines \else \endinput \fi - -\immediate\write10{MusiXFormerLedgerLines T.74\space<06 April 1997>}% - -%\edef\catcodeat{\the\catcode`\@}\catcode`\@=11 - -\let\h@lineick\h@linei -\def\h@lineidt{% - \y@ii\n@v\internote - \y@iii\y@ii - \advance\y@ii\myhlthick - \advance\y@iii-\myhlthick - \y@iv\y@v - \advance\y@iv\h@lf\qn@width - \kernm.25\qn@width - \vrule\@height\y@ii\@depth-\y@iii\@width\y@iv - \kernm\y@iv\kern.25\qn@width} -\def\longledgerlines{\global\let\h@linei\h@lineidt} -\def\autoledgerlines{\global\let\h@linei\h@lineick} -\longledgerlines -%\catcode`\@=\catcodeat - -% space between signatures and first note at each system: - -\def\contpiece{\noindent \piece@conta \writ@staffs \piece@beginc -% \Writ@meters \wbarno@x \hardspace{10pt}\addspace\afterruleskip - \Writ@meters \wbarno@x \hardspace{.3\elemskip}\addspace\afterruleskip} -% ^^^^^^^^^^^^^^^^^^^^^^^ - -% missing pixels at some beam ends: -\def\beamst@m{% queue de note vers une poutre - \getcurpos \advance\y@v-\b@x - \y@ii\b@p\y@v \divide\y@ii\tw@nty \advance\y@ii\b@z - \ifdim\y@ii>\st@top % la poutre est au-dessus - \stem@skip\qd@skip \comp@slope\stem@skip \advance\y@ii\s@lope - \advance\y@ii .25\interbeam% hack - \ifnum\b@n>\z@ \advance\y@ii\b@n\interbeam \advance\y@ii-\interbeam \fi - \st@top\y@ii % a mettre a jour avec la pente ulterieurement - \else - \advance\y@ii-.25\interbeam% hack - \stem@skip\z@ - \ifdim\y@ii<\st@bot - \ifnum\b@n<\z@ \advance\y@ii\b@n\interbeam \advance\y@ii\interbeam \fi - \st@bot\y@ii \fi \fi - \C@stem} - -\makeatother diff --git a/musixtex/doc/notationMistakes/sottieng.pdf b/musixtex/doc/notationMistakes/sottieng.pdf deleted file mode 100644 index ab29004..0000000 Binary files a/musixtex/doc/notationMistakes/sottieng.pdf and /dev/null differ diff --git a/musixtex/doc/notationMistakes/sottieng.tex b/musixtex/doc/notationMistakes/sottieng.tex deleted file mode 100644 index 1ce95ad..0000000 --- a/musixtex/doc/notationMistakes/sottieng.tex +++ /dev/null @@ -1,1075 +0,0 @@ -\documentclass[12pt,twoside]{article} -\usepackage{a4} -\usepackage{musixtex} -\usepackage[english]{babel} -\usepackage{randtext} -\input coulhack -\raggedbottom -\setlength{\textwidth}{18cm} \setlength{\textheight}{26cm} -\setlength{\oddsidemargin}{0pt}\setlength{\evensidemargin}{0pt} -\setlength{\parindent}{0cm}\setlength{\parskip}{.5cm} -\setlength{\marginparwidth}{1in} \setlength{\marginparsep}{0pt} -\setlength{\hoffset}{-1cm} -\setlength{\voffset}{-2.5cm} -%\setlength{\headsep}{2cm} -\setlength{\itemsep}{0cm} - -\newcommand{\milieu}[1]{\begin{center}{#1}\end{center}} -\newcommand{\pruneau}{$\bullet$~} -\newcommand{\subsec}{\vspace{-1cm}\subsection{~}\vspace{-.5cm}} -% \today should work the same in theory -\def\mytoday{\ifcase\month\or - January\or February\or March\or April\or May\or June\or - July\or August\or September\or October\or November\or December\fi - \space\number\day, \number\year} - -\def\notess{\vnotes2.4\elemskip} -\def\notesss{\vnotes1.7\elemskip} -\def\notesm{\vnotes1.5\elemskip} -\def\appog{\multnoteskip\tinyvalue\tinynotesize} -\newcommand{\zcn}[2]{\zcharnote{#1}{#2}} -\newcommand{\lcn}[2]{\lcharnote{#1}{#2}} -\newcommand{\ccn}[2]{\ccharnote{#1}{#2}} -\newcommand{\nxst}{\nextstaff} -\def\hhqsk{\off{.7\elemskip}} - -\newcommand{\twoextr}[2] -%{\begin{music}\let\extractline\hbox -{\let\extractline\hbox -\hbox to \hsize{ -\hfill -\startextract #1 -\zendextract\hfill -\startextract #2 -\zendextract -\hfill} - -%\let\extractline\centerline\end{music}} -\let\extractline\centerline} - -\accshift=0mm -\geometricskipscale -\nostartrule -\nobarmessages\nobarnumbers -\let\extractline\centerline - -\begin{document} -\milieu{\ppfftwentynine Repository of music-notation mistakes} -\milieu{\medtype or} -\milieu{\ppfftwentyfour Essay on the true art of music engraving} -\milieu{\Huge Jean-Pierre Coulon} -%\centerline{\tt -%\kern3.5em{obs-nice}\kern-4.5em{@}\kern-3.5em{coulon}\kern4.5em{.fr}} - -\centerline{\tt \randomize{coulon@obs-nice.fr}} - - -\milieu{\mytoday} -%\milieu{\today} - -\milieu{\large intended for:} -\begin{itemize} -\item users of music-typesetting software packages, -\item developers of such packages, -\item traditional music-engravers, -\item sheet-music collectors, -\item those keen on problems of \textit{semantics}, \textit{semiology}, -\textit{philology} , etc. -\end{itemize} - -{\footnotesize NB: These examples are certainly musically worthless: -do not read them with your instrument :-)\\ -To limit myself to the essential, and lacking sufficient expertise, -I do not deal with any of these neighboring, exciting topics: - -\pruneau music theory, harmony, composition, etc.\\ -\pruneau comparative test of various typesetting packages,\\ -\pruneau how to interpret the quoted symbols according to epochs,\\ -\pruneau copyright issues,\\ -\pruneau percussion notation, and plucked-string instrument tablatures,\\ -\pruneau very-early-music notation, and avant-garde music -notation.\\ -\textit{ I apologize to readers of some countries for having adhered -to the U.S. terminology} - -} - - -\section{General issues} -\subsec -When simultaneous notes are present on the same staff, two notations -are posssible: chord notation, or multiple-voice, a.k.a. \textit{polyphonic} -notation. - -\twoextr -{\NOtes\qu c\zq c\qu e\en -\Notes\ibu0e2\zq c\qb0e\zq d\tqh0f\en} -{\NOtes\zql c\qp\zql c\qu e\en -\Notes\ibl0c2\ibu1e2\zqb0c\qb1e\tbl0\zqb0d\tqh1f\en} - -Of course, if parts have distinct rythms, the polyphonic notation is -required. - -\eject\milieu{\ppfftwenty from here:} -{\ppfftwentyfour This side: incorrect. \hfill This side: correct. } - -\subsec -Do your best to place \textit{page-turns} at places -acceptable for the musician, otherwise he will either -require a ``page-turner'', or labor to arrange -chunks of photocopies. Since modern musical scores are smaller -than before, this demands more efforts from the music engraver. - -{\footnotesize The actual print size, i.e. omitting margins, -of most scores from former epochs, almost matched the usual format -of most of modern scores including the margins. - -} - -An easy solution consists in using a small engraving size. -It is better to use a bigger size, at the price of more effort -to manage the spacing rationally. -These two excerpts require the same horizontal space, but that on the -right is easier to read: - -\bigaccid -\begin{music}\let\extractline\hbox -\hbox to \hsize{ -\hfill -\smallmusicsize -\setclef1{\treble} -\startextract% -\notess\ibbu0c1\qb0c\qb0{^c}\qb0d\tqh0{^d}\en -\notess\ibbu0f{-1}\qb0{g}\qb0{_g}\qb0f\tqh0e\en -\bar% -\notess\ibbu0c0\qb0{^cc}\qb0{=c}\tqh0c\en -\zendextract\hfill -\normalmusicsize -\startextract% -\notesss\ibbu0c1\qb0c\hqsk\qb0{^c}\qb0d\hqsk\tqh0{^d}\en -\notesss\ibbu0f{-1}\qb0{g}\hqsk\qb0{_g}\qb0f\tqh0e\en -\bar% -\notesss\ibbu0c0\qb0{^cc}\hqsk\qb0{=c}\tqh0c\en -\zendextract -\hfill} -\let\extractline\centerline\end{music} - -Moreover, you also have to vary the distances between the staves -of systems, to avoid wasting some vertical space -(see my edition of Dussek's piano Sonata op.35-3). - - - - -\subsec -Choose horizontal spacings that increase according to note durations, -but not proportional to these durations. Personally I am happy with a -spacing ratio -of \hbox{$\sqrt{2}\approx 1.414$} to represent a duration-ratio of 2, -but this is not an absolute rule, especially if thirty-second or -sixty-fourth notes are present, because this would bring them -too close to each other. -Do not change the spacing of a specific duration within a line without -a good reason. - -\nostartrule -\setclef1\treble -\hsize82.1mm -\startpiece -\NOTEs\hu c\sk\en -\NOTEs\qu c\en -\NOtes\cu c\en -\notes\ibbu0c0\qb0c\en -\notes\qb0{cc}\tqh0c\en -\setemptybar -\endpiece - -\hsize18cm - -\setclef1\treble -\twoextr -{\notes\hu c\en -\NOtes\qu c\en -\NOTes\cu c\en -\notes\ibbu0c0\qb0c\en -\Notes\qb0{cc}\tqh0c\en} -{\NOTes\hu c\en -\NOtes\qu c\en -\Notes\cu c\en -\notes\ibbu0c0\qb0{cc}\en -\notes\qb0c\tqh0c\en} - -{\footnotesize If a system has several staves, the part -with the \textbf{shortest} durations governs the overall spacing. -Lyrics, if any, may demand still wider spacings. - -} - -\subsec -Here is a good reason to modify tight note spacing: avoiding clashes: - -\twoextr -{\notesss\ccu c\ibbl0k2\qb0{jklm}\tqb0{^n}\en} -{\notesss\ccu c\hqsk\ibbl0k2\qb0{jklm}\hqsk\tqb0{^n}\en}k - -\subsec -If no other simultaneous part prevents it, note stems should also be -taken into account for the spacing: - -\largemusicsize -\twoextr -{\notes\ibbu0d0\qb0{ded}\tqh0e\ibbl0k0\qb0{jkj}\tqb0k\en} -{\notes\ibbu0d0\qb0{ded}\tqh0e\hqsk\ibbl0k0\qb0{jkj}\tqb0k\en} - - -\subsec -Never displace the vertical alignment to accommodate accidentals: - -\setstaffs1{2}\setclef1\bass\startrule\bigaccid -\twoextr{ -\notesm\ibbu0I2\qb0{IJK}\tqh0L\nxst\ibbu0d2\qb0{de}\hhqsk\qb0{^f}\tqh0g\en -\bar% -\NOtes\ql M\nxst\hhqsk\qu{^h}\en} -{\notesm\ibbu0I2\qb0{IJ}\hhqsk\qb0K\tqh0L\nxst\ibbu0d2\qb0{de}\hhqsk\qb0{^f}\tqh0g\en -\bar% -\NOtes\hqsk\ql M\nxst\hqsk\qu{^h}\en} - -\nostartrule - - - -\subsec -Write an interval of a \textit{second} in a chord with the lower note -\textbf{left}. On the other hand, in polyphonic writing, -it should be put \textbf{right}. - -\largemusicsize\setstaffs1{1}\setclef1{\treble} -\twoextr -{\NOtes\rq b\zq{ce}\qu g\en -\NOtes\rq b\zq{^ce}\qu g\en -\NOtes\rq c\rq e\rq g\qu b\en -\doublebar% -\NOtes\zql b\roffset{.9}{\qu c}\en -\notes\ibbu0c0\loff{\ibl1b{-1}\zqb1b}\qb0{cd}\en -\notes\tbl1\zqb1a\qb0c\tqh0d\en} -{\NOtes\rq c\zq{be}\qu g\en -\NOtes\sh c\rq c\zq{be}\qu g\en -\NOtes\rq c\zq{be}\qu g\en -\doublebar% -\NOtes\zqu c\roffset{.9}{\ql b}\en -\notes\ibbu0c0\roff{\ibl1b{-1}\zqb1b}\qb0c\hqsk\qb0d\en -\notes\tbl1\zqb1a\qb0c\tqh0d\en} - -{\footnotesize -I omit cases of voice crossing. -Do not be perturbed by an accidental associated with the -upper note. Do not perturb notes aside this second. - -} - - -\subsec -In polyphonic writing, notes should be shifted just enough to -distinguish them, anyway less than the spacing for a second: - -\Largemusicsize\generalmeter{\empty}\setstaffs1{1}\setclef1\treble -\twoextr -{\NOtes\zql c\roff{\zqu e}\qu g\en -\NOtes\zql c\zqu e\qu g\en -\NOtes\zql c\roffset{.2}{\zqu f}\qu g\en -\NOtes\zqlp c\roff{\zqup f}\qup h\en} -{\NOtes\zql c\loffset{.2}{\zqu g}\qu e\en -\NOtes\zql c\loffset{.2}{\zqu g}\qu e\en -\NOtes\zql c\roff{\zqu f}\qu g\en -\NOtes\loffset{.2}{\zqu h}\pt c\pt f\pt h\zql c\qu f\en} - -{\footnotesize Note the case of dotted notes: the augmentation dots -must be aligned vertically.} - -\subsec -Sometimes augmentations dots must be placed so as to avoid any -ambiguity: - -\twoextr -{\NOtes\ibu0h0\roffset{.9}{\zql g\pt h}\qb0h\en -\notes\tbbu0\tqh0h\en -\NOtes\zqlp g\qu i\en -\Notes\qu j\cl f\en -\Notes\zql e\qu k\en} -{\Notesp\loffset{.3}{\ibu0h0\zqb0h}% -\loffset{.5}{\raise.15\Interligne\hbox{\pt h}}\roffset{.8}{\zql g}\sk\en -%\NOtes\ibu0h0\loffset{.2}{\pt h}\roffset{1.4}{\zql g}\qb0h\en -\notes\tbbu0\tqh0h\en -\NOtes\pt f\zql g\qu i\en -\Notes\qu j\cl f\en -\Notes\zql e\qu k\en} - - - - -\subsec -In a two-part polyphonic notation, upper-part note stems should be -upwards, even if the other part has a rest: - -\normalmusicsize\setclef1{\bass} -\twoextr -{\NOTesp\zw H\hup a\en -\Notes\qu N\hroff{\liftpause{-2}}\ql{MKLM}\en} -{\NOTesp\zw H\hup a\en -\Notes\qu N\liftpause{-2}\qu{MKLM}\en} - -{\footnotesize(same for the lower part.)} - - -\subsec -Some linkings of notes or rests may be correct -according to music theory, -but impede sight reading: - -\normalmusicsize -\generalmeter{\meterfrac44}\setclef1\treble -\twoextr -{\notes\cu c\en -\bar% -\notes\cu d\en -\Notes\qp\en -\notes\ibu0f2\qb0{efgh}\tqh0i\en -\bar -\znotes\en} -%\notes\cl j\en} -{\notes\cu c\en -\bar% -\notes\cu d\ds\ds\cu e\en -\notes\ibu0g2\qb0{fgh}\tqh0i\en -\bar -\znotes\en} - -In other words, rests should not act as syncopated notes. In a ternary -beat, separate a rest that affects the second and third time values. -Beams do not demand so much care. - -{\footnotesize Some will argue that in early music, flag/beam notation -expresses some degree of articulation. But the rule above almost always -coincides with some \textit{reasonable} articulation. - -} - - -\section{Beaming} -\subsec -Beams should have an appropriate slope. In the past, one would avoid -too weak a slope, because the printing ink would maliciously attempt -to fill the tiny angle between these beams and the staff lines. -For a scale or an arpeggio, this slope cannot be steeper than that -formed by the notes, nor horizontal. A compromise must be found. -Here is an example, with its solution, by two distinguished publishers: - -\generalmeter{\empty} -\setstaffs1{1}\setclef1{\treble} -\twoextr{ -\notes\ibbu0a6\qb0{cdefg}\tqh0h\en -\notes\ibbu0g0\qb0{cdefg}\tqh0h\en} -{\notes\zcn q{\smalltype Peters end 19$^{th}$C.}\ibbu0a4\qb0{cdefg}\tqh0h\en -\notes\zcn q{\smalltype Henle end 20$^{th}$C.}\ibbu0e1\qb0{cdefg}\tqh0h\en -\notes\zcn q{recommended}\ibbu0d2\qb0{cdefg}\tqh0h\en} - -\footnotesize{If you want to imitate some French publishers :} - -\startextract% -\notes\ibu0d2\ibbu1d2\qb1c\qb0{defg}\tbu0\tqh1h\en -\notesss\ibu0i0\ibbbu1i0\qb1j\qb0{eg}\tbu0\tqh1j\en -\zendextract - -\subsec -Beam placement should be adapted to the context. This placement varies -depending on whether this group of notes is isolated or in a series: - -\startextract -\NOTes\hu c\hu d\en -\bar -\NOtes\qu f\en -\notes\ibbu0f4\qb0{ceg}\tqh0j\en -\NOtes\qu{cd}\en -\bar% -\NOtes\qp\en -\NOTes\hu f\en -\zendextract - -\twoextr -{\notes\ibbu0f4\qb0{ceg}\tqh0j\en -\notes\ibbu0f4\qb0{ceg}\tqh0j\en -\notes\ibbu0f4\qb0{ceg}\tqh0j\en -\notes\ibbu0f4\qb0{ceg}\tqh0j\en} -{\notes\ibbu0h1\qb0{ceg}\tqh0j\en -\notes\ibbu0h1\qb0{ceg}\tqh0j\en -\notes\ibbu0h1\qb0{ceg}\tqh0j\en -\notes\ibbu0h1\qb0{ceg}\tqh0j\en} - -\subsec -Avoid Z-like beams, as found in former editions: - -\normalmusicsize -\setclef1\bass -\twoextr -{\Notes\ibu0E{-4}\qb0G\zq{Nc}\qb0e\en -\Notes\zq{Nc}\qb0e\zq{Nc}\tqb0e\en} -{\Notes\ibl0H2\qb0G\en -\Notes\zq{Nc}\qb0e\zq{Nc}\qb0e\zq{Nc}\tqb0e\en -\doublebar% -\Notes\cu G\en -\Notes\ibl0a0\zq{Nc}\qb0e\zq{Nc}\qb0e\zq{Nc}\tqb0e\en} - - -\subsec -Beams should never cross ledger lines: - -\setclef1{\treble} -\twoextr -{\notes\ibbl0q3\qb0{qrstuvw}\tqb0x\en} -{\notes\ibbl0o1\qb0{qrstuvw}\tqb0x\en} - -\subsec -Do not affect beam placement to place rests at their usual height. -Rather move the rests: - -\twoextr -{\Notes\ibl0k1\qb0n\ds\tqb0o\en -\Notes\ibl0l0\qb0o\ds\tqb0o\en} -{\Notes\ibl0n1\qb0n\raise2\Interligne\ds\tqb0o\en -\Notes\ibl0o0\qb0o\raise2\Interligne\ds\tqb0o\en} - - -\section{Ties and slurs} -\subsec -When \textbf{slurred} notes are intended, the slur takes off and lands -above or below the \textbf{centers} of note heads. But for \textbf{tied} -notes, -the same sign takes off and lands vertically aligned with the boundary -of the note head, and not higher than this head. -One breaks from the first rule to -avoid colliding the note stems. - - -\largemusicsize -\twoextr -{\NOtes\isslurd0c\isluru1c\qu c\tsslur1 d\qu d\tsslur0e\qu e\islurd0f\qu f\en -\bar% -\NOtesp\tslur0f\roff{\itied0f}\qup f\en -\NOtes\ttie0\qu f\en} -{\NOtes\islurd0c\hroff{\isluru1c}\qu c\tslur1d\qu d\tslur0e\qu e\itied0f\qu f\en -\bar% -\NOtesp\ttie0\itied0f\qup f\en -\NOtes\ttie0\qu f\en} - -{\footnotesize Note that the tie becomes ``quieter''.} - - -\subsec -Meanwhile avoid ``acrobatics'' to strictly abide these rules: - -\largemusicsize -\twoextr -{\NOtes\islurd0c\qu c\tsslur0j\ql j\en -\NOtes\isluru0j\ql j\ql o\midslur5\tslur0k\ql k\en} -{\NOtes\isslurd0c\qu c\tsslur0j\ql j\en -\NOtes\isluru0l\ql j\ql o\tslur0m\ql k\en} - - -\subsec -During some epochs a single tie was supposed to refer to \textbf{all} -notes of a particular chord. Particular cases have become so frequent, -that it is better to note all ties explicitly. - -\largemusicsize -\twoextr -{\NOtes\itieu0g\zq{ce}\qu g\en -\bar% -\NOtes\ttie0\zq{ce}\qu g\en} -{\NOtes\itied0c\itenl1e\itieu2g\zq{ce}\qu g\en -\bar% -\NOtes\ttie0\tten1\ttie2\zq{ce}\qu g\en} - -\subsec -Associations of ties and slurs with dots and ornaments: - -\twoextr -{\NOtes\isluru0j\upz k\ql j\tslur0k\upz l\ql k\en -\NOtes\isluru0n\ql n\shake o\tslur0o\ql m\en} -{\NOtes\isluru0l\upz j\ql j\tslur0m\upz k\ql k\en -\NOtes\isluru0n\ql n\shake q\tslur0m\ql m\en} - -\newpage -\subsec -Associations of ties and slurs: - -\twoextr -{\NOtes\itied0d\qu d\en -\bar -\NOtes\ttie0\islurd1d\qu d\tslur1c\qu c\en -\NOtes\islurd1e\qu e\tslur1f\itied0f\qu f\en -\bar -\NOtes\ttie0\qu f\en} -{\NOtes\islurd1d\itied0d\qu d\en -\bar -\NOtes\ttie0\qu d\tslur1c\qu c\en -\NOtes\islurd1e\qu e\itied0f\qu f\en -\bar -\NOtes\tslur1f\ttie0\qu f\en} - -{\footnotesize Bowed-instruments players will find this obvious.} - - - -\subsec -The dotted slur is the best way to emphasize an \textit{editorial slur}: - -\setclef1{\treble} -\twoextr -{\NOtes\islurd0c\qu c\tslur0d\qu d\en -\NOtes\zcn a{\smalltype\bf (}\islurd0d\qu e% -\zcn b{\smalltype\bf ~)}\tslur0e\qu f\en -\NOtes\islurd0g\zqu g\hsk\zcn c{\bf /}\hsk\tslur0h\qu h\en} -{\NOtes\islurd0c\qu c\tslur0d\qu d\en -\NOtes\dotted\islurd0e\qu e\tslur0f\qu f\en -\NOtes\dotted\islurd0g\qu g\tslur0h\qu h\en} - - -\section{Accidentals} -\subsec -When a note with an accidental expands over several measure, -do not repeat the accidental on the next measures, except if there is -a line-break or a page-break: - -\twoextr -{\NOTEs\itied0b\itieu1j\zwh{^c}\wh{_i}\en -\bar% -\NOTes\ttie0\ttie1\zwh{^c}\hu{_i}\hu i\en} -{\NOTEs\itied0c\itieu1i\zwh{^c}\wh{_i}\en -\bar% -\NOTes\ttie0\ttie1\zwh c\hu i\hu{_i}\en} - -\subsec - -When an accidental affects \textit{small notes}, and is desired -to also affect subsequent notes, it must be repeated. - -\twoextr -{\notes\appog\ibbu0c2\qb0{^c}\tqh0d\en -\NOTes\wh c\en} -{\notes\appog\ibbu0c2\qb0{^c}\tqh0d\en -\NOTes\qsk\wh{^c}\en} - -\subsec -When a note with a single sharp comes after the same note with a -double sharp, you no longer put a natural sign before the single -sharp, unless you want to mimic 19th engraving style. Same for flats: - -\twoextr -{\NOtes\qu{>c}\lna c\qu{^c}\qu{c}\qu{^c}\qu{c}\lna c\qu{^c}\qu{c}\qu{^c}\qu{>, soit de faire de laborieux montages -de morceaux de photocopies. Compte tenu du fait que les partitions -des temps modernes sont plus petites qu'autrefois, ceci impose un -effort suppl\'ementaire de la part du graveur. - -{\footnotesize La zone effectivement imprim\'ee, c'est-\`a-dire sans tenir -compte des marges, de la plupart des -partitions anciennes, correspondait presque au -format habituel des partitions de notre temps, marges comprises. - -} - -Un solution de facilit\'e consiste \`a utiliser une petite taille de gravure. -Il vaut mieux utiliser une gravure de taille sup\'erieure, au prix -d'un effort plus important pour g\'erer les espacements rationnellement. -Ces deux extraits prennent le m\^eme espace horizontal, mais celui de -droite est plus lisible : - -\bigaccid -\begin{music}\let\extractline\hbox -\hbox to \hsize{ -\hfill -\smallmusicsize -\setclef1\treble -\startextract% -\notess\ibbu0c1\qb0c\qb0{^c}\qb0d\tqh0{^d}\en -\notess\ibbu0f{-1}\qb0{g}\qb0{_g}\qb0f\tqh0e\en -\bar% -\notess\ibbu0c0\qb0{^cc}\qb0{=c}\tqh0c\en -\zendextract\hfill -\normalmusicsize -\startextract% -\notesss\ibbu0c1\qb0c\hqsk\qb0{^c}\qb0d\hqsk\tqh0{^d}\en -\notesss\ibbu0f{-1}\qb0{g}\hqsk\qb0{_g}\qb0f\tqh0e\en -\bar% -\notesss\ibbu0c0\qb0{^cc}\hqsk\qb0{=c}\tqh0c\en -\zendextract -\hfill} -\let\extractline\centerline\end{music} - -De plus, il faut parfois varier \'egalement la distance entre les -port\'ees d'un m\^eme syst\`eme, afin de ne pas gaspiller d'espace vertical -(voir mon \'edition de la Sonate op.35-3 de Dussek). - -\subsec -Choisir des espacements horizontaux croissants en fonction des valeurs -de notes, mais cependant pas proportionnels \`a ces valeurs. Personnellement, -je suis satisfait avec le rapport \hbox{$\sqrt{2}\approx 1.414$} -correspondant aux valeurs de notes de rapport 2, mais ce n'est pas une -r\`egle absolue, surtout s'il y a des triples ou quadruples croches, qui -peuvent alors \^etre trop serr\'ees. -Ne pas changer d'espacement au cours d'une ligne sans -raison valable. - -\nostartrule -\setclef1\treble -\hsize82.1mm -\startpiece -\NOTEs\hu c\sk\en -\NOTEs\qu c\en -\NOtes\cu c\en -\notes\ibbu0c0\qb0c\en -\notes\qb0{cc}\tqh0c\en -\setemptybar -\endpiece - -\hsize18cm -\twoextr -{\notes\hu c\en -\NOtes\qu c\en -\NOTes\cu c\en -\notes\ibbu0c0\qb0c\en -\Notes\qb0{cc}\tqh0c\en} -{\NOTes\hu c\en -\NOtes\qu c\en -\Notes\cu c\en -\notes\ibbu0c0\qb0{cc}\en -\notes\qb0c\tqh0c\en} - -{\footnotesize S'il y a plusieurs port\'ees par syst\`eme, c'est la -partie comportant les notes les plus \textbf{br\`eves} -qui impose l'espacement de l'ensemble. S'il y a des paroles, elles -peuvent imposer un espacement encore plus grand. - -} - -\subsec -Voici une raison valable de changer d'espacement pour les notes -serr\'ees : \'eviter les collisions : - -\twoextr -{\notesss\ccu c\ibbl0k2\qb0{jklm}\tqb0{^n}\en} -{\notesss\ccu c\hqsk\ibbl0k2\qb0j\qb0{klm}\hqsk\tqb0{^n}\en} - -\newpage - -\subsec -Si aucune autre partie simultan\'ee ne l'interdit, il faut aussi -tenir compte des queues de notes pour les espacements : - -\largemusicsize -\twoextr -{\notes\ibbu0d0\qb0{ded}\tqh0e\ibbl0k0\qb0{jkj}\tqb0k\en} -{\notes\ibbu0d0\qb0{ded}\tqh0e\hqsk\ibbl0k0\qb0{jkj}\tqb0k\en} - -\subsec -Ne jamais compromettre l'aplomb entre parties sous pr\'etexte de loger -les alt\'erations : - -\setstaffs1{2}\setclef1\bass\startrule\bigaccid -\twoextr{ -\notesm\ibbu0I2\qb0{IJK}\tqh0L\nxst\ibbu0d2\qb0{de}\hhqsk\qb0{^f}\tqh0g\en -\bar% -\NOtes\ql M\nxst\hhqsk\qu{^h}\en} -{\notesm\ibbu0I2\qb0{IJ}\hhqsk\qb0K\tqh0L\nxst\ibbu0d2\qb0{de}\hhqsk\qb0{^f}\tqh0g\en -\bar% -\NOtes\hqsk\ql M\nxst\hqsk\qu{^h}\en} -\nostartrule - - -\subsec -Pour noter un intervalle de seconde dans un accord, on met la note -inf\'erieure \`a gauche. Par contre, dans une \'ecriture polyphonique, -elle se met \`a droite. - -\largemusicsize\setstaffs1{1}\setclef1\treble -\twoextr -{\NOtes\rq b\zq{ce}\qu g\en -\NOtes\rq b\zq{^ce}\qu g\en -\NOtes\rq c\rq e\rq g\qu b\en -\doublebar% -\NOtes\zql b\roffset{.9}{\qu c}\en -\notes\ibbu0c0\loff{\ibl1b{-1}\zqb1b}\qb0{cd}\en -\notes\tbl1\zqb1a\qb0c\tqh0d\en} -{\NOtes\rq c\zq{be}\qu g\en -\NOtes\sh c\rq c\zq{be}\qu g\en -\NOtes\rq c\zq{be}\qu g\en -\doublebar% -\NOtes\zqu c\roffset{.9}{\ql b}\en -\notes\ibbu0c0\roff{\ibl1b{-1}\zqb1b}\qb0c\hqsk\qb0d\en -\notes\tbl1\zqb1a\qb0c\tqh0d\en} - -{\footnotesize -Je fais l'impasse sur les cas de \textit{croisements de voix}. -Ne pas se laisser influencer par une alt\'eration concernant -la note sup\'erieure. -Ne pas perturber les notes \'etrang\`eres -\`a cette seconde. - -} - -\subsec -Pour les \'ecritures polyphoniques, on d\'ecale les notes juste ce qu'il -faut pour pouvoir les distinguer, en tout cas moins que pour un intervalle -de seconde : - -\Largemusicsize\generalmeter{\empty}\setstaffs1{1}\setclef1\treble -\twoextr -{\NOtes\zql c\roff{\zqu e}\qu g\en -\NOtes\zql c\zqu e\qu g\en -\NOtes\zql c\roffset{.2}{\zqu f}\qu g\en -\NOtes\zqlp c\roff{\zqup f}\qup h\en} -{\NOtes\zql c\loffset{.2}{\zqu g}\qu e\en -\NOtes\zql c\loffset{.2}{\zqu g}\qu e\en -\NOtes\zql c\roff{\zqu f}\qu g\en -\NOtes\loffset{.2}{\zqu h}\pt c\pt f\pt h\zql c\qu f\en} - -{\footnotesize Noter le cas des notes point\'ees.} - -\subsec -Il faut parfois adapter la place du point pour \'eviter les ambigu\"it\'es : - -\twoextr -{\NOtes\ibu0h0\roffset{.9}{\zql g\pt h}\qb0h\en -\notes\tbbu0\tqh0h\en -\NOtes\zqlp g\qu i\en -\Notes\qu j\cl f\en -\Notes\zql e\qu k\en} -{\Notesp\loffset{.3}{\ibu0h0\zqb0h}% -\loffset{.5}{\raise.15\Interligne\hbox{\pt h}}\roffset{.8}{\zql g}\sk\en -%\NOtes\ibu0h0\loffset{.2}{\pt h}\roffset{1.4}{\zql g}\qb0h\en -\notes\tbbu0\tqh0h\en -\NOtes\pt f\zql g\qu i\en -\Notes\qu j\cl f\en -\Notes\zql e\qu k\en} - - -\newpage - -\subsec -Dans une notation polyphonique \`a deux parties, on met les queues -des notes de la partie sup\'erieure vers le haut, m\^eme si l'autre partie -comporte un silence : - -\normalmusicsize\setclef1{\bass} -\twoextr -{\NOTesp\zw H\hup a\en -\Notes\qu N\hroff{\liftpause{-2}}\ql{MKLM}\en} -{\NOTesp\zw H\hup a\en -\Notes\qu N\liftpause{-2}\qu{MKLM}\en} - -{\footnotesize(et inversement pour la partie du bas.)} - - -\subsec -Certains regroupements de notes ou de silences peuvent \^etre -\textit{solf\'egiquement corrects}, mais rendent le d\'echiffrage difficile : - -\normalmusicsize\setclef1\treble -\generalmeter{\meterfrac44} -\twoextr -{\notes\cu c\en -\bar% -\notes\cu d\en -\Notes\qp\en -\notes\ibu0f2\qb0{efgh}\tqh0i\en -\bar -\znotes\en} -%\notes\cl j\en} -{\notes\cu c\en -\bar% -\notes\cu d\ds\ds\cu e\en -\notes\ibu0g2\qb0{fgh}\tqh0i\en -\bar -\znotes\en} - - -Autrement dit, ne pas faire jouer le r\^ole de syncopes \`a des silences. -Dans une mesure ternaire, s\'eparer un silence qui concerne les deuxi\`eme -et troisi\`eme unit\'es de valeur. -Pour les barres des croches, on peut \^etre un peu plus souple. - -{\footnotesize Certains objecteront qu'en musique ancienne, la notation -des croches en crochets ou en barre exprime un degr\'e d'articulation -souhait\'e. Mais la r\`egle ci-dessus recoupe presque toujours une -articulation << raisonnable >>. - -} - - -\section{Croches en barres} -\subsec -Il faut donner aux << barres >> ou << ligatures >> -des croches une pente appropri\'ee. Autrefois, -on \'evitait de trop faibles pentes, parce que l'encre d'imprimerie -avait une f\^acheuse tendance \`a combler un angle trop petit entre ces -barres et les lignes de la port\'ee. Pour une gamme ou un arp\`ege, cette -pente ne peut pas \^etre sup\'erieure \`a celle form\'ee par les notes, ni -horizontale. Il faut t\^acher de trouver un compromis. Voici un exemple, -avec sa r\'eponse, par deux illustres \'editeurs : - -\generalmeter{\empty} -\setstaffs1{1}\setclef1\treble -\twoextr{ -\notes\ibbu0a6\qb0{cdefg}\tqh0h\en -\notes\ibbu0g0\qb0{cdefg}\tqh0h\en} -{\notes\zcn q{Peters \smalltype fin XIX$^e$}\ibbu0a4\qb0{cdefg}\tqh0h\en -\notes\zcn q{Henle \smalltype fin XX$^e$}\ibbu0e1\qb0{cdefg}\tqh0h\en -\notes\zcn q{conseill\'e}\ibbu0d2\qb0{cdefg}\tqh0h\en} - -\footnotesize{Si vous voulez imiter certains \'editeurs fran\c{c}ais :} - -\startextract% -\notes\ibu0d2\ibbu1d2\qb1c\qb0{defg}\tbu0\tqh1h\en -\notesss\ibu0i0\ibbbu1i0\qb1j\qb0{eg}\tbu0\tqh1j\en -\zendextract - -\newpage - -\subsec -Le placement des barres doit \^etre adapt\'e au contexte. Ce -placement est diff\'erent selon qu'on a un groupe de croches isol\'ees ou -un passage de croches semblables : - -\startextract -\NOTes\hu c\hu d\en -\bar -\NOtes\qu f\en -\notes\ibbu0f4\qb0{ceg}\tqh0j\en -\NOtes\qu{cd}\en -\bar% -\NOtes\qp\en -\NOTes\hu f\en -\zendextract - -\twoextr -{\notes\ibbu0f4\qb0{ceg}\tqh0j\en -\notes\ibbu0f4\qb0{ceg}\tqh0j\en -\notes\ibbu0f4\qb0{ceg}\tqh0j\en -\notes\ibbu0f4\qb0{ceg}\tqh0j\en} -{\notes\ibbu0h1\qb0{ceg}\tqh0j\en -\notes\ibbu0h1\qb0{ceg}\tqh0j\en -\notes\ibbu0h1\qb0{ceg}\tqh0j\en -\notes\ibbu0h1\qb0{ceg}\tqh0j\en} - - - - -\subsec -\'Eviter les barres de croches en forme de Z, qu'on trouve dans les -\'editions d'autrefois : - -\normalmusicsize -\setclef1\bass -\twoextr -{\Notes\ibu0E{-4}\qb0G\zq{Nc}\qb0e\en -\Notes\zq{Nc}\qb0e\zq{Nc}\tqb0e\en} -{\Notes\ibl0H2\qb0G\en -\Notes\zq{Nc}\qb0e\zq{Nc}\qb0e\zq{Nc}\tqb0e\en -\doublebar% -\Notes\cu G\en -\Notes\ibl0a0\zq{Nc}\qb0e\zq{Nc}\qb0e\zq{Nc}\tqb0e\en} - - -\subsec -On ne fait jamais interf\'erer les barres de croches avec les lignes -suppl\'ementaires : - -\setclef1\treble -\twoextr -{\notes\ibbl0q3\qb0{qrstuvw}\tqb0x\en} -{\notes\ibbl0o1\qb0{qrstuvw}\tqb0x\en} - -\subsec -Ne pas affecter le placement des barres pour placer les silences -\`a leur hauteur normale. Au contraire, d\'eplacer les silences : - -\twoextr -{\Notes\ibl0k1\qb0n\ds\tqb0o\en -\Notes\ibl0l0\qb0o\ds\tqb0o\en} -{\Notes\ibl0n1\qb0n\raise2\Interligne\ds\tqb0o\en -\Notes\ibl0o0\qb0o\raise2\Interligne\ds\tqb0o\en} - - - -\section{Tenues et liaisons} -\subsec -Quand on veut exprimer des notes \textbf{li\'ees}, le signe de liaison -d\'emarre et atterrit au dessus du \textbf{centre} des notes. Par contre, -pour exprimer des notes \textbf{tenues}, ce m\^eme signe d\'emarre et -atterrit \`a la verticale de la limite de la t\^ete de la note, et pas -plus haut que celle-ci. On d\'eroge -\`a la premi\`ere r\`egle pour \'eviter des collisions avec les queues des -notes : - - -\largemusicsize -\twoextr -{\NOtes\isslurd0c\isluru1c\qu c\tsslur1 d\qu d\tsslur0e\qu e\islurd0f\qu f\en -\bar% -\NOtesp\tslur0f\roff{\itied0f}\qup f\en -\NOtes\ttie0\qu f\en} -{\NOtes\islurd0c\hroff{\isluru1c}\qu c\tslur1d\qu d\tslur0e\qu e\itied0f\qu f\en -\bar% -\NOtesp\ttie0\itied0f\qup f\en -\NOtes\ttie0\qu f\en} -{\footnotesize A noter que la tenue en devient plus discr\`ete.} - -\subsec -Ne pas faire quand m\^eme trop d' << acrobaties >> pour suivre ces r\`egles -\`a la lettre : - -\twoextr -{\NOtes\islurd0c\qu c\tsslur0j\ql j\en -\NOtes\isluru0j\ql j\ql o\midslur5\tslur0k\ql k\en} -{\NOtes\isslurd0c\qu c\tsslur0j\ql j\en -\NOtes\isluru0l\ql j\ql o\tslur0m\ql k\en} - - -\subsec -A certaines \'epoques, on estimait qu'une seule tenue concernait -\textbf{toutes} les notes d'un m\^eme accord. Les cas particuliers sont -devenus si nombreux, qu'il vaut mieux noter explicitement toutes -les tenues : - -\largemusicsize -\twoextr -{\NOtes\itieu0g\zq{ce}\qu g\en -\bar% -\NOtes\ttie0\zq{ce}\qu g\en} -{\NOtes\itied0c\itenl1e\itieu2g\zq{ce}\qu g\en -\bar% -\NOtes\ttie0\tten1\ttie2\zq{ce}\qu g\en} - -\subsec -Cohabitation de liaisons et tenues avec des notes piqu\'ees et des -ornements : - -\twoextr -{\NOtes\isluru0j\upz k\ql j\tslur0k\upz l\ql k\en -\NOtes\isluru0n\ql n\shake o\tslur0o\ql m\en} -{\NOtes\isluru0l\upz j\ql j\tslur0m\upz k\ql k\en -\NOtes\isluru0n\ql n\shake q\tslur0m\ql m\en} - -\subsec -Cohabitation entre liaisons et tenues : - -\twoextr -{\NOtes\itied0d\qu d\en -\bar -\NOtes\ttie0\islurd1d\qu d\tslur1c\qu c\en -\NOtes\islurd1e\qu e\tslur1f\itied0f\qu f\en -\bar -\NOtes\ttie0\qu f\en} -{\NOtes\islurd1d\itied0d\qu d\en -\bar -\NOtes\ttie0\qu d\tslur1c\qu c\en -\NOtes\islurd1e\qu e\itied0f\qu f\en -\bar -\NOtes\tslur1f\ttie0\qu f\en} - -{\footnotesize Les instrumentistes \`a archet trouveront ceci \'evident.} - -\subsec -Lorsqu'on veut ajouter une liaison en temps qu'\'editeur, le pointill\'e -est la meilleure mani\`ere de signaler cette intervention : - -\setclef1\treble -\twoextr -{\NOtes\islurd0c\qu c\tslur0d\qu d\en -\NOtes\zcn a{\smalltype\bf (}\islurd0d\qu e% -\zcn b{\smalltype\bf ~)}\tslur0e\qu f\en -\NOtes\islurd0g\zqu g\hsk\zcn c{\bf /}\hsk\tslur0h\qu h\en} -{\NOtes\islurd0c\qu c\tslur0d\qu d\en -\NOtes\dotted\islurd0e\qu e\tslur0f\qu f\en -\NOtes\dotted\islurd0g\qu g\tslur0h\qu h\en} - - - -\section{Alt\'erations} -\subsec -Quand une note tenue alt\'er\'ee s'\'etend sur plusieurs mesures, on -ne r\'ep\`ete pas les alt\'erations aux mesures suivantes, sauf en cas de -saut de ligne ou de page. - -\twoextr -{\NOTEs\itied0b\itieu1j\zwh{^c}\wh{_i}\en -\bar% -\NOTes\ttie0\ttie1\zwh{^c}\hu{_i}\hu i\en} -{\NOTEs\itied0c\itieu1i\zwh{^c}\wh{_i}\en -\bar% -\NOTes\ttie0\ttie1\zwh c\hu i\hu{_i}\en} - - -\subsec -Quand une alt\'eration concerne de \textit{petites notes}, et qu'on -estime qu'elle doit s'appliquer aux notes normales qui suivent, il -faut r\'ep\'eter cette alt\'eration. - -\twoextr -{\notes\appog\ibbu0c2\qb0{^c}\tqh0d\en -\NOTes\wh c\en} -{\notes\appog\ibbu0c2\qb0{^c}\tqh0d\en -\NOTes\qsk\wh{^c}\en} - -\newpage - -\subsec -Quand une note affect\'ee d'un simple di\`ese succ\`ede \`a la m\^eme note -affect\'ee d'un double di\`ese dans la m\^eme mesure, on ne met plus de b\'ecarre -avant le simple di\`ese, -\`a moins de vouloir imiter le style de gravure du 19$^e$ si\`ecle. De m\^eme pour les -b\'emols : - -\twoextr -{\NOtes\qu{>c}\lna c\qu{^c}\qu{c}\qu{^c}\qu{> \textbf(c). -\end{itemize} - -On met une alt\'eration \'editoriale quand on estime que la source -avec laquelle on travaille est erron\'ee. On la note par une alt\'eration -de petite taille, plac\'ee au dessus de la note si la place le permet, -sinon au dessous. Si la note -est au milieu d'un accord, on la place \`a gauche de la note. - -{\footnotesize Le chiffrage de la \textit{basse continue} fait aussi -usage de petites alt\'erations au dessus des notes. Mais en g\'en\'eral, la -confusion est peu vraisemblable. - -} - -On met une alt\'eration de pr\'ecaution quand les r\`egles du solf\`ege voudraient -qu'elle s'applique, mais on craint qu'elle n'\'echappe au musicien, comme -par exemple, \`a la fin d'une mesure tr\`es riche en notes. Elle se note -entre parenth\`eses. - -Une alt\'eration << cadeau de la maison >> est une alt\'eration superflue -au regard du solf\`ege, et qui confirme l'effet de la barre de -mesure sur les alt\'erations pr\'ec\'edentes. L'habitude est de la noter -normalement : - -\twoextr -{\NOtes\qu{^c}\qu d\cfl e\qu e\qu{^c}\en -\bar% -\NOtes\cna c\qu c\en} -{\NOtes\qu{^c}\qu d\ccn q{(e)}\upperfl L\qu e\ccn q{(p)}\csh c\qu c\en -\bar% -\NOtes\ccn q{(c)}\qu{=c}\en} - - -{\footnotesize Pour certaines \oe uvres contemporaines complexes, il -est pr\'ef\'erable de noter \textbf{toutes} les alt\'erations.} - -\subsec Autrefois, pour certains copistes, il allait de soi que quand la -premi\`ere note d'une mesure est la m\^eme que celle alt\'er\'ee de la -mesure pr\'ec\'edente, l'alt\'eration continue \`a s'appliquer : - -\setstaffs12\setclef1{\bass\treble} -\startrule -\interstaff{11} - -\startextract -\NOtesp\zhl K\hu a|\zh{^f}\zhl d\qup j\en -\notesp|\triolet r\ibbu3i{-1}\qb3j\en -\notes|\qb3{_i}\tqh3h\en -\NOtesp\pt F\zql G\qu N|\zqp g\zqlp d\qup i\en -\notes\ibbl0H1\triolet C\zcu N\qb0G|\zq g\zcl d\cu i\en -\notesp\qb0H\en -\notes\tqb0{_I}\en -\bar -\NOtes\zhl J\qu N|\pt b\zql c\loffset{.25}{\zql e}\qu i\en -\Notes\qu M|\zhl f\ibu3h{-1}\qbp3h\en -\notes|\cl c\en -\notes|\tbbu3\tqh3g\en -\NOtes\zhl C\qu N|\pt b\zql c\qu g\en -\zendextract - -La correction est donc \'evidente, et ne justifie donc pas une alt\'eration -\'editoriale : - -\smallmusicsize -\twoextr -{\NOtesp\zhl K\hu a\nextstaff\zh{^f}\zhl d\qup j\en -\notesp\nextstaff\triolet r\ibbu3i{-1}\qb3j\en -\notes\nextstaff\qb3{_i}\tqh3h\en -\NOtesp\pt F\zql G\qu N\nextstaff\zqp g\zqlp d\qup i\en -\notes\ibbl0H1\triolet C\zcu N\qb0G\nextstaff\zq g\zcl d\cu i\en -\notesp\qb0H\en -\notes\tqb0{_I}\en -\bar% -\NOtes\zhl J\qu N\nextstaff\pt b\zql c\loffset{.25}{\zql e}\upperfl n\qu i\en -\Notes\qu M\nextstaff\zhl f\ibu3h{-1}\qbp3h\en -\notes\nextstaff\cl c\en -\notes\nextstaff\tbbu3\tqh3g\en -\NOtes\zhl C\qu N\nextstaff\pt b\zql c\qu g\en} -{\NOtesp\zhl K\hu a\nextstaff\zh{^f}\zhl d\qup j\en -\notesp\nextstaff\triolet r\ibbu3i{-1}\qb3j\en -\notes\nextstaff\qb3{_i}\tqh3h\en -\NOtesp\pt F\zql G\qu N\nextstaff\zqp g\zqlp d\qup i\en -\notes\ibbl0H1\triolet C\zcu N\qb0G\nextstaff\zq g\zcl d\cu i\en -\notesp\qb0H\en -\notes\tqb0{_I}\en -\bar% -\nspace% -\NOtes\zhl J\qu N\nextstaff\pt b\zql c\loffset{.25}{\zql e}\qu{_i}\en -\Notes\qu M\nextstaff\zhl f\ibu3h{-1}\qbp3h\en -\notes\nextstaff\cl c\en -\notes\nextstaff\tbbu3\tqh3g\en -\NOtes\zhl C\qu N\nextstaff\pt b\zql c\qu g\en} - -{\footnotesize (\`a plus forte raison une alt\`eration de -pr\'ecaution. Vos comp\'etances de musicologue sont d\'ej\`a -reconnues \`a ce stade !)} - -\subsec -Dans une \'edition ancienne, certaines alt\'erations peuvent sembler superflues -selon nos r\`egles modernes, comme le \textit{do} di\`ese \`a la fin de -cette mesure : - -\nostartrule -\setstaffs11 -\largemusicsize -\setclef1{\bass} -\startextract -\bar% -\NOtes\zw N\zq b\qu d\lsh a\zq a\qu{^c}\en -\NOtes\zq b\qu d\zq{^c}\qu e\en -\bar% -\zendextract - - Le raisonnement suivant est donc \`a proscrire : -<<\textit{si cette alt\'eration est pr\'esente, c'est qu'il -y a une bonne raison, mais il se trouve que cette alt\'eration est erron\'ee. -En effet, si le compositeur avait voulu un} do \textit{di\`ese -\`a la fin de la mesure, il n'aurait rien mis. -Je me charge donc de faire la correction qui s'impose.}>> - - -\twoextr{ -\bar% -\NOtes\zw N\zq b\qu d\lsh a\zq a\qu{^c}\en -\NOtes\zq b\qu d\zq{=c}\qu e\en -\bar% -} -{\bar% -\NOtes\zw N\zq b\qu d\lsh a\zq a\qu{^c}\en -\NOtes\zq b\qu d\zq c\qu e\en -\bar% -} - -{\footnotesize Si ces noires en tierces avaient \'et\'e not\'ees de mani\`ere -polyphonique, tout s'expliquerait. Je pourrais citer d'autres malentendus -semblables, \`a propos du cas des alt\'erations \`a l'octave, -que nous avons vu plus haut. - -} - - -\section{Num\'eros de mesures} - -\subsec -On ne note jamais les silences initiaux communs \`a toutes les -parties, surtout s'il y a une reprise partant de la premi\`ere note : - -\normalmusicsize\nostartrule\setclef1\treble -\generalmeter{\meterfrac34} - -\twoextr -{\NOtes\hpause\en -\Notes\qu c\en -\bar% -\Notes\qu{def}\en -\bar% -\Notes\qu{hi}\en -\rightrepeat -\Notes\ql j\en -\bar -\Notes\ql k\en} -{\Notes\qu c\en -\bar% -\Notes\qu{def}\en -\bar% -\Notes\qu{hi}\en -\rightrepeat -\Notes\ql j\en -\bar -\Notes\ql k\en} - - -\subsec -On n'indique jamais le num\'ero de la toute premi\`ere mesure -d'un morceau. Si cette premi\`ere mesure est en \textit{lev\'ee}, le -num\'ero de cette mesure est \textbf{z\'ero}. - -\normalmusicsize\nostartrule\setclef1\treble -\generalmeter{\meterfrac34} - -\twoextr -{\Notes\loffset{8}{\zcharnote o{\eightbf 1}}\qu c\en -\bar% -\Notes\loffset{2}{\zcharnote o{\eightbf 2}}\qu{def}\en -\bar% -\Notes\loffset{2}{\zcharnote o{\eightbf 3}}\qu{hi}\ql j\en} -{\Notes\qu c\en -\bar% -\Notes\loffset{2}{\zcharnote o{\eightbf 1}}\qu{def}\en -\bar% -\Notes\loffset{2}{\zcharnote o{\eightbf 2}}\qu{hi}\ql j\en} - -{\footnotesize En pratique, des num\'eros pour la premi\`ere mesure -de chaque syst\`eme sont suffisants. - -} - -\subsec -Quand il y a une double barre de reprise au cours d'une mesure, cette double barre -ne compte pas pour la num\'erotation des mesures. - -\twoextr -{\Notes\qu{cde}\en -\bar% -\Notes\loffset{2}{\zcharnote o{\eightbf 2}}\qu{de}\en -\leftrightrepeat% -\Notes\qu f\en -\bar% -\Notes\loffset{2}{\zcharnote o{\eightbf 4}}\qu{hi}\ql j\en -\bar} -{\Notes\qu{cde}\en -\bar% -\Notes\loffset{2}{\zcharnote o{\eightbf 2}}\qu{de}\en -\leftrightrepeat% -\Notes\qu f\en -\bar% -\Notes\loffset{2}{\zcharnote o{\eightbf 3}}\qu{hi}\ql j\en -\bar} - - -\subsec -Quand il y a des mesures \textit{premi\`ere fois-deuxi\`eme fois}, seuls les -num\'eros de mesure de la \textit{premi\`ere fois} comptent. Si n\'ecessaire, -on distingue les mesures de m\^emes num\'eros par les indices \textit{a} -et \textit{b}. - -\generalmeter{\null}\setclef1\treble\normalmusicsize -\twoextr{ -\Notes\loffset{5}{\zcharnote o{\eightbf 30}}\hu c\en\bar -\Notes\loffset{2}{\zcharnote o{\eightbf 31}}\hu d\en -\Setvolta1\bar -\Notes\hu e\en -\bar -\Notes\loffset{2}{\zcharnote o{\eightbf 33}}\hu f\en -\setvolta2\endvoltabox\rightrepeat -\Notes\hu g\en -\bar% -\Notes\loffset{2}{\zcharnote o{\eightbf 35}}\hu h\en -\bar% -\Notes\hu i\en -\bar% -\Notes\loffset{2}{\zcharnote o{\eightbf 37}}\hl j\en} -{\Notes\loffset{5}{\zcharnote o{\eightbf 30}}\hu c\en -\bar -\Notes\loffset{2}{\zcharnote o{\eightbf 31}}\hu d\en -\Setvolta1\bar% -\Notes\hu e\en -\bar% -\Notes\loffset{2}{\zcharnote o{\eightbf 33a}}\hu f\en -\setvolta2\endvoltabox\rightrepeat -\Notes\hu g\en -\bar% -\Notes\loffset{2}{\zcharnote o{\eightbf 33b}}\hu h\en -\bar% -\Notes\hu i\en -\bar% -\Notes\loffset{2}{\zcharnote o{\eightbf 35}}\hl j\en} - - -{\footnotesize En effet, de nombreux mouvements rapides, comportent -des barres de reprise au cours d'une mesure (comme l'Allegretto de la -sonate \textit{Clair de lune}). On aurait aussi bien pu noter cette -reprise sous la forme \textit{premi\`ere fois-deuxi\`eme fois} pour -cette mesure. Il faut donc -que ces deux formulations conduisent \`a la m\^eme num\'erotation des -mesures. - -} - -\section{Questions diverses} - -\subsec -Quand on note la partie d'un instrument n'exigeant qu'une port\'ee, on ne -met pas de barres verticales en d\'ebut de port\'ees, contrairement \`a -une partition de << conducteur >>. - -\setclef1\alto -\startrule\largemusicsize -\begin{music}\let\extractline\hbox -\hbox to \hsize{ -\hfill -\startextract -\NOtes\qu{abc}\en -\zendextract\hfill\nostartrule -\startextract -\NOtes\qu{abc}\en -\zendextract -\hfill} - -\let\extractline\centerline\end{music} - - -\subsec -Autrefois, certaines notes piqu\'ees \'etaient not\'ees avec un petit triangle -au lieu du point moderne. Si dans une \oe uvre, ces \textbf{deux} notations -se pr\'esentent, elles repr\'esentent \'egalement deux degr\'es dans le caract\`ere -piqu\'e. Il faut donc respecter la notation originale. Si par contre, seuls -les petits triangles existent, il faut les restituer par de simples -points : - -\largemusicsize\setstaffs1{1}\setclef1\treble\nostartrule -\twoextr{ -\Notes\ibu0d1\lppz c\qb0c\lppz d\qb0d\lppz e\qb0e\lppz f\tqh0f\en} -{\Notes\ibu0d1\lpz c\qb0c\lpz d\qb0d\lpz e\qb0e\lpz f\tqh0f\en} - -\subsec -De tels signes se placent toujours \`a la verticale des t\^etes de notes, -et non pas \`a la verticale des hampes, m\^eme si la polyphonie exige -un placement cot\'e hampes : - -\twoextr -{\NOtes\zhl c\hroff{\upz l}\qu e\hroff{\uppz k}\qu f\en -\Notes\zql b\ibu0g0\hroff{\upz m}\qb0g\hroff{\upz m}\tqh0g\en} -{\NOtes\zhl c\upz l\qu e\uppz k\qu f\en -\Notes\zql b\ibu0g0\upz m\qb0g\upz m\tqh0g\en} - - -\subsec -Les appoggiatures, ou \textit{petites notes}, se notent \textbf{apr\`es} -la barre de mesure. Ceci quelle que soit leur interpr\'etation rythmique -suppos\'ee : - -\twoextr -{\NOtes\qu N\en -\notes\multnoteskip\tinyvalue\tinynotesize\ibbu0e4\qb0c\tqh0e\en -\bar -\NOtes\hu g\en} -{\NOtes\qu N\en -\bar -\notes\multnoteskip\tinyvalue\tinynotesize\ibbu0e4\qb0c\tqh0e\en -\NOtes\hu g\en} - -\subsec -On \'ecrit l'indication g\'en\'erale de mouvement en caract\`eres normaux, -et les indications interm\'ediaires en italique : - -\setclef1\treble -\twoextr -{\NOtes\zcn o{\medtype\it allegro}\qu{de}\zcn N{Cres}\qu{fg}\en} -{\NOtes\zcn o{\medtype Allegro}\qu{de}\zcn N{\medtype\it cresc.}\qu{fg}\en} - -{\footnotesize Notez aussi l'usage de majuscules, et le point d'abbr\'eviation.} - - -\subsec -Autrefois on indiquait \textbf{loco} (du latin : \textit{au lieu} - pour attirer l'attention sur -la fin d'un signe d'octaviation (\textit{8}\raisebox{2mm}{- - - - -}). -Maintenant que ces octaviations sont -devenues habituelles, ce \textbf{loco} est bien inutile. - -\section{Quelques conseils moraux, quand vous gravez une partition} - -\subsec -Quand vous faites un certain choix dans une mani\`ere de noter, -conservez-le d'un bout \`a l'autre du morceau, au lieu d'alterner -\`a votre guise avec une autre mani\`ere, m\^eme si cette premi\`ere -mani\`ere est contestable d'apr\`es ce que nous avons vu. - -\subsec -En typographie musicale, -les erreurs de hauteur d'une tierce sont beaucoup plus fr\'equentes -que les erreurs d'une seconde, pour des raisons \'evidentes de -perception visuelle. Soyez donc compr\'ehensif envers les auteurs de votre -source. - -\subsec -Que faire, quand vous pensez en avoir termin\'e avec votre \'edition, -apr\`es tous ces conseils ? -Bien s–r, vous vous pr\'ecipitez sur votre instrument, et vous jouez -le morceau avec cette \'edition. - -Mais comme ce morceau vous est familier, vous risquez fort, -emport\'e par votre enthousiasme, -de laisser \'echapper un certain nombre d'erreurs. -Abandonnez donc l'instrument, -posez votre \'edition et sa source sur une table, et prenez un crayon. -Comparez-les mesure par mesure, et s'il y a plusieurs port\'ees, une -seule port\'ee \`a la fois. Terminez par les indications diverses (tempo, -interpr\'etation, p\'edale pour le piano, etc.) qui sont communes \`a -ces plusieurs port\'ees. - -Ceci n'est pas encore suffisant. En effet, un bon musicien, tel que vous, -poss\`ede la capacit\'e de corriger certaines erreurs (notamment d'alt\'erations) -en jouant, sans s'en rendre compte. Le test pr\'ec\'edent ne mettra donc -pas ces erreurs \`a jour, les deux versions comportant la m\^eme erreur. - -Si votre logiciel est apte \`a traduire votre morceau au format MIDI, -le fichier produit pourra vous aider. Sinon, il faudra soumettre votre -\'edition \`a un musicien moins exp\'eriment\'e que vous, qui n'aurait pas encore -pris ces habitudes de corrections spontan\'ees. - -\subsec -\textbf{N'oubliez jamais ceci : faire une \'edition correcte est aussi -difficile que jouer correctement un instrument.} -\end{document} - diff --git a/musixtex/doc/psslurs/README.psslurs b/musixtex/doc/psslurs/README.psslurs deleted file mode 100644 index adf4569..0000000 --- a/musixtex/doc/psslurs/README.psslurs +++ /dev/null @@ -1,42 +0,0 @@ -This package adds the PostScript slurs, ties and crescendos into -MusiXTeX. It is possible to use it in almost the same way as the -original bitmapped slur simply saying "\input musixps" at the beginning -of your source file. The resulting dvi file should be then converted -into PostScript by dvips (and then to PDF using ps2pdf, ghostscript or -Adobe Distiller, if necessary). - -Please note that the slurs won't appear in any other dvi previewer, nor when -you use pdftex to produce the PDF file directly. - -The mxsk font is used for "half ties" - short breaked ties at the -beginning of the line. If you use \nohalfties, you do not need to -install this font. The musixps.tex should be placed anywhere TeX can -find it, prefferably into the musixtex directory. Do not include it into -your TeX format file! The psslurs.pro should be placed somewhere dvips -can find it. - -musixps.tex is free software; you can redistribute it and/or modify it -under the terms of the GNU General Public License as published by the -Free Software Foundation; either version 2 of the License, or (at your -option) any later version. - -Stanislav Kneifl, -stanislav.kneifl@hieronymus.cz - - -HISTORY -~~~~~~~ - - 2010-11-05 - - Relicensed to the GPL by Bob Tennent as instructed by an e-mail - from the author. - -0.92 (12.5.2002) - added: \nosluradjust, \sluradjust, \notieadjust, \tieadjust - added: \slopebrkslurtrue, \slopebrkslurfalse - fixed: shaded slurs now do not break up to separate curves - at high resolutions - -0.91 (10.1.2002) - First public release, adopted from OpusTeX version. diff --git a/musixtex/doc/psslurs/slurs.pdf b/musixtex/doc/psslurs/slurs.pdf deleted file mode 100644 index d2bc506..0000000 Binary files a/musixtex/doc/psslurs/slurs.pdf and /dev/null differ diff --git a/musixtex/doc/psslurs/slurs.tex b/musixtex/doc/psslurs/slurs.tex deleted file mode 100644 index 037233f..0000000 --- a/musixtex/doc/psslurs/slurs.tex +++ /dev/null @@ -1,77 +0,0 @@ -\input musixtex -\input musixps - -\Nosluradjust -\Notieadjust - -\startmuflex - -\startpiece -\NOtes\qu{cdef}\isluru0k\qu{ghij}\en\bar -\NOtes\idecresc0\qu{cdefghij}\en -\alaligne -\NOtes\qu{cdefghij}\tcresc0\en\bar -\NOtes\tslur0h\qu{cdefghij}\en -\endpiece - -\startextract -\NOtes\islurd0g\qu g\tslur0{'c}\qu c\en -\Notes\isluru0{'e}\ibl0e{-2}\qb0{edc}\tslur0b\tqb0b\en -\bar -\NOtes\islurd0{'a}\qu a\tslur0{`f}\qu f\en -\NOTes\hu g\en -\endextract - -\startextract -\NOTes\isluru0g\hl g\tslur0h\hl h\en -\NOTes\islurd0c\issluru1g\zh{ce}\hu g\tslur0d\tsslur1h\zh{df}\hu h\en -\NOTes\ibsluru0g\islurd1g\hu g\tubslur0h\hu h\en -\NOTes\itieu0k\hl k\ttie0\tdbslur1k\hl k\en -\endextract - -\startextract -\NOTes\itenl0c\itenl1e\itenu2g\itenu3j\zh{ceg}\hu j\enotes -\bar -\NOTes\tten0\tten1\tten2\tten3\zh{ceg}\hu j\enotes -\endextract - -\generalmeter{\meterfrac34} -\startextract\NOTes\multnoteskip3\isluru0c\ql c\tslur0j\ql j\enotes - \bar\NOTes\multnoteskip3\isluru0c\ql c\tslur0n\ql n\enotes\endextract - -\startextract\NOTes\multnoteskip3\isluru0c\ql c\tslur0s\ql s\enotes - \bar\NOTes\multnoteskip3\isluru0c\ql c\tslur0z\ql z\enotes\endextract - -\instrumentnumber{1} -\generalmeter{\meterfrac34} -\startextract\NOTes\isluru0c\ql c\enotes\notes\tslur0j\ql j\enotes - \bar\NOTes\isluru0c\ql c\enotes\notes\tslur0n\ql n\enotes - \NOTes\isluru0c\ql c\enotes\notes\tslur0s\ql s\enotes - \bar\NOTes\isluru0c\ql c\enotes\notes\tslur0z\ql z\enotes - \endextract - -\startextract -\NOtes\dotted\islurd0g\qu g\tslur0{'c}\qu c\en -\Notes\dotted\isluru0{'e}\ibl0e{-2}\qb0{edc}\tslur0b\tqb0b\en\bar -\NOtes\dotted\slur hmd1\qu{hm}\en -\NOTes\hu g\en -\endextract - -\startextract -\NOtes\slur ced1\qu{ce}\en -\NOtes\slur dfd1\qu{df}\en -\NOtes\slur egd1\qu{eg}\en -\NOtes\slur{'e}cu1\ql{ec}\en -\NOtes\slur{'d}bu1\ql{db}\en -\NOtes\slur{'c}au1\ql{ca}\en -\endextract - -\startextract -\NOtes\ibu0g1\iBsluru00\qb0g\en -\NOtes\tBslur00\tbu0\qb0h\en -\NOtes\ibl0k1\iBslurd00\qb0k\en -\NOtes\tBslur00\tbl0\qb0l\en -\endextract - -\endmuflex -\end diff --git a/musixtex/doc/reference/musixre1.pdf b/musixtex/doc/reference/musixre1.pdf deleted file mode 100644 index 551dda0..0000000 Binary files a/musixtex/doc/reference/musixre1.pdf and /dev/null differ diff --git a/musixtex/doc/scripts/musixflx.1 b/musixtex/doc/scripts/musixflx.1 deleted file mode 100644 index 4ef7c35..0000000 --- a/musixtex/doc/scripts/musixflx.1 +++ /dev/null @@ -1,46 +0,0 @@ -.\" This manpage is licensed under the GNU Public License -.TH MUSIXFLX 1 2018-06-15 "musixflx-0.83.3lua7" "" - -.SH NAME -musixflx \- process mx1 files (the second pass of 3-pass MusiXTeX typesetting) - -.SH SYNOPSIS -[ texlua ] -.B musixflx[.lua] -.I jobname -[ .mx1 | .tex ] -[ -.I debugmode -] - -where -.I debugmode -can be -.br - d output debugging information to the screen -.br - m output line numbers to the screen -.br - f output debugging information to jobname.mxl (not mx1) -.br - s output computed lines to the screen - -.SH DESCRIPTION -Musixflx processes mx1 files (the second pass of 3-pass MusiXTeX typesetting) - -To allow for ease of use with a batch file, \fB musixflx.lua\fR -can be fed with either \fI jobname.mx1\fP, \fI jobname.tex\fP, -or just \fI jobname\fP, any of which open \fI jobname.mx1\fP -and create \fI jobname.mx2\fP. - -.SH SEE ALSO -.BR musixtex (1) -.br -musixdoc.pdf - -.SH AUTHOR -This manual page was written by Andreas Tille - for the Debian GNU/Linux system (but may be used -by others). Corrections to the synopsis were pointed out by Peter -Breitenlohner and implemented by Bob Tennent -. diff --git a/musixtex/doc/scripts/musixflx.pdf b/musixtex/doc/scripts/musixflx.pdf deleted file mode 100644 index 0d6b152..0000000 Binary files a/musixtex/doc/scripts/musixflx.pdf and /dev/null differ diff --git a/musixtex/doc/scripts/musixtex.1 b/musixtex/doc/scripts/musixtex.1 deleted file mode 100644 index 59b6c88..0000000 --- a/musixtex/doc/scripts/musixtex.1 +++ /dev/null @@ -1,204 +0,0 @@ -.\" This manpage is licensed under the GNU Public License -.TH MUSIXTEX 1 2020-05-21 "musixtex version 0.23" "" - -.SH NAME -musixtex \- processes MusiXTeX files, using pre-processors prepmx, xml2pmx, pmxab and autosp -as necessary, and then deletes intermediate and log files (unless -.B -i -is used) -.SH SYNOPSIS -[ texlua ] -.B musixtex[.lua] -{ -.I option -| -.I jobname -[ .xml | .mtx | .pmx | .aspc | .tex | .ltx ] } ... -.SH DESCRIPTION -.TP -If a jobname argument has a .tex extension, the default effect is to process the file using -.TP 12 -.BR etex (1) -(first pass) -.TP -.BR musixflx (1) -(second pass) -.TP -.BR etex (1) -(third pass) -.TP -.BR dvips (1) -(dvi to Postscript) -.TP -.BR ps2pdf (1) -(Postscript to Portable Document Format) -.TP -normally followed by removal of intermediate and log files. A log musixtex.log is generated, even if other log files are removed. -.P -If a jobname argument has a .pmx extension, the file is first preprocessed using -.BR pmxab (1) -and the resulting .tex file is processed as above. -.P -If a jobname argument has a .xml extension, the file is first preprocessed using -.BR xml2pmx (1) -and the resulting .pmx file is processed as above. -.P -If a jobname argument has a .mtx extension, the file is first preprocessed using -.BR prepmx (1) -and the resulting .pmx file is processed as above. -.P -If a jobname argument has a .ltx extension, the file is processed using -.BR latex (1) -(or -.BR pdflatex (1)) -in place of -.BR etex . -.P -If a jobname argument has a .aspc extension, the file is first preprocessed using -.BR autosp (1) -and the resulting .tex or .ltx file is processed as above. -.P -If a jobname argument has none of these extensions, the script will look for a file -.IR jobname .xml -or -.IR jobname .mtx -or -.IR jobname .pmx -or -.IR jobname .aspc -or -.IR jobname .tex -or -.IR jobname .ltx , -in that order, and process it as above. -.SH OPTIONS -.TP 10 -.B -v, -version, --version -output program name and version number, and quit -.TP -.B -h, -help, --help -output usage summary and quit -.TP -.B -l -assume LaTeX source; -implied if the file has .ltx extension -.TP -.B -p -change the TeX processor to -.BR pdfetex (1) -or -.BR pdflatex (1) -(and doesn't run a dvi processor) -.TP -.B -c -preprocess pmx file using -.BR pmxchords (1) -.TP -.B -d -don't generate a .ps file and change the dvi processor to -.BR dvipdfm (1) -.TP -.B -D dvix -use -.B dvix -as the dvi processor; e.g., -D "dvipdfm -m 0.9". -Use -d -.I before --D to suppress .ps generation. -.TP -.B -P ps2pdf -use -.B ps2pdf -as the Postscript processor; e.g., -P "ps2pdf -sPAPERSIZE=a4" -.TP -.B -F fmt -use -.B fmt -as the TeX processor; e.g., -F "luatex --output-format=dvi" -.TP -.B -m -stop processing at the pmx file -.TP -.B -M mtxx -use -.B mtxx -as the mtx preprocessor; e.g., -M "prepmx -i". -.TP -.B -X pmxx -use -.B pmxx -as the pmx preprocessor; e.g., -X "./pmxab", -.TP -.B -A aspcx -use -.B aspcx -as the aspc preprocessor; e.g., -A "autosp -l". -.TP -.B -L xmlx -use -.B xmlx -as the xml preprocessor; e.g., -L "./XML2PMX". -.TP -.B -t -stop processing at the tex/mid files -.TP -.B -s -stop processing at the dvi file -.TP -.B -g -stop processing at the ps file -.TP -.B -i -retain intermediate and log files -.TP -.B -1 -one-pass [pdf][la]tex processing; i.e., without calling -.B musixflx -.TP -.B -x -call -.BR makeindex (1) -to update index database -.TP -.B -f -restore default processing -.TP -.B -q -quiet mode (only musixtex's own messages); other messages are diverted to a temporary file. -If an error occurs at the TeX stage, processing halts immediately and the tail of the log file is sent to stderr. -Version information is copied from the temporary file to the log file. - -.TP 0 -Options affect processing of all succeeding MusiXTeX files unless changed by another option. Option flags cannot be combined; e.g., use \fB -l -x \fP rather than \fB -lx\fP. - -Note that four TeX engines are available via the -l and -p options: -.TP - etex default - latex -l - pdfetex -p - pdflatex -l -p -.TP 0 -If the -F option is used, options -l and -p need to be set if the engine name does not contain "latex" and "pdf" respectively. For example, the above four engines can be replaced by: - -F "luatex --output-format=dvi" - -F "lualatex --output-format=dvi" - -F "luatex" -p - -F "lualatex" -p - -.SH SEE ALSO -.BR autosp (1), -.BR etex (1), -.BR latex (1), -.BR pdfetex (1), -.BR pdflatex (1), -.BR makeindex (1), -.BR musixflx (1), -.BR dvipdfm (1), -.BR dvips (1), -.BR pmxab (1), -.BR pmxchords (1), -.BR prepmx (1), -.BR ps2pdf (1), -.BR xml2pmx (1) -and musixdoc.pdf. -.SH AUTHOR -This manual page was written by Bob Tennent . diff --git a/musixtex/doc/scripts/musixtex.pdf b/musixtex/doc/scripts/musixtex.pdf deleted file mode 100644 index 8df9e18..0000000 Binary files a/musixtex/doc/scripts/musixtex.pdf and /dev/null differ diff --git a/musixtex/dvips/psslurs.pro b/musixtex/dvips/psslurs.pro deleted file mode 100644 index b1ba952..0000000 --- a/musixtex/dvips/psslurs.pro +++ /dev/null @@ -1,282 +0,0 @@ -% This file can be used instead of psslurs.pro, it is only commented -% and indented. -% -% VERSION: 1.01 -% -% WARNING! This is a heavy magic! If you want something more understandable, -% you will have to write it yourself (if it is possible in a stack-oriented -% language that PostScript is). There are some constants you can -% change and see what happens, but I think the slurs should be almost -% always satisfiable. When not, let me know at: -% stanislav@kneifl.net -% Also any bug reports and comments are welcomed. -% -% Stanislav Kneifl. - -/slur@Dict 200 dict def - -% this dictionary is for \setslurtext, overriding some dvips's definitions -/temp@xx@dict 4 dict def temp@xx@dict begin - /a { moveto ax1 ay1 rmoveto } def - /V {gsave newpath transform round exch round exch itransform - exch ax1 add exch ay1 add moveto rulex 0 rlineto 0 ruley neg - rlineto rulex neg 0 rlineto fill grestore} def -end - -TeXDict begin -% get dimen from TeX's string ("125pt" -> 125 PS points) -/psxGD { dup length 2 sub 0 exch getinterval cvr 1.045 mul} def -% get dimen adjusted to Resolution -/psxGDAR { dup length 2 sub 0 exch getinterval cvr 4 psxAR mul 1.045 mul} def -% Adjust to Resolution -/psxAR { Resolution mul 300 div } def -% the distances in dvips's PostScript are resolution dependant! -end - -slur@Dict begin -/CP /currentpoint load def -/ED { exch def } bind def -/psxAR { Resolution mul 300 div } def % stands for Adjust to Resolution, -/VS { dup /ay1 exch ay1 exch linew mul 4 mul add def /ay2 exch ay2 exch linew mul 4 mul add def } def -/y { 3 2 roll ax1 ay1 rmoveto show moveto } def -/M { mul } def -/A { add } def -/SB { sub } def -/P { pop } def -/DP { dup } def -/R { roll } def - -/drawseg { 0 0 moveto - ax1 ay1 - ax1 0.6 mul ax2 0.4 mul add ay1 0.6 mul ay2 0.4 mul add - ax1 ax2 add 2 div ay1 ay2 add 2 div curveto - ax1 0.4 mul ax2 0.6 mul add ay1 0.4 mul ay2 0.6 mul add - ax2 ay2 - x2 0 curveto } def - -/DS { - psxAR /maxe ED - /ifadjust ED - /ifdash ED - psxAR /m ED % max height of the slur - /e ED % "angularity" of the slur; 0.1 = very angular, - % 0.3 = very round - /aa exch neg def % what to multiply the height with - % AFTER the max height checking - /y2 ED % y coordinate of the end of the slur - /x2 ED % x coordinate of the end of the slur - /y1 ED % y coordinate of the beginning of the slur - /x1 ED % x coordinate of the beginning of the slur - /yr2 ED - /yr1 ED - /internote ED - /x2 x2 x1 sub def % x2=x2-x1 - /y2 y2 y1 sub def % y2=y2-y1 - /sx y2 x2 div def - /b x2 300 mul Resolution div abs sqrt psxAR 2 mul def % b=2*sqrt(x2) - b 3 psxAR lt {/b 3 psxAR def} if % b=max(b,3) - b m gt {/b m def} if % b=min(b,m) - /aa b aa mul def % aa=aa*b - /s 90 x2 y2 atan sub def % s=90-arctan(x2,y2) slope of the slur - /aa aa s cos div def % aa=aa/cos(s) height of the slur - /x2 s neg cos x2 mul s neg sin y2 mul sub def % x2 = x2*cos(-s) - y2*sin(-s) - % is the length of the slur - e x2 mul maxe gt { /e maxe x2 div def } if - /beta e x2 mul aa neg atan def - beta 90 gt {/beta 180 beta sub def} if - /ax1 e x2 mul def % control points - /ay1 aa def - /ax2 1 e sub x2 mul def - /ay2 aa def - -% check if the starting and endin vector stay in desired quadrants -% => beta < abs(s) - beta s abs lt { - /b aa abs s abs 2 add sin mul s abs 2 add cos div def - s aa mul 0 lt { - s cos 0.75 lt { /ax1 ax1 b 1 s cos sub mul 0.5 mul sub def /ay1 ay1 s cos mul 0.8 mul def } if -% ^^^^ ^^^ ^^^ -% (values to play with) - /ax2 x2 b sub def - } - { - /ax1 b def - s cos 0.75 lt { /ax2 b 1 s cos sub mul 0.5 mul ax2 add def /ay2 ay2 s cos mul 0.8 mul def } if -% ^^^^ ^^^ ^^^ - } ifelse - } if - -% align the slur to the staff lines - - gsave - x1 y1 translate - s rotate -% [1 0 sx 1 0 0] concat - drawseg - gsave - initmatrix - flattenpath - pathbbox - exch pop - sub - /slh ED % in slh we have the height of the whole slur - pop - grestore - - /yr s aa mul 0 ge { yr1 } { yr2 } ifelse internote div def - /slh yr slh internote div aa 0 gt { add } { sub } ifelse 2 div def -% check if the slur gets too close to staff line - /shift 0 def - slh 4.45 lt slh -0.5 gt and { - /slh slh dup truncate sub def - slh 0 lt { /slh 1 slh add def } if - aa 0 gt { /slh 1 slh sub def } if - - % slh now contains the position ot the slur top/bottom in the space - % between the nearest staff lines (from <0,1>), regardless direction - - % slur is too low: - slh 0.45 lt { /shift 0.45 slh sub def } if - % slur is too high, but we can be shift it down: - slh 0.7 gt slh 0.85 lt and { /shift 0.7 slh sub def } if - % slur is too high, must be shifted up: - slh 0.85 ge { /shift 1.45 slh sub def } if - } if - - aa 0 gt { /shift shift neg def } if - - ifadjust 0 eq { - /shift 0 def - } if - - -% and finally draw it... - - grestore - gsave - /linew internote 0.06 mul psxAR def - linew 4 mul setlinewidth - 1 setlinecap - 0 setlinejoin - ifdash 1 eq - { [internote 8 mul psxAR internote 5 mul psxAR] 0 setdash } if - x1 y1 shift neg 2 mul internote mul 4 psxAR mul add translate - s rotate -% [1 sx 0 1 0 0] concat - -% uncomment this to see the control points -% 5 psxAR setlinewidth ax1 ay1 moveto 0.1 0 rlineto stroke -% ax2 ay2 moveto 0.1 0 rlineto stroke linew setlinewidth - - drawseg - 1 VS - drawseg - -2 VS - drawseg - x2 20 psxAR gt { - 3 VS - drawseg - } if - x2 50 psxAR gt { - -4 VS - drawseg - } if - x2 80 psxAR gt { - 5 VS - drawseg - } if - stroke - - grestore - - % now some \slurtext code... - - /x1 ax1 ax2 add 2 div def % middle of the slur - /y1 ay1 ay2 add 2 div def - x1 s cos mul y1 s sin mul add neg - y1 s cos mul x1 s sin mul sub - aa 0 lt {1} {0} ifelse - end - - % this is a hack to place the slurtext in the middle of the slur. - % From unknown reasons simple 'ax1 ay1 translate' did not work, - % so we have to overlay some definitions with our own, namely - % 'a', which is originally 'moveto' and 'V' for drawing rules. - % maybe there are some other operations that should be redefined, - % but for almost all cases this will be sufficient. If you find - % anything that won't be typeset at the correct position, let me know... - - temp@xx@dict begin - /dir exch def - /ay1 exch def - /ax1 exch def -} def - -% crescendos -/DC { - /y2 ED - /x2 ED - /y1 ED - /x1 ED - gsave - 1 psxAR ceiling setlinewidth % line thickness: this results - 1 setlinecap % to exactly 2 pixels in 300 dpi - 1 setlinejoin - x2 y2 10 psxAR add moveto % the 10's specify wideness of the - x1 y1 lineto % open end of the crescendo, - x2 y2 10 psxAR sub lineto % similarly the 11's below - stroke - grestore -} def - -% half crescendos -/DHC { - /y2 ED - /x2 ED - /y1 ED - /x1 ED - gsave - 1 psxAR ceiling setlinewidth - 1 setlinecap - 1 setlinejoin - x2 y2 11 psxAR add moveto - x1 y1 4 psxAR add lineto stroke - x1 y1 4 psxAR sub moveto - x2 y2 11 psxAR sub lineto - stroke - grestore -} def - -% differenced line - -/DLN { - gsave - psxGDAR ceiling setlinewidth - psxGDAR exch psxGDAR neg rlineto - stroke - grestore -} def - -% sloped line - -/DSLN { - gsave - psxGDAR ceiling setlinewidth - psxGDAR exch 1.125 mul neg rotate 0 rlineto - stroke - grestore -} def - -% free line (init & terminate) - -/DFLN { - gsave - psxGDAR ceiling setlinewidth - CP moveto - lineto - stroke - grestore -} def - -end - diff --git a/musixtex/latex/musixcpt.sty b/musixtex/latex/musixcpt.sty deleted file mode 100644 index 54c2ca8..0000000 --- a/musixtex/latex/musixcpt.sty +++ /dev/null @@ -1,3 +0,0 @@ -\input musixcpt -\endinput - diff --git a/musixtex/latex/musixcrd.sty b/musixtex/latex/musixcrd.sty deleted file mode 100644 index b185b3c..0000000 --- a/musixtex/latex/musixcrd.sty +++ /dev/null @@ -1,11 +0,0 @@ -%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%% -%% musixcrd - typsetting chord symbols with %% -%% musixtex %% -%% musixcrd stylefile for documentation generation %% -%% $Id$ %% -%% copyright 2004 , Robert Hennig %% -%% this code is licensed in terms of the %% -%% GNU Public License %% -%% %% -%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%% -\input musixcrd.dtx \ No newline at end of file diff --git a/musixtex/latex/musixfll.sty b/musixtex/latex/musixfll.sty deleted file mode 100644 index 0856918..0000000 --- a/musixtex/latex/musixfll.sty +++ /dev/null @@ -1,2 +0,0 @@ -\input musixfll.tex -\endinput diff --git a/musixtex/latex/musixltx.tex b/musixtex/latex/musixltx.tex deleted file mode 100644 index 54b0af9..0000000 --- a/musixtex/latex/musixltx.tex +++ /dev/null @@ -1,33 +0,0 @@ -% -% This file is part of MusiXTeX -% -% MusiXTeX is free software; you can redistribute it and/or modify -% it under the terms of the GNU General Public License as published by -% the Free Software Foundation; either version 2, or (at your option) -% any later version. -% -% MusiXTeX is distributed in the hope that it will be useful, -% but WITHOUT ANY WARRANTY; without even the implied warranty of -% MERCHANTABILITY or FITNESS FOR A PARTICULAR PURPOSE. See the -% GNU General Public License for more details. -% -% You should have received a copy of the GNU General Public License -% along with MusiXTeX; see the file COPYING. If not, write to -% the Free Software Foundation, Inc., 59 Temple Place - Suite 330, -% Boston, MA 02111-1307, USA. -% -\ifx\undefined\music \else \endinput \fi - -\immediate\write16{MusiXLaTeX T.125\space<8 April 2017>}% - -\newenvironment{music}{\@afterindenttrue\parskip0pt\catcodesmusic - \resetlayout}{}% - -\ifx\musix@begindocument\undefined - \let\musix@begindocument\document - \def\document{\musix@begindocument - \ifstartmuflex@done\else\startmuflex\fi\ignorespaces}% - % 1.25: added \ignorespaces RDT -\fi - -\endinput diff --git a/musixtex/latex/musixtex.sty b/musixtex/latex/musixtex.sty deleted file mode 100644 index c8127f5..0000000 --- a/musixtex/latex/musixtex.sty +++ /dev/null @@ -1,3 +0,0 @@ -\input musixtex -\input musixltx -\endinput diff --git a/musixtex/scripts/musixflx.bat b/musixtex/scripts/musixflx.bat deleted file mode 100644 index 684441e..0000000 --- a/musixtex/scripts/musixflx.bat +++ /dev/null @@ -1,6 +0,0 @@ -:: wrapper script to call musixflx.lua -:: Usage: musixflx basename[.mx1 | .tex] [debug mode] -:: Suggested by Tomasz Luczak (Tomek) t34www@googlemail.com - -@for /f "delims=" %%I in ('kpsewhich --format=texmfscripts %~n0.lua') do texlua "%%I" %* -:end diff --git a/musixtex/scripts/musixflx.lua b/musixtex/scripts/musixflx.lua deleted file mode 100644 index 0a267f4..0000000 --- a/musixtex/scripts/musixflx.lua +++ /dev/null @@ -1,1071 +0,0 @@ -#!/usr/bin/env texlua - --- The MUSIXFLXVERSION below is the one checked against. - -MUSIXFLXVERSION = "0.83" -VERSION = "0.83.3.lua7" - ---[[ - -Line breaking program for MusiXTeX. - - (c) Copyright Ross Mitchell 1992-1997 ross.mitchell@csiro.au - (c) Copyright J. Hunsberger 1997 jhunsberger@i2k.co - (c) Copyright 2009, 2010 Peter Breitenlohner - (c) Copyright 2011 Nikhil Helferty 6nh14@queensu.ca - (c) Copyright 2011 Bob Tennent rdt@cs.queensu.ca - -This program is free software; you can redistribute it and/or modify it -under the terms of the GNU General Public License as published by the -Free Software Foundation; either version 2 of the License, or (at your -option) any later version. - -This program is distributed in the hope that it will be useful, -but WITHOUT ANY WARRANTY; without even the implied warranty of -MERCHANTABILITY or FITNESS FOR A PARTICULAR PURPOSE. See the GNU General -Public License for more details. - -You should have received a copy of the GNU General Public License along -with this program; if not, write to the Free Software Foundation, Inc., -51 Franklin Street, Fifth Floor, Boston, MA 02110-1301, USA. - ---]] - ---[[ - -Conversion to Lua by Nikhil Helferty, 2011. -Minor corrections by Bob Tennent rdt@cs.queensu.ca. - -NH: Comments marked NH (such as this one) are comments new to the Lua -version. Most have to do with explaining any additions or changes made -necessary due to differences between Lua and C. Comments not so marked -are retained from C version. - -Almost all comments from the C version have been put in this version as -well. Note that Lua variables are dynamically typed, and Lua has only -one data structure called "tables" which, though more flexible than -arrays, are essentially just used as arrays here. - ---]] - ---[[ - - ChangeLog: - - lua7 2011/04/21 RDT - Decode option argument for debugging. - Revert to accepting .mx1 or .tex filenames. - Rationalize file-name variables. - - lua6 2011/04/18 RDT - Revert to stand-alone use. - - lua5 2011/04/13 RDT - Allow .mx1 file to have a version number only. - - lua4 2011/04/12 RDT - Adaptation to being called from musixtex.tex - - lua3 2011/04/11 RDT - Replaced body of eightfivefloat by string.format("%8.5f", ... ) - - lua2 2011/04/11 RDT - Change PRINT to print for dbug output. - - lua1 2011/04/08 RDT - Strip off pt for L line. - ---]] - --- max sizes --- NH: these aren't needed for array sizes in Lua (tables grow dynamically) --- but I am keeping the checks in case the maximums are necessary for --- TeX processing - -MAX_SIGNS = 128; MAX_SECTIONS = 128; MAX_BARS = 2048 - -function GETLINE() - linebuf = infile:read() - return linebuf -end - --- NH: declare tables - --- NH: the following tables were all arrays of type int in C --- the following tables were size MAX_BARS in C (2048) -zbar = {}; lr_repeat = {}; raggedline = {} -l_repeat = {}; barno = {} - --- NH: the following tables were size MAX_SECTIONS in C (128) -autolines = {}; bars = {}; mulooseness = {} - --- NH: the following was of size MAX_SIGNS in C (128) -signchange = {} - --- NH: the following were counters declared for xbar sign change detection --- xbar of size MAX_BARS, linegoal MAX_SECTIONS --- xbar_count, xbar_flag, softspace_count were integers declared here --- as they aren't tables they'll be declared upon use -xbar = {}; linegoal = {} - --- NH: the following tables were all arrays of type double in C --- the following were size MAX_BARS -hardbarlength = {}; softbarlength = {} -width_leftrightrepeat = {}; width_leftrepeat = {} - --- NH: the following were size MAX_SECTIONS -eff_hardlength = {}; eff_softlength = {} - --- NH: the following were size MAX_SIGNS -oldsignskip = {}; signskip = {}; futuresignskip = {} - - --- NH: (no need to add last \n as print does this) -function error_exit (error_number) - -- NH: the following if/elseif/else construction mirrors case structure - - if error_number == 0 then - print("\nFile error.") - elseif error_number == 1 then - print("\nUsage: [texlua] musixflx.lua basename[.tex | .mx1] [ d | m | f | s ]") - elseif error_number == 2 then - print("\nThis shouldn't happen ! Too few bars or \\mulooseness too large ?") - elseif error_number == 3 then - print("\nThis shouldn't happen ! Too few bars in section !") - elseif error_number == 4 then - print("\nMissing endmark ! Forgotten \\stop[end]piece ?") - elseif error_number == 5 then - print("\nDivision by zero ! Ask a wizard !") - elseif error_number == 6 then - print("\nVersion mis-match:") - print("MusiXTeX version " .. linebuf) - print("musixflx expected version " .. MUSIXFLXVERSION) - elseif error_number == 7 then - print("\nFile not found: " .. infilename) - elseif error_number == 8 then - print("\nCorrupted " .. infilename) - elseif error_number == 9 then - print("\nToo many sections, maximum number of sections: " .. MAX_SECTIONS) - elseif error_number == 10 then - print("\nError in " .. infilename .. " at line " .. currentline) - elseif error_number == 11 then - print("\nToo many bars, maximum number of bars: " .. MAX_BARS) - else - print("!!! Can't go on !!!") - end - os.exit(3) - -end --- end error_exit - --- NH: there is really no analogue to the strrchr function in C, which is frequently used --- to locate the location of a last occurrence of a string --- so I coded a similar function for Lua --- takes two strings (str and pat), and returns everything after the last occurence of pat --- in str - if no occurrences of pat, then returns nil -function strrchr(str, pat) - notfound = true - currentIndex = 0 - lastIndex = 0 - while notfound do - currentIndex = string.find(str, pat, lastIndex+1, true) - if (not currentIndex) then -- NH: returned nil - no occurence past lastIndex - notfound = false - else -- NH: got a hit for an occurence - store this value as lastIndex - lastIndex = currentIndex - end - end - if lastIndex == 0 then return nil end -- NH: no occurence found - return string.sub(str, lastIndex+1) -end - - --- NH: start "main chunk" - -io.write(string.format("Musixflx-%s", VERSION)) - --- initialize variables -junk = -9999 -dbug = false -dbug_lines = false -dbug_logfile = false -showresult = false -detectraggedline = false -currentline = 1 -samechapter = true -line_number = 0 -chapterno = 1 - -lthick = .4 - -if dbug then - print("\n ... decoding command line") -end - -filename = arg[1] -if not filename then - error_exit(1) -end - -extension = string.sub(filename, -4, -1) -if extension == ".tex" or extension == ".mx1" then - basename = string.sub(filename, 1, -5) -else - basename = filename -end - ---[[ - -debugging options: - d output debugging information to the screen - m output line numbers to the screen - f output debugging information to file basename.mxl (not mx1) - s output computed lines to the screen - - --]] - -if (#arg == 2) then - if (arg[2] == "d") then - dbug = true - elseif (arg[2] == "m") then - dbug_lines = true - elseif (arg[2] == "f") then - dbug = true - dbug_logfile = true - dbug_lines = true - elseif (arg[2] == "s") then - showresult = true - else - error_exit(1) - end -end - -infilename = basename .. ".mx1" - --- open the .mx1 file containing bar length information - -if dbug then - print(" ... opening " .. infilename .. " for input") --- NH: io.open analagous to fopen C function --- will return nil value if not successful --- nil is taken as false in if statements -end -infile = io.open(infilename, "r") -if (not infile) then - error_exit(7) -end -io.write(string.format(" (%s", infilename)) -if showresult then - print("") -end - -currentline = currentline + 1 -if GETLINE() and (linebuf ~= MUSIXFLXVERSION) then - error_exit(6) -end - - --- Open the output file -outfilename = basename .. ".mx2" -if dbug then - print(" ... opening " .. outfilename .. " for output") -end -outfile = io.open(outfilename, "w") -if (not outfile) then - print("\nCan't create: " .. outfilename) - os.exit(3) -end - --- Open the logfile -if dbug_logfile then - logfilename = basename .. ".mxl" - print(" ... open " .. logfilename .. " for debugging") - logfile = io.open(logfilename, "w") - if (not logfile) then - print("\nCan't create: " .. logfilename) - os.exit(3) - end - logfile:write("Version ", VERSION, "\n") -end - --- skip startindicator - -if GETLINE() and (linebuf ~= "S") then - error_exit(8) -end - ---[[ -do...while loop for - moretimes call of \startpiece - >>>>>>>>>>>>>>>>>>>>>>>>>>> - - Do while equivalent is repeat...until - --]] - - GETLINE() - - repeat - --- reset all arrays - -if dbug then print("\n------- Chapter " .. chapterno .. " -------\n"); end -if dbug_logfile then logfile:write("\n------- Chapter ", chapterno, " -------\n\n"); end --- NH: copying C method of loops but this means will be initializing the max spaces every time --- ... not taking advantage of dynamic sizes of tables in Lua --- however necessary to initialize since the starting values are used in operations --- note upper bounds for these loops are the max-1, as for syntax in lua will include the upper (<= instead of <) - -for i = 0, MAX_SIGNS-1 do - signchange[i] = junk - oldsignskip[i] = 0 - futuresignskip[i] = 0 -- jh-1 - signskip[i] = 0 -end - -for i = 0, MAX_BARS-1 do - hardbarlength[i] = 0 - softbarlength[i] = 0 - width_leftrightrepeat[i] = 0 - lr_repeat[i] = false - width_leftrepeat[i] = 0 - xbar[i] = 0 -- jh-1 - l_repeat[i] = false - zbar[i] = false - raggedline[i] = false - barno[i] = 0 -end - -for i = 0, MAX_SECTIONS-1 do - eff_hardlength[i] = 0 - eff_softlength[i] = 0 - bars[i] = 0 - autolines[i] = false - linegoal[i] = 0 - mulooseness[i] = 0 -end - ---[[ - - Read and decode header items: - - 1. Linewidth; - 2. Parindent; - 3. Beforeruleskip; - 4. Afterruleskip; - 5. Elemskip; - 6. Clefskip; - 7. Signskip; - --]] - - -- NH: for those curious why it is necessary to take a substring of the line, it is to strip the "pt" off of the string - -- to make them valid strings for coercion to numbers later on (something that the atof does automatically) - -- RDT: linebuf tests are to avoid taking a substring of an empty string -if linebuf then linewidth = string.sub(linebuf, 1, -3); currentline=currentline+1 end -GETLINE(); if linebuf then parindent = string.sub(linebuf, 1, -3); currentline=currentline+1 end -GETLINE(); if linebuf then beforerule = string.sub(linebuf, 1, -3); currentline=currentline+1 end -GETLINE(); if linebuf then afterrule = string.sub(linebuf, 1, -3); currentline=currentline+1 end -GETLINE(); if linebuf then elemskip = string.sub(linebuf, 1, -3); currentline=currentline+1 end -GETLINE(); if linebuf then clefskip = string.sub(linebuf, 1, -3); currentline=currentline+1 end -GETLINE(); if linebuf then signskip[0] = string.sub(linebuf, 1, -3); currentline=currentline+1 end - -futuresignskip[0] = signskip[0] -- Initialize for xbar signs, jh-1 - ---[[ - Read the records specifying contributions to bar length. - Lengths are of two types: - (a) Hard or unscaleable, eg barlines, clef or meter changes (typ=0). - (b) Soft or scaleable, eg noteboxes which scale with \elemskip (typ=1). - Note that \afterruleskip and \beforerulskip are considered soft. - --]] - -jbar = junk -i = 0 -sign = 0 -xbar_count = 0 -- Used to detect presence of xbars jh-1 -xbar_flag = false -- True allows check for xbar jh-1 -hardsign = 0 -- Accumulator for hard skip from sign change jh-1 -softspace_count = 0 -- Watch for softspace after bars are posted jh-1 - -all_section = 0 - -if dbug then - print(" ... reading") -end - -while (samechapter and GETLINE()) do - - currentline = currentline + 1 - local firstChar = string.sub(linebuf, 1, 1) - - -- NH: use if/elseif/else to mirror switch/case statements - ---[[ -'\startpiece' - stop reading, - compute, - write - and start again - --]] - - if (firstChar == "S") then - samechapter = false - ---[[ - End of section. Action: - Right justify the material ending at the previous bar. - Read the number following the *, which is the 'looseness' - parameter of the section just ended. - Reset the bar test integer to JUNK in case the bar number - was reset between sections. - --]] - - elseif (firstChar == "*") then - local firstSpace = string.find(linebuf, " ") - local secondSpace = string.find(linebuf, " ", firstSpace+1) - if not secondSpace then -- NH: possibility that there is no second number in line - mulooseness[all_section] = string.sub(linebuf, firstSpace+1) - else - mulooseness[all_section] = string.sub(linebuf, firstSpace+1, secondSpace-1) - end - -- NH: above firstSpace/secondSpace mathematics were to mimic function of atol use in original C function - linegoal[all_section] = 0 -- jh-2 + WS-1 - if secondSpace then - linegoal[all_section] = string.sub(linebuf, secondSpace+1) -- NH: this my interpretation of an sscanf line signed jh-2 + WS-1 in C - end - linegoal[all_section] = linegoal[all_section] + 0 -- NH: this is a fairly silly trick to force coercion for valid comparison to numbers, could also use tonumber function - mulooseness[all_section] = mulooseness[all_section] + 0 - if ((mulooseness[all_section] ~= 0) and (linegoal[all_section] > 0)) then - print("\\linegoal{" .. linegoal[all_section] .. "} ignored because \\mulooseness not equal to zero") - print(" for section " .. all_section+1 .. " in chapter " .. chapterno) - linegoal[all_section] = 0 -- Reset to ignore it. jh-2 + WS-1 - end - all_section = all_section + 1 - if all_section > (MAX_SECTIONS - 1) then - error_exit(9) - end - jbar=junk - ---[[ - Right justify the material ending at the previous bar. - Set flag. - Reset the bar test integer to JUNK in case the bar number - was reset between sections. - ]] - - - elseif (firstChar == "a") then - autolines[all_section] = true - all_section = all_section + 1 - if (all_section > (MAX_SECTIONS - 1)) then - error_exit(9) - end - jbar=junk - ---[[ - found a raggedline, let's set a flag - I think, I'll hardly get a Nobel-Award for coding this - What a pity! :-( - but perhaps a Pulitzer-Award for my comments. :-) ---]] - - elseif (firstChar == "r") then - raggedline[i+1] = true - - - -- found \zbar, set flag and store barno - elseif (firstChar == "z") then - zbar[i] = true - barno[i] = strrchr(linebuf, " ") - xbar_count = xbar_count + 1 -- Help detect xbars, track zbar offsets. jh-1 - hardsign = 0 -- reset any sign change skip accumulated. jh-1 - softspace_count = 0 -- Reset for next bar. jh-1 - - ---[[ - found a leftrightrepeat - set a flag and store the different widths - ]] - - elseif (firstChar == "l") then - -- NH: there are some commented out printf lines in C code in this case - -- I'm assuming they were used at one point for debugging purposes and - -- am not translating them, but if should be reinstated they exist at lines - -- 380-387 in C program - lr_repeat[i] = true - local firstSpace = string.find(linebuf, " ") - local secondSpace = string.find(linebuf, " ", firstSpace + 1) - width_leftrightrepeat[i] = string.sub(linebuf, firstSpace+1, secondSpace-3) -- NH: secondspace-3 as secondspace-1 will include the "pt" - width_leftrepeat[i] = string.sub(linebuf, secondSpace+1, -3) -- NH: again, -3 to chop off the "pt" - - ---[[ - found a leftrepeat - set a flag and store width - ]] - - elseif (firstChar == "L") then - l_repeat[i] = true - local firstSpace = string.find(linebuf, " ") - width_leftrepeat[i] = string.sub(linebuf, firstSpace+1, -3) -- RDT: again, -3 to chop off the "pt" - - - -- store barno - elseif (firstChar == "b") then - barno[i] = strrchr(linebuf, " ") - xbar_count = xbar_count+1 -- Track possible xbars. jh-1 - xbar_flag = true -- Allow check of next line to detect xbar. jh-1 - hardsign = 0 -- Reset accumulated hard sign skip. jh-1 - softspace_count = 0 -- Reset for next bar. jh-1 - ---[[ - enabling the use of 'hard' offsets - advance current hardwith - reduce current softwidth ---]] - - elseif (firstChar == "h") then - x = string.sub(strrchr(linebuf, " "), 1, -3) -- -3 is to chop off "pt" in string to allow x to be valid for arithmetic - softbarlength[i] = softbarlength[i] - x - hardbarlength[i] = hardbarlength[i] + x - eff_softlength[all_section] = eff_softlength[all_section] - x - eff_hardlength[all_section] = eff_hardlength[all_section] + x - - ---[[ - This record began with 's' and specifies a key signature change - store the signskip, s.b. - ]] - - elseif (firstChar == "s") then -- Changes to detect xbar and signchange interaction, jh-1 - - local firstSpace = string.find(linebuf, " ") - local secondSpace = string.find(linebuf, " ", firstSpace+1) - if not secondSpace then - tempholdskip = string.sub(linebuf, firstSpace+1, -3) - else - tempholdskip = string.sub(linebuf, firstSpace+1, secondSpace-3) - end - -- NH: all of above to mimic atof statement - -- wasn't sure if statements with s would have a second space and more info - -- so accounted for either possibility - - -- We might be in the middle of an xbar setup, and we only want to increment - -- the sign pointer if this is the first sign change. jh-1 - if (not (signchange[sign] == i)) then -- first time for this bar set jh-1 - sign = sign + 1 - signchange[sign] = i - signskip[sign] = tempholdskip - oldsignskip[sign] = hardsign -- Capture accumulated hard space. jh-1 - xbar[i] = xbar[i] + 1 -- Increment to detect xbars with sign changes. jh-1 - --[[ - Housekeeping is done... Now, one more condition to check. If there - has been any soft space since the bar was declared, then musixtex - will NOT publish a sign change notice at the end of the line for - this sign change when there is a line break in this bar. - In that case, signal that this should be treated as an xbar, which - will effectively suppress the transfer of hardspace for the sign - change notice. jh-1 - --]] - if softspace_count > 0 then xbar[i] = 2 end-- Suppress space move jh-1 - end - -- Always update the futuresignskip value in case this is the last - futuresignskip[sign] = tempholdskip - - -- comment, do nothing - elseif (firstChar == "%") then - - -- This is an 'ordinary' line, listing a contribution to the barlength. - else - if (not (tonumber(firstChar))) then - error_exit(10) - end - local firstSpace = string.find(linebuf, " ") - local secondSpace = string.find(linebuf, " ", firstSpace + 1) - bar = string.sub(linebuf, 1, firstSpace-1) - typ = string.sub(linebuf, firstSpace+1, secondSpace-1) - x = string.sub(linebuf, secondSpace+1, -3) -- the -3 is to strip the "pt" off of the x - if (typ ~= "0") then eff_softlength[all_section] = eff_softlength[all_section] + x - else eff_hardlength[all_section] = eff_hardlength[all_section] + x - end - ---[[ - Increment bar number if the bar number - read from the file has changed. - Accumulate current bar length. - --]] - bar = bar + 0 -- NH: forcing coercion to number type from string - if tonumber(bar) > jbar then - i = i + 1 - bars[all_section] = bars[all_section] + 1 - if i > MAX_BARS then - error_exit(11) - end - end - - -- At this point, can check if this is an xbar...Only check once. jh-1 - if xbar_flag then - if ((xbar_count - bar - 1) == 0) then -- find an xbar. jh-1 - xbar_count = xbar_count-1 -- adjust offset to stay on track - - --[[ - To handle the special conditions caused by possible xbars and - sign changes, the xbar logic state has to be examined and changed - only if this is the first xbar, and not for subsequent ones. jh-1 - --]] - if (xbar[i] == 0) then -- then this is the first xbar in the setup - -- or there has already been a sign change - xbar[i] = 1 -- jh-1 - end - end - end - - xbar_flag = false -- Reset to prevent checks until next bar. jh-1 - - if (typ ~= "0") then - softbarlength[i] = softbarlength[i] + x - -- Count softspace entries to help in sign/linebreak decisions jh-1 - softspace_count = softspace_count+1 - hardsign = 0 -- Safety - just be sure in case line break jh-1 - else -- jh-1 - hardbarlength[i] = hardbarlength[i] + x - hardsign = hardsign + x -- accumulate hardspace, there may be a sign change - end - - jbar = bar - - end -- end if statements - -end -- end while loop - ---[[ -Decrement the number of sections if the final section is void. - This will be the usual case where the input file ends with - an end of section record. - If this record has been omitted, stop going on to avoid - 'You can't use \raise....'. - ]] - -if dbug then - print(" ... compute") -end - -if (bars[all_section] == 0) then - all_section = all_section - 1 -else - error_exit(4) -end - --- Summarize sectioning information - -if dbug then - print("\nNumber of sections : " .. (all_section+1) .."\n") - - for section = 0, all_section do - if (autolines[section]) then - print("---- autoline section ----") - end - print("Section : " .. (section+1)) - print("Number of bars in section : " .. bars[section]) - print("Length(hard) of section " .. (section+1) .. " : " .. eff_hardlength[section]) - print("Length(soft) of section " .. (section+1) .. " : " .. eff_softlength[section]) - if (linegoal[section] ~= 0) then -- linegoal applies, signed jh-2 in C - print("Section line goal was determined by \\linegoal value...") - print("Line Goal for section : " .. linegoal[section]) - else -- mulooseness applies, signed jh-2 in C - print("Looseness of section : " .. mulooseness[section]) - end - - io.read() -- NH: mimics getchar() - end -- end for - -end -- end if - -if dbug_logfile then - logfile:write("\nNumber of sections : ", all_section+1, "\n\n") - - for section = 0, all_section do - if (autolines[section]) then - logfile:write("---- autoline section ----\n") - end - logfile:write("Section : ", section+1, "\n") - logfile:write("Number of bars in section : ", bars[section], "\n") - logfile:write("Length(hard) of section ", section+1, " : ", eff_hardlength[section], "\n") - logfile:write("Length(soft) of section ", section+1, " : ", eff_softlength[section], "\n") - if (linegoal[section] ~= 0) then -- line goal applies. signed jh-2 in C - logfile:write("Section line goal was determined by \\linegoal value...\n") - logfile:write("Line goal for section : ", linegoal[section], "\n") - else -- mulooseness applies, signed jh-2 in C - logfile:write("Looseness of section : ", mulooseness[section], "\n") - end - end -end - ---[[ -C Comments: -Loop over the sections defined in the input file. - Each section must be right justified. - LAST is the absolute number of the last bar - in the current section. ---]] - -sign = 0 -mark = 0 -lastbarnumber = 0 - - -for section = 0, all_section do - line_in_section = 1 - lastbarnumber = lastbarnumber + bars[section] - - -- Find number of lines to work towards - lines = math.floor(((eff_hardlength[section] + eff_softlength[section] + parindent)/ - (linewidth-(clefskip+signskip[sign]))) + .5) -- need to use floor function as lua has no "integer" type, just numbers - if (lines == 0) then lines = 1 end -- safety - - natural_lines = lines -- Keep this for debug report. Signed jh-2 in C - lines = lines + mulooseness[section] - if ((mulooseness[section] ~= 0) and (linegoal[section] > 0)) then -- signed jh-2 in C - print("Unexpected line goal reset occured for section " .. section+1) - linegoal[section] = 0 -- Zero it, Safety, should not happen, signed jh-2 in C - end - if (linegoal[section] > 0) then lines = linegoal[section] end -- Signed jh-2 in C - if lines < 1 then - lines = 1 - print("Don't stress \\mulooseness too much !!!") - end - ---[[ -C comments: - autolinesflag set in current section ? - iftrue force number of lines to 1 - --]] - - if (autolines[section]) then lines = 1 end - - if dbug then - print("Section number : " .. section+1) - print("Last bar in this section : " .. lastbarnumber) - print("Number of bars : " .. bars[section]) - print("Natural number of lines : " .. natural_lines) -- signed jh-2 in C - print("Chosen number of lines : " .. lines .. "\n") - end - - if dbug_logfile then - logfile:write("Section number : ", section+1, "\n") - logfile:write("Last bar in this section : ", lastbarnumber, "\n") - logfile:write("Number of bars : ", bars[section], "\n") - logfile:write("Natural number of lines : ", natural_lines, "\n") -- signed jh-2 in C - logfile:write("Chosen number of lines : ", lines, "\n\n") - end - - if (bars[section]<1) then error_exit(3) end - ---[[ -C comments: - fill_length is the length of 'bar' material (ie excluding - signature space) required to fill the remainder - of the piece. This value will not be exact if there are - sign changes within the section. However, - fill_length is used only to keep track of the mean scale factor - for the remainder of the piece, as opposed to individual lines. - - Loop over lines, working out number of bars - and revised \elemskip for each line. - added correct computing of fill_length - --]] - - - for j = 1, lines do - line_number = line_number + 1 - fill_length = (lines-j+1) * (linewidth - (clefskip + signskip[sign])) - - ---[[ -C comments: - Work out mean element skip over remaining bars - in the current section. - EFFWID is the effective line width once - key signature have been written. - Set parindent to zero after it has been used for the - first line of the first section. - --]] - - if (eff_softlength[section] == 0) then error_exit(5) end - spc_factor = (fill_length - eff_hardlength[section])/eff_softlength[section] - if ((xbar[mark+1] > 1) and (mark>0)) then - -- The bar is an bar+xbar with a sign change. Signed jh-1 in C - eff_linewidth = linewidth - (clefskip+signskip[sign-1]) - parindent - else -- This is a normal bar. Signed jh-1 in C - eff_linewidth = linewidth - (clefskip+signskip[sign]) - parindent - end -- Signed jh-1 in C - - signskip[sign] = futuresignskip[sign] -- Supports xbar signs. Signed jh-1 in C - - parindent = 0 - - -- Fill the current line by adding bars until overflow. - - i = mark - firstbarno = barno[mark+1] - hardlength = 0 - softlength = 0 - x = 0 - lastbar = 0 - detect_end = false - - while (x < eff_linewidth) do - if detect_end then break end - i = i + 1 - -- Check for raggedline - - if raggedline[i] then detectraggedline = true end - - -- Check for key signature change at this bar. - - if (i == signchange[sign+1]) then sign = sign + 1 end - - lastbar = hardbarlength[i] + spc_factor*softbarlength[i] - x = x + lastbar - - -- Enforce termination at last bar and last line - - if (i==lastbarnumber) then detect_end = true - elseif (line_in_section == lines) then - detect_end = false - x = 0 - end - - hardlength = hardlength + hardbarlength[i] - softlength = softlength + softbarlength[i] - - end - ---[[ -C comments: - If the overhang is less than half the barlength, - include the latest bar in the line, - and shrink the line accordingly. ---]] - - if ((x-eff_linewidth) < (lastbar/2)) then - barsinline = i - mark - mark = i - lastbarno = barno[mark] - ---[[ -C comments: - last bar in line a zbar? - if true -> add to the first bar in next line - the amount of afterruleskip ---]] - - if zbar[mark] then - softbarlength[i+1] = softbarlength[i+1] + afterrule - eff_softlength[section] = eff_softlength[section] + afterrule - end - ---[[ -C comments: - last bar in line a leftrightrepeat? - if true -> reduce hardwidth of current line - advance the hardwidth of next bar - advance the softwidth of next bar ---]] - - if lr_repeat[mark] then - -- NH: there are some commented lines of code out here (printf statements) that I have not preserved - -- if they should be reinstated then they are located at lines 744-746 of the original program - hardlength = hardlength - (width_leftrightrepeat[i] - width_leftrepeat[i]) - eff_hardlength[section] = eff_hardlength[section] + (width_leftrightrepeat[i] - width_leftrepeat[i]) - hardbarlength[i+1] = hardbarlength[i+1] + width_leftrepeat[i] - softbarlength[i+1] = softbarlength[i+1] + (afterrule/2) - eff_softlength[section] = eff_softlength[section] + (afterrule/2) - end - ---[[ -C comments: - last bar in line a leftrepeat? - if true -> reduce hardwidth of current line - advance the hardwidth of next bar - advance the softwidth of next bar ---]] - - if l_repeat[mark] then - hardlength = hardlength - (width_leftrepeat[i] - lthick) - hardbarlength[i+1] = hardbarlength[i+1] + width_leftrepeat[i] - softbarlength[i+1] = softbarlength[i+1] + (afterrule/2) - eff_softlength[section] = eff_softlength[section] + (afterrule/2) - end - - if (signchange[sign+1] == mark+1) then -- signed s.b. in C - sign = sign + 1 ---[[ -C comments: - Because the bar is staying here in the line, we look ahead - to see if the upcoming bar is a sign change, and adjust space - to account for the complimentary sign change notice that will - be posted at the end of this line. However, if the upcoming - sign change bar is really a bar+xbar set, where the sign change - is buried in the xbar, then we don't do the move because the - change notice really won't be posted in this line. - - Signed jh-1 in C. - ---]] - if (xbar[mark+1] < 2) then -- okay to do the move. signed jh-1 in C - hardlength = hardlength + oldsignskip[sign] - hardbarlength[mark+1] = hardbarlength[mark+1] - oldsignskip[sign] - end - end - - -- Exclude the latest bar, and stretch the line. - - else - barsinline=i-1-mark - if (barsinline < 1) then error_exit(2) end - mark = i - 1 - lastbarno = barno[mark] - hardlength = hardlength - hardbarlength[i] - softlength = softlength - softbarlength[i] - - if zbar[mark] then softbarlength[i] = softbarlength[i] + afterrule end - - if lr_repeat[mark] then - hardlength = hardlength - (width_leftrightrepeat[i-1]-width_leftrepeat[i-1]) - eff_hardlength[section] = eff_hardlength[section] + (width_leftrightrepeat[i-1] - width_leftrepeat[i-1]) - hardbarlength[i] = hardbarlength[i] + width_leftrepeat[i-1] - softbarlength[i] = softbarlength[i] + (afterrule/2) - eff_softlength[section] = eff_softlength[section] + (afterrule/2) - end - - if l_repeat[mark] then - hardlength = hardlength - (width_leftrepeat[i-1] - lthick) - hardbarlength[i] = hardbarlength[i] + width_leftrepeat[i-1] - softbarlength[i] = softbarlength[i] + (afterrule/2) - eff_softlength[section] = eff_softlength[section] + (afterrule/2) - end - ---[[ -C comments: - Error (o/u-hbox) occurs only when signature change start in next line - -> look for signature change in next line - if true then advance the hardwidth of current line - reduce next hard barlength by signature change ---]] - - if (signchange[sign] == (mark+1)) then ---[[ -C comments: -However, if the next bar is a bar+xbar set where the -sign change comes from the xbar, then don't do this -move, because the extra skip is not really there! - -Signed jh-1 in C. ---]] - if(xbar[mark+1] < 2) then -- alright, do the move. signed jh-1 in C - hardlength = hardlength + oldsignskip[sign] - hardbarlength[mark+1] = hardbarlength[mark+1] - oldsignskip[sign] - end - - end - - end - ---[[ -C comments: - Define a flex factor for this line as the ratio - of soft part of the specified line width, - to soft width in the approximate line. - --]] - - if (softlength == 0) then error_exit(5) end - flexit = (eff_linewidth - hardlength) / softlength - if detectraggedline then - flexit = 1 - detectraggedline = false - end - cor_elemskip = elemskip * flexit - cor_afterrule = afterrule * flexit - cor_beforerule = beforerule * flexit - - if dbug then - print("Line number : " .. line_number) - print("Fill length : " .. fill_length) - print("Effective length : " .. eff_softlength[section] + eff_hardlength[section]) - print("Mean space factor : " .. spc_factor) - print("Bars in line : " .. barsinline) - print("Effective linewidth : " .. eff_linewidth) - print("Uncorrected hard length : " .. hardlength) - print("Uncorrected soft length : " .. softlength) - print("fLex factor (soft) : " .. flexit) - print("Corrected elemskip : " .. cor_elemskip) - print("Corrected afterrule : " .. cor_afterrule) - print("Corrected beforerule : " .. cor_beforerule) - - io.read() -- NH: mimics getchar() - end - - if dbug_logfile then - logfile:write("Line number : ", line_number, "\n") - logfile:write("Fill length : ", fill_length, "\n") - logfile:write("Effective length : ", eff_softlength[section] + eff_hardlength[section], "\n") - logfile:write("Mean space factor : ", spc_factor, "\n") - logfile:write("Bars in line : ", barsinline, "\n") - logfile:write("Effective linewidth : ", eff_linewidth, "\n") - logfile:write("Uncorrected hard length : ", hardlength, "\n") - logfile:write("Uncorrected soft length : ", softlength, "\n") - logfile:write("Flex factor (soft) : ", flexit, "\n") - logfile:write("Corrected elemskip : ", cor_elemskip, "\n") - logfile:write("Corrected afterrule : ", cor_afterrule, "\n") - logfile:write("Corrected beforerule : ", cor_beforerule, "\n\n") - end - - eff_hardlength[section] = eff_hardlength[section] - hardlength - eff_softlength[section] = eff_softlength[section] - softlength - fill_length = fill_length - eff_linewidth - - -- Write a record to the output file - - outfile:write( - string.format("\\lineset{%3d}{%2d}{%8.5fpt}{%8.5fpt}{%8.5fpt}%% %d - %d\n", - line_number, barsinline, cor_elemskip, cor_afterrule, - cor_beforerule, - firstbarno, lastbarno)) - - - - if showresult then - print( - string.format("\\lineset{%3d}{%2d}{%8.5fpt}{%8.5fpt}{%8.5fpt}%% %d - %d", - line_number, barsinline, cor_elemskip, cor_afterrule, - cor_beforerule, - firstbarno, lastbarno)) - end - - if dbug_lines then print(" ... writing line : " .. line_number) end - line_in_section = line_in_section + 1 -- NH: need to do this in loop, lua syntax doesn't allow for it in for loop spec - end -- end lines for -end -- end sections for - -if dbug_lines then print("") end - - -samechapter = true -chapterno = chapterno + 1 -until (not GETLINE()) -- end repeat loop - --- closing files -infile:close() -io.write(")") -if dbug_logfile then - logfile:close() - if (not logfile) then error_exit(0) end -end -outfile:close() -if (not outfile) then error_exit(0) end - -if dbug then - print(" ... that's all, bye") -end -print("") --- NH: end main chunk and program! diff --git a/musixtex/scripts/musixtex.bat b/musixtex/scripts/musixtex.bat deleted file mode 100644 index 249ae59..0000000 --- a/musixtex/scripts/musixtex.bat +++ /dev/null @@ -1,6 +0,0 @@ -:: wrapper script to call musixtex.lua -:: Usage: musixtex [options] basename[.tex|.ltx|.mtx|.pmx|.aspc] -:: Suggested by Tomasz Luczak (Tomek) t34www@googlemail.com - -@for /f "delims=" %%I in ('kpsewhich --format=texmfscripts %~n0.lua') do texlua "%%I" %* -:end diff --git a/musixtex/scripts/musixtex.lua b/musixtex/scripts/musixtex.lua deleted file mode 100755 index b568bb8..0000000 --- a/musixtex/scripts/musixtex.lua +++ /dev/null @@ -1,648 +0,0 @@ -#!/usr/bin/env texlua - -VERSION = "0.23b" - ---[[ - musixtex.lua: processes MusiXTeX files using xml2pmx and/or prepmx and/or pmxab - and/or autosp as pre-processors (and deletes intermediate files) - - (c) Copyright 2011-2021 Bob Tennent rdt@cs.queensu.ca - and Dirk Laurie dirk.laurie@gmail.com - - This program is free software; you can redistribute it and/or modify it - under the terms of the GNU General Public License as published by the - Free Software Foundation; either version 2 of the License, or (at your - option) any later version. - - This program is distributed in the hope that it will be useful, - but WITHOUT ANY WARRANTY; without even the implied warranty of - MERCHANTABILITY or FITNESS FOR A PARTICULAR PURPOSE. See the GNU General - Public License for more details. - - You should have received a copy of the GNU General Public License along - with this program; if not, write to the Free Software Foundation, Inc., - 51 Franklin Street, Fifth Floor, Boston, MA 02110-1301, USA. - ---]] - ---[[ - - ChangeLog: - - version 0.23b 2020-05-27 RDT - improve the -h output - - version 0.23a 2020-08-14 RDT - pmxprep files now deleted by xml2pmx - - version 0.23 2020-05-21 RDT - added support for xml2pmx pre-preprocessing - - version 0.22 2020-03-20 RDT - add -X option - add -version, --version, -help, --help options - - version 0.21 2018-07-27 RDT - add -P option. - - version 0.20 2018-06-11 RDT - remove .mx1 file before tex processing - - version 0.19 2017-12-10 RDT - Allow non-standard extensions. - Add -M and -A options. - - version 0.18 2017-06-13 RDT - Allow autosp to generate .ltx files - - version 0.17a 2017-01-08 RDT - Added -D option. - Avoid writing or concatenating a nil value. - - version 0.16e 2016-03-02 DL - missing version information (caused by batchmode in 0.16c) fixed - - version 0.16d 2016-03-02 RDT - filename argument in autosp failure message fixed - - version 0.16c 2016-02-24 RDT - -interaction batchmode for -q - report_error reports only the first error - - version 0.16b 2016-02-20 DL - Improved help message as suggested by Bob Tennent. - - version 0.16a 2015-12-30 DL - Corrects bug in -g option reported by Christian Mondrup. - - version 0.16 2015-12-24 DL - Versions read from tempfile and written to musixtex.log. - - version 0.15 2015-12-03 DL - Option -q added, which redirects most screen output into - a temporary file. If an error occurs at the TeX stage, processing - halts immediately and the tail of the log file is sent to stderr. - - version 0.14 2015-12-01 DL - Writes `musixtex.log` and deletes other logfiles (except with -i) - Hierarchy of extensions emphasized in usage() and consistently - used elsewhere. - Unknown option-like arguments reported and ignored, not treated - as filenames - Warnings and error messages generated by musixtex.lua start with - respctively `!` and `!!`. - - version 0.13 2015-11-30 RDT - Process .mtx and .pmx files (suggested by Dirk Laurie) - exit_code is now an error count - Use pmxab exit code to distinguish between errors and warnings - - version 0.12 2015-11-28 RDT - Process .ltx files, with -l implied - - version 0.11 2015-07-16 RDT - Automatic autosp preprocessing. - - version 0.10 2015-04-23 RDT - Add -a option to preprocess using autosp - - version 0.9 2015-02-13 RDT - Add an additional latex pass to resolve cross-references. - Add -e0 option to dvips as given in musixdoc.tex - Add -x option to call makeindex - - version 0.8 2014-05-18 RDT - Add -g option - - version 0.7 2013-12-11 RDT - Add -F fmt option - - version 0.6 2012-09-14 RDT - Add -1 (one-pass [pdf][la]tex processing) option. - - version 0.5 2011-11-28 RDT - Add -i (retain intermediate files) option. - - version 0.4 2011-04-30 RDT - Allow multiple filenames (and options). - Add -f (default) and -l (latex) options. - - version 0.3 2011-04-25 RDT - Add -d (dvipdfm) and -s (stop at dvi) options. - - version 0.2 2011-04-21 RDT - Allow basename.tex as filename. - Add -p option for pdfetex processing. - Add standard -v -h options. ---]] -local orig_print = print - -function usage() - orig_print -[[ -Usage: [texlua] musixtex.lua { option | basename[ .xml | .mtx | .pmx | .aspc | .tex | .ltx] } ... - When no extension is given, extensions are tried in the above order - until a source file is found. Preprocessing goes - .xml - .pmx - .tex - .mtx - .pmx - .tex - .pmx - .tex - .aspc - .tex - with the entry point determined by the filename extension. - The normal route after preprocessing goes .tex - .dvi - .ps - .pdf, - but shorter routes are also available; see the options. - The default 3-pass processing route for .tex files is - etex - musixflx - etex. - .ltx files, possibly after autosp preprocessing, are treated as latex - source and processed by latex (or pdflatex) rather than etex. -Options: -v, --version version - -h, --help help - -l latex source; implied by .ltx extension - -p direct tex-pdf (pdftex etc) - -F fmt use fmt as the TeX processor - -d tex-dvi-pdf (using dvipdfm if -D not used) - -D dvixx use dvixx as the dvi processor - -P ps2pdfxx use ps2pdfxx as the Postscript processor - -c preprocess pmx file using pmxchords - -m stop at pmx - -M prepmxx use prepmxx as the mtx preprocessor - -A autospx use autospx as the aspc preprocessor - -X pmxabx use pmxabx as the pmx preprocessor - -L xmlx use xmlx as the xml preprocessor - -t stop at tex/mid - -s stop at dvi - -g stop at ps - -i retain intermediate and log files - -q quiet mode (redirect screen logs, write summary on musixtex.log) - -1 one-pass [pdf][la]tex processing - -x run makeindex - -f restore default processing -Four TeX engines are available via the -l and -p options. - etex default - latex -l - pdfetex -p - pdflatex -l -p -If the -F option is used, options -l and -p need to be set if the engine -name does not contain "latex" and "pdf" respectively. For example, the -above four engines can be replaced by: - -F "luatex --output-format=dvi" - -F "lualatex --output-format=dvi" - -F "luatex" -p - -F "lualatex" -p -]] -end - -function whoami () - print("This is musixtex.lua version ".. VERSION .. ".") -end - -function exists (filename, nolog) - local f = io.open(filename, "r") - if f then - f:close() - if not nolog then musixlog:write("Processing " .. filename,'\n' ) end - return true - else - return false - end -end - --- System commands for the various programs are mostly --- set to nil if the step is to be omitted, which can be --- tested by a simple "if" statement. --- Exceptions: --- 'tex' is the command for processing a TeX file, but it is important --- to know whether the user has explicitly specified an option that --- affects this choice, in which case the automatic selection of the --- command is restricted or disabled. --- force_engine "use the command provided" --- override records when 'l' and/or 'p' options are in effect --- 'dvi' is the command for processing a DVI file, but there are two --- reasons for not needing it and it is important for the automatic --- selection of a TeX engine to know which is in effect. This is --- possible by exploiting the the fact that Lua has two false values. --- dvi == nil "do not produce a DVI file" (but maybe PDF) --- dvi == false "do not process the DVI file" (but stop after TeX) - -local dvips = "dvips -e0" --- option -e0 suppresses dvips "feature" of adjusting location to align --- characters in words of text - -function defaults() - xml2pmx = "xml2pmx" - prepmx = "prepmx" - pmx = "pmxab" - autosp = "autosp" - tex = "etex" - musixflx = "musixflx" - dvi = dvips - ps2pdf = "ps2pdf" - cleanup = true -- clean up intermediate and log files - index = false - latex = false - force_engine = false -- indicates whether -F is specified - override = "" - passes = 2 - quiet = "" -- set by "-q" -end - ------------------------------------------------------------------------- - -if #arg == 0 then - whoami() - usage() - os.exit(0) -end - --- Logging on `musixtex.log` everything that is printed, all os calls, --- and warnings from other log files. - -musixlog = io.open("musixtex.log","w") -if not musixlog then - print"!! Can't open files for writing in current directory, aborting" - os.exit(1) -end - ------------------------------------------------------------------------- - -print = function(...) - orig_print(...) - musixlog:write(...,"\n") -- only the first argument gets written! -end - -local orig_remove = os.remove -remove = function(filename) - if exists(filename,"nolog") then - musixlog:write(" removing ",filename,"\n") - return orig_remove(filename) - end -end - -local orig_execute = os.execute -execute = function(command) - musixlog:write(" ",command,"\n") - return orig_execute(command .. quiet) -end - -function report_warnings(filename,pattern) - local log = io.open(filename) - if not log then - print("! No file "..filename) - return - end - for line in log:lines() do - if line:match(pattern) then - musixlog:write("! "..line,"\n") - end - end -end - -function report_error(filename) - local log = io.open(filename) - if not log then - print("! No file "..filename) - return - end - local trigger = false - for line in log:lines() do - if trigger and line:match"^!" then - -- report just the first error - break - end - trigger = trigger or line:match"^!" - if trigger then - io.stderr:write("! "..line,"\n") - end - end -end - -function process_option(this_arg) - if this_arg == "-v" or this_arg == "-version" or this_arg == "--version" then - os.exit(0) - elseif this_arg == "-h" or this_arg == "-help" or this_arg == "--help" then - usage() - os.exit(0) - elseif this_arg == "-l" then - latex = true - override = override .. 'l' - elseif this_arg == "-p" then - dvi = nil - override = override .. 'p' - elseif this_arg == "-d" then - dvi = "dvipdfm"; ps2pdf = nil - elseif this_arg == "-D" then - narg = narg+1 - dvi = arg[narg] - elseif this_arg == "-c" then - pmx = "pmxchords" - elseif this_arg == "-F" then - narg = narg+1 - tex = arg[narg] - force_engine = true - elseif this_arg == "-s" then - dvi = false; ps2pdf = nil; protect.dvi = true - elseif this_arg == "-g" then - dvi = dvips; ps2pdf = nil; protect.ps = true - elseif this_arg == "-i" then - cleanup = false - elseif this_arg == "-x" then - index = true - elseif this_arg == "-1" then - passes = 1 - elseif this_arg == "-f" then - defaults() - elseif this_arg == "-t" then - tex, dvi, ps2pdf = nil,nil,nil - protect.tex = true - elseif this_arg == "-m" then - pmx, tex, dvi, ps2pdf = nil,nil,nil,nil - protect.pmx = true - elseif this_arg == "-M" then - narg = narg+1 - prepmx = arg[narg] - elseif this_arg == "-A" then - narg = narg+1 - autosp = arg[narg] - elseif this_arg == "-L" then - narg = narg+1 - xml2pmx = arg[narg] - elseif this_arg == "-q" then - if not tempname then - tempname = tempname or os.tmpname() - print("Redirecting screen output to "..tempname) - end - if dvi == dvips then dvi = dvi .. " -q" end - quiet = " >> " .. tempname - elseif this_arg == "-P" then - narg = narg+1 - ps2pdf = arg[narg] - elseif this_arg == "-X" then - narg = narg+1 - pmx = arg[narg] - else - print("! Unknown option "..this_arg.." ignored") - end -end - -function find_file(this_arg) - basename, extension = this_arg:match"(.*)%.(.*)" - extensions = {["xml"] = true, ["mtx"] = true, ["pmx"] = true, ["aspc"] = true, ["tex"] = true, ["ltx"] = true} - if extensions[extension] then - return basename, extension - end - basename, extension = this_arg, null - for ext in ("xml,mtx,pmx,aspc,tex,ltx"):gmatch"[^,]+" do - if exists (basename .. "." .. ext) then - extension = ext - break - end - end - if extension == null then - print("!! No file " .. basename .. ".[xml|mtx|pmx|aspc|tex|ltx]") - exit_code = exit_code+1 - return - end - return basename, extension -end - -function preprocess(basename,extension) - if not (basename and extension) then return end - if extension == "xml" then - if execute(xml2pmx .. " " .. basename .. ".xml" .. " " .. basename .. ".pmx" ) == 0 then - extension = "pmx" - else - print ("!! xml2pmx preprocessing of " .. basename .. ".xml fails.") - return - end - elseif extension == "mtx" then - if execute(prepmx .. " " .. basename ) == 0 then - extension = "pmx" - else - print ("!! prepmx preprocessing of " .. basename .. ".mtx fails.") - return - end - end - if extension == "pmx" then - local OK = true - if pmx then - local code = execute(pmx .. " " .. basename) - local pmxaerr = io.open("pmxaerr.dat", "r") - if (not pmxaerr) then - OK = false - print("!! No pmx log file.") - else - extension = "tex" - local linebuf = pmxaerr:read() - local err = tonumber(linebuf) - if (code == 0) then - if err ~=0 then - print ("! pmx produced a warning on line "..err.. - " of "..basename..".pmx") - end - else - OK = false - print ("!! pmx processing of " .. basename .. ".pmx fails.") - end - pmxaerr:close() - end - end - if not OK then - exit_code = exit_code+1 - return - end - end - if extension == "aspc" then - if execute (autosp .. " " .. basename .. ".aspc" ) == 0 then - if exists ( basename .. ".ltx") - then extension = "ltx" - else extension = "tex" - end - else - print ("!! autosp preprocessing of " .. basename .. ".aspc fails.") - exit_code = exit_code+1 - return - end - end - return extension -end - -function tex_process(tex,basename,extension) - if not (extension == "tex" or extension == "ltx") or not tex then return end - remove(basename .. ".mx1") - remove(basename .. ".mx2") - local filename = basename .. "." ..extension --- .ltx extension re-selects engine only for the current file, and only --- if default processing is plain TeX - local latex = latex - if extension == "ltx" then - if not force_engine and not latex then - if dvi then tex = "latex" else tex = "pdflatex" end - end - latex = true - end - if quiet ~= "" then - tex = tex .. " -interaction batchmode" - end - local OK = (execute(tex .. " " .. filename) == 0) - if passes ~= 1 then - OK = OK and (execute(musixflx .. " " .. basename) == 0) - and (execute(tex .. " " .. filename) == 0) - if latex and index then - OK = OK and (execute("makeindex -q " .. basename) == 0) - and (execute(tex .. " " .. filename) == 0) - if exists (basename .. ".toc","nolog") then - -- an extra line for the index will have been added - OK = OK and (execute(tex .. " " .. filename) == 0) - -- there is a tiny possibility that the extra line for the index - -- has changed the pagination. If you feel this should not be - -- ignored, here are the possibilities: - -- a. Do an extra TeX pass regardless. - -- b. Provide a user option -4 to force the extra pass. - -- c. Compare aux files to find out. - end - end - end - if (quiet ~= "") and not OK then - report_error(basename..".log") - end - if OK and latex then - report_warnings(basename..".log","LaTeX.*Warning") - end - if dvi then OK = OK and (execute(dvi .. " " .. basename) == 0) end - if dvi and ps2pdf then - OK = OK and (execute(ps2pdf .. " " .. basename .. ".ps") == 0) - if OK then - print(basename .. ".pdf generated by " .. ps2pdf .. ".") - end - end - if not OK then - print("!! Processing of " .. filename .. " fails.\n") - exit_code = exit_code+1 - end -end - ----- Report version information on musixtex.log - --- File names and message signatures to be looked for in a TeX log file. -logtargets = { -mtxtex = {"mtx%.tex","mtxTeX"}, -mtxlatex = {"mtxlatex%.sty","mtxLaTeX"}, -pmxtex = {"pmx%.tex","PMX"}, -musixtex = {"musixtex%.tex","MusiXTeX"}, -musixltx = {"musixltx%.tex","MusiXLaTeX"}, -musixlyr = {"musixlyr%.tex","MusiXLYR"} -} - --- Signatures of messages displayed on standard output by programs -capturetargets = { -MTx = "This is (M%-Tx.->)", -PMX = "This is (PMX[^\n]+)", -pdftex = "This is (pdfTeX[^\n]+)", -musixflx = "Musixflx%S+", -autosp = "This is autosp.*$", -index = "autosp,MTx,PMX,musixflx,pdftex" -} - -function report_texfiles(logname) - local log = logname and io.open(logname) - if not log then return end - local lines = - {"--- TeX files actually included according to "..logname.." ---"} - log = log:read"*a" --- The following pattern matches filenames input by TeX, even if --- interrupted by a line break. It may include the first word of --- an \immediate\write10 message emitted by the file. - for pos,filename in log:gmatch"%(()(%.?[/]%a[%-/%.%w\n]+)" do - local hit - repeat - local oldfilename = filename - filename = oldfilename:match"[^\n]+" -- up to next line break - hit = io.open(filename) -- success if the file exists - if hit then break end - filename = oldfilename:gsub("\n","",1) -- remove line break - until filename==oldfilename - if hit then - for target,sig in pairs(logtargets) do - if filename:match(sig[1]) then - local i,j = log:find(sig[2].."[^\n]+",pos) - if j then lines[#lines+1] = filename.."\n "..log:sub(i,j) end - end - end - end - end - return table.concat(lines,'\n').."\n" -end - -function report_versions(tempname) - if not tempname then return end -- only available with -q - local logs = io.open(tempname) - if not logs then - musixlog:write ("No version information: could not open "..tempname) - return - end - local versions = {} - musixlog:write("--- Programs actually executed according to "..tempname.." ---\n") - for line in logs:lines() do - for target in capturetargets.index:gmatch"[^,]+" do - if not versions[target] then - local found = line:match(capturetargets[target]) - if found then - versions[target] = found - musixlog:write(found,"\n") - end - end - end - end - logs:close() - return -end - ------------------------------------------------------------------------- - -whoami() - -defaults() - -exit_code = 0 -narg = 1 -protect = {} -- extensions not to be deleted, even if cleanup requested - -repeat - this_arg = arg[narg] - if this_arg:match"^%-" then process_option(this_arg) - else - basename, extension = find_file(this_arg) -- nil,nil if not found - if tex then -- tex output enabled, now select engine - if tex:match"pdf" then dvi = nil end - if not dvi then ps2pdf = nil end - -- .ltx extension will be taken into account later, in `process` - -- deduce tex/latex from current engine name if -l is not specified - if not override:match"l" then latex = tex:match"latex" end - if not force_engine then -- select appropriate default engine - if latex then - if dvi==nil then tex = "pdflatex" else tex = "latex" end - else - if dvi==nil then tex = "pdfetex" else tex = "etex" end - end - end - end - extension = preprocess(basename, extension) - tex_process(tex,basename,extension) - if basename and io.open(basename..".log") then -- to be printed later - versions = report_texfiles(basename..".log") - end - if basename and cleanup then - remove("pmxaerr.dat") - for ext in ("mx1,mx2,dvi,ps,idx,log,ilg,pml"):gmatch"[^,]+" do - if not protect[ext] then remove(basename.."."..ext) - end - end - end - protect = {} - end - narg = narg+1 -until narg > #arg - -if versions then musixlog:write(versions) end -report_versions(tempname) -musixlog:close() -os.exit( exit_code ) diff --git a/musixtex/source/doc.tex b/musixtex/source/doc.tex deleted file mode 100644 index b919dcb..0000000 --- a/musixtex/source/doc.tex +++ /dev/null @@ -1,24 +0,0 @@ -%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%% -%% musixcrd - typsetting chord symbols with %% -%% musixtex %% -%% doc.tex documentation generation %% -%% $Id$ %% -%% copyright 2004 , Robert Hennig %% -%% this code is licensed in terms of the %% -%% GNU Public License %% -%% %% -%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%% -\documentclass{ltxdoc} -\usepackage{musixtex,musixcrd,syntax,sverb} -\EnableCrossrefs -\PageIndex -\CodelineIndex -\setlength\hfuzz{15pt} -\begin{document} - \DocInput{musixcrd.dtx} -\end{document} - -%%% Local Variables: -%%% mode: plain-tex -%%% TeX-master: t -%%% End: diff --git a/musixtex/source/makefile b/musixtex/source/makefile deleted file mode 100644 index 68202db..0000000 --- a/musixtex/source/makefile +++ /dev/null @@ -1,45 +0,0 @@ -#%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%% -#%% musixcrd - typsetting chord symbols with %% -#%% musixtex %% -#%% makefile %% -#%% $Id$ %% -#%% copyright 2004 , Robert Hennig %% -#%% this code is licensed in terms of the %% -#%% GNU Public License %% -#%% %% -#%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%% - -SOURCES = readme musixcrd.dtx makefile musixcrd.sty doc.tex strip.tex -TARGETS = readme musixcrd.tex doc.pdf - -doc: doc.dvi - -strip: musixcrd.tex - -srcdist: musixcrdsrc.tgz - -dist: musixcrd.tgz - -all: strip doc srcdist dist - -musixcrd.tex: strip.tex musixcrd.dtx - tex strip.tex - -doc.toc: doc.tex musixcrd.dtx - latex doc.tex - latex doc.tex - -doc.dvi: doc.tex musixcrd.dtx doc.toc - latex doc.tex - -doc.ps: doc.dvi - dvips -o doc.ps doc.dvi - -doc.pdf: doc.dvi - dvipdfm -o doc.pdf doc.dvi - -musixcrdsrc.tgz: $(SOURCES) - tar czvf musixcrdsrc.tgz $(SOURCES) - -musixcrd.tgz: makefile $(TARGETS) - tar czvf musixcrd.tgz $(TARGETS) \ No newline at end of file diff --git a/musixtex/source/musixcrd.dtx b/musixtex/source/musixcrd.dtx deleted file mode 100644 index 3caf93f..0000000 --- a/musixtex/source/musixcrd.dtx +++ /dev/null @@ -1,811 +0,0 @@ -%\iffalse -%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%% -%% musixcrd - typsetting chord symbols with %% -%% musixtex %% -%% main source file contains code, doc, and examples %% -%% $Id$ %% -%% copyright 2004 , Robert Hennig %% -%% this code is licensed in terms of the %% -%% GNU Public License %% -%% %% -%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%% -%\fi -\ifx\makeatletter\undefined\def\makeatletter{\catcode`\@=11\relax}\fi -\ifx\makeatother\undefined\def\makeatother{\catcode`\@=12\relax}\fi - -\makeatletter% ^^A allows to use @ as ordinary letter -% -% \def\backslash{\tt\char'134} -% \def\musixtex{MusiX\TeX} -% \def\musixcrd{MusixCrd} -% \def\crdexample#1{{\tt\backslash c #1 }$\rightarrow$ \c #1 \medskip} -% \def\pmx{PMX} -% \title{ -% {\bf \musixcrd} \\ -% --- Typesetting Chord Symbols with \musixtex --- \\ -% Version 1.1 \\ -% {\large $Revision$}} -% -% \author{Robert Hennig\thanks{robert.hennig@freylax.de}} -% \maketitle -% \tableofcontents -% -% \section{Usage} -% This package was written to ease the typesetting of chord symbols -% for music scores. -% One point of focus was that the user should have not to much to type -% if placing the cord. So one macro will be used which takes characters -% as argument which describe the chord to type. \par -% Thought the syntax of the chord description could easily be altered they -% should become somewhat stable whereas the output format can be adapted to -% individual needs. -% Further the notenames can be transposed, so transposing a music piece -% with chord symbols can be done easily. \par -% The package can be used with \musixtex\ and \pmx\ -% -- which also gave the idea for the usage of an short chord--description -% `language'. -% \footnote{If the default output functions are changed the package could -% also be used with \TeX{} and \LaTeX{} alone.} -% \par -% -% \DescribeMacro{\c} -% The main macro which the package defines is -% \verb*|\c |\synt{chord-list}\verb*| |. The argument is an space -% terminated \synt{chord-list} -% \footnote{This form of argument was choosen because it leads to a -% short notation inside \pmx\ e.g.: \\ -% {\tt \backslash c AfM \backslash\ e8 f g4 \backslash c Gm7 \backslash\ b4 g} -% }. -% \begin{demo}[w]{\musixtex} -% \nobarnumbers -% \startextract -% \NOtes\c CM7 \hu e\c Dm7 \hu f\en\bar -% \NOTEs\c Ch/E \hu g\c F6/A \hu h\en\bar -% \NOtes\c 0-1E7/G \hl i\c Fd/Af \hl j\en -% \endextract -% \end{demo} -% -% \subsection{Syntax} -% \begin{grammar} -% ::= `' -% -% ::= `0' | `1' | `2' | `3' | `4' | `5' | `6' | `7' | `8' | `9' -% -% ::= | `-' -% -% ::= | -% -% ::= | -% -% ::= `C' | `D' | `E' | `F' | `G' | `A' | `B' -% -% ::= `s' | `f' | `ds' | `df' -% -% ::= | -% | -% -% ::= -% `m' | `d' | `h' | `M' | `4' | `+5' | `-5' | `6' | `7' | `-9' | `+9' -% -% ::= -% | -% -% ::= | `/' -% -% ::= \\ -% \\ -% -% -% ::= `,' | | -% \end{grammar} -% -% -% \subsection{Semantics} -% \paragraph{\synt{vertical-shift}} -% \DescribeMacro{\crddefaultheight} -% Adjustment of the vertical chord position in internotes, -% relative to the default value defined with -% \verb*|\crddefaultheight|. You may change this default within -% your sheet. -% \begin{macrocode} -\def\crddefaultheight{10} -% \end{macrocode} -% \paragraph{\synt{horizontal-shift}} -% Horizontal adjustment in multiples of \verb*|\elemskip|. -% -% \paragraph{\synt{accidental}} -% Allowed accidentals are: sharp, flat, double-sharp, double-flat. -% -% \paragraph{\synt{note-name}} -% \DescribeMacro{\crdtranspose} -% The given note names are transposed by the number of quint steps -% given in \verb*|\crdtranspose|. You may change this value within -% your sheet. -% \begin{macrocode} -\def\crdtranspose{0} -% \end{macrocode} -% \paragraph{\synt{chord-qualifier}} -% Currently known qualifiers are: -% \begin{description} -% \item[m] minor -% \item[d] diminished -% \item[h] half-diminished -% \item[M] major -% \item[4] suspended fourth -% \item[+5] augmented fifth -% \item[-5] diminished fifth -% \item[6] 6th -% \item[7] 7th -% \item[9] 9th -% \item[-9] diminished 9th -% \item[+9] augmented 9th -% \end{description} -% Note that the syntax is independent of the visualization -% of the qualifier so different chord styles could be applied. -% -% \paragraph{\synt{begin-bass-note}} -% Use the `/' symbol to skip the \synt{note-name} and -% \synt{chord-qualifier-list} to allow the notation of -% bass-notes without chord-notes. -% -% \paragraph{\synt{chord-list}} -% With `,' separated chords are spread evenly -% within one bar. Use this notation if the horizontal positions -% of the chords do not line up with the notes. -% -% -%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%% -% \section{Implementation} -% \subsection{Input Guard} -% To prevent repeated defenition of the main macros -% we end the inclusion of this file if we already now -% about our macros. -% \begin{macrocode} -\ifx\crd@parser\undefined\else\makeatother\endinput\fi% -% \end{macrocode} -% \subsection{List Macros} -% For the parsing of the chord description some macros are needed which -% can do simple string operations. \medskip \\ -% \DescribeMacro{\crd@append} -% \syntax{"\\crd@append""\\to"}\\ -% Append \synt{tokens-a} to \synt{tokens-b}. -% \begin{macrocode} -\def\crd@append#1\to#2{% - \toks0=\expandafter{#1}\toks2=\expandafter{#2}% - \edef#2{\the\toks2 \the\toks0}} -% \end{macrocode} -% \DescribeMacro{\crd@prepend} -% \syntax{"\\crd@prepend""\\by"}\\ -% Prepend \synt{tokens-a} by \synt{tokens-b}. -% \begin{macrocode} -\def\crd@prepend#1\by#2{% - \toks0=\expandafter{#1}\toks2=\expandafter{#2}% - \edef#1{\the\toks2 \the\toks0}} -% \end{macrocode} -% \DescribeMacro{\crd@movetoken} -% \syntax{"\\crd@movetoken""\\to"}\\ -% Move the first token of \synt{tokens-a} to the front of -% \synt{tokens-b}. -% \begin{macrocode} -\def\crd@movetoken#1\to#2{% - \ifx#1\empty\else\expandafter\crd@moveoff#1\crd@moveoff#1#2\fi}% -\def\crd@moveoff#1#2\crd@moveoff#3#4{\def#3{#2}\crd@prepend#4\by#1} -% \end{macrocode} -% \begin{demo}[w]{test} -% \makeatletter -% \def\l{oo} (\l) % -% \crd@append{ns}\to\l append:(\l) % -% \crd@prepend\l\by{sp} prepend:(\l)\\% -% \def\swap#1#2{(#1,#2) % -% \ifx#1\empty\else\crd@movetoken#1\to#2\swap#1#2\fi} -% \def\r{} movetoken:\\ \swap\l\r -% \makeatother -% \end{demo} -% -% \subsection{Parsing} -% To describe the syntatic items which exists for a distinct semantic -% a \synt{syntax-table} is used. -% For each item exists a coresponding macro which will be executed -% if it name matches. The name of the item consists of the -% \synt{syntax-table} name and the \emph{reverse} syntax of this item. \par -% -% \DescribeMacro{\crd@parse} -% The \syntax{"\\crd@parse""\\for"} macro is used -% to test if the first part of \synt{tokens} has matches for the longest -% possible item described in \synt{syntax-table}. -% If an item matched its macro will be expanded and -% and the tokens of the item are cut of from the given \synt{tokens}. -% \DescribeMacro{\crd@parsematched} -% The conditional \verb|\crd@parsematched| is true if an item matched and -% false otherwise. -% -% \begin{macrocode} -\newif\ifcrd@parsematched% true if parse matched -\newcount\crd@parsedepth% internal register - -\def\crd@parse#1\for#2{% parse tokens #1 for occurence of items of table #2 - \crd@parsedepth=1 % default if not defined - \expandafter\ifx\csname#2depth\endcsname\relax\else% - \crd@parsedepth=\csname#2depth\endcsname% - \fi% - \def\stack{}%\def\crd@parseresult{} - \crd@parsematchedfalse% initialisation - \crd@parser#1\for#2% call the recursive part -} -\def\crd@parser#1\for#2{% recursive part of parser - \ifx#1\empty\else% is list filled ? - \ifnum\crd@parsedepth>0 % and do we have to read more chars into stack - \advance\crd@parsedepth by-1 % - \crd@movetoken#1\to\stack% - \crd@parser#1\for#2% recursive call - \ifcrd@parsematched\else% if still not matched - \expandafter\ifx\csname#2\stack\endcsname\relax% does item match - \crd@movetoken\stack\to#1% no match, put char back to source - \else% match - \csname#2\stack\endcsname% - \crd@parsematchedtrue% signal success - \fi% - \fi% - \fi% - \fi% -} -% \end{macrocode} -% For an example suppose that we want to express the -% semantic \synt{bool} by the following grammar: -% \begin{grammar} -% ::= `y' | `n' | `yes' | `no' -% \end{grammar} -% -% \begin{demo}[w]{bool} -% \def\bool{bool} % syntax-table with name `bool' -% \def\booldepth{3} % max length of text to looking for is 3 -% \def\booly{true} -% \def\booln{false} -% \def\boolsey{true*} % reverse syntax !!! -% \def\boolon{false*} % reverse syntax !!! -% \makeatletter -% \def\p#1{ (#1) \crd@parse#1\for\bool : (#1)\\} -% \makeatother -% \def\l{nonyyestest} \p\l\p\l\p\l\p\l\p\l -% \end{demo} -% -% -% \subsection{Chord parsing} -% \subsubsection{Vertical and Horizontal shifting} -% \begin{macrocode} -\newcount\crd@vshift% -\newcount\crd@hshift% -\def\crd@number{crd@number}% -\def\crd@numberdepth{2}% -\expandafter\def\csname\crd@number0\endcsname{\crd@numberval=0 }% -\expandafter\def\csname\crd@number1\endcsname{\crd@numberval=1 }% -\expandafter\def\csname\crd@number2\endcsname{\crd@numberval=2 }% -\expandafter\def\csname\crd@number3\endcsname{\crd@numberval=3 }% -\expandafter\def\csname\crd@number4\endcsname{\crd@numberval=4 }% -\expandafter\def\csname\crd@number5\endcsname{\crd@numberval=5 }% -\expandafter\def\csname\crd@number6\endcsname{\crd@numberval=6 }% -\expandafter\def\csname\crd@number7\endcsname{\crd@numberval=7 }% -\expandafter\def\csname\crd@number8\endcsname{\crd@numberval=8 }% -\expandafter\def\csname\crd@number9\endcsname{\crd@numberval=9 }% -\expandafter\def\csname\crd@number1-\endcsname{\crd@numberval=-1 }% -\expandafter\def\csname\crd@number2-\endcsname{\crd@numberval=-2 }% -\expandafter\def\csname\crd@number3-\endcsname{\crd@numberval=-3 }% -\expandafter\def\csname\crd@number4-\endcsname{\crd@numberval=-4 }% -\expandafter\def\csname\crd@number5-\endcsname{\crd@numberval=-5 }% -\expandafter\def\csname\crd@number6-\endcsname{\crd@numberval=-6 }% -\expandafter\def\csname\crd@number7-\endcsname{\crd@numberval=-7 }% -\expandafter\def\csname\crd@number8-\endcsname{\crd@numberval=-8 }% -\expandafter\def\csname\crd@number9-\endcsname{\crd@numberval=-9 }% - -\def\crd@bracketinit{% - \def\crd@bracketopen{}% - \def\crd@bracketclose{}% -} -\def\crd@bracket{crd@bracket}% -\def\crd@bracketdepth{1}% -\expandafter\def\csname\crd@bracket(\endcsname{% - \crd@append(\to\crd@bracketopen}% -\expandafter\def\csname\crd@bracket)\endcsname{% - \crd@append)\to\crd@bracketclose}% - -% \end{macrocode} -% \subsubsection{Notes and Accidentals} -% \paragraph{Syntax} -% In order to allow transposition of notes we use the circle of fifth -% for representing notes. -% \DescribeMacro{\crd@quintval} -% The syntax table \verb|\crd@quintval| contains the mapping from note -% names to the note position in the circle of fifth. \\ -% \DescribeMacro{\crd@quint} -% The count register \verb|\crd@quint| is used to receive the result. -% \begin{macrocode} -\newcount\crd@quint% register used to represent notes in the circle of -\def\crd@quintval{crd@quintval}% -\def\crd@quintvalA{\crd@quint=3 }% A -\def\crd@quintvalB{\crd@quint=5 }% B -\def\crd@quintvalC{\crd@quint=0 }% C -\def\crd@quintvalD{\crd@quint=2 }% D -\def\crd@quintvalE{\crd@quint=4 }% E -\def\crd@quintvalF{\crd@quint=-1 }% F -\def\crd@quintvalG{\crd@quint=1 }% G -% \end{macrocode} -% \DescribeMacro{\crd@quintmod} -% The modification of the note position in the circle of fifth -% which is caused by the accidentals is coded in the -% \verb|\crd@quintmod| syntax table. -% \begin{macrocode} -\def\crd@quintmod{crd@quintmod} -\def\crd@quintmoddepth{2} -\def\crd@quintmods{\advance\crd@quint by7 }% sharp -\def\crd@quintmodf{\advance\crd@quint by-7 }% flat -\def\crd@quintmodsd{\advance\crd@quint by14 }% double sharp -\def\crd@quintmodfd{\advance\crd@quint by-14 }% double flat -% \end{macrocode} -% \paragraph{Notenames and accidental symbols} -% After transpositon and enharmonic adaption an reverse mapping -% from the circle of fifth to notenames and accidentals is needed. -% \DescribeMacro{\crd@note} -% The mapping from circle of fifth to notenames without accidentals -% is specified in the \verb|\crd@note| table. -% \DescribeMacro{\crd@notelow}\DescribeMacro{\crd@notehigh} -% In addition we need to now where the notes without accidentals -% start and end which is defined in \verb|\crd@notelow| and -% \verb|crd@notehigh|. -% \begin{macrocode} -\def\crd@note{crd@note} -\expandafter\def\csname\crd@note3\endcsname{A} -\expandafter\def\csname\crd@note5\endcsname{B} -\expandafter\def\csname\crd@note0\endcsname{C} -\expandafter\def\csname\crd@note2\endcsname{D} -\expandafter\def\csname\crd@note4\endcsname{E} -\expandafter\def\csname\crd@note-1\endcsname{F} -\expandafter\def\csname\crd@note1\endcsname{G} -\def\crd@notelow{-1} % lowest quint without accidental -\def\crd@notehigh{5} % highest quint without accidental -% \end{macrocode} -% -% \DescribeMacro{\crd@sharp}\DescribeMacro{\crd@flat} -% \DescribeMacro{\crd@doublesharp}\DescribeMacro{\crd@doubleflat} -% The following macros define the representation of the -% (default) accidentals. -% \begin{macrocode} -\def\crd@sharp{\sharp} -\def\crd@flat{\flat} -\def\crd@doublesharp{\sharp\sharp} -\def\crd@doubleflat{\flat\flat} -% \end{macrocode} -% \paragraph{Parsing} -% \DescribeMacro{\crd@input} -% The following functions read their input from \verb|\crd@input|.\\ -% \DescribeMacro{\crd@parsenote} -% The \syntax{"\\crd@parsenote"} -% macro parses the input \verb|\crd@input| and if note and -% accidental could be detected the transposed note position -% in the circle of fifth will be calculated, transposed and -% adapted using the \verb|\crd@enharmonic| macro. -% Then the position in the circle of fifth is calculated back -% to the \synt{note} and \synt{accidental} representation which -% is stored in the arguments. -% \begin{macrocode} -\def\crd@parsenote#1#2{% parse input results: #1 - \def#1{}\def#2{}% - \crd@parse\crd@input\for\crd@quintval% - \ifcrd@parsematched% we got an valid note - \crd@parse\crd@input\for\crd@quintmod% - \advance\crd@quint by\crdtranspose \relax% transposition, space is needed! - \crd@enharmonic% - \ifnum\crd@quint>\crd@notehigh % sharps ? - \advance\crd@quint by-7 % - \ifnum\crd@quint>\crd@notehigh % double sharp ? - \advance\crd@quint by-7 % - \ifnum\crd@quint>\crd@notehigh % too much sharps ! - \relax ERROR:too much sharps% - \else\edef#2{\crd@doublesharp}\fi% - \else\edef#2{\crd@sharp}\fi% - \fi% - \ifnum\crd@quint<\crd@notelow % flats ? - \advance\crd@quint by7 % - \ifnum\crd@quint<\crd@notelow % double flat ? - \advance\crd@quint by7 % - \ifnum\crd@quint<\crd@notelow % too much flats ! - \relax ERROR:too much flats% - \else\edef#2{\crd@doubleflat}\fi% - \else\edef#2{\crd@flat}\fi% - \fi% - \expandafter\ifx\csname\crd@note\number\crd@quint\endcsname\relax% - ERROR:notename for (\number\crd@quint) is not defined. - \fi% - \edef#1{\csname\crd@note\number\crd@quint\endcsname}% set note - \fi% -} -% \end{macrocode} -% -% -% \DescribeMacro{\crd@enharmonic} -% To allow different enharmonic adaptions the \verb|\crd@enharmonic| -% macro is provided which default behaviour is to do nothing. -% \begin{macrocode} -\def\crd@enharmonic{}% -% \end{macrocode} -% -% \begin{demo}[w]{noteparsing} -% \makeatletter -% \def\parsenoter{\crd@parsenote\n\a% -% \ifx\n\empty\else{\crd@notetype\n\a}\parsenoter\fi}% -% \def\parsenotes#1{% -% \let\crd@flat=\crd@noteflat% -% \let\crd@sharp=\crd@notesharp% -% \def\crd@input{#1}\parsenoter} -% \makeatother -% -% \parsenotes{CDfDEfEFFsGAfAsB} -% \end{demo} -% -% -% \subsubsection{Chord Qualifiers} -% To cover a broad range of different styles for setting chord qualifiers -% the design is open for extensions. For the sake of demonstration and -% simple usability an default implementation is provided and discussed -% furtherwards. \\ -% Suppose we want to distinguish 3 different kinds of qualifiers, -% some go down, some go up and alterations are put in brackets. -% \DescribeMacro{\crd@qualinit} -% We choose to use 3 lists (macros) to hold the parsing results. -% For initialisation of these lists the \verb|\crd@qualinit| macro -% has to be implemented. -% \begin{macrocode} -\def\crd@qualinit{% - \def\crd@lo{}% lower extensions - \def\crd@up{}% upper extensioins - \def\crd@alt{}% alterations -} -% \end{macrocode} -% \DescribeMacro{\crd@qual} -% Now the syntax table \verb|\crd@qual| has to be defined which fills -% the lists appropriatly. -% \begin{macrocode} -\def\crd@qual{crd@qual}% -\def\crd@qualdepth{2} -\def\crd@qualm{\crd@append{\crd@smalltype m}\to\crd@lo}% minor -\def\crd@qualM{\crd@append{\crd@capitaltype M}\to\crd@up}% major7 -\expandafter\def\csname\crd@qual4\endcsname% 4 -{\crd@append{\crd@numbertype4}\to\crd@lo} -\expandafter\def\csname\crd@qual5+\endcsname% aug. 5 -{\crd@append{\crd@numbertype\crd@numbersharp5}\to\crd@alt} -\expandafter\def\csname\crd@qual5-\endcsname% dim. 5 -{\crd@append{\crd@numbertype\crd@numberflat5}\to\crd@alt} -\expandafter\def\csname\crd@qual6\endcsname% 6 -{\crd@append{\crd@numbertype6}\to\crd@up} -\expandafter\def\csname\crd@qual7\endcsname% dominant 7 -{\crd@append{\crd@numbertype7}\to\crd@up} -\def\crd@quald{\crd@append{\crd@dim}\to\crd@up}% diminished -\def\crd@qualh{\crd@append{\crd@hdim}\to\crd@up}% half diminished -\expandafter\def\csname\crd@qual9-\endcsname% -9 -{\crd@append{\crd@numbertype\crd@numberflat9}\to\crd@alt} -\expandafter\def\csname\crd@qual9+\endcsname% +9 -{\crd@append{\crd@numbertype\crd@numbersharp9}\to\crd@alt} -% \end{macrocode} -% -% \begin{demo}[w]{qualparsing} -% \makeatletter -% \def\parsequal#1{\def\crd@input{#1}% -% \crd@qualinit% -% \loop\crd@parse\crd@input\for\crd@qual% -% \ifcrd@parsematched\repeat% -% (\crd@lo,\crd@up,\crd@alt)% -% }% -% \makeatother -% -% \parsequal{mMdh4+5-567-9+9} -% \end{demo} -% -% \subsubsection{Parsing the whole chord} -% We are now ready to parse the whole chord, consisting -% of chordnote, qualifiers and bassnote. However -% if one likes to set only a bassnote one needs to tell -% that there is no chord note to set. For this purpose -% the \DescribeMacro{\crd@skipcrdnote} \verb|\crd@skipcrdnote| -% syntax table defines the `/' item which does this skip. -% \begin{macrocode} -\def\crd@skipcrdnote{crd@skipcrdnote} -\expandafter\def\csname\crd@skipcrdnote/\endcsname{} -% \end{macrocode} -% \DescribeMacro{\crd@parsecrd} -% -% \begin{macrocode} -\def\crd@parsecrd{% - \crd@vshift=0 % - \let\crd@numberval=\crd@vshift% - \crd@parse\crd@input\for\crd@number% - \crd@hshift=0 % - \let\crd@numberval=\crd@hshift% - \crd@parse\crd@input\for\crd@number% - \crd@bracketinit% - \crd@parse\crd@input\for\crd@bracket% - \def\crd@crdnote{}% chord note - \def\crd@crdacc{}% chord note accidental - \def\crd@bassnote{}% bass note - \def\crd@bassacc{}% bass note accidental - \crd@qualinit% initialize qualifiers - \let\crd@flat=\crd@noteflat% - \let\crd@doubleflat=\crd@notedoubleflat% - \let\crd@sharp=\crd@notesharp% - \let\crd@doublesharp=\crd@notedoublesharp% - \crd@parsenote\crd@crdnote\crd@crdacc% read chord note - \loop\crd@parse\crd@input\for\crd@qual% read qualifiers - \ifcrd@parsematched\repeat% - \crd@parse\crd@input\for\crd@skipcrdnote% skip eventually - \let\crd@flat=\crd@bassflat% - \let\crd@doubleflat=\crd@bassdoubleflat% - \let\crd@sharp=\crd@basssharp% - \let\crd@doublesharp=\crd@bassdoublesharp% - \crd@parsenote\crd@bassnote\crd@bassacc% read bass note - \crd@parse\crd@input\for\crd@bracket% - \crd@formatcrd\hfil% call rendering -} -% \end{macrocode} -% \subsubsection{ Multiple chords} -% \DescribeMacro{\crd@parsecrds} -% The \verb|\crd@parsecrds| macro is used to read more then one -% chord. This can be usefull if no corresponding note over which -% one can put the note exist. -% \DescribeMacro{\crd@crddelim} -% The syntax table \verb|\crd@crddelim| is used. -% \begin{macrocode} -\def\crd@crddelim{crd@crddelim}% -\expandafter\def\csname\crd@crddelim,\endcsname{}% -\def\crd@parsecrds{% - \crd@parsecrd% - \crd@parse\crd@input\for\crd@crddelim% - \ifcrd@parsematched\crd@parsecrds\fi% -} -% \end{macrocode} -% \begin{demo}[w]{multiple chords} -% \c (Cm),2CM,Cm7 -% \end{demo} -% \DescribeMacro{\c} -% The main entry point for the user is the -% \verb*|\c |\synt{chord-list}\verb*| | macro which calls the -% \verb|\crd@output| routine with the formatted chords. -% \begin{macrocode} -\def\crd#1 {\def\crd@input{#1}\crd@output\crd@parsecrds} -\let\cedilla=\c -\let\c=\crd -% \end{macrocode} -% -% \subsection{Formatting} -% To allow the use of different fonts the -% notion of fontstyles is introduced. -% The initialisation of fontstyles is done in different macros. -% \DescribeMacro{\crd@fontstylea} -% \begin{macrocode} -\def\crd@fontstylea{% - \font\crd@eightrm=cmr8 - \font\crd@eightit=cmmi8 - \font\crd@seventeenrm=cmr17 - \font\crd@fourteenrm=cmr14 - \font\crd@twelverm=cmr12 - \font\crd@ninerm=cmr9 - \font\crd@smallninerm=cmr9 scaled 900 - \font\crd@bigninerm=cmr9 scaled 1100 - \let\crd@notetype=\crd@seventeenrm - \def\crd@noteflat{\raise0.6ex\hbox{\kern-0.085em\musictwenty2}} - \def\crd@notedoubleflat{\raise0.6ex\hbox{\kern-0.085em\musictwenty3}} - \def\crd@notesharp{\raise0.8ex\hbox{\musictwenty4}} - \def\crd@notedoublesharp{\raise0.8ex\hbox{\musictwenty5}} - \let\crd@basstype=\crd@fourteenrm - \def\crd@bassflat{\raise.5ex\hbox{\musicsixteen2}} - \def\crd@bassdoubleflat{\raise0.6ex\hbox{\kern-0.085em\musicsixteen3}} - \def\crd@basssharp{\raise1ex\hbox{\musicsixteen4}} - \def\crd@bassdoublesharp{\raise0.8ex\hbox{\musicsixteen5}} - \let\crd@numbertype=\crd@ninerm - \def\crd@numberflat{\raise.5ex\hbox{\musiceleven2}} - \def\crd@numbersharp{\raise1ex\hbox{\musiceleven4}} - \def\crd@numberminus{\crd@ninerm-} - \def\crd@numberplus{\crd@ninerm+} - \let\crd@capitaltype=\crd@smallninerm % capitals - \let\crd@smalltype=\crd@bigninerm % small - \def\crd@hdim{\crd@eightit$\circ$\kern-4.4pt\raise.9pt\hbox{\crd@eightrm/}} - \def\crd@dim{\crd@eightit$\circ$} -} -% \end{macrocode} -% The formating of the chords is done in the -% \DescribeMacro{\crd@formatcrd} -% \verb|\crd@formatcrd| macro. The parse results are -% stored in the following macros: -% \verb|\crd@crdnote| -- chord note, -% \verb|\crd@crdacc| -- chord note accidental, -% \verb|\crd@bassnote| -- bass note and -% \verb|\crd@bassacc| -- bass note accidental. -% -% -%\iffalse % dont include this, just experimental code -%<*gobble> -\def\mymatrix#1{\null\,\vcenter{\normalbaselines\m@th - \ialign{\hfil$##$\hfil&&\quad\hfil$##$\hfil\crcr - \mathstrut\crcr\noalign{\kern-\baselineskip} - #1\crcr\mathstrut\crcr\noalign{\kern-\baselineskip}}}\,} -\def\crd@formatcrdb{% - ${\rm \crd@crdnote}\crd@crdacc% - ^{\crd@up}_{\raise0pt\hbox{{\rm \crd@lo}}} - \ifx\crd@alt\empty\else\left(\mymatrix\crd@alt\right)\fi% - \ifx\crd@bassnote\empty\else% do we have an bass note set ? - /{\rm \crd@bassnote}\crd@bassacc% - \fi$% -} -% -%\fi -% \begin{macrocode} -\def\crd@formatcrda{% - \hbox{\kern\crd@hshift\elemskip\raise\crd@vshift\internote\hbox{% - {\crd@notetype\crd@bracketopen}% - {\crd@notetype\crd@crdnote\crd@crdacc}% - \vbox{% - \hbox{% - \crd@up% - \ifx\crd@alt\empty\else\crd@numbertype(\crd@alt\crd@numbertype)\fi% - }% - \nointerlineskip\vskip1pt% - \hbox{\vphantom{\crd@capitaltype M}\crd@lo}}% - \ifx\crd@bassnote\empty\else% - {\crd@basstype/% - \lower0.5ex\hbox{\kern-0.17em \crd@bassnote\crd@bassacc}}% - \fi%\ - {\crd@notetype\crd@bracketclose}% - }} -} -% \end{macrocode} -% \begin{macrocode} -\let\crd@formatcrd=\crd@formatcrda -\crd@fontstylea -% \end{macrocode} -% -% \begin{demo}[w]{formatting} -% \generalsignature{0}\generalmeter{\meterfrac44} -% \nobarnumbers -% \startextract -% \NOtes\c Cm,CM,Dm7 \hu f\en\bar -% \endextract -% \end{demo} -% -% -% \DescribeMacro{\crd@output} -% The output function puts the formatted chords on their place. -% -% \begin{macrocode} -\def\crd@musixOutput#1{\hbox{\zchar{\crddefaultheight}{\hbox to\elemskip{#1\hss}}}} -\let\crd@output=\crd@musixOutput -% \end{macrocode} -% -% -\makeatother -% -% \section{Customization} -% If the default implementation does not suite the needs -% some tips of how to change the default behaviour will be -% given. -% \subsection{Changing the extensions} -% \begin{description} -% \item[Q:] How do I get the symbol $Dm^{M7}$ ? -% \item[A:] The M has to be put to the upper extensions list, so we -% have to change the definition in the \verb|\crd@qual| table: -% \def\crddefaultheight{0} -% \begin{demo}[w]{$Dm^{M7}$} -% \makeatletter% -% \def\crd@qualM{\crd@append{\crd@capitaltype M}\to\crd@up}% major7 -% \makeatother% -% \c DmM7 % -% \end{demo} -% \item[Q:] How do I get the symbol $Dm^{7-5}$ ? -% \item[A:] -% \begin{itemize} -% \renewcommand{\labelitemi}{-} -% \item -% The predefined symbol can be found by using `h' -- for -% half dimineshed. -% \begin{demo}[w]{h} -% \c Dh % -% \end{demo} -% \item -% to ge the diminished fifth explicit to the upper extensions one could -% either change the definition of the `h' to: -% \begin{demo}[w]{Dmh : $Dm^{7-5}$} -% \makeatletter% -% \def\crd@qualh% -% {\crd@append{\crd@numbertype 7-5}\to\crd@up}% half diminished -% \makeatother% -% \c Dmh % -% \end{demo} -% \item -% or may introduce an mapping for the -5 and has to write: D7-5 -% \begin{demo}[w]{Dm7-5 : $Dm^{7-5}$} -% \makeatletter% -% \expandafter\def\csname\crd@qual5-\endcsname% dimin. 5 -% {\crd@append{\crd@numberminus\crd@numbertype5}\to\crd@up}% -% \makeatother% -% \c Dm7-5 % -% \end{demo} -% \end{itemize} -% \end{description} -% -% \subsection{change fonts} -% \begin{description} -% \item[Q:] How do I change the font? -% \item[A:] One has to create his own fontstyle definition -% with a suitable formatting like for example: -% \begin{demo}[w]{change fonts} -% \makeatletter% -% \def\crd@fontstyleb{% -% \font\crd@newfont=cmssbx10% -% \let\crd@notetype=\crd@newfont% -% \def\crd@noteflat{\raise2pt\hbox{\musixchar90}}% -% \def\crd@notedoubleflat{\crd@noteflat\crd@noteflat}% -% \def\crd@notesharp{\raise3.5pt\hbox{\musixchar92}}% -% \def\crd@notedoublesharp{\crd@notesharp\crd@notesharp}% -% \let\crd@basstype=\crd@newfont% -% \def\crd@bassflat{\crd@noteflat}% -% \def\crd@bassdoubleflat{\crd@notedoubleflat}% -% \def\crd@basssharp{\crd@notesharp}% -% \def\crd@bassdoublesharp{\crd@notedoublesharp}% -% \let\crd@numbertype=\crd@newfont% -% \def\crd@numberflat{\crd@noteflat}% -% \def\crd@numbersharp{\crd@notesharp}% -% \def\crd@numberminus{\crd@newfont-}% -% \def\crd@numberplus{\crd@newfont+}% -% \let\crd@capitaltype=\crd@newfont % capitals in extension -% \let\crd@smalltype=\crd@newfont % small letters in extension -% \def\crd@hdim% -% {\crd@newfont$\circ$\kern-4.4pt\raise.9pt\hbox{\crd@newfont/}}% -% \def\crd@dim{\crd@newfont$\circ$}% -% }% -% \def\crd@formatcrdb{% -% \hbox{\kern\crd@hshift\elemskip\raise\crd@vshift\internote\hbox{% -% {\crd@notetype\crd@crdnote\crd@crdacc}% -% \crd@lo% -% \raise4pt% -% \hbox{% -% \crd@up% -% \ifx\crd@alt\empty\else\crd@numbertype(\crd@alt\crd@numbertype)\fi% -% }% -% \ifx\crd@bassnote\empty\else% -% {\crd@basstype/\crd@bassnote\crd@bassacc}% -% \fi%\ -% }} -% } -% \crd@fontstyleb% -% \let\crd@formatcrd=\crd@formatcrdb -% \makeatother% -% \nobarnumbers% -% \startextract\NOtes\c D7,AfM7 \hu f\en\bar\endextract% -% \end{demo} -% \end{description} -% Contributions for improving either the current fontstyle -% or the definition of new ones are welcome. -% -% \section{Todo} -% -% The actual implementation is not really open for changing -% the input format and the way the chords are displayed. -% One should implement an middle layer which is fixed and -% offer various implementations either for the input format -% and the output format which are written using this layer. -% -% \section{Change Log} -% -% \begin{description} -% \item[Version 1.0] (2.11.2004) \par Initial version. -% \item[Version 1.1] (1.7.2005) \par -% Added input guard and resetting of parameters -% if file is included more than once. -% \end{description} -% -% \Finale \PrintIndex -% -%\iffalse -%<*gobble> -%%% Local Variables: -%%% mode: plain-tex -%%% TeX-master: t -%%% End: -% -%\fi \ No newline at end of file diff --git a/musixtex/source/readme b/musixtex/source/readme deleted file mode 100644 index d1baf7e..0000000 --- a/musixtex/source/readme +++ /dev/null @@ -1,54 +0,0 @@ -#%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%% -#%% musixcrd - typsetting chord symbols with %% -#%% musixtex %% -#%% readme %% -#%% $Id$ %% -#%% copyright 2004 , Robert Hennig %% -#%% this code is licensed in terms of the %% -#%% GNU Public License %% -#%% %% -#%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%% - -Chord setting for musixtex or pmx. - -There exist two distributions, the sources and the compiled on. -The sources are only necessary for development. Normal usage -requires only the compiled version. - - -compiled distribution ---------------------- - The archive musixcrd.tgz contains the following files: - - o readme this file - o musixcrd.tex tex macros - o doc.pdf documentation - - Put the musixcrd.tex file or an link to it into your - musixtex/pmx working directory. For pmx use the lines - - --- - \input musixtex % These commands are necessary - \input pmx % because pmx.tex MUST be \input - \input musixcrd - --- - - as preamble in your pmx source file to include musixcrd.tex. - Look at doc.ps for further instructions of how to use musixcrd. - - -source distribution -------------------- - The archive musixcrdsrc.tgz contains the following files: - - o readme this file - o musixcrd.dtx tex macros and documentation - o makefile makefile - o musixcrd.sty latex stylefile is a link to musixcrd.dtx - o doc.tex latex macros for documentation generation - using musixcrd.dtx - o strip.tex tex file for strip documentation from musixcrd.dtx - - Extract the file into an directory. Use make with the arguments - doc, strip, srcdist and dist to generate the targets. - diff --git a/musixtex/source/strip.tex b/musixtex/source/strip.tex deleted file mode 100644 index 21ff28f..0000000 --- a/musixtex/source/strip.tex +++ /dev/null @@ -1,20 +0,0 @@ -%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%% -%% musixcrd - typsetting chord symbols with %% -%% musixtex %% -%% docstrip batchfile %% -%% $Id$ %% -%% copyright 2004 , Robert Hennig %% -%% this code is licensed in terms of the %% -%% GNU Public License %% -%% %% -%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%% -\def\batchfile{strip.tex} -\input docstrip -\askforoverwritefalse -\generate{\file{musixcrd.tex}{\from{musixcrd.dtx}{}}} -\endbatchfile - -%%% Local Variables: -%%% mode: plain-tex -%%% TeX-master: t -%%% End: diff --git a/musixtex/tex/musixadd.tex b/musixtex/tex/musixadd.tex deleted file mode 100644 index 9e3b716..0000000 --- a/musixtex/tex/musixadd.tex +++ /dev/null @@ -1,30 +0,0 @@ -% -% This file is part of MusiXTeX -% -% MusiXTeX is free software; you can redistribute it and/or modify -% it under the terms of the GNU General Public License as published by -% the Free Software Foundation; either version 2, or (at your option) -% any later version. -% -% MusiXTeX is distributed in the hope that it will be useful, -% but WITHOUT ANY WARRANTY; without even the implied warranty of -% MERCHANTABILITY or FITNESS FOR A PARTICULAR PURPOSE. See the -% GNU General Public License for more details. -% -% You should have received a copy of the GNU General Public License -% along with MusiXTeX; see the file COPYING. If not, write to -% the Free Software Foundation, Inc., 59 Temple Place - Suite 330, -% Boston, MA 02111-1307, USA. -% -% -% musixadd.tex : allocate registers for additional instruments -% -\immediate\write16{MusiXADDitional instruments T.115 <19 Nov 2010>}% -% -% -% setup the maximum element numbers -\setmaxinstruments{9}% -\setmaxgroups{4}% -\setmaxslurs\maxinstruments -% -\endinput diff --git a/musixtex/tex/musixadf.tex b/musixtex/tex/musixadf.tex deleted file mode 100644 index 33c93dd..0000000 --- a/musixtex/tex/musixadf.tex +++ /dev/null @@ -1,138 +0,0 @@ -% -% musixadf.tex - some additional accents for MusiXTeX -% -%% Author: -%% Hiroaki MORIMOTO -%% Tokyo, Japan -%% URL: http://homepage1.nifty.com/kuuku/pub/musixtex/index-e.html -% -\immediate\write16{MusiXTeX Additional Accents <2015-02-15> )}% -% -\edef\catcodeat{\the\catcode`\@}\catcode`\@=11 -% -\font\musixadfeleven=xadf11 -\font\musixadfthirteen=xadf13 -\font\musixadfsixteen=xadf16 -\font\musixadftwenty=xadf20 -\font\musixadftwentyfour=xadf24 -\font\musixadftwentynine=xadf29 -% -\let\comput@fonts@org=\comput@fonts\relax -\def\comput@fonts{% - \comput@fonts@org - \ifnum\musicsize=\sixt@@n - \let\musixadfLargefont\musixadftwentyfour - \let\musixadflargefont\musixadftwenty - \let\musixadfnorfont\musixadfsixteen - \let\musixadfsmallfont\musixadfthirteen - \let\musixadftinyfont\musixadfeleven - \else\ifnum\musicsize=\@xxiv - \let\musixadfLargefont\musixadftwentynine - \let\musixadflargefont\musixadftwentynine - \let\musixadfnorfont\musixadftwentyfour - \let\musixadfsmallfont\musixadftwenty - \let\musixadftinyfont\musixadfsixteen - \else\ifnum\musicsize=\@xxix - \let\musixadfLargefont\musixadftwentynine - \let\musixadflargefont\musixadftwentynine - \let\musixadfnorfont\musixadftwentynine - \let\musixadfsmallfont\musixadftwentyfour - \let\musixadftinyfont\musixadftwenty - \else - \musicsize\tw@nty - \let\musixadfLargefont\musixadftwentynine - \let\musixadflargefont\musixadftwentyfour - \let\musixadfnorfont\musixadftwenty - \let\musixadfsmallfont\musixadfsixteen - \let\musixadftinyfont\musixadfthirteen - \fi\fi\fi -}% -% -\let\set@Largenotesize@org=\set@Largenotesize\relax -\let\set@largenotesize@org=\set@largenotesize\relax -\let\set@normalnotesize@org=\set@normalnotesize\relax -\let\set@smallnotesize@org=\set@smallnotesize\relax -\let\set@tinynotesize@org=\set@tinynotesize\relax -% -\def\set@Largenotesize{% - \set@Largenotesize@org\let\musixadfont\musixadfLargefont}% -\def\set@largenotesize{% - \set@largenotesize@org\let\musixadfont\musixadflargefont}% -\def\set@normalnotesize{% - \set@normalnotesize@org\let\musixadfont\musixadfnorfont}% -\def\set@smallnotesize{% - \set@smallnotesize@org\let\musixadfont\musixadfsmallfont}% -\def\set@tinynotesize{% - \set@tinynotesize@org\let\musixadfont\musixadftinyfont}% -% -\def\musixadfchar{\musixadfont\char}% -% -\def\uacc@Char@adf#1{\check@staff - \inhgetn@i#1\relax \relax - \ifnum\n@i<\@ight \ifodd\n@i \else\advance\n@i\@ne \fi \fi - \zchar\n@i\C@ChaR@adf - \fi}% -% -\def\lacc@Char@adf#1{\check@staff - \inhgetn@i#1\relax \relax - \ifnum\n@i>\@ne \ifodd\n@i \else\advance\n@i\m@ne \fi \fi - \zchar\n@i\C@ChaR@adf - \fi}% -\def\C@ChaR@adf{\musixadfont\char\n@iv}% -% -\def\@Char@adf#1{\zcharnote{#1}\C@ChaR@adf}% -% -% coda sign with serif -% -% ___ -% | -% /~|~\ -% |-+--+--+-| -% \_|_/ -% | -% ~~~ -% -%\def\scoda{\musixadfchar85\relax}% -\def\adfC@coda#1{\llap{\@Char@adf{#1}\kern\afterruleskip}}% -\def\scoda{\n@iv85\adfC@coda}% -\def\replacecoda{\let\coda=\scoda}% -% -% -% -% upright segno -% -%\def\upsegno{\musixadfchar86\relax}% -\def\upsegno{\n@iv86\@Char@adf}% -\def\replacesegno{\let\segno=\upsegno}% -% -% -% little swell ...something like <> -% -% lower -\def\llsw{\n@iv31\lacc@Char@adf} -% upper -\def\ulsw{\n@iv30\uacc@Char@adf}% -% -% -% a little larger sforzato -% -\def\uSfz{\n@iv\tw@nty \uacc@Char@adf} -\def\lSfz{\n@iv21\lacc@Char@adf} -\def\dSfz{\lSfz} -\def\replacesforzato{% - \let\usfz=\uSfz\relax - \let\lsfz=\lSfz\relax -}% -% -% -% v-breath -% -\def\zuBreath{\check@staff\raise\@ight\internote\rlap{\n@iv33\C@ChaR@adf}\fi}% -\def\cuBreath{\check@staff\adv@box{\raise\@ight\internote - \hbox\@to\noteskip{\hss\n@iv33\C@ChaR@adf\hss}}\fi}% -\def\zlBreath{\check@staff\raise0\internote\rlap{\n@iv34\C@ChaR@adf}\fi}% -\def\clBreath{\check@staff\adv@box{\raise0\internote - \hbox\@to\noteskip{\hss\n@iv34\C@ChaR@adf\hss}}\fi}% -% -\catcode`\@=\catcodeat -\endinput diff --git a/musixtex/tex/musixbar.tex b/musixtex/tex/musixbar.tex deleted file mode 100644 index 5e748aa..0000000 --- a/musixtex/tex/musixbar.tex +++ /dev/null @@ -1,148 +0,0 @@ -%%%%%%%%%% Hiding/printing bar lines individually %%%%%%%%%%%%%%%%%%%%%%%%%%% -% -% Here comes a bunch of rather general macros which enable printing or -% hiding barlines for each staff and inter-staff space individually: -% -% Mthimkhulu Molekwa - -\ifx\indivbarrules\undefined\else\endinput\fi - -\immediate\write16{MusiXBAR printing or hiding seperate bar lines 1.01\space<23 Februar 2000>}% - -\edef\catcodeat{\the\catcode`\@}\catcode`\@=11 - -%\makeatletter - -\newdimen\barline@depth - -\def\rul@indiv#1{% - \n@loop - \Comp@High - \expandafter\ifx\csname s@b\romannumeral\noinstrum@nt\endcsname\relax - \multiply\barline@depth -1\relax - \advance\barline@depth\altitude - \else - \barline@depth=0pt\relax - \fi - {\expandafter\ifx\csname h@bl\romannumeral\noinstrum@nt\endcsname 1% - \y@v=0pt\relax - \fi - \raise\altitude\rlap{\vrule\@depth\barline@depth\@width#1\@height\y@v}}% - \barline@depth\altitude - \advance\barline@depth\y@v - \repeat - \addspace#1} - -\def\rul@indiv@#1{\n@loop{\prul@indiv@#1}\repeat\addspace#1} - -\def\prul@indiv@#1{% - \y@v\interportee \C@Inter\advance\y@v-\stem@skip - \expandafter\ifx\csname s@b\romannumeral\noinstrum@nt\endcsname\relax - \multiply\barline@depth -1\relax - \advance\barline@depth\altitude - \else - \barline@depth=0pt\relax - \fi - {\expandafter\ifx\csname h@bl\romannumeral\noinstrum@nt\endcsname 1% - \y@v=0pt\relax - \fi - \p@loop - \raise\altportee\rlap{% - \vrule\@depth\barline@depth\@width#1\@height\y@v}% - \count@portee - \repeat}% - \barline@depth\altitude - \advance\barline@depth\y@v} - -%== Required to use the following macros -\def\indivbarrules{% - \let\writ@rule\rul@indiv - \sepbarrule 1} - -\def\Indivbarrules{% - \let\writ@rule\rul@indiv@ - \sepbarrule 1} - -%== separates bar line of specified instrument from one of previous instrument -\def\sepbarrule#1{\expandafter\let\csname s@b\romannumeral#1\endcsname 1} - -%== connects bar line of specified instrument to one of previous instrument -\def\conbarrule#1{% - \if 1#1\else\expandafter\let\csname s@b\romannumeral#1\endcsname\relax\fi} - -%== hides bar line for specified instrument -\def\hidebarrule#1{\expandafter\let\csname h@bl\romannumeral#1\endcsname 1} - -%== shows bar line for specified instrument -\def\showbarrule#1{\expandafter\let\csname h@bl\romannumeral#1\endcsname\relax} - -%== separates barlines in multistaff instruments -\def\rul@sep@#1{\n@loop{\prul@sep#1}\repeat\addspace#1} - -\def\prul@sep#1{% - \y@v\interportee \C@Inter\advance\y@v-\stem@skip - \p@loop - \hbox{\raise\altportee\rlap{% - \vrule\@depth\hlthick\@width#1\@height\y@v}}% - \count@portee\repeat} - -\def\Sepbarrules{\let\writ@rule\rul@sep@ } - -%-\makeatother - -\catcode`\@=\catcodeat -\endinput - -%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%% - -% Here comes an example of how to use these macros - -%%%%% Pre-amble -\input musixtex -\input musixbar - -\instrumentnumber3 -\setmeter3{{\meterfrac{3}{4}}} -\setmeter2{{\meterfrac{2}{4}}} -\setmeter1{{\meterfrac{3}{8}}} -\nobarnumbers -\indivbarrules -\sepbarrule2 -\sepbarrule3 - -%%%%% Spacing -\beforeruleskip=0.5\afterruleskip -\interinstrument=4\Interligne - -%%%%% Macros -\let\ni\nextinstrument - -%%%%% Music -\linegoal2 -\startpiece\addspace\afterruleskip -\NOtes\pt f\qa f\ni\qa f\ni\qa f\en -\hidebarrule2\hidebarrule3\bar -\NOtes\multnoteskip{.333}\Tqbu fff\ni\qa f\ni\qa f\en -\showbarrule2\bar -\NOtes\pt f\qa f\ni\qa f\ni\qa f\en -\hidebarrule2\showbarrule3\bar -\NOtes\multnoteskip{.333}\Tqbu fff\ni\qa f\ni\qa f\en -\showbarrule2\hidebarrule3\bar -\NOtes\pt f\qa f\ni\qa f\ni\qa f\en -\hidebarrule2\bar -\NOtes\multnoteskip{.333}\Tqbu fff\ni\qa f\ni\qa f\en -\showbarrule2\showbarrule3\bar -\NOtes\pt f\qa f\ni\qa f\ni\qa f\en -\hidebarrule2\hidebarrule3\bar -\NOtes\multnoteskip{.333}\Tqbu fff\ni\qa f\ni\qa f\en -\showbarrule2\bar -\NOtes\pt f\qa f\ni\qa f\ni\qa f\en -\hidebarrule2\showbarrule3\bar -\NOtes\multnoteskip{.333}\Tqbu fff\ni\qa f\ni\qa f\en -\showbarrule2\hidebarrule3\bar -\NOtes\pt f\qa f\ni\qa f\ni\qa f\en -\hidebarrule2\bar -\NOtes\multnoteskip{.333}\Tqbu fff\ni\qa f\ni\qa f\en -\showbarrule2\showbarrule3\stoppiece -\bye - diff --git a/musixtex/tex/musixbbm.tex b/musixtex/tex/musixbbm.tex deleted file mode 100644 index c3c2333..0000000 --- a/musixtex/tex/musixbbm.tex +++ /dev/null @@ -1,69 +0,0 @@ -% -% This file is part of MusiXTeX -% -% MusiXTeX is free software; you can redistribute it and/or modify -% it under the terms of the GNU General Public License as published by -% the Free Software Foundation; either version 2, or (at your option) -% any later version. -% -% MusiXTeX is distributed in the hope that it will be useful, -% but WITHOUT ANY WARRANTY; without even the implied warranty of -% MERCHANTABILITY or FITNESS FOR A PARTICULAR PURPOSE. See the -% GNU General Public License for more details. -% -% You should have received a copy of the GNU General Public License -% along with MusiXTeX; see the file COPYING. If not, write to -% the Free Software Foundation, Inc., 59 Temple Place - Suite 330, -% Boston, MA 02111-1307, USA. -% -% -% musixbbm.tex : allocate registers and define macros for 256th beam -% -\immediate\write16{MusiXBBeaM T.115 <19 Nov 2010>}% -% -\ifx\undefined\ibbbbbbu \else \endinput \fi -% -% setup the maximum element numbers -\setmaxcclvibeams{6}% -% -% -% definitions for 256th beams -\edef\catcodeat{\the\catcode`\@}\catcode`\@=11 -% -\def\s@l@ctg{\edef\g@x{\csname g@x\romannumeral\n@i\endcsname}% - \edef\g@z{\csname g@z\romannumeral\n@i\endcsname}\s@l@ctf} - -\def\ibbbbbbu#1{\s@l@ctbeam#1\relax \s@l@ctg \i@bbbbbbu} -\def\ibbbbbbl#1{\s@l@ctbeam#1\relax \s@l@ctg \i@bbbbbbl} - -\def\i@bbbbbbu#1#2{% - \ifnum\b@n=\z@ \i@bbbbbu{#1}{#2}\C@ba\b@z\@ne \C@ba\c@z\@ne - \C@ba\d@z\@ne \C@ba\e@z\@ne \C@ba\f@z\@ne \fi \n@bbbbbbu} -\def\i@bbbbbbl#1#2{% - \ifnum\b@n=\z@ \i@bbbbbl{#1}{#2}\C@ba\b@z\m@ne \C@ba\c@z\m@ne - \C@ba\d@z\m@ne \C@ba\e@z\m@ne \C@ba\f@z\m@ne \fi \n@bbbbbbl} - -\def\nbbbbbbu#1{\s@l@ctbeam#1\relax \s@l@ctg \Dec@b\@ne\n@bbu - \Dec@b\tw@\n@bbbu \Dec@b\thr@@\n@bbbbu \Dec@b\f@ur\n@bbbbbu - \Dec@b\fiv@\n@bbbbbbu} -\def\nbbbbbbl#1{\s@l@ctbeam#1\relax \s@l@ctg \Dec@b\@ne\n@bbl - \Dec@b\tw@\n@bbbl \Dec@b\thr@@\n@bbbbl \Dec@b\f@ur\n@bbbbbl - \Dec@b\fiv@\n@bbbbbbl} - -\def\n@bbbbbbu{\C@nb\g@z\g@x\fiv@\qd@skip} -\def\n@bbbbbbl{\C@nb\g@z\g@x\fiv@\z@} - -\def\tbbbbbbu#1{\s@l@ctbeam#1\relax \s@l@ctg \t@bbbbbbu} -\def\tbbbbbbl#1{\s@l@ctbeam#1\relax \s@l@ctg \t@bbbbbbl} - -\def\t@bbbbbu{\n@v\fiv@ \C@b\t@bbbbbbu\n@bbbbbu\y@i\f@z \beam@pos\f@x \t@xbu} -\def\t@bbbbbl{\n@v\fiv@ \C@b\t@bbbbbbl\n@bbbbbl\y@i\f@z \beam@pos\f@x \t@xbl} - -\def\t@bbbbbbu{\n@v\si@ \C@b\empty\n@bbbbbu\y@i\g@z \beam@pos\g@x \t@xbu} -\def\t@bbbbbbl{\n@v\si@ \C@b\empty\n@bbbbbl\y@i\g@z \beam@pos\g@x \t@xbl} - -\def\Ibbbbbbu#1{\s@l@ctbeam#1\relax \s@l@ctg \I@bu\i@bbbbbbu} -\def\Ibbbbbbl#1{\s@l@ctbeam#1\relax \s@l@ctg \I@bl\i@bbbbbbl} - -\catcode`\@=\catcodeat -\endinput diff --git a/musixtex/tex/musixblx.tex b/musixtex/tex/musixblx.tex deleted file mode 100644 index d40de4c..0000000 --- a/musixtex/tex/musixblx.tex +++ /dev/null @@ -1,44 +0,0 @@ -% -% This file is part of MusiXTeX -% -% MusiXTeX is free software; you can redistribute it and/or modify -% it under the terms of the GNU General Public License as published by -% the Free Software Foundation; either version 2, or (at your option) -% any later version. -% -% MusiXTeX is distributed in the hope that it will be useful, -% but WITHOUT ANY WARRANTY; without even the implied warranty of -% MERCHANTABILITY or FITNESS FOR A PARTICULAR PURPOSE. See the -% GNU General Public License for more details. -% -% You should have received a copy of the GNU General Public License -% along with MusiXTeX; see the file COPYING. If not, write to -% the Free Software Foundation, Inc., 59 Temple Place - Suite 330, -% Boston, MA 02111-1307, USA. -% -% (Nicolas Brouard) - -\immediate\write16{MusiXBigLateX 0.36\space<1 March 1995>}% - -\ifx\undefined\largevaugment \else \endinput \fi - -\newenvironment{music}{\catcodesmusic\parskip0pt\resetlayout}{}% - -\newdimen\largevaugment \newdimen\largehaugment - -\newenvironment{largemusic}{\vfill\eject\catcodesmusic\parskip0pt - \resetlayout - \edef\theoldtextwidth{\the\textwidth}% - \edef\theoldtextheight{\the\textheight}% - \def\Fullwidth{185mm}\def\Fullheight{260mm}% - \largevaugment\Fullheight \advance\largevaugment-\theoldtextheight - \largehaugment\Fullwidth \advance\largehaugment-\theoldtextwidth - \divide\largevaugment2 \divide\largehaugment2 - \advance\voffset\largevaugment \advance\hoffset-\largehaugment - \xdef\thelargehoffset{\the\hoffset}% - \hsize\Fullwidth \textwidth\Fullwidth - - \bgroup\textwidth\Fullwidth\hsize\Fullwidth\vsize\Fullheight}% - {\egroup\advance\voffset.5\largevaugment - \clearpage\advance\voffset-.5\largevaugment} -\endinput diff --git a/musixtex/tex/musixbm.tex b/musixtex/tex/musixbm.tex deleted file mode 100644 index 29147d8..0000000 --- a/musixtex/tex/musixbm.tex +++ /dev/null @@ -1,25 +0,0 @@ -% -% This file is part of MusiXTeX -% -% MusiXTeX is free software; you can redistribute it and/or modify -% it under the terms of the GNU General Public License as published by -% the Free Software Foundation; either version 2, or (at your option) -% any later version. -% -% MusiXTeX is distributed in the hope that it will be useful, -% but WITHOUT ANY WARRANTY; without even the implied warranty of -% MERCHANTABILITY or FITNESS FOR A PARTICULAR PURPOSE. See the -% GNU General Public License for more details. -% -% You should have received a copy of the GNU General Public License -% along with MusiXTeX; see the file COPYING. If not, write to -% the Free Software Foundation, Inc., 59 Temple Place - Suite 330, -% Boston, MA 02111-1307, USA. -% -% -\immediate\write16{MusiXEXTra \space<7 June 2015>}% -% -% -% (nothing to do. - T.118 or later provide \slide and \raggedstoppiece by default.) -% -\endinput diff --git a/musixtex/tex/musixcho.tex b/musixtex/tex/musixcho.tex deleted file mode 100644 index 55b5e48..0000000 --- a/musixtex/tex/musixcho.tex +++ /dev/null @@ -1,68 +0,0 @@ -% -% This file is part of MusiXTeX -% -% MusiXTeX is free software; you can redistribute it and/or modify -% it under the terms of the GNU General Public License as published by -% the Free Software Foundation; either version 2, or (at your option) -% any later version. -% -% MusiXTeX is distributed in the hope that it will be useful, -% but WITHOUT ANY WARRANTY; without even the implied warranty of -% MERCHANTABILITY or FITNESS FOR A PARTICULAR PURPOSE. See the -% GNU General Public License for more details. -% -% You should have received a copy of the GNU General Public License -% along with MusiXTeX; see the file COPYING. If not, write to -% the Free Software Foundation, Inc., 59 Temple Place - Suite 330, -% Boston, MA 02111-1307, USA. -% -\immediate\write16{MusiXCHOir T.89\space<24 March 1998>}% - -\ifx\undefined\braceheight \else \endinput \fi - -\edef\catcodeat{\the\catcode`\@}\catcode`\@=11 -\catcodesmusic - -% big parentheses for e.g. multiline text - -\newskip\braceheight \braceheight=4\Interligne\relax -\def\ChoirStrut{\vphantom{\^Wgjpqy}} - -\def\biglbrace{\let\@Ti\llap \let\@Tii\{\relax \C@br} -\def\bigrbrace{\let\@Ti\rlap \let\@Tii\}\relax \C@br} -\def\C@br{\C@tx{\@Ti{$\left\@Tii\vbox\@to\braceheight{}\right.\n@space$}\vss}} - -% multiline text - -\def\@kti{\kern\thr@@\Internote\strut} -\def\@kmi{\kernm\Internote\strut} - -\def\Dtx#1|#2*{\C@tx{\lrlap{\@kti#1\ChoirStrut}\lrlap{\@kti#2\ChoirStrut}\vss}} -\def\Drtx#1|#2*{\C@tx{\rlap{\@kmi#1\ChoirStrut}\rlap{\@kmi#2\ChoirStrut}\vss}} - -\def\Ttx#1|#2|#3*{\C@tx{\lrlap{\@kti#1\ChoirStrut}\lrlap{\@kti#2\ChoirStrut}\lrlap{\@kti#3\ChoirStrut}\vss}} -\def\Trtx#1|#2|#3*{\C@tx{\rlap{\@kmi#1\ChoirStrut}\rlap{\@kmi#2\ChoirStrut}\rlap{\@kmi#3\ChoirStrut}\vss}} - -\def\Qtx#1|#2|#3|#4*{\C@tx{\lrlap{\@kti#1\ChoirStrut}\lrlap{\@kti#2\ChoirStrut}% - \lrlap{\@kti#3\ChoirStrut}\lrlap{\@kti#4\ChoirStrut}\vss}} -\def\Qrtx#1|#2|#3|#4*{\C@tx{\rlap{\@kmi#1\ChoirStrut}\rlap{\@kmi#2\ChoirStrut}\rlap{\@kmi#3\ChoirStrut}% - \rlap{\@kmi#4\ChoirStrut}\vss}} - -\def\tx#1*{\C@tx{\lrlap{\@kti#1\ChoirStrut}\vss}} -\def\rtx#1*{\C@tx{\rlap{\@kmi#1\ChoirStrut}\vss}} - -% longation rule - -\newskip\@ihf -\def\thf{\getcurpos\advance\y@v-\@ihf \advance\y@v-\tw@\Interligne - \llap{\vrule\@width\y@v\@height\lthick\kern\Interligne}}% - -\def\ixhf#1{\setbox\ch@box\hbox{#1}\getcurpos \advance\y@v\h@lf\wd\ch@box - \advance\y@v\Interligne \global\@ihf\y@v \box\ch@box} - -\def\ihf#1{\setbox\ch@box\hbox{#1}\getcurpos \advance\y@v\wd\ch@box - \global\@ihf\y@v \box\ch@box} - -\endcatcodesmusic -\catcode`\@=\catcodeat -\endinput diff --git a/musixtex/tex/musixcpt.tex b/musixtex/tex/musixcpt.tex deleted file mode 100644 index 90d9066..0000000 --- a/musixtex/tex/musixcpt.tex +++ /dev/null @@ -1,826 +0,0 @@ -% -% This file is part of MusiXTeX -% -% MusiXTeX is free software; you can redistribute it and/or modify -% it under the terms of the GNU General Public License as published by -% the Free Software Foundation; either version 2, or (at your option) -% any later version. -% -% MusiXTeX is distributed in the hope that it will be useful, -% but WITHOUT ANY WARRANTY; without even the implied warranty of -% MERCHANTABILITY or FITNESS FOR A PARTICULAR PURPOSE. See the -% GNU General Public License for more details. -% -% You should have received a copy of the GNU General Public License -% along with MusiXTeX; see the file COPYING. If not, write to -% the Free Software Foundation, Inc., 59 Temple Place - Suite 330, -% Boston, MA 02111-1307, USA. -% -%%% for those who want compatibility, input it !after! musixtex and all -%%% other \input files, means: at very last - -\ifx\undefined\DIMin \else \endinput \fi - -\immediate\write16{MusiXComPaTible T.109\space<8 May 2018>}% - -\ifx\undefined\mxversion \errmessage{MusiXcpt input before MusiXTeX !}\fi - -\edef\catcodeat{\the\catcode`\@}\catcode`\@=11 -\catcodesmusic - -\voffset=-15.4mm -\parindent=10mm - -\def\z@suspend@autoflag{\ifx\auto@flag\empty - \fil@autolines\fi \let\auto@flag\empty} - - -\let\fil@autolines\empty -\let\auto@flag\empty - -\def\updatecontext{% - \T@bil \writ@newclefs\wbarno@x\Writ@newsigns - \Writ@meters\addspace\afterruleskip - \else\fil@autolines\let\auto@flag\@ne - \writ@newclefs\Writ@newsigns\z@suspend\@NewPage\fi} - -\def\changecontext{\n@wbar\updatecontext} -\def\zchangecontext{\advance\n@skip\beforeruleskip \widthtyp@\@ne \t@rmskip - \zn@wbar\updatecontext} - -\def\@breakpassInoauto{\def\T@bil{\getcurpos \ifdim\y@v<\h@lf\line@width}} -\def\ori@passIzbarre{\zn@wbar\fil@{z \the\barno}} - -\def\ori@passIendsection{\fil@{*\space\the\mulooseness}\mulooseness\z@} - -\def\@breakpassIauto{\advance\barsinlin@\@ne \ifnum\barsinlin@<\maxbarsinline}% - -\def\@xbarrepassIauto{\T@bil \else\advance\barsinlin@\m@ne \fi\@bar} -\let\@xbarrepassIIauto\barre - -\def\@zbarpassIauto{\T@bil \zn@wbar\else\zstoppiec@\@NewPage\fi} - -%!!! Attention: If you use \autolines, take care for the number of lines. -% If they exceed 127, trouble will be ahead. (adjust MAX_SECTIONS in -% musixflx.c or insert a \suspmorceau..\debutmorceau) !!! - -\def\autolines#1#2#3{% #1 nombre d'elemskip par mesure, -% #2 nombre de mesures par ligne, -% #3 nb lignes par page - \ifstartmuflex@done\else\startmuflex\fi - \global\maxbarsinline=#2\relax - \global\maxlinesinpage=#3\relax - \let\count@lines\count@lines@auto - \ifx\ragg@d\empty % ---> pass 1 - \message{/autolines pass I }% - \let\xbar=\@xbarrepassIauto - \let\zbar=\@zbarpassIauto - \let\@nds@ction=\empty - \def\fil@autolines{\fil@{a}}% - \let\barsinline=\barsinlin@ - \let\T@bil=\@breakpassIauto - \else %---> pass 2 - \message{/autolines pass II }% - \let\xbar=\@xbarrepassIIauto - \let\@nds@ction=\empty - \fi} - -\def\noautolines{\let\fil@autolines\empty - \ifstartmuflex@done\else\startmuflex\fi - \let\xbar\ori@xbarre % original X handling - \let\count@lines\count@lines@empty - \ifx\ragg@d\empty %---> pass 1 - \message{/noautolines pass I }% - \let\zbar\ori@zbarre % original X handling - \let\barsinline=\barsinline@ori - \let\T@bil\ori@T@bil - \let\@nds@ction=\ori@passIendsection - \else - \message{/noautolines pass II }% - \let\@nds@ction=\empty - \fi} - % - -\def\count@lines@auto{\global\advance\linesinpage\@ne - \ifnum\linesinpage<\maxlinesinpage - \else \eject \global\linesinpage\z@ \fi} -\def\count@lines@empty{\global\advance\linesinpage\@ne} -\let\count@lines\count@lines@empty - -\def\@NewPage{\count@lines \contpiece} -\def\@LeftRp{\stoppiec@\@NewPage\addspace{\h@lf\afterruleskip}% - \kernm\afterruleskip\l@eftrepeat\kern\afterruleskip} - -\def\T@bil{\advance\barsinlin@\@ne \ifnum\barsinlin@<\maxbarsinlin@} -\def\ori@T@bil{\advance\barsinlin@\@ne \ifnum\barsinlin@<\maxbarsinlin@} - -\def\barre{\T@bil \@bar\else\stoppiec@\@NewPage\fi} - -\def\xbar{\@bar\global\advance\barsinpi@c@\m@ne } -\def\ori@xbarre{\@bar\global\advance\barsinpi@c@\m@ne } - -\def\zbar{\T@bil \zn@wbar\else\zstoppiece\@NewPage\fi} -\def\ori@zbarre{\T@bil \zn@wbar\else\zstoppiece\@NewPage\fi} - -\def\alaligne{\stoppiece\@NewPage} -\def\Suspmorceau{\Stoppiece\count@lines} -\def\suspmorceau{\stoppiece\count@lines} -\def\zalaligne{\zstoppiece\@NewPage} -\def\leftrepeat{\leftrepeat@II} -\def\leftrepeat@II{\T@bil \setleftrepeat\@bar\else\@LeftRp\fi} -\def\leftrightrepeat{\leftrightrepeat@II} -\def\leftrightrepeat@II{\T@bil \setleftrightrepeat\@bar - \else\setrightrepeat\@LeftRp\fi} - -\def\finrightrepeat{\setrightrepeat\stoppiec@} - - -\let\nbporteesi\n@pi -\let\nbporteesii\n@pii -\let\nbporteesiii\n@piii -\let\nbporteesiv\n@piv -\let\nbporteesv\n@pv -\let\nbporteesvi\n@pvi -\def\nbporteesvii{\n@pvii}% -\def\nbporteesviii{\n@pviii}% -\def\nbporteesix{\n@pvix}% - -\def\nbstaffsi{\n@pi}% -\def\nbstaffsii{\n@pii}% -\def\nbstaffsiii{\n@piii}% -\def\nbstaffsiv{\n@piv}% -\def\nbstaffsv{\n@pv}% -\def\nbstaffsvi{\n@pvi}% -\def\nbstaffsvii{\n@pvii}% -\def\nbstaffsviii{\n@pviii}% -\def\nbstaffsix{\n@pvix}% - -\def\resetlayout{\nullthick\f@ur\Interligne \let\interfacteur\nin@ - \stafftopmarg\thr@@\Interligne \staffbotmarg\thr@@\Interligne - \let\stafflinesnbi\fiv@ \let\stafflinesnbii\fiv@ \let\stafflinesnbiii\fiv@ - \let\stafflinesnbiv\fiv@ \let\stafflinesnbv\fiv@ \let\stafflinesnbvi\fiv@ - \let\clefdesoli\trebleclef \let\clefdesolii\trebleclef - \let\clefdesoliii\trebleclef \let\clefdesoliv\trebleclef - \let\clefdesolv\trebleclef \let\clefdesolvi\trebleclef - \let\clefduti\altoclef \let\clefdutii\altoclef - \let\clefdutiii\altoclef \let\clefdutiv\altoclef - \let\clefdutv\altoclef \let\clefdutvi\altoclef - \let\clefdefai\bassclef \let\clefdefaii\bassclef - \let\clefdefaiii\bassclef \let\clefdefaiv\bassclef - \let\clefdefav\bassclef \let\clefdefavi\bassclef - \elemskip\f@ur\Internote} - -% These definition depends on the assumption, that \elemskip is equal 10pt - -\def\hqsk{\off{.3\@l@mskip}} -\def\qsk{\hqsk\hqsk} - -% ============================ -% will change - -\chardef\@li=51 -\chardef\@liii=53 -\newif\ifcautionacc - -\def\@acc#1{\check@staff - \inhgetn@i#1\relax\@BigAcc - \fi} -\def\@BigAcc{\pl@base\raise\y@i\llap{\musixchar\n@v\kern\accshift}} - -\def\bigfl{\n@v\@l \@acc} -\def\bigdfl{\n@v\@li \@acc} -\def\bigsh{\n@v\@lii \@acc} -\def\bigdsh{\n@v\@liii \@acc} -\def\bigna{\n@v\@liv \@acc} - -\def\@smallacc#1{\check@staff - \inhgetn@i#1\relax\n@iv\fiv@ \@SmallACC - \fi} -\def\@SmallACC{\check@staff - \pl@base\raise\y@i\llap{\@SmallAcc\kern\accshift}\fi} -\def\@SmallAcc{\check@staff - \ifcautionacc\C@ChaR \fi \musixchar\n@v - \ifcautionacc\kern.3\qn@width \fi - \fi\global\cautionaccfalse} - -\def\smallna{\n@v94\@smallacc} -\def\smallfl{\n@v90\@smallacc} -\def\smallsh{\n@v92\@smallacc} -\def\smalldsh{\n@v93\@smallacc} -\def\smalldfl#1{\check@staff - \n@v91\inhgetn@i#1\relax\n@iv\si@ \@SmallACC - \fi} - -\def\csh{\cautionacctrue\smallsh} -\def\cdsh{\cautionacctrue\smalldsh} -\def\cna{\cautionacctrue\smallna} -\def\cfl{\cautionacctrue\smallfl} -\def\cdfl{\cautionacctrue\smalldfl} - -\def\@UpperAcc#1{\inhgetn@i#1\relax\@UpAcc} -\def\@UpAcc{\advance\n@i\thr@@ \zchar\n@i{\kern\qu@rt\qn@width\@SmallAcc}} - -\def\upperna{\n@v94\@UpperAcc} -\def\upperfl{\n@v90\@UpperAcc} -\def\uppersh{\n@v92\@UpperAcc} - -% analysis of accidentals within collective note coding - -\def\absoluteaccidentals{% - \let\Xna\na \let\Xsh\sh \let\Xfl\fl \let\Xdsh\dsh \let\Xdfl\dfl} -\absoluteaccidentals - -\def\Na#1{\small@test\bigNa{#1}\else\smallNa{#1}\fi} -\def\Fl#1{\small@test\bigFl{#1}\else\smallFl{#1}\fi} -\def\Sh#1{\small@test\bigSh{#1}\else\smallSh{#1}\fi} -\def\dFl#1{\small@test\bigdFl{#1}\else\smalldFl{#1}\fi} -\def\dSh#1{\small@test\bigdSh{#1}\else\smalldSh{#1}\fi} - -\def\cNa{\cautionacctrue\smallNa} -\def\cFl{\cautionacctrue\smallFl} -\def\cSh{\cautionacctrue\smallSh} -\def\cdFl{\cautionacctrue\smalldFl} -\def\cdSh{\cautionacctrue\smalldSh} - -\def\lNa#1{\shiftaccwidth{\Na{#1}}} -\def\lFl#1{\shiftaccwidth{\Fl{#1}}} -\def\lSh#1{\shiftaccwidth{\Sh{#1}}} -\def\ldFl#1{\shiftaccwidth{\dFl{#1}}} -\def\ldSh#1{\shiftaccwidth{\dSh{#1}}} -\def\shiftaccwidth{\loffset\smallvalue} - -\def\sign@diff#1\relax{\getn@i#1\relax\n@iii\n@i - \advance\n@iii-\ut@ref \advance\n@iii-\ut@ref - \loop\ifnum\n@iii>\si@ \advance\n@iii-\s@v@n \repeat - \loop\ifnum\n@iii<\z@ \advance\n@iii\s@v@n \repeat - \ifcase\n@iii - \n@ii\si@ % mi - \or\n@ii\@ne % fa - \or\n@ii\thr@@ % sol - \or\n@ii\fiv@ % la - \or\n@ii\s@v@n % si - \or\n@ii\tw@ % do - \or\n@ii\f@ur % re - \fi -% \n@ii positive signature limit, \n@ii-8 negative signature limit - \advance\n@ii-\a@s \advance\n@ii\si@ \divide\n@ii\s@v@n \n@iv\fiv@} - -\def\C@aacc{\check@staff - \advance\n@v\n@vi \@Ti - \fi } - -\def\@Flat#1{\sign@diff#1\relax - \ifcase\n@ii \n@v\@liv \or\n@v\@l \or\n@v\@li \fi \C@aacc} - -\def\set@bigaccid{\n@vi\z@ \let\@Ti\@BigAcc} -\def\set@smallaccid{\n@vi\@xl \let\@Ti\@SmallACC} -\def\set@UpAcc{\n@vi\@xl \let\@Ti\@UpAcc} - -\def\bigFl{\set@bigaccid\@Flat} -\def\smallFl{\set@smallaccid\@Flat} -\def\upperFl{\set@UpAcc\@Flat} - -\def\@Natural#1{\sign@diff#1\relax - \ifcase\n@ii \n@v\@lii \or\n@v\@liv \or\n@v\@l \fi \C@aacc} - -\def\bigNa{\set@bigaccid\@Natural} -\def\smallNa{\set@smallaccid\@Natural} -\def\upperNa{\set@UpAcc\@Natural} - -\def\@Sharp#1{\sign@diff#1\relax - \ifcase\n@ii \n@v\@liii \or\n@v\@lii \or\n@v\@liv \fi \C@aacc} - -\def\bigSh{\set@bigaccid\@Sharp} -\def\smallSh{\set@smallaccid\@Sharp} -\def\upperSh{\set@UpAcc\@Sharp} - -\def\@nod{Can't double } - -\def\@dSharp#1{\sign@diff#1\relax - \ifcase\n@ii \message{\@nod sharpen !\noexpand\dSh #1}% - \or\n@v\@liii \C@aacc\or\n@v\@lii \C@aacc \fi} - -\def\bigdSh{\set@bigaccid\@dSharp} -\def\smalldSh{\set@smallaccid\@dSharp} -%\def\upperdSh{\set@UpAcc\@dSharp} - -\def\@dFlat#1{\sign@diff#1\relax - \ifcase\n@ii \n@v\@l \C@aacc\or\n@v\@li \C@aacc - \or\message{\@nod flatten !\noexpand\dFl #1}\fi} - -\def\bigdFl{\set@bigaccid\@dFlat} -\def\smalldFl{\n@vi\@xl \n@iv\si@ \let\@Ti\@SmallACC \@dFlat} -%\def\upperdFl{\set@UpAcc\@dFlat} - -\def\relativeaccidentals{% - \let\Xna\Na \let\Xsh\Sh \let\Xfl\Fl \let\Xdsh\dSh \let\Xdfl\dFl} - -%\def\writ@names{\n@loop -% \setbox\n@otebox\llap{\vbox{\hbox\@to\parindent{% -% \hss\csname instrument\romannumeral\noinstrum@nt\endcsname\hss}}~~}% -% \altportee\altitude \Comp@High\advance\y@v-\ht\n@otebox -% \advance\altportee\h@lf\y@v \raise\altportee\box\n@otebox \repeat} -%\let\Writ@names\writ@names - -%\let\instrumenti\empty \let\instrumentii\empty \let\instrumentiii\empty -%\let\instrumentiv\empty \let\instrumentv\empty \let\instrumentvi\empty - -% ============================ - -\def\dimin{\decrescendo{4\qn@width}} -\def\Dimin{\decrescendo{8\qn@width}} -\def\DImin{\decrescendo{12\qn@width}} -\def\DIMin{\decrescendo{16\qn@width}} -\def\DIMIn{\decrescendo{24\qn@width}} -\def\DIMIN{\decrescendo{36\qn@width}} -\def\cresc{\crescendo{4\qn@width}} -\def\Cresc{\crescendo{8\qn@width}} -\def\CResc{\crescendo{12\qn@width}} -\def\CREsc{\crescendo{16\qn@width}} -\def\CRESc{\crescendo{24\qn@width}} -\def\CRESC{\crescendo{36\qn@width}} - -\let\interligne\Interligne -\def\debutmorceau{\ifstartmuflex@done\else\startmuflex\fi -\startpiece -\let\debutmorceau\startpiece} -\let\finmorceau\Stoppiece -\let\zfinmorceau\zstoppiece -\let\finpartition\stoppiece -\let\debutextrait\startextract -\let\finextrait\endextract -\let\zfinextrait\zendextract -\let\reprmorceau\contpiece -\let\lreprmorceau\contpiece -\def\preprmorceau{\eject \global\linesinpage\z@ \contpiece} -\def\resetsignatures{\generalsignature0\savesignature} -\def\alapage{\stoppiece\eject \global\linesinpage\z@ \contpiece} -\def\zalapage{\zstoppiece\eject \global\linesinpage\z@ \contpiece} -\def\pchangecontext{\n@wbar\writ@newclefs\writ@newsigns - \z@suspend \eject \global\linesinpage\z@ \contpiece} -\def\lchangecontext{\n@wbar\writ@newclefs\writ@newsigns - \z@suspend \count@lines \contpiece} -\let\xbeambarre\bar -\def\xbarre{\xbar} -\def\zbarre{\zbar} -\let\temps\empty -\let\zglue\empty -\let\zglu\empty -\let\doublebarre\doublebar - -\def\leftrightrepeatsymbol{\C@rep\l@eftrightrepeat} -\def\leftrepeatsymbol{\C@rep\l@eftrepeat} -\def\rightrepeatsymbol{\C@rep\r@ightrepeat} -\def\C@rep#1{\advance\n@skip\beforeruleskip \widthtyp@\@ne \t@rmskip - #1\widthtyp@\z@ \t@rmskip\addspace\afterruleskip} - -%\let\suspmorceau\stoppiece -%\let\Suspmorceau\Stoppiece -\let\computewidths\empty -\let\computespecifics\empty -\let\zsuspmorceau\zstoppiece -\let\signaturegenerale\generalsignature -\let\pointdorgue\fermataup -\let\pointdurgue\fermatadown -\let\zbv\zbreve -\let\zsb\zmaxima -\let\ha\hu -\let\resetfacteurs\resetlayout -\let\savesignature\empty -\let\savemeter\empty -\let\savemeters\empty -\let\saveclefs\empty -%%%%%%%%%%%%%%%%%%%%%%%%%% -\let\ITenu\istieu -\let\ITenl\istied -%%%%%%%%%%%%%%%%%% -\let\ilegu\isluru -\let\ilegl\islurd -\let\Ilegu\isluru -\let\Ilegl\islurd -%\let\tleg\tslur -%\def\Tleg#1{\roff{\ttie#1}} -\let\Invertslur\invertslur -\let\qh\qb -\let\qhp\qbp -\let\qhpp\qbpp -\let\zqh\zqb -\let\zqhp\zqbp -\let\zqhpp\zqbpp -\let\hh\hb -\let\soupir\qp -\let\dsoupir\ds -\let\demisoupir\ds -\let\qsoupir\qs -\let\quartsoupir\qs -\let\hsoupir\hs -\let\huitsoupir\hs -\let\seizsoupir\qqs -\let\Pince\Shake -\let\pince\shake -\let\Lpince\Shakel -\let\Pincesw\Shakesw -\let\Pincene\Shakene -\let\Pincenw\Shakenw -\let\mordant\mordent -\let\nblines\z@ -\let\wd@skip\wn@width -\let\musicnfont\musixfont - -\let\clefdesolsymbol\trebleclef -\let\clefdefasymbol\altoclef -\let\clefdutsymbol\bassclef -\let\gclefdut\gregorianCclef -\let\drumclefsymbol\drumclef -\let\smallclefdesol\smalltrebleclef -\let\smallclefdefa\smallaltoclef -\let\smallclefdut\smallbassclef - -\let\cmbxmicro\sevenbf -\let\cmbxtiny\eightbf -\let\cmbxsmall\tenbf -\let\cmbx\twelvebf -\let\cmbxbig\bigfont -\let\moyen\bigfont -\let\gros\Bigfont -\let\enorme\BIGfont - -\def\setprimavolta{\setvolta1} -\def\setsecondavolta{\setvolta2} - -\def\advancebottom#1{} -\newif\ifraggedlines -\newcount\linesinpage -\newcount\barsinline@ori -\let\barsinline\barsinline@ori -\newcount\maxbarsinline -\newcount\maxlinesinpage \maxlinesinpage\maxdimen -\newskip\zglueskip -\newskip\tempsskip - -%%% definitions for holding up compatibility, not supported in musixtex - -\let\endinstrument\@ndstaff -\def\huslur#1#2{\errmessage{No more need for \noexpand\huslur!}} -\def\hdslur#1#2{\errmessage{No more need for \noexpand\hdslur!}} -\def\liftslur#1#2{\errmessage{\noexpand\liftslur is not supported in MusiXTeX}} - -\def\expause#1{\charnote{#1}{\musicnorfont\char 11\hss}} -\def\zexpause#1{\zcharnote{#1}{\musicnorfont\char 11\hss}} -\def\exhpause#1{\charnote{#1}{\musicnorfont\char 10\hss}} -\def\zexhpause#1{\zcharnote{#1}{\musicnorfont\char 10\hss}} - -\def\vdlthick{\vrule depth \hlthick} -\let\resettens\empty -\let\resetstem\resetst@m -\let\setstem\setst@m -\let\resetlegs\empty -\let\savepenalties\empty -\let\currenthyphenpenalty\empty -\let\setnohyphenpenalty\empty -\let\sethyphenpenalty\empty -\let\setnormalhyphen\empty -\let\glueaftersymbol\empty -\def\zgluearule{\addspace\afterruleskip}% -\let\gluearule\zgluearule -\let\ygluearule\zgluearule -\let\Writesignatures\writ@signs -\let\changecontexte\changecontext -\let\Changecontexte\Changecontext -\let\Changeclefs\changeclefs -\let\Changeclef\Changeclefs -\def\shortstems{\stemlength4}% -\def\normalstems{\stemlength{4.66}}% -\normalstems - -\def\phpause{\hbox to \noteskip{\vrule width - 1.2\qn@width height \internote\hss}}% -%\def\pause{\hbox{\raise 5\internote\phpause}}% -%\def\hpause{\hbox{\raise 4\internote\phpause}}% -\let\zha\zhu -\def\minternote{-\internote}% -\def\ffff{{\ppff {f}\kern -0.1ex{f}\kern -0.1ex{f}\kern -0.1ex{f}}} -\def\testseq{}% - -\def\rtenl#1#2{\roff{\islurd{#1}{#2}}} -\def\rtenu#1#2{\roff{\isluru{#1}{#2}}} - -\def\diamg{\ynq} -\def\diamw{\dnq} - -\def\zdiamg{\yznq} -\def\zdiamw{\dznq} - -\def\carrg{\squ} -\def\zcarrg{\zsqu} -\def\carpg{\lsqu} -\def\zcarpg{\zlsqu} -\def\carqg{\rsqu} -\def\zcarqg{\zrsqu} - -\def\yu{\yqu} -\def\yup{\yqup} -\def\yupp{\yqupp} -\def\yuppp{\yquppp} -\def\yl{\yql} -\def\ylp{\yqlp} -\def\ylpp{\yqlpp} -\def\ylppp{\yqlppp} - -\def\yh{\yqb} -\def\yb{\yqb} - -\def\zy{\yzq} -\def\zyp{\yzqp} -\def\zypp{\yzqpp} -\def\zyppp{\yzqppp} - -\def\du{\dqu} -\def\dup{\dqup} -\def\dupp{\dqupp} -\def\duppp{\dquppp} - -\def\dl{\dql} -\def\dlp{\dqlp} -\def\dlpp{\dqlpp} -\def\dlppp{\dqlppp} - -\def\dh{\dqb} -\def\db{\dqb} - -\def\zd{\dzq} -\def\zdp{\dzqp} -\def\zdpp{\dzqpp} -\def\zdppp{\dzqppp} - -\def\xu{\xqu} -\def\xup{\x@symbol\@qup} -\def\xupp{\x@symbol\@qupp} -\def\xl{\xql} -\def\xlp{\x@symbol\@qlp} -\def\xlpp{\x@symbol\@qlpp} - -\let\xb\xqb -\let\xh\xqb - -\def\zx{\xzq} -\def\zxp{\x@symbol\@zqp} -\def\zxpp{\x@symbol\@zqpp} - -\def\xcccu{\x@symbol\@cccu} -\def\xccccu{\x@symbol\@ccccu} -\def\xcccl{\x@symbol\@cccl} -\def\xccccl{\x@symbol\@ccccl} - -\def\xclp{\x@symbol\@clp} -\def\xcup{\x@symbol\@cup} -\def\xclpp{\x@symbol\@clpp} -\def\xcupp{\x@symbol\@cupp} - -\def\oxu{\oxqu} -\def\oxup{\ox@symbol\@qup} -\def\oxupp{\ox@symbol\@qupp} -\def\oxl{\oxql} -\def\oxlp{\ox@symbol\@qlp} -\def\oxlpp{\ox@symbol\@qlpp} - -\def\oxb\oxqb -\let\oxh\oxqb - -\def\ozx{\oxzq} -\def\ozxp{\ox@symbol\@zqp} -\def\ozxpp{\ox@symbol\@zqpp} - -\def\oxcccu{\ox@symbol\@cccu} -\def\oxccccu{\ox@symbol\@ccccu} -\def\oxcccl{\ox@symbol\@cccl} -\def\oxccccl{\ox@symbol\@ccccl} - -\def\oxclp{\ox@symbol\@clp} -\def\oxcup{\ox@symbol\@cup} -\def\oxclpp{\ox@symbol\@clpp} -\def\oxcupp{\ox@symbol\@cupp} - -\def\ku{\kqu} -\def\kup{\k@symbol\@qup} -\def\kupp{\k@symbol\@qupp} -\def\kl{\kql} -\def\klp{\k@symbol\@qlp} -\def\klpp{\k@symbol\@qlpp} - -\let\kb\kqb -\let\kh\kqb - -\def\zk{\kzq} -\def\zkp{\k@symbol\@zqp} -\def\zkpp{\k@symbol\@zqpp} - -\def\kcccu{\k@symbol\@cccu} -\def\kccccu{\k@symbol\@ccccu} -\def\kcccl{\k@symbol\@cccl} -\def\kccccl{\k@symbol\@ccccl} - -\def\kclp{\k@symbol\@clp} -\def\kcup{\k@symbol\@cup} -\def\kclpp{\k@symbol\@clpp} -\def\kcupp{\k@symbol\@cupp} - -%%% text, lyrics - -\def\midtwotext{\let\@Ti\hss \let\@Tii\hss \C@midcpt} -\def\rmidtwotext{\let\@Ti\empty \let\@Tii\hss \C@midcpt} -\def\zmidtwotext{\zmidstaff} -\def\lmidtwotext{\let\@Ti\hss \let\@Tii\empty \C@midcpt} - -\def\C@midcpt#1{\check@staff - \y@v\interportee \advance\y@v\f@ur\Interligne \divide\y@v\tw@ - \raise\y@v\uplap{\hbox\@to\noteskip{\@Ti\strut#1\@Tii}\vss}% - \advance\locx@skip\noteskip - \fi} - -% for what ? - -\def\sforz#1{{\advance\transpose by -2\usf{#1}}} -\def\pz#1{{\advance\transpose by -2\upz{#1}}} -\def\ppz{\uppz} -\def\st#1{{\advance\transpose by -2\ust{#1}}} - -% octlines - -\def\barfill{\leaders\hbox{ --}\hfill}% -\def\octnvrule{\vrule width \z@ height 3\p@ depth 3\p@}% -\def\octvrule{\vrule width \lthick height 3\p@ depth 3\p@}% -\def\octsup#1#2{\zcharnote{#1}{\hbox to #2\noteskip -{\llap{\rm 8}\barfill\octnvrule}}}% -\def\Octsup#1#2{\zcharnote{#1}{\hbox to #2{\rm 8\barfill\octnvrule}}}% - %\check - %\def\octfin#1#2{\zcharnote{#1}{\hbox to #2\noteskip{\llap{\rm 8}\barfill - %--\octvrule}}}% - \let\octfin\octfinup -\def\Octfin#1#2{\zcharnote{#1}{\hbox to #2{\rm 8\barfill ---\octvrule}}}% -\def\octline#1{\zcharnote{#1}{\hbox to \line@width{\llap{\rm 8}\barfill -\octnvrule\hskip 12\Internote}}}% -\def\Octline#1{\zcharnote{#1}{\hbox to \line@width{\rm 8\barfill -\octnvrule\hskip 8\Internote}}}% - %\check - -\def\octlineup{\n@v\@xxiii\C@ol} -\def\octlinedown{\n@v\@xxv \C@ol} -\def\C@ol#1{\zcharnote{#1}{\getcurpos\y@eol\advance\y@-\y@v - \hbox\@to\y@{\octnumber\mxsps\xleaders\hbox{\char\n@v}\hfill}}} - -% now different meaning !!! - -\def\trilleC#1{\hbox to #1{\leaders\hbox{\musixchar69}\hfill}}% -\let\trille\trilleC -\def\TrilleC#1{\hbox to #1{\it tr\leaders\hbox{\musixchar69}\hfill}}% -\let\Trille\TrilleC - -\def\ntrille#1#2{\zcharnote{#1}{\trille{#2\elemskip}}}% -\def\nTrille#1#2{\zcharnote{#1}{\Trille{#2\elemskip}}}% -\def\xtrille#1#2{\zcharnote{#1}{\trille{#2}}}% -\def\xTrille#1#2{\zcharnote{#1}{\Trille{#2}}}% - -% finding which class of fonts is normally used (cmxxx, dmxxx, dcxxx,...) - -\def\@wsa#1#2+{#1} -\def\@wsb#1#2#3+{#2} -\rm -\edef\fonthdg{\expandafter\@wsa\fontname\the\font+} -\edef\fonthdge{\expandafter\@wsb\fontname\the\font+} - -% new coda is centered above a barrule - -\def\coda{\n@iv85\@Char} - -% special wish - -\let\octline\octlineup - -% old spacings - -\def\normal{\elemskip=4\Internote \def\scalenoteskip{1.00}% - \def\notes{\vnotes1.0\elemskip}% double croches - \def\notesp{\vnotes1.18\elemskip}% double croches - \def\Notes{\vnotes1.4\elemskip}% croches - \def\Notesp{\vnotes1.66\elemskip}% croches - \def\NOtes{\vnotes2.0\elemskip}% croches pointees - \def\NOtesp{\vnotes2.36\elemskip}% croches pointees - \def\NOTes{\vnotes2.8\elemskip}% noires - \def\NOTesp{\vnotes3.32\elemskip}% noires - \def\NOTEs{\vnotes4.0\elemskip}% - \def\NOTEsp{\vnotes4.72\elemskip}% - \def\NOTES{\vnotes5.6\elemskip}} - -% \large could cause trouble, if user changes \scalenoteskip on his own, -% but this is *HIS* problem - -\ifx\large\undefined \def\large{\normal\def\scalenoteskip{1.2}}\fi - -\def\etroit{\normal - \def\Notes{\vnotes1.3\elemskip}% - \def\NOtes{\vnotes1.8\elemskip}% - \def\NOTes{\vnotes2.6\elemskip}% - \def\NOTEs{\vnotes3.6\elemskip}% - \def\NOTES{\vnotes5.2\elemskip}} - -% correct the shifting of arpeggio to musictex's appearance, -% a little bit tricky, but works - -\let\arpeggio@X\arpeggio -\def\arpeggio#1#2{\roffset{.2}{\arpeggio@X{#1}{#2}}} -\def\larpeggio#1#2{\loffset{.6}{\arpeggio@X{#1}{#2}}} % .6=\smallvalue - 0.2 - -% correct (nearly) the distance between note and accidental - -\accshift=-.1\qn@width - -% 'translate' old metertoks (works only if they are used as -% \metertoksi={...}, not for \metertoksi{...} - -\def\metertoksi#1#2{\if =#1\else\C@warn \fi - \let\Writ@meters\writ@meters \m@ti={#2}} -\def\metertoksii#1#2{\if =#1\else\C@warn \fi - \let\Writ@meters\writ@meters \m@tii={#2}} -\def\metertoksiii#1#2{\if =#1\else\C@warn \fi - \let\Writ@meters\writ@meters \m@tiii={#2}} -\def\metertoksiv#1#2{\if =#1\else\C@warn \fi - \let\Writ@meters\writ@meters \m@tiv={#2}} -\def\metertoksv#1#2{\if =#1\else\C@warn \fi - \let\Writ@meters\writ@meters \m@tv={#2}} -\def\metertoksvi#1#2{\if =#1\else\C@warn \fi - \let\Writ@meters\writ@meters \m@tvi={#2}} - -\def\C@warn{\errmessage{You MUST use '=' behind \noexpand\metertoks}\end} - -\let\signi\a@si -\let\signii\a@sii -\let\signiii\a@siii -\let\signiv\a@siv -\let\signv\a@sv -\let\signvi\a@svi - -\let\cleftoksi\a@ci -\let\cleftoksii\a@cii -\let\cleftoksiii\a@ciii -\let\cleftoksiv\a@civ -\let\cleftoksv\a@cv -\let\cleftoksvi\a@cvi - -% to be used to make heavy bars at staff left - -\newskip\nullthick -\let\lowersonginstrum\maxdimen -\let\uppersonginstrum\z@ -\newdimen\Interportee % distance between staffs of the same instrument (excl) - -\def\xgetn@i#1\relax{\n@viii\z@ \n@i\maxdimen % par defaut - \edef\t@ruc{\f@tok #1\relax\af@tok}% - \edef\s@uite{\s@tok #1\empty\af@tok}% -%% pas lettre - \ifcat a\t@ruc \n@i\expandafter`\t@ruc\relax -%% ramener au E (position zero en clef de sol, ut@ref=0) - \ifnum\n@i>96\advance\n@i-101% - \else\advance\n@i-\@lxxxiii % ramener au S= E + 14 - \fi - \advance\n@i\ut@ref \advance\n@i\ut@ref \advance\n@i\transpose - \edef\ss@uite{\noexpand\n@fon{\s@uite}}% -%% cas active character dont chiffre - \else - \let\ss@uite\empty - \let\alt@suite\empty - \ifcat 1\t@ruc - \if =\t@ruc \let\@TI\Xna \C@GET \fi - \if *\t@ruc \sk \C@Get \fi - \if .\t@ruc \let\@TI\pt \C@GET \fi - \if >\t@ruc \let\@TI\Xdsh \C@GET \fi - \if <\t@ruc \let\@TI\Xdfl \C@GET \fi - \if !\t@ruc \transpose\normaltranspose \C@Get \fi - \if '\t@ruc \advance\transpose\s@v@n \C@Get \fi - \if `\t@ruc \advance\transpose-\s@v@n \C@Get \fi - \ifnum\n@viii<\maxdimen \n@i#1\fi - \else - \if ^\t@ruc \let\@TI\Xsh \C@GET \fi - \if _\t@ruc \let\@TI\Xfl \C@GET \fi - \fi\alt@suite - \fi} - -% MusicTeX's settings - -\afterruleskip=10pt % plus glue -\beforeruleskip=2pt % plus glue -\nostemcut - -\let\nbinstruments\maxinstruments -\normalnotesize -\normal % to get \notes correctly defined -\resetlayout -\let\nbinstruments\@ne - -\def\breath{\errmessage{\noexpand\breath\space not implemented in MusiXTeX, - use \noexpand\zbreath\space or \noexpand\cbreath!}} - -\endcatcodesmusic -\catcode`\@=\catcodeat -\endinput diff --git a/musixtex/tex/musixcrd.tex b/musixtex/tex/musixcrd.tex deleted file mode 100644 index 2701d10..0000000 --- a/musixtex/tex/musixcrd.tex +++ /dev/null @@ -1,272 +0,0 @@ -%% -%% This is file `musixcrd.tex', -%% generated with the docstrip utility. -%% -%% The original source files were: -%% -%% musixcrd.dtx -%% -%% IMPORTANT NOTICE: -%% -%% For the copyright see the source file. -%% -%% Any modified versions of this file must be renamed -%% with new filenames distinct from musixcrd.tex. -%% -%% For distribution of the original source see the terms -%% for copying and modification in the file musixcrd.dtx. -%% -%% This generated file may be distributed as long as the -%% original source files, as listed above, are part of the -%% same distribution. (The sources need not necessarily be -%% in the same archive or directory.) -%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%% -%% musixcrd - typsetting chord symbols with %% -%% musixtex %% -%% main source file contains code, doc, and examples %% -%% $Id: musixcrd.dtx,v 1.7 2004/11/02 13:13:41 hennig Exp $ %% -%% copyright 2004 , Robert Hennig %% -%% this code is licensed in terms of the %% -%% GNU Public License %% -%% %% -%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%% -\ifx\makeatletter\undefined\def\makeatletter{\catcode`\@=11\relax}\fi -\ifx\makeatother\undefined\def\makeatother{\catcode`\@=12\relax}\fi - -\makeatletter% ^^A allows to use @ as ordinary letter -\def\crddefaultheight{10} -\def\crdtranspose{0} -%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%% -\def\crd@append#1\to#2{% - \toks0=\expandafter{#1}\toks2=\expandafter{#2}% - \edef#2{\the\toks2 \the\toks0}} -\def\crd@prepend#1\by#2{% - \toks0=\expandafter{#1}\toks2=\expandafter{#2}% - \edef#1{\the\toks2 \the\toks0}} -\def\crd@movetoken#1\to#2{% - \ifx#1\empty\else\expandafter\crd@moveoff#1\crd@moveoff#1#2\fi}% -\def\crd@moveoff#1#2\crd@moveoff#3#4{\def#3{#2}\crd@prepend#4\by#1} -\newif\ifcrd@parsematched% true if parse matched -\newcount\crd@parsedepth% internal register - -\def\crd@parse#1\for#2{% parse tokens #1 for occurence of items of table #2 - \crd@parsedepth=1 % default if not defined - \expandafter\ifx\csname#2depth\endcsname\relax\else% - \crd@parsedepth=\csname#2depth\endcsname% - \fi% - \def\stack{}%\def\crd@parseresult{} - \crd@parsematchedfalse% initialisation - \crd@parser#1\for#2% call the recursive part -} -\def\crd@parser#1\for#2{% recursive part of parser - \ifx#1\empty\else% is list filled ? - \ifnum\crd@parsedepth>0 % and do we have to read more chars into stack - \advance\crd@parsedepth by-1 % - \crd@movetoken#1\to\stack% - \crd@parser#1\for#2% recursive call - \ifcrd@parsematched\else% if still not matched - \expandafter\ifx\csname#2\stack\endcsname\relax% does item match - \crd@movetoken\stack\to#1% no match, put char back to source - \else% match - \csname#2\stack\endcsname% - \crd@parsematchedtrue% signal success - \fi% - \fi% - \fi% - \fi% -} -\newcount\crd@vshift% -\newcount\crd@hshift% -\def\crd@number{crd@number}% -\def\crd@numberdepth{2}% -\expandafter\def\csname\crd@number0\endcsname{\crd@numberval=0 }% -\expandafter\def\csname\crd@number1\endcsname{\crd@numberval=1 }% -\expandafter\def\csname\crd@number2\endcsname{\crd@numberval=2 }% -\expandafter\def\csname\crd@number3\endcsname{\crd@numberval=3 }% -\expandafter\def\csname\crd@number4\endcsname{\crd@numberval=4 }% -\expandafter\def\csname\crd@number5\endcsname{\crd@numberval=5 }% -\expandafter\def\csname\crd@number6\endcsname{\crd@numberval=6 }% -\expandafter\def\csname\crd@number7\endcsname{\crd@numberval=7 }% -\expandafter\def\csname\crd@number8\endcsname{\crd@numberval=8 }% -\expandafter\def\csname\crd@number9\endcsname{\crd@numberval=9 }% -\expandafter\def\csname\crd@number1-\endcsname{\crd@numberval=-1 }% -\expandafter\def\csname\crd@number2-\endcsname{\crd@numberval=-2 }% -\expandafter\def\csname\crd@number3-\endcsname{\crd@numberval=-3 }% -\expandafter\def\csname\crd@number4-\endcsname{\crd@numberval=-4 }% -\expandafter\def\csname\crd@number5-\endcsname{\crd@numberval=-5 }% -\expandafter\def\csname\crd@number6-\endcsname{\crd@numberval=-6 }% -\expandafter\def\csname\crd@number7-\endcsname{\crd@numberval=-7 }% -\expandafter\def\csname\crd@number8-\endcsname{\crd@numberval=-8 }% -\expandafter\def\csname\crd@number9-\endcsname{\crd@numberval=-9 }% -\newcount\crd@quint% register used to represent notes in the circle of -\def\crd@quintval{crd@quintval}% -\def\crd@quintvalA{\crd@quint=3 }% A -\def\crd@quintvalB{\crd@quint=5 }% B -\def\crd@quintvalC{\crd@quint=0 }% C -\def\crd@quintvalD{\crd@quint=2 }% D -\def\crd@quintvalE{\crd@quint=4 }% E -\def\crd@quintvalF{\crd@quint=-1 }% F -\def\crd@quintvalG{\crd@quint=1 }% G -\def\crd@quintmod{crd@quintmod} -\def\crd@quintmoddepth{2} -\def\crd@quintmods{\advance\crd@quint by7 }% sharp -\def\crd@quintmodf{\advance\crd@quint by-7 }% flat -\def\crd@quintmodsd{\advance\crd@quint by14 }% double sharp -\def\crd@quintmodfd{\advance\crd@quint by-14 }% double flat -\def\crd@note{crd@note} -\expandafter\def\csname\crd@note3\endcsname{A} -\expandafter\def\csname\crd@note5\endcsname{B} -\expandafter\def\csname\crd@note0\endcsname{C} -\expandafter\def\csname\crd@note2\endcsname{D} -\expandafter\def\csname\crd@note4\endcsname{E} -\expandafter\def\csname\crd@note-1\endcsname{F} -\expandafter\def\csname\crd@note1\endcsname{G} -\def\crd@notelow{-1} % lowest quint without accidental -\def\crd@notehigh{5} % highest quint without accidental -\def\crd@sharp{\sharp} -\def\crd@flat{\flat} -\def\crd@doublesharp{\sharp\sharp} -\def\crd@doubleflat{\flat\flat} -\def\crd@parsenote#1#2{% parse input results: #1 - \def#1{}\def#2{}% - \crd@parse\crd@input\for\crd@quintval% - \ifcrd@parsematched% we got an valid note - \crd@parse\crd@input\for\crd@quintmod% - \advance\crd@quint by\crdtranspose \relax% transposition, space is needed! - \crd@enharmonic% - \ifnum\crd@quint>\crd@notehigh % sharps ? - \advance\crd@quint by-7 % - \ifnum\crd@quint>\crd@notehigh % double sharp ? - \advance\crd@quint by-7 % - \ifnum\crd@quint>\crd@notehigh % too much sharps ! - \relax ERROR:too much sharps% - \else\edef#2{\crd@doublesharp}\fi% - \else\edef#2{\crd@sharp}\fi% - \fi% - \ifnum\crd@quint<\crd@notelow % flats ? - \advance\crd@quint by7 % - \ifnum\crd@quint<\crd@notelow % double flat ? - \advance\crd@quint by7 % - \ifnum\crd@quint<\crd@notelow % too much flats ! - \relax ERROR:too much flats% - \else\edef#2{\crd@doubleflat}\fi% - \else\edef#2{\crd@flat}\fi% - \fi% - \expandafter\ifx\csname\crd@note\number\crd@quint\endcsname\relax% - ERROR:notename for (\number\crd@quint) is not defined. - \fi% - \edef#1{\csname\crd@note\number\crd@quint\endcsname}% set note - \fi% -} -\def\crd@enharmonic{}% -\def\crd@qualinit{% - \def\crd@lo{}% lower extensions - \def\crd@up{}% upper extensioins - \def\crd@alt{}% alterations -} -\def\crd@qual{crd@qual}% -\def\crd@qualdepth{2} -\def\crd@qualm{\crd@append{\crd@smalltype m}\to\crd@lo}% minor -\def\crd@qualM{\crd@append{\crd@capitaltype M}\to\crd@lo}% major7 -\expandafter\def\csname\crd@qual5+\endcsname% aug. 5 -{\crd@append{+}\to\crd@lo} -\expandafter\def\csname\crd@qual6\endcsname% 6 -{\crd@append{\crd@numbertype6}\to\crd@up} -\expandafter\def\csname\crd@qual7\endcsname% dominant 7 -{\crd@append{\crd@numbertype7}\to\crd@up} -\def\crd@quald{\crd@append{\crd@dim}\to\crd@up}% diminished -\def\crd@qualh{\crd@append{\crd@hdim}\to\crd@up}% half diminished -\expandafter\def\csname\crd@qual9-\endcsname% -9 -{\crd@append{\crd@numbertype\crd@numberflat9}\to\crd@alt} -\expandafter\def\csname\crd@qual9+\endcsname% +9 -{\crd@append{\crd@numbertype\crd@numbersharp9}\to\crd@alt} -\def\crd@skipcrdnote{crd@skipcrdnote} -\expandafter\def\csname\crd@skipcrdnote/\endcsname{} -\def\crd@parsecrd{% - \crd@vshift=0 % - \let\crd@numberval=\crd@vshift% - \crd@parse\crd@input\for\crd@number% - \crd@hshift=0 % - \let\crd@numberval=\crd@hshift% - \crd@parse\crd@input\for\crd@number% - \def\crd@crdnote{}% chord note - \def\crd@crdacc{}% chord note accidental - \def\crd@bassnote{}% bass note - \def\crd@bassacc{}% bass note accidental - \crd@qualinit% initialize qualifiers - \let\crd@flat=\crd@noteflat% - \let\crd@doubleflat=\crd@notedoubleflat% - \let\crd@sharp=\crd@notesharp% - \let\crd@doublesharp=\crd@notedoublesharp% - \crd@parsenote\crd@crdnote\crd@crdacc% read chord note - \loop\crd@parse\crd@input\for\crd@qual% read qualifiers - \ifcrd@parsematched\repeat% - \crd@parse\crd@input\for\crd@skipcrdnote% skip eventually - \let\crd@flat=\crd@bassflat% - \let\crd@doubleflat=\crd@bassdoubleflat% - \let\crd@sharp=\crd@basssharp% - \let\crd@doublesharp=\crd@bassdoublesharp% - \crd@parsenote\crd@bassnote\crd@bassacc% read bass note - \crd@formatcrd\hfil% call rendering -} -\def\crd@crddelim{crd@crddelim}% -\expandafter\def\csname\crd@crddelim,\endcsname{}% -\def\crd@parsecrds{% - \crd@parsecrd% - \crd@parse\crd@input\for\crd@crddelim% - \ifcrd@parsematched\crd@parsecrds\fi% -} -\def\c#1 {\def\crd@input{#1}\crd@output\crd@parsecrds} -\def\crd@fontstylea{% - \font\crd@eightrm=cmr8 - \font\crd@eightit=cmmi8 - \font\crd@seventeenrm=cmr17 - \font\crd@fourteenrm=cmr14 - \font\crd@twelverm=cmr12 - \font\crd@ninerm=cmr9 - \font\crd@smallninerm=cmr9 scaled 900 - \font\crd@bigninerm=cmr9 scaled 1100 - \let\crd@notetype=\crd@seventeenrm - \def\crd@noteflat{\raise0.6ex\hbox{\kern-0.085em\musictwenty2}} - \def\crd@notedoubleflat{\raise0.6ex\hbox{\kern-0.085em\musictwenty3}} - \def\crd@notesharp{\raise0.8ex\hbox{\musictwenty4}} - \def\crd@notedoublesharp{\raise0.8ex\hbox{\musictwenty5}} - \let\crd@basstype=\crd@fourteenrm - \def\crd@bassflat{\raise.5ex\hbox{\musicsixteen2}} - \def\crd@bassdoubleflat{\raise0.6ex\hbox{\kern-0.085em\musicsixteen3}} - \def\crd@basssharp{\raise1ex\hbox{\musicsixteen4}} - \def\crd@bassdoublesharp{\raise0.8ex\hbox{\musicsixteen5}} - \let\crd@numbertype=\crd@ninerm - \def\crd@numberflat{\raise.5ex\hbox{\musiceleven2}} - \def\crd@numbersharp{\raise1ex\hbox{\musiceleven4}} - \def\crd@numberminus{\crd@ninerm-} - \def\crd@numberplus{\crd@ninerm+} - \let\crd@capitaltype=\crd@smallninerm % capitals - \let\crd@smalltype=\crd@bigninerm % small - \def\crd@hdim{\crd@eightit$\circ$\kern-4.4pt\raise.9pt\hbox{\crd@eightrm/}} - \def\crd@dim{\crd@eightit$\circ$} -} -\def\crd@formatcrda{% - \hbox{\kern\crd@hshift\elemskip\raise\crd@vshift\internote\hbox{% - {\crd@notetype\crd@crdnote\crd@crdacc}% - \vbox{% - \hbox{% - \crd@up% - \ifx\crd@alt\empty\else\crd@numbertype(\crd@alt\crd@numbertype)\fi% - }% - \nointerlineskip\vskip1pt% - \hbox{\vphantom{\crd@capitaltype M}\crd@lo}}% - \ifx\crd@bassnote\empty\else% - {\crd@basstype/% - \lower0.5ex\hbox{\kern-0.17em \crd@bassnote\crd@bassacc}}% - \fi%\ - }} -} -\let\crd@formatcrd=\crd@formatcrda -\crd@fontstylea -\def\crd@musixOutput#1{\hbox{\zchar{\crddefaultheight}{\hbox to\elemskip{#1\hss}}}} -\let\crd@output=\crd@musixOutput -\makeatother -\endinput -%% -%% End of file `musixcrd.tex'. diff --git a/musixtex/tex/musixdat.tex b/musixtex/tex/musixdat.tex deleted file mode 100644 index 16541a6..0000000 --- a/musixtex/tex/musixdat.tex +++ /dev/null @@ -1,59 +0,0 @@ -% -% This file is part of MusiXTeX -% -% MusiXTeX is free software; you can redistribute it and/or modify -% it under the terms of the GNU General Public License as published by -% the Free Software Foundation; either version 2, or (at your option) -% any later version. -% -% MusiXTeX is distributed in the hope that it will be useful, -% but WITHOUT ANY WARRANTY; without even the implied warranty of -% MERCHANTABILITY or FITNESS FOR A PARTICULAR PURPOSE. See the -% GNU General Public License for more details. -% -% You should have received a copy of the GNU General Public License -% along with MusiXTeX; see the file COPYING. If not, write to -% the Free Software Foundation, Inc., 59 Temple Place - Suite 330, -% Boston, MA 02111-1307, USA. -% -\immediate\write16{MusiXDATes 0.36\space<1 March 1995>}% - -\ifx\undefined\dategerman \else \endinput \fi - -\edef\catcodeat{\the\catcode`\@}\catcode`\@=11 - -%% This is 'stolen' from GERMAN.TEX or GERMAN.STY, Vers. 2.4a, 12 Apr 1991 - -% Dates -% ----- - -\def\month@german{\ifcase\month \or - Januar\or Februar\or M\"arz\or April\or Mai\or Juni\or - Juli\or August\or September\or Oktober\or November\or Dezember\fi} -\def\dategerman{\def\today{\number\day.~\month@german - \space\number\year}} -\def\dateaustrian{\def\today{\number\day.~\ifnum 1=\month - J\"anner\else \month@german\fi \space\number\year}} -\def\month@english{\ifcase\month \or - January\or February\or March\or April\or May\or June\or - July\or August\or September\or October\or November\or December\fi} -\def\dateUSenglish{\def\today{\month@english - \space\number\day, \number\year}} -\def\dateenglish{\def\today{\number\day \ifcase\day \or - st\or nd\or rd\or th\or th\or th\or th\or th\or th\or th\or % 1..10 - th\or th\or th\or th\or th\or th\or th\or th\or th\or th\or % 11..20 - st\or nd\or rd\or th\or th\or th\or th\or th\or th\or th\or % 21..30 - st\fi - ~\month@english \space\number\year}} -\def\datefrench{\def\today{\number\day \ifnum1=\day \/$^{\rm er}$\fi - \space\ifcase\month \or - janvier\or f\'evrier\or mars\or avril\or mai\or juin\or - juillet\or ao\^ut\or septembre\or octobre\or novembre\or d\'ecembre\fi - \space\number\year}} - -\def\aujourdhui{\datefrench\today} - -\dateUSenglish% or whatever you prefer - -\catcode`\@=\catcodeat -\endinput diff --git a/musixtex/tex/musixdbr.tex b/musixtex/tex/musixdbr.tex deleted file mode 100644 index 2ad82ca..0000000 --- a/musixtex/tex/musixdbr.tex +++ /dev/null @@ -1,250 +0,0 @@ -\ifx\indivbarrules\undefined\else\endinput\fi - -\immediate\write10{MusiXDashed and Dotted BaRlines 1.0\space<23 February 2002>}% -% by Rainer Dunker -% Ideas and code based on musixbar.tex -% by Mthimkhulu Molekwa - -\makeatletter - -\newdimen\barline@depth - -\def\barlinedash#1{\vskip.5\Internote - \hrule\@width#1\@height\Internote - \vskip.5\Internote} -\def\barlinedots#1{\vskip.5\Internote - \hbox to #1{\hss\tenrm.\hss} - \vskip.5\Internote} - -\def\rul@indiv#1{% - \n@loop - \Comp@High - \multiply\barline@depth -1\relax - \advance\barline@depth\altitude - \expandafter\ifx\csname s@b\romannumeral\noinstrum@nt\endcsname\relax - % normal barline below instrument - \raise\altitude\rlap{\vrule\@depth\barline@depth\@width#1\@height0pt }% - \else - \expandafter\ifx\csname s@b\romannumeral\noinstrum@nt\endcsname 2% - % dashed barline below instrument - \raise\altitude\hbox{% - \lower\barline@depth\rlap{% - \vbox to \barline@depth{% - \xleaders\vbox{\barlinedash{#1}}\vfill}}}% - \else - \expandafter\ifx\csname s@b\romannumeral\noinstrum@nt\endcsname 3% - % dotted barline below instrument - \raise\altitude\hbox{% - \lower\barline@depth\rlap{% - \vbox to \barline@depth{% - \xleaders\vbox{\barlinedots{#1}}\vfill}}}% - \fi - \fi - \fi - \ifnum\st@ffs>1 % multi-staff instrument - \multi@instrum@bars{#1}% - \else % single-staff instrument - \expandafter\ifx\csname h@bl\romannumeral\noinstrum@nt\endcsname\relax - % normal barline through instrument - \raise\altitude\rlap{\vrule\@depth0pt \@width#1\@height\y@v}% - \else - \expandafter\ifx\csname h@bl\romannumeral\noinstrum@nt\endcsname 2% - % dashed barline through instrument - \raise\altitude\rlap{% - \vbox to \y@v{% - \cleaders\vbox to 2\internote{\vss - \hrule\@width#1\@height\internote - \vss}% - \vfill}}% - \else - \expandafter\ifx\csname h@bl\romannumeral\noinstrum@nt\endcsname 3% - % dotted barline through instrument - \raise\altitude\rlap{% - \vbox to \y@v{% - \cleaders\vbox to 2\internote{\vss - \hbox to #1{\hss\tenrm.\hss}% - \vss}% - \vfill}}% - \fi - \fi - \fi - \fi - \barline@depth\altitude - \advance\barline@depth\y@v - \repeat - \addspace#1} - -\def\multi@instrum@bars#1{% - \begingroup - % retrieve staff height - \count@=\nblines \advance\count@ -1 \multiply\count@ 2 - \dimen@=\count@\internote - \p@loop - % barline within staff - \expandafter\ifx\csname h@bl\romannumeral\noinstrum@nt\endcsname\relax - % normal barline through staff - \raise\altportee\rlap{\vrule\@depth0pt \@width#1\@height\dimen@}% - \else - \expandafter\ifx\csname h@bl\romannumeral\noinstrum@nt\endcsname 2% - % dashed barline through staff - \raise\altportee\rlap{% - \vbox to \dimen@{% - \cleaders\vbox to 2\internote{\vss - \hrule\@width#1\@height\internote - \vss}% - \vfill}}% - \else - \expandafter\ifx\csname h@bl\romannumeral\noinstrum@nt\endcsname 3% - % dotted barline through staff - \raise\altportee\rlap{% - \vbox to \dimen@{% - \cleaders\vbox to 2\internote{\vss - \hbox to #1{\hss\tenrm.\hss}% - \vss}% - \vfill}}% - \fi - \fi - \fi - \count@portee - % barline above staff - \ifnum\noport@@<\st@ffs % not for topmost staff - \barline@depth\interportee - \advance\barline@depth -\dimen@ - \raise\altportee\hbox{\raise\dimen@\rlap{% - \expandafter\ifx\csname s@mb\romannumeral\noinstrum@nt\endcsname - \relax - % normal barline - \vrule\@height\barline@depth\@width#1\relax - \else - \expandafter\ifx\csname s@mb\romannumeral\noinstrum@nt\endcsname 2% - % dashed barline - \vbox to \barline@depth{% - \xleaders\vbox{\barlinedash{#1}}\vfill}% - \else - \expandafter\ifx\csname s@mb\romannumeral\noinstrum@nt\endcsname - 3% dotted barline - \vbox to \barline@depth{% - \xleaders\vbox{\barlinedots{#1}}\vfill}% - \fi - \fi - \fi}}% - \fi - \repeat - \endgroup} - - -% Activate individual barline processing -\def\indivbarrules{% - \let\writ@rule\rul@indiv - \sepbarrule 1} - -%== separates bar line of specified instrument from one of previous instrument -\def\sepbarrule#1{\expandafter\let\csname s@b\romannumeral#1\endcsname 1} - -%== connects bar line of specified instrument to one of previous instrument -% with dashed line -\def\condashbarrule#1{% - \ifnum#1>1 \expandafter\let\csname s@b\romannumeral#1\endcsname 2\fi} - -%== connects bar line of specified instrument to one of previous instrument -% with dotted line -\def\condotbarrule#1{% - \ifnum#1>1 \expandafter\let\csname s@b\romannumeral#1\endcsname 3\fi} - -%== connects bar line of specified instrument to one of previous instrument -\def\conbarrule#1{% - \ifnum#1>1 \expandafter\let\csname s@b\romannumeral#1\endcsname\relax\fi} - -%== hides bar line for specified instrument -\def\hidebarrule#1{\expandafter\let\csname h@bl\romannumeral#1\endcsname 1} - -%== dashes bar line for specified instrument -\def\showdashbarrule#1{\expandafter\let\csname h@bl\romannumeral#1\endcsname 2} - -%== dots bar line for specified instrument -\def\showdotbarrule#1{\expandafter\let\csname h@bl\romannumeral#1\endcsname 3} - -%== shows bar line for specified instrument -\def\showbarrule#1{\expandafter\let\csname h@bl\romannumeral#1\endcsname\relax} - -%== separates bar line within multistaff instrument -\def\sepmultibarrule#1{\expandafter\let\csname s@mb\romannumeral#1\endcsname 1} - -%== dashes bar line between staves of multistaff instrument -\def\condashmultibarrule#1{% - \expandafter\let\csname s@mb\romannumeral#1\endcsname 2} - -%== dots bar line between staves of multistaff instrument -\def\condotmultibarrule#1{% - \expandafter\let\csname s@mb\romannumeral#1\endcsname 3} - -%== shows bar line between staves of multistaff instrument -\def\conmultibarrule#1{% - \expandafter\let\csname s@mb\romannumeral#1\endcsname\relax} - -% set barlines for all instruments together -\def\allbarrules#1{\n@loop#1\noinstrum@nt\repeat} - - -\makeatother -\endinput - -%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%% - -% Here comes an example of how to use these macros - -\input musixtex -\input musixdbr - -\instrumentnumber4 -\setstaffs23 -\setstaffs32 -\setlines14 -\setsize2\tinyvalue - -\indivbarrules - -\startpiece - % normal barlines - \bar - % barlines on staves - \allbarrules\sepbarrule - \allbarrules\sepmultibarrule - \allbarrules\showbarrule - \bar - % barlines between staves - \allbarrules\conbarrule - \allbarrules\conmultibarrule - \allbarrules\hidebarrule - \bar - % dashed barlines on staves - \allbarrules\sepbarrule - \allbarrules\sepmultibarrule - \allbarrules\showdashbarrule - \bar - % dashed barlines between staves - \allbarrules\condashbarrule - \allbarrules\condashmultibarrule - \allbarrules\hidebarrule - \bar - % dotted barlines on staves - \allbarrules\sepbarrule - \allbarrules\sepmultibarrule - \allbarrules\showdotbarrule - \bar - % dotted barlines between staves - \allbarrules\condotbarrule - \allbarrules\condotmultibarrule - \allbarrules\hidebarrule - \bar - % a wild mixture of all - \showdotbarrule1\hidebarrule2\showdashbarrule3\showbarrule4% - \condashbarrule2\conbarrule3\condotbarrule4% - \condashmultibarrule2\sepmultibarrule3% - \bar - % conventional ending - \allbarrules\showbarrule - \allbarrules\conbarrule - \allbarrules\conmultibarrule -\Endpiece -\bye diff --git a/musixtex/tex/musixdia.tex b/musixtex/tex/musixdia.tex deleted file mode 100644 index 05839ee..0000000 --- a/musixtex/tex/musixdia.tex +++ /dev/null @@ -1,110 +0,0 @@ -% -% This file is part of MusiXTeX -% -% MusiXTeX is free software; you can redistribute it and/or modify -% it under the terms of the GNU General Public License as published by -% the Free Software Foundation; either version 2, or (at your option) -% any later version. -% -% MusiXTeX is distributed in the hope that it will be useful, -% but WITHOUT ANY WARRANTY; without even the implied warranty of -% MERCHANTABILITY or FITNESS FOR A PARTICULAR PURPOSE. See the -% GNU General Public License for more details. -% -% You should have received a copy of the GNU General Public License -% along with MusiXTeX; see the file COPYING. If not, write to -% the Free Software Foundation, Inc., 59 Temple Place - Suite 330, -% Boston, MA 02111-1307, USA. -% - -\immediate\write16{MusiXDIAmond T.40\space<12 September 1995>}% - -\ifx\undefined\dqu \else \endinput \fi - -\edef\catcodeat{\the\catcode`\@}\catcode`\@=11 - -%%% notes with a unfilled diamond head, for gregorian and flagolet notes ... - -\def\d@symbol{\def\q@u{\musixfont\&}} - -\def\dnq{\d@symbol\@nq} -\def\dznq{\advancefalse\dnq} - -\def\dqu{\d@symbol\@qu} -\def\dqup{\d@symbol\@qup} -\def\dqupp{\d@symbol\@qupp} -%\def\dquppp{\d@symbol\@quppp} - -\def\dql{\d@symbol\@ql} -\def\dqlp{\d@symbol\@qlp} -\def\dqlpp{\d@symbol\@qlpp} -%\def\dqlppp{\d@symbol\@qlppp} - -\def\dqb{\d@symbol\@qb} - -\def\dzq{\d@symbol\@zq} -\def\dzqp{\d@symbol\@zqp} -\def\dzqpp{\d@symbol\@zqpp} -%\def\dzqppp{\d@symbol\@zqppp} - -\def\dcu{\d@symbol\@cu} -\def\dccu{\d@symbol\@ccu} -\def\dcccu{\d@symbol\@cccu} -\def\dccccu{\d@symbol\@ccccu} -\def\dcl{\d@symbol\@cl} -\def\dccl{\d@symbol\@ccl} -\def\dcccl{\d@symbol\@cccl} -\def\dccccl{\d@symbol\@ccccl} - -\def\dcup{\d@symbol\@cup} -\def\dcupp{\d@symbol\@cupp} -%\def\dcuppp{\d@symbol\@cuppp} - -\def\dclp{\d@symbol\@clp} -\def\dclpp{\d@symbol\@clpp} -%\def\dclppp{\d@symbol\@clppp} - -%%% notes with a filled diamond head, for gregorian notes ... - -\def\y@symbol{\def\q@u{\musixfont\%}} - -\def\ynq{\y@symbol\@nq} -\def\yznq{\advancefalse\ynq} -\def\zynq{\advancefalse\ynq} - -\def\yqu{\y@symbol\@qu} -\def\yqup{\y@symbol\@qup} -\def\yqupp{\y@symbol\@qupp} -%\def\yquppp{\y@symbol\@quppp} - -\def\yql{\y@symbol\@ql} -\def\yqlp{\y@symbol\@qlp} -\def\yqlpp{\y@symbol\@qlpp} -%\def\yqlppp{\y@symbol\@qlppp} - -\def\yqb{\y@symbol\@qb} - -\def\yzq{\y@symbol\@zq} -\def\yzqp{\y@symbol\@zqp} -\def\yzqpp{\y@symbol\@zqpp} -%\def\yzqppp{\y@symbol\@zqppp} - -\def\ycu{\y@symbol\@cu} -\def\yccu{\y@symbol\@ccu} -\def\ycccu{\y@symbol\@cccu} -\def\yccccu{\y@symbol\@ccccu} -\def\ycl{\y@symbol\@cl} -\def\yccl{\y@symbol\@ccl} -\def\ycccl{\y@symbol\@cccl} -\def\yccccl{\y@symbol\@ccccl} - -\def\ycup{\y@symbol\@cup} -\def\ycupp{\y@symbol\@cupp} -%\def\ycuppp{\y@symbol\@cuppp} - -\def\yclp{\y@symbol\@clp} -\def\yclpp{\y@symbol\@clpp} -%\def\yclppp{\y@symbol\@clppp} - -\catcode`\@=\catcodeat -\endinput diff --git a/musixtex/tex/musixec.tex b/musixtex/tex/musixec.tex deleted file mode 100644 index e213f30..0000000 --- a/musixtex/tex/musixec.tex +++ /dev/null @@ -1,169 +0,0 @@ -% musixec.tex : EC font definitions for MusiXTeX -% -% usage: -% -% \input musixtex -% \input musixec -% ... -% -% MusiXec.tex is free software; you can redistribute it and/or modify -% it under the terms of the GNU General Public License as published by -% the Free Software Foundation; either version 2, or (at your option) -% any later version. -% -% MusiXppl.tex is distributed in the hope that it will be useful, -% but WITHOUT ANY WARRANTY; without even the implied warranty of -% MERCHANTABILITY or FITNESS FOR A PARTICULAR PURPOSE. See the -% GNU General Public License for more details. -% -% You should have received a copy of the GNU General Public License -% along with MusiXTeX; see the file COPYING. If not, write to -% the Free Software Foundation, Inc., 59 Temple Place - Suite 330, -% Boston, MA 02111-1307, USA. -% -% Copyright 2015-2017 Bob Tennent rdt@cs.queensu.ca -% -\ifx\undefined\startpiece\errmessage{Input musixtex.tex before musixec.tex}\fi -\immediate\write16{MusiXec\space<2017/02/10>} -% - -\longECfontnamestrue -\def\fontid{ec} - -% 7pt -\font\sevenrm=ecrm0700 -\font\sevenbf=ecbx0700 -\font\sevenit=ecti0800 at 7pt -\font\sevenbi=ecbi0700 -\font\sevensc=ecsc0700 -% -% 8pt -\font\eightrm=ecrm0800 -\font\eightbf=ecbx0800 -\font\eightit=ecti0800 -\font\eightbi=ecbi0800 -\font\eightsc=ecsc0800 -% -% 9pt -\font\ninerm=ecrm0900 -\font\ninebf=ecbx0900 -\font\nineit=ecti0900 -\font\ninebi=ecbi0900 -\font\ninesc=ecsc0900 -% -% 10pt -\font\tenrm=ecrm1000 -\font\tenbf=ecbx1000 -\font\tenit=ecti1000 -\font\tenbi=ecbi1000 -\font\tensc=ecsc1000 -% -% 11pt -\font\elevenrm=ecrm1095 -\font\elevenbf=ecbx1095 -\font\elevenit=ecti1095 -\font\elevenbi=ecbi1095 -\font\elevensc=ecsc1095 -% -% 12pt -\font\twelverm=ecrm1200 -\font\twelvebf=ecbx1200 -\font\twelveit=ecti1200 -\font\twelvebi=ecbi1200 -\font\twelvesc=ecsc1200 -% -% 14pt -\font\frtrm=ecrm1440 -\font\frtbf=ecbx1440 -\font\frtit=ecti1440 -\font\frtbi=ecbi1440 -\font\frtsc=ecsc1440 -% -% 17pt -\font\svtrm=ecrm1728 -\font\svtbf=ecbx1728 -\font\svtit=ecti1728 -\font\svtbi=ecbi1728 -\font\svtsc=ecsc1728 -% -% 20pt -\font\twtyrm=ecrm2074 -\font\twtybf=ecbx2074 -\font\twtyit=ecti2074 -\font\twtybi=ecbi2074 -\font\twtysc=ecsc2074 -% -% 25pt -\font\twfvrm=ecrm2488 -\font\twfvbf=ecbx2488 -\font\twfvit=ecti2488 -\font\twfvbi=ecbi2488 -\font\twfvsc=ecsc2488 -% -% -% -\font\ppfftwelve=ecbi0800 -\font\ppffsixteen=ecbi1000 -\font\ppfftwenty=ecbi1200 -\font\ppfftwentyfour=ecbi1440 -\font\ppfftwentynine=ecbi1728 -% -% -% tt fonts needed by musixsty -% -\font\eighttt=ectt0800 -\font\ninett=ectt0900 -\font\tentt=ectt1000 -\font\twelvett=ectt1200 -\font\frttt=ectt1440 -\font\svttt=ectt1728 -\font\twtytt=ectt2074 -\font\twfvtt=ectt2488 -% -% sl fonts needed by musixsty -% -\font\eightsl=ecsl0800 -\font\ninesl=ecsl0900 -\font\tensl=ecsl1000 -\font\twelvesl=ecsl1200 -\font\frtsl=ecsl1440 -\font\svtsl=ecsl1728 -\font\twtysl=ecsl2074 -\font\twfvsl=ecsl2488 - -% -% Redefine accented characters for 8-bit font -% - -\ifx\documentclass\undefined -\edef\catcodeat{\the\catcode`\@}\catcode`\@=11 -\def\ProvidesFile#1[#2]{} -\def\DeclareFontEncoding#1#2#3{} -\def\DeclareTextAccent#1#2#3{% -\def#1##1{% -\expandafter\ifx\csname T1\string#1-\string##1\endcsname\relax -{\accent#1 ##1}% -\else -\csname T1\string#1-\string##1\expandafter\endcsname -\fi}} -\def\DeclareTextCommand#1#2{\xdtcmd}%not today -\def\xdtcmd#1#{\xxdtcmd}%not today -\def\xxdtcmd#1{}%not today -\def\DeclareTextCompositeCommand#1#2#3#4{}%not today -\def\DeclareTextSymbol#1#2#3{% -\def#1{\char#3\relax}} -\def\DeclareTextComposite#1#2#3#4{% -\expandafter\def\csname T1\string#1-\string#3\endcsname{\char#4\relax}} - -\input t1enc.def - -% \c requires special treatment -\def\c#1{\leavevmode\ifx c#1\char231 \else\setbox\z@\hbox{#1}\ifdim\ht\z@=1ex\accent11 #1% - \else{\ooalign{\unhbox\z@\crcr - \hidewidth\char11\hidewidth}}\fi\fi} -\catcode`\@=\catcodeat -\fi - - -\normtype -\endinput diff --git a/musixtex/tex/musixeng.tex b/musixtex/tex/musixeng.tex deleted file mode 100644 index e9e3d0d..0000000 --- a/musixtex/tex/musixeng.tex +++ /dev/null @@ -1,42 +0,0 @@ -% -% This file is part of MusiXTeX -% -% MusiXTeX is free software; you can redistribute it and/or modify -% it under the terms of the GNU General Public License as published by -% the Free Software Foundation; either version 2, or (at your option) -% any later version. -% -% MusiXTeX is distributed in the hope that it will be useful, -% but WITHOUT ANY WARRANTY; without even the implied warranty of -% MERCHANTABILITY or FITNESS FOR A PARTICULAR PURPOSE. See the -% GNU General Public License for more details. -% -% You should have received a copy of the GNU General Public License -% along with MusiXTeX; see the file COPYING. If not, write to -% the Free Software Foundation, Inc., 59 Temple Place - Suite 330, -% Boston, MA 02111-1307, USA. -% - -% suggested by Ross Mitchell - -\immediate\write16{MusiX ENGlish rests T.404\space<08 May 2018>}% - -\edef\catcodeat{\the\catcode`\@}\catcode`\@=11 - -\let\Qwr\PAUSe -\let\Dwr\PAuse -\let\liftwr\liftpause -\let\wrp\pausep -\let\wr@\pause -\let\lifthr\lifthpause -\let\hrp\hpausep -\let\hr\hpause -\let\qr\qp -\let\er\ds % \ds\oup no longer available -\let\eer\qs -\let\eeer\hs -\let\eeeer\qqs -\def\wr{\pause} - -\catcode`\@=\catcodeat -\endinput diff --git a/musixtex/tex/musixesf.tex b/musixtex/tex/musixesf.tex deleted file mode 100644 index 0fa6fd0..0000000 --- a/musixtex/tex/musixesf.tex +++ /dev/null @@ -1,79 +0,0 @@ -%% -%% musixesf.tex : efont-serif series fonts definition for MusiXTeX -%% -%% usage: -%% \input musixtex -%% \input musixesf -%% ... -%% -%% This file is public domain. -%% -%% Author: -%% Hiroaki MORIMOTO -%% Tokyo, Japan -%% URL(en): http://homepage1.nifty.com/kuuku/pub/musixtex/index-e.html -%% (jp): http://homepage1.nifty.com/kuuku/pub/musixtex/index.html -%% -%% reference: musixtex.tex (T.99) 268-508 -%% MusiXTeX: (c) Daniel Taupin, et al. -%% -%% efont-serif: -%% (c) /efont/ -%% The Electronic Font Open Laboratory -%% http://openlab.ring.gr.jp/efont/dist/serif/efont-serif-tex-20010312-p3.tar.gz -%% http://openlab.ring.gr.jp/efont/serif/index.html.en -%% http://openlab.ring.gr.jp/efont/index.html.en -%% -%% History: see trailer. -% -\immediate\write16{MusiXTeX efont-serif\space<2009/10/15>} -% -% 8pt roman, bold, and italic -\font\eightrm=esfr7t at 8pt -\font\eightbf=esfb7t at 8pt -\font\eightit=esfri7t at 8pt -% -% 9pt -\font\ninerm=esfr7t at 9pt -\font\ninebf=esfb7t at 9pt -\font\nineit=esfri7t at 9pt -% -% 10pt -\font\tenrm=esfr7t -\font\tenbf=esfb7t -\font\tenit=esfri7t -% -% 12pt -\font\twelverm=esfr7t scaled \magstep 1 -\font\twelvebf=esfb7t scaled \magstep 1 -\font\twelveit=esfri7t scaled \magstep 1 -% -% Large fonts for titles -% (If you prefer efont-serif-bold, use esfb7t instead of esfr7t) -\font\bigfont=esfr7t scaled \magstep2 % 14pt -\font\Bigfont=esfr7t scaled \magstep3 % 17pt -\font\BIgfont=esfr7t scaled \magstep4 % 20pt -\font\BIGfont=esfr7t scaled \magstep5 % 25pt -% -% PMX changes font assignment in pmx.tex -% \BIGfont=\fontid bx10 scaled\magstep4 -% \Bigfont=\fontid bx10 scaled\magstep2 -\ifx\pmxversion\undefined\relax\else - \font\Bigfont=esfr7t scaled \magstep2 % 14pt - \font\BIGfont=esfr7t scaled \magstep4 % 20pt -\fi -% -\normtype -\endinput -%% -%% History -%% -%% 2006/05/13 -%% first publish -%% 2007/06/11 -%% no functional change. (email protection, real address change, URL change) -%% 2008/08/01 -%% Font assignment change on PMX. -%% 2009/10/15 -%% small update for MusiXTeX T.114 final release. -%% diff --git a/musixtex/tex/musixevo.tex b/musixtex/tex/musixevo.tex deleted file mode 100644 index dd6c1e5..0000000 --- a/musixtex/tex/musixevo.tex +++ /dev/null @@ -1,19 +0,0 @@ -\immediate\write16{MusiXEVenOdd T.53\space<1 April 1996>}% - -% enables - -\makeatletter -\def\outmorceau{\shipout\hbox{\null\ifodd\pageno\kern 2.5mm - \else\kern -2.5mm - \fi - \vbox{\vbox to \vsize{\vss\pagecontents\vss}\line{% -\ifodd\pageno\sl \titremorceau\ (\s@hortauthor) -\ifcopyright\rm$\copyright$\fi\hss \number\pageno -\else\rm\number\pageno\hss\sl \titremorceau\ (\s@hortauthor) -\ifcopyright\rm$\copyright$\fi\fi}}}% - \global\advance\count0 by 1\relax - \ifnum\outputpenalty>-20000 \else\dosupereject\fi}% - -\output{\outmorceau} -\makeatother -\endinput diff --git a/musixtex/tex/musixext.tex b/musixtex/tex/musixext.tex deleted file mode 100644 index d6ac3b9..0000000 --- a/musixtex/tex/musixext.tex +++ /dev/null @@ -1,26 +0,0 @@ -% -% This file is part of MusiXTeX -% -% MusiXTeX is free software; you can redistribute it and/or modify -% it under the terms of the GNU General Public License as published by -% the Free Software Foundation; either version 2, or (at your option) -% any later version. -% -% MusiXTeX is distributed in the hope that it will be useful, -% but WITHOUT ANY WARRANTY; without even the implied warranty of -% MERCHANTABILITY or FITNESS FOR A PARTICULAR PURPOSE. See the -% GNU General Public License for more details. -% -% You should have received a copy of the GNU General Public License -% along with MusiXTeX; see the file COPYING. If not, write to -% the Free Software Foundation, Inc., 59 Temple Place - Suite 330, -% Boston, MA 02111-1307, USA. -% -% -% musixext.tex -% -\immediate\write16{MusiXext T.118 <2015-07-25>}% -% -% (nothing to do. - T.118 or later provides \slide and \raggedstoppiece -% -\endinput diff --git a/musixtex/tex/musixfll.tex b/musixtex/tex/musixfll.tex deleted file mode 100644 index 7cb9e44..0000000 --- a/musixtex/tex/musixfll.tex +++ /dev/null @@ -1,44 +0,0 @@ -% -% This file is part of MusiXTeX -% -% MusiXTeX is free software; you can redistribute it and/or modify -% it under the terms of the GNU General Public License as published by -% the Free Software Foundation; either version 2, or (at your option) -% any later version. -% -% MusiXTeX is distributed in the hope that it will be useful, -% but WITHOUT ANY WARRANTY; without even the implied warranty of -% MERCHANTABILITY or FITNESS FOR A PARTICULAR PURPOSE. See the -% GNU General Public License for more details. -% -% You should have received a copy of the GNU General Public License -% along with MusiXTeX; see the file COPYING. If not, write to -% the Free Software Foundation, Inc., 59 Temple Place - Suite 330, -% Boston, MA 02111-1307, USA. -% - -\ifx\undefined\longledgerlines \else \endinput \fi - -\immediate\write16{MusiXFormerLedgerLines T.74\space<06 April 1997>}% - -\edef\catcodeat{\the\catcode`\@}\catcode`\@=11 - -\let\h@lineick\h@linei -\def\h@lineidt{% - \y@ii\n@v\internote - \y@iii\y@ii - \advance\y@ii\hlthick - \advance\y@iii-\hlthick - \y@iv\y@v - \advance\y@iv\h@lf\qn@width - \kernm.25\qn@width - \vrule\@height\y@ii\@depth-\y@iii\@width\y@iv - \kernm\y@iv\kern.25\qn@width} -\def\longledgerlines{\global\let\h@linei\h@lineidt} -\def\autoledgerlines{\global\let\h@linei\h@lineick} -\longledgerlines - -\catcode`\@=\catcodeat - -\endinput - diff --git a/musixtex/tex/musixftab.tex b/musixtex/tex/musixftab.tex deleted file mode 100644 index 82e679a..0000000 --- a/musixtex/tex/musixftab.tex +++ /dev/null @@ -1,148 +0,0 @@ - -% musixftab.tex : french tablature definitions for MusiXTeX -% -% usage: -% -% \input musixtex -% \input musixftab -% ... -% -% musixftab.tex is free software; you can redistribute it and/or modify -% it under the terms of the GNU General Public License as published by -% the Free Software Foundation; either version 2, or (at your option) -% any later version. -% -% musixftab.tex is distributed in the hope that it will be useful, -% but WITHOUT ANY WARRANTY; without even the implied warranty of -% MERCHANTABILITY or FITNESS FOR A PARTICULAR PURPOSE. See the -% GNU General Public License for more details. -% -% You should have received a copy of the GNU General Public License -% along with MusiXTeX; see the file COPYING. If not, write to -% the Free Software Foundation, Inc., 59 Temple Place - Suite 330, -% Boston, MA 02111-1307, USA. -% -% Copyright 2021 Bob Tennent rdt@cs.queensu.ca -% -\immediate\write16{musixftab\space<2017/02/10>} -\ifx\undefined\startpiece\errmessage{Input musixtex.tex before musixftab.tex}\fi - -\font\tabfntthirteen=frenchtab at 4pt -\font\tabfntsixteen=frenchtab at 5pt -\font\tabfnttwenty=frenchtab at 6pt -\font\tabfnttwentyfour=frenchtab at 7pt -\font\tabfnttwentynine=frenchtab at 9pt - -\makeatletter - -% need to raise note boxes 0.25ex for frenchtab.pfb - -\def\tabbox#1#2{% - \setbox0=\hbox{\tabfnt #2}% - \stringraise\nblines - \advance\stringraise by -#1 - \multiply\stringraise by 2 - \advancefalse\def\q@u{}\loffset{0.45}{\@nq{\the\stringraise}}% - \iftabstylespace\else\advance\stringraise-1\fi - \special{ps: 1 setgray}% - \ccharnote{\the\stringraise}{\vrule height \ht0 width \wd0 depth \dp0}% - \special{ps: 0 setgray}% - \ccharnote{\the\stringraise}{\raise 0.25ex\box0}% -} -% \ltabbox does the same as \tabbox, except that it produces -% left-outlined symbols -\def\ltabbox#1#2{\setbox0=\hbox{\tabfnt #2}% - \stringraise\nblines - \advance\stringraise by -#1 - \multiply\stringraise by 2 - \advancefalse\def\q@u{}\loffset{0.2}{\@nq{\the\stringraise}}% - \iftabstylespace\else\advance\stringraise-1\fi - \special{ps: 1 setgray}% - \zcharnote{\the\stringraise}{\vrule height \ht0 width \wd0 depth \dp0}% - \special{ps: 0 setgray}% - \zcharnote{\the\stringraise}{\raise 0.25ex\box0}% -} -% \rtabbox does the same as \tabbox, except that it produces -% right-outlined symbols -\def\rtabbox#1#2{\setbox0=\hbox{\tabfnt #2}% - \stringraise\nblines - \advance\stringraise by -#1 - \multiply\stringraise by 2 - \advancefalse\def\q@u{}\loffset{0.75}{\@nq{\the\stringraise}}% - \iftabstylespace\else\advance\stringraise-1\fi - \special{ps: 1 setgray}% - \lcharnote{\the\stringraise}{\vrule height \ht0 width \wd0 depth \dp0}% - \special{ps: 0 setgray}% - \lcharnote{\the\stringraise}{\raise 0.25ex\box0}% -} - -\makeatother - - -\def\tab#1#2{% -\stringnum=#1 -\ifnum\stringnum>\nblines -\nslashes=\stringnum -\advance\nslashes by -\nblines -\iftabstylespace\advance\nslashes by -1\fi -\def\numslashes{\the\nslashes} -\ifcase\numslashes\tabbox{#1}{#2}\or\zcn{-3}{\tabfnt V0}\or\zcn{-3}{\tabfnt W0}\or\zcn{-3}{\tabfnt X0}\or\zcn{-3}{\tabstringfnt\bf 4}\or\zcn{-3}{\tabstringfnt\bf 5}\or\zcn{-3}{\tabstringfnt\bf 6}\or\zcn{-3}{\tabstringfnt\bf 7}\fi% -\else\tabbox{#1}{#2}\fi\sk} - -% left spilling \tab -\def\ltab#1#2{% -\stringnum=#1 -\ifnum\stringnum>\nblines -\nslashes=\stringnum -\advance\nslashes by -\nblines -\iftabstylespace\advance\nslashes by -1\fi -\def\numslashes{\the\nslashes} -\ifcase\numslashes\ltabbox{#1}{#2}\or\zcn{-3}{\tabfnt V0}\or\zcn{-3}{\tabfnt W0}\or\zcn{-3}{\tabfnt X0}\or\zcn{-3}{\tabstringfnt\bf 4}\or\zcn{-3}{\tabstringfnt\bf 5}\or\zcn{-3}{\tabstringfnt\bf 6}\or\zcn{-3}{\tabstringfnt\bf 7}\fi% -\else\ltabbox{#1}{#2}\fi\sk} - -% right spilling \tab -\def\rtab#1#2{% -\stringnum=#1 -\ifnum\stringnum>\nblines -\nslashes=\stringnum -\advance\nslashes by -\nblines -\iftabstylespace\advance\nslashes by -1\fi -\def\numslashes{\the\nslashes} -\ifcase\numslashes\rtabbox{#1}{#2}\or\zcn{-3}{\tabfnt V0}\or\zcn{-3}{\tabfnt W0}\or\zcn{-3}{\tabfnt X0}\or\zcn{-3}{\tabstringfnt\bf 4}\or\zcn{-3}{\tabstringfnt\bf 5}\or\zcn{-3}{\tabstringfnt\bf 6}\or\zcn{-3}{\tabstringfnt\bf 7}\fi% -\else\rtabbox{#1}{#2}\fi\sk} - -% \chord-tab symbol. Same as \tab, but no \sk is given, so multiple -% symbols can be placed above one another -\def\ztab#1#2{% -\stringnum=#1 -\ifnum\stringnum>\nblines -\nslashes=\stringnum -\advance\nslashes by -\nblines -\iftabstylespace\advance\nslashes by -1\fi -\def\numslashes{\the\nslashes} -\ifcase\numslashes\tabbox{#1}{#2}\or\zcn{-3}{\tabfnt V0}\or\zcn{-3}{\tabfnt W0}\or\zcn{-3}{\tabfnt X0}\or\zcn{-3}{\tabstringfnt\bf 4}\or\zcn{-3}{\tabstringfnt\bf 5}\or\zcn{-3}{\tabstringfnt\bf 6}\or\zcn{-3}{\tabstringfnt\bf 7}\fi% -\else\tabbox{#1}{#2}\fi} - -% left spilling \ztab -\def\zltab#1#2{% -\stringnum=#1 -\ifnum\stringnum>\nblines -\nslashes=\stringnum -\advance\nslashes by -\nblines -\iftabstylespace\advance\nslashes by -1\fi -\def\numslashes{\the\nslashes} -\ifcase\numslashes\ltabbox{#1}{#2}\or\zcn{-3}{\tabfnt V0}\or\zcn{-3}{\tabfnt W0}\or\zcn{-3}{\tabfnt X0}\or\zcn{-3}{\tabstringfnt\bf 4}\or\zcn{-3}{\tabstringfnt\bf 5}\or\zcn{-3}{\tabstringfnt\bf 6}\or\zcn{-3}{\tabstringfnt\bf 7}\fi% -\else\ltabbox{#1}{#2}\fi} - -% right spilling \ztab -\def\zrtab#1#2{% -\stringnum=#1 -\ifnum\stringnum>\nblines -\nslashes=\stringnum -\advance\nslashes by -\nblines -\iftabstylespace\advance\nslashes by -1\fi -\def\numslashes{\the\nslashes} -\ifcase\numslashes\rtabbox{#1}{#2}\or\zcn{-3}{\tabfnt V0}\or\zcn{-3}{\tabfnt W0}\or\zcn{-3}{\tabfnt X0}\or\zcn{-3}{\tabstringfnt\bf 4}\or\zcn{-3}{\tabstringfnt\bf 5}\or\zcn{-3}{\tabstringfnt\bf 6}\or\zcn{-3}{\tabstringfnt\bf 7}\fi% -\else\rtabbox{#1}{#2}\fi} - -\endinput diff --git a/musixtex/tex/musixgre.tex b/musixtex/tex/musixgre.tex deleted file mode 100644 index a7272fb..0000000 --- a/musixtex/tex/musixgre.tex +++ /dev/null @@ -1,351 +0,0 @@ -% -% This file is part of MusiXTeX -% -% MusiXTeX is free software; you can redistribute it and/or modify -% it under the terms of the GNU General Public License as published by -% the Free Software Foundation; either version 2, or (at your option) -% any later version. -% -% MusiXTeX is distributed in the hope that it will be useful, -% but WITHOUT ANY WARRANTY; without even the implied warranty of -% MERCHANTABILITY or FITNESS FOR A PARTICULAR PURPOSE. See the -% GNU General Public License for more details. -% -% You should have received a copy of the GNU General Public License -% along with MusiXTeX; see the file COPYING. If not, write to -% the Free Software Foundation, Inc., 59 Temple Place - Suite 330, -% Boston, MA 02111-1307, USA. -% -\immediate\write16{MusiXGREgorian T.67\space<3 January 1997>}% - -\ifx\undefined\gregorianCclef \else \endinput \fi - -\edef\catcodeat{\the\catcode`\@}\catcode`\@=11 -\catcodesmusic - -\font\xgregeleven=xgreg11 -\font\xgregthirteen=xgreg13 -\font\xgregsixteen=xgreg16 -\font\xgregtwenty=xgreg20 -\font\xgregtwentyfour=xgreg24 -\font\xgregtwentynine=xgreg29 - -\let\xgregnorfont\xgregtwenty - -\def\xgregkeyfont{% - \ifdim\internote<\p@seven6\Internote \xgregtinyfont - \else - \ifdim\internote<.95\Internote \xgregsmallfont - \else - \ifdim\internote<1.19\Internote \xgregnorfont - \else - \ifdim\internote<1.43\Internote \xgreglargefont - \else - \xgregLargefont - \fi - \fi - \fi - \fi} - -\def\xgregchar{\xgregfont\char} -\def\xgregkeychar{\xgregkeyfont\char} - - -% \[z]carrg=\[z]squ, \[z]carpg=\[z]lsqu, \[z]carqg=\[z]rsqu - -\def\gregorianCclef{\xgregkeychar98} -\def\gregorianFclef{\xgregkeychar122} - -\def\squ#1{\getn@i#1\relax\let\n@fon\squ \def\n@sym{\xgregchar5}\g@diamg} -\def\r@small@squ#1{\getn@i#1\relax\let\n@fon\r@small@squ - \def\n@sym{\xgregchar0\llap{\xgregchar12\xgregchar18}}\g@diamg} -\def\punctumauctup#1{\getn@i#1\relax\let\n@fon\squ - \def\n@sym{\xgregchar9}\g@diamg} -\def\punctumauctdown#1{\getn@i#1\relax\let\n@fon\squ - \def\n@sym{\xgregchar8}\g@diamg} -\def\punctumdeminutum#1{\getn@i#1\relax\let\n@fon\squ - \def\n@sym{\xgregchar4}\g@diamg} -\def\shavedsqu#1{\getn@i#1\relax\let\n@fon\squ - \def\n@sym{\xgregchar17}\g@diamg} -\let\punctum\squ -\def\diapunc#1{\getn@i#1\relax\let\n@fon\squ - \def\n@sym{\xgregchar1}\g@diamg} -\def\diapuncauctdown#1{\getn@i#1\relax\let\n@fon\squ - \def\n@sym{\xgregchar2}\g@diamg} -\def\apostropha#1{\getn@i#1\relax\let\n@fon\squ - \def\n@sym{\xgregchar3}\g@diamg} -\def\apostrophaaucta#1{\getn@i#1\relax\let\n@fon\squ - \def\n@sym{\xgregchar11}\g@diamg} -\def\oriscus#1{\getn@i#1\relax\let\n@fon\squ - \def\n@sym{\xgregchar10}\g@diamg} -\def\usqu#1{\getn@i#1\relax\let\n@fon\squ - \def\n@sym{\xgregchar13}\g@diamg} -\def\lsqu#1{\getn@i#1\relax\let\n@fon\lsqu - \def\n@sym{\xgregchar6}\g@diamg} -\def\rsqu#1{\getn@i#1\relax\let\n@fon\rsqu - \def\n@sym{\xgregchar7}\g@diamg} -\let\virga\rsqu -\def\quilisma#1{\getn@i#1\relax\let\n@fon\quilisma - \def\n@sym{\xgregchar125}\g@diamg} -\def\shavedquilisma#1{\getn@i#1\relax\let\n@fon\shavedquilisma - \def\n@sym{\xgregchar126}\g@diamg} - - - -\def\zsqu{\advancefalse\squ} -\let\zpunctum\zsqu -\def\zusqu{\advancefalse\usqu} -\def\zlsqu{\advancefalse\lsqu} -\def\zrsqu{\advancefalse\rsqu} -\let\zvirga\zrsqu -\def\zoriscus{\advancefalse\oriscus} -\def\zdiapunc{\advancefalse\diapunc} -\def\zapostropha{\advancefalse\apostropha} -\def\zquilisma{\advancefalse\quilisma} -\def\zshavedquilisma{\advancefalse\shavedquilisma} - -\def\g@diamg{\y@v.71\qn@width \let\st@m\resetst@m \writ@note} - -\def\groff{\roffset{.71}} -\def\dgroff{\roffset{1.42}} - -\def\getthen@one@two#1#2{\getn@i{#1}\relax\edef\then@one{\the\n@i}% - \getn@i{#2}\relax\edef\then@two{\the\n@i}% - \n@ii=\then@one\relax - \advance\n@i -\n@ii\relax - \edef\the@two@minus@one{\the\n@i}% - \n@i=-\n@i - \edef\the@one@minus@two{\the\n@i}% -}% -\def\getthen@one@three#1#2#3{\getthen@one@two{#1}{#2}\relax - \getn@i{#3}\relax\edef\then@three{\the\n@i}% - \n@ii=\then@two\relax - \advance\n@i -\n@ii\relax - \edef\the@three@minus@two{\the\n@i}% - \n@i=-\n@i - \edef\the@two@minus@three{\the\n@i}% -}% - -\def\bivirga#1#2{\zrsqu{#1}\roff{\rsqu{#2}}} - -\def\trivirga#1#2#3{\zrsqu{#1}\roff{\zrsqu{#2}}\roffset2{\rsqu{#3}}} - -\def\bistropha#1#2{\zsqu{#1}\roff{\squ{#2}}} - -\def\tristropha#1#2#3{\zsqu{#1}\roff{\zsqu{#2}}\roffset2{\squ{#3}}} - -\def\trigonus#1#2#3{\zdiapunc{#1}\groff{\zdiapunc{#2}}\dgroff{\diapunc{#3}}} - -\def\clivis#1#2{\getthen@one@two{#1}{#2}\relax -\zlsqu{#1}{\xgregchar0}\zcharnote{#2}{\vrule\@depth\z@ \@height \the@one@minus@two\internote}\squ{#2}} - -\def\clivisdeminut#1#2{\getthen@one@two{#1}{#2}\relax -\zlsqu{#1}\zcharnote{#2}{\xgregchar0\vrule\@depth\z@ \@height -\the@one@minus@two\internote}\r@small@squ{#2}} - -\def\clivisauctup#1#2{\getthen@one@two{#1}{#2}\relax -\zlsqu{#1}{\xgregchar0}\zcharnote{#2}{\vrule\@depth\z@ \@height \the@one@minus@two\internote}\punctumauctup{#2}} - -\def\clivisauctdown#1#2{\getthen@one@two{#1}{#2}\relax -\zlsqu{#1}{\xgregchar0}\zcharnote{#2}{\vrule\@depth\z@ \@height \the@one@minus@two\internote}\punctumauctdown{#2}} - -\def\lclivis#1#2{\zsqu{#1}\groff{\lsqu{#2}}} - -\def\podatus#1#2{\getthen@one@two{#1}{#2}\relax - \zcharnote{#1}{\ifnum\the@two@minus@one<2\relax - \xgregchar16% - \else - \xgregchar15% - \fi - \vrule\@depth\z@ \@height\the@two@minus@one\internote}% -\ifnum\the@two@minus@one<2\relax - \shavedsqu{#2}% - \else - \squ{#2}% - \fi -} - -\def\podatusdeminut#1#2{\getthen@one@two{#1}{#2}\relax - \zcharnote{#1}{\ifnum\the@two@minus@one<2\relax - \xgregchar16% - \else - \xgregchar15% - \fi - \vrule\@depth\z@ \@height\the@two@minus@one\internote}% - \r@small@squ{#2}% -} - -\def\lpodatus#1#2{\zusqu{#1}\groff{\rsqu{#2}}} - -\def\podatusinitiodebilis#1#2{\getthen@one@two{#1}{#2}\relax - \zcharnote{#1}{\xgregchar12\xgregchar18% - \vrule\@depth\z@ \@height\the@two@minus@one\internote}% - {\xgregchar18}\squ{#2}% -} - -\def\podatusauctup#1#2{\getthen@one@two{#1}{#2}\relax - \zcharnote{#1}{\xgregchar5\xgregchar0% - \vrule\@depth\z@ \@height\the@two@minus@one\internote}% - {\xgregchar0}\punctumauctup{#2}% -} - -\def\podatusauctdown#1#2{\getthen@one@two{#1}{#2}\relax - \zcharnote{#1}{\xgregchar5\xgregchar0% - \vrule\@depth\z@ \@height\the@two@minus@one\internote}% - {\xgregchar0}\punctumauctdown{#2}% -} - -\def\scandicus#1#2#3{\getthen@one@three{#1}{#2}{#3}\relax - \advancefalse\podatus{#1}{#2}{\xgregchar0}% -% \zcharnote{#2}{\vrule\@depth\z@ \@height\the@three@minus@two\internote}% - \rsqu{#3}} - -\def\scandicusdeminut#1#2#3{\getthen@one@two{#1}{#2}% - \zsqu{#1}{\xgregchar0}% -% \zcharnote{#1}{\vrule\@depth\z@ \@height\the@two@minus@one\internote}% - \podatusdeminut{#2}{#3}} - -\def\scandicusauctdown#1#2#3{\getthen@one@three{#1}{#2}{#3}\relax - \zsqu{#1}{\xgregchar0}% - \zcharnote{#1}{\vrule\@depth\z@ \@height\the@two@minus@one\internote}% - \zsqu{#2}{\xgregchar0}% - \zcharnote{#2}{\vrule\@depth\z@ \@height\the@three@minus@two\internote}% - \punctumauctdown{#3}} - -\def\torculus#1#2#3{\getthen@one@three{#1}{#2}{#3}\zsqu{#1}{\xgregchar0}% - \zcharnote{#1}{\vrule\@depth\z@ \@height\the@two@minus@one\internote}% - \zsqu{#2}{\xgregchar0}% - \zcharnote{#3}{\vrule\@depth\z@ \@height\the@two@minus@three\internote}% - \squ{#3}} - -\def\torculusdeminut#1#2#3{\getthen@one@three{#1}{#2}{#3}\zsqu{#1}{\xgregchar0}% - \zcharnote{#1}{\vrule\@depth\z@ \@height\the@two@minus@one\internote}% - \zsqu{#2}% - \zcharnote{#3}{\xgregchar0\vrule\@depth\z@ \@height\the@two@minus@three\internote}% - \r@small@squ{#3}} - -\def\torculusauctdown#1#2#3{\getthen@one@three{#1}{#2}{#3}\zsqu{#1}{\xgregchar0}% - \zcharnote{#1}{\vrule\@depth\z@ \@height\the@two@minus@one\internote}% - \zsqu{#2}{\xgregchar0}% - \zcharnote{#3}{\vrule\@depth\z@ \@height\the@two@minus@three\internote}% - \punctumauctdown{#3}} - -\def\torculusinitiodebilis#1#2#3{\getthen@one@three{#1}{#2}{#3}% - \zcharnote{#1}{\xgregchar12\xgregchar18\vrule\@depth\z@ \@height\the@two@minus@one\internote}% - {\xgregchar18}\zsqu{#2}{\xgregchar0}% - \zcharnote{#3}{\vrule\@depth\z@ \@height\the@two@minus@three\internote}% - \squ{#3}} - -\def\torculusdebilis#1#2#3{\getthen@one@three{#1}{#2}{#3}% - \zcharnote{#1}{\xgregchar12\xgregchar18\vrule\@depth\z@ \@height\the@two@minus@one\internote}% - {\xgregchar18}\zsqu{#2}% - \zcharnote{#3}{\xgregchar0\vrule\@depth\z@ \@height\the@two@minus@three\internote}% - \r@small@squ{#3}} - -\def\climacus#1#2#3{\zrsqu{#1}\groff{\zdiapunc{#2}{\xgregchar0}\diapunc{#3}}} - -\def\climacusresupinus#1#2#3#4{\zrsqu{#1}\groff{\zdiapunc{#2}{\xgregchar0}\zdiapunc{#3}{\xgregchar0}\squ{#4}}} - -\def\climacusdeminut#1#2#3{\zrsqu{#1}\groff{\zdiapunc{#2}{\xgregchar0}\punctumdeminutum{#3}}} - -\def\climacusauctdown#1#2#3{\zrsqu{#1}\groff{\zdiapunc{#2}{\xgregchar0}\diapuncauctdown{#3}}} - -\def\lclimacus#1#2#3{\zlsqu{#1}\groff{\zdiapunc{#2}{\xgregchar0}\diapunc{#3}}} - -\def\pesquassus#1#2{\getthen@one@two{#1}{#2}\relax - \zoriscus{#1}{\xgregchar0}\zcharnote{#1}{\vrule\@depth\z@ \@height \the@two@minus@one\internote}\rsqu{#2}} - -\def\pesquassusauctdown#1#2{\getthen@one@two{#1}{#2}\relax - \zoriscus{#1}{\xgregchar0}\zcharnote{#1}{\vrule\@depth\z@ \@height \the@two@minus@one\internote}\punctumauctdown{#2}} - -\def\quilismapes#1#2{\getthen@one@two{#1}{#2}\relax - \ifnum\the@two@minus@one<2\relax - \zshavedquilisma{#1}% \message{ zshavedqui OK}% - \else - \zquilisma{#1}% \message{ zquilisma OK}% - \fi %\message{zqui OK}% - \zcharnote{#1}{\xgregchar0\vrule\@depth\z@ \@height \the@two@minus@one\internote}% - \ifnum\the@two@minus@one<2\relax - \shavedsqu{#2}% - \else - \squ{#2}% - \fi -} -\def\quilismapesauctdown#1#2{\getthen@one@two{#1}{#2}\relax - \zquilisma{#1}% \message{ zquilisma OK}% - \zcharnote{#1}{\xgregchar0\vrule\@depth\z@ \@height \the@two@minus@one\internote}% - {\xgregchar0}\punctumauctdown{#2}% -} - - %\check -\def\hporrectus#1{\errmessage{\noexpand\hporrectus\space does not exist -anymore, use \bporrectus with two args}} - -\def\porrectus#1#2{\errmessage{\noexpand\porrectus does not exist anymore, use - \noexpand\Porrectus}} - -\def\porrectusflexus#1#2{\errmessage{\noexpand\porrectusflexus does not exist anymore, use - \noexpand\Porrectusflexus}} - - %\check -\def\bporrectus#1#2{\getthen@one@two{#1}{#2}\relax - \ifnum\the@one@minus@two=1\relax - \def\n@sym{\xgregchar121}\relax - \else\ifnum\the@one@minus@two=2\relax - \def\n@sym{\xgregchar120}\relax - \else\ifnum\the@one@minus@two=3\relax - \def\n@sym{\xgregchar119}\relax - \else\ifnum\the@one@minus@two=4\relax - \def\n@sym{\xgregchar118}\relax - \else\errmessage{Porrectus 2nd arg must be 1st minus 1 to 4}\relax - \fi - \fi - \fi - \fi - \getn@i#1\relax\let\n@fon\squ \g@diamg -} - -%\check - -\def\Porrectusflexus#1#2#3#4{% - \advancefalse\bporrectus{#1}{#2}{\xgregchar0\xgregchar0\xgregchar0}% - \getthen@one@three{#2}{#3}{#4}% - \zcharnote{#2}{\vrule \@height\the@two@minus@one\internote\@depth\z@}% - \zsqu{#3}% - {\xgregchar0}\zcharnote{#4}{\vrule\@depth\z@ \@height \the@two@minus@three\internote}\squ{#4}} - -%\check - -\def\Porrectus#1#2#3{\getthen@one@three{#1}{#2}{#3}\relax - \advancefalse\bporrectus{#1}{#2}{\xgregchar0\xgregchar0}% - \zcharnote{#2}{\xgregchar0\vrule\@height\the@three@minus@two\internote\@depth\z@}% - \ifnum\the@three@minus@two<2\relax - \shavedsqu{#3}% - \else - \squ{#3}% - \fi -} - -\def\Porrectusdeminut#1#2#3{\getthen@one@three{#1}{#2}{#3}\relax - \advancefalse\bporrectus{#1}{#2}{\xgregchar0\xgregchar0}% - \zcharnote{#2}{\xgregchar0\vrule\@height\the@three@minus@two\internote\@depth\z@}\r@small@squ{#3}% -} - -\def\Porrectusauctdown#1#2#3{\getthen@one@three{#1}{#2}{#3}\relax - \advancefalse\bporrectus{#1}{#2}{\xgregchar0\xgregchar0\xgregchar0}% - \zcharnote{#2}{\vrule\@height\the@three@minus@two\internote\@depth\z@}\punctumauctdown{#3}% -} - -\def\salicus#1#2#3{\zsqu{#1}\groff{\pesquassus{#2}{#3}}} -%\check - -\def\salicusflexus#1#2#3#4{\zsqu{#1}{\xgregchar0}\torculus{#2}{#3}{#4}} - -\def\salicusauctdown#1#2#3{\zsqu{#1}\groff{\pesquassusauctdown{#2}{#3}}} -%\check - -\let\xgregfont\xgregnorfont - -\endcatcodesmusic -\catcode`\@=\catcodeat -\endinput diff --git a/musixtex/tex/musixgui.tex b/musixtex/tex/musixgui.tex deleted file mode 100644 index 103360b..0000000 --- a/musixtex/tex/musixgui.tex +++ /dev/null @@ -1,41 +0,0 @@ -% -% This file is part of MusiXTeX -% -% MusiXTeX is free software; you can redistribute it and/or modify -% it under the terms of the GNU General Public License as published by -% the Free Software Foundation; either version 2, or (at your option) -% any later version. -% -% MusiXTeX is distributed in the hope that it will be useful, -% but WITHOUT ANY WARRANTY; without even the implied warranty of -% MERCHANTABILITY or FITNESS FOR A PARTICULAR PURPOSE. See the -% GNU General Public License for more details. -% -% You should have received a copy of the GNU General Public License -% along with MusiXTeX; see the file COPYING. If not, write to -% the Free Software Foundation, Inc., 59 Temple Place - Suite 330, -% Boston, MA 02111-1307, USA. -% -\immediate\write16{MusiXGUItar 0.36\space<1 March 1995>}% - -\ifx\undefined\guitar \else \endinput \fi - -\edef\catcodeat{\the\catcode`\@}\catcode`\@=11 - -\newskip\guitar@dim \guitar@dim=-.6\qn@width\relax - -% to raise the chords (steps of internote) -\def\raiseguitar#1{\edef\r@gu{#1}} -\let\r@gu\z@ - -\def\d@c#1{\if x#1\tw@nty \else\if o#1\char19\else\char28\fi\fi} -\def\guitar#1#2#3#4#5#6#7#8{\zchar\r@gu{\raise\Interligne\lrlap{#1}% - \mxsps\lrlap\sixt@@n\lrlap{\d@c#3\d@c#4\d@c#5\d@c#6\d@c#7\d@c#8}% - \lower\Internote\lrlap{\eightbf#2\kern\s@v@n\guitar@dim}}} -\def\gbarre#1{\zchar\r@gu{\n@v#1\advance\n@v\m@ne - \raise\n@v\guitar@dim\lrlap{\mxsps\char18}}} -\def\gdot#1#2{\zchar\r@gu{\n@v#2\advance\n@v\m@ne\kern\si@\guitar@dim - \kernm#1\guitar@dim\raise\n@v\guitar@dim\rlap{\mxsps\char17}}} - -\catcode`\@=\catcodeat -\endinput diff --git a/musixtex/tex/musixhor.tex b/musixtex/tex/musixhor.tex deleted file mode 100644 index fbc7339..0000000 --- a/musixtex/tex/musixhor.tex +++ /dev/null @@ -1,41 +0,0 @@ -% -% This file is part of MusiXTeX -% -% MusiXTeX is free software; you can redistribute it and/or modify -% it under the terms of the GNU General Public License as published by -% the Free Software Foundation; either version 2, or (at your option) -% any later version. -% -% MusiXTeX is distributed in the hope that it will be useful, -% but WITHOUT ANY WARRANTY; without even the implied warranty of -% MERCHANTABILITY or FITNESS FOR A PARTICULAR PURPOSE. See the -% GNU General Public License for more details. -% -% You should have received a copy of the GNU General Public License -% along with MusiXTeX; see the file COPYING. If not, write to -% the Free Software Foundation, Inc., 59 Temple Place - Suite 330, -% Boston, MA 02111-1307, USA. -% - -\ifx\undefined\Tenpoint - \input musixsty.tex -\fi - -\immediate\write16{MusiXtextSTYle-horizontal T.98\space<21 October 1999>}% - -\vsize=185mm -\hsize=275mm -\hoffset=297mm -\advance\hoffset -\hsize -\divide\hoffset 2\relax -\advance\hoffset -2.54cm -\voffset -3mm -\tenpoint -\def\horizontalscore{\relax} -%%%%%%%%%%%%%%%%%%%%%%%%% local adjust to be tuned %%%%%%%%%%%%%%%%%%%%%%%%%% -\advance\voffset -5mm -\hoffset=-1.54cm -%%%%%%%%%%%%%%%%%%%%%%%%% local adjust to be tuned %%%%%%%%%%%%%%%%%%%%%%%%%% - -\endinput - diff --git a/musixtex/tex/musixhou.tex b/musixtex/tex/musixhou.tex deleted file mode 100644 index d0eb65d..0000000 --- a/musixtex/tex/musixhou.tex +++ /dev/null @@ -1,58 +0,0 @@ -% -% This file is part of MusiXTeX -% -% MusiXTeX is free software; you can redistribute it and/or modify -% it under the terms of the GNU General Public License as published by -% the Free Software Foundation; either version 2, or (at your option) -% any later version. -% -% MusiXTeX is distributed in the hope that it will be useful, -% but WITHOUT ANY WARRANTY; without even the implied warranty of -% MERCHANTABILITY or FITNESS FOR A PARTICULAR PURPOSE. See the -% GNU General Public License for more details. -% -% You should have received a copy of the GNU General Public License -% along with MusiXTeX; see the file COPYING. If not, write to -% the Free Software Foundation, Inc., 59 Temple Place - Suite 330, -% Boston, MA 02111-1307, USA. -% - -\immediate\write16{MusiXHOUsestyles T.64\space<8 October 1996>}% - -\ifx\undefined\Metron \else \endinput \fi - -\edef\catcodeat{\the\catcode`\@}\catcode`\@=11 - -% match the mid of lower chars (only for \tenrm) - -\def\writ@names{\n@loop - \setbox\toks@box\llap{\vbox{\hbox\@to\parindent{% - \hss\csname instrument\romannumeral\noinstrum@nt\endcsname - \hss}\kern\h@lf ex}~~}% - \altportee\altitude \Comp@High\advance\y@v-\ht\toks@box - \advance\altportee\h@lf\y@v \writ@box \repeat} - -% smaller metron - -\def\Metron#1{{\tinynotesize\stemlength\thr@@\eightrm (\zqu 0~~~= #1)}} - -%%% dynamics -\iflongDCfontnames - \font\frtnbxit=\fontid bi1440 -\else\iflongECfontnames - \font\frtnbxit=\fontid bi1440 - \else - \font\frtnbxit=\fontid bxti10 scaled \magstep2 - \fi -\fi -\def\f{\frtnbxit f} -\def\ff{\f\f@kern f} -\def\fff{\ff\f@kern f} -\def\mf{\twelveit m\p@kern\f@kern\f} -\def\mp@{\twelveit m\p@kern\p} -\def\p{\frtnbxit p} -\def\pp{\p\p@kern p} -\def\ppp{\pp\p@kern p} - -\catcode`\@=\catcodeat -\endinput diff --git a/musixtex/tex/musixhv.tex b/musixtex/tex/musixhv.tex deleted file mode 100644 index 9c24763..0000000 --- a/musixtex/tex/musixhv.tex +++ /dev/null @@ -1,180 +0,0 @@ -% musixhv.tex : Helvetica font definitions for MusiXTeX -% -% usage: -% -% \input musixtex -% \input musixhv -% ... -% -% MusiXhv.tex is free software; you can redistribute it and/or modify -% it under the terms of the GNU General Public License as published by -% the Free Software Foundation; either version 2, or (at your option) -% any later version. -% -% MusiXhv.tex is distributed in the hope that it will be useful, -% but WITHOUT ANY WARRANTY; without even the implied warranty of -% MERCHANTABILITY or FITNESS FOR A PARTICULAR PURPOSE. See the -% GNU General Public License for more details. -% -% You should have received a copy of the GNU General Public License -% along with MusiXTeX; see the file COPYING. If not, write to -% the Free Software Foundation, Inc., 59 Temple Place - Suite 330, -% Boston, MA 02111-1307, USA. -% -% Copyright 2015-2017 Bob Tennent rdt@cs.queensu.ca -% -\immediate\write16{MusiXhv\space<2017/02/10>} -\ifx\undefined\startpiece\errmessage{Input musixtex.tex before musixhv.tex}\fi -% -% 7pt "Roman" (sans serif), bold, "italic" (oblique), "bold-italic" (bold-oblique), and small-cap -\font\sevenrm=phvr8t at 7pt -\font\sevenbf=phvb8t at 7pt -\font\sevenit=phvro8t at 7pt -\font\sevenbi=phvbo8t at 7pt -\font\sevensc=phvrc8t at 7pt -% -% 8pt -\font\eightrm=phvr8t at 8pt -\font\eightbf=phvb8t at 8pt -\font\eightbi=phvbo8t at 8pt -\font\eightsc=phvrc8t at 8pt -\font\eightit=phvro8t at 8pt -% -% 9pt -\font\ninerm=phvr8t at 9pt -\font\ninebf=phvb8t at 9pt -\font\nineit=phvro8t at 9pt -\font\ninebi=phvbo8t at 9pt -\font\ninesc=phvrc8t at 9pt -% -% 10pt -\font\tenrm=phvr8t at 10pt -\font\tenbf=phvb8t at 10pt -\font\tenit=phvro8t at 10pt -\font\tenbi=phvbo8t at 10pt -\font\tensc=phvrc8t at 10pt -% -% 11pt -\font\elevenrm=phvr8t at 11pt -\font\elevenbf=phvb8t at 11pt -\font\elevenit=phvro8t at 11pt -\font\elevenbi=phvbo8t at 11pt -\font\elevensc=phvrc8t at 11pt -% -% 12pt -\font\twelverm=phvr8t scaled \magstep1 -\font\twelvebf=phvb8t scaled \magstep1 -\font\twelveit=phvro8t scaled \magstep1 -\font\twelvebi=phvbo8t scaled \magstep1 -\font\twelvesc=phvrc8t scaled \magstep1 -% -% 14pt -\font\frtrm=phvr8t scaled \magstep2 -\font\frtbf=phvb8t scaled \magstep2 -\font\frtit=phvro8t scaled \magstep2 -\font\frtbi=phvbo8t scaled \magstep2 -\font\frtsc=phvrc8t scaled \magstep2 -% -% 17pt -\font\svtrm=phvr8t scaled \magstep3 -\font\svtbf=phvb8t scaled \magstep3 -\font\svtit=phvro8t scaled \magstep3 -\font\svtbi=phvbo8t scaled \magstep3 -\font\svtsc=phvrc8t scaled \magstep3 -% -% 20pt -\font\twtyrm=phvr8t scaled \magstep4 -\font\twtybf=phvb8t scaled \magstep4 -\font\twtyit=phvro8t scaled \magstep4 -\font\twtybi=phvbo8t scaled \magstep4 -\font\twtysc=phvrc8t scaled \magstep4 -% -% 25pt -\font\twfvrm=phvr8t scaled \magstep5 -\font\twfvbf=phvb8t scaled \magstep5 -\font\twfvit=phvro8t scaled \magstep5 -\font\twfvbi=phvbo8t scaled \magstep5 -\font\twfvsc=phvrc8t scaled \magstep5 -% -% large fonts for titles -% (If you prefer bold, use \bf) -% -\def\bigtype{\bigfont\rm} -\def\Bigtype{\Bigfont\rm} -\def\BIgtype{\BIgfont\rm} -\def\BIGtype{\BIGfont\rm} -% -% -\font\ppfftwelve=phvbo8t at 8pt -\font\ppffsixteen=phvbo8t at 10pt -\font\ppfftwenty=phvbo8t at 12pt -\font\ppfftwentyfour=phvbo8t at 14pt -\font\ppfftwentynine=phvbo8t at 17pt -% -\def\f{{\ppff f}} -\def\ff{{\ppff ff}} -\def\fp{{\ppff fp}} -\def\fff{{\ppff fff}} -\def\ffff{{\ppff ffff}} -\def\mf{{\ppff mf}} -\def\p{{\ppff p}} -\def\pp{{\ppff pp}} -\def\ppp{{\ppff ppp}} -\def\pppp{{\ppff pppp}} - -% sl fonts needed by musixsty -% -\font\eightsl=phvro8t at 8pt -\font\ninesl=phvro8t at 9pt -\font\tensl=phvro8t at 10pt -\font\twelvesl=phvro8t scaled \magstep1 -\font\frtsl=phvro8t scaled \magstep2 -\font\svtsl=phvro8t scaled \magstep3 -\font\twtysl=phvro8t scaled \magstep4 -\font\twfvsl=phvro8t scaled \magstep5 -% -% -\edef\catcodeat{\the\catcode`\@} -\catcode`\@=11 -% -\def\sF{{\ppff s\p@kern f}} -\def\sfz{{\ppff s\p@kern f\f@kern z}} -\def\sfzp{{\ppff s\p@kern f\f@kern z\p@kern p}} - -\def\mp@{{\ppff mp}} -\let\mezzopiano\mp@ -\catcode`\@=\catcodeat - -% -% Redefine accented characters for etex, suggested by David Carlisle: -% -\ifx\documentclass\undefined -\catcode`\@=11 -\def\ProvidesFile#1[#2]{} -\def\DeclareFontEncoding#1#2#3{} -\def\DeclareTextAccent#1#2#3{% -\def#1##1{% -\expandafter\ifx\csname T1\string#1-\string##1\endcsname\relax -{\accent#1 ##1}% -\else -\csname T1\string#1-\string##1\expandafter\endcsname -\fi}} -\def\DeclareTextCommand#1#2{\xdtcmd}%not today -\def\xdtcmd#1#{\xxdtcmd}%not today -\def\xxdtcmd#1{}%not today -\def\DeclareTextCompositeCommand#1#2#3#4{}%not today -\def\DeclareTextSymbol#1#2#3{% -\def#1{\char#3\relax}} -\def\DeclareTextComposite#1#2#3#4{% -\expandafter\def\csname T1\string#1-\string#3\endcsname{\char#4\relax}} - -\input t1enc.def - -\def\c#1{\leavevmode\ifx c#1\char231 \else\setbox\z@\hbox{#1}\ifdim\ht\z@=1ex\accent11 #1% - \else{\ooalign{\unhbox\z@\crcr - \hidewidth\char11\hidewidth}}\fi\fi} -\catcode`\@=\catcodeat -\fi - -\normtype -\endinput diff --git a/musixtex/tex/musixinv.tex b/musixtex/tex/musixinv.tex deleted file mode 100644 index 4a8d6ae..0000000 --- a/musixtex/tex/musixinv.tex +++ /dev/null @@ -1,2 +0,0 @@ -% still a dummy -\endinput diff --git a/musixtex/tex/musixlit.tex b/musixtex/tex/musixlit.tex deleted file mode 100644 index f55fb8f..0000000 --- a/musixtex/tex/musixlit.tex +++ /dev/null @@ -1,87 +0,0 @@ -% -% This file is part of MusiXTeX -% -% MusiXTeX is free software; you can redistribute it and/or modify -% it under the terms of the GNU General Public License as published by -% the Free Software Foundation; either version 2, or (at your option) -% any later version. -% -% MusiXTeX is distributed in the hope that it will be useful, -% but WITHOUT ANY WARRANTY; without even the implied warranty of -% MERCHANTABILITY or FITNESS FOR A PARTICULAR PURPOSE. See the -% GNU General Public License for more details. -% -% You should have received a copy of the GNU General Public License -% along with MusiXTeX; see the file COPYING. If not, write to -% the Free Software Foundation, Inc., 59 Temple Place - Suite 330, -% Boston, MA 02111-1307, USA. -% - -\immediate\write16{MusiXLITurgical 0.38\space<17 Dec 2016>}% - -\ifx\undefined\oldGclef \else \endinput \fi - -\edef\catcodeat{\the\catcode`\@}\catcode`\@=11 - -\def\oldGclef{\keychar103} - -\def\cqu{\def\q@u{\musixchar99}\@qu} -\def\cql{\def\q@u{\musixfont\@c}\@ql} -\def\chu{\def\q@u{\musixchar101}\@qu} -\def\chl{\def\q@u{\musixchar102}\@ql} - -\def\cnqu{\def\q@u{\musixchar99}\@nq} -\def\cnql{\def\q@u{\musixfont\@c}\@nq} -\def\cnhu{\def\q@u{\musixchar101}\@nq} -\def\cnhl{\def\q@u{\musixchar102}\@nq} -\def\cqb{\def\q@u{\musixchar99}\@qb} % RDT 2016-12-17 -\def\zcqb{\advancefalse\cqb} % RDT 2016-12-17 - - -% Moved to musixtex.tex. RDT 2015-12-23 -%\def\Hpause#1#2{\zcharnote{#1}{\def\s@r{% -% \vrule\@width.6\p@\@height1\h@lf\internote\@depth1\h@lf\internote}% -% \s@r -% \vrule\@width#2\noteskip\@height\h@lf\internote\@depth\h@lf\internote -% \s@r}} - -\def\Hlonga#1#2{\zcharnote{#1}{\def\s@r{% - \vrule\@width.6\p@\@height1\h@lf\internote\@depth1\h@lf\internote}% - \s@r - \raise\h@lf\internote\rlap{\vrule\@width#2\noteskip - \@height 0.3pt\@depth 0.3pt}% - \raise-\h@lf\internote\hbox{\vrule\@width#2\noteskip - \@height 0.3pt\@depth 0.3pt}% - \s@r}} - -% separated short vrules over every staff (fits only for 1,2,3,5 Lines) - -\def\rul@SEP#1{\n@loop\short@rule\repeat\addspace#1} -\def\short@rule{{\p@loop\y@\altportee\advance\y@\tw@\internote\raise\y@% - \rlap{\vrule\@width\lthick\@height\f@ur\internote}\count@portee\repeat}} -\def\shortbarrules{\let\writ@rule\rul@SEP } - -% separated short vrules between every staff (fits only for 1,2,3,5 Lines) - -\def\rul@int#1{\n@loop\inter@rule\repeat\addspace#1} -\def\inter@rule{{% - \y@iv\altitude \y@v\y@iv - \ifnum\st@ffs>\@ne \@ri \Comp@High\advance\y@v\altitude - \else \ifnum\st@ffs>\z@ \advance\y@v\@ight\internote \fi\fi - \advance\noinstrum@nt\@ne \s@l@ctinstr - \ifnum\st@ffs=\z@ \advance\noinstrum@nt\@ne\s@l@ctinstr \fi - \ifnum\nbinstruments<\noinstrum@nt - \y@iii\y@iv \y@ii\y@iii \advance\y@ii-\y@v \Put@inter@rule - \else - \y@iii\altitude \y@ii\y@iii \advance\y@ii-\y@v \Put@inter@rule - \fi}} -\def\@ri{\n@ii\st@ffs \advance\st@ffs\m@ne - \C@Inter \y@ii\stem@skip - \p@loop \y@iii\altportee \advance\y@iii\interportee - \Put@inter@rule \advance\noport@@\@ne \repeat - \st@ffs\n@ii} -\def\Put@inter@rule{\raise\y@iii\rlap{\vrule\@width\lthick\@depth\y@ii}} -\def\interbarrules{\let\writ@rule\rul@int } - -\catcode`\@=\catcodeat -\endinput diff --git a/musixtex/tex/musixlyr.tex b/musixtex/tex/musixlyr.tex deleted file mode 100644 index fc9aaaf..0000000 --- a/musixtex/tex/musixlyr.tex +++ /dev/null @@ -1,1162 +0,0 @@ -%% -%% musixlyr.tex: Convenient lyrics handling for MusiXTeX T.52 or later -%% -%% Copyright (C) 1996-2003 Rainer Dunker -%% -%% This program is free software; you can redistribute it and/or modify -%% it under the terms of the GNU General Public License as published by -%% the Free Software Foundation; either version 2 of the License, or -%% any later version. -%% -%% This program is distributed in the hope that it will be useful, -%% but WITHOUT ANY WARRANTY; without even the implied warranty of -%% MERCHANTABILITY or FITNESS FOR A PARTICULAR PURPOSE. See the -%% GNU General Public License for more details. -%% -%% You should have received a copy of the GNU General Public License -%% along with this program; if not, write to the Free Software -%% Foundation, Inc., 675 Mass Ave, Cambridge, MA 02139, USA. -%% -%% Author: -%% Rainer Dunker -%% Wachtelweg 31 -%% 85591 Vaterstetten -%% Germany -%% -%% E-mail: rainer.dunker@web.de -%% -\ifx\undefined\lyr\else\endinput\fi -\immediate\write16{MusiXLYRics 2.1c\space} -\def\musixlyrversion{2.12} - -\makeatletter - -%%%%%%%%%% -% -% register allocation -% -%%%%%%%%%% -\newtoks\alle@texte - -% internal parameters for setting text -\let\evtl@klein\empty -\let\evtl@komma\empty -\let\evtl@punktweg\empty -\let\evtl@offset\empty -\let\evtl@next@lyr\empty -\newif\if@strich -\newif\iflyr@processing -\newif\if@pmx@nextvoice -\newif\if@lyrmode -\newif\if@hyphen -\newif\ifaux@active -\newif\if@single@token -\newdimen\lyr@shift -\newbox\lyr@box -\newbox\lyr@hyphen@box -\newbox\lyr@linkbox -\newbox\lyr@linkdepthbox -\def\ma@sw{lyr@m} % "main/aux switch" - -% helpers for shuffling data around -\newtoks\@rohtext -\newtoks\@textvar - -\let\text@name\empty - -% public parameters -\newif\ifleftlyr -\newif\ifforcelyrhyphens -\newif\ifshowlyrshift -\newdimen\minlyrrulelength \minlyrrulelength=2mm -\newdimen\minmulthyphens \minmulthyphens=1.5cm -\newdimen\minlyrspace \minlyrspace=3pt -\def\lyrhyphenchar{-} -\newbox\lyrstrutbox -\def\lyrlinestartpos{-10cm } -\def\oldlyrlinestart{\def\lyrlinestartpos{0pt }} % to restore 2.1 behaviour - -\def\lyrlog#1{\immediate\write16{#1}} % just for debugging convenience - -% for testing token lists for emptyness with \ifx -\def\emp@tst{\empty@test@errmsg} -\def\empty@test@errmsg{% - \errmessage{This shouldn't happen; you have found a musixlyr bug}} - -%%%%%%%%%% -% -% lyrics definition -% -%%%%%%%%%% -% set up text completely -\def\setlyrics#1#2{% iterative variant - % Parameter: - % #1 - lyrics line name - % #2 - text - \@rohtext={#2 -}% - \@textvar={}% - %\lyrlog{setlyrics{#1}, raw text: \the\@rohtext}% - \loop - \expandafter\ifx\expandafter\emp@tst\the\@rohtext\emp@tst % no more text - \let\@weiter n\else \let\@weiter j% - \fi - \ifx\@weiter j% - \expandafter\split@lyr@by@hyphens\the\@rohtext\@end - \repeat - \expandafter\xdef\csname dertext@#1\endcsname{\the\@textvar}% - \expandafter\xdef\csname nochtext@#1\endcsname{\the\@textvar}% - %\lyrlog{setlyrics{#1}: \the\@textvar}% - \initialize@verse{#1}} - -\def\appendlyrics#1#2{% iterative variant - % Parameter: - % #1 - lyrics line name - % #2 - text - % test whether lyrics line name already defined - \expandafter\ifx\csname stp@#1\endcsname\relax - % if not: set it up newly - \setlyrics{#1}{#2}% - \else - % if yes: preprocess new material, then append it to existing stuff - \@rohtext={#2 -}% - \@textvar={}% - %\lyrlog{appendlyrics{#1}, raw text: \the\@rohtext}% - \loop - \expandafter\ifx\expandafter\emp@tst\the\@rohtext\emp@tst % no more text - \let\@weiter n\else \let\@weiter j% - \fi - \ifx\@weiter j% - \expandafter\split@lyr@by@hyphens\the\@rohtext\@end - \repeat - % - % properly append new material to \dertext@#1 - \toks@=\expandafter\expandafter\expandafter{\csname dertext@#1\endcsname}% - \expandafter\test@final@hyphen@i\the\toks@\@end - \expandafter\xdef\csname dertext@#1\endcsname{\the\toks@\the\@textvar}% - % - % properly append new material to \nochtext@#1 - \toks@=\expandafter\expandafter\expandafter{\csname nochtext@#1\endcsname}% - \expandafter\ifx\expandafter\emp@tst\the\toks@\emp@tst - % pending text empty - don't call \test@final@hyphen - \else - \expandafter\test@final@hyphen@i\the\toks@\@end - \fi - \expandafter\xdef\csname nochtext@#1\endcsname{\the\toks@\the\@textvar}% - %\lyrlog{appendlyrics{#1}: \the\@textvar}% - \fi} - -% separate hyphens from syllables -\def\split@lyr@by@hyphens#1-#2\@end{% - % #1: text before first hyphen - % #2: text after first hyphen; may be empty - \ifx\emp@tst#2\emp@tst % -> no hyphen present - \@textvar=\expandafter{\the\@textvar#1}% - \else % -> hyphen present - \@textvar=\expandafter{\the\@textvar#1 @}% - \fi - \@rohtext={#2}% - %\lyrlog{splitlyrics 1: \the\@textvar}% - %\lyrlog{splitlyrics 2: \the\@rohtext}% - } - -% helper macros for \appendlyrics, handling the case that pre-existing -% lyrics material ends with an open hyphen -\def\test@final@hyphen@i#1 \@end{% - % truncate trailing space, then proceed with detecting a trailing @ - \test@final@hyphen@ii#1@@\@end} -\def\test@final@hyphen@ii#1@@#2\@end{% - \ifx\emp@tst#2\emp@tst - % no trailing, open hyphen - %\lyrlog{No trailing hyphen: #1}% - \else - % reset \toks@ so that trailing @ is not longer followed by a space - \toks@={#1@}% - %\lyrlog{Trailing hyphen: #1}% - \fi} - -% copy whole text under different name -\def\copylyrics#1#2{% - % #1 - existing text name - % #2 - new text name - % text still undefined? - \expandafter\ifx\csname dertext@#1\endcsname\relax - \errmessage{Trying to copy undefined verse "#1" to "#2"}% - \setlyrics{#2}{UNDEFINED}% - \else - \expandafter\let\expandafter\text@copy\csname dertext@#1\endcsname - \global\expandafter\let\csname dertext@#2\endcsname\text@copy - \global\expandafter\let\csname nochtext@#2\endcsname\text@copy - \initialize@verse{#2}% - \fi} - -% at 1st definition of a text name -\def\initialize@verse#1{% - % test whether lyrics line name already defined - \expandafter\ifx\csname stp@#1\endcsname\relax - \expandafter\xdef\csname stp@#1\endcsname{\lyrlinestartpos}% tracks horizontal progress - \global\expandafter\let\csname cont@#1\endcsname\relax% context stuff - \expandafter\gdef\csname zwr@#1\endcsname{0}% flag for hyphen/rule status - % for layout definitions - \global\expandafter\let\csname llay@#1\endcsname\relax - % switch on auto-text - {\def\text@name{#1}\lyricson}% - % insert in list of all defined text names - \global\alle@texte=\expandafter{\the\alle@texte#1,}% - \fi} - -% just for more elegance ... -\def\if@multistaff{\ifnum\st@ffs>1 } - -\def\set@texte#1#2{% - % assign assigned lyrics lines to \@texte - % or \empty in case they are empty - % #1: instrument number - % #2: staff number of instrument - \expandafter\let\expandafter\@texte\csname\ma@sw#1-#2\endcsname - \ifx\@texte\relax\let\@texte\empty\fi} - -\def\set@texte@current#1{% - % apply \set@texte to current context - % using PMX, automatically switch to aux lyrics where required - \switch@pmx@aux{% - % get the verses - \ifnum\st@ffs>1 % multi-staff instrument - \set@texte{\the\noinstrum@nt}{\the\noport@@}% - \else - \set@texte{\the\noinstrum@nt}{1}% - \fi - % perform given action - #1}} - -\def\loop@texte#1\@repeat{% - % assumption: \@texte is already set properly, may be empty - % #1: action to be executed - \ifx\@texte\empty\else - \expandafter\loop@texte@step\@texte\@end{#1}% - \fi} - -\def\loop@texte@step#1,#2\@end#3{% - % assumption: text list is not empty, #1 contains list head - % #1: text list head - % #2: text list tail - % #3: action to be executed - % - % perform action on first text - \def\text@name{#1}% - #3\relax - % - % prepare iteration - \ifx\emp@tst#2\emp@tst % list tail empty - \let\@iterate \empty % stop looping - \let\text@name\empty % reset working environment - \else - \def\@iterate{\loop@texte@step#2\@end{#3}}% - \fi - \@iterate} - -% assign text name to staff -\def\assignlyrics#1{% for single-staff instruments - % #1: instrument number - \assignlyricsmulti{#1}1} - -\def\assignlyricshere#1{% assign lyrics to current instrument/staff context - % #1: comma-separated list of text names - \switch@pmx@aux{% - \ifnum\st@ffs>1 % multi-staff instrument - \assignlyricsmulti{\the\noinstrum@nt}{\the\noport@@}{#1}% - \else - \assignlyrics{\the\noinstrum@nt}{#1}% - \fi}} - -\def\assignlyricsmulti#1#2#3{% - % #1: instrument number - % #2: staff number of instrument - % #3: comma-separated list of text names - % gather farthest right current position - % of currently assigned lyrics lines - \y@v=\lyrlinestartpos - \set@texte{#1}{#2}% - \loop@texte - % starting position greater than retrieved so far? - \ifdim\csname stp@\text@name\endcsname > \y@v - \y@v=\csname stp@\text@name\endcsname % advance maximum - \fi - \@repeat - % - % new text names list non-empty -> append comma - \ifx\emp@tst#3\emp@tst - \expandafter\global\expandafter\let\csname\ma@sw#1-#2\endcsname\relax - \else - \expandafter\gdef\csname\ma@sw#1-#2\endcsname{#3,}% - \fi - % set parameters according to newly assigned lyrics lines - \set@texte{#1}{#2}% - \loop@texte - % check for existence - \expandafter\ifx\csname stp@\text@name\endcsname\relax - \errmessage{Trying to assign undefined verse "\text@name"}% - \expandafter\setlyrics\expandafter{\text@name}{EMPTY}% - \fi - \reset@params - \@repeat} - - -\def\reset@params{% - \expandafter\xdef\csname stp@\text@name\endcsname{\the\y@v}% - \expandafter\gdef\csname zwr@\text@name\endcsname{0}} - - -% -% reset horizontal positioning parameters of all lyrics lines -% -\def\resetlyrics{% - \edef\@texte{\the\alle@texte}% - \y@v=\lyrlinestartpos - \loop@texte \reset@params \@repeat} - - -%%%%%%%%%% -% -% process lyrics verse-wise -% -%%%%%%%%%% -% same action for all assigned verses -\def\forall@verses#1{% - % #1: action to be executed - \ifx\text@name\empty - % perform action for all assigned verses - \set@texte@current{% - \ifx\@texte\empty\else - \vplace@lyrics{\loop@texte \hbox{\lyr@strut #1}\@repeat}% - \fi}% - \else - % text name already selected -> perform action for this one only - #1% - \fi} - - -% specify separate actions per verse -\def\verses#1{% - % #1: comma-separated list of actions (from top to bottom) - \set@texte@current{% - \def\@param{#1}% running variable for per-text actions - \vplace@lyrics{% - \loop@texte \expandafter\one@verse\@param,\@end \@repeat}}} - -\def\one@verse#1,#2\@end{% - % #1: action list head = action for current verse - % #2: action list tail = actions for remaining verses - \def\@param{#2}% - % perfrom action - \hbox{\lyr@strut #1}} - - -%%%%%%%%%% -% -% line spacing for multiple verses -% -%%%%%%%%%% -\def\lyr@strut{\copy\lyrstrutbox} -\def\setlyrstrut{% set up strut according to currently active font - \setbox0=\hbox{()}% - \setbox\lyrstrutbox=\hbox{\vrule height 1.1\ht0 depth 1.1\dp0 width\z@}} -\setlyrstrut % initialize - - -%%%%%%%%%% -% -% retrieve text by syllable -% -%%%%%%%%%% -\def\next@lyr{% - \expandafter\let\expandafter\@nochtext\csname nochtext@\text@name\endcsname - %\show\@nochtext - \ifx\@nochtext\empty - % no more text - \@hyphenfalse\@lyric{???}% - \else - \@textvar=\expandafter{\@nochtext}% - \expandafter\next@syllable\the\@textvar\relax\relax - \fi} - -\def\next@syllable#1 #2#3\relax{% - % #1 - first syllable - % #2 - either hyphenation symbol @ - % or \relax (if text ends after #2) - % or 1st char/group of rest text - % #3 - rest text, may be empty - \parse@melisma{#2}{#3}#1_\@end} - -\def\test@single@token#1#2\@end{% - % #2 is empty if argument consists of a single token - \ifx\emp@tst#2\emp@tst - \@single@tokentrue - \else - \@single@tokenfalse - \fi} - -\def\parse@melisma#1#2#3_#4\@end{% parse trailing underscores - % #1: either hyphenation indicator @ - % or \relax (if text ends after #1), - % or 1st char/group of rest text - % #2: rest text, may be empty - % #3: current syllable; may be empty if melisma pending - % #4: trailing underscores, if any, or - % melisma notes number followed by single underscore, or - % empty if no melisma - % - % evaluate hyphenation sign - \ifx @#1% - \@hyphentrue - \@textvar={#2}% may be empty - \else - \@hyphenfalse - % decide rest text (#1 was no hyphen sign) - \ifx\relax#1% current syllable is final syllable - \@textvar={}% - \else - \test@single@token#1\@end % #1 may have been grouped - \if@single@token - \@textvar={#1#2}% - \else - \@textvar={{#1}#2}% - \fi - \fi - \fi - % - % melisma pending? - \ifx\emp@tst#4\emp@tst % no melisma - \let\melisma@spec\empty - \@lyric{\evtl@klein{\evtl@punktweg{#3}}\evtl@komma}% - \else % melisma - \ifx\emp@tst#3\emp@tst % syllable empty, d.i. in mid-melisma - \parse@melisma@tail#4\@end - \ifx\melisma@spec\empty % final melisma note - \lyrruleend - \fi - \else % syllable non-empty, d.i. at melisma start - \leftlyrtrue\@strichtrue - \parse@melisma@start#4\@end - \@lyric{\evtl@klein{\evtl@punktweg{#3}}\evtl@komma}% - \fi % at melisma start - \fi % in melisma - % - % set remaining text - \expandafter\xdef - \csname nochtext@\text@name\endcsname{\melisma@spec\the\@textvar}} - -\def\parse@melisma@start#1_\@end{% - % Cut trailing underscore and attach it at argument head. - % For underscore sequences, the effect is void. - % For numbers, it converts "num_" to "_num". - % Moreover, append a single space. - \def\melisma@spec{_#1 }} - -\def\parse@melisma@tail#1_\@end{% - % #1: either trailing underscores minus one - % or melisma notes number - % or empty - \ifx\emp@tst#1\emp@tst % no more underscores - \let\melisma@spec\empty - \else - \parse@melisma@tail@ii#1\@end - \fi} - -\def\parse@melisma@tail@ii#1#2\@end{% helper for deciding melisma spec type - % #1#2: either trailing underscores minus one - % or melisma notes number - \if#1_% % underscore sequence given - \def\melisma@spec{#1#2 }% - \else % number given - \ifnum#1#2>1 % more melisma notes pending - \count@=#1#2 - \advance\count@\m@ne - \edef\melisma@spec{_\the\count@\space}% - \else % no more melisma notes - \let\melisma@spec\empty - \fi - \fi} - -\def\@lyric#1{% - % #1: Text - \evtl@offset - % Alles Folgende ist Argument fuer obiges \evtl@offset: - {\csname llay@\text@name\endcsname% Layoutkontext abrufen - \lyr@processingtrue - \setbox\lyr@box=\hbox{#1}% - \setbox\lyr@hyphen@box=\hbox{\lyrhyphenchar}% - % Zwischenraum zu voriger Silbe ermitteln: - \get@lyrspace - \ifleftlyr\else - % Silbe zentriert -> Zwischenraum entspr. kleiner: - \advance\y@v -0.5\wd\lyr@box - \advance\y@v 0.5\qn@width % halbe Notenkopfbreite dazu - \fi - % Bindestrich von voriger Silbe anhaengig? - \expandafter\ifnum\csname zwr@\text@name\endcsname=2 - % Minimalzwischenraum entsprechend aendern: - \ifforcelyrhyphens - % Min. Zw.-R. mindestens so breit wie Bindestrich: - \ifdim\minlyrspace < \wd\lyr@hyphen@box - \minlyrspace=\wd\lyr@hyphen@box - \fi - \else - \minlyrspace=0pt % % kein Zwischenraum noetig - \fi - \fi - \ifdim\y@v < \minlyrspace % Zwischenraum zu klein? - \lyr@shift=\minlyrspace % Silbe um Differenz nach rechts verschieben - \advance\lyr@shift -\y@v - \y@v=\minlyrspace % Zwischenraumbreite = geg. Minimum - \else - \expandafter\ifnum\csname zwr@\text@name\endcsname=2 % Bindestrich anhaengig? - \ifforcelyrhyphens\else % Bindestrich nicht erzwungen? - \ifdim\y@v < \wd\lyr@hyphen@box % Zwischenraum zu schmal? - \advance\lyr@shift -\y@v % => Zw.raum ganz wegnehmen - % Dank an Sebastian Clauss fuer diese Verbesserung - \fi - \fi - \fi - \fi - \rlap{% - \hskip\lyr@shift - {\ifleftlyr - \aftergroup\rlap % linksbuendig - \else - \aftergroup\qlrlap % zentriert - \fi}% - % Alles Folgende ist Argument fuer obiges \qlrlap bzw. \rlap: - {% Ist von voriger Silbe noch ein Bindestrich anhaengig? - \expandafter\ifnum\csname zwr@\text@name\endcsname=2 - % limit hyphens at line beginning to zero position - \ifdim\csname stp@\text@name\endcsname < \z@ - \advance\y@v \csname stp@\text@name\endcsname \fi - % Bindestrich nur setzen, wenn Platz genug vorhanden: - \ifdim\y@v < \wd\lyr@hyphen@box\else - \print@hyphen - \fi - \fi - \ifshowlyrshift - % Mit Rechteck Wortverschiebung zeigen: - \llap{\vrule width \lyr@shift height \ht\strutbox}% - \fi - \unhcopy\lyr@box % Wort setzen - % Startposition des nachfolgenden Zwischenraums festhalten: - \getcurpos - \advance\y@v by \lyr@shift - \ifleftlyr - \advance\y@v \wd\lyr@box - \else - \advance\y@v 0.5\wd\lyr@box - \advance\y@v 0.5\qn@width % halbe Notenkopfbreite dazu - \fi - \expandafter\xdef\csname stp@\text@name\endcsname{\the\y@v}% Startposition setzen - \if@hyphen % Bindestrich gefordert? - \expandafter\gdef\csname zwr@\text@name\endcsname{2}% - \else - \if@strich % Verlaengerungs-Strich gefordert? - \expandafter\gdef\csname zwr@\text@name\endcsname{1}% - \else % nichts gefordert - \expandafter\gdef\csname zwr@\text@name\endcsname{0}% - \fi - \fi}}}} - -\def\print@hyphen{% - \llap{\hbox to \y@v{% - % Zwischenraum mit "Strich-Kette" ausfuellen: - \loop - \hfil\lyrhyphenchar\hss% rechter Raum darf am Systemende negativ werden - \advance\y@v by -\minmulthyphens - \ifdim\y@v > 0pt% - \repeat}}} - -\def\get@lyrspace{% - \getcurpos - \advance\y@v by -\csname stp@\text@name\endcsname - \relax} - -% set lyrpos to zero if less than that -\def\limit@lyrpos{% - \ifdim\csname stp@\text@name\endcsname < \z@ - \expandafter\xdef\csname stp@\text@name\endcsname{\the\z@}\fi} - -% Verlaengerungs-Striche abschliessen: -\def\lyrruleend{\forall@verses\lyrrule@end} - -\def\lyrrule@end{% - \expandafter\ifcase\csname zwr@\text@name\endcsname - % 0 -> kommt nicht vor - \or - % 1 -> Strich anhaengig: - \roff{% Zum rechten Notenkopf-Rand - \limit@lyrpos\get@lyrspace \print@lyr@rule - % Zwischenraum-Startposition festhalten, wenn Wort nicht nach - % rechts darueber hinausragt: - \getcurpos - \ifdim\csname stp@\text@name\endcsname < \y@v - \expandafter\xdef\csname stp@\text@name\endcsname{\the\y@v}% - \fi}% - % Einstellung zuruecksetzen: - \expandafter\gdef\csname zwr@\text@name\endcsname{0}% - \or - % 2 -> Bindestrich anhaengig -> nichts tun - \or - % 3 -> fortgesetzter Bindestrich anhaengig - % -> Einstellung fuer Bindestrich-Einfuegen an nächster Note setzen - \expandafter\gdef\csname zwr@\text@name\endcsname{2}% - \fi} - -\def\print@lyr@rule{% - % Kleiner Zwischenraum zur vorherigen Silbe: - \advance\y@v -2pt - \ifdim \y@v > \minlyrrulelength - \llap{\vrule\@width\y@v\@height\lthick\@depth0pt}% - \fi} - - -%%%%%%%%%% -% -% Textstellen per Label anspringen -% -%%%%%%%%%% -\def\llabel#1{}% Damit Kennzeichnung bei der Ausgabe ohne Effekt bleibt - -\def\golyr#1{\forall@verses{\@golyr{#1}}} - -\def\@golyr#1{{% - \expandafter\let\expandafter\@nochtext\csname dertext@\text@name\endcsname - \def\query@label{#1}% - \loop - \expandafter\find@llabel\@nochtext\ende - \ifx\query@label\cur@label\let\@weiter n\else \let\@weiter j\fi - \if\@weiter j\repeat - \expandafter\global\expandafter\let - \csname nochtext@\text@name\endcsname\@nochtext}} - -\def\find@llabel#1\llabel#2#3\ende{% - % #1 - Text vor erstem \llabel - % #2 - naechstfolgender \llabel-Name - % #3 - Resttext - \def\cur@label{#2}% - \def\@nochtext{#3}} - - -%%%%%%%%%% -% -% Offene Silbentrennungen und -verlaengerungen am Systemende abschliessen -% -%%%%%%%%%% -\let\@orig@z@suspend\z@suspend -\def\z@suspend{% - \znotes\sysend@lyrics\empty\en - \znotes\sysend@lyrics\auxlyr\en - \@orig@z@suspend} - -\def\sysend@verse{% - % Flag auswerten: - \ifnum\csname zwr@\text@name\endcsname = 1 % Verlaengerungs-Strich anhaengig - % Platz zum rechten Systemrand, damit Strich nicht in Taktstrich ragt - \loffset{0.3}{\limit@lyrpos\get@lyrspace\print@lyr@rule}% - \else\ifnum\csname zwr@\text@name\endcsname > 1 % Bindestrich anhaengig: - \csname llay@\text@name\endcsname% Layoutkontext abrufen - \limit@lyrpos\get@lyrspace\print@hyphen - % als forgesetzten Bindestrich fortfuehren - \expandafter\gdef\csname zwr@\text@name\endcsname{3}% - \fi\fi - % Startposition fuer naechstes System zuruecksetzen: - \expandafter\xdef\csname stp@\text@name\endcsname{\lyrlinestartpos}} - -\def\sysend@lyrics#1{% - % #1: \auxlyr or \empty - #1{\let\switch@pmx@aux\empty \forall@verses\sysend@verse}% - \if@multistaff - % loop over staves of instrument - \ifnum \noport@@ < \st@ffs - \def\@next{\nextstaff\sysend@lyrics#1}% - \else % staves of instrument finished; continue with next instrument - \sysend@lyrics@instrum@loop#1% - \fi - \else % single-staff instrument - \sysend@lyrics@instrum@loop#1% - \fi - % iterate - \@next} - -\def\sysend@lyrics@instrum@loop#1{% - % prepare instruments loop - \ifnum \noinstrum@nt < \nbinstruments - \def\@next{\nextinstrument\sysend@lyrics#1}% - \else % \noinstrum@nt >= \nbinstruments - \let\@next\empty - \fi} - - -%%%%%%%%%% -% -% Zeilenspezifisches Layout festlegen -% -%%%%%%%%%% -\def\lyrlayout#1{% - \forall@verses{% - \expandafter\gdef\csname llay@\text@name\endcsname{#1}% - % Wenn gerade Text verarbeitet wird, Kontext sofort abrufen: - \iflyr@processing #1\fi}} - -% -% Kontextbehandlung fuer Textnamen: -% -% Aktion zu Kontext hinzufuegen: -\def\add@context#1{% - \toks@=\expandafter\expandafter\expandafter - {\csname cont@\text@name\endcsname #1}% - \expandafter\xdef\csname cont@\text@name\endcsname{\the\toks@}} - -% Kontext abrufen: -\def\@context{% - \expandafter\let\expandafter\der@kontext\csname cont@\text@name\endcsname - \clear@context - \der@kontext} - -% Kontext loeschen: -\def\clear@context{% - \global\expandafter\let\csname cont@\text@name\endcsname\empty} - - -%%%%%%%%%% -% -% Zusaetzliche Textzeilen oberhalb der Notenzeile (auxiliary lyrics) -% -%%%%%%%%%% -\let\enableauxlyrics\empty % just for backward compatibility - -% Befehle auf auxlyrics beziehen: -\def\auxlyr#1{{% - \def\ma@sw{lyr@a}% - \aux@activetrue - #1}} - - -%%%%%%%%%% -% -% vertical lyrics positioning -% -%%%%%%%%%% -\def\lyrraise#1{% - % #1: instrument number - \lyrraisemulti{#1}1} - -\def\lyrraisehere#1{% - % #1: position/offset - \switch@pmx@aux{% - \ifnum\st@ffs>1 % multi-staff instrument - \lyrraisemulti{\the\noinstrum@nt}{\the\noport@@}{#1}% - \else - \lyrraise{\the\noinstrum@nt}{#1}% - \fi}} - -\def\lyrraisemulti#1#2#3{% - % #1: instrument number - % #2: staff of instrument - % #3: position/offset - \toks@=\expandafter{\csname l@raise#1-#2\endcsname}% - \expandafter\ifx\the\toks@\relax - % raise parameter still unset - \expandafter\lyrraise@init\the\toks@ - \fi - % now set raise parameter - \expandafter\expandafter\expandafter - \lyr@raise@multii\the\toks@\@end{#1}{#2}{#3}% - %\lyrlog{raise #1-#2: \expandafter\empty\the\toks@}% -} - -\def\lyr@raise@multii#1@#2\@end#3#4#5{% - % #1: current main position/offset - % #2: current aux position/offset - % #3: instrument number - % #4: staff of instrument - % #5: new position/offset - \expandafter\xdef\csname l@raise#3-#4\endcsname{% - \ifaux@active #1@#5\else #5@#2\fi}} - -% be backward compatible -\let\setsongraise@orig\setsongraise -\def\setsongraise#1#2{\setsongraise@orig{#1}{#2}\lyrraise{#1}{b#2}} -\def\auxsetsongraise#1#2{\auxlyr{\lyrraise{#1}{b#2}}} - - -\def\lyrraise@init#1{% - % #1: control sequence to be set to default value - \gdef#1{b0pt@a0pt}} - - -% vertically place lyrics columns -% replaces MusiXTeX's \C@tx -\def\vplace@lyrics#1{% - % find out applicable positioning settings - \edef\placelyr@staff{\ifnum\st@ffs>1 \the\noport@@ \else 1\fi}% - \toks@=\expandafter - {\csname l@raise\the\noinstrum@nt-\placelyr@staff\endcsname}% - % eventually initialize lyrraise setting first - \expandafter\ifx\the\toks@\relax % lyrraise still unset - \expandafter\lyrraise@init\the\toks@ - \fi - \expandafter\expandafter\expandafter\vplace@lyricsii\the\toks@\@end{#1}} - -\def\vplace@lyricsii#1#2@#3#4\@end#5{% - % #1: main lyrics positioning switch (a/b) - % #2: main lyrics raise value - % #3: aux lyrics positioning switch (a/b) - % #4: aux lyrics raise value - % #5: lyrics material to be issued - % - % decice main/aux context - % - \ifaux@active \let\lyr@ab#3\toks@={#4}% - \else \let\lyr@ab#1\toks@={#2}% - \fi - % - % decide placement situation: above/below/in-mid of system or instrument - % - \if\lyr@ab a% above staff - \ifnum\placelyr@staff<\st@ffs % non-highest staff of multiple staves - \vplaceLyricsAboveMultistaff{#5}% - \else % single or highest staff of instrument - \ifnum\noinstrum@nt<\nbinstruments % lyrics go above instrument - \vplaceLyricsAboveInstrument{#5}% - \else % lyrics go into top margin - \vplaceLyricsTopMargin{#5}% - \fi - \fi - \else % below staff - \ifnum\placelyr@staff>1 % non-lowest staff of multiple staves - \vplaceLyricsBelowMultistaff{#5}% - \else % single or lowest staff of instrument - \ifnum\noinstrum@nt>1 % lyrics go below instrument - \vplaceLyricsBelowInstrument{#5}% - \else % lyrics go into bottom margin - \vplaceLyricsBottomMargin{#5}% - \fi - \fi - \fi} - -% -% user-supersedable placement calculations -% -\def\vplaceLyricsBelowMultistaff#1{% - % #1: lyrics material - % reduced \C@Tx algorithm - \y@iv=\the\toks@\relax - \C@Inter % compute \stem@skip (?) - \advance\y@iv -0.5\stem@skip - \raise\y@iv\vbox\@to\z@{\vss\offinterlineskip#1\vss}} - -\def\vplaceLyricsAboveMultistaff#1{% - % #1: lyrics material - % reduced \C@Tx algorithm - \y@iv=\the\toks@\relax - \C@Inter % compute \stem@skip (?) - \advance\y@iv -0.5\stem@skip - % add height difference to base line of upper staff - \advance\y@iv \interportee - \raise\y@iv\vbox\@to\z@{\vss\offinterlineskip#1\vss}} - -\def\vplaceLyricsBottomMargin#1{% - % #1: lyrics material - % based on \C@tx - \y@iv=\the\toks@\relax - \advance\y@iv -\staffbotmarg - \raise\y@iv\vbox\@to\z@{\vss\offinterlineskip#1\vss}} - -\def\vplaceLyricsTopMargin#1{% - % #1: lyrics material - % based on \C@tx, "mirrored" bottom margin situation - \begingroup % seems to be necessary to make \Comp@High local; - % problem occurred with helper lines for low/high notes - \y@iv=\the\toks@\relax - \advance\y@iv \stafftopmarg - \Comp@High \advance\y@iv\y@v % \y@v = total height of instrument - \advance\y@iv \altitude % for multi-staff: - \advance\y@iv-\altportee % reduce by base height of current staff - \raise\y@iv\vbox\@to\z@{\vss\offinterlineskip#1\vss}% - \endgroup} - -\def\vplaceLyricsBelowInstrument#1{% - % #1: lyrics material - % assumption: \noinstrum@nt > 1 - % based on \C@tx - \y@iv=\the\toks@\relax - \multiply\y@iv 2 % balance division by 2 below - \advance\noinstrum@nt\m@ne - \advance\y@iv -\csname interinstrument\romannumeral\noinstrum@nt\endcsname - \C@Inter % compute \stem@skip (?) - \advance\y@iv -\stem@skip - \divide\y@iv\tw@ - \advance\noinstrum@nt\@ne - \raise\y@iv\vbox\@to\z@{\vss\offinterlineskip#1\vss}} - -\def\vplaceLyricsAboveInstrument#1{% - % #1: lyrics material - % assumption: \noinstrum@nt < \nbinstruments - % analogous to \C@tx, but refers to upper instrument instead - \y@iv=\the\toks@\relax - \multiply\y@iv 2 % balance division by 2 below - \advance\y@iv -\csname interinstrument\romannumeral\noinstrum@nt\endcsname - \C@Inter % compute \stem@skip (?) - \advance\y@iv -\stem@skip - \divide\y@iv\tw@ - % add height difference to base line of upper instrument - \begingroup - \advance\y@iv-\altportee \advance\noinstrum@nt\@ne \s@l@ctinstr - \advance\y@iv \altitude - \raise\y@iv\vbox\@to\z@{\vss\offinterlineskip#1\vss}% - \endgroup} - - -%\def\C@tx{% -% \ifnum\noinstrum@nt=\@ne -% \y@iv\staffbotmarg -% \else -% \advance\noinstrum@nt\m@ne -% \y@iv\csname interinstrument\romannumeral\noinstrum@nt\endcsname -% \C@Inter % compute \stem@skip -% \advance\y@iv\stem@skip -% \divide\y@iv\tw@ -% \advance\noinstrum@nt\@ne -% \fi -% \advance\y@iv-\csname T@R\romannumeral\noinstrum@nt\endcsname -% \lower\y@iv\uplap} -%\def\uplap#1{\vbox\@to\z@{\vss#1}} - - -%%%%%%%%%% -% -% Textsatz-Automatik -% -%%%%%%%%%% -% Text automatisch unter alle "spacing"-Noten eines Systems: -\let\orig@writ@note\writ@note -\def\writ@note{% - \ifnum\n@i<\@c % Bedingung fuer's Notenschreiben in \writ@note (warum?) -% \ifx\st@m\beamst@m -% \uptext{\csname s@bl\balken@nr\endcsname}% -% \else - \decide@lyrmode - \main@aux@or@not{\forall@verses{\@context\evtl@next@lyr}}% -% \fi - \fi - \orig@writ@note} - -\def\lyrmode@no {\def\main@aux@or@not##1{}} -\def\lyrmode@main{\def\main@aux@or@not##1{##1}} -\def\lyrmode@aux {\let\main@aux@or@not\auxlyr} -\let\pmx@auxmode\lyrmode@aux - -% Feststellen, ob Haupt- oder Nebentext oder gar nichts gesetzt werden soll: -\ifx\nextvoice\undefined % ohne PMX - \def\decide@lyrmode{% - \call@lyrmode - \if@lyrmode \decide@stem@direction % Notenhals-Automatik - \else % manuell, nur "spacing"-Noten - \ifadvance \lyrmode@main - \else \lyrmode@no - \fi - \fi} - \def\decide@stem@direction{% - \ifx\st@m\upst@m \lyrmode@aux \else - \ifx\st@m\up@flag \lyrmode@aux \else - \ifx\st@m\downst@m \lyrmode@main\else - \ifx\st@m\down@flag\lyrmode@main\else - \ifx\st@m\setst@m \lyrmode@no \else % kein Hals - \ifx\st@m\resetst@m\lyrmode@no \else - \ifx\st@m\beamst@m - \expandafter\ifx\csname s@bl\balken@nr\endcsname o\lyrmode@aux - \else\lyrmode@main - \fi - \else\errmessage{invalid \string\st@m\space setting}% - \fi\fi\fi\fi\fi\fi\fi} -\else % mit PMX - \def\decide@lyrmode{% - \ifadvance % nur "spacing"-Noten - \call@lyrmode - \if@pmx@nextvoice % Oberstimme - \if@lyrmode\lyrmode@main \else\pmx@auxmode \fi - \else % Unterstimme - \if@lyrmode\pmx@auxmode \else\lyrmode@main \fi - \fi - \else - \lyrmode@no % non-spacing Note - \fi} - \let\orig@nextvoice\nextvoice % \nextvoice erweitern - \def\nextvoice{\orig@nextvoice\@pmx@nextvoicetrue} -\fi - -\def\call@lyrmode{% activate lyrmode setting of current staff/instrument - \ifnum\st@ffs>1 % multi-staff instrument - \csname zlm@\the\noinstrum@nt-\the\noport@@\endcsname - \else % single-staff instrument - \csname zlm@\the\noinstrum@nt-1\endcsname - \fi} - -\def\switch@pmx@aux#1{% - % using PMX, automatically activate auxlyr context for #1 after \nextvoice - \ifx\nextvoice\undefined % not using PMX - #1% - \else % using PMX - \call@lyrmode - \if@pmx@nextvoice % upper PMX voice - \if@lyrmode\lyrmode@main \else\pmx@auxmode \fi - \else % lower PMX voice - \if@lyrmode\pmx@auxmode \else\lyrmode@main \fi - \fi - \main@aux@or@not{#1}% - \fi} - - - -% lyrmode umschalten: -\def\switch@lyrmode#1#2#3{% - % #1: instrument number - % #2: staff-of-instrument number - % #3: lyrmode setting - \ifnum#1=0 % % alle Zeilen einbeziehen - \switch@lyrmode@all@instrum#3% - \else % nur 1 Zeile - \global\expandafter\let\csname zlm@#1-#2\endcsname=#3% - \fi} - -% loop over all possible instruments -\def\switch@lyrmode@all@instrum#1{% - \m@loop \switch@lyrmode@all@staves#1\repeat} - -% loop over 4 possible staves of instrument -\def\switch@lyrmode@all@staves#1{% - \begingroup - \count@=0 - \loop - \advance\count@ 1 - \switch@lyrmode{\the\noinstrum@nt}{\the\count@}#1% - \ifnum\count@<4 \repeat - \endgroup} -% ... nicht wahnsinnig effizient, zugegeben ... - - -\def\lyrmodenormal#1{\lyrmodenormalmulti{#1}1} -\def\lyrmodealter #1{\lyrmodealtermulti {#1}1} - -\def\lyrmodenormalmulti#1#2{\switch@lyrmode{#1}{#2}\@lyrmodefalse} -\def\lyrmodealtermulti #1#2{\switch@lyrmode{#1}{#2}\@lyrmodetrue } - -\def\lyrmodenormalhere{\lyrmode@here\@lyrmodefalse} -\def\lyrmodealterhere {\lyrmode@here\@lyrmodetrue } - -\def\lyrmode@here#1{% apply lyrmode to current instrument/staff context - % #1: lyrmode switch - \if@multistaff - \switch@lyrmode{\the\noinstrum@nt}{\the\noport@@}#1% - \else - \switch@lyrmode{\the\noinstrum@nt}1#1% - \fi} - -\lyrmodenormal0 % auf "normal" initialisieren - -% fuer Halsrichtungs-Automatik: Balkenlage in \s@bl vermerken -\def\balk@nlage#1{\global\expandafter\let - \csname s@bl\balken@nr\endcsname #1\relax} -\let\orig@i@bu\i@bu \def\i@bu{\balk@nlage o\orig@i@bu}% ben -\let\orig@i@bl\i@bl \def\i@bl{\balk@nlage u\orig@i@bl}% nten - -\let\orig@s@l@ctbeam\s@l@ctbeam -\def\s@l@ctbeam#1\relax{\orig@s@l@ctbeam#1\relax \xdef\balken@nr{\number\n@i}} - - -% Auto-Text ein- und ausschalten (innerhalb \notes...\enotes): -\def\lyricson{\forall@verses{\add@context\verse@on@context}} -\def\verse@on@context{% - \let\evtl@next@lyr\next@lyr - \add@context\verse@on@context} - -\def\lyricsoff{\forall@verses\clear@context} - -\def\lyric {\let\evtl@hyph\@hyphenfalse\futurelet\ast@risk\lyric@i} -\def\lyrich{\let\evtl@hyph\@hyphentrue \futurelet\ast@risk\lyric@i} - -\def\lyric@i{% - \ifx\ast@risk*% - \let\evtl@nolyr\relax \let\@next\lyric@ii - \else - \let\evtl@nolyr\nolyr \def\@next{\nolyr\lyric@ii*}% - \fi - \@next} - -% Silben abseits vom Haupttext ausgeben: -\def\lyric@ii*#1{\forall@verses{\@context\evtl@hyph\@lyric{#1}}\evtl@nolyr} - -% Manipulationen einzelner Haupttext-Silben: -\def\forall@context#1{\forall@verses{\add@context{#1}}} - -% 1 Silbe ausgeben: -\def\lyr{\forall@verses{\@context\next@lyr}} - -% Linksbuendig: -\def\llyr{\forall@context{\leftlyrtrue}} - -% Verlaengerungs-Strich: -\def\lyrrule{\forall@context{\@strichtrue}} - -% Horizontale Verschiebung (analog \roffset): -\def\lyroffset#1{\forall@context{\def\evtl@offset{\roffset{#1}}}} - -% Kein automatischer Text: -\def\nolyr{\forall@context{\let\evtl@next@lyr\empty}} - -% Kleinbuchstaben: -\def\lclyr{\forall@context{\let\evtl@klein\@klein}} -\def\@klein#1{\lowercase\expandafter{#1}} - -% Satzzeichen anhaengen: -\def\lyrpt#1{\forall@context{\def\evtl@komma{#1}}} - -% Punkt vom Ende abschneiden: -\def\lyrnop{\forall@context{\let\evtl@punktweg\@punktweg}} -\def\@punktweg#1{{\punktweg@rek#1\ende}} -\def\punktweg@rek#1#2\ende{% - \def\par@ii{#2}% - \ifx\par@ii\empty\else - \aftergroup#1% - \expandafter\punktweg@rek\par@ii\ende - \fi} - -% Melisma beginnen und abschliessen: -\def\beginmel{\forall@verses{\llyr\lyrrule\add@context\lyricsoff}} -\def\endmel{\forall@verses{\lyrruleend\add@context\lyricson}} - -% -% Bindebogen unter zwei Silben derselben Note: -% -\def\lyrlink {\lyr@link0} -\def\lowlyrlink{\lyr@link1} - -\def\lyr@link#1{% - % Bogen erstellen: - \setbox\lyr@linkbox=\hbox{$\smile$}% - % In Box der Breite eines Wortzwischenraums einsetzen: - \setbox\lyr@linkbox=\hbox to\the\fontdimen2\the\font{% - \hss - % Unter die Grundlinie druecken: - \lower\ht\lyr@linkbox\hbox{% - % Zusaetzlicher vertikaler Abstand zur Wortunterseite: - \lower1pt\hbox{% - \if#10\relax - \hbox{$\smile$}% - \else - % Buchstabe mit Unterlaenge -> auch darunter druecken: - \setbox\lyr@linkdepthbox=\hbox{y}% - \lower\dp\lyr@linkdepthbox\hbox{$\smile$}% - \fi}}% - \hss}% - % Keine zusaetzliche Tiefe fuer Bogen anrechnen: - \dp\lyr@linkbox=0pt - % Bogen setzen: - \box\lyr@linkbox} - -\makeatother diff --git a/musixtex/tex/musixmad.tex b/musixtex/tex/musixmad.tex deleted file mode 100644 index 6d29d3c..0000000 --- a/musixtex/tex/musixmad.tex +++ /dev/null @@ -1,30 +0,0 @@ -% -% This file is part of MusiXTeX -% -% MusiXTeX is free software; you can redistribute it and/or modify -% it under the terms of the GNU General Public License as published by -% the Free Software Foundation; either version 2, or (at your option) -% any later version. -% -% MusiXTeX is distributed in the hope that it will be useful, -% but WITHOUT ANY WARRANTY; without even the implied warranty of -% MERCHANTABILITY or FITNESS FOR A PARTICULAR PURPOSE. See the -% GNU General Public License for more details. -% -% You should have received a copy of the GNU General Public License -% along with MusiXTeX; see the file COPYING. If not, write to -% the Free Software Foundation, Inc., 59 Temple Place - Suite 330, -% Boston, MA 02111-1307, USA. -% -% -% musixmad.tex : allocate registers for more additional instruments -% -\immediate\write16{MusiXMore ADditional instruments T.115 <19 Nov 2010>}% -% -% -% setup the maximum element numbers -\setmaxinstruments{12}% -\setmaxgroups{4}% -\setmaxslurs\maxinstruments -% -\endinput diff --git a/musixtex/tex/musixper.tex b/musixtex/tex/musixper.tex deleted file mode 100644 index 47ad54e..0000000 --- a/musixtex/tex/musixper.tex +++ /dev/null @@ -1,195 +0,0 @@ -% -% This file is part of MusiXTeX -% -% MusiXTeX is free software; you can redistribute it and/or modify -% it under the terms of the GNU General Public License as published by -% the Free Software Foundation; either version 2, or (at your option) -% any later version. -% -% MusiXTeX is distributed in the hope that it will be useful, -% but WITHOUT ANY WARRANTY; without even the implied warranty of -% MERCHANTABILITY or FITNESS FOR A PARTICULAR PURPOSE. See the -% GNU General Public License for more details. -% -% You should have received a copy of the GNU General Public License -% along with MusiXTeX; see the file COPYING. If not, write to -% the Free Software Foundation, Inc., 59 Temple Place - Suite 330, -% Boston, MA 02111-1307, USA. -% -\ifx\undefined\drumclef \else \endinput \fi - -\immediate\write16{MusiXPERcussion T.60\space<27 September 2010>}% - -\ifx\undefined\dqb - \input musixdia -\fi - -\edef\catcodeat{\the\catcode`\@}\catcode`\@=11 - -% if you need pointed percussion notes, say '\p[p][p]t n\xqu n' or '\xqu{.n}' -% if you need them more often define them by your one - -\def\drumclef{\raise2\internote\hbox{\keychar77}} - -%%% notes with a circled diagonal cross head, for closed hihat ... - -\def\dc@symbol{\def\q@u{\musixchar113}} - -\def\dcqu{\dc@symbol\@qu} -\def\dcql{\dc@symbol\@ql} - -\def\dcqb{\dc@symbol\@qb} - -\def\dczq{\dc@symbol\@zq} - -\def\dccu{\dc@symbol\@cu} -\def\dcccu{\dc@symbol\@ccu} -%\def\dccccu{\dc@symbol\@cccu} -%\def\dcccccu{\dc@symbol\@ccccu} -\def\dccl{\dc@symbol\@cl} -\def\dcccl{\dc@symbol\@ccl} -%\def\dccccl{\dc@symbol\@cccl} -%\def\dcccccl{\dc@symbol\@ccccl} - -%%% notes with a diagonal cross half circle head, for half open hihat ... - -\def\dh@symbol{\def\q@u{\musixchar112}} - -\def\dhqu{\dh@symbol\@qu} -\def\dhql{\dh@symbol\@ql} - -\def\dhqb{\dh@symbol\@qb} - -\def\dhzq{\dh@symbol\@zq} - -\def\dhcu{\dh@symbol\@cu} -\def\dhccu{\dh@symbol\@ccu} -%\def\dhcccu{\dh@symbol\@cccu} -%\def\dhccccu{\dh@symbol\@ccccu} -\def\dhcl{\dh@symbol\@cl} -\def\dhccl{\dh@symbol\@ccl} -%\def\dhcccl{\dh@symbol\@cccl} -%\def\dhccccl{\dh@symbol\@ccccl} - -%%% notes with a diagonal cross head, for open hihat ... - -\def\do@symbol{\def\q@u{\musixchar111}} - -\def\doqu{\do@symbol\@qu} -\def\doql{\do@symbol\@ql} - -\def\doqb{\do@symbol\@qb} - -\def\dozq{\do@symbol\@zq} - -\def\docu{\do@symbol\@cu} -\def\doccu{\do@symbol\@ccu} -%\def\docccu{\do@symbol\@cccu} -%\def\doccccu{\do@symbol\@ccccu} -\def\docl{\do@symbol\@cl} -\def\doccl{\do@symbol\@ccl} -%\def\docccl{\do@symbol\@cccl} -%\def\doccccl{\do@symbol\@ccccl} - -%%% notes with a doublesharp-head - -\def\x@symbol{\def\q@u{\musixchar114}} - -\def\xqu{\x@symbol\@qu} -\def\xql{\x@symbol\@ql} - -\def\xqb{\x@symbol\@qb} - -\def\xzq{\x@symbol\@zq} - -\def\xcu{\x@symbol\@cu} -\def\xccu{\x@symbol\@ccu} -%\def\xcccu{\x@symbol\@cccu} -%\def\xccccu{\x@symbol\@ccccu} -\def\xcl{\x@symbol\@cl} -\def\xccl{\x@symbol\@ccl} -%\def\xcccl{\x@symbol\@cccl} -%\def\xccccl{\x@symbol\@ccccl} - -%%% notes with a circled doublesharp-head - -\def\ox@symbol{\def\q@u{\musixfont\@cxv}} - -\def\oxqu{\ox@symbol\@qu} -\def\oxql{\ox@symbol\@ql} - -\def\oxqb{\ox@symbol\@qb} - -\def\oxzq{\ox@symbol\@zq} - -\def\oxcu{\ox@symbol\@cu} -\def\oxccu{\ox@symbol\@ccu} -%\def\oxcccu{\ox@symbol\@cccu} -%\def\oxccccu{\ox@symbol\@ccccu} -\def\oxcl{\ox@symbol\@cl} -\def\oxccl{\ox@symbol\@ccl} -%\def\oxcccl{\ox@symbol\@cccl} -%\def\oxccccl{\ox@symbol\@ccccl} - -%%% notes with a RhOmbus head, for shaker ... - -\def\r@symbol{\def\q@u{\musixchar118}} - -\def\roqu{\r@symbol\@qu} -\def\roql{\r@symbol\@ql} - -\def\roqb{\r@symbol\@qb} - -\def\rozq{\r@symbol\@zq} - -\def\rocu{\r@symbol\@cu} -\def\roccu{\r@symbol\@ccu} -%\def\rocccu{\r@symbol\@cccu} -%\def\roccccu{\r@symbol\@ccccu} -\def\rocl{\r@symbol\@cl} -\def\roccl{\r@symbol\@ccl} -%\def\rocccl{\r@symbol\@cccl} -%\def\roccccl{\r@symbol\@ccccl} - -%%% notes with a TrianGle head, for rattle ... - -\def\t@symbol{\def\q@u{\musixchar116}} - -\def\tgqu{\t@symbol\@qu} -\def\tgql{\t@symbol\@ql} - -\def\tgqb{\t@symbol\@qb} - -\def\tgzq{\t@symbol\@zq} - -\def\tgcu{\t@symbol\@cu} -\def\tgccu{\t@symbol\@ccu} -%\def\tgcccu{\t@symbol\@cccu} -%\def\tgccccu{\t@symbol\@ccccu} -\def\tgcl{\t@symbol\@cl} -\def\tgccl{\t@symbol\@ccl} -%\def\tgcccl{\t@symbol\@cccl} -%\def\tgccccl{\t@symbol\@ccccl} - -%%% notes with a + head, for bongos ... - -\def\k@symbol{\def\q@u{\musixchar117}} - -\def\kqu{\k@symbol\@qu} -\def\kql{\k@symbol\@ql} - -\def\kqb{\k@symbol\@qb} - -\def\kzq{\k@symbol\@zq} - -\def\kcu{\k@symbol\@cu} -\def\kccu{\k@symbol\@ccu} -%\def\kcccu{\k@symbol\@cccu} -%\def\kccccu{\k@symbol\@ccccu} -\def\kcl{\k@symbol\@cl} -\def\kccl{\k@symbol\@ccl} -%\def\kcccl{\k@symbol\@cccl} -%\def\kccccl{\k@symbol\@ccccl} - -\catcode`\@=\catcodeat -\endinput diff --git a/musixtex/tex/musixplt.tex b/musixtex/tex/musixplt.tex deleted file mode 100644 index 3e0b36a..0000000 --- a/musixtex/tex/musixplt.tex +++ /dev/null @@ -1,184 +0,0 @@ -% musixplt.tex : Palatino font definitions for MusiXTeX -% -% usage: -% -% \input musixtex -% \input musixplt -% ... -% -% MusiXplt.tex is free software; you can redistribute it and/or modify -% it under the terms of the GNU General Public License as published by -% the Free Software Foundation; either version 2, or (at your option) -% any later version. -% -% MusiXplt.tex is distributed in the hope that it will be useful, -% but WITHOUT ANY WARRANTY; without even the implied warranty of -% MERCHANTABILITY or FITNESS FOR A PARTICULAR PURPOSE. See the -% GNU General Public License for more details. -% -% You should have received a copy of the GNU General Public License -% along with MusiXTeX; see the file COPYING. If not, write to -% the Free Software Foundation, Inc., 59 Temple Place - Suite 330, -% Boston, MA 02111-1307, USA. -% -% Copyright 2015-2017 Bob Tennent rdt@cs.queensu.ca -% -\immediate\write16{MusiXplt\space<2017/02/10>} -\ifx\undefined\startpiece\errmessage{Input musixtex.tex before musixplt.tex}\fi -% -% 7pt roman, bold, italic, bold italic, slanted and small-cap -\font\sevenrm=pplr8t at 7pt -\font\sevenbf=pplb8t at 7pt -\font\sevenit=pplri8t at 7pt -\font\sevenbi=pplbi8t at 7pt -\font\sevensc=pplrc9d at 7pt -% -% 8pt roman, bold, italic, bold italic, slanted and small-cap -\font\eightrm=pplr8t at 8pt -\font\eightbf=pplb8t at 8pt -\font\eightit=pplri8t at 8pt -\font\eightbi=pplbi8t at 8pt -\font\eightsc=pplrc9d at 8pt -% -% 9pt -\font\ninerm=pplr8t at 9pt -\font\ninebf=pplb8t at 9pt -\font\nineit=pplri8t at 9pt -\font\ninebi=pplbi8t at 9pt -\font\ninesc=pplrc9d at 9pt -% -% 10pt -\font\tenrm=pplr8t at 10pt -\font\tenbf=pplb8t at 10pt -\font\tenit=pplri8t at 10pt -\font\tenbi=pplbi8t at 10pt -\font\tensc=pplrc9d at 10pt -% -% 11pt -\font\elevenrm=pplr8t scaled \magstephalf -\font\elevenbf=pplb8t scaled \magstephalf -\font\elevenit=pplri8t scaled \magstephalf -\font\elevenbi=pplbi8t scaled \magstephalf -\font\elevensc=pplrc9d scaled \magstephalf -% -% 12pt -\font\twelverm=pplr8t scaled \magstep1 -\font\twelvebf=pplb8t scaled \magstep1 -\font\twelveit=pplri8t scaled \magstep1 -\font\twelvebi=pplbi8t scaled \magstep1 -\font\twelvesc=pplrc9d scaled \magstep1 -% -% 14pt -\font\frtrm=pplr8t scaled \magstep2 -\font\frtbf=pplb8t scaled \magstep2 -\font\frtit=pplri8t scaled \magstep2 -\font\frtbi=pplbi8t scaled \magstep2 -\font\frtsc=pplrc9d scaled \magstep2 -% -% 17pt -\font\svtrm=pplr8t scaled \magstep3 -\font\svtbf=pplb8t scaled \magstep3 -\font\svtit=pplri8t scaled \magstep3 -\font\svtbi=pplbi8t scaled \magstep3 -\font\svtsc=pplrc9d scaled \magstep3 -% -% 20pt -\font\twtyrm=pplr8t scaled \magstep4 -\font\twtybf=pplb8t scaled \magstep4 -\font\twtyit=pplri8t scaled \magstep4 -\font\twtybi=pplbi8t scaled \magstep4 -\font\twtysc=pplrc9d scaled \magstep4 -% -% 25pt -\font\twfvrm=pplr8t scaled \magstep5 -\font\twfvbf=pplb8t scaled \magstep5 -\font\twfvit=pplri8t scaled \magstep5 -\font\twfvbi=pplbi8t scaled \magstep5 -\font\twfvsc=pplrc9d scaled \magstep5 -% -% -% large fonts for titles -% (If you prefer bold, use \bf) -% (If you prefer roman, use \rm) -% -\def\bigtype{\bigfont\sc} -\def\Bigtype{\Bigfont\sc} -\def\BIgtype{\BIgfont\sc} -\def\BIGtype{\BIGfont\sc} -% -\font\ppfftwelve=pplbi8t at 8pt -\font\ppffsixteen=pplbi8t at 10pt -\font\ppfftwenty=pplbi8t at 12pt -\font\ppfftwentyfour=pplbi8t at 14pt -\font\ppfftwentynine=pplbi8t at 17pt -% -\def\f{{\ppff f}} -\def\ff{{\ppff ff}} -\def\fp{{\ppff fp}} -\def\fff{{\ppff fff}} -\def\ffff{{\ppff ffff}} -\def\mf{{\ppff mf}} -\def\p{{\ppff p}} -\def\pp{{\ppff pp}} -\def\ppp{{\ppff ppp}} -\def\pppp{{\ppff pppp}} -% -% -% sl fonts needed by musixsty -% -\font\eightsl=pplro8t at 8pt -\font\ninesl=pplro8t at 9pt -\font\tensl=pplro8t at 10pt -\font\twelvesl=pplro8t scaled \magstep1 -\font\frtsl=pplro8t scaled \magstep2 -\font\svtsl=pplro8t scaled \magstep3 -\font\twtysl=pplro8t scaled \magstep4 -\font\twfvsl=pplro8t scaled \magstep5 -% -% -\edef\catcodeat{\the\catcode`\@}\catcode`\@=11 -% -\def\sF{{\ppff s\p@kern f}} -\def\sfz{{\ppff s\p@kern f\f@kern z}} -\def\sfzp{{\ppff s\p@kern f\f@kern z\p@kern p}} - -\def\mp@{{\ppff mp}} -\let\mezzopiano\mp@ - -\catcode`\@=\catcodeat - -% -% Redefine accented characters for 8-bit font, suggested by David Carlisle: -% - -\ifx\documentclass\undefined -\catcode`\@=11 -\def\ProvidesFile#1[#2]{} -\def\DeclareFontEncoding#1#2#3{} -\def\DeclareTextAccent#1#2#3{% -\def#1##1{% -\expandafter\ifx\csname T1\string#1-\string##1\endcsname\relax -{\accent#1 ##1}% -\else -\csname T1\string#1-\string##1\expandafter\endcsname -\fi}} -\def\DeclareTextCommand#1#2{\xdtcmd}%not today -\def\xdtcmd#1#{\xxdtcmd}%not today -\def\xxdtcmd#1{}%not today -\def\DeclareTextCompositeCommand#1#2#3#4{}%not today -\def\DeclareTextSymbol#1#2#3{% -\def#1{\char#3\relax}} -\def\DeclareTextComposite#1#2#3#4{% -\expandafter\def\csname T1\string#1-\string#3\endcsname{\char#4\relax}} - -\input t1enc.def - -% \c needs special treatment -\def\c#1{\leavevmode\ifx c#1\char231 \else\setbox\z@\hbox{#1}\ifdim\ht\z@=1ex\accent11 #1% - \else{\ooalign{\unhbox\z@\crcr - \hidewidth\char11\hidewidth}}\fi\fi} -\catcode`\@=\catcodeat -\fi - -\normtype -\endinput diff --git a/musixtex/tex/musixpoi.tex b/musixtex/tex/musixpoi.tex deleted file mode 100644 index dcf33f4..0000000 --- a/musixtex/tex/musixpoi.tex +++ /dev/null @@ -1,67 +0,0 @@ -% -% This file is part of MusiXTeX -% -% MusiXTeX is free software; you can redistribute it and/or modify -% it under the terms of the GNU General Public License as published by -% the Free Software Foundation; either version 2, or (at your option) -% any later version. -% -% MusiXTeX is distributed in the hope that it will be useful, -% but WITHOUT ANY WARRANTY; without even the implied warranty of -% MERCHANTABILITY or FITNESS FOR A PARTICULAR PURPOSE. See the -% GNU General Public License for more details. -% -% You should have received a copy of the GNU General Public License -% along with MusiXTeX; see the file COPYING. If not, write to -% the Free Software Foundation, Inc., 59 Temple Place - Suite 330, -% Boston, MA 02111-1307, USA. -% - -%\immediate\write16{MusiXPOInted shorties 0.36\space<1 March 1995>} -\immediate\write16{MusiXPOInted shorties T.114\space<16 June 2008>} - -%\ifx\undefined\ccup \else \endinput \fi % conflicts since musixtex.tex T.111 defines \ccup -\ifx\undefined\zcccclpp \else \endinput \fi - -\edef\catcodeat{\the\catcode`\@}\catcode`\@=11 - -%\def\@ccup{\n@vii\@xli \let\st@m\up@flag \g@qp}% moved into musixtex.tex since T.111 -\def\@cccup{\n@vii42\let\st@m\up@flag \g@qp} -\def\@ccccup{\n@vii43\let\st@m\up@flag \g@qp} -%\def\@cclp{\n@vii46\let\st@m\down@flag \g@qp}% moved into musixtex.tex at T.114 -\def\@ccclp{\n@vii47\let\st@m\down@flag \g@qp} -\def\@cccclp{\n@vii48\let\st@m\down@flag \g@qp} -\def\@ccupp{\n@vii\@xli \let\st@m\up@flag \g@qpp} -\def\@cccupp{\n@vii42\let\st@m\up@flag \g@qpp} -\def\@ccccupp{\n@vii43\let\st@m\up@flag \g@qpp} -\def\@cclpp{\n@vii46\let\st@m\down@flag \g@qpp} -\def\@ccclpp{\n@vii47\let\st@m\down@flag \g@qpp} -\def\@cccclpp{\n@vii48\let\st@m\down@flag \g@qpp} -%\def\ccup{\q@symbol\@ccup}% moved into musixtex.tex since T.111 -%\def\zccup{\advancefalse\ccup}% moved into musixtex.tex at T.114 -%\def\cclp{\q@symbol\@cclp}% moved into musixtex.tex since T.111 -%\def\zcclp{\advancefalse\cclp}% moved into musixtex.tex at T.114 -\def\ccupp{\q@symbol\@ccupp} -\def\zccupp{\advancefalse\ccupp} -\def\cclpp{\q@symbol\@cclpp} -\def\zcclpp{\advancefalse\cclpp} -\def\cccup{\q@symbol\@cccup} -\def\zcccup{\advancefalse\cccup} -\def\ccclp{\q@symbol\@ccclp} -\def\zccclp{\advancefalse\ccclp} -\def\cccupp{\q@symbol\@cccupp} -\def\zcccupp{\advancefalse\cccupp} -\def\ccclpp{\q@symbol\@ccclpp} -\def\zccclpp{\advancefalse\ccclpp} -\def\ccccup{\q@symbol\@ccccup} -\def\zccccup{\advancefalse\ccccup} -\def\cccclp{\q@symbol\@cccclp} -\def\zcccclp{\advancefalse\cccclp} -\def\ccccupp{\q@symbol\@ccccupp} -\def\zccccupp{\advancefalse\ccccupp} -\def\cccclpp{\q@symbol\@cccclpp} -\def\zcccclpp{\advancefalse\cccclpp} - -\catcode`\@=\catcodeat -\endinput - diff --git a/musixtex/tex/musixppff.tex b/musixtex/tex/musixppff.tex deleted file mode 100644 index 6d06e70..0000000 --- a/musixtex/tex/musixppff.tex +++ /dev/null @@ -1,169 +0,0 @@ -%% musippff.tex This is an extension library for Musix\Tex which -%% replaces the macros used for dynamic marks to use a mini-font xppff10 -%% -%% Author: -%% Hiroaki MORIMOTO -%% Tokyo, Japan -%% URL: http://homepage1.nifty.com/kuuku/pub/musixtex/index-e.html -%% -%% usage: -%% \input musixtex -%% \input musixppff -%% ... -%% -%% -\immediate\write16{MusiXppff \noexpand\ppff font replacement <2017/02/10>}% -\ifx\undefined\startpiece\errmessage{Input musixtex.tex before musixppff.tex}\fi - -\font\xppfftwelve=xppff10 at 8pt -\font\xppffsixteen=xppff10 -\font\xppfftwenty=xppff10 scaled \magstep1 -\font\xppfftwentyfour=xppff10 scaled \magstep2 -\font\xppfftwentynine=xppff10 scaled \magstep3 -\font\tinyxppff=xppff10 at 8pt -\font\smallxppff=xppff10 -\font\normxppff=xppff10 scaled \magstep1 -\font\medxppff=xppff10 scaled \magstep2 - -\edef\catcodeat{\the\catcode`\@}\catcode`\@=11 - -\def\xppff{% -\ifdim\internote<\p@seven6\Internote \tinyxppff -\else\ifdim\internote<.95\Internote \smallxppff -\else\ifdim\internote<1.19\Internote \normxppff -\else\medxppff\fi\fi\fi} - - -\def\f{{\xppff f}}% -\def\ff{{\xppff ff}}% -\def\fp{{\xppff fp}}% -\def\sF{{\xppff sf}}% -\def\fff{{\xppff fff}}% -\def\ffff{{\xppff ffff}}% -\def\mf{{\xppff mf}}% -\def\p{{\xppff p}}% -\def\pp{{\xppff pp}}% -\def\ppp{{\xppff ppp}}% -\def\pppp{{\xppff pppp}}% -\def\sfz{{\xppff sfz}}% -\def\sfzp{{\xppff sfzp}}% -\def\mp@{{\xppff mp}}% -\let\mezzopiano\mp@ - -% -\def\tinydyn{\let\ppff\tinyppff\let\xppff\tinyxppff}% -\def\smalldyn{\let\ppff\smallppff\let\xppff\smallxppff}% -\def\normdyn{\let\ppff\normppff\let\xppff\normxppff}% -\def\meddyn{\let\ppff\medppff\let\xppff\medxppff}% - -\def\comput@fonts{% - \ifnum\musicsize=\sixt@@n - \let\musicLargefont\musictwentyfour - \let\musiclargefont\musictwenty - \let\musicnorfont\musicsixteen - \let\musicsmallfont\musicthirteen - \let\musictinyfont\musiceleven - \let\xgregLargefont\xgregtwentyfour - \let\xgreglargefont\xgregtwenty - \let\xgregnorfont\xgregsixteen - \let\xgregsmallfont\xgregthirteen - \let\xgregtinyfont\xgregeleven - \let\slurd\slurdsixteen \let\sluru\slurusixteen - \let\hslurd\hslurdsixteen \let\hsluru\hslurusixteen - \let\meternorfont\tenbf \let\metersmallfont\eightbf % version 1.16 RDT - \let\meterbigfont\twelvebf \let\meterlargefont\frtbf - \let\meterLargefont\svtbf - \let\tinyppff\ppfftwelve % version 1.17 RDT - \let\smallppff\ppfftwelve - \let\normppff\ppffsixteen - \let\medppff\ppfftwenty - \let\tinyxppff\xppfftwelve % version 1.17 RDT - \let\smallxppff\xppfftwelve - \let\normxppff\xppffsixteen - \let\medxppff\xppfftwenty - \else\ifnum\musicsize=\@xxiv - \let\musicLargefont\musictwentynine - \let\musiclargefont\musictwentynine - \let\musicnorfont\musictwentyfour - \let\musicsmallfont\musictwenty - \let\musictinyfont\musicsixteen - \let\xgregLargefont\xgregtwentynine - \let\xgreglargefont\xgregtwentynine - \let\xgregnorfont\xgregtwentyfour - \let\xgregsmallfont\xgregtwenty - \let\xgregtinyfont\xgregsixteen - \let\sluru\slurutwenty \let\slurd\slurdtwenty - \let\hsluru\hslurutwenty \let\hslurd\hslurdtwenty - \let\meternorfont\frtbf \let\metersmallfont\twelvebf % version 1.18 RDT - \let\meterbigfont\svtbf \let\meterlargefont\twtybf - \let\meterlargefont\twfvbf - \let\tinyppff\ppffsixteen - \let\smallppff\ppfftwenty - \let\normppff\ppfftwentyfour - \let\medppff\ppfftwentynine - \let\tinyxppff\xppffsixteen - \let\smallxppff\xppfftwenty - \let\normxppff\xppfftwentyfour - \let\medxppff\xppfftwentynine - \else\ifnum\musicsize=\@xxix - \let\musicLargefont\musictwentynine - \let\musiclargefont\musictwentynine - \let\musicnorfont\musictwentynine - \let\musicsmallfont\musictwentyfour - \let\musictinyfont\musictwenty - \let\xgregLargefont\xgregtwentynine - \let\xgreglargefont\xgregtwentynine - \let\xgregnorfont\xgregtwentynine - \let\xgregsmallfont\xgregtwentyfour - \let\xgregtinyfont\xgregtwenty - \let\sluru\slurutwenty \let\slurd\slurdtwenty - \let\hsluru\hslurutwenty \let\hslurd\hslurdtwenty - \let\slurud\slurutwentyd \let\slurdd\slurdtwentyd % +ickd - \let\hslurud\hslurutwentyd \let\hslurdd\hslurdtwentyd %+ickd - \let\meternorfont\svtbf \let\metersmallfont\frtbf % version 1.18 RDT - \let\meterbigfont\twtybf \let\meterlargefont\twfvbf - \let\meterLargefont\twfvbf - \let\tinyppff\ppfftwenty - \let\smallppff\ppfftwentyfour - \let\normppff\ppfftwentynine - \let\medppff\ppfftwentynine - \let\tinyxppff\xppfftwenty - \let\smallxppff\xppfftwentyfour - \let\normxppff\xppfftwentynine - \let\medxppff\xppfftwentynine -\else - \ifnum\musicsize=\tw@nty - \else\ifnum\musicsize=\z@ - \else\errmessage{\noexpand\musicsize=\the\musicsize\space not supported, - set to default of 20}% - \fi - \fi\musicsize\tw@nty - \let\musicLargefont\musictwentynine - \let\musiclargefont\musictwentyfour - \let\musicnorfont\musictwenty - \let\musicsmallfont\musicsixteen - \let\musictinyfont\musicthirteen - \let\xgreglargefont\xgregtwentyfour - \let\xgregLargefont\xgregtwentynine - \let\xgregnorfont\xgregtwenty - \let\xgregsmallfont\xgregsixteen - \let\xgregtinyfont\xgregthirteen - \let\sluru\slurutwenty \let\slurd\slurdtwenty - \let\hsluru\hslurutwenty \let\hslurd\hslurdtwenty - \let\meternorfont\twelvebf \let\metersmallfont\tenbf % version 1.18 RDT - \let\meterbigfont\frtbf \let\meterlargefont\svtbf - \let\meterLargefont\twtybf - \let\tinyppff\ppfftwelve - \let\smallppff\ppffsixteen - \let\normppff\ppfftwenty - \let\medppff\ppfftwentyfour - \let\tinyxppff\xppfftwelve - \let\smallxppff\xppffsixteen - \let\normxppff\xppfftwenty - \let\medxppff\xppfftwentyfour -\fi\fi\fi}% - -\catcode`\@=\catcodeat - -\endinput - diff --git a/musixtex/tex/musixps.tex b/musixtex/tex/musixps.tex deleted file mode 100644 index 9ab8b0c..0000000 --- a/musixtex/tex/musixps.tex +++ /dev/null @@ -1,975 +0,0 @@ -%% PostScript slurs, ties and crescendos -% Coded by Stanislav Kneifl -% RDT added \psRslurskip \iRslur \tRslur \psRtieskip \tRtie \psLtieskip \tLtie 2019/06/17 -% RDT added \iRtieu \iRtied 2020/09/07 - -\ifx\undefined\startpiece\errmessage{Input musixtex.tex before musixps.tex}\fi -\ifx\undefined\liftcresc\else\endinput\fi - -\immediate\write16{MusiXPS PostScript slurs, ties and crescendos 0.94 (07.09.2020)}% - -\catcode`\@=11 - - -%%%% remove the next line if you include this file into a format (see endnotes!). - -\special{header=psslurs.pro}% - -%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%% - -\font\mxsk=mxsk - -% you can change these values if you want... -% Offsets are in \internotes measured vertically from the center and -% horizontally from the left edge of the notehead. -% see the doc at the end for (short) explanation - -\def\psslurraise{1.6} % vertical offset of the slur beginnings/endings -\def\psbslurraise{2} % vert. offset for slurs on beams - -\def\psLslurskip{-0.2} % horiz. offset of slurs shifted more to the left -\def\psRslurskip{4} % horiz. offset of slurs shifted more to the right -\def\pslslurskip{0.4} % horiz. offset of slurs shifted to the left -\def\psislurskip{1.4} % horiz. offset of the slur beginnings -\def\pstslurskip{1.2} % horiz. offset of the slur endings -\def\psrslurskip{2.8} % horiz. offset of slurs shifted to the right - -\def\psfslurhgt{0.7} % height coeficient of the 'f'lat slurs -\def\psslurhgt{1} % height coeficient of normal slurs -\def\pshslurhgt{1.6} % height coeficient of 'h'igh slurs -\def\psHslurhgt{2.2} % height coeficient of 'H'igh slurs -\def\psHHslurhgt{2.8} % height coeficient of 'HH'igh slurs -\def\psslurmaxhgt{40} % maximal height of the slur - % (before multiplication by \...slurhgt !!) - -\def\psslurangul{0.17} % angularity of normal, flat and high slurs -\def\psHslurangul{0.15} % angularity of High slurs -\def\psHHslurangul{0.13} % angularity of HHigh slurs - -\def\pstieraise{1.3} % vertical offset of the ties -\def\psitieskip{2.6} % horiz. offset of the tie beginnings -\def\psttieskip{0.3} % horiz. offset of the tie endings -\def\psltieskip{-0.2} % horiz. offset of ties shifted to the left -\def\psrtieskip{3} % horiz. offset of ties shifted to the right -\def\psLtieskip{-0.4} % horiz. offset of ties shifted more to the left -\def\psRtieskip{4} % horiz. offset of ties shifted more to the right - -\def\pstiehgt{0.7} % height coeficient of the ties -\def\pstiemaxhgt{30} % maximal height if the ties -\def\pstieflathgt{20} % maximal height if the ties between staff lines -\def\pstieangul{0.14} % angularity of the ties - -%%%% - -\def\d@nh{-5} % default altitude of the crescendos in \internote -\def\setcrescheight{\def@it\d@nh} - -\def\sl@space{-3pt} % neg. space before continued slurs, ties and crescs. -\def\h@tielim{15pt} % limit for drawing half continued ties - -\def\nohalfties{\def\h@tielim{\z@}} -\def\halfties{\def\h@tielim{15pt}} -\newif\ifslopebrkslurs -\slopebrkslursfalse - -\def\dotted{\def\d@sh{1}} % the '1' is important! -\def\solid{\def\d@sh{0}} -\def\Dotted{\def\D@sh{1}} -\def\Solid{\def\D@sh{0}} -\Solid\solid - -\def\nosluradjust{\gdef\s@adj{0}} -\def\sluradjust{\gdef\s@adj{1}} -\def\Nosluradjust{\gdef\S@adj{0}\gdef\s@adj{0}} -\def\Sluradjust{\gdef\S@adj{1}\gdef\s@adj{1}} -\Sluradjust - -\def\notieadjust{\gdef\t@adj{0}} -\def\tieadjust{\gdef\t@adj{1}} -\def\Notieadjust{\gdef\T@adj{0}\gdef\t@adj{0}} -\def\Tieadjust{\gdef\T@adj{1}\gdef\t@adj{1}} -\Notieadjust - -\newif\ifdangermessages\dangermessagestrue - -\def\@clr#1{\let#1\empty} -\def\def@it#1#2{\def#1{#2}} -\def\slurtext{\def@it\s@tx} -\let\s@tx\empty -\def\lr@lap#1{\rlap{\hss#1}} - -% how many slurs will be stored into the TeX's registers? -% => how many slurs can go across the page break? -% determines also the needed amount of the following registers. -\let\max@slurs\t@n - -\let\slur@alt=\s@xi \let\slur@hgt=\s@Yv \let\slur@lift=\s@yi -\let\slur@alti=\s@xii \let\slur@hgti=\s@Yvi \let\slur@lifti=\s@yii -\let\slur@altii=\s@xiii \newdimen\slur@hgtii \let\slur@liftii=\s@yiii -\let\slur@altiii=\s@xiv \newdimen\slur@hgtiii \let\slur@liftiii=\s@yiv -\let\slur@altiv=\s@xv \newdimen\slur@hgtiv \let\slur@liftiv=\s@yv -\let\slur@altv=\s@Y \newdimen\slur@hgtv \let\slur@liftv=\s@yvi -\let\slur@altvi=\s@Yi \newdimen\slur@hgtvi \let\slur@liftvi=\s@Ni -\let\slur@altvii=\s@Yii \newdimen\slur@hgtvii \let\slur@liftvii=\s@Nii -\let\slur@altviii=\s@Yiii \newdimen\slur@hgtviii \let\slur@liftviii=\s@Niii -\let\slur@altix=\s@Yiv \newdimen\slur@hgtix \let\slur@liftix=\s@Niv - -% in the 'lift' register is coded the altitude of the ending point of the slur -% at the end of a line (y1) and the relative alt. of the starting point at the -% beginning of a line (y2): y1=(reg div 65536)-16384, y2=(reg mod 65536)-16384 - -\newdimen\tie@alt \newdimen\tie@hgt -\newdimen\tie@alti \newdimen\tie@hgti -\newdimen\tie@altii \newdimen\tie@hgtii -\newdimen\tie@altiii \newdimen\tie@hgtiii -\newdimen\tie@altiv \newdimen\tie@hgtiv -\newdimen\tie@altv \newdimen\tie@hgtv -\newdimen\tie@altvi \newdimen\tie@hgtvi -\newdimen\tie@altvii \newdimen\tie@hgtvii -\newdimen\tie@altviii \newdimen\tie@hgtviii -\newdimen\tie@altix \newdimen\tie@hgtix - -\newdimen\cresc@alt -\newdimen\cresc@alti -\newdimen\cresc@altii -\newdimen\cresc@altiii -\newdimen\cresc@altiv -\newdimen\cresc@altv -\newdimen\cresc@altvi -\newdimen\cresc@altvii -\newdimen\cresc@altviii -\newdimen\cresc@altix - -\newcount\pss@rega \pss@rega=\z@ % PS slurs -\newcount\pss@regb \pss@regb=\z@ -\newcount\pst@rega \pss@rega=\z@ % PS ties -\newcount\pst@regb \pss@regb=\z@ -\newcount\psc@rega \pss@rega=\z@ % PS [de]crescendos -\newcount\psc@regb \pss@regb=\z@ - -\newif\if@up -\newif\if@dash - -% information in these registers is binary coded: -% a: lower bit is set ( 2^2i ): there is a pending slur number i -% upper bit is set ( 2^(2i+1) ): slur number i already went across line break -% b: lower bit is set: slur/tie is dotted -% upper bit is set: slur/tie is lower / decrescendo - -% everything else is stored in PostScript variables. If you run out -% of the PostScript dictionary used for slurs, you can increase its size -% by changing the number 200 in the first line of psslurs.pro to anything -% reasonable. (The number says how many tokens can be defined.) - -%%%%%%% - -% input is i for 2^i and register to extract the bits from -% in reg. n@i will be only the bits 2^2i and 2^(2i+1) -% in n@vi will be these bits shifted to 2^0 and 2^1, -% n@ii will be set to 2^2i -\def\get@bits#1#2{\n@i=#1\relax\n@ii\@ne - \loop\ifnum\n@i>\z@\multiply\n@ii\f@ur\advance\n@i\m@ne\repeat - \n@i=\n@ii\multiply\n@i\f@ur\n@iii #2\relax - \divide\n@iii\n@i\multiply\n@iii\n@i\n@i=#2\relax - \advance\n@i-\n@iii\divide\n@i\n@ii\n@vi\n@i\multiply\n@i\n@ii\relax} - -\def\s@l@slur#1{\xdef\th@salt{\csname slur@alt\romannumeral#1\endcsname}% - \xdef\th@shgt{\csname slur@hgt\romannumeral#1\endcsname}% - \xdef\th@slift{\csname slur@lift\romannumeral#1\endcsname}} - -\def\s@l@tie#1{\xdef\th@salt{\csname tie@alt\romannumeral#1\endcsname}% - \xdef\th@shgt{\csname tie@hgt\romannumeral#1\endcsname}} - -\def\s@l@cresc#1{\xdef\th@salt{\csname cresc@alt\romannumeral#1\endcsname}} - -\def\gt@pssb#1#2{\s@l@ctbeam#1\relax\getcurpos\advance\y@v#2\relax % \y@v = hpos - \advance\y@v-\b@x - \y@ii\b@p\y@v \divide\y@ii\tw@nty \advance\y@ii\b@z - \advance\y@ii-\altportee\n@ii=\internote \divide\n@ii6553 - \n@i=\y@ii\divide\n@i\n@ii\divide\n@i6554\relax} - -\def\t@bslur#1#2#3#4{\n@vii\n@i\ifnum#3<\fiv@t@@n\get@bits{#3}\pss@regb\n@i\n@vii - \ifnum\n@vi>\@ne\gt@pssb{#4}\z@\T@slur{#3}{\psbslurraise}{0}{#1}{#2}% - \else\gt@pssb{#4}{\tw@\qn@width}\T@slur{#3}{\psbslurraise}{2.4}{#1}{#2}\fi - \else\gt@pssb{#4}\z@\T@slur{#3}{1.7}{0}{#1}{#2}\fi} - - -%%%%%% slurs %%%%%%%%%%%%%%%%%%% - -% ID, pitch, voffset, hoffset -% all offsets are in \internote, the slur direction is determined -% by the sign of the vertical offset. - -\def\iSlur#1#2{\inhgetn@i#2\relax\I@slur{#1}} - -% ID, voffset, hoffset; \n@i = pitch -\def\I@slur#1#2#3{\y@i=\n@i\internote - \ifdim#2\internote<\z@\@upfalse\else\@uptrue\fi - \advance\y@i#2\internote\raise\y@i\rlap{\hskip #3\internote - \special{ps: slur@Dict begin CP /S#1y1 ED /S#1x1 ED - /S#1hgt (\the\y@i) psxGD N /S#1brk S#1hgt (\the\internote) psxGD - \ifslopebrkslurs 3 \else 1 \fi\if@up 1 \else -1 \fi M M A N /S#1lift 0 N - /S#1alt (\the\altportee) psxGDAR N /S#1dir \if@up1\else-1\fi\space N - /S#1dash \d@sh\space N /S#1adj \s@adj\space N end}}% - \ifnum#1>\fourt@@n - \ifnum#1=99\relax\else - \ifdangermessages\message{Danger! Slur with ID >14.}\fi\fi - \else\n@iv\n@i\get@bits{#1}\pss@rega - \ifcase\n@i\else\message{Slur #1 was re-opened.}% - \advance\pss@rega-\n@i\fi % clear the bits - \global\advance\pss@rega\n@ii % and set the lower bit - \get@bits{#1}\pss@regb\global\advance\pss@regb-\n@i % clear the bits - \ifnum\d@sh=1\relax\global\advance\pss@regb\n@ii\fi - \if@up\else\multiply\n@ii\tw@\global\advance\pss@regb\n@ii\fi - \ifnum#1<\max@slurs\s@l@slur{#1}% - \global\th@salt\altportee\global\th@shgt\y@i\th@slift\n@iv - \if@up\advance\th@slift\fiv@\else\advance\th@slift-\fiv@\fi - \advance\th@slift 16384\relax\multiply\th@slift65536\relax - \global\advance\th@slift16384\relax - \fi\fi\gdef\d@sh{\D@sh}\gdef\s@adj{\S@adj}} - -% ID, height, voffset, hoffset, curvature, angularity -\def\tSlur#1#2{\inhgetn@i#2\relax\T@slur{#1}} - -\def\T@slur#1#2#3#4#5{\n@vii\n@i\n@ii\@ne - \ifnum#1<\fiv@t@@n - \get@bits{#1}\pss@rega - \global\advance\pss@rega-\n@i - \ifcase\n@i\message{Not opened slur #1 was closed.}\n@ii\z@ - \else - \ifnum\n@vi>\@ne % the slur was breaked - \get@bits{#1}\pss@regb % it's not necessary to clear this register - \ifnum\n@vi>\@ne\@upfalse\else\@uptrue\fi - \ifodd\n@vi\@dashtrue\else\@dashfalse\fi - \y@ii=\lin@pos\advance\y@ii\locx@skip\advance\y@ii#3\internote - \advance\y@ii\sl@space - \y@i=\n@vii\internote\advance\y@i\if@up\else-\fi#2\internote - \ifnum#1<\max@slurs - \s@l@slur{#1}\n@ii\th@slift\divide\n@ii65536\relax - \multiply\n@ii65536\relax\n@iii\th@slift\advance\n@iii-\n@ii - \advance\n@iii-16384\y@iii=\n@iii\internote\advance\y@iii\th@shgt - \raise\y@i\rlap{\hskip #3\internote\special{ps: slur@Dict begin - CP S (\the\y@ii) psxGDAR SB /S#1x1 ED - (\the\y@i) psxGD (\the\y@iii) psxGD SB 4 psxAR M A /S#1y1 ED - (\the\internote) psxGD (\the\th@shgt) psxGD (\the\y@i) psxGD - S#1x1 S#1y1 CP #4 \if@up\else neg \fi #5 30 - \if@dash1\else0\fi\space \s@adj\space 90 DS end}}% - \else - \raise\y@i\rlap{\hskip #3\internote\special{ps: slur@Dict begin - CP S (\the\y@ii) psxGDAR SB /S#1x1 ED - S#1hgt S#1lift (\the\internote) psxGD M A 4 psxAR M - (\the\y@i) psxGDAR SB SB /S#1y1 ED - (\the\internote) psxGD S#1hgt (\the\y@i) psxGD - S#1x1 S#1y1 CP #4 \if@up\else neg \fi #5 30 - S#1dash \s@adj\space 90 DS end}}% - \fi\n@ii\z@ - \fi - \fi - \fi - \ifcase\n@ii\else\y@ii=#2\internote\setbox\z@=\hbox{\s@tx}% - \y@i=\n@vii\internote\raise\y@i\rlap{\hskip #3\internote - \special{ps: slur@Dict begin (\the\internote) psxGD S#1hgt (\the\y@i) psxGD - #2 (\the\internote) psxGD M S#1dir M A - S#1x1 S#1y1 CP (\the\y@ii) psxGDAR S#1dir M SB - #4 S#1dir M #5 \psslurmaxhgt\space S#1dash S#1adj 90 DS - /ay1 ay1 (\the\ht\z@) psxGDAR -10 psxAR add dir mul add def}% - \lr@lap{\box\z@}\special{ps: end}}% - \fi\@clr\s@tx} - -\def\liftslur#1#2{\special{ps: slur@Dict begin /S#1lift #2 N end}% - \ifnum#1<\t@n\s@l@slur{#1}\divide\th@slift65536\relax - \multiply\th@slift65536 \advance\th@slift16384\relax - \advance\th@slift#2\relax\fi} - -\def\breakslur#1#2{\inhgetn@i#2\relax\y@i=\n@i\internote\special - {ps: slur@Dict begin /S#1brk (\the\y@i) psxGD N end}% - \ifnum#1<\t@n\s@l@slur{#1}\n@ii\th@slift\divide\n@ii65536\relax - \multiply\n@ii65536 \advance\th@slift-\n@ii\advance\n@i16384\relax - \multiply\n@i65536 \global\advance\th@slift\n@i\fi} - -%%%%% [de]crescendos %%%%%%%%%%%%%%%%%%%%%%%%%%%%%%% - -% ID, height, hoffset - -\def\Icresc{\i@cresc0} -\def\Idecresc{\i@cresc2} - -\def\i@cresc#1#2#3#4{\y@i=#3\internote\raise\y@i\rlap - {\hskip#4\internote\advance\y@i\altportee\special{ps: slur@Dict begin - CP /C#2y1 ED /C#2x1 ED /C#2alt (\the\y@i) psxGD N - /C#2dir #1 N end}}% - \ifnum#2>\fourt@@n - \ifdangermessages\message{Danger! [De]crescendo with ID >14.}\fi - \else\get@bits{#2}\psc@rega - \ifcase\n@i\else\message{[De]crescendo #2 was re-opened.}% - \advance\psc@rega-\n@i\fi - \global\advance\psc@rega\n@ii - \get@bits{#2}\psc@regb\advance\psc@regb-\n@i - \multiply\n@ii#1\relax - \global\advance\psc@regb\n@ii\relax - \ifnum#2<\max@slurs\s@l@cresc{#2}% - \advance\y@i\altportee\global\th@salt\y@i\fi\fi} - -\def\Tcresc#1#2#3{\n@ii\@ne\n@i=#1\relax - \ifnum\n@i<\fiv@t@@n - \get@bits{#1}\psc@rega\global\advance\psc@rega-\n@i - \ifcase\n@i\message{Not opened crescendo #1 was closed.}\n@ii\z@ - \else - \ifnum\n@vi>\@ne % the crescendo was breaked - \get@bits{#1}\psc@regb % it's not necessary to clear this register - \y@ii=\lin@pos\advance\y@ii\locx@skip\advance\y@ii#3\internote - \advance\y@ii\sl@space - \zchar{#2}{\hskip #3\internote\special{ps: slur@Dict begin - CP S (\the\y@ii) psxGDAR SB S CP 4 \the\n@vi\space R - \the\n@vi\space 0 eq { DHC } { DC } ifelse end}}% - \global\n@ii\z@\fi - \fi\fi - \ifcase\n@ii\else\zchar{#2}{\hskip#3\internote\special{ps: slur@Dict begin - C#1x1 C#1y1 CP 4 C#1dir R DC end}}\fi} - -\def\liftcresc#1#2{\y@i=#2\internote\ifnum#1<\max@slurs\s@l@cresc{#1}% - \global\advance\th@salt\y@i\else\special{ps: slur@Dict begin - /C#1alt (\the\y@i) psxGDAR C#1alt A N end}\fi} - - -%%%% ties %%%%%%%%%%%%%%%%%%%%%% - -\def\iTieu{\i@tie{1}} -\def\iTied{\i@tie{-1}} - -% 1/-1, ID, height, hoffset -\def\i@tie#1#2#3#4{\inhgetn@i#3\relax\y@i=\pstieraise\internote - \multiply\y@i#1\relax\advance\y@i\n@i\internote\raise\y@i\rlap - {\hskip #4\internote\special{ps: slur@Dict begin - /S#1alt (\the\altportee) psxGDAR N - CP /T#2y1 ED /T#2x1 ED /T#2hgt (\the\y@i) psxGD N - /T#2dir #1 N /T#2dash \d@sh\space N - /T#2adj \t@adj\space N end}}% - \ifnum #2>\fourt@@n - \ifnum#2=99\relax\else - \ifdangermessages\message{Danger! Tie with ID >14.}\fi\fi - \else\get@bits{#2}\pst@rega - \ifcase\n@i\else\message{Tie #2 was re-opened.}% - \global\advance\pst@rega-\n@i\fi - \global\advance\pst@rega\n@ii - \get@bits{#2}\pst@regb\global\advance\pst@regb-\n@i % clear the bits - \ifnum\d@sh=1\relax\global\advance\pst@regb\n@ii\fi - \ifnum#1=1\relax\else\multiply\n@ii\tw@\global\advance\pst@regb\n@ii\fi - \ifnum#2<\max@slurs\s@l@tie{#2}% - \global\th@salt\altportee\global\th@shgt\y@i\fi - \fi\gdef\d@sh{\D@sh}\gdef\t@adj{\T@adj}} - -% ID, hoffset -\def\tTie#1#2{\n@ii\@ne - \ifnum#1<\fiv@t@@n - \get@bits{#1}\pst@rega - \global\advance\pst@rega-\n@i - \ifcase\n@i\message{Not opened tie #1 was closed.}\n@ii\z@ - \else - \ifnum\n@vi>\@ne % the tie was breaked - \get@bits{#1}\pst@regb % it's not necessary to clear this register - \ifnum\n@vi>\@ne\@upfalse\else\@uptrue\fi - \ifodd\n@vi\@dashtrue\else\@dashfalse\fi - \y@ii=\lin@pos\advance\y@ii\locx@skip\advance\y@ii#2\internote - \advance\y@ii\sl@space - \ifnum#1<\max@slurs\s@l@tie{#1}% - \ifdim\y@ii<\h@tielim - \raise\th@shgt\rlap{\hskip-0.3\internote - \ifdim\internote>.9\Internote\n@i=\z@\else - \ifdim\internote<.7\Internote \n@i=\@cxxviii - \else\n@i=64\fi\fi\if@up\else\advance\n@i\@ne\fi - \mxsk\char\n@i}% - \else - \rlap{\hskip #2\internote\special{ps: slur@Dict begin - (\the\internote) psxGD (\the\th@shgt) psxGD DP - CP S (\the\y@ii) psxGDAR SB S (\the\th@shgt) - psxGDAR SB DP CP P S \if@up \pstiehgt\space - \else -\pstiehgt\space \fi \pstieangul\space \pstiemaxhgt\space - \if@dash 1 \else 0 \fi \t@adj\space 40 DS end}}% - \fi - \else - \rlap{\hskip #2\internote\special{ps: slur@Dict begin - (\the\internote) psxGD T#1hgt psxGD DP - CP S (\the\y@ii) psxGDAR SB S T#1hgt psxGDAR SB DP CP P S - \if@up -\pstiehgt\space \else \pstiehgt\space \fi - \pstieangul\space \pstiemaxhgt\space \if@dash 1 \else 0 \fi - \t@adj\space 40 DS end}}% - \fi - \global\n@ii=\z@ - \fi - \fi - \fi - \ifcase\n@ii\else - \rlap{\hskip#2\internote - \special{ps: slur@Dict begin (\the\internote) psxGD T#1hgt DP - T#1x1 T#1y1 CP P T#1y1 - \pstiehgt\space T#1dir M \pstieangul\space \pstiemaxhgt\space T#1dash T#1adj 40 DS end}}% - \fi} - - -%%%%%%% simple slurs %%%%%%%%%%%%%%%%% - -% #1 start pitch #2 final pitch #3 sense(u,d) #4 length[noteskip] - -% \s@Y = vert. offset, \y@ii = horiz. offset at the end, \y@iii add to length -% \y@v = length - -\def\C@sl#1#2#3#4{\inhgetn@i#1\relax \n@ii\n@i\inhgetn@i#2\relax - \if d#3 \s@vy-\s@vy \ifx\@ne\nxt \y@ii\z@\fi \fi - \y@v#4\noteskip\advance\y@v\y@iii\advance\y@ii-\y@iii - \rlap{\hskip\y@ii\y@i=\n@ii\internote\advance\y@i\s@vy - \y@ii=\n@i\internote\advance\y@ii\s@vy\setbox\z@=\hbox{\s@tx}% - \ifx\s@tx\empty\def\tx@sp{1}\else\ifdim\y@v<\tw@nty\internote\def\tx@sp{1.5}% - \else\ifdim\y@v<\@l\internote\def\tx@sp{1.2}\else\def\tx@sp{1}\fi\fi\fi - \special{ps: slur@Dict begin (\the\internote) psxGD - (\the\y@i) psxGD (\the\y@ii) psxGD CP (\the\y@i) psxGDAR swub - CP exch (\the\y@v) psxGDAR add exch (\the\y@ii) psxGDAR sub - \if d#3 -1 \else 1 \fi \tx@sp\space mul \psslurangul\space - \psslurmaxhgt\space \d@sh\space \s@adj\space 90 DS - /ax1 ax1 (\the\y@v) psxGDAR add def /ay1 ay1 (\the\y@ii) psxGDAR sub - (\the\ht\z@) psxGDAR dir mul add def}\lr@lap{\unhbox\z@}\special{ps: end}}% - \@clr\s@tx\gdef\d@sh{\D@sh}\gdef\s@adj{\S@adj}} - - -%%%%%%% breaking the line %%%%%%%%%%%%%%%%% - -\def\br@slur{\divide\n@v\tw@ - \ifodd\n@v % the slur was breaked again - \y@i=\lin@pos\advance\y@i\x@skip\advance\y@i-\tw@\p@ - \advance\y@i\sl@space - \ifnum\n@iv<\max@slurs\s@l@slur\n@iv\n@i\th@slift\divide\n@i65536% - \n@ii\n@i\advance\n@ii-16384\y@iii=\n@ii\internote - \multiply\n@i65536 \n@ii\th@slift\advance\n@ii-\n@i - \advance\n@ii-16384\y@ii=\n@ii\internote\advance\y@ii\th@shgt - \ifnum\n@vi>\@ne\@upfalse\else\@uptrue\fi - \raise\th@salt\rlap{\hskip -2pt\special - {ps: slur@Dict begin /in (\the\internote) psxGD N - in (\the\y@ii) psxGD (\the\y@iii) psxGD CP S (\the\y@i) psxGD - 4 psxAR M SB S (\the\y@ii) psxGDAR SB - CP (\the\y@iii) psxGDAR SB \if@up1\else-1\fi\space - 0.13 30 \ifodd\n@vi 1 \else 0 \fi \s@adj\space 90 DS end}}% - \else - \rlap{\hskip -2pt\special{ps: slur@Dict begin - /in (\the\internote) psxGD N in S\the\n@iv hgt - S\the\n@iv lift in M A S\the\n@iv brk - CP S (\the\y@i) psxGDAR SB in 10 psxAR M A S - S\the\n@iv hgt S\the\n@iv lift in M A 4 psxAR M SB - S\the\n@iv alt 4 psxAR M SB CP S\the\n@iv brk - S\the\n@iv alt A 4 psxAR M SB S\the\n@iv dir - 0.13 30 S\the\n@iv dash S\the\n@iv adj 90 DS end}}% - \fi - \else % the slur was breaked the first time - \rlap{\hskip-2pt\special{ps: slur@Dict begin (\the\internote) psxGD - S\the\n@iv hgt S\the\n@iv brk S\the\n@iv x1 S\the\n@iv y1 CP P - S\the\n@iv y1 S\the\n@iv hgt S\the\n@iv brk SB 4 psxAR M A - S\the\n@iv dir 0.17 \psslurmaxhgt\space S\the\n@iv dash S\the\n@iv adj 90 DS end}}% - \get@bits\n@iv\pss@rega - \multiply\n@ii\tw@\global\advance\pss@rega\n@ii\fi} - - -\def\br@cresc{\divide\n@v\tw@ - \ifodd\n@v % the crescendo was breaked again - \y@i=\lin@pos\advance\y@i\x@skip\advance\y@i-\tw@\p@ - \advance\y@i\sl@space - \ifnum\n@iv<\max@slurs\s@l@cresc\n@iv - \rlap{\hskip-2pt\divide\n@vi\tw@\special{ps: slur@Dict begin CP S - (\the\y@i) psxGDAR SB S (\the\th@salt) psxGDAR SB DP CP P S - 4 \ifodd\n@vi 2 \else 0 \fi R DHC end}}% - \else - \rlap{\hskip-2pt\divide\n@vi\tw@\special{ps: slur@Dict begin CP S - (\the\y@i) psxGDAR SB (\the\internote) psxGD 10 psxAR M A S - C\the\n@iv alt psxGDAR SB DP CP P S - 4 C\the\n@iv dir R DHC end}}\fi - \else % the crescendo was breaked the first time - \rlap{\hskip-2pt\special{ps: slur@Dict begin - C\the\n@iv x1 C\the\n@iv y1 DP CP P S - 4 C\the\n@iv dir R C\the\n@iv dir 0 eq - { DC } { DHC } ifelse end}}% - \get@bits\n@iv\psc@rega - \multiply\n@ii\tw@\global\advance\psc@rega\n@ii\fi} - - -\def\br@tie{\divide\n@v\tw@ - \ifodd\n@v % the tie was breaked again - \y@i=\lin@pos\advance\y@i\x@skip\advance\y@i-\tw@\p@ - \advance\y@i\sl@space - \ifnum\n@iv<\max@slurs\s@l@tie\n@iv - \ifnum\n@vi>\@ne\@upfalse\else\@uptrue\fi - \y@ii\th@salt\advance\y@ii\th@shgt - \raise\y@ii\rlap{\hskip-2pt\special{ps: slur@Dict begin - (\the\internote) psxGD (\the\th@shgt) psxGD DP CP S (\the\y@i) psxGDAR SB S - CP \if@up \pstiehgt\space \else -\pstiehgt\space \fi \pstieangul\space - \pstiemaxhgt\space \ifodd\n@vi 1 \else 0 \fi \t@adj\space 40 DS end}}% - \else - \rlap{\hskip-2pt\special{ps: slur@Dict begin - (\the\internote) psxGD T\the\n@iv hgt DP CP S (\the\y@i) - psxGDAR SB (\the\internote) psxGD 10 psxAR M A S - T\the\n@iv alt T\the\n@iv hgt A 4 psxAR M SB DP - CP P S \pstiehgt\space T\the\n@iv dir M - \pstieangul\space \pstiemaxhgt\space T\the\n@iv dash T\the\n@iv adj 40 DS end}}\fi - \else % the tie was breaked the first time - \rlap{\hskip-2pt\special{ps: slur@Dict begin - (\the\internote) psxGD T\the\n@iv hgt DP - T\the\n@iv x1 T\the\n@iv y1 DP CP P S - \pstiehgt\space T\the\n@iv dir M \pstieangul\space \pstiemaxhgt\space - T\the\n@iv dash 40 T\the\n@iv adj DS end}}% - \get@bits\n@iv\pst@rega - \multiply\n@ii\tw@\global\advance\pst@rega\n@ii\fi} - -\let\mxps@oldsuspend=\z@suspend - -\def\z@suspend{% -% cut PostScript slurs - {\n@iv\z@\n@v\pss@rega\n@vi\pss@regb - \loop\ifnum\n@v>\z@ - \ifodd\n@v{\br@slur}\fi\divide\n@v\f@ur - \advance\n@iv\@ne\divide\n@vi\f@ur - \repeat}% -% cut PostScript [de]crescendos - {\n@iv=\z@\n@v=\psc@rega\n@vi\psc@regb - \loop\ifnum\n@v>\z@ - \ifodd\n@v{\br@cresc}\fi\divide\n@v\f@ur - \advance\n@iv\@ne\divide\n@vi\f@ur - \repeat}% -% cut PostScript ties - {\n@iv=\z@\n@v=\pst@rega\n@vi\pst@regb - \loop\ifnum\n@v>\z@ - \ifodd\n@v{\br@tie}\fi\divide\n@v\f@ur - \advance\n@iv\@ne\divide\n@vi\f@ur - \repeat}% - \special{ps: slur@Dict begin /pss@rega \the\pss@rega\space N - /psc@rega \the\psc@rega\space N /pst@rega \the\pst@rega\space N end }% -% do all other mxtex stuff - \mxps@oldsuspend} - -% checking for lost slurs - -\def\checkslurs{ - \ifcase\pss@rega\else\message{Warning! Opened slur(s) at checkpoint!}\fi - \ifcase\psc@rega\else\message{Warning! Opened crescendo(s) at checkpoint!}\fi - \ifcase\pst@rega\else\message{Warning! Opened tie(s) at checkpoint!}\fi} - - -%%%%%% common abbreviations %%%%%%%%%%%%%%%%%%%% - -\def\isluru#1#2{\iSlur{#1}{#2}{\psslurraise}{\psislurskip}} -\def\islurd#1#2{\iSlur{#1}{#2}{-\psslurraise}{\psislurskip}} -\def\irsluru#1#2{\iSlur{#1}{#2}{\psslurraise}{\psrslurskip}} -\def\irslurd#1#2{\iSlur{#1}{#2}{-\psslurraise}{\psrslurskip}} -\def\ilsluru#1#2{\iSlur{#1}{#2}{\psslurraise}{\pslslurskip}} -\def\ilslurd#1#2{\iSlur{#1}{#2}{-\psslurraise}{\pslslurskip}} -\def\iLsluru#1#2{\iSlur{#1}{#2}{\psslurraise}{\psLslurskip}} -\def\iLsluru#1#2{\iSlur{#1}{#2}{\psslurraise}{\psLslurskip}} -\def\iRslurd#1#2{\iSlur{#1}{#2}{-\psslurraise}{\psRslurskip}} -\def\iRslurd#1#2{\iSlur{#1}{#2}{-\psslurraise}{\psRslurskip}} - -\def\tfslur#1#2{\tSlur{#1}{#2}{\psslurraise}{\pstslurskip}{\psfslurhgt}{\psslurangul}} -\def\tslur#1#2{\tSlur{#1}{#2}{\psslurraise}{\pstslurskip}{\psslurhgt}{\psslurangul}} -\def\thslur#1#2{\tSlur{#1}{#2}{\psslurraise}{\pstslurskip}{\pshslurhgt}{\psslurangul}} -\def\tHslur#1#2{\tSlur{#1}{#2}{\psslurraise}{\pstslurskip}{\psHslurhgt}{\psHslurangul}} -\def\tHHslur#1#2{\tSlur{#1}{#2}{\psslurraise}{\pstslurskip}{\psHHslurhgt}{\psHHslurangul}} - -\def\trfslur#1#2{\tSlur{#1}{#2}{\psslurraise}{\psrslurskip}{\psfslurhgt}{\psslurangul}} -\def\trslur#1#2{\tSlur{#1}{#2}{\psslurraise}{\psrslurskip}{\psslurhgt}{\psslurangul}} -\def\trhslur#1#2{\tSlur{#1}{#2}{\psslurraise}{\psrslurskip}{\pshslurhgt}{\psslurangul}} -\def\trHslur#1#2{\tSlur{#1}{#2}{\psslurraise}{\psrslurskip}{\psHslurhgt}{\psHslurangul}} -\def\trHHslur#1#2{\tSlur{#1}{#2}{\psslurraise}{\psrslurskip}{\psHHslurhgt}{\psHHslurangul}} - -\def\tlfslur#1#2{\tSlur{#1}{#2}{\psslurraise}{\pslslurskip}{\psfslurhgt}{\psslurangul}} -\def\tlslur#1#2{\tSlur{#1}{#2}{\psslurraise}{\pslslurskip}{\psslurhgt}{\psslurangul}} -\def\tlhslur#1#2{\tSlur{#1}{#2}{\psslurraise}{\pslslurskip}{\pshslurhgt}{\psslurangul}} -\def\tlHslur#1#2{\tSlur{#1}{#2}{\psslurraise}{\pslslurskip}{\psHslurhgt}{\psHslurangul}} -\def\tlHHslur#1#2{\tSlur{#1}{#2}{\psslurraise}{\pslslurskip}{\psHHslurhgt}{\psHHslurangul}} - -\def\tLfslur#1#2{\tSlur{#1}{#2}{\psslurraise}{\psLslurskip}{\psfslurhgt}{\psslurangul}} -\def\tLslur#1#2{\tSlur{#1}{#2}{\psslurraise}{\psLslurskip}{\psslurhgt}{\psslurangul}} -\def\tRslur#1#2{\tSlur{#1}{#2}{\psslurraise}{\psRslurskip}{\psslurhgt}{\psslurangul}} -\def\tLhslur#1#2{\tSlur{#1}{#2}{\psslurraise}{\psLslurskip}{\pshslurhgt}{\psslurangul}} -\def\tLHslur#1#2{\tSlur{#1}{#2}{\psslurraise}{\psLslurskip}{\psHslurhgt}{\psHslurangul}} -\def\tLHHslur#1#2{\tSlur{#1}{#2}{\psslurraise}{\psLslurskip}{\psHHslurhgt}{\psHHslurangul}} - -% slur ID, beam ID -\def\iBsluru#1#2{\gt@pssb{#2}{\tw@\qn@width}\I@slur{#1}{\psbslurraise}{2.4}} -\def\iBslurd#1#2{\gt@pssb{#2}\z@\I@slur{#1}{-\psbslurraise}0} -\def\tBfslur{\t@bslur\psfslurhgt\psslurangul} -\def\tBslur{\t@bslur\psslurhgt\psslurangul} -\def\tBhslur{\t@bslur\pshslurhgt\psslurangul} -\def\tBHslur{\t@bslur\psHslurhgt\psHslurangul} -\def\tBhHslur{\t@bslur\psHHslurhgt\psHHslurangul} - - -\def\itieu#1#2{\iTieu{#1}{#2}{\psitieskip}} -\def\itied#1#2{\iTied{#1}{#2}{\psitieskip}} -\def\iltieu#1#2{\iTieu{#1}{#2}{\pslslurskip}} -\def\iltied#1#2{\iTied{#1}{#2}{\pslslurskip}} -\def\irtieu#1#2{\iTieu{#1}{#2}{\psrslurskip}} -\def\irtied#1#2{\iTied{#1}{#2}{\psrslurskip}} -\def\iRtieu#1#2{\iTieu{#1}{#2}{\psRslurskip}} -\def\iRtied#1#2{\iTied{#1}{#2}{\psRslurskip}} -\def\ttie#1{\tTie{#1}{\psttieskip}} -\def\tltie#1{\tTie{#1}{\psltieskip}} -\def\trtie#1{\tTie{#1}{\psrtieskip}} -\def\tLtie#1{\tTie{#1}{\psLtieskip}} -\def\tRtie#1{\tTie{#1}{\psRtieskip}} - -\def\icresc#1{\Icresc{#1}{\d@nh}{0}} -\def\idecresc#1{\Idecresc{#1}{\d@nh}{0}} -\def\tcresc#1{\Tcresc{#1}{\d@nh}{2}} -\let\tdecresc\tcresc - -\def\ilcresc#1{\Icresc{#1}{\d@nh}{-4}} -\def\ildecresc#1{\Idecresc{#1}{\d@nh}{-4}} -\def\tlcresc#1{\Tcresc{#1}{\d@nh}{-2}} -\let\tldecresc\tlcresc - -\def\ircresc#1{\Icresc{#1}{\d@nh}{4}} -\def\irdecresc#1{\Idecresc{#1}{\d@nh}{4}} -\def\trcresc#1{\Tcresc{#1}{\d@nh}{-6}} -\let\trdecresc\trcresc - -% for compatibility with old MusiXTeX slurs ... -\let\Tslur\tslur -\let\Ttie\ttie -\let\issluru\irsluru -\let\isslurd\irslurd -\let\tsslur\tLslur -\def\ibsluru#1#2{\iSlur{#1}{#2}8{\psrslurskip}} -\def\ibslurd#1#2{\iSlur{#1}{#2}{-8}{\psrslurskip}} -\def\tubslur#1#2{\tSlur{#1}{#2}8{\psrslurskip}{\psslurhgt}{\psslurangul}} -\def\tdbslur#1#2{\tSlur{#1}{#2}8{\pslslurskip}{\psslurhgt}{\psslurangul}} -\let\tbsluru=\tubslur -\let\tbslurd=\tdbslur -\let\istieu\irtieu -\let\istied\irtied -\let\itenu\irtieu -\let\itenl\irtied -\let\tstie\tltie -\let\tten\tltie -\let\Itenu\istieu -\let\Itenl\istied -\let\Liftslur\liftslur -% p1 p2 sense len -\def\slur#1#2#3#4{\csname islur#3\endcsname{99}{#1}% - \rlap{\hskip#4\noteskip\tslur{99}{#2}}} -\def\tie#1#2#3{\csname itie#2\endcsname{99}{#1}% - \rlap{\hskip#3\noteskip\ttie{99}}} - -\catcode`\@=\catcodeat - -\endinput - -%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%% - - -USAGE: -~~~~~~ -Basic usage is: - -\isluru0g - starts upper slur with ID 0 above the note 'g' -\tslur0i - terminates slur with ID 0. It will end above or below - the note 'i' with respect to the slur direction - -You can shift the starting or ending point slightly to the left -or right using \ilsluru, \ilslurd, \irsluru, \irslurd, \trslur and \tlslur. - -And finally you can make the slur a bit more flat than default -( \tfslur0f ), higher ( \thslur0f ), more higher ( \tHslur0f ) or -even more higher ( \tHHslur0f ). All combinations with shifting are -allowed (see the abbreviations above). These commands act like -\midslur for standard slurs. - -If this is not sufficient, you can use the \iSlur and \tSlur and adjust the -parameter as you want (see comments above their definitions) or even change -the default parameters. - -NOTE 1: The identification parameter should be a number greater - or equal to 0 and lower than 10. You can use even higher - numbers, but slurs, ties and crescendos with ID >10 - can not go over page break but can go across line break. - Slurs, ties and crescendos with ID >14 can't be breaked at all - (these slurs also can not be exactly positioned at a beam, so - don't use for example \tbslur{16}0; \ibslur{16}0 is safe). - If you know that a line break can not occur inside the slur - (probably inside a bar) you can happily use numbers - up to 2^31-1, which is also the maximal number of - simultaneously opened slurs :-). Such slurs will be also - a bit faster... - -NOTE 2: You can start a slur, tie and crescendo with the same ID, - the ID's are independent. This is not true for crescendos - and decrescendos. That means you can say \isluru0f\icresc0, - but not \icresc0\idecresc0, in which case you'll get a warning - message and the first crescendo will be forgotten. - -There are also macros for slurs begining or ending at a beam: - -\iBsluru{slur ID}{beam ID} -\iBslurd{slur ID}{beam ID} -\tBslur{slur ID}{beam ID} - -They are NOT THE SAME as for the original slurs, but a bit smarter... - -for example: - -\Notes\ibu0i0\iBsluru00\qb0{eh}\tbu0\qb0i\ibu0j0\qb0{jl}\tbu0% - \setslurtext{6}\tBslur00\qb0e\en - -The \slurtext works for PostScript slurs exactly the same way as -for the bitmapped ones. When you say '\slurtext3', a number '3' will -be typeset in the middle of the next closed slur. -The position of the reference point of the box with text will be -exactly in the middle horizontally and adjusted according to the -height of the box in case of upper slur. - -This works only for non-breaked slurs, if the slur is breaked, -the text disappears. - -The placing of the slur text is done with a very dirty PostScript -hack, so I am not really sure that everything you want to typeset -will be placed at the correct position (if you are interested, see -the end of psslurs.pro for details). If you find something that won't -work, let me know. - -There is also an unpleasant side-effect: when you look at the -DVI-file with some standard (non-PostScript) driver, the figure will -be placed at the end of the slur instead of the middle. From obvious -reasons this can't be fixed --- TeX can't know where the middle is, -as the slur shape is defined by a PostScript program. - - -General coding is very simple: - -\i[h.shift]slur[u|d]{slur ID}{note height} -\t[h.shift][slur height]slur{slur ID}{note height} - -\iBslur[u|d]{slur ID}{beam ID} -\tB[slur height]slur{slur ID}{beam ID} - -where h. shift can be 'l', 'r' or nothing -and slur height can be 'f', nothing, 'h', 'H' or 'HH' - -Mnemonics: \tlfslur means 'terminate left flat slur'. - - -There are also simple slurs with same invocation and parameters as the -original ones. - - -Similarly the ties: -~~~~~~~~~~~~~~~~~~~ -\itieu0e -\ttie0 - -\i[h.shift]tie[u|d]{ID}{note height} -\t[h.shift]tie{ID} - - -And crescendos: -~~~~~~~~~~~~~~~ -\icresc0 -\tcresc0 draws a crescendo at a default position (defined with - \setcrescheight) - -NOTE 1: \tcresc is the same as \tdecresc. - -NOTE 2: The coding of crescendos is incompatible with original crescendos. - The difference (as you notices) is in defining the type - (crescendo/decrescendo) at the beginning instead of the end. - This can't be fixed, because the TeX must know this at the end - of the line when the crescendo is breaked. - - -You can shift the starting and ending point horizontally with - -\ilcresc \ildecresc -\ircresc \irdecresc -\tlcresc \tldecresc -\trcresc \trdecresc - -to get some space for \mf, \ff etc. - - -Furthermore, you can say: - -\Icresc0{-6}0 -\Tcresc0{-8}2 - -and you will get crescendo with ending point lower than the begining -one. (The '0' and '2' at the end is horizontal offset in \internote -from the current point.) Due to some implemenational reasons, you must -use numbered height when specifying the altitude of the crescendos. - - - -Dotted slurs and ties -~~~~~~~~~~~~~~~~~~~~~ -The slurs and ties can be dotted, when you say \dotted anywhere before -the begining of the slur or tie. The first slur or tie following this -command will then be drawed with dotted line. - -[dangerous bend] When you say \Dotted, then ALL slurs and ties - from this point will be dotted until you say -\Solid. Furthermore, inside the \Dotted...\Solid you can make single slur or -tie solid saying \solid before its begining. - -NOTE: These macros are taken into account only at the begining - of the slur or tie. - - -Collisions of slurs/ties and staff lines -~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ -In PostScript it is possible to do some computations, which are very hard -to implement in TeX. One of neat features of the PS slurs and ties is a -check, whether the curve passes close the staff line and if so, adjustment -of the altitude of the curve to avoid collision ("black triangles" or narrow -white space). You can turn this feature on globally (\Sluradjust, -\Tieadjust) or locally (\sluradjust, \tieadjust), or disable it either -globally (\Nosluradjust, \Notieadjust) or locally (\nosluradjust, -\notieadjust). Default is \Sluradjust and \Notieadjust. "Locally" -means before the next opening command of the slur or tie. - - -Line breaking: -~~~~~~~~~~~~~~ -The slurs, ties and crescendos going across the line breaks are handled -automatically. Of course they can go over more lines than two (this is -true also for ties, though it would be somewhat strange). - -There is the classic \breakslur implemented, which sets the height of the -ending point slur at the end of a line to given number of \internotes. - -There is also a switch, \ifslopebrkslurs, indicating whether the ending point -of the first segment of the breaked slur (at the end of the line) should -be automatically raised by 3 \internote. You can turn this feature on by -the \slopebrkslurstrue and off by \slopebrkslursfalse commands, default -is false. - -You can raise or lower the starting point of the slur at the begining of -the next line with the command \liftslur with ID and the relative offset in -\internotes measured from the slur beginning height. Its usage and behavior -is the same as of the original \liftslur, only it is not necessary to code -it in \atnextstaff{}, just anywhere inside the slur. - -Similar is \liftcresc, but it works only for the middle part of crescendos -broken into three parts. The height of the last part of a broken crescendo -is defined with the height parameter of \Tcresc. - -As said before, anything with ID <10 is breaked fully automatically, but -you should be careful about the slurs, ties and crescendos with 10 <= ID < 15. -These can not go acress PAGE break, otherwise you'll get a PostScript error -like 's11hgt undefined'. Of course the LINE breaking works for them -automatically too. - -When a tie is continuead after breaking at the very beginning of a line, -only a half of the tie is drawn (the 'very beginning' means that the tie -would be less than 15pt long). To forbid this feature, say \nohalfties -(default is \halfties). A font called mxsk is necessary for \halfties. - - -Backwards compatibility -~~~~~~~~~~~~~~~~~~~~~~~ - -There are several "aliases" which allow to use the old, bitmapped slur -commands for PS slurs without any change. There are however a few differences: -- the \invertslur is not implemented yet -- the \curve and \midslur macros have no effect - - - - -Memory requrements -~~~~~~~~~~~~~~~~~~ - -I have tried to make the macros as small and fast as possible. The problem -about them is not in their size, but in their output. Each \i... and \t... -produces a \special command, which must be stored into the TeX's main memory. -Therefore, if too many slur occurs in one page, some memory troubles could -occur. In that case either use BigTeX (but I suppose you already do), or -use the bitmapped slurs. - - - -About the PS header: -~~~~~~~~~~~~~~~~~~~~ -The slurs need the PS header file psslurs.pro to be included into the -output PostScript file. You have to say this to dvips with command - -\special{header=psslurs.pro} - -placed anywhere inside the piece. As default, this is done when \inputting -the MusiXpss, but if you include the MusiXpss.tex into a format, the first -page of your document will be always empty. If you want the macros included -in your format file, comment the line 13 of this file and don't forget -to copy it into your source file. - -Warning to dvidvi users: If you select a set of pages from your document, -don't forget to include the page in which the \special command was used -(default is first page). Otherwise the dvips won't find this command and -won't include the header file, putting the PostScript device into a serious -problems. You can also use the "-h psslurs.pro" option to tell dvips to add -the header file manually. - - -About the slur shape: -~~~~~~~~~~~~~~~~~~~~~ -The shape is defined via trapezium: - - c - <----> b - <-----------------------------------------> - _ _ _________________________________ _ _ - | /^1 _____/ ^2 ^3 ^4\_____ 5^\ | ^ - / __/ \___ \ | - | /_/ \ \_\ | | - // this is the 'slur' \\ | a - |/ \\| | - |_________________________________________| v - 0 6 - -Points 0 and 6 are the starting and ending points. When the slope is not -zero, the trapezium is simply rotated, NOT slanted. - -'a' is computed as sqrt(b)*2, bounded with <3,\psslurmaxhgt> and multiplied -by the given height coeficient (see \tSlur and \t..slur, defaults to 1) -The units are not equal to anything common, the values were found -after a lot of testing. - -'c' is computed as angularity*b. Default angularity is 0.17, reasonable -values should lie in <0.1, 0.3>. - -Then the shape is corrected when the slur is so steep that its extreme -in horizontal direction lies inside the slur and shifted up or down -if it's top would be too close to nearest staff line (!!!!!!!!). - -The slur then consists of two bezier curves: -from 0 to 3 with control points 1 and 2 and -from 3 to 6 with control points 4 and 5. - -The shading is made according to its length and current \internote. - - - -If you are interested, see a slightly commented PS code in psslurs.pro. - -Bug reports and complainments are welcomed at: - - Stanislav Kneifl, - - standa@hiero.cz - - - -HISTORY -~~~~~~~ - -0.93 (17.2.2015) - changed definitions of AR, GDAR and GD to avoid collisions in certain PS files - -0.92 (12.5.2002) - added: \nosluradjust, \sluradjust, \notieadjust, \tieadjust - added: \slopebrkslurtrue, \slopebrkslurfalse - fixed: shaded slurs now do not break up to separate curves - at high resolutions - -0.91 (10.1.2002) - First public release, adopted from OpusTeX version. diff --git a/musixtex/tex/musixref.tex b/musixtex/tex/musixref.tex deleted file mode 100644 index dd7c9b9..0000000 --- a/musixtex/tex/musixref.tex +++ /dev/null @@ -1,305 +0,0 @@ -% -% This file is part of MusiXTeX -% -% MusiXTeX is free software; you can redistribute it and/or modify -% it under the terms of the GNU General Public License as published by -% the Free Software Foundation; either version 2, or (at your option) -% any later version. -% -% MusiXTeX is distributed in the hope that it will be useful, -% but WITHOUT ANY WARRANTY; without even the implied warranty of -% MERCHANTABILITY or FITNESS FOR A PARTICULAR PURPOSE. See the -% GNU General Public License for more details. -% -% You should have received a copy of the GNU General Public License -% along with MusiXTeX; see the file COPYING. If not, write to -% the Free Software Foundation, Inc., 59 Temple Place - Suite 330, -% Boston, MA 02111-1307, USA. -% - -%format musix - -% version compatible with T103 12 Aug. 2001 D. Taupin - -%II 59.9 - -\input musixtex -%\input musixcpt -\input musixhou -\input musixper -\input musixlit -\input musixgre -\input musixext - -\parindent 0mm -\nopagenumbers\nobarnumbers - -\ifx\MusiXTeX\indefined\def\MusiXTeX{MusiX\TeX}\fi -%\centerline{\cmbxbig\MusiXTeX---Reference}\medskip -\centerline{\Bigfont\MusiXTeX---Reference}\medskip -\centerline{\bigfont Pitches}\medskip -\tt -\def\bs{\char92} -\setclef1{6000} -\afterruleskip2pt -\startmuflex\startpiece -% -% Pitches -% -\addspace\afterruleskip -\notes\wh{`ABCDEFG!ABCDEFGHIJKLMNabcde}\off{-26\noteskip}% - \zchar{14}{\llap`A}\sk - \zchar{14}{\llap`B}\sk - \zchar{14}{\llap`C}\sk - \zchar{14}{\llap`D}\sk - \zchar{14}{\llap`E}\sk - \zchar{14}{\llap`F}\sk - \zchar{14}{\llap`G}\sk - \zchar{14}A\sk - \zchar{14}B\sk - \zchar{14}C\sk - \zchar{14}D\sk - \zchar{14}E\sk - \zchar{14}F\sk - \zchar{14}G\sk - \zchar{-5}{\llap'A}\zchar{14}H\sk - \zchar{-5}{\llap'B}\zchar{14}I\sk - \zchar{-5}{\llap'C}\zchar{14}J\sk - \zchar{-5}{\llap'D}\zchar{14}K\sk - \zchar{-5}{\llap'E}\zchar{14}L\sk - \zchar{-5}{\llap'F}\zchar{14}M\sk - \zchar{-5}{\llap'G}\zchar{14}N\sk - \zchar{14}a\sk - \zchar{14}b\sk - \zchar{14}c\sk - \zchar{14}d\sk - \zchar{14}e\sk\en -\stoppiece\vskip-3\Interligne\setclef1{0000}\contpiece -\notes\wh{abcdefghijklmnopqrstuvwxyz}\off{-26\noteskip}% - \zchar{-8}a\sk - \zchar{-8}b\sk - \zchar{-8}c\sk - \zchar{-8}d\sk - \zchar{-8}e\sk - \zchar{-8}f\sk - \zchar{-8}g\sk - \zchar{-8}h\zchar{-4}{\llap'a}\sk - \zchar{-8}i\zchar{-4}{\llap'b}\sk - \zchar{-8}j\zchar{-4}{\llap'c}\sk - \zchar{-8}k\zchar{-4}{\llap'd}\sk - \zchar{-8}l\zchar{-4}{\llap'e}\sk - \zchar{-8}m\zchar{-4}{\llap'f}\sk - \zchar{-8}n\zchar{-4}{\llap'g}\sk - \zchar{-8}o\zchar{-4}{\llap{'\kern-2pt'}a}\sk - \zchar{-8}p\zchar{-4}{\llap{'\kern-2pt'}b}\sk - \zchar{-8}q\zchar{-4}{\llap{'\kern-2pt'}c}\sk - \zchar{-8}r\zchar{-4}{\llap{'\kern-2pt'}d}\sk - \zchar{-8}s\zchar{-4}{\llap{'\kern-2pt'}e}\sk - \zchar{-8}t\zchar{-4}{\llap{'\kern-2pt'}f}\sk - \zchar{-8}u\zchar{-4}{\llap{'\kern-2pt'}g}\sk - \zchar{-8}v\zchar{-4}{\llap{'\kern-2pt'\kern-2pt'}a}\sk - \zchar{-8}w\zchar{-4}{\llap{'\kern-2pt'\kern-2pt'}b}\sk - \zchar{-8}x\zchar{-4}{\llap{'\kern-2pt'\kern-2pt'}c}\sk - \zchar{-8}y\zchar{-4}{\llap{'\kern-2pt'\kern-2pt'}d}\sk - \zchar{-8}z\zchar{-4}{\llap{'\kern-2pt'\kern-2pt'}e}\sk\en -\stoppiece -\medskip\centerline{\bigfont Notes, Accidentals, Accents, Clefs and Rests} -\medskip -% -% Notes& Accidentals -% -\contpiece -\Notes - \zchar{-4}{Accidentals:}% - \zchar9{\bs zmaxima}\zmaxima i\sk - \zchar{12}{\bs zlonga}\zlonga i\sk - \zchar9{\bs zbreve}\zbreve i\sk - \zchar{12}{\bs zwq}\zwq i\sk - \zchar{12}{\bs wh}\wh i% - \zchar{12}{\bs hu}\zchar{-4}>\hu{>f}% - \zchar{12}{\bs hl}\loff{\zchar{-4}{\bs cdsh}}\cdsh l\hl l% - \zchar{12}{\bs qu}\zchar{-4}\^\qu{^f}% - \zchar{12}{\bs ql}\loff{\zchar{-4}{\bs csh}}\csh l\ql l% - \zchar{12}{\bs cu}\zchar{-4}=\cu{=f}% - \zchar{12}{\bs cl}\loff{\zchar{-4}{\bs cna}}\cna l\cl l% - \zchar{12}{\bs ccu}\zchar{-4}\_\ccu{_f}% - \zchar{12}{\bs ccl}\loff{\zchar{-4}{\bs cfl}}\cfl l\ccl l% - \zchar{12}{\bs cccu}\zchar{-4}<\cccu{0 \def\bslstr##1{$\backslash$##1} \else\def\bslstr##1{} \fi -$$\vbox{ -\halign{ ## \quad & ## & ## \hfill & ## \hfill & ## \hfill & ## \hfill \cr -\ifnum #1=1 & & Explication des signes & Explanation of the signs & Zeichenerkl\"arung & Jelek magyar\'azata \cr \fi -\ifnum #1=0 & & {\bf Explication des signes} & {\bf Explanation of the signs} & {\bf Zeichenerkl\"arung} & {\bf Jelek magyar\'azata} \cr \fi -\cr - \AB & \bslstr{AB} & Tirez l'archet & down-bow & Abstrich & Lefel\'e \cr -\ifnum #1>0 \downbow & \bslstr{downbow} & Tirez l'archet & down-bow & Abstrich & Lefel\'e \cr \fi - \AUF & \bslstr{AUF} & Poussez l'archet & up-bow & Aufstrich & F\"olfel\'e \cr -\ifnum #1>0 \upbow & \bslstr{upbow} & Poussez l'archet & up-bow & Aufstrich & F\"olfel\'e \cr \fi -\cr - \SP & \bslstr{SP} & A la pointe & at the top & An der Spitze & Cs\'ucsn\'al \cr - \FR & \bslstr{FR} & Au talon & at the nut & Am Frosch & K\'ap\'an\'al \cr -\cr - \GB & \bslstr{GB} & Tout l'archet & whole bow & Ganzer Bogen & Eg\'esz von\'oval \cr -\ifnum #1>0 \Gb & \bslstr{Gb} & Tout l'archet & whole bow & Ganzer Bogen & Eg\'esz von\'oval \cr \fi - \UH & \bslstr{UH} & La moiti\'e inf\'erieure ... & lower half & Untere H\"alfte & A von\'o als\'o fele \cr -\ifnum #1>0 \Uh & \bslstr{Uh} & La moiti\'e inf\'erieure ... & lower half & Untere H\"alfte & A von\'o als\'o fele \cr \fi - \OH & \bslstr{OH} & La moiti\'e sup\'erieure ... & upper half & Obere H\"alfte & A von\'o fels\H{o} fele \cr -\ifnum #1>0 \Oh & \bslstr{Oh} & La moiti\'e sup\'erieure ... & upper half & Obere H\"alfte & A von\'o fels\H{o} fele \cr \fi - \MI & \bslstr{MI} & Au milieu ... & middle & In der Mitte & K\"oz\'epen \cr -\ifnum #1>0 \Mi & \bslstr{Mi} & Au milieu ... & middle & In der Mitte & K\"oz\'epen \cr \fi - \UD & \bslstr{UD} & Le premier tiers ... & lower third & Unteres Drittel & A von\'o als\'o harmada \cr -\ifnum #1>0 \Ud & \bslstr{Ud} & Le premier tiers ... & lower third & Unteres Drittel & A von\'o als\'o harmada \cr \fi - \OD & \bslstr{OD} & Le troisi\`eme tiers ... & upper third & Oberes Drittel & A von\'o fels\H{o} harmada \cr -\ifnum #1>0 \Od & \bslstr{Od} & Le troisi\`eme tiers ... & upper third & Oberes Drittel & A von\'o fels\H{o} harmada \cr \fi - & & \hfill ... de l'archet \cr -\cr - \Pizz & \bslstr{Pizz} & Pincez avec la main & left hand pizzicato & Pizzicato der linken & piccikat\'o bal k\'ezzel \cr - & & gauche & & Hand \cr - \Tr & \bslstr{Tr} & (ou trille) & (or trille) & (oder Triller) & (vagy trilla) \cr -}}$$} - diff --git a/musixtex/tex/musixstf.tex b/musixtex/tex/musixstf.tex deleted file mode 100644 index a73cf02..0000000 --- a/musixtex/tex/musixstf.tex +++ /dev/null @@ -1,28 +0,0 @@ -% musixstr.ref - -\input musixstr -\input musixste - -\parindent0pt\nopagenumbers - -\def\T#1{\zcharnote g{#1}\qa d} -\def\Sk#1{\off{0.#1\noteskip}} - -\centerline{\bigfont MusiXSTRings}\smallskip - -\nostartrule\def\nbinstruments{1}\generalsignature{0} -\startmuflex\startpiece\transpose=7% -\NOtes\Sk5% - \T{\downbow}\T{\AB}\T{\upbow}\T{\AUF}% - \T{\SP}\T{\FR}\T{\GB}\T{\Gb}\T{\UH}\T{\Uh}\T{\OH}% - \T{\Oh}\T{\MI}\T{\Mi}\T{\UD}\T{\Ud}\T{\OD}\T{\Od}% - \T{\Pizz}\T{\Tr}\en -\stoppiece\endmuflex - -\bigskip{\bf$\backslash$explainstr1}\smallskip\explainstr1 -\bigskip{\bf$\backslash$explainstr0}\smallskip\explainstr0 - -\vfill\eject - -\bye - diff --git a/musixtex/tex/musixstr.tex b/musixtex/tex/musixstr.tex deleted file mode 100644 index ac23af1..0000000 --- a/musixtex/tex/musixstr.tex +++ /dev/null @@ -1,47 +0,0 @@ -% -% This file is part of MusiXTeX -% -% MusiXTeX is free software; you can redistribute it and/or modify -% it under the terms of the GNU General Public License as published by -% the Free Software Foundation; either version 2, or (at your option) -% any later version. -% -% MusiXTeX is distributed in the hope that it will be useful, -% but WITHOUT ANY WARRANTY; without even the implied warranty of -% MERCHANTABILITY or FITNESS FOR A PARTICULAR PURPOSE. See the -% GNU General Public License for more details. -% -% You should have received a copy of the GNU General Public License -% along with MusiXTeX; see the file COPYING. If not, write to -% the Free Software Foundation, Inc., 59 Temple Place - Suite 330, -% Boston, MA 02111-1307, USA. -% -\immediate\write16{MUsiXSTRingaccents T.57\space<6 September 1996>}% - -% accents for strings by Werner Icking (Werner.Icking@gmd.de) - -\let\AB\downbow -\let\AUF\upbow -\def\SP{$\mathrel\triangleleft\joinrel\mid$} -\def\FR{$\mapstochar\mathrel=\joinrel\mid$} -\def\GB{$\longleftrightarrow$} -\def\Gb{$\leftrightarrow$} -\def\UH{$\longleftarrow$} -\def\Uh{$\leftarrow$} -\def\OH{$\longrightarrow$} -\def\Oh{$\rightarrow$} -\def\MI{$\mapstochar\relbar\joinrel\relbar\joinrel\mapstochar$} -\def\Mi{$\mapstochar\relbar\joinrel\mapstochar$} -\def\UD{$\longleftarrow\joinrel\mapstochar$} -\def\Ud{$\leftarrow\joinrel\mapstochar$} -\def\OD{$\mapstochar\longrightarrow$} -\def\Od{$\mapstochar\rightarrow$} - - - - -\def\Pizz{\kern-.3pt{\sevenrm+}} -\let\Tr\Pizz - -\endinput - diff --git a/musixtex/tex/musixsty.tex b/musixtex/tex/musixsty.tex deleted file mode 100644 index 794a7ce..0000000 --- a/musixtex/tex/musixsty.tex +++ /dev/null @@ -1,388 +0,0 @@ -% -% This file is part of MusiXTeX -% -% MusiXTeX is free software; you can redistribute it and/or modify -% it under the terms of the GNU General Public License as published by -% the Free Software Foundation; either version 2, or (at your option) -% any later version. -% -% MusiXTeX is distributed in the hope that it will be useful, -% but WITHOUT ANY WARRANTY; without even the implied warranty of -% MERCHANTABILITY or FITNESS FOR A PARTICULAR PURPOSE. See the -% GNU General Public License for more details. -% -% You should have received a copy of the GNU General Public License -% along with MusiXTeX; see the file COPYING. If not, write to -% the Free Software Foundation, Inc., 59 Temple Place - Suite 330, -% Boston, MA 02111-1307, USA. -% -\ifx\undefined\Tenpoint \else \endinput\fi - -\immediate\write16{MusiXtextSTYle T.123\space<04 March 2016>}% - -% modified by RDT to be independent of Computer Modern (other than Math fonts) -% RDT: added \headline{..} in \maketitle - -\edef\catcodeat{\the\catcode`\@}\catcode`\@=11 -\edef\catcode@gt{\the\catcode`\>}\catcode`\>=12 -\edef\catcode@lt{\the\catcode`\<}\catcode`\<=12 - -% non musical procedures used in typesetting the non-musical -% texts together with musictex - -% eight point math fonts - -\font\eighti=cmmi8 \skewchar\eighti='177 -\font\eightsy=cmsy8 \skewchar\eightsy='60 -% -% nine point math fonts -% -\font\ninei=cmmi9 \skewchar\ninei='177 -\font\ninesy=cmsy9 \skewchar\ninesy='60 -% -% eleven point math fonts (RDT: not used?) -% -\font\eleveni=cmmi10 scaled \magstephalf \skewchar\eleveni='177 -\font\elevensy=cmsy10 scaled \magstephalf \skewchar\elevensy='60 -% -% twelve point math fonts -% -\font\twelvei=cmmi12 \skewchar\twelvei='177 -\font\twelvesy=cmsy10 scaled \magstep1 \skewchar\twelvesy='60 -% -% fourteen point math fonts -% -\font\frti=cmmi12 scaled \magstep1 \skewchar\frti='177 -\font\frtsy=cmsy10 scaled \magstep2 \skewchar\frtsy='60 -% -% seventeen point math fonts -% -\font\svti=cmmi12 scaled \magstep2 \skewchar\svti='177 -\font\svtsy=cmsy10 scaled \magstep3 \skewchar\svtsy='60 -% -% twenty point math fonts -% -\font\twtyi=cmmi12 scaled \magstep3 \skewchar\twtyi='177 -\font\twtysy=cmsy10 scaled \magstep4\skewchar\twtysy='60 -% -% twenty five point math fonts -% -\font\twfvi=cmmi12 scaled \magstep4 \skewchar\twfvi='177 -\font\twfvsy=cmsy10 scaled \magstep5 \skewchar\twfvsy='60 -% -% -% SEVERAL DIFFERENT POINT SIZES -% -\def\Twfvpoint{\normalbaselineskip=30pt - \def\rm{\fam0\twfvrm}% - \def\it{\fam\itfam\twfvit}% - \def\sl{\fam\slfam\twfvsl}% - \def\bf{\fam\bffam\twfvbf}% - \def\smc{\twfvrm}% - \def\mit{\fam 1}% - \def\cal{\fam 2}% - \textfont0=\twfvrm \scriptfont0=\twtyrm \scriptscriptfont0=\svtrm - \textfont1=\twfvi \scriptfont1=\twtyi \scriptscriptfont1=\svti - \textfont2=\twfvsy \scriptfont2=\twtysy \scriptscriptfont2=\svtsy - \textfont3=\tenex \scriptfont3=\tenex \scriptscriptfont3=\tenex - \textfont\itfam=\twfvit \scriptfont\itfam=\twtyit - \textfont\slfam=\twfvsl \scriptfont\slfam=\twtysl - \textfont\bffam=\twfvbf \scriptfont\bffam=\twtybf - \scriptscriptfont\bffam=\twtybf - \setbox\strutbox=\hbox{\vrule height 22pt depth 8pt width 0pt}% - \def\tt{\twfvtt}\normalbaselines\rm -} -\def\twfvpoint{\Twfvpoint} -% -\def\Twtypoint{\normalbaselineskip=25pt - \def\rm{\fam0\twtyrm}% - \def\it{\fam\itfam\twtyit}% - \def\sl{\fam\slfam\twtysl}% - \def\bf{\fam\bffam\twtybf}% - \def\smc{\twtyrm}% - \def\mit{\fam 1}% - \def\cal{\fam 2}% - \textfont0=\twtyrm \scriptfont0=\svtrm \scriptscriptfont0=\frtrm - \textfont1=\twtyi \scriptfont1=\svti \scriptscriptfont1=\frti - \textfont2=\twtysy \scriptfont2=\svtsy \scriptscriptfont2=\frtsy - \textfont3=\tenex \scriptfont3=\tenex \scriptscriptfont3=\tenex - \textfont\itfam=\twtyit \scriptfont\itfam=\svtit - \textfont\slfam=\twtysl \scriptfont\slfam=\svtsl - \textfont\bffam=\twtybf \scriptfont\bffam=\svtbf - \scriptscriptfont\bffam=\svtbf - \setbox\strutbox=\hbox{\vrule height 18pt depth 7pt width 0pt}% - \def\tt{\twtytt}\normalbaselines\rm} -\def\twtypoint{\Twtypoint} -% -\def\Svtpoint{\normalbaselineskip=21pt - \def\rm{\fam0\svtrm}% - \def\it{\fam\itfam\svtit}% - \def\sl{\fam\slfam\svtsl}% - \def\bf{\fam\bffam\svtbf}% - \def\smc{\svtrm}% - \def\mit{\fam 1}% - \def\cal{\fam 2}% - \textfont0=\svtrm \scriptfont0=\frtrm \scriptscriptfont0=\twelverm - \textfont1=\svti \scriptfont1=\frti \scriptscriptfont1=\twelvei - \textfont2=\svtsy \scriptfont2=\frtsy \scriptscriptfont2=\twelvesy - \textfont3=\tenex \scriptfont3=\tenex \scriptscriptfont3=\tenex - \textfont\itfam=\svtit \scriptfont\itfam=\frtit - \textfont\slfam=\svtsl \scriptfont\slfam=\frtsl - \textfont\bffam=\svtbf \scriptfont\bffam=\frtbf - \scriptscriptfont\bffam=\frtbf - \setbox\strutbox=\hbox{\vrule height 14.5pt depth 6.5pt width 0pt}% - \def\tt{\svttt}\normalbaselines\rm} -\def\svtpoint{\Svtpoint} -% -\def\Frtpoint{\normalbaselineskip=17pt - \def\rm{\fam0\frtrm}% - \def\it{\fam\itfam\frtit}% - \def\sl{\fam\slfam\frtsl}% - \def\bf{\fam\bffam\frtbf}% - \def\smc{\frtrm}% - \def\mit{\fam 1}% - \def\cal{\fam 2}% - \textfont0=\frtrm \scriptfont0=\twelverm \scriptscriptfont0=\eightrm - \textfont1=\frti \scriptfont1=\twelvei \scriptscriptfont1=\eighti - \textfont2=\frtsy \scriptfont2=\twelvesy \scriptscriptfont2=\eightsy - \textfont3=\tenex \scriptfont3=\tenex \scriptscriptfont3=\tenex - \textfont\itfam=\frtit \scriptfont\itfam=\twelveit - \textfont\slfam=\frtsl \scriptfont\slfam=\twelvesl - \textfont\bffam=\frtbf \scriptfont\bffam=\twelvebf - \scriptscriptfont\bffam=\twelvebf - \setbox\strutbox=\hbox{\vrule height 12pt depth 5pt width 0pt}% - \def\tt{\frttt}\normalbaselines\rm} -\def\frtpoint{\Frtpoint} -% -\def\Twlpoint{\normalbaselineskip=14pt - \def\rm{\fam0\twelverm}% - \def\it{\fam\itfam\twelveit}% - \def\sl{\fam\slfam\twelvesl}% - \def\bf{\fam\bffam\twelvebf}% - \def\smc{\twelverm}% - \def\mit{\fam 1}% - \def\cal{\fam 2}% - \textfont0=\twelverm \scriptfont0=\tenrm \scriptscriptfont0=\eightrm - \textfont1=\twelvei \scriptfont1=\teni \scriptscriptfont1=\eighti - \textfont2=\twelvesy \scriptfont2=\tensy \scriptscriptfont2=\eightsy - \textfont3=\tenex \scriptfont3=\tenex \scriptscriptfont3=\tenex - \textfont\itfam=\twelveit \scriptfont\itfam=\tenit - \textfont\slfam=\twelvesl \scriptfont\slfam=\tensl - \textfont\bffam=\twelvebf \scriptfont\bffam=\tenbf - \scriptscriptfont\bffam=\tenbf - \setbox\strutbox=\hbox{\vrule height 10pt depth 4pt width 0pt}% - \def\tt{\twelvett}\normalbaselines\rm} -\def\twlpoint{\Twlpoint} -\def\twelvepoint{\Twlpoint} -% -\def\Tenpoint{\normalbaselineskip\tw@lv@\p@ - \def\rm{\fam\z@\tenrm}% - \def\it{\fam\itfam\tenit}% - \def\sl{\fam\slfam\tensl}% - \def\bf{\fam\bffam\tenbf}% - \let\smc\tenrm - \def\mit{\fam\@ne}% - \def\cal{\fam\tw@}% - \textfont0\tenrm \scriptfont0\eightrm \scriptscriptfont0\eightrm - \textfont1\teni \scriptfont1\eighti \scriptscriptfont1\eighti - \textfont2\tensy \scriptfont2\eightsy \scriptscriptfont2\eightsy - \textfont3\tenex \scriptfont3\tenex \scriptscriptfont3\tenex - \textfont\itfam\tenit \scriptfont\itfam=\eightit - \textfont\slfam\tensl \scriptfont\slfam=\eightsl - \textfont\bffam\tenbf \scriptfont\bffam\eightbf - \scriptscriptfont\bffam\eightbf - \setbox\strutbox\hbox{\vrule\@height8\h@lf\p@\@depth3\h@lf\p@\@width\z@}% - \let\tt\tentt \normalbaselines\rm} -\let\tenpoint\Tenpoint - -\def\Eightpoint{\normalbaselineskip\t@n\p@ - \def\rm{\fam\z@\eightrm}% - \def\it{\fam\itfam\eightit}% - \def\sl{\fam\slfam\eightsl}% - \def\bf{\fam\bffam\eightbf}% - \def\tt{\eighttt} - \def\mit{\fam\@ne}% - \def\cal{\fam\tw@}% - \textfont0\eightrm \scriptfont0\eightrm \scriptscriptfont0\eightrm - \textfont1\eighti \scriptfont1\eighti \scriptscriptfont1\eighti - \textfont2\eightsy \scriptfont2\eightsy \scriptscriptfont2\eightsy - \textfont3\tenex \scriptfont3\tenex \scriptscriptfont3\tenex - \textfont\itfam\eightit - \textfont\slfam\eightsl - \textfont\bffam\eightbf \scriptfont\bffam\eightbf - \scriptscriptfont\bffam\eightbf - \setbox\strutbox\hbox{\vrule\@height\s@v@n\p@\@depth\thr@@\p@\@width\z@}% - \normalbaselines\rm} -\def\eightpoint{\Eightpoint} -% -\def\Ninepoint{\normalbaselineskip=10pt - \def\rm{\fam0\ninerm}% - \def\it{\fam\itfam\nineit}% - \def\sl{\fam\slfam\ninesl}% - \def\bf{\fam\bffam\ninebf}% - \def\mit{\fam 1}% - \def\cal{\fam 2}% - \textfont0=\ninerm \scriptfont0=\ninerm \scriptscriptfont0=\ninerm - \textfont1=\ninei \scriptfont1=\ninei \scriptscriptfont1=\ninei - \textfont2=\ninesy \scriptfont2=\ninesy \scriptscriptfont2=\ninesy - \textfont3=\tenex \scriptfont3=\tenex \scriptscriptfont3=\tenex - \textfont\itfam=\nineit \scriptfont\itfam=\nineit - \textfont\slfam=\ninesl \scriptfont\slfam=\ninesl - \textfont\bffam=\ninebf \scriptfont\bffam=\ninebf - \scriptscriptfont\bffam=\ninebf - \setbox\strutbox=\hbox{\vrule height 7pt depth 3pt width 0pt}% - \def\tt{\ninettt}\normalbaselines\rm} -\def\ninepoint{\Ninepoint} - -% GENERAL FOOTNOTES - -\newcount\footmarkcount - -\def\resetfootnote{\global\footmarkcount\z@ } -\def\footmarknumber{\raise\smallvalue ex\hbox{% - \eightpoint\rm\the\footmarkcount}} - -\def\Footnote#1{\global\advance\footmarkcount\@ne - \footnote{\footmarknumber}{#1}} - -% \TeX book footnote -% En cas de panique: couper en deux (une seule note autorisee) - -\def\markfootnote{{\advance\footmarkcount\@ne \footmarknumber}} - -\def\realfootnote#1{\global\advance\footmarkcount\@ne - \vfootnote{{\footmarknumber}#1}} - -% to enable inserting different \hsize (two columns case) -\let\footnotehsize\empty - -\def\vfootnote#1{\insert\footins\bgroup\parskip\z@\eightpoint - \interlinepenalty\interfootnotelinepenalty - \splittopskip\ht\strutbox \advance\splittopskip\p@ - \splitmaxdepth\dp\strutbox \floatingpenalty20000 - \leftskip\z@ \rightskip\z@ - \spaceskip\z@ \xspaceskip\z@ - \eightpoint\footnotehsize\noindent{#1}\footstrut\futurelet\next\fo@t} - -\def\footnoterule{\vskip-\thr@@\p@\hrule\@width2truein \vskip 2.6\p@} - -\def\aujourdhui{\space\number\day\space% - \ifcase\month\or janvier\or f\'evrier\or mars\or avril\or mai\or juin\or - juillet\or ao\^ut\or septembre\or octobre\or novembre\or d\'ecembre\fi - \space\number\year} -\def\today{\space% - \ifcase\month\or January\or February\or March\or April\or May\or June\or - July\or August\or September\or October\or November\or December\fi - \space\number\day,\space\number\year} -\def\cenboxit#1{\centerline{\boxit{#1}}} -\def\Item{\medskip\item} - -\newdimen\theslant -\def\fup#1{\raise 0.8ex\hbox{\theslant=\fontdimen1\the\font\kernm.03em\kern \theslant\the\scriptfont\fam #1}} - -\def\umero{\fup{o}} -\def\ieme{\fup{e}} -\def\ier{\fup{er}} -\let\titremorceau\empty -\def\title#1{\def\titremorceau{#1}} -\def\shorttitle{\title} -\def\subtitle#1{\def\subt@itremorceau{#1}} -\let\headt@itremorceau\undefined -\def\headtitle#1{\def\headt@itremorceau{#1}} -\def\fulltitle{\headtitle} -\let\othert@itremorceau\empty -\def\othermention#1{\def\othert@itremorceau{#1}} - -\let\headl@ne\undefined -\def\headline#1{\def\headl@ne{#1}} - -\let\s@hortauthor\empty -\def\shortauthor#1{\def\s@hortauthor{(#1)}} - -\def\fullauthor#1{\def\f@ullauthor{#1}} -\def\author{\fullauthor} - -\newif\ifcopyright - -\def\outmorceau{\shipout\vbox{\vbox to \vsize{\vss\pagecontents\vss}\line{% -\ifodd\pageno\sl \titremorceau\ \s@hortauthor -\ifcopyright\rm$\copyright$\fi\hss \number\pageno -\else\rm\number\pageno\hss\sl \titremorceau\ \s@hortauthor -\ifcopyright\rm$\copyright$\fi\fi}}% - \global\advance\count0 by 1\relax - \ifnum\outputpenalty>-20000 \else\dosupereject\fi}% - -\output{\outmorceau} - -\def\maketitle{% -\ifx\headl@ne\undefined\else\line{\headl@ne}\bigskip\fi% for version 123 RDT -\centerline{\BIGfont \ifx\headt@itremorceau\undefined - \titremorceau\else\headt@itremorceau\fi} -\medskip -\ifx\subt@itremorceau\undefined\else - \centerline{\sl \subt@itremorceau} -\medskip -\fi - - -\hbox to \hsize{\vtop{\def\\{\hss\egroup\hbox to 0.5\hsize\bgroup\relax}\relax - \hbox to 0.5\hsize - \bgroup\othert@itremorceau\hss - \egroup - }\hss - \vtop{\def\\{\egroup\hbox to 0.5\hsize\bgroup\relax\hss}\relax - \hbox to 0.5\hsize - \bgroup\hss\f@ullauthor - \egroup - }} -\bigskip -} - - -\def\rectoverso#1{% -\def\outmorceau{\shipout\hbox{\null\ifodd\pageno\kern #1\relax - \else\kern -#1\relax - \fi - \vbox{\vbox to \vsize{\vss\pagecontents\vss}\line{% -\ifodd\pageno\sl \titremorceau\ \s@hortauthor -\ifcopyright\rm$\copyright$\fi\hss \number\pageno -\else\rm\number\pageno\hss\sl \titremorceau\ \s@hortauthor -\ifcopyright\rm$\copyright$\fi\fi}}}% - \global\advance\count0 by 1\relax - \ifnum\outputpenalty>-20000 \else\dosupereject\fi}% - -\output{\outmorceau}} - - - -\catcode`\>=\catcode@gt -\catcode`\<=\catcode@lt -\catcode`\@=\catcodeat - -%%% A4 (210mm x 297mm): -\hsize=190mm %%% adjust to increase/decrease printer margins -\vsize=270mm %%% adjust to increase/decrease printer margins -\hoffset=210mm\advance\hoffset-\hsize\divide\hoffset2 -\advance\hoffset-1.0in % TeX convention -\voffset=297mm\advance\voffset-\vsize\divide\voffset2 -\advance\voffset-1.0in % TeX convention - -%%% letter-size (8.5in x 11.0in): -%\hsize=7.5in %%% adjust to increase/decrease printer margins -%\vsize=10.0in %%% adjust to increase/decrease printer margins -%\hoffset=8.5in\advance\hoffset-\hsize\divide\hoffset2 -%\advance\hoffset-1.0in % TeX convention -%\voffset=11.0in\advance\voffset-\vsize\divide\voffset2 -%\advance\voffset-1.0in % TeX convention - -%%% To determine the *minimal* margins supported by your -%%% printer and check for printer mis-alignment, process -%%% testpage.tex with LaTeX and print the result. - -\tenpoint - -%%%%%%% adjust here for a non-centering printer %%%%%%%% -%\advance\hoffset 0mm -%\advance\voffset 0mm - -\endinput diff --git a/musixtex/tex/musixtex.tex b/musixtex/tex/musixtex.tex deleted file mode 100644 index 7dda85b..0000000 --- a/musixtex/tex/musixtex.tex +++ /dev/null @@ -1,5915 +0,0 @@ -% -% This file is part of MusiXTeX -% -% MusiXTeX is free software; you can redistribute it and/or modify -% it under the terms of the GNU General Public License as published by -% the Free Software Foundation; either version 2, or (at your option) -% any later version. -% -% MusiXTeX is distributed in the hope that it will be useful, -% but WITHOUT ANY WARRANTY; without even the implied warranty of -% MERCHANTABILITY or FITNESS FOR A PARTICULAR PURPOSE. See the -% GNU General Public License for more details. -% -% You should have received a copy of the GNU General Public License -% along with MusiXTeX; see the file COPYING. If not, write to -% the Free Software Foundation, Inc., 59 Temple Place - Suite 330, -% Boston, MA 02111-1307, USA. -% -% -\ifx\undefined\startpiece \else \endinput \fi -\edef\catcodeat{\the\catcode`\@}\catcode`\@=11 - -\ifx\makeatletter\undefined\def\makeatletter{\catcode`\@=11\relax}\fi -\ifx\makeatother\undefined\def\makeatother{\catcode`\@=12\relax}\fi - -\def\mufl@x{0.83}% -\def\mxmajorvernumber{1} -\def\mxminorvernumber{34} -\def\mxvernumber{\mxmajorvernumber\mxminorvernumber}% make it possible to compare with \ifnum -\def\mxversuffix{}% -\edef\mxversion{\mxmajorvernumber.\mxminorvernumber\mxversuffix} -\def\mxdate{2021-07-24} - -\immediate\write16{MusiXTeX(c) \mxversion\space<\mxdate>}% -\everyjob{\immediate\write16{MusiXTeX(c) \mxversion\space<\mxdate>}}% - -% version 1.34 -% -% redefine \tabfnt... commands to allow re-definition in musixftab.tex -% decrement the number of slashes if tabstylespace is true -% - -% version 1.33a -% -% improved implementations of the tablature commands: -% + 4-7 slashes are replaced by numbers 4-7 -% + notehead-less stems are replaced by tiny notes (without ledger lines) - -% version 1.33 -% -% \tabfnt etc. now uses (Helvetica) bold -% replace ledger lines by slashes (/) for tablature notes below the staff -% new commands \tzqu, \tzcup, etc. for stems without noteheads, for use in tablature - -% version 1.32 - -% commented out spurious \let\doublebar\doublebar@II -% forbid line-breaking at \zdoublebar - -% version 1.31 -% -% defined \zzdoublebar, \zzbar, \zendpiece - -% version 1.30 -% -% defined \zdoublebar for use within a bar -% defined \hbp and \hbpp - -% version 1.29 -% -% defined \tabfnt, \tabcleffnt, \tabstringfnt, \tab etc. to support tablature - -% version 1.28 -% -% defined -% \z[left|right|leftright]repeat, for use *within* a bar -% \zz...repeat, to force to the end of a system -% corrected definition of \C@Inter for \nblines < 4 - -% version 1.27 -% -% introduced \meterN -% eliminated \ds@oup -% introduced \nqqb \nqqh \nqqqb \nqqqh abbreviations and -% synonyms \nqql \nqqu \nqqql \nqqqu -% introduced \hap, \happ analogous to \qap, \qapp -% introduced \hbsk analogous to \hsk -% introduced \bqsk, \bhsk, \btsk analogous to \qsk, \hqsk, \tqsk -% introduced \xxtuplet - -% version 1.26 -% -% deleted spurious definition in \resetlayout and -% spurious space in definition of \interfacteur... - -% version 1.25 -% -% included a "dummy" tuplet.tex in the distribution -% added \ignorespaces in musixltx.tex -% defined \qap, \qapp, \tqsk - -% version 1.24 -% -% preserve changes to \transpose in an hboxed tremolo command -% test that musixtex.tex has already been loaded in some extensions: -% musixps, musixec, musixhv, musixplt, musixtmr, musixppff -% changed from \it to \ppff in several places -% support new command \setinterstaff{n}{m} -% define \largenotesize, \Largenotesize -% correct typos \twtybf[g] \svtbf[g] - -% version 1.23 -% -% added \xtr and \ptr ornaments -% adjusted spacing of \tr -% corrected definition of \C@Inter for \nblines > 6 - -% version 1.22 -% -% bi and sc font definitions added; sl and tt definitions for musixsty moved -% explicit font choices for \txtfont replaced by generic commands \smalltype\it etc. -% \pdlud \halfwidthbigwedge and \raise-height font-dependent -% \cbreath and \zbreath use \BIGtype rather than \BIGfont - - -% version 1.21 -% -% RDT adjusted the offsets and/or vertical positions for some tremolos -% RDT moved \lastbarpos\lin@pos after calls to \Writ@meters -% to correct \centerbar positioning -% RDT copied the definition of \Hpause from musixlit.tex -% RDT introduced \Changeclefs, \cHpause and \centerHpause -% RDT replaced \smalltype\it by \txtfont in octave clef commands -% RDT moved definitions of \txtfont into \comput@fonts -% RDT added support for piano-pedal bracket notation - -% version 1.20 -% -% RDT re-defined tremolo commands to allow for numerical pitches; -% use of \raise and \hbox suggested by Jean-Pierre Colon - -% version 1.19: -% -% RDT corrected typos in the definition of \comput@fonts -% affecting ppff fonts for \Largemusicsize -% RDT introduced definitions for tremolo commands \trml, \trmu, etc. -% RDT turned off lyrics for \metron and \metronequiv notes - -% version 1.18: -% -% RDT added definitions of \raggedstoppiece and \slide from musixext.tex -% RDT increased the length of beam stems (adapted from J.-P. Coulon) - -% version 1.17: -% -% RDT re-defined \txtfont for non-normal staff sizes -% RDT defined \tinyppff and \ppfftwelve, and re-defined \ppff to be staffsize dependent -% RDT introduced \tqqb \tqqh \tqqqb \tqqqh abbreviations -% and synonyms \tqql \tqqu \tqqql \tqqqu -% RDT introduced ornaments \tr, \trt -% RDT re-defined \triolet to be consistent with musixdoc (prints \txt, not nec. 3) -% RDT introduced \cpause etc. and corrected definitions of \centerpause etc. -% RDT introduced double-dotted rests \qppp, \dspp, \qspp, etc. - -% version 1.16: -% -% RDT corrected the definitions of \nnotes and \nnnotes - -% HM corrected the definitions for cautionary small accidentals - -% RDT added \check@staff ... \fi to \@qa h, \@mca, \hs, \qqs -% so that \qa, \ca, \ha, etc. can be "hidden" using \setstaffs{n}{0} - -% RDT incorporated tuplet.tex (approved by George Sicherman) -% and introduced \txtfont to allow changing size or style - -% RDT introduced -% \qqsk, a one-quarter notehead skip -% \tqu and \tql, synonyms for \tqh and \tqb -% \ztqu and \ztql, synonyms for \ztqh and \ztqb -% \hpp, \qpp, \dsp, \qsp, \hsp, \qqsp for pointed rests -% \nnotes, \nnnotes: 1.6 and 1.28 \elemskip spacing -% \zcn, \ccn, \lcn, synomyms for \zcharnote etc. - -% RDT incorporated curly.tex (approved by Mthimkhulu Molekwa) - -% RDT modernized the treatment of text fonts -% meterfonts must be bf, even if titling fonts are rm or sc -% added dynamic-mark macros \sfz \sfzp - -% version 1.15: -% -% moved out: -% - 1/128th beams -> musixbm -% - triple pointed notes -> musixtri - -% and shrinked the memory consumption - -%++ickd 19Sep1997: with help of William P. Houser introduced dotted slurs. -% Changes marked with +ickd for added single lines, -ickd for replaced -%++ickd single lines, ++ickd...++ickd for added blocks - -%++simick 04Dec2000: Don Simons and Werner Icking made some improvements -% to volta-processing and centerbar processing the changes are -% marked with +simick for added single lines, -simick for -%++simick replaced lines and ++simick...++simick for added blocks - -% Hiroaki, May2010, T.115: change register allocation codes into new ones -% which enables >12 elements. Search the string "version 1.15" for details. -% - -% TeXperts may want to change the next - -% PARAMETER DIFFERENT THAN PLAIN - -\showboxdepth=0 -\showboxbreadth=0 - -\ifx\undefined\documentstyle % -> []plain.tex - \parindent0pt - \hoffset-15.4mm - \voffset-10mm - \hsize190mm - \vsize260mm -\fi - -%%% from LaTeX -% The following definitions save token space. E.g., using \@height -% instead of height saves 5 tokens at the cost in time of one macro -% expansion. - -\def\@height{height} -\def\@depth{depth} -\def\@width{width} - -%%% also removed 'by', '=' - -\def\@to{to} -\def\p@ne{.1} -\def\qu@rt{.25} -\def\h@lf{.5} -\def\p@seven{.7} - -%%%from plain -% To make the macros more efficient in time and space, -% several constant values are declared here as control sequences -% If they were changed, anything could happen; so they are private symbols - -%\chardef\active=13 -%\chardef\&=`\& -> 38 -%\chardef\#=`\# -> 35 -%\chardef\$=`\$ -> 36 -% Nomenclature: '@' means most times 'e' or seperator, sometimes 'o','a' - -\chardef\f@ur=4 -\chardef\fiv@=5 -\chardef\si@=6 -\chardef\s@v@n=7 -\chardef\@ight=8 -\chardef\nin@=9 -\chardef\t@n=10 -\chardef\@l@v@n=11 -\chardef\tw@lv@=12 -\chardef\fourt@@n=14 -\chardef\fiv@t@@n=15 -\chardef\tw@nty=20 -\chardef\@xxiii=23 -\chardef\@xxv=25 -\chardef\@xxiv=24 -\chardef\@xxvi=26 -\chardef\@xxvii=27 -\chardef\@xxix=29 -\chardef\@xxxii=32 -\chardef\@xl=40 -\chardef\@xli=41 -\chardef\@xlv=45 -\chardef\@l=50 -\chardef\@lii=52 -\chardef\@liv=54 -\chardef\@lxxxiii=83 -\chardef\@c=100 -\chardef\@cxv=115 -\chardef\@cxxviii=128 - -\newif\ifcatcodesmusic - -\def\catcodesmusic{\ifcatcodesmusic\relax - \else - \edef\catcode@gt{\the\catcode`\>}\catcode`\>\tw@lv@ - \edef\catcode@lt{\the\catcode`\<}\catcode`\<\tw@lv@ - \edef\catcode@vert{\the\catcode`\|}\catcode`\|\active - \edef\catcode@and{\the\catcode`\&}\catcode`\&\active - \edef\catcode@excl{\the\catcode`\!}\catcode`\!\tw@lv@ - \edef\catcode@star{\the\catcode`\*}\catcode`\*\tw@lv@ - \edef\catcode@pt{\the\catcode`\.}\catcode`\.\tw@lv@ - \edef\catcode@sc{\the\catcode`\:}\catcode`\:\tw@lv@ - \let\@@bar\bar - \def\bar{\barre}% - \fi\catcodesmusictrue} - -\catcodesmusic - -% MusicTeX + MuFlex -> MusiXTeX -\def\musixtex{MusiX\TeX} - -\def\kernm{\kern-} - -%...\let\@wloG=\wlog -%...\def\wlog#1{} - -%%% account registers - -% \let\maxinstruments\si@ % [version 1.15] here disabled to avoid conflict - -% temporary registers - -\newcount\n@i -\newcount\n@ii -\newcount\n@iii -\newcount\n@iv -\newcount\n@v -\newcount\n@vi -\newcount\n@vii -\newcount\n@viii -\newcount\count@ - -\newbox\toks@box -\newbox\w@rkbox -\newbox\n@otebox - -\newdimen\y@ -\newdimen\y@i -\newdimen\y@ii -\newdimen\y@iii -\newdimen\y@iv -\newdimen\y@v - -% [version 1.15] moved out to the new register allocation code -- start from here -- -% altitude -% \newskip\k@ii -% InterNote -% \newdimen\i@ni -\def\i@n{\z@} % safety in case of.... -% positions x et z de debut des poutres -% \newdimen\b@xi \newdimen\b@zi -% \newdimen\c@xi \newskip\c@zi -% \newdimen\d@xi \newskip\d@zi -% \newdimen\e@xi \newskip\e@zi -% \newdimen\f@xi \newskip\f@zi -% pentes des poutres ( entier de -9 a +9 ) -% multiplicite des poutres ( de -5 a +5 . 0= inactive ) -% \newcount\b@pi \newcount\b@ni -% Number of Portees -% \newcount\n@pi \n@pi\@ne -% Actual Signs Old Signs -% \newcount\a@si \newcount\o@si -% ActualCleftoks -% \newtoks\a@ci \a@ci={{\z@}{\z@}{\z@}{\z@}} -% OldCleftoks -% \newtoks\o@ci -% MeterToks -% \newtoks\m@ti -% Altitude of choir groups -% \newskip\g@bi -% Height of choir groups -% \newskip\g@hi - -% [version 1.15] moved out to the new register allocation code -- until here -- -% \let\maxgroups\thr@@ % maximum three groups of instruments or choirs [version 1.15] moved to later, using \setmaxgroups -\newcount\group@no - -%%% [version 1.15] new register allocation code -- start from here -- -% -% register allocation for use inside \loop...\if...\repeat -% (only for plain, but no harm even in case of LaTeX) -\edef\noexpand@newcount{\noexpand\newcount}% -\edef\noexpand@newdimen{\noexpand\newdimen}% -\edef\noexpand@newskip{\noexpand\newskip}% -%\edef\noexpand@newmuskip{\noexpand\newmuskip}% not used -%\edef\noexpand@newbox{\noexpand\newbox}% not used -\edef\noexpand@newtoks{\noexpand\newtoks}% -%\edef\noexpand@newmarks{\noexpand\newmarks}% not used -% -% a shortcut for register allocation routines -\def\roman@c@{\romannumeral\count@}% -% -% some registers (i@n, b@x, b@z, c@x, d@x, e@x, s@x, s@Y) -% should be allocated by \newdimen (for id 0...5) and \newskip (for id 6...11) -% because T.114 and earlier did so and for the compatibility to Stanislav -% Kneifl's musixps.tex 0.92a. -% And again \newdimen (for id>11), because both \dimen and \skip are -% applicable but \dimen uses less memory in case of >255 on e-TeX. -\def\noexpand@newdimsk{% - \ifnum\count@<7 \let\@@newdimsk=\noexpand@newdimen - \else\ifnum\count@<13 \let\@@newdimsk=\noexpand@newskip - \else\let\@@newdimsk=\noexpand@newdimen - \fi\fi \@@newdimsk}% -% -% and some other registers (c@z, d@z, e@z, f@z, g@z) -% should be allocated by \newskip (for id 0...11) and \newdimen (for id>11) -% for the same reason of above. -\def\noexpand@newskdim{% - \ifnum\count@<13 \let\@@newskdim=\noexpand@newskip - \else \let\@@newskdim=\noexpand@newdimen - \fi \@@newskdim}% -% -% registers for instrument -\newdimen\interinstrument % moved from "distance between instruments" to here -\def\setmaxinstruments#1{% - \ifnum#1>\@oldmaxinstruments - \chardef\maxinstruments=#1\relax - \ifnum#1>\@c - \errmessage{The maximum reference number of elements is limited to \the\@c} - \chardef\maxinstruments=\@c - \fi - \count@\@oldmaxinstruments\loop - \advance\count@ by\@ne - % - \expandafter \let \csname interinstrument\roman@c@\endcsname \interinstrument - \expandafter\def\csname interfacteur\roman@c@\endcsname{\interfacteur}% RDT 1.26 - % - % altitude - \expandafter \noexpand@newskip \csname k@i\roman@c@\endcsname - % - % InterNote - \expandafter \noexpand@newdimsk \csname i@n\roman@c@\endcsname - % - % beam horizontal positions: x=start, z=end, 8th-64th beams - \expandafter \noexpand@newdimsk \csname b@x\roman@c@\endcsname - \expandafter \noexpand@newdimsk \csname b@z\roman@c@\endcsname - \expandafter \noexpand@newdimsk \csname c@x\roman@c@\endcsname - \expandafter \noexpand@newskdim \csname c@z\roman@c@\endcsname - \expandafter \noexpand@newdimsk \csname d@x\roman@c@\endcsname - \expandafter \noexpand@newskdim \csname d@z\roman@c@\endcsname - \expandafter \noexpand@newdimsk \csname e@x\roman@c@\endcsname - \expandafter \noexpand@newskdim \csname e@z\roman@c@\endcsname - % - % pentes des poutres ( entier de -9 a +9 ) (slopes of the beams) - % multiplicite des poutres ( de -5 a +5 . 0= inactive ) (multiplicity of the beams) - \expandafter \noexpand@newcount \csname b@p\roman@c@\endcsname - \expandafter \noexpand@newcount \csname b@n\roman@c@\endcsname - % - % Number of Portees - \expandafter \noexpand@newcount \csname n@p\roman@c@\endcsname - \csname n@p\roman@c@\endcsname\@ne - % - % Actual Signs - \expandafter \noexpand@newcount \csname a@s\roman@c@\endcsname - % - % Old Signs - \expandafter \noexpand@newcount \csname o@s\roman@c@\endcsname - % - % ActualCleftoks - \expandafter \noexpand@newtoks \csname a@c\roman@c@\endcsname - \csname a@c\roman@c@\endcsname={{\z@}{\z@}{\z@}{\z@}}% - % - % OldCleftoks - \expandafter \noexpand@newtoks \csname o@c\roman@c@\endcsname - % - % MeterToks - \expandafter \noexpand@newtoks \csname m@t\roman@c@\endcsname - % - % staffsize - \expandafter \let \csname staffspacing\roman@c@\endcsname \@ne - % - % text, lyrics, free positioning of chars - \expandafter \let \csname T@R\roman@c@\endcsname \z@ - % - % preset clef symbols - \expandafter \let \csname treblec@s\roman@c@\endcsname \z@ - \expandafter \let \csname altoc@s\roman@c@\endcsname \z@ - \expandafter \let \csname bassc@s\roman@c@\endcsname \z@ - % - % preset default staff lines as 5 - \expandafter \let \csname n@l\roman@c@\endcsname \fiv@ - % - \ifnum\count@<\maxinstruments\repeat - \expandafter\message\expandafter{maxinstruments=\the\maxinstruments}% - \chardef\@oldmaxinstruments=\maxinstruments\relax% - \normalnotesize\resetlayout - \fi -}% -% -% registers for 128th beam -\def\setmaxcxxviiibeams#1{% - \ifnum#1>\maxinstruments - \errmessage{The number of 128th beam must not exceed maxinstruments}% - \else - \ifnum#1>\@oldmaxcxxviiibeams - \chardef\maxcxxviiibeams=#1\relax - \ifnum#1>\@c - \errmessage{The maximum reference number of elements is limited to \the\@c} - \chardef\maxcxxviiibeams=\@c - \fi - \count@\@oldmaxcxxviiibeams \loop - \advance\count@ by\@ne - \expandafter \noexpand@newdimen \csname f@x\roman@c@\endcsname - \expandafter \noexpand@newskdim \csname f@z\roman@c@\endcsname - \ifnum\count@<\maxcxxviiibeams\repeat - \expandafter\message\expandafter{max128beams=\the\maxcxxviiibeams}% - \chardef\@oldmaxcxxviiibeams=\maxcxxviiibeams\relax% - \fi - \fi -}% -% -% registers for 256th beam -\def\setmaxcclvibeams#1{% - \ifnum#1>\maxcxxviiibeams - \errmessage{The number of 256th beam must not exceed the number of 128th beam}% - \else - \ifnum#1>\@oldmaxcclvibeams - \chardef\maxcclvibeams=#1\relax - \ifnum#1>\@c - \errmessage{The maximum reference number of elements is limited to \the\@c} - \chardef\maxcclvibeams=\@c - \fi - \count@\@oldmaxcclvibeams \loop - \advance\count@ by\@ne - \expandafter \noexpand@newdimen \csname g@x\roman@c@\endcsname - \expandafter \noexpand@newskdim \csname g@z\roman@c@\endcsname - \ifnum\count@<\maxcclvibeams\repeat - \expandafter\message\expandafter{max256beams=\the\maxcclvibeams}% - \chardef\@oldmaxcclvibeams=\maxcclvibeams\relax% - \fi - \fi -}% -% -% registers for choir group -\def\setmaxgroups#1{% - \ifnum#1>\@oldmaxgroups - \chardef\maxgroups=#1\relax - \ifnum#1>\@c - \errmessage{The maximum reference number of elements is limited to \the\@c} - \chardef\maxgroups=\@c - \fi - \count@\@oldmaxgroups \loop - \advance\count@ by\@ne - % Altitude - \expandafter \noexpand@newskip \csname g@b\roman@c@\endcsname - % Height - \expandafter \noexpand@newskip \csname g@h\roman@c@\endcsname - % - \expandafter \let \csname lowersonginstrum\roman@c@\endcsname \maxdimen - \expandafter \let \csname uppersonginstrum\roman@c@\endcsname \z@ - \ifnum\count@<\maxgroups\repeat - \expandafter\message\expandafter{maxgroups=\the\maxgroups}% - \chardef\@oldmaxgroups=\maxgroups\relax% - \fi -}% -% -% registers for slur -\def\setmaxslurs#1{% - \ifnum#1>\@oldmaxslurs - \chardef\maxslurs=#1\relax - \ifnum#1>\@c - \errmessage{The maximum reference number of elements is limited to \the\@c} - \chardef\maxslurs=\@c - \fi - \count@\@oldmaxslurs \loop - \advance\count@ by\@ne - % - % horizontal start position of slur - \expandafter \noexpand@newdimsk \csname s@x\roman@c@\endcsname - % - % sense u,d and x (flag) for pending slurs - \expandafter \noexpand@newtoks \csname s@s\roman@c@\endcsname - \csname s@s\roman@c@\endcsname={x}% - % - % vertical offset of slur - \expandafter \noexpand@newdimsk \csname s@Y\roman@c@\endcsname - % - % altportee of slur - \expandafter \noexpand@newskip \csname s@a\roman@c@\endcsname - % - % vertical start position of slur [steps of internote] - \expandafter \noexpand@newcount \csname s@y\roman@c@\endcsname - % - % instrument number of that slur (to retrieve internote) - \expandafter \noexpand@newcount \csname s@N\roman@c@\endcsname - % - % vertical end position of slur [steps of internote], used from - % \breakslur. the value \maxdimen is used to decide, if - % \breakslur is used or not (flag) - \expandafter \noexpand@newcount \csname s@z\roman@c@\endcsname - \csname s@z\roman@c@\endcsname\maxdimen - % - %++ickd: dotted indicator for pending slurs - \expandafter \noexpand@newtoks \csname s@d\roman@c@\endcsname - % - \ifnum\count@<\maxslurs\repeat - \expandafter\message\expandafter{maxslurs=\the\maxslurs}% - \chardef\@oldmaxslurs=\maxslurs\relax% - \fi -}% -% -% registers for trill (MusiXTeX-type trill only. Legacy \trillC and -% \TrillC are out of the scope.) -\def\setmaxtrills#1{% - \ifnum#1>\@oldmaxtrills - \chardef\maxtrills=#1\relax - \ifnum#1>\@c - \errmessage{The maximum reference number of elements is limited to \the\@c} - \chardef\maxtrills=\@c - \fi - \count@\@oldmaxtrills \loop - \advance\count@ by\@ne - % starting horizontal pos - \expandafter \noexpand@newskip \csname tr@x\roman@c@\endcsname - \csname tr@x\roman@c@\endcsname\maxdimen\relax - % heading of trill - \expandafter \noexpand@newtoks \csname tr@sw\roman@c@\endcsname - % height of trill - \expandafter \noexpand@newskip \csname tr@y\roman@c@\endcsname - \ifnum\count@<\maxtrills\repeat - \expandafter\message\expandafter{maxtrills=\the\maxtrills}% - \chardef\@oldmaxtrills=\maxtrills\relax% - \fi -}% -% -% registers for octave line -\def\setmaxoctlines#1{% - \ifnum#1>\@oldmaxoctlines - \chardef\maxoctlines=#1\relax - \ifnum#1>\@c - \errmessage{The maximum reference number of elements is limited to \the\@c} - \chardef\maxoctlines=\@c - \fi - \count@\@oldmaxoctlines \loop - \advance\count@ by\@ne - % starting horizontal pos - \expandafter \noexpand@newskip \csname o@x\roman@c@\endcsname - \csname o@x\roman@c@\endcsname\maxdimen\relax - % height of octline - \expandafter \noexpand@newskip \csname o@y\roman@c@\endcsname - % sense of octline - \expandafter \noexpand@newtoks \csname o@sw\roman@c@\endcsname - \ifnum\count@<\maxoctlines\repeat - \expandafter\message\expandafter{maxoctlines=\the\maxoctlines}% - \chardef\@oldmaxoctlines=\maxoctlines\relax% - \fi -}% -% -\chardef\@oldmaxinstruments=\z@ -\chardef\@oldmaxcxxviiibeams=\z@ -\chardef\@oldmaxcclvibeams=\z@ -\chardef\@oldmaxgroups=\z@ -\chardef\@oldmaxslurs=\z@ -\chardef\@oldmaxtrills=\z@ -\chardef\@oldmaxoctlines=\z@ -% -% actual setup (=register allocation) of the maximum element numbers -% should be done after fonts definition. -% -%%% [version 1.15] new register allocation code -- until here -- - - -%%% fonts - -\newif\iflongDCfontnames -\newif\iflongECfontnames -\longDCfontnamesfalse % obsolete -\longECfontnamesfalse % to use EC fonts, \input musixec -\def\fontid{cm} % deprecated but used in pmx.tex - -%% -% Small bold sans serif fonts % version 1.33 RDT -%% - -\font\threedc=phvb8t at 3pt -\font\fourdc=phvb8t at 4pt -\font\fivedc=phvb8t at 5pt -\font\sixdc=phvb8t at 6pt - -%% -% Seven point fonts -%% - -\font\sevenrm=cmr7 -\font\sevenbf=cmbx7 -\font\sevenit=cmti7 -\font\sevenbi=cmbxti10 at 7pt % version 1.22 RDT -\font\sevensc=cmcsc10 at 7pt -\font\sevenss=phvr8t at 7pt % version 1.29 RDT -\font\sevendc=phvb8t at 7pt - - -%% -% Eight point fonts -%% - -\font\eightrm=cmr8 -\font\eightbf=cmbx8 -\font\eightit=cmti8 -\font\eightbi=cmbxti10 at 8pt % version 1.22 RDT -\font\eightsc=cmcsc10 at 8pt -\font\eightss=phvr8t at 8pt % version 1.29 RDT -\font\eightdc=phvb8t at 8pt - -%% -% Nine point fonts -%% - -\font\ninerm=cmr9 -\font\ninebf=cmbx9 -\font\nineit=cmti9 -\font\ninebi=cmbxti10 at 9pt % version 1.22 RDT -\font\ninesc=cmcsc10 at 9pt -\font\niness=phvr8t at 9pt % version 1.29 RDT -\font\ninedc=phvb8t at 9pt - -%% -% Ten point fonts -%% - -\font\tenrm=cmr10 -\font\tenbf=cmbx10 -\font\tenit=cmti10 -\font\tenbi=cmbxti10 % version 1.22 RDT -\font\tensc=cmcsc10 -\font\tenss=phvr8t % version 1.29 RDT -\font\tendc=phvb8t - -%% -% Eleven point fonts -%% -\font\elevenrm=cmr9 scaled \magstephalf -\font\elevenbf=cmbx9 scaled \magstephalf -\font\elevenit=cmti9 scaled \magstephalf -\font\elevenbi=cmbxti10 at 11pt % version 1.22 RDT -\font\elevensc=cmcsc10 at 11pt -\font\elevenss=phvr8t at 11pt % version 1.29 RDT -\font\elevendc=phvb8t at 11pt - -%% -% Twelve point fonts -%% -\font\twelverm=cmr12 -\font\twelvebf=cmbx12 -\font\twelveit=cmti12 -\font\twelvebi=cmbxti10 scaled \magstep1 % version 1.22 RDT -\font\twelvesc=cmcsc10 scaled \magstep1 -\font\twelvess=phvr8t scaled \magstep1 % version 1.29 RDT -\font\twelvedc=phvb8t scaled \magstep1 - -% 14pt fonts -\font\frtrm=cmr12 scaled \magstep1 -\font\frtbf=cmbx12 scaled \magstep1 -\font\frtit=cmti12 scaled \magstep1 -\font\frtsc=cmcsc10 scaled \magstep2 -\font\frtbi=cmbxti10 scaled \magstep2 % version 1.22 RDT -\font\frtss=phvr8t scaled \magstep2 % version 1.29 RDT -\font\frtdc=phvb8t scaled \magstep2 -% -% 17pt -\font\svtrm=cmr12 scaled \magstep2 -\font\svtbf=cmbx12 scaled \magstep2 -\font\svtit=cmti12 scaled \magstep2 -\font\svtsc=cmcsc10 scaled \magstep3 -\font\svtbi=cmbxti10 scaled \magstep3 -\font\svtdc=phvb8t scaled \magstep3 -% -% 20pt -\font\twtyrm=cmr12 scaled \magstep3 -\font\twtybf=cmbx12 scaled \magstep3 -\font\twtyit=cmti12 scaled \magstep3 -\font\twtysc=cmcsc10 scaled \magstep4 -\font\twtybi=cmbxti10 scaled \magstep4 % version 1.22 RDT -\font\twtydc=phvb8t scaled \magstep4 -% -% 25pt -\font\twfvrm=cmr12 scaled \magstep4 -\font\twfvbf=cmbx12 scaled \magstep4 -\font\twfvit=cmti12 scaled \magstep4 -\font\twfvsc=cmcsc10 scaled \magstep5 -\font\twfvbi=cmbxti10 scaled \magstep5 % version 1.22 RDT -% -%% -%% -% Define five font families -%% -\def\tinytype{% - \let\rm\sevenrm - \let\bf\sevenbf - \let\it\sevenit - \let\bi\sevenbi - \let\sc\sevensc - \rm} -\def\smalltype{% - \let\rm\eightrm - \let\bf\eightbf - \let\it\eightit - \let\bi\eightbi - \let\sc\eightsc - \rm} -\def\Smalltype{% - \let\rm\ninerm - \let\bf\ninebf - \let\it\nineit - \let\bi\ninebi - \let\sc\ninesc - \rm} -\def\normtype{% - \let\rm\tenrm - \let\bf\tenbf - \let\it\tenit - \let\bi\tenbi - \let\sc\tensc - \rm} -\def\medtype{% - \let\rm\twelverm - \let\bf\twelvebf - \let\it\twelveit - \let\bi\twelvebi - \let\sc\twelvesc - \rm} -% -% four font families at big/Big/BIg/BIG sizes -% default is \bf here and in musixec, but \sc in musixplt, \rm in musixtmr -% -\def\bigfont{% - \let\rm\frtrm - \let\bf\frtbf - \let\it\frtit - \let\sc\frtsc - \let\bi\frtbi - \bf} -\def\Bigfont{% - \let\rm\svtrm - \let\bf\svtbf - \let\it\svtit - \let\sc\svtsc - \let\bi\svtbi - \bf} -\def\BIgfont{% - \let\rm\twtyrm - \let\bf\twtybf - \let\it\twtyit - \let\sc\twtysc - \let\bi\twtybi - \bf} -\def\BIGfont{% - \let\rm\twfvrm - \let\bf\twfvbf - \let\it\twfvit - \let\sc\twfvsc - \let\bi\twfvbi - \bf} -%% -% large fonts for titles -% (If you prefer Roman, use \rm) -% (If you prefer small-caps, use \sc) -% -\def\bigtype{\bigfont\bf} % default for "big" fonts is \bf -\def\Bigtype{\Bigfont\bf} -\def\BIgtype{\BIgfont\bf} -\def\BIGtype{\BIGfont\bf} -% -% -% Bold italic fonts for dynamic markings. -%% - -\font\ppfftwelve=cmbxti10 at 8pt % version 1.17 RDT -\font\ppffsixteen=cmbxti10 -\font\ppfftwenty=cmbxti10 scaled \magstep1 -\font\ppfftwentyfour=cmbxti10 scaled \magstep2 -\font\ppfftwentynine=cmbxti10 scaled \magstep3 - -\def\ppff{\ifdim\internote<\p@seven6\Internote\tinyppff% version 1.17 RDT -\else\ifdim\internote<.95\Internote\smallppff% -\else\ifdim\internote<1.19\Internote\normppff% -\else\medppff\fi\fi\fi}% - - -\def\tinydyn{\let\ppff\ppfftwelve} % version 1.18 RDT -\def\smalldyn{\let\ppff\ppffsixteen} -\def\normdyn{\let\ppff\ppfftwenty} -\def\meddyn{\let\ppff\ppfftwentyfour} - -\font\tabfntthirteen=phvb8t at 4pt % version 1.34 RDT -\font\tabfntsixteen=phvb8t at 5pt -\font\tabfnttwenty=phvb8t at 6pt -\font\tabfnttwentyfour=phvb8t at 8pt -\font\tabfnttwentynine=phvb8t at 10pt - -\font\musiceleven=musix11 -\font\musicthirteen=musix13 -\font\musicsixteen=musix16 -\font\musictwenty=musix20 -\font\musictwentyfour=musix24 -\font\musictwentynine=musix29 - - -% -% tt fonts needed by musixsty % version 1.22 RDT -% -\font\eighttt=cmtt8 -\font\ninett=cmtt9 -\font\tentt=cmtt10 -\font\twelvett=cmtt12 -\font\frttt=cmtt12 scaled \magstep1 -\font\svttt=cmtt12 scaled \magstep2 -\font\twtytt=cmtt12 scaled \magstep3 -\font\twfvtt=cmtt12 scaled \magstep4 -% -% -% sl fonts needed by musixsty % version 1.22 RDT -% -\font\eightsl=cmsl8 -\font\ninesl=cmsl9 -\font\tensl=cmsl10 -\font\twelvesl=cmsl12 -\font\frtsl=cmsl12 scaled \magstep1 -\font\svtsl=cmsl12 scaled \magstep2 -\font\twtysl=cmsl12 scaled \magstep3 -\font\twfvsl=cmsl12 scaled \magstep4 - -% piano brackets, slides, guitar chords, lines, (de)crescendi, circles - -\font\mxsps=musixspx - - -%%% -% -% Slur macro package for MusicTeX -% -% Ross Mitchell, February 20 1993 -% -%%% -%% -% Load the font set -% -% Nomenclature: slur[p][size] -% [p] : sign of slur gradient; u=positive, d=negative, z=zero -%% - -\font\slurz=xslz20 -\font\slurzd=xslz20d %+ickd - -\font\slurueleven=xslu11 % slur up eleven points -\font\sluruthirteen=xslu13 -\font\slurusixteen=xslu16 -\font\slurutwenty=xslu20 -\font\slurutwentyfour=xslu24 -\font\slurutwentynine=xslu29 - -\font\slurdeleven=xsld11 % slur down eleven points -\font\slurdthirteen=xsld13 -\font\slurdsixteen=xsld16 -\font\slurdtwenty=xsld20 -\font\slurdtwentyfour=xsld24 -\font\slurdtwentynine=xsld29 - -%++ickd same for dotted slurs -\font\sluruelevend=xslu11d % slur up eleven points -\font\sluruthirteend=xslu13d -\font\slurusixteend=xslu16d -\font\slurutwentyd=xslu20d -\font\slurutwentyfourd=xslu24d -\font\slurutwentynined=xslu29d - -\font\slurdelevend=xsld11d % slur down eleven points -\font\slurdthirteend=xsld13d -\font\slurdsixteend=xsld16d -\font\slurdtwentyd=xsld20d -\font\slurdtwentyfourd=xsld24d -\font\slurdtwentynined=xsld29d -%++ickd - -%!these fonts can't be used with highres printers (>~800dpi) -% for these printers comes a interface to PS using DVIPS (PS-Tricks) -% and \special{}-commands next time (patience is a virtue ...) - -\font\xtie=xslhz20 -\font\xtied=xslhz20d %+ickd - -\font\hslurdeleven=xslhd11 % slur half down eleven points -\font\hslurdthirteen=xslhd13 -\font\hslurdsixteen=xslhd16 % slur half down sixteen points -\font\hslurdtwenty=xslhd20 -\font\hslurdtwentyfour=xslhd24 -\font\hslurdtwentynine=xslhd29 - -\font\hslurueleven=xslhu11 -\font\hsluruthirteen=xslhu13 -\font\hslurusixteen=xslhu16 -\font\hslurutwenty=xslhu20 -\font\hslurutwentyfour=xslhu24 -\font\hslurutwentynine=xslhu29 - -%++ickd same for dotted slurs -\font\hslurdelevend=xslhd11d % slur half down eleven points -\font\hslurdthirteend=xslhd13d -\font\hslurdsixteend=xslhd16d % slur half down sixteen points -\font\hslurdtwentyd=xslhd20d -\font\hslurdtwentyfourd=xslhd24d -\font\hslurdtwentynined=xslhd29d - -\font\hsluruelevend=xslhu11d -\font\hsluruthirteend=xslhu13d -\font\hslurusixteend=xslhu16d -\font\hslurutwentyd=xslhu20d -\font\hslurutwentyfourd=xslhu24d -\font\hslurutwentynined=xslhu29d -%++ickd - -% number of pending slurs - -\newcount\N@s - -% [version 1.15] moved out to the new register allocation code (except for \s@Y) -% horizontal start position of slur -% \newdimen\s@xi -% sense u,d and x (flag) for pending slurs -% \newtoks\s@si \s@si={x} -% vertical offset of slur -\newdimen\s@Y % this register is for common use -% \newdimen\s@Yi -% altportee of slur -% \newskip\s@ai -% vertical start position of slur [steps of internote] -% \newcount\s@yi -% instrument number of that slur (to retrieve internote) -% \newcount\s@Ni -% vertical end position of slur [steps of internote], used from \breakslur -% the value \maxdimen is used to decide, if \breakslur is used or not (flag) -% \newcount\s@zi \s@zi\maxdimen -%++ickd: dotted indicator for pending slurs -% \newtoks\s@di % moved out to the new register allocation code -%++ickd - -\def\roman@n@i{\romannumeral\n@i\endcsname} - -% -% [version 1.15] make slurs independent from \maxinstruments -\def\test@slurnum{% - \ifnum\n@i<\z@ \n@i\@c \fi - \ifnum\n@i<\maxslurs \else - \count@\maxslurs \advance\count@\m@ne - \errmessage{Wrong slur reference number \the\n@i! (valid: 0 to \the\count@)}% [version 1.15] - \n@i\z@% [version 1.15] - \fi - \advance\n@i\@ne}% -% -\def\s@l@ctslur#1\relax{% - \n@i#1\relax\test@slurnum% [version 1.15] make it independent from beams - \edef\s@a{\csname s@a\roman@n@i}% dimen (altportee) - \edef\s@x{\csname s@x\roman@n@i}% dimen (hor start pos) - \edef\s@y{\csname s@y\roman@n@i}% count (startnote [internote]) - \edef\s@N{\csname s@N\roman@n@i}% count (instrument number) - \edef\s@z{\csname s@z\roman@n@i}% count (endnote [internote]) - \edef\s@Y{\csname s@Y\roman@n@i}% dimen (voffset) - \edef\s@d{\csname s@d\roman@n@i}% token (dotted) +ickd - \edef\s@s{\csname s@s\roman@n@i}}% token (sense) - -% get current position (returns the dimen in \y@v) -% (\lin@pos starts behind signatures!) - -\newdimen\lin@pos -\def\getcurpos{\y@v\lin@pos \advance\y@v\locx@skip} - -% \n@i vertical offset of first note (number); temporary -% \n@ii vertical offset of second note (number); temporary -% \n@iii meet note -% \n@iv first note -% \n@v temp. character -% \n@vi last note -% \n@vii right halfslur length -% \n@viii don't touch -% \y@ complete length of slur - allowed overlap (4pt), temp. length -% \y@i abs. height of slur -% \y@ii complete length of slur -% \y@iii old maxslurwidth -% \y@iv don't touch -% \y@v don't touch - -% \@sense{u,d} -% -% if \curve (\midslur) is used -% \@meet{} -% \l@length{} -% \r@length{} - -% #1 start pitch #2 end pitch #3 length #4 right hoffset - -\newcount \meet@minus@n@iv -\def\writ@slur#1#2#3#4{\check@staff % modified: sld... into slurd... 12.04.95 ick - \let\slz\slurz% inserted - \let\slzd\slurzd% inserted for dotted slurs +ickd - \ifx\s@N\undefined \relax % \let\internote\Internote - \else - \edef\internote{\csname i@n\romannumeral\s@N\endcsname}% - \fi -% \immediate\write16{\noexpand\writ@slur internote:\the\internote}% - \n@iv#1% - \n@vi#2% -%% -% Get note vertical offsets -% \n@iv= vertical offset of first note(n@i temp); -% \n@vi= vertical offset of second note(n@ii temp); -% \y@i = reference height of first note (pt); -% -% Define adequate fonts for this slur, according to the value of \internote -% - \ifdim\internote>3.5pt - \let\sld\slurdtwentynine \let\slu\slurutwentynine - \let\hslurd\hslurdtwentynine \let\hsluru\hslurutwentynine - \let\sldd\slurdtwentynined \let\slud\slurutwentynined % +ickd - \let\hslurdd\hslurdtwentynined \let\hslurud\hslurutwentynined %+ickd - \def\@stepwidth{3.6pt}% - \else \ifdim\internote>2.9pt - \let\sld\slurdtwentyfour \let\slu\slurutwentyfour - \let\hslurd\hslurdtwentyfour \let\hsluru\hslurutwentyfour - \let\sldd\slurdtwentyfourd \let\slud\slurutwentyfourd % +ickd - \let\hslurdd\hslurdtwentyfourd \let\hslurud\hslurutwentyfourd %+ickd - \def\@stepwidth{3.0pt}% - \else \ifdim\internote>2.3pt - \let\sld\slurdtwenty \let\slu\slurutwenty - \let\hslurd\hslurdtwenty \let\hsluru\hslurutwenty - \let\sldd\slurdtwentyd \let\slud\slurutwentyd % +ickd - \let\hslurdd\hslurdtwentyd \let\hslurud\hslurutwentyd %+ickd - \def\@stepwidth{2.5pt}% - \else \ifdim\internote>1.8pt - \let\sld\slurdsixteen \let\slu\slurusixteen - \let\hslurd\hslurdsixteen \let\hsluru\hslurusixteen - \let\sldd\slurdsixteend \let\slud\slurusixteend % +ickd - \let\hslurdd\hslurdsixteend \let\hslurud\hslurusixteend %+ickd - \def\@stepwidth{2pt}% - \else \ifdim\internote>1.4pt - \let\sld\slurdthirteen \let\slu\sluruthirteen - \let\hslurd\hslurdthirteen \let\hsluru\hsluruthirteen - \let\sldd\slurdthirteend \let\slud\sluruthirteend % +ickd - \let\hslurdd\hslurdthirteend \let\hslurud\hsluruthirteend %+ickd - \def\@stepwidth{1.6pt}% - \else - \let\sld\slurdeleven \let\slu\slurueleven - \let\hslurd\hslurdeleven \let\hsluru\hslurueleven - \let\sldd\slurdelevend \let\slud\sluruelevend % +ickd - \let\hslurdd\hslurdelevend \let\hslurud\hsluruelevend %+ickd - \def\@stepwidth{1.28pt}% - \fi\fi\fi\fi\fi -% -% End choice of font -% - \n@i\n@iv \pl@base % \y@i = initial height - \n@ii\n@vi -% -% Select appropriate font -% Set \n@i to the vertical difference index -% setup \n@iii(meetnote) -% - \ifnum\n@ii=\n@i % Slope is zero - \n@iii\n@i - \if u\@sense \advance\n@iii\thr@@ \else \advance\n@iii-\thr@@ \fi - \def\@slope{z}\n@i\z@ - \else - \ifnum\n@ii<\n@i % Slope is negative - \C@csl\n@i\n@ii\def\@slope{d}% % compute @meet height for slurs - \else % Slope is positive - \C@csl\n@ii\n@i\def\@slope{u}\n@i\n@ii % compute @meet height for slurs - \fi - \fi -%% -% Select the required font and load the width parameters -% -% Font specific parameters -% \y@iii is the horizontal width of the longest slur in the fonts -% This parameter is loaded from the tfm \fontdimen parameter 5 -% respectively -%% - \y@iii\fontdimen\fiv@\csname sl\@slope\endcsname - \y@ii#3% -% -% \n@i contains slope (difference between start and end note) -% -% force longslurs if (!!! no check, be careful !!!) -% long slurs are at least 20[16] pt long) !!! Perhaps will change again !!! -% - difference between first note and last note > 8 -% - if \curve or \midslur is def'd -% - if \invertslur is used -% - \ifnum\n@i>\@ight \y@iii\z@ \fi % RMslurs limit 8 steps - \ifx\@meet\empty \else\y@iii\z@ \fi - \ifx\@invert\@ne \y@iii\z@ \fi - \ifdim\y@ii>\y@iii % start of longslurs -% -% setup meet height of slur -% - \ifx\empty\@meet -% \immediate\write16{\noexpand\@meet was empty.}% - \else - \n@iii\n@iv - \advance\n@iii\@meet - \fi - \edef\@meet{\the\n@iii}% -% \immediate\write16{\noexpand\@meet = \@meet.}% -% -% allow a little bit overlap (2*2pt) for nicer outlook (as longer as nicer) -% clip to extremities -% compute the max length in fontunits (\count@) -% - \y@\y@ii \advance\y@\f@ur\p@ \n@v\y@ - \sp@pt\t@n % 10pt steps - \advance\n@v-\f@ur % first brace is 20pt wide (perhaps 10pt is better ??) - \min@n@v\z@ - \max@n@v\fourt@@n % largest braces are 2*((90pt-20pt)/10pt) - \count@\n@v % max length -% -% compute the length of the starting and ending halfslurs -% in case, that curve is not def'd -% - \ifx\empty\l@length - \divide\n@v\tw@ % 2 halfslurs - \n@vii\n@v - \n@ii\n@v - \def@lr -% -% first try to reach nicer long slurs without using \curve -% - \if z\@slope % leave ties untouched - \else - \ifnum\count@>\z@ % only for long slurs - \multiply\n@v\tw@ - \if\@slope\@sense % uu,dd advance l@length ud,du advance r@length - \s@adjust\n@vii\n@ii - \else - \s@adjust\n@ii\n@vii - \fi - \def@lr - \fi - \fi -% -% adjust \curve parameters, if neccesary -% - \else - \n@vii\l@length - \n@ii\r@length - \loop - \count@\n@vii - \advance\count@\n@ii - \ifnum\count@>\n@v - \advance\n@vii\m@ne \ifnum\n@vii<\z@ \n@vii\z@ \fi - \advance\n@ii\m@ne \ifnum\n@ii<\z@ \n@ii\z@ \fi - \repeat - \def@lr - \fi -% -% clip to extremity heights (max slur height= 16\internote) -% - \C@csm\n@iv - \C@csm\n@vi -% -% change sense and offset behind linebreak and reset flag -% - \ifx\@invert\@ne \ifdim\s@x=\z@ - \@invsl \let\@invert\empty \s@Y-\s@Y - \fi \fi -% -% compute final height and put the box -% -% \immediate\write16{ before @meet:\noexpand\y@i=\the\y@i}% -% \message{ was \noexpand\n@iv\the\n@iv}% -% \message{ was \noexpand\n@vi\the\n@vi}% -% - \meet@minus@n@iv=\@meet - \advance\meet@minus@n@iv-\n@iv -% \immediate\write16{\noexpand\meet@minus@n@iv=\the\meet@minus@n@iv}% -% \y@i\@meet\internote % \y@i final height -% change from DT for staffspacing not standard - \y@i \@stepwidth % part proportional to slur font size - \multiply \y@i \meet@minus@n@iv - \advance\y@i \n@iv\internote % was done by \pl@base... -% - \C@sof % add the voffsets - \llap{\raise\y@i\hbox\@to\y@ii{% -% -% compute the beginning and ending halfslur chars -% n@i firstslur -% n@ii lastslur -% n@v character -% - \C@cc\n@iv\n@i\n@ii - \C@cc\n@vi -% - \n@v\l@length - \multiply\n@v\sixt@@n % 16 different heigths - \advance\n@v\n@i % offset to length - \advance\n@v\@cxxviii % offset to starthalfslur - \@boX \box\ch@box\hss% put starthalfslur - \n@v\r@length - \multiply\n@v\sixt@@n - \advance\n@v\n@ii -% -% put ending halfslur in box -% - \ifx\@invert\@ne \@invsl \fi - \@boX -% -% put the middle extension (could be replaced by []rule) -% - \ifdim\y@ii>\p@ne\p@ - \n@v\y@ii - \sp@pt\f@ur % 4pt steps - \ifx\@invert\@ne - \divide\n@v\tw@ - \if u\@sense \advance\n@v\@cxxviii \fi - \mid@box\hss\hss% don't ask me why - \if u\@sense \advance\n@v-\@cxxviii \else \advance\n@v\@cxxviii \fi - \mid@box% - \else - \if d\@sense \advance\n@v\@cxxviii \fi - \mid@box \fi \fi -% -% place the end of slur and kern right horizontal offset -% - \hss\box\ch@box}\kern#4}% -% -% reset slurcurve -% - \global\let\@meet\empty - \let\l@length\empty - \let\@invert\empty -% -%>>>>>> start of RM slurs -% Set \n@v to the width index in the slur font table -% - \else - \ifdim\y@ii<\@ight\p@ \y@ii\@ight\p@ \fi % Clip to extremities - \y@\y@ii - \advance\y@-\si@\p@ - \n@v\y@ - \sp@pt\f@ur -% -% Find decimal character count into font table -% (a) Zero height slurs: charnum= width index -% (b) Others: charnum= 16*(height index - 1) + width index -% Place the character count in \n@v -% - \if z\@slope - \if d\@sense \advance\n@v\@liv \fi % \@liv(=54) offset to slurchars - \else - \advance\n@i\m@ne % height index - 1 - \multiply\n@i\sixt@@n % 16*(height index - 1) - \advance\n@v\n@i % 16*(height index - 1) + width index - \if d\@sense \advance\n@v\@cxxviii \fi - \fi -% -% Place the slur character -% - \C@sof - \ifnum\n@v>255 % to avoid diags in case of... - \n@v=255\relax - \fi - \ifnum\n@v<0 % to avoid diags in case of... - \n@v=0\relax - \fi -% - \llap{\raise\y@i\hbox\@to\y@ii{% -%-ickd \hss\csname sl\@slope\endcsname\char\n@v\hss}\kern#4}% - \hss\csname sl\@slope\@dotted\endcsname\char\n@v\hss}\kern#4}% - \fi -\fi} % end writ@slur - - -\def\sp@pt#1{\divide\n@v65536\divide\n@v#1} -\def\max@n@v#1{\ifnum\n@v>#1\n@v#1\fi} -\def\min@n@v#1{\ifnum\n@v<#1\n@v#1\fi} - -%-ickd \def\mid@box{\hbox{\xtie\char\n@v}} -\def\mid@box{% - \ifnum\n@v>255 % to avoid diags in case of... - \n@v=255\relax - \fi - \ifnum\n@v<0 % to avoid diags in case of... - \n@v=0\relax - \fi -% - \hbox{\csname xtie\@dotted\endcsname\char\n@v}} -%-ickd \def\@boX{\setbox\ch@box\hbox{\csname hslur\@sense\endcsname\char\n@v}% -\def\@boX{% - \ifnum\n@v>255 % to avoid diags in case of... - \n@v=255\relax - \fi - \ifnum\n@v<0 % to avoid diags in case of... - \n@v=0\relax - \fi -% - \setbox\ch@box\hbox{\csname hslur\@sense\@dotted\endcsname\char\n@v}% - \advance\y@ii-\wd\ch@box} - -\def\def@lr{\edef\l@length{\the\n@vii}\edef\r@length{\the\n@ii}} - -\def\s@adjust#1#2{% - \ifnum\n@v<\count@ \advance#1\@ne \fi - \ifnum\n@v>\z@ \advance#1\@ne \advance#2\m@ne - \ifnum#1>\s@v@n #1\s@v@n \fi \fi} - -\def\C@csl#1#2{% compute meet height for slurs - \if u\@sense \n@iii#1\advance\n@iii\tw@ - \else \n@iii#2\advance\n@iii-\tw@ \fi - \ifx\@invert\@ne - \n@iii#1\advance\n@iii-#2\divide\n@iii\tw@ \advance\n@iii#2\fi - \advance#1-#2} - -\def\C@cc#1{% slur = abs(meet-note) - 1 - \n@ii\@meet - \advance\n@ii-#1% - \ifnum\n@ii<\z@ \n@ii-\n@ii \fi - \advance\n@ii\m@ne - } -% \ifnum\n@ii<\z@\immediate\write16{Warning: \noexpand\C@cc->\noexpand\n@ii=\the\n@ii}\fi -% \n@ii\z@} % modeif DT 20-12-97 - -\def\C@csm#1{% clip to extremity heights (max slur height= 16\internote) - \n@i\n@iii - \advance\n@i-#1% - \ifnum\n@i>\sixt@@n - \ifnum\n@iii>#1% - #1\n@iii \advance#1-\sixt@@n - \else - #1\n@iii \advance#1\sixt@@n - \fi - \fi} - -\def\C@sof{\advance\y@i\s@Y % abs. voffset - \ifx\@Ti\@ne \advance\y@i\s@a \let\@Ti\empty \fi}% call from cutslur - -% manual influation on the curve for long slurs -% must be coded in front of \tslur -% #1 final height [number, steps of internote, relativ to beginning! note] -% #2 (length)slope left #3 (length)slope right - -\def\curve#1#2#3{\getcurpos % ignore \curve behind a linebreak - \ifdim\y@v>\@xxxii\p@ \xdef\@meet{#1}\edef\l@length{#2}\edef\r@length{#3}\relax - \else -% \message{\noexpand\curve #1#2#3 not expanded}% - \fi} - -% raise (or lower) only the mid of slur -% #1 final height [number, steps of internote, relativ to beginning! note] -%! #1 can still be changed to work relativ from default height ??? - -\def\midslur#1{\getcurpos - \ifdim\y@v>\@xxxii\p@ \xdef\@meet{#1}\relax - \else -% \message{\noexpand\midslur #1 not expanded}% - \fi} - -\let\@meet\empty -\let\l@length\empty -\let\r@length\empty - -% Liftslur #1 refnumber #2 lift[steps of internote] - -\def\Liftslur#1#2{\n@i#1\advance\n@i\@ne \advance\csname s@y\roman@n@i#2} - -% breakslur #1 refnumber #2 endheight during linebreak[steps of internote] - -\def\breakslur#1#2{\inhgetn@i#2\relax\n@ii\n@i - \n@i#1\advance\n@i\@ne \global\csname s@z\roman@n@i\n@ii} - -% invertslur #1 refnumber - -\def\@invsl{\if u\the\s@s \s@s{d}\else \s@s{u}\fi} - -\def\invertslur#1{\s@l@ctslur#1\relax - \if u\the\s@s \global\s@s{D}% change sense and set flag for invertslur - \else \global\s@s{U}\fi} - -% initiate slur #1 reference number #2 start note - -\def\isluru{\i@slur\h@lf{1\p@seven\internote}u}% 'normal' -\def\issluru{\i@slur{1\p@ne}{\p@seven\internote}u}% shorter for accords -% for beam(ib[l]u) or stem, doesn't work with \stemcut (yet?) -\def\ibsluru{\y@i\stemfactor\interbeam - \advance\y@i\h@lf\internote \i@slur1\y@i u} -\def\islurd{\i@slur\h@lf{-1\p@seven\internote}d} -\def\isslurd{\i@slur{1\p@ne}{-\p@seven\internote}d} -\def\ibslurd{\y@i\stemfactor\interbeam - \advance\y@i\h@lf\internote \y@i-\y@i \i@slur0\y@i d} - -% initiate slur at half note width but NO vertical offset (for linkings) - -\def\ihsluru{\i@slur\h@lf\z@ u}% -\def\ihslurd{\i@slur\h@lf\z@ d}% - -\let\itieu\issluru -\let\itied\isslurd -\def\istieu{\i@slur{1\p@ne}{\qu@rt\internote}u}% shorter for accords -\def\istied{\i@slur{1\p@ne}{-\qu@rt\internote}d}% -\let\itenu\istieu -\let\itenl\istied -\let\Itenu\istieu -\let\Itenl\istied - -\def\dotted{\let\dott@d\@ne}\let\dott@d\empty %+ickd - -\def\@mis{missing } - -% #1 hoffset #2 voffset #3 sense (u,d) #4 reference number #5 start note - -\def\i@slur#1#2#3#4#5{% - \check@staff - \global\advance\N@s\@ne % update slurcounter - \s@l@ctslur#4\relax -% test for already invoked \islur - \if x\the\s@s \else\errmessage{\@mis\noexpand\tslur#4}\fi - \global\s@Y#2% store voffset (abs. dim. to rel. height) - \global\s@s{#3}% store sense (u,d) - \ifx\dott@d\empty \global\s@d{}\else\global\s@d{d}\fi %+ickd - \let\dott@d\empty % set dotted indicator +ickd - \global\s@N\noinstrum@nt % store instrument number - \inhgetn@i#5\relax - \global\s@y\n@i % start vpos (steps of internote) - \global\s@a\altportee % store altportee of current slur - \getcurpos - \advance\y@v#1\qn@width - \global\s@x\y@v - \fi}% start hpos (current pos including hoffset) - -% terminate slur #1 reference number #2 end note -% the various types only influence the horizontal offset, if you want to -% terminate a \ibslur with a \tslur it becomes a little bit tricky -%% -%% RDT: the "trick", whatever it is, doesn't seem to be working !!!!! -%% e.g. \Notes\ibsluru1g\qa g\ha l\sk\zq g\zq i\tslur1k\qu k\en - -\def\tslur{\t@slur\h@lf} -\def\tsslur{\t@slur{-\p@ne}} -\def\tubslur{\t@slur1} -\def\tdbslur{\t@slur0} -\def\tbsluru{\t@slur1} -\def\tbslurd{\t@slur0} - -% \def\ttie#1{\let\T@i\@c \t@slur{-\p@ne}#1\@ne} -% \def\tleg#1{\let\T@i\@c \tslur #1\@ne} -% #1 should be braced... by David Alsop on January 11, 2009 -\def\ttie#1{\let\T@i\@c \t@slur{-\p@ne}{#1}\@ne} -\def\tleg#1{\let\T@i\@c \tslur{#1}\@ne} -\let\tten\ttie -\let\Tten\ttie -\let\Tleg\tleg - -% y@i linewidth -% y@iv right hoffset -% y@v endpos, complete length - -% #1 hoffset #2 reference number #3 end note - -\def\t@slur#1#2#3{% - \check@staff - \s@l@ctslur#2\relax - \y@iv#1\qn@width - \def\@sense{\the\s@s}% - \edef\@dotted{\the\s@d}%+ickd -% test for missing \islur - \if x\@sense \errmessage{\@mis\noexpand\islur#2}\fi -% test for \invertslur - \if D\@sense \s@s{u}% - \let\@invert\@ne - \fi - \if U\@sense \s@s{d}% - \let\@invert\@ne - \fi -% compute length - \getcurpos - \advance\y@v\y@iv -% eoline - \y@eol\advance\y@-\beforeruleskip -% clip slur at eoline - \ifdim\y@v>\y@ \y@v\y@ \advance\y@v\beforeruleskip \y@iv\beforeruleskip \fi - \advance\y@v-\s@x - \ifx\T@i\@c \n@i\s@y \else \inhgetn@i#3\relax \fi - \writ@slur\s@y\n@i\y@v{-\y@iv}% -% reset sense of slur - \global\s@s{x}\let\T@i\empty - \global\advance\N@s\m@ne - \fi}% update slur counter - - % this command is made to terminate the slur #1 exactly on the note pitch #2 -\def\Tslurbreak#1#2{\s@l@ctslur#1\relax - \def\@sense{\the\s@s}% - {\if d\@sense \advance\transpose 2\raise0.2\Interligne\hbox{\tslur{#1}{#2}}\relax - \else \advance\transpose -2\raise-0.2\Interligne\hbox{\tslur{#1}{#2}}\relax - \fi - }% -\global\let\@meet\empty -\let\l@length\empty -\let\r@length\empty -\let\@invert\empty -} - -\def\Islurubreak#1#2{{\advance\transpose -1\isluru{#1}{#2}}} -\def\Islurdbreak#1#2{{\advance\transpose 1\islurd{#1}{#2}}} - -\def\TslurbreakNextBar#1#2{\off{\beforeruleskip}\hloff{\Tslurbreak{#1}{#2}}\off{-\beforeruleskip}} -\def\IslurubreakPrevBar#1#2{\off{-\afterruleskip}\hloff{\Islurubreak{#1}{#2}}\off{\afterruleskip}} -\def\IslurdbreakPrevBar#1#2{\off{-\afterruleskip}\hloff{\Islurdbreak{#1}{#2}}\off{\afterruleskip}} - -\def\y@eol{\y@\line@width \advance\y@-\sign@skip - \advance\y@-\clef@skip \advance\y@-\s@indent} - -% hold up the RM-slur calling, because faster coding, -% if the slurs are inside a bar (and you use one kind of \notes) -% and ... there is no limitation in the number of slurs -% if you want to call a short slur, extending to the left use \slur[][][]0 - -% #1 start pitch #2 final pitch #3 sense(u,d) #4 length[noteskip] - -\def\C@slur#1#2#3#4{\check@staff - \inhgetn@i#1\relax \n@ii\n@i - \inhgetn@i#2\relax \relax - \ifx\dott@d\empty \gdef\@dotted{}\else\gdef\@dotted{d}\fi %+ickd - \let\dott@d\empty % set dotted indicator +ickd - \def\@sense{#3}% - \if d\@sense \s@Y-\s@Y \fi - \y@v#4\noteskip - \y@iv\y@v - \advance\y@iv\y@ii - \advance\y@v\y@iii - \kern\y@iv - \writ@slur\n@ii\n@i\y@v\z@ - \kernm\y@iv - \fi} - -\def\sslur{% - \let\s@N\undefined % do not store instrument number - \s@Y\p@seven\internote - \y@iii-1.2\qn@width % offset to length 1.1behind+.1before - \y@ii-\p@ne\qn@width - \C@slur} -\def\slur{% - \let\s@N\undefined % do not store instrument number - \s@Y1\p@seven\internote - \y@iii\z@ - \y@ii\h@lf\qn@width - \C@slur} -\def\stie#1{\sslur{#1}{#1}} -\def\tie#1{\slur{#1}{#1}} - -%%% setup fontsizes - -\newdimen\interbeam % distance entre poutres -\newdimen\b@amthick % half beamthickness -\newdimen\Interligne% de la base d'une ligne a l'autre -\newdimen\Internote % la moitie de \Interligne -\let\internote\Internote -\def\musixchar{\musixfont\char} -\def\keychar{\musickeyfont\char} - -\let\musicnorfont\musictwenty - -\def\set@Largenotesize{\let\musixfont\musicLargefont - \let\xgregfont\xgregLargefont - \b@amthick.3456\Interligne \interbeam1.08\Interligne } - -\def\set@largenotesize{\let\musixfont\musiclargefont - \let\xgregfont\xgreglargefont - \b@amthick.288\Interligne \interbeam.9\Interligne } - -\def\set@normalnotesize{\let\musixfont\musicnorfont - \let\xgregfont\xgregnorfont - \b@amthick.24\Interligne \interbeam\p@seven5\Interligne } - -\def\set@smallnotesize{\let\musixfont\musicsmallfont - \let\xgregfont\xgregsmallfont - \b@amthick\p@ne92\Interligne \interbeam.6\Interligne } - -\def\set@tinynotesize{\let\musixfont\musictinyfont - \let\xgregfont\xgregtinyfont - \b@amthick\p@ne536\Interligne \interbeam.48\Interligne } - -\def\normalnotesize{\set@normalnotesize\comput@specifics - \let\curr@ntsiz@\normalnotesize} -\def\smallnotesize{\set@smallnotesize\comput@specifics - \let\curr@ntsiz@\smallnotesize} -\def\tinynotesize{\set@tinynotesize\comput@specifics - \let\curr@ntsiz@\tinynotesize} -\def\largenotesize{\set@largenotesize\comput@specifics % v.124 RDT - \let\curr@ntsiz@\largenotesize} -\def\Largenotesize{\set@Largenotesize\comput@specifics % v.124 RDT - \let\curr@ntsiz@\Largenotesize} - -\def\musickeyfont{% - \ifdim\internote<\p@seven6\Internote \musictinyfont - \else - \ifdim\internote<.95\Internote \musicsmallfont - \else - \ifdim\internote<1.19\Internote \musicnorfont - \else - \ifdim\internote<1.43\Internote \musiclargefont - \else - \musicLargefont - \fi - \fi - \fi - \fi} - -\def\meterfont{% - \ifdim\internote<\p@seven6\Internote \metersmallfont - \else - \ifdim\internote<.95\Internote \meternorfont - \else - \ifdim\internote<1.19\Internote \meterbigfont - \else - \ifdim\internote<1.43\Internote \meterlargefont - \else \meterLargefont - \fi - \fi - \fi - \fi} - -\def\tabcleffnt{% 1.29 RDT - \ifdim\internote<.95\Internote \tabsmallcleffnt - \else - \ifdim\internote<1.19\Internote \tabnorcleffnt - \else - \ifdim\internote<1.43\Internote \tablargecleffnt - \else \tabLargecleffnt - \fi - \fi - \fi} - -\def\tabfnt{% 1.29 RDT - \ifdim\internote<.95\Internote \tabsmallfnt - \else - \ifdim\internote<1.19\Internote \tabnorfnt - \else - \ifdim\internote<1.43\Internote \tablargefnt - \else \tabLargefnt - \fi - \fi - \fi} - -\newbox\ch@box -\newcount\musicsize -\newdimen\qd@skip -\newdimen\qn@width -\newdimen\wn@width - -\newskip\txt@ff -\newskip\s@indent % store parindent -\newskip\big@spc - -\newdimen\lthick \lthick=.4pt -\def\hlthick{\h@lf\lthick} - -%%% - -\def\normalmusicsize{\musicsize\tw@nty \comput@specifics - \afterruleskip\@ight\p@ \elemskip\fontdimen\si@\musicnorfont \clef@skip\z@} -\def\smallmusicsize{\musicsize\sixt@@n \comput@specifics - \afterruleskip\si@\p@ \elemskip\fontdimen\si@\musicnorfont \clef@skip\z@} -\def\largemusicsize{\musicsize\@xxiv \comput@specifics - \afterruleskip\t@n\p@ \elemskip\fontdimen\si@\musicnorfont \clef@skip\z@} -\def\Largemusicsize{\musicsize\@xxix \comput@specifics - \afterruleskip\t@n\p@ \elemskip\fontdimen\si@\musicnorfont \clef@skip\z@} - -\def\comput@fonts{% - \ifnum\musicsize=\sixt@@n - \let\musicLargefont\musictwentyfour - \let\musiclargefont\musictwenty - \let\musicnorfont\musicsixteen - \let\musicsmallfont\musicthirteen - \let\musictinyfont\musiceleven - \let\xgregLargefont\xgregtwentyfour - \let\xgreglargefont\xgregtwenty - \let\xgregnorfont\xgregsixteen - \let\xgregsmallfont\xgregthirteen - \let\xgregtinyfont\xgregeleven - \let\slurd\slurdsixteen \let\sluru\slurusixteen - \let\hslurd\hslurdsixteen \let\hsluru\hslurusixteen - \let\meternorfont\tenbf \let\metersmallfont\eightbf % version 1.16 RDT - \let\meterbigfont\twelvebf \let\meterlargefont\frtbf - \let\meterLargefont\svtbf - \let\tinyppff\ppfftwelve % version 1.17 RDT - \let\smallppff\ppfftwelve - \let\normppff\ppffsixteen - \let\medppff\ppfftwenty - \def\txtfont{\ifdim\internote<.95\Internote \tinytype\it % version 1.22 RDT - \else\ifdim\internote<1.19\Internote \smalltype\it - \else\ifdim\internote<1.43\Internote \Smalltype\it - \else\normtype\it\fi\fi\fi}% - \let\tabnorfnt\tabfntsixteen \let\tablargefnt\tabfnttwenty % 1.34 RDT - \let\tabLargefnt\tabfnttwentyfour \let\tabsmallfnt\tabfntthirteen - \let\tabnorcleffnt\eightdc \let\tablargecleffnt\tendc - \let\tabLargecleffnt\twelvedc \let\tabsmallcleffnt\sixdc - \def\tabstringfnt{\ifdim\internote<.95\Internote \fourss % 1.29 RDT - \else\ifdim\internote<1.19\Internote \fivess - \else\ifdim\internote<1.43\Internote \sevenss - \else\eightss\fi\fi\fi}% - \else\ifnum\musicsize=\@xxiv - \let\musicLargefont\musictwentynine - \let\musiclargefont\musictwentynine - \let\musicnorfont\musictwentyfour - \let\musicsmallfont\musictwenty - \let\musictinyfont\musicsixteen - \let\xgregLargefont\xgregtwentynine - \let\xgreglargefont\xgregtwentynine - \let\xgregnorfont\xgregtwentyfour - \let\xgregsmallfont\xgregtwenty - \let\xgregtinyfont\xgregsixteen - \let\sluru\slurutwenty \let\slurd\slurdtwenty - \let\hsluru\hslurutwenty \let\hslurd\hslurdtwenty - \let\meternorfont\frtbf \let\metersmallfont\twelvebf % version 1.18 RDT - \let\meterbigfont\svtbf \let\meterlargefont\twtybf - \let\meterlargefont\twfvbf - \let\tinyppff\ppffsixteen - \let\smallppff\ppfftwenty - \let\normppff\ppfftwentyfour - \let\medppff\ppfftwentynine - \def\txtfont{\ifdim\internote<.95\Internote \smalltype\it % version 1.22 RDT - \else\ifdim\internote<1.19\Internote \Smalltype\it - \else\ifdim\internote<1.43\Internote \normtype\it - \else\medtype\it\fi\fi\fi}% - \let\tabnorfnt\tabfnttwentyfour \let\tablargefnt\tabfnttwentynine % 1.34 RDT - \let\tabLargefnt\tabfnttwentynine \let\tabsmallfnt\tabfnttwenty - \let\tabnorcleffnt\twelvedc \let\tablargecleffnt\frtdc - \let\tabLargecleffnt\svtdc \let\tabsmallcleffnt\tendc - \def\tabstringfnt{\ifdim\internote<.95\Internote \sixss % 1.29 RDT - \else\ifdim\internote<1.19\Internote \eightss - \else\ifdim\internote<1.43\Internote \niness - \else\twelvess\fi\fi\fi}% - \else\ifnum\musicsize=\@xxix - \let\musicLargefont\musictwentynine - \let\musiclargefont\musictwentynine - \let\musicnorfont\musictwentynine - \let\musicsmallfont\musictwentyfour - \let\musictinyfont\musictwenty - \let\xgregLargefont\xgregtwentynine - \let\xgreglargefont\xgregtwentynine - \let\xgregnorfont\xgregtwentynine - \let\xgregsmallfont\xgregtwentyfour - \let\xgregtinyfont\xgregtwenty - \let\sluru\slurutwenty \let\slurd\slurdtwenty - \let\hsluru\hslurutwenty \let\hslurd\hslurdtwenty - \let\slurud\slurutwentyd \let\slurdd\slurdtwentyd % +ickd - \let\hslurud\hslurutwentyd \let\hslurdd\hslurdtwentyd %+ickd - \let\meternorfont\svtbf \let\metersmallfont\frtbf % version 1.18 RDT - \let\meterbigfont\twtybf \let\meterlargefont\twfvbf % version 1.24 typos corrected - \let\meterLargefont\twfvbf - \let\tinyppff\ppfftwenty - \let\smallppff\ppfftwentyfour - \let\normppff\ppfftwentynine - \let\medppff\ppfftwentynine - \def\txtfont{\ifdim\internote<.95\Internote \normtype\it % version 1.22 RDT - \else\ifdim\internote<1.19\Internote \medtype\it - \else\ifdim\internote<1.43\Internote \bigfont\it - \else\Bigfont\it\fi\fi\fi}% - \let\tabnorfnt\tabfnttwentynine \let\tablargefnt\tabfnttwentynine % 1.34 RDT - \let\tabLargefnt\tabfnttwentynine \let\tabsmallfnt\tabfnttwentyfour - \let\tabnorcleffnt\frtdc \let\tablargecleffnt\svtdc - \let\tabLargecleffnt\twtydc \let\tabsmallcleffnt\twelvedc - \def\tabstringfnt{\ifdim\internote<.95\Internote \eightss % 1.29 RDT - \else\ifdim\internote<1.19\Internote \niness - \else\ifdim\internote<1.43\Internote \twelvess - \else\frtss\fi\fi\fi}% -\else - \ifnum\musicsize=\tw@nty - \else\ifnum\musicsize=\z@ - \else\errmessage{\noexpand\musicsize=\the\musicsize\space not supported, - set to default of 20}% - \fi - \fi\musicsize\tw@nty - \let\musicLargefont\musictwentynine - \let\musiclargefont\musictwentyfour - \let\musicnorfont\musictwenty - \let\musicsmallfont\musicsixteen - \let\musictinyfont\musicthirteen - \let\xgreglargefont\xgregtwentyfour - \let\xgregLargefont\xgregtwentynine - \let\xgregnorfont\xgregtwenty - \let\xgregsmallfont\xgregsixteen - \let\xgregtinyfont\xgregthirteen - \let\sluru\slurutwenty \let\slurd\slurdtwenty - \let\hsluru\hslurutwenty \let\hslurd\hslurdtwenty - \let\meternorfont\twelvebf \let\metersmallfont\tenbf % version 1.18 RDT - \let\meterbigfont\frtbf \let\meterlargefont\svtbf - \let\meterLargefont\twtybf - \let\tinyppff\ppfftwelve - \let\smallppff\ppffsixteen - \let\normppff\ppfftwenty - \let\medppff\ppfftwentyfour - \def\txtfont{\ifdim\internote<.95\Internote \smalltype\it - \else\ifdim\internote<1.19\Internote \Smalltype\it - \else\ifdim\internote<1.43\Internote \normtype\it - \else\medtype\it\fi\fi\fi}% - \let\tabnorfnt\tabfnttwenty \let\tablargefnt\tabfnttwentyfour % 1.34 RDT - \let\tabLargefnt\tabfntwentynine \let\tabsmallfnt\tabfntsixteen - \let\tabnorcleffnt\tendc \let\tablargecleffnt\twelvedc - \let\tabLargecleffnt\frtdc \let\tabsmallcleffnt\eightdc - \def\tabstringfnt{\ifdim\internote<.95\Internote \fivess % 1.29 RDT - \else\ifdim\internote<1.19\Internote \sixss - \else\ifdim\internote<1.43\Internote \eightss - \else\niness\fi\fi\fi}% -\fi\fi\fi}% - -\def\comput@specifics{\comput@fonts\comput@sizes} - -\def\comput@sizes{% - \Interligne\fontdimen\fiv@\musicnorfont - \Internote\h@lf\Interligne \big@spc.6\Interligne - \qn@width\fontdimen\si@\musixfont - \wn@width1\qu@rt\qn@width - \txt@ff\h@lf\qn@width - \qd@skip\qn@width\advance\qd@skip-\hlthick} - -%\newdimen\afterruleskip -\newskip\afterruleskip -\newdimen\staffbotmarg % marge au-dessous des portees -\newdimen\stafftopmarg % au-dessus des portees -\newdimen\line@width - -\def\normalvalue{1} -\def\largevalue{1.2} -\def\Largevalue{1.44} -\def\smallvalue{.8} -\def\tinyvalue{.64} - -\def\instrumentnumber#1{\n@v#1\relax - \min@n@v\@ne - \max@n@v\maxinstruments - \edef\nbinstruments{\the\n@v}} - -% staffsize - -\def\setsize#1#2{\n@v#1\relax % select instrument - \expandafter\edef\csname staffspacing\romannumeral\n@v\endcsname{#2}} - -% [version 1.15] moved out to the new register allocation code -% \let\staffspacingi\@ne - -% number of staffs - -\def\setstaffs#1#2{\n@v#1\relax \csname n@p\romannumeral\n@v\endcsname#2} - -% staff lines - -\def\setlines#1#2{\n@v#1\relax % select instrument - \expandafter\def\csname n@l\romannumeral\n@v\endcsname{#2}} - -\newdimen\interportee % distance between staffs of the same instrument (incl) -\newcount\noport@@ -\newcount\noinstrum@nt -\newdimen\altportee - -\def\interstaff#1{\def\interfacteur{#1}} - -\def\s@l@ctinstr{% - \ifnum\noinstrum@nt>\maxinstruments % [version 1.15] -- from here -- - \errmessage{Wrong instrument reference number \the\noinstrum@nt, maxinstruments=\the\maxinstruments} - \fi % [version 1.15] -- until here -- - \edef\altitude{\csname k@i\romannumeral\noinstrum@nt\endcsname}% - \edef\st@ffs{\csname n@p\romannumeral\noinstrum@nt\endcsname}% - \edef\nblines{\csname n@l\romannumeral\noinstrum@nt\endcsname}% - \edef\internote{\csname i@n\romannumeral\noinstrum@nt\endcsname}% - \edef\int@rf{\csname interfacteur\romannumeral\noinstrum@nt\endcsname}% RDT 1.24 - \interportee\int@rf\internote \interportee\tw@\interportee}% RDT 1.26 - -\def\C@Inter{% RDT: corrected to work if \nblines > 6 (version 1.23) - % RDT: corrected for \nblines < 4 (version 1.28) - \stem@skip\interportee - \ifnum\nblines<\f@ur - \advance\stem@skip-\@ight\internote - \else - \advance\stem@skip-\nblines\internote - \advance\stem@skip-\nblines\internote - \advance\stem@skip\tw@\internote - \fi} - -%%% loop over instruments and staffs - -\def\count@portee{\advance\noport@@\@ne} - -\def\n@loop{\noinstrum@nt\z@ \loop\ifnum\noinstrum@nt<\nbinstruments - \advance\noinstrum@nt\@ne \s@l@ctinstr} - -\def\m@loop{\noinstrum@nt\z@ \loop\ifnum\noinstrum@nt<\maxinstruments - \advance\noinstrum@nt\@ne} - -\def\p@loop{\noport@@\z@ \loop\ifnum\noport@@<\st@ffs - \altportee\altitude \advance\altportee\noport@@\interportee} - -\def\Comp@High{\y@v\st@ffs\interportee \C@Inter\advance\y@v-\stem@skip} - -% to be used to make heavy bars at staff left -% modified according to Werner Icking - - -\def\groupbottom#1#2{\group@no#1\relax - \advance\group@no\m@ne\test@grnum % testgr@num advances group@no by 1... - \expandafter\def\csname lowersonginstrum\romannumeral\group@no\endcsname{#2}} - -\def\grouptop#1#2{\group@no#1\relax - \advance\group@no\m@ne\test@grnum % testgr@num advances group@no by 1... - \expandafter\def\csname uppersonginstrum\romannumeral\group@no\endcsname{#2}} - -\def\songbottom{\groupbottom1} -\def\songtop{\grouptop1} - -% [version 1.15] moved out to the new register allocation code -% \let\lowersonginstrumi\maxdimen -% \let\uppersonginstrumi\z@ - -\def\g@loop{\group@no\z@ \loop\ifnum\group@no<\maxgroups - \s@l@ctgroup} -\def\s@l@ctgroup{% - \relax\test@grnum - \edef\g@b{\csname g@b\romannumeral\group@no\endcsname}% dimen (group bottom) - \edef\g@h{\csname g@h\romannumeral\group@no\endcsname}% dimen (group top) - \edef\lowersonginstrum{\csname lowersonginstrum\romannumeral\group@no\endcsname}% dimen (group top) - \edef\uppersonginstrum{\csname uppersonginstrum\romannumeral\group@no\endcsname}% dimen (group top) - }% -\def\test@grnum{% - \ifnum\group@no<\z@ \group@no\@c \fi - \ifnum\group@no<\maxgroups \else - \count@\maxgroups \advance\count@\m@ne - \errmessage{Wrong group reference number \the\group@no! (valid: 0 to \the\count@)}% [version 1.15] - \group@no\z@% [version 1.15] - \fi - \advance\group@no\@ne} - -% \nobarmessages prevents bar messages - -\def\nobarmessages{\let\no@b\@ne} -\let\no@b\empty - -% \nolinemessages prevents line messages in phase three -\def\nolinemessages{\let\no@l\@ne} -\let\no@l\empty - -% \nobarnumbers prevents bar numbering (Ian Collier) -% \barnumbers restores bar numbering - -\def\nobarnumbers{\let\lin@bar\empty \let\freqbarno\maxdimen} -\def\barnumbers{\let\freqbarno\normalvalue} -\barnumbers - -% show barnumbers only at the beginning system - -\def\raisebarno{\f@ur\internote} -\let\shiftbarno\z@ - -\def\writebarno{\boxit{\eightbf\the\barno\barnoadd}} -\def\systemnumbers{\nobarnumbers\let\lin@bar\@ne} - -% add 'a' behind the systembarnumber, if the previous line ended without -% a bar rule - -\let\z@sw\empty -\def\writezbarno{a} -\def\barnoadd{\ifx\z@sw\@ne \writezbarno \fi} - -% suppress the beginning vertical rule for single-staff scores - -\def\startrule{\let\b@rule\empty} -\def\nostartrule{\let\b@rule\z@} -\startrule - -%%% distance between instruments (added to \interportee) - -% [version 1.15] moved out to the above of the new register allocation code -% \newdimen\interinstrument -% [version 1.15] moved out to the new register allocation code -% \let\interinstrumenti\interinstrument - -\def\setinterinstrument#1#2{\n@v#1\relax % select instrument - \expandafter\def\csname interinstrument\romannumeral\n@v\endcsname{#2}}% - -\def\setinterstaff#1#2{\n@v#1\relax % select instrument RDT 1.24 - \expandafter\def\csname interfacteur\romannumeral\n@v\endcsname{#2}}% - -%%% portees - -\newdimen\systemheight -\newdimen\altplancher - -% New version by Werner Icking - -\def\writ@staffs{% - \y@\staffbotmarg \global\altplancher\staffbotmarg - \rlap{\n@loop\w@st\repeat -% beginning vertical rule - \systemheight\y@ - \advance\systemheight-\altplancher - \C@Inter \global\advance\systemheight-\stem@skip - \ifx\empty\b@rule \raise\altplancher\rlap{% - \vrule\@depth\hlthick\@height\systemheight\@width\lthick}\fi -% 'Akkoladenklammer' don't know the english word - \g@loop - \ifnum\uppersonginstrum<\lowersonginstrum - \else - \noinstrum@nt\uppersonginstrum\s@l@ctinstr\C@Inter - \global\advance\g@h-\stem@skip \global\advance\g@h-\g@b - \global\advance\g@h\Interligne \global\advance\g@b-\Internote - \raise\g@b\llap{\uplap{\offinterlineskip - \set@normalnotesize\hbox{\musixfont\fourt@@n}\hbox{\vrule\@height\g@h - \@width\internote}\hbox{\musixfont\fiv@t@@n}}\kern\internote}% - \fi - \repeat -% systembarnumbers - \ifx\lin@bar\@ne \y@\altplancher \advance\y@\systemheight - \advance\y@\raisebarno \raise\y@\rlap{\kern\shiftbarno\writebarno}\fi -% strut - \advance\stafftopmarg\staffbotmarg - \raise\stafftopmarg\hbox{\vrule\@height\systemheight\@width\z@}}} - -\def\uplap#1{\vbox\@to\z@{\vss#1}} - -% new version of \w@st by Werner Icking - -\newskip\instrum@in@group -\def\w@st{% - \global\noport@@\z@ \global\altitude\y@ - \global\instrum@in@group=\z@ - {\g@loop - \ifnum\noinstrum@nt=\lowersonginstrum - \global\g@b\altitude - \fi - \ifnum\uppersonginstrum>\lowersonginstrum\relax - \ifnum\noinstrum@nt<\lowersonginstrum\relax - \else - \ifnum\noinstrum@nt>\uppersonginstrum\relax - \else -% \message{\the\noinstrum@nt\space in-group!}% - \global\instrum@in@group=2\internote - \fi - \fi - \fi - \repeat}% -% nullportee - \ifnum\st@ffs=\z@ - \advance\y@\f@ur\Interligne - \else -% multportee - \ifnum\st@ffs>\@ne \Comp@High\n@v\y@v \sp@pt\tw@ - \advance\n@v\@cxxviii \divide\y@v\tw@ -%==== the parenthesis should be shifted to the left if within -%==== songbottom -- songtop - \advance\y@v\y@ - \raise\y@v\hbox{\kern -\instrum@in@group\mxsps\char\n@v\kern\instrum@in@group}% - \fi -% normal staff - {\loop \staff@lines\ifnum\noport@@<\st@ffs \repeat}% - \fi % fin du \else pour 0 portees=chant - {\g@loop - \ifnum\noinstrum@nt=\uppersonginstrum \global\g@h\y@ \fi - \repeat}% - \ifnum\noinstrum@nt<\nbinstruments - \advance\y@\csname interinstrument\romannumeral\noinstrum@nt\endcsname \fi} - -\def\staff@lines{\raise\y@\rlap{\uplap{% - \ifcase\nblines - \or \Lin@\zLin@\zLin@ - \or \Lin@\zLin@\Lin@\zLin@ - \or \Lin@\zLin@\Lin@\zLin@\Lin@ - \or \Lin@\Lin@\Lin@\Lin@ - \or \Lin@\Lin@\Lin@\Lin@\Lin@ - \or \Lin@\Lin@\Lin@\Lin@\Lin@\Lin@ - \or \Lin@\Lin@\Lin@\Lin@\Lin@\Lin@\Lin@ - \or \Lin@\Lin@\Lin@\Lin@\Lin@\Lin@\Lin@\Lin@ - \or \Lin@\Lin@\Lin@\Lin@\Lin@\Lin@\Lin@\Lin@\Lin@ - \fi\kernm\hlthick}}% - \global\advance\y@\interportee \count@portee} - -\def\zLin@{\kern\tw@\internote} -\def\Lin@{\zLin@\kernm\lthick\hrule\@width\line@width} - -\newskip\boxitsep \boxitsep\thr@@\p@\relax - -\def\boxit#1{\vbox{\hrule\hbox{\vrule\kern\boxitsep\vbox{% - \kern\boxitsep\hbox{#1}\kern\boxitsep}\kern\boxitsep\vrule}\hrule}} -\def\circleit#1{\setbox\ch@box\hbox{#1}\y@v\ht\ch@box - \y@v1.41\ht\ch@box % => sqrt(2) - \n@v\y@v \sp@pt\tw@ \advance\n@v69\rlap{#1}% - \raise\h@lf\ht\ch@box\rlap{\kern\h@lf\wd\ch@box\mxsps\char\n@v}} - -\def\thinrul@{\writ@rule\lthick} -\def\thickrul@{\writ@rule\big@spc} - -%%% start normal score - -%% -% Define a counter to keep track of total number of bars in piece -% which are terminated by a barline. This is not necessarily -% the same as \barno, in view of (eg) a bar containing -% multiple bars rest. -%% -% !!! \barsinpi@c@ now used for \zbar and \xbar too, if you use them -% the value of \barsinpi@c@ says nothing !!! -% - -\newcount\barsinpi@c@ -\newcount\barno -\newcount\startbarno \startbarno\@ne -\newdimen\sign@skip -\newdimen\maxsign@skip - - -\def\piece@begina{\catcodesmusic \barno\startbarno \@l@mskip\elemskip - \barsinlin@\z@ \let\z@sw\empty \frenchspacing -% \let\barrul@\thinrul@ \comp@internote} %-simick - \b@rrul@\comp@internote} %+simick - -\def\comp@internote{\comput@specifics - \n@loop - \internote\csname staffspacing\romannumeral\noinstrum@nt\endcsname\Internote - \repeat - \line@width\hsize} - -\def\piece@beginb{\advance\line@width-\parindent \s@indent\parindent - \writ@staffs \writ@names \advance\line@width\parindent} - -\def\piece@beginc{% -% write clefs - \n@loop{\writ@clefi}\repeat \kern\clef@skip -% everystaff stuff - \everyst@ff -% write signatures - \sign@skip\z@ \n@loop{\s@l@ctsigns \let\@Ti\writ@sign \C@wsi}\repeat - \kern\sign@skip \m@loop \s@l@ctsigns \o@s\a@s \s@l@ctclefs \o@c\a@c \repeat - \let\Writ@newsigns\empty \hskip\z@ plus\p@ minus\p@ \lastbarpos\z@} - -\let\fil@begin\empty -\let\Writ@meters\empty - -\def\startpiece{\ifstartmuflex@done\relax - \else\startmuflex - \immediate\write16{\noexpand\startmuflex launched by - \noexpand\startpiece }% - \fi - \barsinpi@c@\z@ \piece@begina \leavevmode \piece@beginb - \piece@beginc \fil@begin \Writ@meters\lastbarpos\lin@pos %%% 1.21: added \lastbarpos setting - \let\volta@set\empty % tells the kind of volta setting at next bar - \let\volta@cut\empty % flag to tell that a volta has been cut at line end - \let\volta@type\empty % the current volta setting (same defs as \volta@set) - \let\endvolta@set\empty % tells the kind of volta closing at next bar - \let\pdl@cut\empty % flag to signal a pedal rule has been cut at the end of a line % 1.21 RDT -} - -\let\everystaff\empty -\def\everyst@ff{\everystaff}% --> MuFlex Pass II - -%%% continue score - -\let\atnextline\empty - -\def\piece@conta{\catcodesmusic \atnextline \let\atnextline\empty - \comp@internote \leavevmode \barsinlin@\z@ } - -\def\contpiece{\noindent \piece@conta \writ@staffs \piece@beginc - \Writ@meters\wbarno@x\lastbarpos\lin@pos\addspace\afterruleskip %%% 1.21: added \lastbarpos setting -} - -% like contpiece but with indentation (parindent) and instrument names -% it's for changing the number of instrument in one piece - -\let\fil@indent\empty -\def\Contpiece{\piece@conta \piece@beginb \fil@indent \piece@beginc - \Writ@meters\lastbarpos\lin@pos} %%% 1.21: added \lastbarpos setting - - -%%% end score - -\let\ragg@d\empty -\let\z@suspend@autoflag\empty % used in musixcpt only - -\def\z@suspend{% - \z@suspend@autoflag % used in musixcpt only -% cut pedal rule 1.21 RDT - \ifdim\pdl@pos=\z@\else% - \noport@@\z@ - \znotes\selectinstrument{\pdl@instr}\selectstaff{\pdl@staff}\pdlc@\en% - \global\def\pdl@cut{\@one}% - \fi -% cutvolta - \write@volta@hrule - \ifx\volta@type\tw@\let\volta@set\tw@ \let\volta@type\empty - \let\volta@cut\tw@\fi % restart volta at next line if continuous - \ifx\volta@type\thr@@\let\volta@set\thr@@ \let\volta@type\empty - \let\volta@cut\thr@@ \fi % restart volta at next line if continuous -% cutoctline - \o@loop - \ifdim\o@x<\maxdimen \let\T@ii\n@ii \C@TO \o@x\z@ \fi - \repeat -% cut trill - \tr@loop - \ifdim\tr@x<\maxdimen \let\T@ii\n@ii \C@TR \tr@x\z@ \fi - \repeat -% cutslur - \ifnum\N@s>\z@% % any pending slurs ? - \n@viii\maxslurs % test all possible slur numbers [version 1.15] (Hiroaki) - \advance\n@viii\m@ne - \loop\ifnum\n@viii>\m@ne - \s@l@ctslur\n@viii\relax - \edef\@sense{\the\s@s}% - \if x\@sense% % sense flag - \else% % found slur - \edef\@dotted{\the\s@d}% +ickd - \y@v\lin@pos % get current position - \advance\y@v-\s@x % slurlength = currentpos - startpos - \let\@Ti\@ne % set flag for \writ@slur (\staffbotmarg) - \ifnum\s@z=\maxdimen \s@z\s@y \fi % flag (\breakslur not used -> tie) - \writ@slur\s@y\s@z\y@v\p@% avoid touching the bar rule - \s@x\z@% reset startpos for next line - \s@z\maxdimen% reset breakslur - \fi - \advance\n@viii\m@ne \repeat - \fi\s@indent\z@ -% - \ragg@d\par\lin@pos\z@ \endcatcodesmusic} - -\def\stoppiec@{\check@nopen\n@wbar\z@suspend} -%\def\stoppiece{\stoppiec@\@nds@ction} %-simick -\def\stoppiece{\T@bil\fi\stoppiec@\@nds@ction} %+simick -\let\endpiece\stoppiece - -\def\zstoppiec@{\check@nopen\zn@wbar\z@suspend} -%\def\zstoppiece{\zstoppiec@\@nds@ction} %-simick -\def\zstoppiece{\T@bil\fi\zstoppiec@\@nds@ction}%+simick -% if you need a line which appears ragged -\def\raggedstoppiece{\ifx\ragg@d\empty \fil@{r}\fi % version 1.18 RDT (from musixext) - \check@nopen\n@wbar\hfill\z@suspend\@nds@ction} -\def\zendpiece{\setemptybar\raggedstoppiece} % RDT version 1.31 - -\def\Stoppiece{\setdoubleBAR\stoppiece} -\let\Endpiece\Stoppiece - -%%% short excerpts - -\def\startextract{\lastbarno\z@ \barno\startbarno - \piece@begina\setbox\w@rkbox\hbox{\writ@staffs}% to compute heights - \setbox\w@rkbox\hbox\bgroup% !! all changes are local !! - \line@width\maxdimen - \maxbarsinlin@\maxdimen %+simick - \let\T@bil\iftrue \let\everyst@ff\everystaff \let\fil@spc\empty - \let\fil@termskip\empty \let\fil@signs\empty \let\fil@barno\empty - \let\leftrepeat\leftrepeat@II \let\leftrightrepeat\leftrightrepeat@II -% \let\doublebar\doublebar@II % commented out by RDT version 1.32 - \piece@beginc\Writ@meters\lastbarpos\lin@pos\let\pdl@cut\empty\addspace\afterruleskip} - %%% 1.21: added \lastbarpos and \pdl@cut settings - -% enable left and right extracts (e.g. for footnotes) - -\let\extractline\centerline - -\def\endextract{\let\z@suspend\write@volta@hrule - \stoppiec@\egroup\line@width\wd\w@rkbox - \extractline{\writ@names\writ@staffs\unhbox\w@rkbox}% - \endcatcodesmusic} -\def\zendextract{\let\stoppiec@\zstoppiec@ \endextract} - -%% -% Redefine \t@rmskip to include a macro for writing a record to a file, -% and define the macro -%% - -\newdimen\x@skip -\newdimen\n@skip - -\let\fil@termskip\empty -\def\t@rmskip{\kern\n@skip\advance\x@skip\n@skip - \advance\lin@pos\x@skip - % case of \hardnotes - \ifnum\V@sw>0\relax - \y@v\n@skip \fil@spc - \fi - % end case \hardnotes - \fil@termskip\global\n@skip\z@ \global\x@skip\z@ \let\V@sw\z@} - -%% -% Define the amount of space before each barline, -%% - -%\newdimen\beforeruleskip -\newskip\beforeruleskip - -%% -% We must distinguish between scalable ('soft'=1) material in the bar -% (eg noteboxes) and absolute ('hard'=0) widths such as those from -% barlines and clef symbols -% Hence introduce a switch defining this attribute -%% - -\newcount\widthtyp@ \widthtyp@\@ne - -%%% bar numbers - -\newcount\lastbarno - -\def\writethebarno{\fontbarno\the\barno\kernm\qn@width} -\def\fontbarno{\it} - -\def\wbarno@x{%%%% version 1.21: RDT moved \lastbarpos\lin@pos after calls to \Writ@meters - \ifx\volta@set\empty - \n@iii\barno \divide\n@iii\freqbarno\relax - \ifnum\n@iii=\lastbarno - \else \y@\altplancher \advance\y@\systemheight \advance\y@\tw@\internote - \raise\y@\llap{\writethebarno}\fi - \else - \ifx\volta@cut\empty - \else % volta was cut, there is nothing colliding with bar number. - \n@iii\barno \divide\n@iii\freqbarno\relax - \ifnum\n@iii=\lastbarno - \else \y@\altplancher \advance\y@\systemheight \advance\y@\tw@\internote - \raise\y@\llap{\writethebarno}\fi - \fi - \write@volta - \fi - \ifx\pdl@cut\empty % 1.21 RDT - \else% pedal rule was cut at the end of the previous line - \global\pdl@pos\lin@pos\let\pdl@cut\empty % reset \ped@pos - \fi - \b@rrul@ %+simick - \n@iii\barno \divide\n@iii\freqbarno\relax \lastbarno\n@iii } - -%%% pass selective scoring - -\newskip\cut@v % contains width of bar rule -\newskip\init@volta@pos % start position of volta -\newskip\volta@startcor %+simick volta start correction in case of leftrepeats -\newskip\volta@endcor %+simick volta end correction in case of rightrepeats - -\def\raisevolta{\f@ur\internote} - -\newbox\writ@volta@box - -\def\voltadot{.}% -\def\write@volta{% writes the requested |n. and moves the things for further use - \ifx\volta@type\empty\else\errmessage{/setvolta collision!}\fi - \y@\altplancher \advance\y@\systemheight - \advance\y@\raisevolta -% \setbox\writ@volta@box\rlap{\vrule % \musixfont\sixt@@n %-simick -% \rm\ \vphantom{\^{\volta@text}\strut gq}\volta@text\voltadot}% %-simick - \setbox\writ@volta@box\rlap{\vrule\rm\strut\ \volta@text\voltadot}% %+simick - \xdef\thevolta@boxheight{\the\ht\writ@volta@box}% - \xdef\thevolta@boxdepth{\the\dp\writ@volta@box}% - \ifx\volta@cut\empty \else\setbox\writ@volta@box\null - \fi % if continuation, make writ@volta@box null -% \raise\y@\llap{\box\writ@volta@box}% %-simick - \kernm\volta@startcor\raise\y@\llap{\box\writ@volta@box}\kern\volta@startcor %+simick - \let\volta@type\volta@set - \let\volta@set\empty - \let\volta@cut\empty -% \init@volta@pos\lin@pos\relax %-simick - \init@volta@pos\lin@pos \advance\init@volta@pos-\volta@startcor %+simick -}% - -\def\write@volta@hrule{% write the hrule of volta bar at its end - \ifx\volta@type\empty - \else - \y@v\lin@pos \advance\y@v-\init@volta@pos -% \global\advance\cut@v\lthick \advance\y@v-\cut@v %-simick -% \global\advance\cut@v\lthick %-simick - \ifnum\barsinlin@=\maxbarsinlin@ %+simick - \y@i\z@ %+simick - \else %+simick - \y@i\cut@v \advance\y@i-\volta@endcor %+simick - \fi %+simick - \advance\y@v-\y@i %+simick - \y@\altplancher \advance\y@\systemheight - \advance\y@\raisevolta - \raise\y@\llap{% - \raise\thevolta@boxheight -% \hbox{\vrule\@height\z@\@depth\lthick\@width\y@v}}% %-simick - \hbox{\vrule\@height\z@\@depth\lthick\@width\y@v}\kern\y@i}% %+simick -% check whether termination has been required - \ifx\endvolta@set\thr@@ \let\volta@type\thr@@\fi % \endvoltabox forces type \thr@@ - \ifx\endvolta@set\empty \else \write@volta@endbox\fi - % now set volta@type \@ne to \empty - \ifx\volta@type\@ne \let\volta@type\empty\fi - \fi -}% - -\def\write@volta@endbox{% write the hrule of volta bar at its end - \ifx\volta@type\empty - \else -% \y@v\lin@pos \advance\y@v-\init@volta@pos %-simick -% \global\advance\cut@v\lthick \advance\y@v-\cut@v %-simick -% \global\advance\cut@v\lthick %-simick - \y@\altplancher \advance\y@\systemheight - \advance\y@\raisevolta - \ifx\volta@type\thr@@ -% \raise\y@\llap{\raise\thevolta@boxheight\hbox{\true@endvoltabox}}% %-simick - \raise\y@\llap{\raise\thevolta@boxheight\hbox{\true@endvoltabox}\kern\y@i}%+simick - \fi -% now force volta@type to \empty - \let\volta@type\empty - \let\endvolta@set\empty - \let\volta@cut\empty - \fi -}% - -%\check - -\let\writ@volta\empty % provisional for testing % - -\let\volta@set\empty % tells the kind of volta setting at next bar - % \@ne = single \setvolta, \tw@ = \Setvolta - % \thr@@ = setvoltabox - -\let\volta@type\empty % the current volta setting (same defs as \volta@set) -\let\volta@cut\empty - -\let\endvolta@set\empty % tells the kind of volta closingg at next bar - % \@ne = not used, \tw@ = terminate \Setvolta[box] - % \thr@@ = terminate \Setvolta[box] with an ending hook - -\def\setvolta{\let\volta@set\@ne \gen@setvolta} -\def\Setvolta{\let\volta@set\tw@ \gen@setvolta} -\def\setvoltabox{\let\volta@set\thr@@ \gen@setvolta} - -\def\gen@setvolta#1{\def\volta@text{#1}} - -\def\setendvolta{% - \ifx\volta@type\empty\volta@err - \else\let\endvolta@set\tw@ - \fi} - -\def\setendvoltabox{% - \ifx\volta@type\empty\volta@err - \else\let\endvolta@set\thr@@ - \fi} - -\let\endvolta\setendvolta -\let\endvoltabox\setendvoltabox - -\def\true@endvoltabox{\raise-\thevolta@boxheight - \llap{\vrule\@height\thevolta@boxheight \@depth\thevolta@boxdepth}} - -\def\volta@err{\immediate\write16{% - type=\ifx\volta@type\empty 0\else \number\volta@type\fi, - set=\ifx\volta@set\empty 0\else \number\volta@set\fi}% -\errmessage{\noexpand\endvolta, %\noexpand\contvolta, -\noexpand\endvoltabox\space does not match opening \noexpand\S[s]volta...}} - - -%%% line breaking stuff - -\let\@nds@ction\empty - -\newcount\barsinlin@ -\newcount\maxbarsinlin@ - -%\def\@LeftRp{\stoppiec@\contpiece\addspace{\h@lf\afterruleskip}% %-simick -% \kernm\afterruleskip\l@eftrepeat\kern\afterruleskip} %-simick -\def\@LeftRp{\stoppiec@\l@@ftrepeat\advance\volta@startcor-\afterruleskip %+simick - \contpiece\addspace{\h@lf\afterruleskip}% %+simick - \kernm\afterruleskip\l@eftrepeat\kern\afterruleskip %+simick - \advance\lastbarpos\afterruleskip \b@rrul@} %+simick - -\def\@LeftRpCont{\stoppiec@\l@@ftrepeat\advance\volta@startcor-\afterruleskip % RDT 1.28 - \let\z@sw\@ne % turn on continuation bar number - \contpiece\addspace{\h@lf\afterruleskip}% - \kernm\afterruleskip\l@eftrepeat\kern\afterruleskip% - \advance\lastbarpos\afterruleskip \b@rrul@} - -\def\T@bil{\advance\barsinlin@\@ne \ifnum\barsinlin@<\maxbarsinlin@} - -\def\barre{\T@bil \@bar\else\stoppiec@\contpiece \fi} -\def\xbar{\@bar\advance\barsinpi@c@\m@ne} -\def\zbar{\T@bil \zn@wbar\else\zstoppiec@\contpiece \fi} -\def\alaligne{\stoppiece\contpiece} -\def\zalaligne{\zstoppiece\contpiece} - -% ...@II means used in the *second* tex pass - -\def\leftrepeat@II{% -\T@bil - \setleftrepeat\@bar -\else - \@LeftRp % -\fi} - -\def\zleftrepeat@II{% % RDT 1.28 -\advance\barno\m@ne% -\T@bil - \setleftrepeat\@bar% -\else - \@LeftRpCont% % RDT 1.28 -\fi} - - -\let\leftrepeat\leftrepeat@II -\let\zleftrepeat\zleftrepeat@II % RDT 1.28 - -\def\zzleftrepeat{% % RDT 1.28 -\advance\barno\m@ne% -\stoppiece% -\let\z@sw\@ne% -\contpiece% -\advance\barno\m@ne% -\leftrepeat% -} - -\def\leftrightrepeat@II{% -\T@bil - \setleftrightrepeat\@bar -\else - \setrightrepeat\@LeftRp -\fi} - -\def\zzrightrepeat{% % RDT 1.28 - \advance\barno\m@ne% - \setrightrepeat\stoppiece - \let\z@sw\@ne - \contpiece -} - -\def\zrightrepeat{% % RDT 1.28 -\advance\barno\m@ne -\setrightrepeat -\T@bil - \@bar -\else - \stoppiec@ - \let\z@sw\@ne - \contpiece -\fi} - -\def\zzleftrightrepeat{% % RDT 1.28 -\advance\barno\m@ne% -\setrightrepeat% -\stoppiece% -\let\z@sw\@ne% -\contpiece% -\advance\barno\m@ne% -\leftrepeat% % RDT revised 1.30 -} - -\def\zleftrightrepeat@II{% % RDT 1.28 -\advance\barno\m@ne -\T@bil - \setleftrightrepeat\@bar -\else - \stoppiec@ - \let\z@sw\@ne - \contpiece -\fi} - -\let\leftrightrepeat\leftrightrepeat@II -\let\zleftrightrepeat\zleftrightrepeat@II % RDT 1.28 - - -\def\zdoublebar{\advance\barno\m@ne\setdoublebar\xbar} % RDT revised 1.32 - -\def\zzdoublebar{% % RDT 1.31 -\advance\barno\m@ne% -\setdoublebar% -\stoppiece% -\let\z@sw\@ne% -\contpiece% -} - -\def\zzbar{% % RDT 1.31 -\advance\barno\m@ne% -\stoppiece% -\let\z@sw\@ne% -\contpiece% -} - -\def\alapage{\stoppiece\eject\contpiece} -\def\zalapage{\zstoppiece\eject\contpiece} - -% minuscule: une seule barre -% majuscule: double barre - -\let\Writ@newsigns\empty - -\def\updat@context{\writ@newclefs - \T@bil \wbarno@x\Writ@newsigns\Writ@meters\lastbarpos\lin@pos\addspace\afterruleskip -%%% 1.21: added \lastbarno setting - \else\Writ@newsigns\z@suspend\contpiece \fi} - -\def\changecontext{\showallbarrules\n@wbar\updat@context} -\def\Changecontext{\showallbarrules\setdoublebar\changecontext} -\def\zchangecontext{\advance\n@skip\beforeruleskip \widthtyp@\@ne \t@rmskip - \zn@wbar\updat@context} - -\def\pchangecontext{\showallbarrules\n@wbar - \writ@newclefs\Writ@newsigns\z@suspend\eject\contpiece} -\def\pChangecontext{\setdoublebar\pchangecontext} - -%%% bars, repeatbars, ... - -%% -% Change ... to add skip \beforeruleskip to the preceeding notebox, -% and to set the 'soft' switch for the output record -%% -%% -% Redefine \n@wbar to write the bar line thickness to file, -% then reset \n@skip and \x@skip -%% - -\newskip\lastbarpos -\let\fil@barno\empty -\let\atnextbar\empty - -\def\n@wbar{% - \t@rmskip % essai DT - \advance\n@skip\beforeruleskip \widthtyp@\@ne \t@rmskip -% \ifdim\cut@v>\z@ \else\ifx\barrul@\thinrul@ \else\global\cut@v.9\Interligne \fi\fi %-simick -% \barrul@\widthtyp@\z@ \fil@termskip\let\barrul@\thinrul@ %-simick - \barrul@\widthtyp@\z@ \fil@termskip %+simick - \advance\barsinpi@c@\@ne \fil@barno - \ifx\no@b\empty \message{bar \the\barno}\fi - \advance\barno\@ne \advance\lin@pos\x@skip \atnextbar \let\atnextbar\empty - \write@volta@hrule %+simick -% \global\cut@v\z@ % <===================================== inserted %-simick - \global\n@skip\z@ \global\x@skip\z@ \let\z@sw\empty -% \write@volta@hrule %-simick -}% - -\def\@bar{\n@wbar\wbarno@x\lastbarpos\lin@pos\addspace\afterruleskip} - -\def\zn@wbar{\t@rmskip\advance\barsinpi@c@\@ne \let\z@sw\@ne} - -\def\small@spc{\addspace{\h@lf\big@spc}} - -\def\b@rrul@{\let\barrul@\thinrul@ %+simick - \global\cut@v\lthick \global\volta@endcor-\thr@@\lthick \global\volta@startcor\z@} %+simick -\def\r@ightrepeat{% - \hbox{\writ@colons\addspace\big@spc\thinrul@\small@spc\thickrul@}} -\def\r@@ghtrepeat{% %+simick - \global\cut@v\big@spc \global\advance\cut@v\lthick \global\advance\cut@v\h@lf\big@spc %+simick - \global\volta@endcor\cut@v \global\advance\cut@v\big@spc \global\volta@startcor\z@} %+simick -\def\l@eftrepeat{% - \hbox{\thickrul@\small@spc\thinrul@\addspace\big@spc\writ@colons}} -\def\l@@ftrepeat{% %+simick - \global\cut@v\big@spc \global\advance\cut@v\h@lf\big@spc \global\advance\cut@v\lthick %+simick - \global\advance\cut@v\big@spc \global\volta@endcor\z@ \global\volta@startcor\big@spc %+simick - \global\advance\volta@startcor\lthick \global\advance\volta@startcor\h@lf\big@spc} %+simick -\def\l@eftrightrepeat{\hbox{\writ@colons\addspace\big@spc\thickrul@ - \small@spc\thickrul@\addspace\big@spc\writ@colons}} -\def\l@@ftrightrepeat{% %+simick - \global\cut@v\big@spc \global\advance\cut@v\big@spc \global\volta@endcor\cut@v %+simick - \global\advance\cut@v\h@lf\big@spc %+simick - \global\volta@startcor\big@spc \global\advance\volta@startcor\big@spc %+simick - \global\advance\cut@v\volta@endcor \global\advance\volta@startcor-\lthick} %+simick - -\def\doublebar{\showallbarrules\setdoublebar\barre}% double barre de mesure -%\def\setdoubleBAR{\showallbarrules\def\barrul@{\thinrul@\small@spc\thickrul@}} %-simick -\def\setdoubleBAR{\showallbarrules\def\barrul@{\thinrul@\small@spc\thickrul@}% %+simick - \global\cut@v\lthick \global\advance\cut@v\h@lf\big@spc \global\volta@endcor\cut@v %+simick - \global\advance\cut@v\big@spc \global\volta@startcor\z@} %+simick -%\def\setemptybar{\def\barrul@{\relax}} %-simick -\def\setemptybar{\def\barrul@{\relax}% %+simick - \global\cut@v\z@ \global\volta@endcor-\f@ur\lthick \global\volta@startcor\z@} %+simick -\def\setdoublebar{\showallbarrules\global\cut@v.4\Interligne - \global\advance\cut@v\tw@\lthick \global\volta@endcor\z@ \global\volta@startcor\z@ %+simick - \def\barrul@{\thinrul@\addspace{.4\Interligne}\thinrul@}} - -\def\rightrepeat{\setrightrepeat\barre} - -%\def\setrightrepeat{\showallbarrules\let\barrul@\r@ightrepeat} %-simick -\def\setrightrepeat{\showallbarrules\let\barrul@\r@ightrepeat \r@@ghtrepeat} %+simick -%\def\setleftrepeat{\showallbarrules\let\barrul@\l@eftrepeat} %-simick -\def\setleftrepeat{\showallbarrules\let\barrul@\l@eftrepeat \l@@ftrepeat} %+simick -%\def\setleftrightrepeat{\showallbarrules\let\barrul@\l@eftrightrepeat} %-simick -\def\setleftrightrepeat{\showallbarrules\let\barrul@\l@eftrightrepeat \l@@ftrightrepeat}%+simick - -% write colons on all staffs (a part of [left][right]repeat symbols - -%\def\writ@colons{\n@loop{\w@coli}\repeat} - - - -\def\writ@colons{\n@loop{\w@coli}\repeat} -\def\w@coli{\p@loop - {\ifnum\nblines=6\tabc@lsix% - \else\ifnum\nblines=4\tabc@lfour% - \else\raise\altportee\hbox{\raise4\internote\hbox{\keychar55}}\fi\fi}\count@portee\repeat} - -%%%% 1.29 RDT -\def\tabc@lsix{\raise\altportee\hbox{% - %\raise7\internote\rlap{\kernm1.2\internote\hbox{\keychar24}}% uncomment if wanted - \raise5\internote\rlap{\kernm1.2\internote\hbox{\keychar24}}% - \raise3\internote\rlap{\kernm1.2\internote\hbox{\keychar24}}% comment out if unwanted - \raise1\internote\rlap{\kernm1.2\internote\hbox{\keychar24}}% - %\raise-1\internote\rlap{\kernm1.2\internote\hbox{\keychar24}}% uncomment if wanted -}} - -%%%% 1.29 RDT -\def\tabc@lfour{\raise\altportee\hbox{% - \raise3\internote\rlap{\kernm1.2\internote\hbox{\keychar24}}% - \raise1\internote\rlap{\kernm1.2\internote\hbox{\keychar24}}% comment out if unwanted - \raise-1\internote\rlap{\kernm1.2\internote\hbox{\keychar24}}% -}} -%%% seperated and full barlines - -%\def\rul@full#1{\raise\altplancher\rlap{\vrule\@depth\hlthick -% \@height\systemheight\@width#1}\addspace#1} - -\def\rul@full#1{\hbox{\raise\altplancher\rlap{\vrule\@depth\hlthick - \@height\systemheight\@width#1}}\addspace#1} - -\def\rul@sep#1{\noport@@\z@\n@loop - \edef\rul@hidden{\csname h@bl\romannumeral\noinstrum@nt\endcsname}% - \Comp@High\hbox{\raise\altitude\rlap{% -% \message{(tw@=\meaning\tw@\space thr@@=\meaning\thr@@\space \number\noinstrum@nt->}\expandafter\show\rul@hidden - \expandafter - \ifx\rul@hidden\relax % if \relax = never hidden - \vrule\@depth\hlthick\@width#1\@height\y@v - \else - \expandafter - \ifx\rul@hidden\thr@@ % if \thr@@ = not hidden one time, - \vrule\@depth\hlthick\@width#1\@height\y@v - \global\expandafter\let\rul@hidden\tw@ % reset to perm. hidden - \else - \expandafter - \ifx\rul@hidden\tw@ % if \tw@ = always hidden - \relax - \else - \expandafter - \ifx\rul@hidden\@ne % if \@ne = hidden only one time - \global\expandafter\let\rul@hidden\relax - \fi - \fi - \fi - \fi}}\repeat\addspace#1} - -%== hides (only) next bar line for specified instrument -\def\Hidebarrule#1{\global\expandafter\let\csname h@bl\romannumeral#1\endcsname\@ne} - -%== hides all next bar lines for specified instrument -\def\hidebarrule#1{\global\expandafter\let\csname h@bl\romannumeral#1\endcsname\tw@} - -%== force showing all bar lines for specified instrument -\def\showbarrule#1{\global\expandafter\let\csname h@bl\romannumeral#1\endcsname\relax} - -%== force showing all bar lines for all instruments -\def\showallbarrules{% - %\ifx\writ@rule\rul@sep\relax - \n@loop - \global\expandafter\let\csname h@bl\romannumeral\noinstrum@nt\endcsname\relax - \repeat - %\fi -} - -%== force showing (only) next bar line for specified instrument -\def\Showbarrule#1{\global\expandafter\let\csname h@bl\romannumeral#1\endcsname\thr@@} - -% standard vrules over all instruments -\def\stdbarrules{\let\writ@rule\rul@full } - -% separated vrules par instrum -\def\sepbarrules{\let\writ@rule\rul@sep } -\stdbarrules - -%%% signs - -\def\s@l@ctsigns{\edef\a@s{\csname a@s\romannumeral\noinstrum@nt\endcsname}% - \edef\o@s{\csname o@s\romannumeral\noinstrum@nt\endcsname}}% - -\def\setsign#1#2{\noinstrum@nt#1\relax - \let\Writ@newsigns\writ@newsigns % only write them, when they are touched - \s@l@ctsigns % select instrument - \a@s#2\relax % -} - -\def\generalsignature#1{\let\Writ@newsigns\writ@newsigns - \m@loop \s@l@ctsigns \a@s#1\repeat} - -% Inhibits writing erasing naturals at next change of context -\def\ignorenats{\m@loop \s@l@ctsigns \o@s\z@ \repeat} - -\def\changesignature{\t@rmskip\Writ@newsigns} - -\def\writ@sign{\ifnum\a@s=\z@ \else - \n@v\@lii - \ifnum\a@s>\z@ \C@sig\t@n - \C@sh\@ne\s@v@n - \C@sh\tw@\@l@v@n - \C@sh\thr@@\@ight - \C@sh\f@ur\fiv@ - \C@sh\fiv@\nin@ - \C@sh\si@\si@\fi - \n@v\@l - \ifnum\a@s<\z@ \C@sig\si@ - \C@fl\@ne\nin@ - \C@fl\tw@\fiv@ - \C@fl\thr@@\@ight - \C@fl\f@ur\f@ur - \C@fl\fiv@\s@v@n - \C@fl\si@\thr@@\fi - \fi} - -\def\C@sh#1#2{\ifnum\a@s>#1\C@sig#2\fi} -\def\C@fl#1#2{\ifnum\a@s<-#1\C@sig#2\fi} - -%% -% Augment \writ@newsigns so that -% (1) the space taken by the mid-line sign change is written to the file; -% (2) the new value of \sign@skip is written to the file -% Note that this is not necessarily the same value -% as the mid-line value, which includes cancellation naturals when -% the key signature changes from N flats to M sharps (or vice-versa) -%% - -\let\fil@signs\empty - -\def\writ@newsigns{\sign@skip\z@ - \n@loop{\s@l@ctsigns \let\@Ti\writ@newsign \C@wsi}\repeat - \n@skip\sign@skip \widthtyp@\z@ \t@rmskip - \m@loop \s@l@ctsigns \o@s\a@s \repeat - \let\Writ@newsigns\empty \fil@signs } - -\def\upd@width#1{\ifdim#1<\wd\toks@box \global#1\wd\toks@box \fi} -\def\writ@box{\leavevmode\raise\altportee\rlap{\box\toks@box}} - -\newcount\ut@ref - -\def\get@refs#1#2#3#4{% #1-#4: cle correspondante 0=sol, 5-6=fa, 1-4=ut - \ifcase\noport@@ \ut@ref\z@ \or \ut@ref#1\or \ut@ref#2\or - \ut@ref#3\or \ut@ref#4\fi - \relax \ifnum \ut@ref=9\relax \ut@ref-1\relax\fi - \global\ut@ref\ut@ref } - - %\def\writ@newsign{\ifnum\a@s=\z@ \else\kern.4\Internote \fi - % \ifnum\o@s<\z@ \w@flats\w@sharps\else\w@sharps\w@flats \fi} - -\def\writ@newsign{\ifnum\a@s=\z@ \else\kern.4\Internote \fi - \ifnum\o@s<\z@ \w@cancelflats\w@flats\w@sharps - \else\w@cancelsharps\w@sharps\w@flats \fi} - -\def\w@flats{\W@Fl\z@\si@ \W@Fl\@ne\nin@ \W@Fl\tw@\fiv@ \W@Fl\thr@@\@ight - \W@Fl\f@ur\f@ur \W@Fl\fiv@\s@v@n \W@Fl\si@\thr@@} - -\def\w@cancelflats{\W@canFl\z@\si@ \W@canFl\@ne\nin@ \W@canFl\tw@\fiv@ - \W@canFl\thr@@\@ight \W@canFl\f@ur\f@ur \W@canFl\fiv@\s@v@n \W@canFl\si@\thr@@} - - %\def\W@Fl#1#2{% - % \ifnum\a@s<-#1\n@v\@l \C@sig#2\else \ifnum\o@s<-#1\n@v\@liv \C@sig#2\fi \fi} - -\def\W@Fl#1#2{% - \ifnum\a@s<-#1\n@v\@l \C@sig#2\else \ifnum\o@s<-#1\relax\fi \fi} - -\def\W@canFl#1#2{% - \ifnum\a@s<-#1\relax\else \ifnum\o@s<-#1\n@v\@liv \C@sig#2\fi \fi} - -\def\w@sharps{\W@Sh\z@\t@n \W@Sh\@ne\s@v@n \W@Sh\tw@\@l@v@n - \W@Sh\thr@@\@ight \W@Sh\f@ur\fiv@ \W@Sh\fiv@\nin@ \W@Sh\si@\si@} - -\def\w@cancelsharps{\W@canSh\z@\t@n \W@canSh\@ne\s@v@n \W@canSh\tw@\@l@v@n - \W@canSh\thr@@\@ight \W@canSh\f@ur\fiv@ \W@canSh\fiv@\nin@ \W@canSh\si@\si@} - - %\def\W@Sh#1#2{% - % \ifnum\a@s>#1\n@v\@lii \C@sig#2\else\ifnum\o@s>#1\n@v\@liv \C@sig#2\fi \fi} - -\def\W@Sh#1#2{% - \ifnum\a@s>#1\n@v\@lii \C@sig#2\else\ifnum\o@s>#1\relax\fi \fi} - -\def\W@canSh#1#2{% - \ifnum\a@s>#1\relax\else\ifnum\o@s>#1\n@v\@liv \C@sig#2\fi \fi} - -\def\C@wsi{\s@l@ctclefs \p@loop \count@portee \expandafter\get@refs\the\a@c - \setbox\toks@box\hbox{\kern.4\Internote \@Ti \kern.4\Internote}% - \upd@width\sign@skip \writ@box \repeat} - - %\def\C@sig#1{\n@iii#1% - % \ifnum\ut@ref>\z@ - % \advance\n@iii\ut@ref \advance\n@iii\ut@ref - % \ifnum\ut@ref=\si@ \advance\n@iii-\s@v@n \fi - % \ifnum\ut@ref>\thr@@ \advance\n@iii-\s@v@n \fi - % \ifnum\n@iii>\@l@v@n \advance\n@iii-\s@v@n \fi - %\fi - %\advance\n@iii-\tw@ \raise\n@iii\internote - %\hbox\@to\tw@\internote{\hss\keychar\n@v\hss}} - -\def\C@sig#1{\n@iii#1% Correction by W. Icking - \advance\n@iii\ut@ref \advance\n@iii\ut@ref - \ifnum\ut@ref=\si@ \advance\n@iii-\fourt@@n% - \else \ifnum\ut@ref>\z@ \advance\n@iii-\s@v@n \fi\fi - \ifnum\n@iii<\@ne \global\advance\n@iii\s@v@n \fi - \ifnum\n@iii<\@ne \global\advance\n@iii\s@v@n \fi - \ifnum\n@iii>\@l@v@n \advance\n@iii-\s@v@n \fi - \ifnum\n@iii>\@l@v@n \advance\n@iii-\s@v@n \fi - \advance\n@iii-\tw@ \raise\n@iii\internote - \hbox\@to\tw@\internote{\hss\keychar\n@v\hss}} - -%%% meterindicators - -\def\s@l@ctm@t{\edef\m@t{\csname m@t\romannumeral\noinstrum@nt\endcsname}} - -\def\setmeter#1#2{\noinstrum@nt#1\relax % select instrument - \let\Writ@meters\writ@meters % only write them, when they are touched - \s@l@ctm@t \m@t{#2\empty\empty\empty}} - -\def\generalmeter#1{\let\Writ@meters\writ@meters - \m@loop \s@l@ctm@t \m@t{{#1}{#1}{#1}{#1}}\repeat} - -%% -% Redefine \writ@meters to set the 'hard' switch for -% \t@rmskip, indicating that this length is unscaleable -%% - -% \meterskip influence the space before !first! writemeters -\newskip\meterskip - -\def\writ@meters{\addspace\meterskip \meterskip\z@ \global\n@skip\z@ - \n@loop{\writ@meteri}\repeat - \ifdim\n@skip>\z@ \advance\n@skip\big@spc - \widthtyp@\z@ \t@rmskip \fi \let\Writ@meters\empty} - -\def\writ@meteri{\s@l@ctm@t \p@loop \setbox\toks@box - \hbox{\expandafter\writ@meterp\the\m@t{}{}{}{}}\upd@width\n@skip - \writ@box \count@portee\repeat} - -\def\writ@meterp#1#2#3#4{% - \ifcase\noport@@\hbox{#1}\or \hbox{#2}\or \hbox{#3}\or \hbox{#4}\fi} - -\def\meterfrac#1#2{% - \ifnum\nblines=6% - \setbox\toks@box\vbox{\hbox{~\meterfont#1}% - \hbox{~\meterfont #2}}\raise\internote% - \vbox\@to\@ight\internote{\offinterlineskip% - \vss\hbox\@to\wd\toks@box{\hss\meterfont#1\hss}\vskip1.5\internote% - \vss\hbox\@to\wd\toks@box{\hss\meterfont#2\hss}\vss}% - \else\ifnum\nblines=4% - \setbox\toks@box\vbox{\hbox{\ \meterfont#1}% - \hbox{\ \meterfont #2}}\raise-1\internote\vbox\@to\@ight\internote{\offinterlineskip - \vss\hbox\@to\wd\toks@box{\hss\meterfont#1\hss}\vss - \vss\hbox\@to\wd\toks@box{\hss\meterfont#2\hss}\vss} - \else - \setbox\toks@box\vbox{\hbox{\ \meterfont#1}% - \hbox{\ \meterfont #2}}\vbox\@to\@ight\internote{\offinterlineskip - \vss\hbox\@to\wd\toks@box{\hss\meterfont#1\hss}\vss - \vss\hbox\@to\wd\toks@box{\hss\meterfont#2\hss}\vss} - \fi\fi -} -\def\allabreve{% -> 2/2 - \ifnum\nblines=6\raise5\internote\hbox{\keychar82}% - \else\ifnum\nblines=4\raise3\internote\hbox{\keychar82}% - \else\raise4\internote\hbox{\keychar82}\fi\fi} -\def\reverseallabreve{% - \ifnum\nblines=6\raise5\internote\hbox{\keychar123}% - \else\ifnum\nblines=4\raise3\internote\hbox{\keychar123} - \else\raise4\internote\hbox{\keychar123}\fi\fi} -\def\meterC{% -> 4/4 - \ifnum\nblines=6\raise5\internote\hbox{\musickeyfont\@lxxxiii}% - \else\ifnum\nblines=4\raise3\internote\hbox{\musickeyfont\@lxxxiii}% - \else\raise4\internote\hbox{\musickeyfont\@lxxxiii}\fi\fi} -\def\reverseC{% -> 4/2 - \ifnum\nblines=6\raise5\internote\hbox{\keychar84}% - \else\ifnum\nblines=4\raise3\internote\hbox{\keychar84}% - \else\raise4\internote\hbox{\keychar84}\fi\fi} -\def\meterN#1{% - \ifnum\nblines=6\raise3\internote\hbox{\meterfont#1}% - \else\ifnum\nblines=4\raise1\internote\hbox{\meterfont#1}% - \else\raise2\internote\hbox{\meterfont#1}\fi\fi} -\def\meterplus{{\keychar57}} - -%%% clefs - -\def\s@l@ctclefs{\edef\a@c{\csname a@c\romannumeral\noinstrum@nt\endcsname}% - \edef\o@c{\csname o@c\romannumeral\noinstrum@nt\endcsname}} - -% why simple, when it can be done complicated ? - -\newtoks\t@c -\def\@fourtoks#1#2#3#4#5+{#1#2#3#4} - -\def\setclef#1#2{\noinstrum@nt#1\relax - \ifnum#1<1\errmessage{Instrument number not positive}\fi - \s@l@ctclefs \t@c{#2000}% - \a@c\expandafter\expandafter\expandafter{\expandafter\@fourtoks\the\t@c+}} - \let\setclefs\setclef - -\let\bass\si@ -\let\alto\thr@@ -\let\treble\z@ - -\def\setclefsymbol#1#2{\n@v#1\relax % select instrument - \expandafter\def\csname bassc@s\romannumeral\n@v\endcsname{#2}% - \expandafter\def\csname altoc@s\romannumeral\n@v\endcsname{#2}% - \expandafter\def\csname treblec@s\romannumeral\n@v\endcsname{#2}% -}% - -\def\setbassclefsymbol#1#2{\n@v#1\relax % select instrument - \expandafter\def\csname bassc@s\romannumeral\n@v\endcsname{#2}% -}% - -\def\setaltoclefsymbol#1#2{\n@v#1\relax % select instrument - \expandafter\def\csname altoc@s\romannumeral\n@v\endcsname{#2}% -}% - -\def\settrebleclefsymbol#1#2{\n@v#1\relax % select instrument - \expandafter\def\csname treblec@s\romannumeral\n@v\endcsname{#2}% -}% - -\def\trebleclef{\keychar71} -\def\bassclef{\keychar73} -\def\altoclef{\keychar75} - -\def\smalltrebleclef{\keychar72} -\def\smallbassclef{\keychar74} -\def\smallaltoclef{\keychar76} - -%% version 1.21: replaced \smalltype\it by \txtfont (size-dependent) -%% and adjusted the kerns RDT -%% - -\def\trebleoct{\trebleclef\raise 9\internote\hbox\@to\z@{\txtfont{\kern -3.6\internote 8}\hss}} -\def\bassoct{\bassclef\raise 2\internote\hbox\@to\z@{\txtfont{\kern -4.6\internote 8}\hss}} -\def\treblelowoct{\trebleclef\raise -7.5\internote\hbox\@to\z@{\txtfont{\kern -4.6\internote 8}\hss}} -\def\basslowoct{\bassclef\raise -6\internote\hbox\@to\z@{\txtfont{\kern -5.0\internote 8}\hss}} - -% [version 1.15] reqest from Hermann Hinsch -\def\smalltrebleoct{\smalltrebleclef\raise 7.2\internote\hbox\@to\z@{\txtfont{\kern -3.6\internote 8}\hss}} -\def\smalltreblelowoct{\smalltrebleclef\raise-6.8\internote\hbox\@to\z@{\txtfont{\kern -4.2\internote 8}\hss}} -\def\smallbassoct{\smallbassclef\raise 2\internote\hbox\@to\z@{\txtfont{\kern -4.0\internote 8}\hss}} -\def\smallbasslowoct{\smallbassclef\raise-6.5\internote\hbox\@to\z@{\txtfont{\kern -4.4\internote 8}\hss}} -% [version 1.15] reqest from Hermann Hinsch: end - - -\newskip\clef@skip - -\def\changeclefs{\t@rmskip\writ@newclefs} -\def\zchangeclefs{\t@rmskip\zwrit@newclefs} - -%%% version 1.21: new command to call and reset \atnextbar before outputting new clefs RDT -\def\Changeclefs{\t@rmskip\atnextbar\let\atnextbar\empty\writ@newclefs} - -% since the characters are shifted by default(Metafont) they looked -% a little bit strange when you mix several staffstaffsizes (flushleft) -% I've introduced a hack(kern kernm), that they are (nearly) centered -% (aehmm, really not the best way, because now they look strange -% if you use music footnotes) - -\def\writ@clefi{\s@l@ctclefs - \p@loop - \setbox\toks@box\hbox{\expandafter\writ@clefp\the\a@c}% - \upd@width\clef@skip\raise\altportee\rlap{% - \ifdim\internote<\Internote \kern\thr@@\Internote\kernm\thr@@\internote \fi - \box\toks@box}\count@portee\repeat} - -\def\writ@clefp#1#2#3#4{% - \ifcase\noport@@\singl@clef#1% - \or \singl@clef#2\or \singl@clef#3\or \singl@clef#4\fi} - -\def\singl@clef#1{\n@iii#1\relax - \ifcase\n@iii - \C@Clef\@ne\trebleclef@var\or - \C@Clef\z@\altoclef@var\or - \C@Clef\@ne\altoclef@var\or - \C@Clef\tw@\altoclef@var\or - \C@Clef\thr@@\altoclef@var\or - \C@Clef\tw@\bassclef@var\or - \C@Clef\thr@@\bassclef@var\or - \C@Clef\f@ur\bassclef@var\or % 7 = subbass - \or - \C@Clef\z@\trebleclef@var % 9 = french violin-clef - \fi -} - -\def\C@Clef#1#2{\n@iii#1\relax\multiply\n@iii\tw@ - \raise\n@iii\internote\hbox{#2}} - -\def\bassclef@var{\expandafter - \ifx\csname bassc@s\romannumeral\noinstrum@nt\endcsname\z@ - \bassclef\else \csname bassc@s\romannumeral\noinstrum@nt\endcsname \fi} -\def\trebleclef@var{\expandafter - \ifx\csname treblec@s\romannumeral\noinstrum@nt\endcsname\z@ - \trebleclef\else \csname treblec@s\romannumeral\noinstrum@nt\endcsname \fi} -\def\altoclef@var{\expandafter - \ifx\csname altoc@s\romannumeral\noinstrum@nt\endcsname\z@ - \altoclef\else \csname altoc@s\romannumeral\noinstrum@nt\endcsname \fi} - -\def\smallbassclef@var{\expandafter - \ifx\csname bassc@s\romannumeral\noinstrum@nt\endcsname\z@ - \smallbassclef\else \csname bassc@s\romannumeral\noinstrum@nt\endcsname \fi} -\def\smalltrebleclef@var{\expandafter - \ifx\csname treblec@s\romannumeral\noinstrum@nt\endcsname\z@ - \smalltrebleclef\else \csname treblec@s\romannumeral\noinstrum@nt\endcsname \fi} -\def\smallaltoclef@var{\expandafter - \ifx\csname altoc@s\romannumeral\noinstrum@nt\endcsname\z@ - \smallaltoclef\else \csname altoc@s\romannumeral\noinstrum@nt\endcsname \fi} - - -%% -% Redefine \writ@newclefs similarly -% -% Note that \clef@skip does not change for the different clef -% symbols (always 3.2\Interligne for normal sized clefs) -% Hence there is no need to communicate clef changes to the -% formatting program -%% - -\def\writ@newclefs{\clef@skip\z@ \n@loop{\writ@newclefi}\repeat - \n@skip\clef@skip \widthtyp@\z@ \t@rmskip - \m@loop \s@l@ctclefs \o@c\a@c \repeat} - -% the same as \writ@newclefs, but no spacing - -\def\zwrit@newclefs{\clef@skip\z@ - \setbox\writ@volta@box \hbox{\n@loop{\writ@newclefi}\repeat}% - \kern -\clef@skip \box\writ@volta@box - \kern \clef@skip - \clef@skip\z@ % test - \n@skip\clef@skip - \widthtyp@\z@ - \t@rmskip - \m@loop \s@l@ctclefs \o@c\a@c \repeat} - -% Thanks to Helmut Kopka for helping me out -\def\writ@newclefi{\s@l@ctclefs\p@loop - \setbox\toks@box\hbox{\expandafter\expandafter\expandafter\writ@newclefp - \the\expandafter\a@c\the\o@c}% - \upd@width\clef@skip \writ@box \count@portee\repeat} - -\def\writ@newclefp#1#2#3#4#5#6#7#8{% - \ifcase\noport@@\newsingl@clef#1#5\or \newsingl@clef#2#6\or - \newsingl@clef#3#7\or \newsingl@clef#4#8\fi} - -\def\newsingl@clef#1#2{\n@iii#1\relax \n@ii#2\relax - \ifnum\n@ii=\n@iii - \else - \ifcase\n@iii - \C@Clef\@ne\smalltrebleclef@var\or - \C@Clef\z@\smallaltoclef@var\or - \C@Clef\@ne\smallaltoclef@var\or - \C@Clef\tw@\smallaltoclef@var\or - \C@Clef\thr@@\smallaltoclef@var\or - \C@Clef\tw@\smallbassclef@var \or - \C@Clef\thr@@\smallbassclef@var\or - \C@Clef\f@ur\smallbassclef@var\or % 7 = subbass - \or - \C@Clef\z@\smalltrebleclef@var % 9 = french violin-clef - \fi - \fi} - -%%% instrumentnames - -%\let\Writ@names\empty - -\def\setname#1#2{\n@v#1\relax % select instrument -% \let\Writ@names\writ@names - \expandafter\def\csname instrument\romannumeral\n@v\endcsname{#2}}% [version 1.15] changed from \edef to \def (Hiroaki) - -\def\writ@names{\n@loop - \setbox\toks@box\null\relax - \ifnum\st@ffs>0\relax - \setbox\toks@box\llap{\vbox{\hbox\@to\parindent{% - \hss\csname instrument\romannumeral\noinstrum@nt\endcsname\hss}}\ \ }% - \fi - \altportee\altitude \Comp@High \advance\y@v-\ht\toks@box - \advance\altportee\h@lf\y@v - \writ@box - \repeat} - -%%% - -% les notes proprement dites - -\newdimen\noteskip -\newcount\transpose -\newcount\normaltranspose -\newdimen\locx@skip -\newdimen\elemskip -\newdimen\@l@mskip - -\def\check@staff{% - \ifnum\noport@@>\st@ffs\relax - \ifx\Post@Elims\undefined\else - \immediate\write16{check@staff\space inst=\the\noinstrum@nt\space - staff=\the\noport@@\space st@ffs=\the\st@ffs\space Elim.}\relax - \fi - \ifnum\st@ffs>0\relax - \errmessage{Staff number (\the\noport@@) out of specified range (\the\st@ffs)!}\fi - \else\relax} -%\def\check@staff{\iftrue\relax} - -\let\ifactiveinstrument\check@staff - -\def\nextstaff{\@ndstaff\beginstaff} -\def\nextinstrument{\@ndstaff\begininstrument} -\def\prevstaff{\@ndstaff\advance\noport@@-2\relax\beginstaff} -\def\selectstaff#1{\@ndstaff\noport@@#1\relax - \advance\noport@@ -1\relax\beginstaff} -\def\selectinstrument#1{\@ndstaff\noinstrum@nt#1\relax - \advance\noinstrum@nt -1\relax\begininstrument} - -\def\begininstrument{\advance\noinstrum@nt\@ne \s@l@ctinstr - \ifdim\internote<\p@seven6\Internote \set@tinynotesize \comput@sizes - \else - \ifdim\internote<.95\Internote \set@smallnotesize \comput@sizes - \else - \ifdim\internote<1.19\Internote \set@normalnotesize \comput@sizes - \else - \ifdim\internote<1.43\Internote \set@largenotesize \comput@sizes - \else - \set@Largenotesize \comput@sizes - \fi - \fi - \fi - \fi - \noport@@\z@ \beginstaff} - -\def\beginstaff{\leavevmode - \altportee\altitude \advance\altportee\noport@@\interportee - \count@portee \s@l@ctclefs \expandafter\get@refs\the\a@c - \setbox\n@otebox\hbox\bgroup - \let\rq\rq@ \let\lq\lq@ \let\mp\mp@ % \let\ds\ds@oup RDT 1.27 - \locx@skip\x@skip} - -\def\@ndstaff{\egroup % this where \transpose gets reset - \ifdim\n@skip<\wd\n@otebox \n@skip\wd\n@otebox \fi - \raise\altportee\rlap{\unhbox\n@otebox}} - -%%% shifting - -\def\offs@t#1{\off{-\s@o@}#1\off\s@o@} -\def\loffset#1{\edef\s@o@{#1\qn@width}\offs@t} -\def\roffset#1{\edef\s@o@{-#1\qn@width}\offs@t} -\def\roff{\roffset\@ne} -\def\loff{\loffset\@ne} -\def\hroff{\roffset\h@lf} -\def\hloff{\loffset\h@lf} - -%%% decode collective coding - -% les symboles de notes ou assimiles - -\newcount\inh@alt -\def\getn@i{\inh@alt\z@ \xgetn@i} -\def\inhgetn@i{\inh@alt\@ne \xgetn@i} - -\def\f@tok#1#2\af@tok{#1} -\def\s@tok#1#2\af@tok{#2} - -% \n@viii used as flag: \n@viii=\maxdimen -> argument is no number - -\def\C@Get{\n@viii\maxdimen \edef\alt@suite{\noexpand\getn@i\s@uite\relax}} -\def\C@GET{\n@viii\maxdimen \edef\alt@suite{% - \ifnum\inh@alt=\z@ \noexpand\@TI{\s@uite}\fi \noexpand\getn@i\s@uite\relax}} - -\def\xgetn@i#1\relax{\n@viii\z@ \n@i\maxdimen % par defaut -%% \edef\t@ruc{\f@tok #1\relax\af@tok}% - \edef\t@ruc{\expandafter\f@tok #1\relax\af@tok}% - \edef\s@uite{\s@tok #1\empty\af@tok}% -%% pas lettre - \ifcat a\t@ruc \n@i\expandafter`\t@ruc\relax -%% ramener au E (position zero en clef de sol, ut@ref=0) - \ifnum\n@i>96\advance\n@i-101% - \else\advance\n@i-\@lxxxiii % ramener au S= E + 14 - \fi - \advance\n@i\ut@ref \advance\n@i\ut@ref \advance\n@i\transpose - \edef\ss@uite{\noexpand\n@fon{\s@uite}}% -%% cas active character dont chiffre - \else - \let\ss@uite\empty - \let\alt@suite\empty - \ifcat 1\t@ruc - \if =\t@ruc \let\@TI\na \C@GET \fi - \if *\t@ruc \sk \C@Get \fi - \if .\t@ruc \let\@TI\pt \C@GET \fi - \if >\t@ruc \let\@TI\dsh \C@GET \fi - \if <\t@ruc \let\@TI\dfl \C@GET \fi - \if !\t@ruc \transpose\normaltranspose \C@Get \fi - \if '\t@ruc \advance\transpose\s@v@n \C@Get \fi - \if `\t@ruc \advance\transpose-\s@v@n \C@Get \fi - \ifnum\n@viii<\maxdimen \n@i#1\fi - \else - \if ^\t@ruc \let\@TI\sh \C@GET \fi - \if _\t@ruc \let\@TI\fl \C@GET \fi - \fi\alt@suite - \fi} - -%%% setting stems and flags - -\newdimen\st@bot % note stem bottom -\newdimen\st@top % note stem top -\newdimen\stem@skip - -\def\stdstemfalse{\let\stdst@m\@ne} - -\def\setst@m{% - \advance\y@i\altportee - \ifdim\st@bot>\y@i \global\st@bot\y@i \fi - \ifdim\st@top<\y@i \global\st@top\y@i \fi - \advance\y@i-\altportee} - -\def\resetst@m{% - \global\st@bot\maxdimen \global\st@top-\maxdimen \let\stdst@m\empty} -\resetst@m - -\def\minst@bot{\ifdim\st@bot>\f@ur\internote - \ifx\stdst@m\empty \st@bot\f@ur\internote \fi \fi} - -\def\maxst@top{\ifdim\st@top<\f@ur\internote - \ifx\stdst@m\empty \st@top\f@ur\internote \fi \fi} - -\def\stem@rule{% - \vrule\@height\st@top\@depth-\st@bot\@width\lthick\kernm\lthick} - -\def\comp@stem{\advance\st@bot-\altportee \advance\st@top-\altportee} - -\def\C@stem{\ifdim\st@top>\st@bot - \comp@stem\kern\stem@skip\stem@rule - \kernm\stem@skip - \fi\resetst@m} - -\def\stemlength#1{\def\stemfactor{#1}} -\def\DefaultStemlength{4.66} -\stemlength{\DefaultStemlength} - -% cut stems in extrem positions for multiple voices in one staff - -\def\stemcut{\let\st@mcut\empty} -\def\nostemcut{\let\st@mcut\@ne} -\stemcut - -\def\Box@Flag{\setbox\ch@box\hbox{\musixfont\char\n@vii}\y@v\ht\ch@box } - -\def\down@flag{\Box@Flag\advance\st@bot-\y@v - \advance\st@bot-\stemfactor\interbeam - \advance\st@bot\DefaultStemlength\interbeam - \ifdim\st@top>\st@bot \comp@stem\minst@bot - \stem@rule\raise\st@bot\box\ch@box \fi\resetst@m} - -\def\up@flag{\Box@Flag\advance\st@top\y@v - \advance\st@top\stemfactor\interbeam - \advance\st@top-\DefaultStemlength\interbeam - \ifdim\st@top>\st@bot \comp@stem\maxst@top - \kern\qd@skip\stem@rule\advance\st@top-\y@v \raise\st@top\box\ch@box% - \kernm\qd@skip \fi\resetst@m} - -\def\cutst@l#1{% - \ifdim\st@bot<-#1\internote \advance\st@bot\qu@rt\interbeam \fi} - -\def\downst@m{\stem@skip\z@ - \advance\st@bot-\stemfactor\interbeam - \advance\st@bot-\altportee - \ifx\st@mcut\empty - \ifdim\st@bot<-\thr@@\internote - \cutst@l\thr@@\cutst@l\f@ur\cutst@l\fiv@ - \cutst@l\si@\cutst@l\s@v@n\cutst@l\@ight \fi \fi - \minst@bot\advance\st@bot\altportee - \C@stem} - -\def\cutst@u#1{% - \ifdim\st@top>#1\internote \advance\st@top-\qu@rt\interbeam \fi} - -\def\upst@m{\stem@skip\qd@skip - \advance\st@top\stemfactor\interbeam - \advance\st@top-\altportee - \ifx\st@mcut\empty - \ifdim\st@top>\@l@v@n\internote - \cutst@u\@l@v@n\cutst@u\tw@lv@\cutst@u\active - \cutst@u\fourt@@n\cutst@u\fiv@t@@n\cutst@u\sixt@@n \fi \fi - \maxst@top\advance\st@top\altportee - \C@stem} - -\newdimen\s@lope - -\def\comp@slope#1{\s@lope\b@p#1\divide\s@lope\tw@nty} - -\def\beamst@m{% queue de note vers une poutre - \getcurpos \advance\y@v-\b@x - \y@ii\b@p\y@v \divide\y@ii\tw@nty \advance\y@ii\b@z - \ifdim\y@ii>\st@top % la poutre est au-dessus - \stem@skip\qd@skip \comp@slope\stem@skip \advance\y@ii\s@lope - \advance\y@ii .285\interbeam% version 1.18 RDT - \ifnum\b@n>\z@ \advance\y@ii\b@n\interbeam \advance\y@ii-\interbeam \fi - \st@top\y@ii % a mettre a jour avec la pente ulterieurement - \else - \advance\y@ii-.285\interbeam% version 1.18 RDT - \stem@skip\z@ - \ifdim\y@ii<\st@bot - \ifnum\b@n<\z@ \advance\y@ii\b@n\interbeam \advance\y@ii\interbeam \fi - \st@bot\y@ii \fi \fi - \C@stem} - -%%% writing notes inclusive lines (subsidiary lines ?) (german: Hilfslinien) - -\newif\ifadvance\advancetrue - -% Modification by Werner Icking -% ledger lines exceed the note by: y@vi := 0.35 (noteskip - notewidth) -% and: 0.5 qn@width > y@vi > 0.2 qn@width -\newdimen\y@vi -\def\h@linei{% - \y@ii\n@v\internote - \y@iii\y@ii - \advance\y@ii\hlthick - \advance\y@iii-\hlthick - \y@vi\noteskip % noteskip -%-\ifnum\y@vi=\z@ \y@vi\maxdimen\fi % (or maxdimen if noteskip = 0) - \advance\y@vi-\y@v % - notewidth - \y@vi0.7\y@vi % this may be eaten =: additional length - \y@iv\h@lf\qn@width\ifnum\y@vi>\y@iv \y@vi\y@iv\fi % not more than 0.5 qn@width - \y@iv0.2\qn@width \ifnum\y@vi<\y@iv \y@vi\y@iv\fi % not less than 0.2 qn@width - \y@iv\y@v % notewidth - \advance\y@iv\y@vi % + additional length =: total length - \kernm\h@lf\y@vi % center the ledger line -%-\message{noteskip = \the\noteskip, length = \the\y@iv, notewidth = \the\y@v}% - \vrule\@height\y@ii\@depth-\y@iii\@width\y@iv - \kernm\y@iv\kern\h@lf\y@vi} - -% end Werner Icking's modification of ledger lines. -% old behaviour can be restored with musixfll.tex (or musixfll.sty) - -\def\writ@note{% - \ifnum\n@i<\@c -% help lines \n@i (position) - \ifnum\nblines>\thr@@ % no help lines for percussion instruments - \n@v\z@ - \ifnum\n@i<\m@ne % waste memory, but saves time - \loop \advance\n@v\m@ne \ifnum\n@i<\n@v - \advance\n@v\m@ne \h@linei - \repeat - \else - \n@v\nblines \advance\n@v\m@ne \multiply\n@v\tw@ - \ifnum\n@i>\n@v - \loop \advance\n@v\@ne \ifnum\n@i>\n@v - \advance\n@v\@ne \h@linei - \repeat - \fi - \fi - \fi -% - \pl@base\setst@m\st@m - \ifadvance \raise\y@i\adv@box\n@sym \else \raise\y@i\hbox{\n@sym}\fi - \ss@uite \advancetrue - \fi} - -\def\adv@box#1{\hbox\@to\noteskip{#1\hss}\advance\locx@skip\noteskip} - -%%% breve, longa, maxima, arbitrary notes, non spacing - -\def\zmaxima{\def\w@h{\musixchar36}\y@v\tw@\wn@width \advancefalse \g@w} -\def\zlonga{\def\w@h{\musixchar39}\y@v\wn@width \advancefalse \g@w} -\def\zbreve{\def\w@h{\musixfont\@xxxii}\y@v\wn@width \advancefalse \g@w} -\def\zwq{\def\w@h{\musixchar56}\y@v\wn@width \advancefalse \g@w} -\def\zwqq{\def\w@h{\musixchar127}\y@v\wn@width \advancefalse \g@w} - -\def\g@w#1{\let\st@m\resetst@m - \check@staff - \getn@i#1\relax\let\n@fon\g@w \let\n@sym\w@h \writ@note - \fi} - -\def\maxima{\def\w@h{\musixchar36}\y@v\tw@\wn@width \g@w} -\def\longa{\def\w@h{\musixchar39}\y@v\wn@width \g@w} -\def\breve{\def\w@h{\musixfont\@xxxii}\y@v\wn@width \g@w} -\def\wq{\def\w@h{\musixchar56}\y@v\wn@width \g@w} -\def\wqq{\def\w@h{\musixchar127}\y@v\wn@width \g@w} - -%%% alternate longa (with up stem) by Ingo Struck -%%% struck@student.uni-siegen.de - -\def\lngdnst@m{\stem@skip1.25\qd@skip - \advance\st@bot-\stemfactor\interbeam - \advance\st@bot-\altportee - \ifx\st@mcut\empty - \ifdim\st@bot<-\thr@@\internote - \cutst@l\thr@@\cutst@l\f@ur\cutst@l\fiv@ - \cutst@l\si@\cutst@l\s@v@n\cutst@l\@ight \fi \fi - \minst@bot\advance\st@bot\altportee - \C@stem} - -\def\lngupst@m{\stem@skip1.25\qd@skip - \advance\st@top\stemfactor\interbeam - \advance\st@top-\altportee - \ifx\st@mcut\empty - \ifdim\st@top>\@l@v@n\internote - \cutst@u\@l@v@n\cutst@u\tw@lv@\cutst@u\active - \cutst@u\fourt@@n\cutst@u\fiv@t@@n\cutst@u\sixt@@n \fi \fi - \maxst@top\advance\st@top\altportee - \C@stem} - -\def\@longa#1{\getn@i#1\relax - \ifnum\n@i>\thr@@ - \let\st@m\lngdnst@m - \else - \let\st@m\lngupst@m - \fi - \let\n@fon\@longa \let\n@sym\q@u \y@v\qn@width \writ@note} - -\def\l@ngasymbol{\def\q@u{\musixfont\@xxxii}} - -\def\longaa{\l@ngasymbol\@longa} - -%%% whole notes - -\def\C@Point#1#2{\ifodd\n@i \else#2\internote \fi\hbox{\musixchar#1}} - -\def\wh{\def\w@h{\musixfont\nin@}\y@v\wn@width \g@w} -\def\whp{\def\w@h{\musixfont\nin@\roffset\qu@rt{\C@Point\z@\raise}}% - \y@v\wn@width \g@w} -\def\whpp{\def\w@h{\musixfont\nin@\roffset\qu@rt{\C@Point\@ne\raise}}% - \y@v\wn@width \g@w} - -%%% whole noteheads, no advance - -\def\zw{\advancefalse\wh} -\def\zwp{\advancefalse\whp} -\def\zwpp{\advancefalse\whpp} -\let\zwh\zw - -\def\lw#1{\kernm\wn@width\zw{#1}\kern\wn@width} -\def\rw#1{\kern\wn@width\zw{#1}\kernm\wn@width} -\def\lwp#1{\kernm\wn@width\zwp{#1}\kern\wn@width} -\def\rwp#1{\kern\wn@width\zwp{#1}\kernm\wn@width} -\def\lwpp#1{\kernm\wn@width\zwpp{#1}\kern\wn@width} -\def\rwpp#1{\kern\wn@width\zwpp{#1}\kernm\wn@width} - -%%% common routines for noteheads with the same width as a quarter note - -\def\@qa#1{\getn@i#1\relax - \ifnum\n@i>\thr@@ - \let\st@m\downst@m - \else - \let\st@m\upst@m - \fi - \check@staff % version 1.16 - \let\n@fon\@qa \let\n@sym\q@u \y@v\qn@width \writ@note - \fi} - -\def\@qu{\let\st@m\upst@m \g@q} -\def\@ql{\let\st@m\downst@m \g@q} -\def\@zq{\let\st@m\setst@m \advancefalse\g@q} -\def\@nq{\let\st@m\resetst@m \g@q} - -\def\g@q#1{\check@staff - \getn@i#1\relax\let\n@fon\g@q \let\n@sym\q@u - \y@v\qn@width \writ@note\fi} - -\def\@qup{\let\st@m\upst@m \g@qp} -\def\@qlp{\let\st@m\downst@m \g@qp} -\def\@zqp{\let\st@m\setst@m \advancefalse\g@qp} -\def\@nqp{\let\st@m\resetst@m \g@qp} - -\def\q@up{\q@u\C@Point\z@\raise} -\def\g@qp#1{\check@staff - \getn@i#1\relax\let\n@fon\g@qp \let\n@sym\q@up - \y@v\qn@width \writ@note\fi} - -\def\@qupp{\let\st@m\upst@m \g@qpp} -\def\@qlpp{\let\st@m\downst@m \g@qpp} -\def\@zqpp{\let\st@m\setst@m \advancefalse\g@qpp} -\def\@nqpp{\let\st@m\resetst@m \g@qpp} - -\def\q@upp{\q@u\C@Point\@ne\raise} -\def\g@qpp#1{\check@staff - \getn@i#1\relax\let\n@fon\g@qpp \let\n@sym\q@upp - \y@v\qn@width \writ@note\fi} - -\def\@lqu#1{\kernm\qn@width\advancefalse\@qu{#1}\kern\qn@width} -\def\@rqu#1{\kern\qn@width\advancefalse\@qu{#1}\kernm\qn@width} - -\def\@lql#1{\kernm\qn@width\advancefalse\@ql{#1}\kern\qn@width} -\def\@rql#1{\kern\qn@width\advancefalse\@ql{#1}\kernm\qn@width} - -\def\@lq#1{\kernm\qn@width\@zq{#1}\kern\qn@width} -\def\@rq#1{\kern\qn@width\@zq{#1}\kernm\qn@width} - -\def\@qb#1{\s@l@ctbeam#1\relax \let\st@m\beamst@m \g@q} -\def\@tqb#1{\s@l@ctbeam#1\relax \C@tb\t@bbl\lthick \let\st@m\beamst@m \g@q} -\def\@tqh#1{\s@l@ctbeam#1\relax \C@tb\t@bbu\qn@width \let\st@m\beamst@m \g@q} -\def\@qbp#1{\s@l@ctbeam#1\relax \let\st@m\beamst@m \g@qp} -\def\@qbpp#1{\s@l@ctbeam#1\relax \let\st@m\beamst@m \g@qpp} - -\def\@ca{\n@iv\@xlv \@mca} -\def\@cca{\n@iv46 \@mca} -\def\@ccca{\n@iv47 \@mca} -\def\@cccca{\n@iv48 \@mca} -\def\@ccccca{\n@iv49 \@mca} - -\def\@mca#1{\getn@i#1\relax \n@vii\n@iv - \ifnum\n@i>\thr@@ - \let\st@m\down@flag - \else - \let\st@m\up@flag \advance\n@vii -\fiv@\relax - \fi - \check@staff % version 1.16 - \let\n@fon\@mca \let\n@sym\q@u \y@v\qn@width \writ@note - \fi} - -\def\@cu{\n@vii\@xl \let\st@m\up@flag \g@q} -\def\@ccu{\n@vii\@xli \let\st@m\up@flag \g@q} -\def\@cccu{\n@vii42\let\st@m\up@flag \g@q} -\def\@ccccu{\n@vii43\let\st@m\up@flag \g@q} -\def\@cccccu{\n@vii44\let\st@m\up@flag \g@q} - -\def\@cl{\n@vii\@xlv \let\st@m\down@flag \g@q} -\def\@ccl{\n@vii46\let\st@m\down@flag \g@q} -\def\@cccl{\n@vii47\let\st@m\down@flag \g@q} -\def\@ccccl{\n@vii48\let\st@m\down@flag \g@q} -\def\@cccccl{\n@vii49\let\st@m\down@flag \g@q} - -\def\@cup{\n@vii\@xl \let\st@m\up@flag \g@qp} -\def\@ccup{\n@vii\@xli \let\st@m\up@flag \g@qp} -\def\@clp{\n@vii\@xlv \let\st@m\down@flag \g@qp} -\def\@cclp{\n@vii46\let\st@m\down@flag \g@qp} - - -\def\@cupp{\n@vii\@xl \let\st@m\up@flag \g@qpp} -\def\@clpp{\n@vii\@xlv \let\st@m\down@flag \g@qpp} - -%%% half notes - -\def\h@symbol{\def\q@u{\musixfont\@ight}} - -\def\ha{\h@symbol\@qa} -\def\hap#1{\pt{#1}\ha{#1}} % 1.27 RDT -\def\happ#1{\ppt{#1}\ha{#1}} % 1.27 RDT -\def\hu{\h@symbol\@qu} -\def\hup{\h@symbol\@qup} -\def\hupp{\h@symbol\@qupp} - -\def\hl{\h@symbol\@ql} -\def\hlp{\h@symbol\@qlp} -\def\hlpp{\h@symbol\@qlpp} - -\def\hb{\h@symbol\@qb} -\def\hbp{\h@symbol\@qbp} -\def\hbpp{\h@symbol\@qbpp} - -\def\zh{\h@symbol\@zq} -\def\zhp{\h@symbol\@zqp} -\def\zhpp{\h@symbol\@zqpp} - -\def\lh{\h@symbol\@lq} -\def\rh{\h@symbol\@rq} - -\def\zhu{\advancefalse\hu} -\def\zhup{\advancefalse\hup} -\def\zhupp{\advancefalse\hupp} - -\def\lhu{\h@symbol\@lqu} -\def\rhu{\h@symbol\@rqu} - -\def\zhl{\advancefalse\hl} -\def\zhlp{\advancefalse\hlp} -\def\zhlpp{\advancefalse\hlpp} - -\def\lhl{\h@symbol\@lql} -\def\rhl{\h@symbol\@rql} - -\def\lhp#1{\loff{\zhp{#1}}} -\def\rhp#1{\roff{\zhp{#1}}} -\def\lhpp#1{\loff{\zhpp{#1}}} -\def\rhpp#1{\roff{\zhpp{#1}}} - -%%% quarter notes, stem up - -\def\q@symbol{\def\q@u{\musixfont\s@v@n}} - -\def\qa{\q@symbol\@qa} - -\def\qap#1{\pt{#1}\qa{#1}} % 1.25 RDT -\def\qapp#1{\ppt{#1}\qa{#1}} % 1.25 RDT - -\def\qu{\q@symbol\@qu} -\def\qup{\q@symbol\@qup} -\def\qupp{\q@symbol\@qupp} - -%%% quarter notes, stem down - -\def\ql{\q@symbol\@ql} -\def\qlp{\q@symbol\@qlp} -\def\qlpp{\q@symbol\@qlpp} - -%%% quarter notes, stem up, no advance - -\def\zqu{\advancefalse\qu} -\def\zqup{\advancefalse\qup} -\def\zqupp{\advancefalse\qupp} - -\def\lqu{\q@symbol\@lqu} -\def\rqu{\q@symbol\@rqu} - -%%% quarter notes, stem down, no advance - -\def\zql{\advancefalse\ql} -\def\zqlp{\advancefalse\qlp} -\def\zqlpp{\advancefalse\qlpp} - -\def\lql{\q@symbol\@lql} -\def\rql{\q@symbol\@rql} - -%%% quarter noteheads, no advance - -\def\zq{\q@symbol\@zq} -\def\zqp{\q@symbol\@zqp} -\def\zqpp{\q@symbol\@zqpp} - -\def\lqp#1{\loff{\zqp{#1}}}% -\def\lqpp#1{\loff{\zqpp{#1}}}% -\def\rqp#1{\roff{\zqp{#1}}}% -\def\rqpp#1{\roff{\zqpp{#1}}}% - -\def\lq@{\q@symbol\@lq} -\def\rq@{\q@symbol\@rq} - -% -% note heads without stems -\def\nh{\h@symbol\@nq} -\def\nq{\q@symbol\@nq} -\def\znh{\advancefalse\nh} -\def\znq{\advancefalse\nq} - -%%% 8th, 16th, 32th, 64th, (128th) notes - -\def\ca{\q@symbol\@ca} -\def\cca{\q@symbol\@cca} -\def\ccca{\q@symbol\@ccca} -\def\cccca{\q@symbol\@cccca} -\def\ccccca{\q@symbol\@ccccca} - -\def\cu{\q@symbol\@cu} -\def\ccu{\q@symbol\@ccu} -\def\cccu{\q@symbol\@cccu} -\def\ccccu{\q@symbol\@ccccu} -\def\cccccu{\q@symbol\@cccccu} - -\def\cup{\q@symbol\@cup} -\def\ccup{\q@symbol\@ccup} -\def\cupp{\q@symbol\@cupp} - -\def\zcu{\advancefalse\cu} -\def\zccu{\advancefalse\ccu} -\def\zcccu{\advancefalse\cccu} -\def\zccccu{\advancefalse\ccccu} -\def\zcccccu{\advancefalse\cccccu} - -\def\lcu#1{\kernm\qn@width\zcu{#1}\kern\qn@width} -\def\rcu#1{\kern\qn@width\zcu{#1}\kernm\qn@width} - -\def\zcup{\advancefalse\cup} -\def\zccup{\advancefalse\ccup} -\def\zcupp{\advancefalse\cupp} - -\def\cl{\q@symbol\@cl} -\def\ccl{\q@symbol\@ccl} -\def\cccl{\q@symbol\@cccl} -\def\ccccl{\q@symbol\@ccccl} -\def\cccccl{\q@symbol\@cccccl} - -\def\clp{\q@symbol\@clp} -\def\cclp{\q@symbol\@cclp} -\def\clpp{\q@symbol\@clpp} - -\def\zcl{\advancefalse\cl} -\def\zccl{\advancefalse\ccl} -\def\zcccl{\advancefalse\cccl} -\def\zccccl{\advancefalse\ccccl} -\def\zcccccl{\advancefalse\cccccl} - -\def\zclp{\advancefalse\clp} -\def\zcclp{\advancefalse\cclp} -\def\zclpp{\advancefalse\clpp} - -\def\lcl#1{\kernm\qn@width\zcl{#1}\kern\qn@width} -\def\rcl#1{\kern\qn@width\zcl{#1}\kernm\qn@width} - -%%% beam notes - -\def\qb{\q@symbol\@qb} -\def\qbp{\q@symbol\@qbp} -\def\qbpp{\q@symbol\@qbpp} - -\def\zqb{\advancefalse\qb} -\def\zqbp{\advancefalse\qbp} -\def\zqbpp{\advancefalse\qbpp} - -\def\tqh{\q@symbol\@tqh} -\def\tqu{\q@symbol\@tqh} % version 1.16 RDT -\def\tqb{\q@symbol\@tqb} -\def\tql{\q@symbol\@tqb} % version 1.16 RDT - -\def\tqqh#1#2{\tbbu{#1}\tqh{#1}{#2}} % version 1.17 RDT -\def\tqqu{\tqqh} % version 1.17 RDT -\def\tqqb#1#2{\tbbl{#1}\tqb{#1}{#2}} % version 1.17 RDT -\def\tqql{\tqqb} % version 1.17 RDT -\def\tqqqh#1#2{\tbbbu{#1}\tqqh{#1}{#2}} % version 1.17 RDT -\def\tqqqu{\tqqqh} % version 1.17 RDT -\def\tqqqb#1#2{\tbbbl{#1}\tqqb{#1}{#2}} % version 1.17 RDT -\def\tqqql{\tqqqb} % version 1.17 RDT - -\def\nqqh#1#2{\tbbu{#1}\qb{#1}{#2}} % version 1.27 RDT -\def\nqqb#1#2{\tbbl{#1}\qb{#1}{#2}} % version 1.27 RDT -\def\nqqqh#1#2{\tbbbu{#1}\qb{#1}{#2}} % version 1.27 RDT -\def\nqqqb#1#2{\tbbbl{#1}\qb{#1}{#2}} % version 1.27 RDT -\def\nqqu{\nqqh} % version 1.27 RDT -\def\nqql{\nqqb} % version 1.27 RDT -\def\nqqqu{\nqqqh} % version 1.27 RDT -\def\nqqql{\nqqqb} % version 1.27 RDT - -\def\ztqh{\advancefalse\q@symbol\@tqh} -\def\ztqu{\advancefalse\q@symbol\@tqh} % version 1.16 RDT -\def\ztqb{\advancefalse\q@symbol\@tqb} -\def\ztql{\advancefalse\q@symbol\@tqb} % version 1.16 RDT - -%%% grace notes - -\def\grcu{\q@symbol\@grcu} -\def\grcl{\q@symbol\@grcl} - -\def\@grcu{\n@vii\tw@lv@ \let\st@m\up@flag \g@q} -\def\@grcl{\n@vii\active \let\st@m\down@flag \g@q} - -%%% starting beams - -% \ibu{0<=numero<10}{altitude~note}{pente de -9 a +9} -% \ibl{0<=numero<10}{altitude~note}{pente de -9 a +9} - -% \b@p slope (-9) - (9) -% \b@n number of pending beamlines (-4) - (4) - -\def\test@beamnum{% [version 1.15] new macro to make it independent from slur - \ifnum\n@i<\z@ \n@i\@c \fi - \ifnum\n@i<\maxinstruments \else - \count@\maxinstruments \advance\count@\m@ne - \errmessage{Wrong beam reference number \the\n@i! (valid: 0 to \the\count@)} - \n@i\z@ - \fi - \advance\n@i\@ne}% - -\def\s@l@ctbeam#1\relax{% - \n@i#1\relax\test@beamnum % [version 1.15] make it independent from slur - \edef\b@x{\csname b@x\romannumeral\n@i\endcsname}% - \edef\b@z{\csname b@z\romannumeral\n@i\endcsname}% - \edef\b@n{\csname b@n\romannumeral\n@i\endcsname}% - \edef\b@p{\csname b@p\romannumeral\n@i\endcsname}} - -\def\s@l@ctc{\edef\c@x{\csname c@x\romannumeral\n@i\endcsname}% - \edef\c@z{\csname c@z\romannumeral\n@i\endcsname}} - -\def\s@l@ctd{\edef\d@x{\csname d@x\romannumeral\n@i\endcsname}% - \edef\d@z{\csname d@z\romannumeral\n@i\endcsname}\s@l@ctc} - -\def\s@l@cte{\edef\e@x{\csname e@x\romannumeral\n@i\endcsname}% - \edef\e@z{\csname e@z\romannumeral\n@i\endcsname}\s@l@ctd} - -\def\s@l@ctf{\edef\f@x{\csname f@x\romannumeral\n@i\endcsname}% - \edef\f@z{\csname f@z\romannumeral\n@i\endcsname}\s@l@cte} - -\def\s@l@ctg{\edef\g@x{\csname g@x\romannumeral\n@i\endcsname}% - \edef\g@z{\csname g@z\romannumeral\n@i\endcsname}\s@l@ctf} - -\def\ibu#1{\s@l@ctbeam#1\relax \i@bu} -\def\ibbu#1{\s@l@ctbeam#1\relax \s@l@ctc \i@bbu} -\def\ibbbu#1{\s@l@ctbeam#1\relax \s@l@ctd \i@bbbu} -\def\ibbbbu#1{\s@l@ctbeam#1\relax \s@l@cte \i@bbbbu} -\def\ibbbbbu#1{\s@l@ctbeam#1\relax \s@l@ctf \i@bbbbbu} - -\def\ibl#1{\s@l@ctbeam#1\relax \i@bl} -\def\ibbl#1{\s@l@ctbeam#1\relax \s@l@ctc \i@bbl} -\def\ibbbl#1{\s@l@ctbeam#1\relax \s@l@ctd \i@bbbl} -\def\ibbbbl#1{\s@l@ctbeam#1\relax \s@l@cte \i@bbbbl} -\def\ibbbbbl#1{\s@l@ctbeam#1\relax \s@l@ctf \i@bbbbbl} - -\def\i@bu#1#2{%\check@staff - \ifnum\b@n=\z@ \else \C@tb\t@bbu\qn@width \fi \global\b@n\m@ne - \inhgetn@i#1\relax \n@v#2 \C@ib+\global\advance\b@x\qd@skip} - -\def\i@bl#1#2{%\check@staff - \ifnum\b@n=\z@ \else \C@tb\t@bbl\lthick \fi \global\b@n\@ne - \inhgetn@i#1\relax \n@v#2 \C@ib-} - -\def\C@ib#1{\max@n@v\nin@\min@n@v{-\nin@}\global\b@p\n@v % clip slope number - \getcurpos \global\b@x\y@v \b@z#14.333\interbeam \advance\b@z\altportee - \pl@base \global\advance\b@z\y@i} - -\def\C@ba#1#2{\global\advance#1#2\interbeam} - -\def\i@bbu#1#2{\ifnum\b@n=\z@ \i@bu{#1}{#2}\C@ba\b@z\@ne \fi\n@bbu} -\def\i@bbl#1#2{\ifnum\b@n=\z@ \i@bl{#1}{#2}\C@ba\b@z\m@ne \fi\n@bbl} - -\def\i@bbbu#1#2{\ifnum\b@n=\z@ - \i@bbu{#1}{#2}\C@ba\b@z\@ne \C@ba\c@z\@ne \fi\n@bbbu} -\def\i@bbbl#1#2{\ifnum\b@n=\z@ - \i@bbl{#1}{#2}\C@ba\b@z\m@ne \C@ba\c@z\m@ne \fi\n@bbbl} - -\def\i@bbbbu#1#2{\ifnum\b@n=\z@ - \i@bbbu{#1}{#2}\C@ba\b@z\@ne \C@ba\c@z\@ne \C@ba\d@z\@ne \fi\n@bbbbu} -\def\i@bbbbl#1#2{\ifnum\b@n=\z@ - \i@bbbl{#1}{#2}\C@ba\b@z\m@ne \C@ba\c@z\m@ne \C@ba\d@z\m@ne \fi\n@bbbbl} - -\def\i@bbbbbu#1#2{\ifnum\b@n=\z@ - \i@bbbbu{#1}{#2}\C@ba\b@z\@ne \C@ba\c@z\@ne \C@ba\d@z\@ne \C@ba\e@z\@ne \fi\n@bbbbbu} -\def\i@bbbbbl#1#2{\ifnum\b@n=\z@ - \i@bbbbl{#1}{#2}\C@ba\b@z\m@ne \C@ba\c@z\m@ne \C@ba\d@z\m@ne \C@ba\e@z\m@ne \fi\n@bbbbbl} - -%%% changing beams - -\def\Dec@b#1#2{\ifnum\b@n=#1#2\fi\ifnum\b@n=-#1#2\fi} - -%!\def\nbbu#1{\s@l@ctbeam#1\relax \s@l@ctc \ifnum\b@n>-\tw@ \ifnum\b@n<\tw@ \n@bbu \fi \fi } -%!\def\nbbl#1{\s@l@ctbeam#1\relax \s@l@ctc \ifnum\b@n>-\tw@ \ifnum\b@n<\tw@ \n@bbl \fi \fi } - -\def\nbbu#1{\s@l@ctbeam#1\relax \s@l@ctc \n@bbu} -\def\nbbl#1{\s@l@ctbeam#1\relax \s@l@ctc \n@bbl} - -\def\nbbbu#1{\s@l@ctbeam#1\relax \s@l@ctd \Dec@b\@ne\n@bbu \Dec@b\tw@\n@bbbu} -\def\nbbbl#1{\s@l@ctbeam#1\relax \s@l@ctd \Dec@b\@ne\n@bbl \Dec@b\tw@\n@bbbl} - -\def\nbbbbu#1{\s@l@ctbeam#1\relax \s@l@cte - \Dec@b\@ne\n@bbu \Dec@b\tw@\n@bbbu \Dec@b\thr@@\n@bbbbu} -\def\nbbbbl#1{\s@l@ctbeam#1\relax \s@l@cte - \Dec@b\@ne\n@bbl \Dec@b\tw@\n@bbbl \Dec@b\thr@@\n@bbbbl} - -\def\nbbbbbu#1{\s@l@ctbeam#1\relax \s@l@ctf - \Dec@b\@ne\n@bbu \Dec@b\tw@\n@bbbu \Dec@b\thr@@\n@bbbbu \Dec@b\f@ur\n@bbbbbu} -\def\nbbbbbl#1{\s@l@ctbeam#1\relax \s@l@ctf - \Dec@b\@ne\n@bbl \Dec@b\tw@\n@bbbl \Dec@b\thr@@\n@bbbbl \Dec@b\f@ur\n@bbbbbl} - -\def\n@bbu{\C@nb\c@z\c@x\@ne\qd@skip} -\def\n@bbl{\C@nb\c@z\c@x\@ne\z@} -\def\n@bbbu{\C@nb\d@z\d@x\tw@\qd@skip} -\def\n@bbbl{\C@nb\d@z\d@x\tw@\z@} -\def\n@bbbbu{\C@nb\e@z\e@x\thr@@\qd@skip} -\def\n@bbbbl{\C@nb\e@z\e@x\thr@@\z@} -\def\n@bbbbbu{\C@nb\f@z\f@x\f@ur\qd@skip} -\def\n@bbbbbl{\C@nb\f@z\f@x\f@ur\z@} - -\def\C@nb#1#2#3#4{% - \global#1\b@z - \ifnum\b@n<\z@ \global\advance\b@n\m@ne \global\advance#1-#3\interbeam \fi - \ifnum\b@n>\z@ \global\advance\b@n\@ne \C@ba#1#3\fi - {\advance\locx@skip#4\getcurpos \global#2\y@v - \advance\y@v-\b@x \comp@slope\y@v \global\advance#1\s@lope}} - -%%% beam termination - -\def\b@adjust{\ifdim\y@ii>\tw@\y@ \advance\y@\y@ \advance\n@vi\@ne \fi} - -\def\@beam{% \y@ii : longueur, \b@p : pente, \y@i : altitude - \ifnum\b@p=\z@ -% slope zero - \y@iii\y@i\y@iv\y@i - \advance\y@iii-\b@amthick \advance\y@iv\b@amthick - \vrule\@height\y@iv\@depth-\y@iii\@width\y@ii - \else\n@vi\z@ -% slope offset - \ifnum\b@p>\z@ \n@vi\b@p \multiply\n@vi\si@ \advance\n@vi-\si@ \fi - \ifnum\b@p<\z@ \n@vi-\b@p \multiply\n@vi\si@ \advance\n@vi58\fi -% find longest possible character to avoid patchwork - \y@\tw@\p@ - \b@adjust \b@adjust \b@adjust \b@adjust \b@adjust - \advance\n@vi\@cxxviii - \chardef\b@alk\n@vi\musixfont -% -% \curwidth=0pt \curheight=\y@i \curxpos=\completewidth -% \loop\ifdim\curwidth<\completewidth -% \advance\curxpos by -\beamwidth -% \ifdim\curxpos<0pt -% \comp@slope\curxpos -% \advance\curheight by \s@lope \kern\curxpos \fi -% \raise\curheight\hbox{\b@alk}% -% \advance\curwidth by \beamwidth -% \comp@slope\beamwidth -% \advance\curheight by \s@lope -% \repeat \fi -% - \y@iv\z@ \y@iii\y@i \y@v\y@ii - \loop\ifdim\y@iv<\y@ii - \advance\y@v-\y@ - \ifdim\y@v<\z@ \comp@slope\y@v \advance\y@iii\s@lope \kern\y@v \fi - \raise\y@iii\hbox{\b@alk}% - \advance\y@iv\y@ \comp@slope\y@ \advance\y@iii\s@lope - \repeat \fi} - -\def\s@l@ctcde{\s@l@ctc \s@l@ctd \s@l@cte \s@l@ctf } - -\def\tbu#1{\s@l@ctbeam#1\relax \C@tb\t@bbu\qn@width } -\def\tbbu#1{\s@l@ctbeam#1\relax \s@l@ctcde \t@bbu} -\def\tbbbu#1{\s@l@ctbeam#1\relax \s@l@ctcde \t@bbbu} -\def\tbbbbu#1{\s@l@ctbeam#1\relax \s@l@ctcde \t@bbbbu} -\def\tbbbbbu#1{\s@l@ctbeam#1\relax \s@l@ctcde \t@bbbbbu} - -\def\tbl#1{\s@l@ctbeam#1\relax \C@tb\t@bbl\lthick } -\def\tbbl#1{\s@l@ctbeam#1\relax \s@l@ctcde \t@bbl} -\def\tbbbl#1{\s@l@ctbeam#1\relax \s@l@ctcde \t@bbbl} -\def\tbbbbl#1{\s@l@ctbeam#1\relax \s@l@ctcde \t@bbbbl} -\def\tbbbbbl#1{\s@l@ctbeam#1\relax \s@l@ctcde \t@bbbbbl} - -\def\beam@pos#1{\getcurpos\y@ii\y@v\advance\y@ii-#1} - -\def\C@tb#1#2{% - \n@ii\b@n \ifnum\n@ii<\z@ \n@ii-\n@ii \fi - \ifcase\n@ii \or \or \s@l@ctc \or \s@l@ctd \or \s@l@cte \or \s@l@ctf \or \s@l@ctg\fi - \ifnum\b@n<\m@ne #1\fi - \ifnum\b@n>\@ne #1\fi - \y@i\b@z \advance\y@i-\altportee \beam@pos\b@x - \advance\y@ii#2\relax - \check@staff - \llap{\@beam\kernm#2}\relax - \fi\global\b@n\z@} - -\def\t@bbu{\n@v\tw@ \C@b\t@bbbu\n@bbu\y@i\c@z \beam@pos\c@x \t@xbu} -\def\t@bbl{\n@v\tw@ \C@b\t@bbbl\n@bbl\y@i\c@z \beam@pos\c@x \t@xbl} - -\def\t@bbbu{\n@v\thr@@ \C@b\t@bbbbu\n@bbbu\y@i\d@z \beam@pos\d@x \t@xbu} -\def\t@bbbl{\n@v\thr@@ \C@b\t@bbbbl\n@bbbl\y@i\d@z \beam@pos\d@x \t@xbl} - -\def\t@bbbbu{\n@v\f@ur \C@b\t@bbbbbu\n@bbbbu\y@i\e@z \beam@pos\e@x \t@xbu} -\def\t@bbbbl{\n@v\f@ur \C@b\t@bbbbbl\n@bbbbl\y@i\e@z \beam@pos\e@x \t@xbl} - -\def\t@bbbbbu{\n@v\fiv@ \C@b\empty\n@bbbbbu\y@i\f@z \beam@pos\f@x \t@xbu} -\def\t@bbbbbl{\n@v\fiv@ \C@b\empty\n@bbbbbl\y@i\f@z \beam@pos\f@x \t@xbl} - -\def\C@b#1#2{% - \n@ii\b@n \ifnum\n@ii<\z@ \n@ii-\n@ii \fi - \ifnum\n@ii>\n@v #1\fi - \loop - \advance\n@v\m@ne - \ifnum\n@ii=\n@v {\advance\locx@skip-\qn@width#2}\fi - \ifnum\n@v>\@ne \repeat} - -\def\t@xbu{\C@txb\qn@width\interbeam\b@amthick\qd@skip>} -\def\t@xbl{\C@txb\lthick\b@amthick\interbeam\hlthick<} - -\def\C@txb#1#2#3#4#5{\advance\y@i-\altportee - \advance\y@ii#1\relax - \check@staff - \llap{\@beam\kernm#1}% - \ifnum\b@n#5\z@ \comp@slope\y@ii \advance\y@i\s@lope - \raise\y@i\rlap{\kern#4\vrule\@height#3\@depth#2\@width\lthick}\relax - \fi - \fi - \ifnum\b@n<\z@ \global\advance\b@n\@ne \fi - \ifnum\b@n>\z@ \global\advance\b@n\m@ne \fi} - -%%% semiautomatic beams - -% adjustable beam slopes -% #1: beam number -% #2: starting pitch -% #3: ending pitch, -% #4: extension (number of \noteskip's) - -\def\Ibu#1{\s@l@ctbeam#1\relax\I@bu\i@bu} -\def\Ibl#1{\s@l@ctbeam#1\relax\I@bl\i@bl} -\def\Ibbu#1{\s@l@ctbeam#1\relax \s@l@ctc \I@bu\i@bbu} -\def\Ibbl#1{\s@l@ctbeam#1\relax \s@l@ctc \I@bl\i@bbl} -\def\Ibbbu#1{\s@l@ctbeam#1\relax \s@l@ctd \I@bu\i@bbbu} -\def\Ibbbl#1{\s@l@ctbeam#1\relax \s@l@ctd \I@bl\i@bbbl} -\def\Ibbbbu#1{\s@l@ctbeam#1\relax \s@l@cte \I@bu\i@bbbbu} -\def\Ibbbbl#1{\s@l@ctbeam#1\relax \s@l@cte \I@bl\i@bbbbl} -\def\Ibbbbbu#1{\s@l@ctbeam#1\relax \s@l@cte \I@bu\i@bbbbbu} -\def\Ibbbbbl#1{\s@l@ctbeam#1\relax \s@l@cte \I@bl\i@bbbbbl} - -% compute altitude difference of tried beam in \y@iv -% and compare with notes altitude difference - -\def\@@chk{\y@iv.05\y@v \multiply\y@iv\n@viii} - -\def\I@buuchk{\@@chk - \ifdim\y@iv>\n@ii\internote \advance\n@viii\m@ne \I@buuchk \fi - \ifnum\n@viii>\nin@ \advance\n@i\@ne \advance\n@ii\m@ne \I@buuchk \fi} - -\def\I@bldchk{\@@chk - \ifdim\y@iv<\n@ii\internote \advance\n@viii\@ne \I@bldchk \fi - \ifnum\n@viii<-\nin@ \advance\n@i\m@ne \advance\n@ii\@ne \I@bldchk \fi} - -\def\I@budchk{\@@chk - \ifdim\y@iv<\n@ii\internote \advance\n@viii\@ne \I@budchk \fi} - -\def\I@bluchk{\@@chk - \ifdim\y@iv>\n@ii\internote \advance\n@viii\m@ne \I@bluchk \fi} - -\def\I@bu{\let\@Ti\I@buuchk \let\@Tii\I@budchk \C@Ib} -\def\I@bl{\let\@Ti\I@bluchk \let\@Tii\I@bldchk \C@Ib} - -\def\C@Ib#1#2#3#4{{\n@v#4\relax \min@n@v\@ne - \inhgetn@i#3\relax\n@ii\n@i - \inhgetn@i#2\relax\advance\n@ii-\n@i - \y@v\noteskip \multiply\y@v\n@v - \ifnum\n@ii=\z@ #1{#2}0% - \else - \ifnum\n@ii>\z@ \n@viii\t@n \@Ti\else\n@viii-\t@n \@Tii \fi - \edef\I@boper{\noexpand#1{\the\n@i}{\the\n@viii}\relax}\I@boper - \fi}} - -% sets of double notes with computed slopes - -\def\B@h{\let\B@ii\tqh} -\def\B@b{\let\B@ii\tqb} - -\def\Dqbu{\let\B@i\Ibu \B@h\C@Dq} -\def\Dqbl{\let\B@i\Ibl \B@b\C@Dq} -\def\Dqbbu{\let\B@i\Ibbu \B@h\C@Dq} -\def\Dqbbl{\let\B@i\Ibbl \B@b\C@Dq} - -\def\C@Dq#1#2{\B@i0{#1}{#2}1\qb0{#1}\B@ii0{#2}} - -% sets of triple notes with computed slopes - -\def\Tqbu{\let\B@i\Ibu \B@h\C@Tq} -\def\Tqbl{\let\B@i\Ibl \B@b\C@Tq} -\def\Tqbbu{\let\B@i\Ibbu \B@h\C@Tq} -\def\Tqbbl{\let\B@i\Ibbl \B@b\C@Tq} - -\def\C@Tq#1#2#3{\B@i0{#1}{#3}2\qb0{#1#2}\B@ii0{#3}} - -% sets of quadruple notes with computed slopes - -\def\Qqbu{\let\B@i\Ibu \B@h\C@Qq} -\def\Qqbl{\let\B@i\Ibl \B@b\C@Qq} -\def\Qqbbu{\let\B@i\Ibbu \B@h\C@Qq} -\def\Qqbbl{\let\B@i\Ibbl \B@b\C@Qq} - -\def\C@Qq#1#2#3#4{\B@i0{#1}{#4}3\qb0{#1#2#3}\B@ii0{#4}} - -%%% duration points - -\def\pt{\g@pt\@ne\z@} -\def\ppt{\g@pt\@ne\@ne} -\def\pppt{\g@pt\@ne\tw@} - -\def\lpt{\g@pt\m@ne\z@} -\def\lppt{\g@pt\m@ne\@ne} -\def\lpppt{\g@pt\m@ne\tw@} - - -% Shifted, pointed chord notes -% -\def\lhp#1{\loff{\zhp{#1}}} -\def\rhp#1{\roff{\zhp{#1}}} -\def\lqp#1{\loff{\zqp{#1}}} -\def\rqp#1{\roff{\zqp{#1}}} -\def\rhpp#1{\roff{\zhpp{#1}}} -\def\lhpp#1{\loff{\zhpp{#1}}} -\def\rqpp#1{\roff{\zqpp{#1}}} -\def\lqpp#1{\loff{\zqpp{#1}}} - -\def\g@pt#1#2#3{\check@staff - \inhgetn@i#3\relax \relax % two \relax since the first one - \ifnum\n@i<\@c % in swallowed by \inhgetn@i - \ifodd\n@i \else\advance\n@i#1\fi - \pl@base \raise\y@i\hbox{\musixchar#2}\fi\fi} - -%%% rests - -\def\wholeshift#1{\roffset{\p@ne25}{#1}} - -\def\centerbar#1{\y@ii\lin@pos \advance\y@ii-\lastbarpos \advance\y@ii\cut@v - \kern-\h@lf\y@ii\lrlap{#1}\kern\h@lf\y@ii}% - - -\def\cpause{\hbox{\ccn{6}{\musixchar61}}} -\def\chpause{\hbox{\ccn{4}{\musixchar60}}} -\def\cPAuse{\hbox{\ccn{0}{\musixchar58}}} -\def\cPAUSe{\hbox{\ccn{0}{\musixchar59}}} - -\def\cHpause#1{% 1.21 RDT -\y@ii\lin@pos \advance\y@ii-\lastbarpos% -\def\v@rtpart{\hbox{\vrule width.6pt height1.5\internote depth1.5\internote}}% -\def\h@rizpart{\hbox{\vrule width0.35\y@ii height.5\internote depth.5\internote}}% -\raise4\internote\hbox{\v@rtpart\h@rizpart\ccn5{\meterfont{#1}}\h@rizpart\v@rtpart}}% - -\def\centerpause{\centerbar{\cpause}} -\def\centerhpause{\centerbar{\chpause}} -\def\centerPAuse{\centerbar{\cPAuse}} -\def\centerPAUSe{\centerbar{\cPAUSe}} -\def\centerHpause#1{\centerbar{\cHpause{#1}}} - -\def\C@ps#1#2#3{\n@viii#3\multiply\n@viii\tw@ - \advance\n@viii#2\raise\n@viii\internote \hbox{\musixchar#1}} -\def\C@pspt#1#2#3{\n@viii#3\multiply\n@viii\tw@ - \advance\n@viii#2\raise\n@viii\internote \hbox{\musixchar#1\relax - \ifnum #1=\t@n\relax \raise 0.7\internote\hbox{\kern 0.2\qn@width\musixchar0}% - \else \raise -0.7\internote\hbox{\kern 0.2\qn@width\musixchar0}% - \fi}% - } - -\def\PAUSe{\adv@box{\musixchar59}} -\def\PAuse{\adv@box{\musixchar58}} - -\def\pause{\check@staff - \adv@box{\raise\si@\internote\hbox{\musixchar61}}\fi} -\def\pausep{\wholeshift{\pt5}\pause} -\def\liftpause{\C@ps\@l@v@n\si@} -\def\liftpausep{\C@pspt\@l@v@n\si@} - -\def\hpause{\check@staff - \adv@box{\raise\f@ur\internote\hbox{\musixchar60}}\fi} -\let\hp\hpause -\def\hpausep{\wholeshift{\pt5}\hpause} -\let\hpp\hpausep -\def\lifthpause{\C@ps\t@n\f@ur} -\def\lifthpausep{\C@pspt\t@n\f@ur} - -\newdimen\lift@rest -\def\adv@restbox#1{\hbox{\lift@rest 5\internote - \advance\lift@rest -2.5\fontdimen\fiv@\musixfont - \raise\lift@rest\hbox\@to\noteskip{#1\hss}}\advance\locx@skip\noteskip} - -\def\qp{\adv@restbox{\check@staff\musixchar62\fi}} -\let\soupir\qp - -%\def\ds@oup{\adv@restbox{\check@staff\musixchar63\fi}} % why? RDT 1.27 -\def\ds{\adv@restbox{\check@staff\musixchar63\fi}} -\def\qs{\adv@restbox{\check@staff\musixchar64\fi}} -\def\hs{\adv@restbox{\check@staff\musixchar65\fi}} -\def\qqs{\adv@restbox{\check@staff\musixchar66\fi}} - -% pointed rests version 1.16 RDT -\def\qpp{\adv@restbox{\check@staff\pt5\musixchar62\fi}} -\def\dsp{\adv@restbox{\check@staff\pt5\musixchar63\fi}} -\def\qsp{\adv@restbox{\check@staff\pt5\musixchar64\fi}} -\def\hsp{\adv@restbox{\check@staff\pt5\musixchar65\fi}} -\def\qqsp{\adv@restbox{\check@staff\pt5\musixchar66\fi}} - -% double-dotted rests version 1.17 RDT - -\def\pausepp{\wholeshift{\ppt5}\pause} -\def\hpausepp{\wholeshift{\ppt5}\hpause} -\let\hppp\hpausepp -\def\qppp{\adv@restbox{\check@staff\ppt5\musixchar62\fi}} -\def\dspp{\adv@restbox{\check@staff\ppt5\musixchar63\fi}} -\def\qspp{\adv@restbox{\check@staff\ppt5\musixchar64\fi}} -\def\hspp{\adv@restbox{\check@staff\ppt5\musixchar65\fi}} -\def\qqspp{\adv@restbox{\check@staff\ppt5\musixchar66\fi}} - -% copied from musixlit.tex: version 1.21 RDT - -\def\Hpause#1#2{\zcharnote{#1}{\def\s@r{% -\vrule\@width.6\p@\@height1\h@lf\internote\@depth1\h@lf\internote}\s@r% -\vrule\@width#2\noteskip\@height\h@lf\internote\@depth\h@lf\internote\s@r}} - -%%% accidentals - -\newskip\accshift - -\def\bigaccid{\let\small@test\iftrue} -\def\smallaccid{\let\small@test\iffalse} -\def\varaccid{\def\small@test{\ifdim\noteskip>1\p@seven\qn@width}} - -\varaccid % accidents de taille variable - -\def\na#1{\small@test\bigna{#1}\else\smallna{#1}\fi} -\def\fl#1{\small@test\bigfl{#1}\else\smallfl{#1}\fi} -\def\sh#1{\small@test\bigsh{#1}\else\smallsh{#1}\fi} -\def\dfl#1{\small@test\bigdfl{#1}\else\smalldfl{#1}\fi} -\def\dsh#1{\small@test\bigdsh{#1}\else\smalldsh{#1}\fi} - -% n@vi char pos of cautionpar (normal=5, doubleflat=6) -% n@v offset to char pos (flat=0, dflat=1, sharp=2, dsharp=3, natural=4) -% n@vi offset to char pos (big=0, small=60) -% n@vii =maxdimen -> cautionacctrue - -\def\writ@ba{\pl@base\raise\y@i\llap{\musixchar\n@v\kern\accshift}} -\def\set@ba{\let\@Ti\writ@ba \n@vi\z@} - -\def\bigna{\set@ba \let\@Tii\@Na \n@v\f@ur \C@acc} -\def\bigfl{\set@ba \let\@Tii\@Fl \n@v\z@ \C@acc} -\def\bigsh{\set@ba \let\@Tii\@Sh \n@v\tw@ \C@acc} -\def\bigdfl{\set@ba \let\@Tii\@dFl \n@v\@ne \C@acc} -\def\bigdsh{\set@ba \let\@Tii\@dSh \n@v\thr@@ \C@acc} - -\def\@sa{\ifnum\n@vii=\maxdimen \C@ChaR \musixchar\n@v \kern.3\qn@width - \else \musixchar\n@v \fi \n@vii\z@} - -\def\smallna{\set@sa \let\@Tii\@Na \n@v\f@ur \C@acc} -\def\smallfl{\set@sa \let\@Tii\@Fl \n@v\z@ \C@acc} -\def\smallsh{\set@sa \let\@Tii\@Sh \n@v\tw@ \C@acc} -\def\smalldfl{\set@sa \n@iv\si@ \let\@Tii\@dFl \n@v\@ne \C@acc} -\def\smalldsh{\set@sa \let\@Tii\@dSh \n@v\thr@@ \C@acc} - -\def\cna{\set@ca \let\@Tii\@Na \n@v\f@ur \C@acc} % version 1.16 HM -\def\cfl{\set@ca \let\@Tii\@Fl \n@v\z@ \C@acc} -\def\csh{\set@ca \let\@Tii\@Sh \n@v\tw@ \C@acc} -\def\cdfl{\set@ca \n@iv\si@ \let\@Tii\@dFl \n@v\@ne \C@acc} -\def\cdsh{\set@ca \let\@Tii\@dSh \n@v\thr@@ \C@acc} -% -\def\writ@sa{\pl@base\raise\y@i\llap{\musixchar\n@v\kern\accshift}} -\def\set@sa{\let\@Ti\writ@sa \n@iv\fiv@ \n@vi\@xl } -\def\writ@ca{\pl@base\raise\y@i\llap{\C@ChaR \musixchar\n@v\kern.3\qn@width\kern\accshift}} -\def\set@ca{\let\@Ti\writ@ca \n@iv\fiv@ \n@vi\@xl } - -\def\writ@ua{\advance\n@i\thr@@ \zchar\n@i{\kern\qu@rt\qn@width\@sa}} -\def\set@upper{\let\@Ti\writ@ua \n@iv\fiv@ \n@vi\@xl } - -\def\upperna{\set@upper \let\@Tii\@Na \n@v\f@ur \C@acc} -\def\upperfl{\set@upper \let\@Tii\@Fl \n@v\z@ \C@acc} -\def\uppersh{\set@upper \let\@Tii\@Sh \n@v\tw@ \C@acc} - -\def\@Na{\ifcase\n@ii \n@v\tw@ \or \n@v\f@ur \or \n@v\z@ \fi} -\def\@Fl{\ifcase\n@ii \n@v\f@ur \or \n@v\z@ \or \n@v\@ne \fi} -\def\@Sh{\ifcase\n@ii \n@v\thr@@ \or \n@v\tw@ \or \n@v\f@ur \fi} -\def\@dFl{\ifcase\n@ii \n@v\z@ \or \n@v\@ne \or - \message{\@nod flatten \noexpand\dfl \t@ruc}\let\@Ti\empty \fi} -\def\@dSh{\ifcase\n@ii - \message{\@nod sharpen \noexpand\dsh \t@ruc}\let\@Ti\empty - \or \n@v\thr@@ \or \n@v\tw@ \fi} - -\def\C@acc#1{% - \check@staff - \inhgetn@i#1\relax - \ifx\rel@sw\@ne - \s@l@ctsigns \n@iii\n@i - \advance\n@iii-\ut@ref \advance\n@iii-\ut@ref - \loop\ifnum\n@iii>\si@ \advance\n@iii-\s@v@n \repeat - \loop\ifnum\n@iii<\z@ \advance\n@iii\s@v@n \repeat - \ifcase\n@iii - \n@ii\si@ % mi - \or\n@ii\@ne % fa - \or\n@ii\thr@@ % sol - \or\n@ii\fiv@ % la - \or\n@ii\s@v@n % si - \or\n@ii\tw@ % do - \or\n@ii\f@ur % re - \fi -% \n@ii positive signature limit, \n@ii-8 negative signature limit - \advance\n@ii-\a@s \advance\n@ii\si@ \divide\n@ii\s@v@n - \@Tii - \fi \advance\n@v\@l \advance\n@v\n@vi \expandafter\@Ti % [version 1.15] (Hiroaki) - \fi} - -\def\@nod{Can't double } - -\def\relativeaccid{\let\rel@sw\@ne } -\def\absoluteaccid{\let\rel@sw\empty } -\absoluteaccid - -\def\lna#1{\loffset\smallvalue{\na{#1}}} -\def\lfl#1{\loffset\smallvalue{\fl{#1}}} -\def\lsh#1{\loffset\smallvalue{\sh{#1}}} -\def\ldfl#1{\loffset\smallvalue{\dfl{#1}}} -\def\ldsh#1{\loffset\smallvalue{\dsh{#1}}} - -%%% arpeggio - -\def\arpeggio#1#2{\zcharnote{#1}{% - \uplap{\leaders\hbox{\musixchar70}\vskip#2\Interligne}}} -\def\larpeggio#1#2{\loffset\smallvalue{\arpeggio{#1}{#2}}} - -%%% ornaments, special signs - -\def\@Char#1{\zcharnote{#1}\C@ChaR} - -\def\backturn{\n@iv67\@Char} -\def\turn{\n@iv68\@Char} -\def\duevolte{{\keychar78}} -\def\caesura{\llap{\musixchar79\kern\h@lf\noteskip}} -\def\coda{\n@iv85\C@coda} -\def\Coda{\n@iv105\C@coda} -\def\C@coda#1{\llap{\@Char{#1}\kern\afterruleskip}} -\def\segno{\n@iv86\@Char} -\def\Segno{{\keychar110}} -\def\shake{\n@iv87\@Char} -\def\Shake{\n@iv88\@Char} -\def\Shakel{\n@iv106\@Char} -\def\Shakenw{\n@iv107\@Char} -\def\Shakesw{\n@iv108\@Char} -\def\Shakene{\n@iv109\@Char} -\def\mordent{\n@iv89\@Char} -\def\Mordent{\n@iv119\@Char} -\def\doublethumb{\n@iv121\@Char} -\def\trt#1{\loffset{0.65}{\shake{#1}}\roffset{0.65}{\mordent{#1}}} - - -\def\tr#1{\loffset{0.15}{\zcn{#1}{\ppff tr}}} % \loffset added version 1.23 RDT -\def\xtr#1{\raise1.25\internote\hbox{\n@iv111\zcn{#1}\C@ChaR}} % added version 1.23 RDT -\def\ptr#1{\raise1.25\internote\hbox{\n@iv117\zcn{#1}\C@ChaR}} % added version 1.23 RDT -%\def\Xtr#1{\wholeshift{\xtr{#1}}} % unnecessary? - -%%% accents - -\def\upbow{{\musixfont\@xxiii}} -\def\downbow{{\musixchar22}} - -\def\flageolett{\n@iv120\uacc@Char} -\def\usfz{\n@iv\tw@nty \uacc@Char} -\def\lsfz{\n@iv21\lacc@Char} -\def\dsfz{\lsfz} -\def\upz{\n@iv\@xxiv \uacc@Char} -\def\lpz{\n@iv\@xxv \lacc@Char} -\def\dpz{\lpz} -\def\ust{\n@iv\@xxvi \uacc@Char} -\def\lst{\n@iv\@xxvii \lacc@Char} -\def\dst{\lst} -\def\uppz{\n@iv28\uacc@Char} -\def\lppz{\n@iv\@xxix \lacc@Char} -\def\dppz{\lppz} -\def\usf{\n@iv30\uacc@Char} -\def\lsf{\n@iv31\lacc@Char} -\def\dsf{\lsf} -\def\upzst{\n@iv18\uacc@Char} -\def\lpzst{\n@iv19\lacc@Char} -\def\dpzst{\lpzst} - -\def\uacc@Char#1{\check@staff - \inhgetn@i#1\relax \relax - \ifnum\n@i<\@ight \ifodd\n@i \else\advance\n@i\@ne \fi \fi - \zchar\n@i\C@ChaR - \fi} - -\def\lacc@Char#1{\check@staff - \inhgetn@i#1\relax \relax - \ifnum\n@i>\@ne \ifodd\n@i \else\advance\n@i\m@ne \fi \fi - \zchar\n@i\C@ChaR - \fi} - -\def\C@ChaR{\musixfont\char\n@iv} - - %%% accents on beams (correction proposed by Klaus Bechert) - -\def\acc@ubalk{\acc@balk>\@ne} -\def\acc@lbalk{\acc@balk<\m@ne} -\def\acc@balk#1#2#3{\s@l@ctbeam#3\relax \getcurpos \advance\y@v\txt@ff - \advance\y@v-\b@x \y@ii\b@p\y@v \divide\y@ii\tw@nty \advance\y@ii\b@z - \ifnum\b@n#1#2\relax \advance\y@ii\b@n\interbeam - \advance\y@ii-#2\interbeam \fi - \advance\y@ii-\altportee \raise\y@ii\rlap\balk@accent} -\let\balk@accent\C@ChaR - -%\def\bflageolett{\n@iv120\acc@ubalk} -\def\busfz{\n@iv\tw@nty \acc@ubalk} -\def\blsfz{\n@iv21\acc@lbalk} -%\def\bdownbow{\n@iv22\acc@ubalk} -%\def\bupbow{\n@iv\@xxiii \acc@lbalk} -\def\bupz{\n@iv\@xxiv \acc@ubalk} -\def\blpz{\n@iv\@xxv \acc@lbalk} -\def\bust{\n@iv\@xxvi \acc@ubalk} -\def\blst{\n@iv\@xxvii \acc@lbalk} -\def\buppz{\n@iv28\acc@ubalk} -\def\blppz{\n@iv\@xxix \acc@lbalk} -\def\busf{\n@iv30\acc@ubalk} -\def\blsf{\n@iv31\acc@lbalk} -%\def\bupzst{\n@iv18\acc@ubalk} -%\def\blpzst{\n@iv19\acc@lbalk} - -% The next macros puts triplets (and others def'd with \txt) on beams - -\def\butext#1{\txt@ff\qn@width - \def\balk@accent{\uplap{\lrlap{\kern\tw@\txt@ff\txtfont\txt}\kern\internote}}% - \acc@ubalk{#1}\txt@ff\h@lf\qn@width \let\balk@accent\C@ChaR} - -\def\bltext#1{\txt@ff\z@ - \def\balk@accent{\vbox\@to\z@{\kern\internote\txtfont\lrlap\txt\vss}}% - \acc@lbalk{#1}\txt@ff\h@lf\qn@width \let\balk@accent\C@ChaR} - -%%% end of accents on beams (correction proposed by Klaus Bechert) - -%%% crescendo, decrescendo - -% These macros puts variable size (de)crescendo marks. -% \(de)crescendo{#1} #1=length (any TeX dimension, max 192pt(\simeq 68mm)) - -\def\C@cresc#1{\y@iv#1\n@v\y@iv - \sp@pt\@ne \advance\n@v\thr@@ % sp->pt round up - \divide\n@v\si@ % the next is 6pt(notehead) wider - \max@n@v\@xxxii - \min@n@v\@ne % clip to extremities - \advance\n@v\n@ii % first character position (-1) - \mxsps\char\n@v} - -\def\crescendo{\n@ii\@lxxxiii \C@cresc} -\def\decrescendo{\n@ii\@cxv \C@cresc} - -\newskip\@icresc -\def\icresc{\getcurpos\global\@icresc\y@v } -\def\tcresc{\n@ii\@lxxxiii \C@cre} -\def\tdecresc{\n@ii\@cxv \C@cre} -\def\C@cre{\getcurpos\advance\y@v-\@icresc \kernm\y@v\C@cresc\y@v\kern\y@v} - -%%% pedal signs - -\def\raiseped{-5} - -\def\sPed{\musixchar34} -\def\sPED{% -\zchar\raiseped\sPed% -\getcurpos\advance\y@v1.6ex\global\pdl@pos\y@v% -\xdef\pdl@instr{\the\noinstrum@nt}\xdef\pdl@staff{\the\noport@@}% save current instrument and staff -} - -\def\Ped{\musixchar35} -\def\PED{% -\zchar\raiseped\Ped% -\getcurpos\advance\y@v2.8ex\global\pdl@pos\y@v% -\xdef\pdl@instr{\the\noinstrum@nt}\xdef\pdl@staff{\the\noport@@}% save current instrument and staff -} -\def\Dep{\musixchar33} -\def\DEP{% -\zchar\raiseped\Dep% -\global\pdl@pos\z@% -} -\def\sDep{\musixchar104} -\def\sDEP{% -\zchar\raiseped\sDep% -\global\pdl@pos\z@% -} - -%%% pedal brackets version 1.21 RDT -%% -%% \pdld pedal down -%% \pdlu pedal up -%% \pdlud pedal up and immediately down - -\newdimen\pdl@pos % cursor position for pedal down -\global\pdl@pos\z@ - -\def\pdld{\hbox{\hroff{% -\raise\raiseped\internote\hbox{\vrule height2ex depth0.5pt width0.5pt}% -\getcurpos\global\pdl@pos\y@v% -% save current instrument and staff -\xdef\pdl@instr{\the\noinstrum@nt}\xdef\pdl@staff{\the\noport@@}% -}}}% - -\def\pdlu{\hbox{\hroff{\getcurpos\advance\y@v-\pdl@pos%% compute length of horizontal rule -\kern-\y@v% -\raise\raiseped\internote\hbox{% -\vrule height-0.5pt depth1pt width\y@v% -\vrule height2ex depth0.5pt width0.5pt %% pedal up -}}}% -\global\pdl@pos\z@}% - -\newbox\bigwedgebox % 1.22 RDT -\def\pdlud{\hbox{\hroff{\getcurpos\advance\y@v-\pdl@pos%% compute length of horizontal rule -\kern-\y@v% -\thinmuskip=2mu% -\setbox\bigwedgebox=\hbox{$\!\bigwedge\!$}% -\def\halfwidthbigwedge{0.5\wd\bigwedgebox}% -\advance\y@v-\halfwidthbigwedge% -\raise\raiseped\internote% -\hbox{% -\vrule height-0.5pt depth1pt width\y@v% draw horizontal rule -\kern\halfwidthbigwedge% -\raise0.33ex\lrlap{$\bigwedge$}% pedal up and down -}% -\getcurpos\advance\y@v\halfwidthbigwedge\global\pdl@pos\y@v% -}}}% - -%% cut pedal rule at line end -%% -% compute length of horizontal rule -\def\pdlc@{\getcurpos\advance\y@v-\pdl@pos% -\kern-\y@v\raise\raiseped\internote\hbox{% -\vrule height-0.5pt depth1pt width\y@v %% draw horizontal rule -}}% - -%%% fermata - -\def\fermataup{\n@iv80\@Char} -\def\fermatadown{\n@iv81\@Char} -% center on whole note -\def\Fermataup#1{\wholeshift{\fermataup{#1}}} -\def\Fermatadown#1{\wholeshift{\fermatadown{#1}}} - -%%% trills - -\def\trilleX{\let\T@i\empty \C@trille} -\let\trille\trilleX -\def\TrilleX{\def\T@i{\ppff tr }\C@trille} % 1.24 changed from \it RDT -\let\Trille\TrilleX -\def\C@trille#1#2{\zcharnote{#1}{\y@v#2\noteskip \trill@}} - -\let\maxtrilles\si@ -% \maxtrilles and \@itrille[i] are only for obsolete Legacy \trillC -% and \TrillC; not related with new register allocation code. Leave -% it as-is. [version 1.15] - -\newskip\@itrillei -\newskip\@itrilleii -\newskip\@itrilleiii -\newskip\@itrilleiv -\newskip\@itrillev -\newskip\@itrillevi - - %\def\s@l@cttrille#1\relax{% - % \n@i#1\relax \ifnum\n@i<\z@ \n@i\@c \fi - % \ifnum\n@i<\maxtrilles \else - % \n@i\z@ \errmessage{Wrong trill number!}\fi - % \advance\n@i\@ne - % \edef\@itrille{\csname @itrille\roman@n@i}% dimen (altportee) - % }% select trill - - -\def\itrille{\itrill@old{0}} -\def\ttrille{\ttrill@old{0}} -\def\tTrille{\tTrill@old{0}} - -\def\itrill@old#1{\s@l@cttrill#1\relax - \ifdim\tr@x < \maxdimen\errmessage{\@mis \noexpand\Ttrille \number #1}\fi - \getcurpos\global\tr@y\y@v} -\def\ttrill@old#1{\s@l@cttrill#1\relax - \message{\noexpand\tr@x=\the\tr@x, No. #1}% - \ifdim\tr@x < \maxdimen\else\errmessage{\@mis \noexpand\Itrille \number #1}\fi - \let\T@i\empty \C@tri} -\def\tTrill@old#1{\s@l@cttrill#1\relax - \message{\noexpand\tr@x=\the\tr@x, No. #1}% - \ifdim\tr@x < \maxdimen\else\errmessage{\@mis \noexpand\Itrille \number #1}\fi - \def\T@i{\ppff tr }\C@tri} % 1.24 changed from \it RDT - -\def\C@tri#1{\getcurpos\advance\y@v-\tr@y \kernm\y@v - \zcharnote{#1}\trill@\kern\y@v\let\T@i\empty\let\@itrille\undefined} -\def\trill@{\hbox\@to\y@v{\T@i\leaders\hbox{\musixchar69}\hfill}} - -%%%%%% - -% \let\maxtrills\si@ % here disabled to avoid conflict with new register allocation code -% [version 1.15] moved out to the new register allocation code -% \newskip\tr@xi \tr@xi\maxdimen\relax % starting horizontal pos -% \newtoks\tr@swi % heading of trill -% \newskip\tr@yi % height of trill - -\newcount\tr@number - -\def\tr@loop{\tr@number\z@ \loop\ifnum\tr@number<\maxtrills - \s@l@cttrill\tr@number\relax - \advance\tr@number\@ne } - -\def\s@l@cttrill#1\relax{% - \n@i#1\relax \ifnum\n@i<\z@ \n@i\@c \fi - \ifnum\n@i<\maxtrills \else - \count@\maxtrills \advance\count@\m@ne - \errmessage{Wrong trill reference number \the\n@i! (valid: 0 to \the\count@)}% [version 1.15] - \n@i\z@ % [version 1.15] - \fi - \advance\n@i\@ne - \xdef\tr@x{\csname tr@x\roman@n@i}% - \xdef\tr@y{\csname tr@y\roman@n@i}% - \xdef\tr@sw{\csname tr@sw\roman@n@i}% - }% select octiaviation line - -%\newskip\tr@x \tr@x\maxdimen\relax % starting horizontal pos -%\newskip\tr@y % height of trill - -\def\Itrille#1{\s@l@cttrill#1\relax - \ifdim\tr@x < \maxdimen\errmessage{\@mis \noexpand\Ttrille \number #1}\fi - \global\tr@sw={\relax}% - \C@T} -\def\ITrille#1{\s@l@cttrill#1\relax - \ifdim\tr@x < \maxdimen\errmessage{\@mis \noexpand\Ttrille \number #1}\fi - \global\tr@sw={{\ppff tr }}% 1.24 changed from \it RDT - \C@T} - -\def\C@T#1{% - \getcurpos\global\tr@x\y@v % store horizontal pos - \inhgetn@i#1\relax\pl@base\advance\y@i\altportee % get absolute height - \global\tr@y\y@i } - -\def\Ttrille#1{\s@l@cttrill#1\relax - \ifdim\tr@x < \maxdimen\else\errmessage{\@mis \noexpand\Itrille \number #1}\fi - \advance\tr@y-\altportee \let\T@ii\char \C@TR \global\tr@x\maxdimen } - \let\TTrille\Ttrille - -\def\C@TR{% - \ifx\T@ii\n@ii \y@v\lin@pos \else \getcurpos \fi - \advance\y@v-\tr@x \kernm\y@v \raise\tr@y\hbox\@to\y@v{% -% \the\tr@sw\xleaders\hbox{\musixchar69}\hfill\T@ii\n@ii}}% -% Correction by Julian Gilbey - \the\tr@sw\xleaders\hbox{\musixchar69}\hfill}}% - -%%% tremolos version 1.19 RDT -%%% based on code by Werner Icking and Andre van Ryckeghem -%%% version 1.20 RDT re-defined using \raise, suggested by JPC -%%% version 1.21 -%%% RDT changed beam numbers to 5, suggested by JPC -%%% RDT adjusted the vertical positions for 16th and 32nd tremolos -%%% version 1.24 -%%% RDT use new counter \tr@nspose to preserve changes to \transpose in an \hbox - -\newcount\tr@nspose % used to restore value of \transpose after closing an \hbox -\def\trml#1{\raise2\internote\hbox{\loffset{0.5}{\ibl5{#1}9}\roffset{0.5}{\tbl5}\global\tr@nspose\transpose}\transpose\tr@nspose}% -\def\trmu#1{\raise-3\internote\hbox{\loffset{0.5}{\ibu5{#1}9}\roffset{0.5}{\tbu5}\global\tr@nspose\transpose}\transpose\tr@nspose}% -\def\trrml#1{\raise3\internote\hbox{\loffset{0.5}{\ibbl5{#1}9}\roffset{0.5}{\tbl5}\global\tr@nspose\transpose}\transpose\tr@nspose}% -\def\trrmu#1{\raise-4\internote\hbox{\loffset{0.5}{\ibbu5{#1}9}\roffset{0.5}{\tbu5}\global\tr@nspose\transpose}\transpose\tr@nspose}% -\def\trrrml#1{\raise3\internote\hbox{\loffset{0.5}{\ibbbl5{#1}9}\roffset{0.5}{\tbl5}\global\tr@nspose\transpose}\transpose\tr@nspose}% -\def\trrrmu#1{\raise-4\internote\hbox{\loffset{0.5}{\ibbbu5{#1}9}\roffset{0.5}{\tbu5}\global\tr@nspose\transpose}\transpose\tr@nspose}% - -% whole notes are wider than quarter/half notes: -% version 1.21 RDT adjusted the offsets and vertical positions - -\def\Trml#1{\raise3\internote\hbox{\ibl5{#1}9\roffset{1.25}{\tbl5}\global\tr@nspose\transpose}\transpose\tr@nspose}% -\def\Trmu#1{\raise-4\internote\hbox{\loffset{1.1}{\ibu5{#1}9}\roffset{0.15}{\tbu5}\global\tr@nspose\transpose}\transpose\tr@nspose}% -\def\Trrml#1{\raise3\internote\hbox{\ibbl5{#1}9\roffset{1.25}{\tbl5}\global\tr@nspose\transpose}\transpose\tr@nspose}% -\def\Trrmu#1{\raise-4\internote\hbox{\loffset{1.1}{\ibbu5{#1}9}\roffset{0.15}{\tbu5}\global\tr@nspose\transpose}\transpose\tr@nspose}% -\def\Trrrml#1{\raise3\internote\hbox{\ibbbl5{#1}9\roffset{1.25}{\tbl5}\global\tr@nspose\transpose}\transpose\tr@nspose}% -\def\Trrrmu#1{\raise-4\internote\hbox{\loffset{1.1}{\ibbbu5{#1}9}\roffset{0.15}{\tbu5}\global\tr@nspose\transpose}\transpose\tr@nspose}% - -%%% octave lines - -\def\octnumberup{\octnumberdefault\vrule width 0pt height2ex} -\def\octnumberdefault{\smallppff8} % version 1.17 RDT -\def\octnumberdown{\octnumberdefault$^a$\txtfont\kern 0.3em bassa\vrule width 0pt depth \Internote} - -\def\octfinup{\check@staff - \n@v\@xxiii\n@ii\@xxiv\global\o@swz={\@ne}\fi - \C@of} -\def\octfindown{\check@staff - \n@v\@xxv \n@ii\@xxvi\global\o@swz={\z@}\fi - \C@of} -\def\C@of#1#2{\check@staff - \y@v#2\noteskip\zcharnote{#1}{\hbox\@to\y@v{% - \xdef\o@sw{\csname o@swz\endcsname}\relax - \octnumber\mxsps\xleaders\hbox{\char\n@v}\hfill\char\n@ii}}% - \fi} - -%%%%%% -% selecting \octnumber??? according to \o@sw -\def\octnumber{% \show\o@sw - \setbox\w@rkbox\hbox{% - \ifnum \@ne=\the\o@sw\relax \octnumberup - \else \octnumberdown - \fi}% - \ifdim \wd\w@rkbox>\y@v\setbox\w@rkbox\hbox{\octnumberdefault}\fi - \box\w@rkbox -} - - -%%%%%% - -% \let\maxoctlines\si@ % here disabled to avoid conflict with new register allocation code, except for \o@swz -% [version 1.15] moved out to the new register allocation code -% \newskip\o@xi \o@xi\maxdimen\relax % starting horizontal pos -% \newskip\o@yi % height of octline -\newtoks\o@swz % sense of octline for \octfin[up][down] without number -% \newtoks\o@swz % sense of octline for \octfin[up][down] without number - -\newcount\o@number - -\def\o@loop{\o@number\z@ \loop\ifnum\o@number<\maxoctlines - \s@l@ctoctline\o@number\relax - \advance\o@number\@ne } - -\def\s@l@ctoctline#1\relax{% - \n@i#1\relax \ifnum\n@i<\z@ \n@i\@c \fi - \ifnum\n@i<\maxoctlines \else - \count@\maxoctlines \advance\count@\m@ne - \errmessage{Wrong octaviation line reference number \the\n@i! (valid: 0 to \the\count@)}% [version 1.15] - \n@i\z@% [version 1.15] - \fi - \advance\n@i\@ne - \xdef\o@x{\csname o@x\roman@n@i}% - \xdef\o@y{\csname o@y\roman@n@i}% - \xdef\o@sw{\csname o@sw\roman@n@i}% - }% select octiaviation line - -%\newskip\o@x \o@x\maxdimen\relax % starting horizontal pos -%\newskip\o@y % height of octline - -\def\ioctfinup{\Ioctfinup0} -\def\ioctfindown{\Ioctfindown0} -\def\Ioctfinup#1{\check@staff - \s@l@ctoctline#1\relax - \ifdim\o@x < \maxdimen\errmessage{\@mis \noexpand\Toctfin \number #1}\fi - \global\o@sw={\@ne}\fi - \C@O} -\def\Ioctfindown#1{\check@staff - \s@l@ctoctline#1\relax - \ifdim\o@x < \maxdimen\errmessage{\@mis \noexpand\Toctfin \number #1}\fi - \global\o@sw={\z@}\fi - \C@O} - -\def\C@O#1{\check@staff - \getcurpos\global\o@x\y@v % store horizontal pos - \inhgetn@i#1\relax\pl@base\advance\y@i\altportee % get absolute height - \global\o@y\y@i - \fi} % clise check@staff in Ioctfinup/down - -\def\toctfin{\Toctfin0} -\def\Toctfin#1{\check@staff - \s@l@ctoctline#1\relax - \advance\o@y-\altportee \let\T@ii\char \C@TO \global\o@x\maxdimen - \fi} - -\def\C@TO{\check@staff - \ifnum \@ne=\the\o@sw - \n@v\@xxiii \n@ii\@xxiv \else \n@v\@xxv \n@ii\@xxvi \fi - \ifx\T@ii\n@ii \y@v\lin@pos \else \getcurpos \fi - \advance\y@v-\o@x \kernm\y@v \raise\o@y\hbox\@to\y@v{% - \octnumber\mxsps\xleaders\hbox{\char\n@v}\hfill\T@ii\n@ii}\relax - \fi}% - -% Liftoctline #1 refnumber #2 lift[steps of internote] - -\def\Liftoctline#1#2{\n@i#1\advance\n@i\@ne - \advance\csname o@y\roman@n@i#2\internote} - -%%% some specials - -% \def\metron#1#2{{\stemlength\f@ur\noteskip\t@n\p@ #1 1\ = #2}} -% version 1.19 RDT: -\let\lyricson\relax -\let\lyricsoff\relax -\def\metron#1#2{{\lyricsoff\stemlength\f@ur\noteskip\t@n\p@ #1 1\ = #2\lyricson}} -\def\metronequiv#1#2{{\lyricsoff\stemlength\f@ur\noteskip\t@n\p@ #1 1\ = #2 1\lyricson}} - - -\def\txt{3} -\def\xtuplet#1#2{\n@iv#1\advance\n@iv\m@ne {\sign@skip=\n@iv\noteskip - \sign@skip=0.5\sign@skip \xdef\half@sign@skip{\the\sign@skip}}% - \zcharnote{#2}{\kern\h@lf\qn@width\kern \half@sign@skip\lrlap{\txtfont#1\/\/}}} -\def\triolet{\xtuplet\txt} % version 1.17 RDT -\def\xxtuplet#1:#2#3{\n@iv#1\advance\n@iv\m@ne {\sign@skip=\n@iv\noteskip - \sign@skip=0.5\sign@skip \xdef\half@sign@skip{\the\sign@skip}}% - \zcharnote{#3}{\kern\h@lf\qn@width\kern \half@sign@skip\lrlap{\txtfont{#1:#2\/\/}}}} - -% -% Following definitions based on tuplet.tex - conventional tuplet brackets for MusiXTeX. -% Col. G. L. Sicherman. Last revised 2003-05-17. -% -% Added to musixtex.tex version 1.16 by RDT. -% -% Standard MusiXTeX uses \uptrio and \downtrio to print tuplet brackets. -% We define \uptuplet and \downtuplet, with the same arguments: -% -% #1 : starting pitch -% #2 : width of bracket, in (\noteskip)s -% #3 : slope of bracket, in multiples of 1-1/8 degrees -% -% The user defines the text to appear in the opening as \tuplettxt. -% This is to avoid conflicting with the \txt in standard MusiXTeX. -% -% Examples: -% -% Draw a triplet bracket over the notes, starting at pitch "p", -% 1.25\noteskip wide, with a slope up of 3-3/8 degrees: -% -% \uptuplet p{1.25}3 -% -% Draw a sextuplet bracket under the notes, starting at pitch "a", -% 2.5\noteskip wide, with a slope down of 4-1/2 degrees: -% -% \def\tuplettxt{6\/\/} -% \downtuplet{a}{2.5}{-4} -% -% Send comments, complaints, and bouquets to the Colonel at -% . -% - -% Standard MusiXTeX prints a small "3" (or other number) within -% the bracket. Here we print the "3" in an opening in the bracket, -% so we need not use a small font. -% -% The double italic correction compensates for centering the number -% on the bracket line. - -\def\tuplettxt{3\/\/} - -%%% The rest is adapted from standard MusixTeX. - -\newdimen\y@vii % x of right end of left part of bracket. -\newdimen\y@viii % x of left end of right part of bracket. -\newdimen\y@ix -\newbox\tuptxtb@x - -% v@rline #1=height[dimen] #2=length[dimen] #3=slope (1\eqiv 1.125degree) -% (comments and ideas from Ian Collier) (from -20 upto 20 ) -% This macro is used by some of the others which follow, -% using it directly it must be set in zero box - -\def\v@rline#1#2#3{\n@v#3\y@i#2% - \setbox\tuptxtb@x\hbox{\hskip1pt\txtfont\tuplettxt\hskip1pt}% - \y@vii=\h@lf\y@i\advance\y@vii-\h@lf\wd\tuptxtb@x% - \n@ii-\tw@nty \min@n@v\n@ii - \max@n@v\tw@nty \n@iii\n@v - \ifnum\n@v<\z@ \n@v-\n@v \advance\n@v\tw@nty \fi % offset to lower linechars - \advance\n@v\@xxix - \setbox\ch@box\hbox{\mxsps\char\n@v}% - \ifdim\y@vii<\wd\ch@box \y@vii\wd\ch@box\fi% At least one whole segment! - \y@viii=\y@i\advance\y@viii-\y@vii% - \y@iv\wd\ch@box \y@ii\qu@rt\p@ \y@ii\n@iii\y@ii \y@iii\z@ - \raise#1\internote\hbox{\mxsps\char\n@iv -% -% Build bracket with slanted line segments of width 10pt. -% Left part of bracket: -% - \loop\ifdim\y@iv<\y@vii\raise\y@iii\copy\ch@box - \advance\y@iv\wd\ch@box \advance\y@iii\y@ii \repeat -% -% last element -% -% \finalheight=2.5\completewidth -% \finalheight=\n@iii\finalheight -% \divide\finalheight by 100 -% \advance\overlapwidth by -\completewidth -% \stepheight=-2.5\overlapwidth -% \stepheight=\n@iii\stepheight -% \divide\stepheight by 100 -% \advance\curheight by \stepheight -% \kern -\overlapwidth \raise\curheight \box\ch@box -% - \y@ix=\y@vii\advance\y@ix-\y@iv\hbox to\y@ix{\hss}% - \y@ix\y@vii\advance\y@ix-\wd\ch@box% - \y@iii\n@iii\y@ix\y@iii2\h@lf\y@iii\divide\y@iii\@c\raise\y@iii\copy\ch@box% -% -% Text: -% - \y@v2\h@lf\y@i \y@v\n@iii\y@v \divide\y@v\@c% - \y@ix=-\y@vii \advance\y@ix\h@lf\y@i \advance\y@ix-\h@lf\wd\tuptxtb@x% - \hbox to\y@ix{\hss}% - \y@iii\h@lf\y@v \raise\y@iii\vbox to\z@{% - \vss{\copy\tuptxtb@x}\vss} - \y@ix=\y@viii \advance\y@ix-\h@lf\y@i \advance\y@ix-\h@lf\wd\tuptxtb@x - \hbox to\y@ix{\hss}% To start of right part. No-op unless bracket is short. -% -% Right part of bracket: -% - \y@iii2\h@lf\y@viii \y@iii\n@iii\y@iii \divide\y@iii\@c% - \y@iv=\y@viii \advance\y@iv\wd\ch@box% - \loop\ifdim\y@iv<\y@i\raise\y@iii\copy\ch@box% - \advance\y@iv\wd\ch@box \advance\y@iii\y@ii \repeat -% -% Finish off the right part: -% - \y@iii\y@i\advance\y@iii-\wd\ch@box\y@iii2\h@lf\y@iii\y@iii\n@iii\y@iii% - \y@ix=\y@i\advance\y@ix-\y@iv\hbox to\y@ix{\hss}% - \divide\y@iii\@c% - \raise\y@iii\copy\ch@box% -% - \raise\y@v\hbox{\mxsps\char\n@iv}}} -% -% y@i =complete length -% y@ii =height of linechar -% y@iii =current height -% y@iv =current width -% y@v =height of ending line -% y@vii =width of left segment of bracket -% y@viii=y@vii + width of opening -% y@ix =adjustment register -% -% n@iii=slope -% n@iv =(number of char for hooks) -% n@v =slope (number of linechar) - -\def\X@bkt#1#2#3{\y@v#2\noteskip \advance\y@v\wn@width - \inhgetn@i#1\relax \rlap{\kernm\p@ne\qn@width\v@rline\n@i\y@v{#3}}} - -\def\uptuplet{\n@iv22\X@bkt} -\def\downtuplet{\n@iv21\X@bkt} - -%\check - -\def\zbreath{\check@staff\raise\si@\internote\rlap{\BIGtype'}\fi} -\def\cbreath{\check@staff\adv@box{\raise\si@\internote - \hbox\@to\noteskip{\hss\BIGtype'\hss}}\fi} - -% The following macros can be used to surround a note by parentheses -% \l[r]par p produces a left[right] parenthesis at pitch p (Ian Collier) - -\def\lpar{\n@iv\thr@@ \@Char} -\def\rpar{\n@iv\f@ur \@Char} - -% \bracket pn draws a square bracket [ to bracket an interval -% of an n-th whose lowest note is p (Ian Collier) - -\def\bracket#1#2{\y@iv#2\internote \advance\y@iv\tw@\internote - \inhgetn@i#1\relax\pl@base \advance\y@i-1\h@lf\internote - \raise\y@i\llap{\uplap{\offinterlineskip\hbox{\mxsps\@xxvii}% - \hbox{\vrule\@height\y@iv}\hbox{\mxsps\@xxvii}}}} - -%%% dynamics - -\def\f@kern{\kernm\p@ne ex} -\def\p@kern{\kernm\p@ne5ex} - -\def\f{{\ppff f}} -\def\ff{{\ppff f\f@kern f}} -\def\fp{{\ppff f\f@kern p}} -\def\sF{{\ppff s\ppff \p@kern f}} % changed \it to \ppff 1.24 RDT -\def\fff{{\ppff f\f@kern f\f@kern f}} -\def\ffff{{\ppff f\f@kern f\f@kern f\f@kern f}} -\def\mf{{\ppff m\p@kern\f@kern f}} -\def\mp@{{\ppff m\p@kern p}} -\let\mezzopiano\mp@ -\def\p{{\ppff p}} -\def\pp{{\ppff p\p@kern p}} -\def\ppp{{\ppff p\p@kern p\p@kern p}} -\def\pppp{{\ppff p\p@kern p\p@kern p\p@kern p}} -\def\sfz{{\ppff s\p@kern f\f@kern z}} % version 1.16 -\def\sfzp{{\ppff s\p@kern f\f@kern z\p@kern p}} % version 1.16 - -%%% spacings - -% if you want to reduce the space behind e.g. \changecontext, use -% \addspace{dim} ! Only scaleable values are allowed ! - -\def\addspace#1{\kern#1\global\advance\x@skip#1} - -% \hardspace inserts (reduces) outside of \notes..\en unscaleable space - -\let\fil@spc\empty -\def\hardspace#1{\check@nopen\t@rmskip\y@v#1\addspace\y@v\fil@spc} - -\def\off#1{\advance\locx@skip#1\kern#1} -\def\sk{\off\noteskip} -\def\hsk{\off{\h@lf\noteskip}} -\def\bsk{\off{-\noteskip}} -\def\hbsk{\off{-\h@lf\noteskip}} % version 1.27 RDT - -%% -% Redefine \qsk to be scaleable softwidth rather than a fixed kern -% Otherwise, over/underfull boxes will occur on rescaled (pass 2) material -%% - -\def\qqsk{\off{\qu@rt\@l@mskip}} % version 1.16 RDT -\def\hqsk{\off{\h@lf\@l@mskip}} -\def\tqsk{\off{\p@seven\@l@mskip}} % version 1.25 RDT -\def\qsk{\off\@l@mskip} -\def\bhsk{\off{-\h@lf\@l@mskip}} % version 1.27 RDT -\def\btsk{\off{-\p@seven\@l@mskip}} % version 1.27 RDT -\def\bqsk{\off-\@l@mskip} % version 1.27 RDT - -\def\nspace{\hardspace{\h@lf\qn@width}} -\def\qspace{\hardspace\qn@width} - -%%% notes spacing - -\def\arithmeticskipscale{% - \def\znotes{\vnotes0\elemskip} - \def\notes{\vnotes2\elemskip}% 16th - \def\notesp{\vnotes2\h@lf\elemskip}% 16th point=8 trio - \def\Notes{\vnotes3\elemskip}% 8th - \def\Notesp{\vnotes3\h@lf\elemskip}% 8th point=4 trio - \def\NOtes{\vnotes4\elemskip}% 4th - \def\NOtesp{\vnotes4\h@lf\elemskip}% 4th point - \def\NOTes{\vnotes5\elemskip}% 2th - \def\NOTesp{\vnotes5\h@lf\elemskip}% 2th point - \def\NOTEs{\vnotes6\elemskip}% 1th - \def\NOTEsp{\undefined}% - \def\NOTES{\undefined}% -}% - -\def\geometricskipscale{% - \def\znotes{\vnotes0\elemskip} - \def\notes{\vnotes2\elemskip}% 16th - \def\notesp{\vnotes2.38\elemskip}% 16th point=8 trio - \def\Notes{\vnotes2.83\elemskip}% 8th - \def\Notesp{\vnotes3.36\elemskip}% 8th point=4 trio - \def\NOtes{\vnotes4\elemskip}% 4th - \def\NOtesp{\vnotes4.76\elemskip}% 4th point - \def\NOTes{\vnotes5.66\elemskip}% 2th - \def\NOTesp{\vnotes6.72\elemskip}% 2th point - \def\NOTEs{\vnotes8\elemskip}% 1th - \def\NOTEsp{\vnotes9.52\elemskip}% 1th - \def\NOTES{\vnotes11.32\elemskip}% 1th -}% - -\def\nnotes{\vnotes1.6\elemskip} % version 1.16 RDT (corrected 2015-03-31) -\def\nnnotes{\vnotes1.28\elemskip} % version 1.16 RDT (corrected 2015-03-31) - -\arithmeticskipscale - -\def\scale#1{\def\scalenoteskip{#1}} -\let\scalenoteskip\normalvalue - -\def\multnoteskip#1{\noteskip#1\noteskip} - -\def\vnotes#1\elemskip{\noteskip#1\@l@mskip \@vnotes} - -\let\V@sw\z@ -%\def\varnotes#1{\t@rmskip \let\V@sw\@ne -% \setbox\ch@box\hbox{#1}\noteskip\wd\ch@box \@vnotes} - -\def\hardnotes#1\notes{\t@rmskip \let\V@sw\@ne - \noteskip#1\relax \@vnotes} - -\let\thelyrics\empty -%\def\hardlyrics#1\notes{\t@rmskip \let\V@sw\@ne \def\thelyrics{\hbox{#1}}% -% \setbox\ch@box\thelyrics \noteskip\wd\ch@box \@vnotes} -\def\softlyrics#1{\def\thelyrics{\hbox{#1}}}% -\def\hardlyrics#1\notes{\t@rmskip \let\V@sw\@ne - \let\save@noteskip\noteskip - \def\noteskip{\z@\relax\errmessage{You cannot use \noexpand\noteskip - in \noexpand\hardlyrics's 1st argument!}}% - \def\thelyrics{\hbox{#1}}% - \setbox\ch@box\thelyrics \let\noteskip\save@noteskip - \noteskip\wd\ch@box \@vnotes} - - -\def\@vnotes{\multnoteskip\scalenoteskip - \def|{\nextstaff}\def&{\nextinstrument}\normaltranspose\transpose - \check@nopen\notes@open\@ne - \kern\n@skip\advance\x@skip\n@skip \locx@skip\x@skip - \n@skip\noteskip \noinstrum@nt\z@ \begininstrument} - -\def\en{\@ndstaff\notes@open\z@ - \ifnum\V@sw>0\t@rmskip - \fi - \let\thelyrics\empty} -\let\enotes\en - -\newcount\notes@open - -\def\check@nopen{% - \ifnum\notes@open>\z@ \en\errmessage{\@mis\noexpand\enotes ->}\fi} - -%%% text, lyrics, free positioning of chars - -\def\pl@base{\y@i\n@i\internote} -\def\lrlap#1{\rlap{\hss#1}} -\def\hard@box#1{\rlap{\hbox\@to\noteskip{#1\hfil}}} -\def\dhard@box#1{\rlap{\hbox\@to\tw@\noteskip{#1\hfil}}} -\def\thard@box#1{\rlap{\hbox\@to\thr@@\noteskip{#1\hfil}}} - -\def\zcharnote{\let\@Ti\rlap \C@ch} -\def\lcharnote{\let\@Ti\llap \C@ch} -\def\ccharnote{\let\@Ti\lrlap \C@ch} -\def\hcharnote{\let\@Ti\hard@box \C@ch} -\def\charnote#1#2{\zcharnote{#1}{#2}\sk} - -\def\zcn{\zcharnote} % version 1.16 -\def\ccn{\ccharnote} -\def\lcn{\lcharnote} - -\def\C@ch#1#2{\check@staff\inhgetn@i#1\relax\pl@base\raise\y@i\@Ti{#2}\fi} - -\def\zmidstaff{\let\@Ti\rlap \C@mid} -\def\lmidstaff{\let\@Ti\llap \C@mid} -\def\cmidstaff{\let\@Ti\lrlap \C@mid} - -\def\C@mid#1{\check@staff\y@v\interportee \advance\y@v\f@ur\Interligne \divide\y@v\tw@ - \raise\y@v\uplap{\@Ti{\strut#1}\vss}\fi} - -\def\zchar#1#2{\check@staff\raise#1\internote\rlap{#2}\fi} -\def\lchar#1#2{\check@staff\raise#1\internote\llap{#2}\fi} -\def\cchar#1#2{\check@staff\raise#1\internote\lrlap{#2}\fi} -\def\hchar#1#2{\check@staff\raise#1\internote\hard@box{#2}\fi} - -\def\uptext#1{\check@staff\zchar\t@n{#1}\fi} -\def\Uptext#1{\check@staff\zchar\fourt@@n{#1}\fi} - -\def\setsongraise#1#2{\n@v#1\relax % select instrument - \expandafter\def\csname T@R\romannumeral\n@v\endcsname{#2}} - -% [version 1.15] moved out to the new register allocation code -% \let\T@Ri\z@ - -\def\qlrlap#1{\rlap{\hbox to \qn@width{\hss#1\hss}}} -\def\zsong{\let\@Ti\rlap \C@t} -\def\lsong{\let\@Ti\llap \C@t} -\def\csong{\let\@Ti\qlrlap \C@t} -\def\hsong{\let\@Ti\hard@box \C@t} -\def\dhsong{\let\@Ti\dhard@box \C@t} -\def\thsong{\let\@Ti\thard@box \C@t} - -\def\C@t#1{\C@tx{\@Ti{\strut#1}\vss}} - -\def\C@tx{% - \ifnum\noinstrum@nt=\@ne \y@iv\staffbotmarg \else - \advance\noinstrum@nt\m@ne - \y@iv\csname interinstrument\romannumeral\noinstrum@nt\endcsname - \C@Inter \advance\y@iv\stem@skip \divide\y@iv\tw@ - \advance\noinstrum@nt\@ne \fi - \advance\y@iv-\csname T@R\romannumeral\noinstrum@nt\endcsname -%% \advance\noinstrum@nt\@ne \fi - \lower\y@iv\uplap} - -%%% slope lines and brackets - -% varline #1=height[dimen] #2=length[dimen] #3=slope (1\eqiv 1.125degree) -% (comments and ideas from Ian Collier) (from -20 upto 20 ) -% This macro is used by some of the others which follow, -% using it directly it must be set in zero box - -\def\varline#1#2#3{\n@v#3\y@i#2% - \n@ii-\tw@nty \min@n@v\n@ii - \max@n@v\tw@nty \n@iii\n@v - \ifnum\n@v<\z@ \n@v-\n@v \advance\n@v\tw@nty \fi % offset to lower linechars - \advance\n@v\@xxix - \setbox\ch@box\hbox{\mxsps\char\n@v}% - \y@iv\wd\ch@box \y@ii\qu@rt\p@ \y@ii\n@iii\y@ii \y@iii\z@ - \raise#1\internote\hbox{\ifx\@hook\@ne \mxsps\char\n@iv \fi -% main loop - \loop\ifdim\y@iv<\y@i - \raise\y@iii\copy\ch@box\advance\y@iv\wd\ch@box \advance\y@iii\y@ii \repeat -% last element -% -% \finalheight=2.5\completewidth -% \finalheight=\n@iii\finalheight -% \divide\finalheight by 100 -% \advance\overlapwidth by -\completewidth -% \stepheight=-2.5\overlapwidth -% \stepheight=\n@iii\stepheight -% \divide\stepheight by 100 -% \advance\curheight by \stepheight -% \kern -\overlapwidth \raise\curheight \box\ch@box -% - \y@v2\h@lf\y@i \y@v\n@iii\y@v \divide\y@v\@c \advance\y@iv-\y@i - \y@ii-2\h@lf\y@iv \y@ii\n@iii\y@ii \divide\y@ii\@c \advance\y@iii\y@ii - \kernm\y@iv\raise\y@iii\box\ch@box% - \ifx\@hook\@ne \raise\y@v\hbox{\mxsps\char\n@iv}\fi -% text in the middle - \ifx\@text\@ne \ifnum\n@vi=\@ne \y@iii\p@ \else\y@iii-\p@ \fi - \advance\y@iii\h@lf\y@v \kernm\h@lf\y@i\raise\y@iii\vbox\@to\z@{% - \ifnum\n@vi=\@ne \vss \fi\lrlap{\txtfont\txt}\ifnum\n@vi=\@ne \else\vss \fi}\fi}% - \let\@hook\empty \let\@text\empty} -% -% y@i =complete length -% y@ii =height of linechar -% y@iii=current height -% y@iv =current width -% y@v =height of ending line -% -% n@iii=slope -% n@iv =(number of char for hooks) -% n@v =slope (number of linechar) -% n@vi =1 -> text above -% @hook=\@ne -> draws hookrules at begin and end of line -% @text=\@ne -> puts text at the middle of the line (def'd with \txt) - -% \ov[un]bkt{p}{n}{s} draws a bracket over the music starting at the -% current position at pitch p, width n\noteskip and slope s, causing no space -% #1=height (note), #2=length (noteskips) #3=slope (1\eqiv 1.125[degree]) - -\def\ovbkt{\n@iv22\C@bkt} -\def\unbkt{\n@iv21\C@bkt} - -\def\C@bkt#1#2#3{\y@v#2\noteskip \advance\y@v\wn@width \let\@hook\@ne - \inhgetn@i#1\relax \rlap{\kernm\p@ne\qn@width\varline\n@i\y@v{#3}}} - -% \up[down]trio{p}{n}{s} same as above, -% draws \txt (default \eightit 3) above[below] in the middle -% #1=height (note), #2=length (noteskips) #3=slope (1\eqiv 1.125[degree]) - -\def\uptrio{\n@vi\z@ \let\@text\@ne \ovbkt} -\def\downtrio{\n@vi\@ne \let\@text\@ne \unbkt} - -% -% slide #1=height #2=number of elements #3=slope(-8 to 8 [step 10degree]) -% -\def\slide#1#2#3{\n@ii#3\relax\inhgetn@i#1\relax% - \ifnum\n@ii>\m@ne \advance\n@ii\m@ne\let\@Ti\raise - \else \n@ii-\n@ii \advance\n@ii\s@v@n\let\@Ti\lower \fi - \setbox\toks@box\hbox{\mxsps\char\n@ii}\n@iii\z@ - \raise\n@i\internote\rlap{\hbox{\loop\ifnum\n@iii<#2% - \@Ti\n@iii\ht\toks@box\copy\toks@box\advance\n@iii\@ne\repeat}}} - -%%% standard settings -% [115] make them compatible to >12 instruments -\def\resetlayout{\def\interfacteur{9}% - \stafftopmarg\thr@@\Interligne \staffbotmarg\thr@@\Interligne - \count@\z@ \loop - \advance\count@ by\@ne - \expandafter \let\csname n@l\roman@c@\endcsname \fiv@ -% \expandafter\def\csname interfacteur\roman@c@\endcsname{\interfacteur} % RDT deleted 1.26 - \ifnum\count@<\maxinstruments\repeat - \resetclefsymbols} - -\def\resetclefsymbols{% - \count@\z@ \loop - \advance\count@ by\@ne - \expandafter \let\csname treblec@s\roman@c@\endcsname \z@ - \expandafter \let\csname altoc@s\roman@c@\endcsname \z@ - \expandafter \let\csname bassc@s\roman@c@\endcsname \z@ - \ifnum\count@<\maxinstruments\repeat -} - -% [version 1.15] setup the default maximum element numbers to the same values of T.114 -\setmaxinstruments\si@ -\setmaxcxxviiibeams\si@ % 128th beam -\setmaxcclvibeams\z@ % 256th beam -\setmaxgroups\thr@@ % groups of inst's or choirs -\setmaxslurs\maxinstruments -\setmaxtrills\maxinstruments -\setmaxoctlines\maxinstruments -% - -% [version 1.15] new register allocation code requires some changes -%\resetlayout % no need -%\let\nbinstruments\maxinstruments % no need -%\normalnotesize % already executed in \setmaxinstruments -\normalmusicsize -\normalnotesize % important: execute it again after the first execute of \normalmusicsize --- to initialize \metron stem length. but why? -%\resetlayout % no need -\def\nbinstruments{1} -\noinstrum@nt1\s@l@ctinstr\internote\Internote -\def\tabstringfnt{\ifdim\internote<.95\Internote \fivess % 1.29 RDT -\else\ifdim\internote<1.19\Internote \sixss -\else\ifdim\internote<1.43\Internote \eightss -\else\niness\fi\fi\fi}% - -%%% -% -% This is muflex.tex version 1.00 , January 1993 -% -% Macro library for MusicTeX `flexiline' operations: MuFlex. -% The idea is to set up a two pass system. -% On the first pass, information about each bar is written to the file -% jobname.mx1. -% After the first pass, an external (non TeX) routine is run to -% determine optimal values of the elemental spacing (\elemskip) -% for each line, so as to properly fill each line, and to lead to -% the piece filling an integral number of lines. -% The relevant parameters are written onto the file -% jobname.mx2. -% On the second pass, the .mx2 file is read in, and the information -% used as described above. -% -% Ross Mitchell, January 1993. -% -%%% - -\newwrite\outmux -\def\fil@{\immediate\write\outmux} - -%% -% \mulooseness is the MuFlex analog of TeX's \looseness parameter: -% the increment to the natural number of lines in the section just -% ended. -%% - -\newcount\mulooseness -% Alternative \linegoal -\newcount\linegoal - -%% -% Invoke \startmuflex before \startpiece to find out the pass number -% and generally get things going. -%% -% !!! If you want (have) to override the .mx1, delete the .mx2 before !!! -% !! You have to change the mx1, if you change the spacing inbetween !! - -\newif\ifstartmuflex@done -\def\startmuflex{% - \ifstartmuflex@done - \immediate\write16{Warning: \noexpand\startmuflex\space - already done, ignored.}% - \else - \startmuflex@donetrue -% \global\let\ifstartmuflex@done\iftrue - \openin\inmux\jobname.mx2\relax - \ifeof\inmux - \immediate\openout\outmux\jobname.mx1\relax - \fil@{\mufl@x}% - \pass@I - \else - \message{(\jobname.mx2)}\pass@II - \fi - \fi} - -\let\endmuflex\empty - -\newbox\l@eftrightbox - -\def\leftrightrepeat@I{% - % \setbox\toks@box\l@eftrightrepeat\y@v\wd\toks@box - % \setbox\toks@box\l@eftrepeat\y@iv\wd\toks@box - % \advance\y@v\y@iv \global\advance\x@skip-\y@v - % - \setleftrightrepeat\@bar - \edef\thex@skip{\the\x@skip}% - \setbox\l@eftrightbox\l@eftrightrepeat - \edef\they@v{\the\wd\l@eftrightbox}% - \setbox\l@eftrightbox\l@eftrepeat - \edef\they@iv{\the\wd\l@eftrightbox}% - \global\x@skip\thex@skip - \fil@{l \they@v\space\they@iv}} - -\def\leftrepeat@I{% -% \setbox\toks@box\l@eftrepeat\y@iv\wd\toks@box -% \global\advance\x@skip-\y@iv - \setleftrepeat\@bar - \edef\thex@skip{\the\x@skip}% - \setbox\l@eftrightbox\l@eftrepeat - \edef\they@iv{\the\wd\l@eftrightbox}% - \global\x@skip\thex@skip - \fil@{L \they@iv}} - -% \akkoladen from: "Rainer Dunker" - - -\def\akkoladen#1{% - \def\akk@count{0}% avoid occupying yet another count register - \ifx\empty#1\else\@akkoladen#1\@nd\fi - % deactivate all remaining \grouptop...bottom items - \loop - \ifnum\akk@count<\maxgroups - \incr@akk@count - \expandafter\groupbottom\expandafter{\akk@count}\maxdimen - \expandafter\grouptop\expandafter{\akk@count}\z@ - \repeat} -\def\@akkoladen#1#2#3\@nd{% - \incr@akk@count - \expandafter\groupbottom\expandafter{\akk@count}{#1}% - \expandafter\grouptop\expandafter{\akk@count}{#2}% - \ifx\empty#3\else\@akkoladen#3\@nd\fi} -\def\incr@akk@count{% - \count@\akk@count\relax \advance\count@\@ne \edef\akk@count{\the\count@}} - - -%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%% -% This is MusiXTex code for multiple left curly brackets % -% % -% submitted by Mthimkhulu Molekwa % -% to the mutex list on 19 May 1999 % -% % -% % -% usage: % -% \curlybrackets{ % -% % -% ... % -% % -% } % -% % -% % -% % -% This version corrected 07/23/2007 by Rainer Dunker to make it % -% insensitive to changes in \interstaff by PMX % -% % -% Added to musixtex.tex version 1.16 by RDT % -% % -%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%% - - - -%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%% -% Macros for tablature. They put numbers on or above the staff lines. % -% Based on tabdefs.tex by R.J. Gelten % -% % -% 1.33 RDT % -% replace ledger lines by slashes (/) for string numbers > number of staff lines % -% % -% 1.33a RDT % -% replace 4-7 slashes by numbers 4-7 % -% decrement number of slashes if tabstylespace is true % -% % -%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%% - -\newcount\stringraise -\newif\iftabstylespace\tabstylespacefalse - -% \tabbox ensures a white background for the tab number in the ps-file -% so the stafflines don't overwrite the number. Symbols are centered. -\def\tabbox#1#2{% - \setbox0=\hbox{\tabfnt #2}% - \stringraise\nblines - \advance\stringraise by -#1 - \multiply\stringraise by 2 - \advancefalse\def\q@u{}\loffset{0.45}{\@nq{\the\stringraise}}% - \iftabstylespace\else\advance\stringraise-1\fi - \special{ps: 1 setgray}% - \ccharnote{\the\stringraise}{\vrule height \ht0 width \wd0 depth \dp0}% - \special{ps: 0 setgray}% - \ccharnote{\the\stringraise}{\box0}% -} -% \ltabbox does the same as \tabbox, except that it produces -% left-outlined symbols -\def\ltabbox#1#2{\setbox0=\hbox{\tabfnt #2}% - \stringraise\nblines - \advance\stringraise by -#1 - \multiply\stringraise by 2 - \advancefalse\def\q@u{}\loffset{0.2}{\@nq{\the\stringraise}}% - \iftabstylespace\else\advance\stringraise-1\fi - \special{ps: 1 setgray}% - \zcharnote{\the\stringraise}{\vrule height \ht0 width \wd0 depth \dp0}% - \special{ps: 0 setgray}% - \zcharnote{\the\stringraise}{\box0}% -} -% \rtabbox does the same as \tabbox, except that it produces -% right-outlined symbols -\def\rtabbox#1#2{\setbox0=\hbox{\tabfnt #2}% - \stringraise\nblines - \advance\stringraise by -#1 - \multiply\stringraise by 2 - \advancefalse\def\q@u{}\loffset{0.75}{\@nq{\the\stringraise}}% - \iftabstylespace\else\advance\stringraise-1\fi - \special{ps: 1 setgray}% - \lcharnote{\the\stringraise}{\vrule height \ht0 width \wd0 depth \dp0}% - \special{ps: 0 setgray}% - \lcharnote{\the\stringraise}{\box0}% -} - -\newcount\stringnum -\newcount\nslashes - -% \tab takes two arguments. -% #1 is the string number -% #2 is the symbol to be put on the string -% the symbols are horizontally centered and a \sk is put behind it, -% to jump to the position of the next symbol. -% if the string number > \nblines, ledger lines are replaced by slashes (/) -\def\tab#1#2{% -\stringnum=#1 -\ifnum\stringnum>\nblines -\nslashes=\stringnum -\advance\nslashes by -\nblines -\iftabstylespace\advance\nslashes by -1\fi -\def\numslashes{\the\nslashes} -\ifcase\numslashes\tabbox{#1}{#2}\or\zcn{-3}{\tabfnt/#2}\or\zcn{-3}{\tabfnt//#2}\or\zcn{-3}{\tabfnt///#2}\or\zcn{-3}{\tabfnt 4}\or\zcn{-3}{\tabfnt 5}\or\zcn{-3}{\tabfnt 6}\or\zcn{-3}{\tabfnt 7}\fi% -\else\tabbox{#1}{#2}\fi\sk} - -% left spilling \tab -\def\ltab#1#2{% -\stringnum=#1 -\ifnum\stringnum>\nblines -\nslashes=\stringnum -\advance\nslashes by -\nblines -\iftabstylespace\advance\nslashes by -1\fi -\def\numslashes{\the\nslashes} -\ifcase\numslashes\ltabbox{#1}{#2}\or\zcn{-3}{\tabfnt/#2}\or\zcn{-3}{\tabfnt//#2}\or\zcn{-3}{\tabfnt///#2}\or\zcn{-3}{\tabfnt 4}\or\zcn{-3}{\tabfnt 5}\or\zcn{-3}{\tabfnt 6}\or\zcn{-3}{\tabfnt 7}\fi% -\else\ltabbox{#1}{#2}\fi\sk} - -% right spilling \tab -\def\rtab#1#2{% -\stringnum=#1 -\ifnum\stringnum>\nblines -\nslashes=\stringnum -\advance\nslashes by -\nblines -\iftabstylespace\advance\nslashes by -1\fi -\def\numslashes{\the\nslashes} -\ifcase\numslashes\rtabbox{#1}{#2}\or\zcn{-3}{\tabfnt/#2}\or\zcn{-3}{\tabfnt//#2}\or\zcn{-3}{\tabfnt///#2}\or\zcn{-3}{\tabfnt 4}\or\zcn{-3}{\tabfnt 5}\or\zcn{-3}{\tabfnt 6}\or\zcn{-3}{\tabfnt 7}\fi% -\else\rtabbox{#1}{#2}\fi\sk} - -% \chord-tab symbol. Same as \tab, but no \sk is given, so multiple -% symbols can be placed above one another -\def\ztab#1#2{% -\stringnum=#1 -\ifnum\stringnum>\nblines -\nslashes=\stringnum -\advance\nslashes by -\nblines -\iftabstylespace\advance\nslashes by -1\fi -\def\numslashes{\the\nslashes} -\ifcase\numslashes\tabbox{#1}{#2}\or\zcn{-3}{\tabfnt/#2}\or\zcn{-3}{\tabfnt//#2}\or\zcn{-3}{\tabfnt///#2}\or\zcn{-3}{\tabfnt 4}\or\zcn{-3}{\tabfnt 5}\or\zcn{-3}{\tabfnt 6}\or\zcn{-3}{\tabfnt 7}\fi% -\else\tabbox{#1}{#2}\fi} - -% left spilling \ztab -\def\zltab#1#2{% -\stringnum=#1 -\ifnum\stringnum>\nblines -\nslashes=\stringnum -\advance\nslashes by -\nblines -\iftabstylespace\advance\nslashes by -1\fi -\def\numslashes{\the\nslashes} -\ifcase\numslashes\ltabbox{#1}{#2}\or\zcn{-3}{\tabfnt/#2}\or\zcn{-3}{\tabfnt//#2}\or\zcn{-3}{\tabfnt///#2}\or\zcn{-3}{\tabfnt 4}\or\zcn{-3}{\tabfnt 5}\or\zcn{-3}{\tabfnt 6}\or\zcn{-3}{\tabfnt 7}\fi% -\else\ltabbox{#1}{#2}\fi} - -% right spilling \ztab -\def\zrtab#1#2{% -\stringnum=#1 -\ifnum\stringnum>\nblines -\nslashes=\stringnum -\advance\nslashes by -\nblines -\iftabstylespace\advance\nslashes by -1\fi -\def\numslashes{\the\nslashes} -\ifcase\numslashes\rtabbox{#1}{#2}\or\zcn{-3}{\tabfnt/#2}\or\zcn{-3}{\tabfnt//#2}\or\zcn{-3}{\tabfnt///#2}\or\zcn{-3}{\tabfnt 4}\or\zcn{-3}{\tabfnt 5}\or\zcn{-3}{\tabfnt 6}\or\zcn{-3}{\tabfnt 7}\fi% -\else\rtabbox{#1}{#2}\fi} - -% - -%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%% -% define a new clefsymbol \tabclef for tablature % -% 1.29 RDT -%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%% - -\def\tabclef{% - \setbox0=\hbox{\tabcleffnt T} - \setbox1=\vbox{\baselineskip=0.5\baselineskip - \hbox to 2\wd0{{\tabcleffnt T}\hfil} - \hbox to 2\wd0{{\tabcleffnt A}\hfil} - \hbox to 2\wd0{{\tabcleffnt B}\hfil} - } - \ifnum\nblines=6\lower1.5\internote\box1 - \else\ifnum\nblines=4\lower3.5\internote\box1\else\lower2.5\internote\box1\fi\fi} - -%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%% -% tiny duration notes placed above tablature staff % -% 1.33a RDT % -%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%% - -\newcount\tiny@hgt % = 2 * \nblines + 1 - -% need to suppress ledger lines and prevent raising dots in dotted notes - -\def\settiny@hgt{\tiny@hgt=\nblines\multiply\tiny@hgt by 2\advance\tiny@hgt by1} - -\def\tzwh{% -\settiny@hgt -\tinynotesize\advancefalse\def\w@h{\musixfont\nin@}\y@v\wn@width -\check@staff\getn@i{\the\tiny@hgt}\relax\let\n@fon\g@w \let\n@sym\w@h -\pl@base\setst@m\resetst@m\raise\y@i\hbox{\n@sym}\advancetrue\fi} - -\def\tzwhp{% -\settiny@hgt -\tinynotesize\advancefalse\def\w@h{\musixfont\nin@}\y@v\wn@width -\check@staff\getn@i{\the\tiny@hgt}\relax\let\n@fon\g@w \let\n@sym\w@h -\pl@base\setst@m\resetst@m\raise\y@i\hbox{\n@sym\musixchar\z@}\advancetrue\fi} - -\def\tzhu{% -\settiny@hgt -\tinynotesize\advancefalse -\check@staff\getn@i{\the\tiny@hgt}\relax\y@v\qn@width -\pl@base\setst@m\upst@m\raise\y@i\hbox{\musixfont\@ight}\advancetrue\fi} - -\def\tzhup{% -\settiny@hgt -\tinynotesize\advancefalse -\check@staff\getn@i{\the\tiny@hgt}\relax\y@v\qn@width -\pl@base\setst@m\upst@m\raise\y@i\hbox{\musixfont{\@ight}\musixchar\z@}\advancetrue\fi} - -\def\tzqu{% -\settiny@hgt -\tinynotesize\advancefalse -\check@staff\getn@i{\the\tiny@hgt}\relax\y@v\qn@width -\pl@base\setst@m\upst@m\raise\y@i\hbox{\musixfont\s@v@n}\advancetrue\fi} - -\def\tzqup{% -\settiny@hgt -\tinynotesize\advancefalse -\check@staff\getn@i{\the\tiny@hgt}\relax\y@v\qn@width -\pl@base\setst@m\upst@m\raise\y@i\hbox{\musixfont{\s@v@n}\musixchar\z@}\advancetrue\fi} - -\def\tzcu{% -\settiny@hgt -\tinynotesize\advancefalse\q@symbol\n@vii\@xl -\check@staff\getn@i{\the\tiny@hgt}\relax\let\n@fon\g@q \let\n@sym\q@u\y@v\qn@width -\pl@base\setst@m\up@flag\raise\y@i\hbox{\n@sym}\advancetrue\fi} - -\def\tzcup{% -\settiny@hgt -\tinynotesize\advancefalse\q@symbol\n@vii\@xl -\check@staff\getn@i{\the\tiny@hgt}\relax\let\n@fon\g@qp \let\n@sym\q@up\y@v\qn@width -\pl@base\setst@m\up@flag\raise\y@i\hbox{\n@sym}\advancetrue\fi} - -\def\tzccu{% -\settiny@hgt -\tinynotesize\advancefalse\q@symbol\n@vii\@xli -\check@staff\getn@i{\the\tiny@hgt}\relax\let\n@fon\g@q \let\n@sym\q@u\y@v\qn@width -\pl@base\setst@m\up@flag\raise\y@i\hbox{\n@sym}\advancetrue\fi} - -\def\tzccup{% -\settiny@hgt -\tinynotesize\advancefalse\q@symbol\n@vii\@xli -\check@staff\getn@i{\the\tiny@hgt}\relax\let\n@fon\g@qp \let\n@sym\q@up\y@v\qn@width -\pl@base\setst@m\up@flag\raise\y@i\hbox{\n@sym}\advancetrue\fi} - -\def\tzcccu{% -\settiny@hgt -\tinynotesize\advancefalse\q@symbol\n@vii42 -\check@staff\getn@i{\the\tiny@hgt}\relax\let\n@fon\g@q \let\n@sym\q@u\y@v\qn@width -\pl@base\setst@m\up@flag\raise\y@i\hbox{\n@sym}\advancetrue\fi} - -\def\tzcccup{% -\settiny@hgt -\tinynotesize\advancefalse\q@symbol\n@vii42 -\check@staff\getn@i{\the\tiny@hgt}\relax\let\n@fon\g@qp \let\n@sym\q@up\y@v\qn@width -\pl@base\setst@m\up@flag\raise\y@i\hbox{\n@sym}\advancetrue\fi} - - -%%%%%%%% end of tablature support %%%%%%%%%%%% - -\let\origin@lwrit@staffs\writ@staffs -\def\writ@staffs{% - \origin@lwrit@staffs - \ifx\br@cks\empty\else\expandafter\@bracks\br@cks\ende\fi} - -\let\br@cks\empty -\def\curlybrackets#1{\def\br@cks{#1}} - -\def\@bracks#1#2#3\ende{% - \ifnum #1<#2 %=========================== inserted by D.S.(?) - \noinstrum@nt=#1\s@l@ctinstr\b@zi\altitude - \noinstrum@nt=#2\s@l@ctinstr\b@zii\altitude - \advance\b@zii-\b@zi - \C@Inter - \advance\b@zii\nblines\internote - \advance\b@zii\nblines\internote - \advance\b@zii-2\internote - \n@v\b@zii \sp@pt\tw@ \advance\n@v\@cxxviii - \divide\b@zii\tw@ - \advance\b@zi\b@zii - \raise\b@zi\rlap{\mxsps\char\n@v\kern\instrum@in@group}% - \fi %==================================== inserted by D.S.(?) - \ifx\empty#3\else\@bracks#3\ende\fi} - - -%% -% Define \pass@I to perform the following functions: -% -% (a) set line and page breaking for the first pass by setting -% rigid values for \elemskip (#1), -% \maxbarsinlin@ (#2) -% -% (b) Redefine \t@rmskip so that it writes to the .mx1 file; -% -% (c) Redefine part of \debutmorceau to open the output (.mx1) file -% and write the following parameters to the .mx1 file: -% \line@width -% \parindent -% \beforeruleskip -% \afterruleskip -% \elemskip -% \clef@skip -% \sign@skip; -% -% (d) redefine various other macros so that length measures will be -% written to the .mx1 file -%% - -\def\pass@I{\def\@nds@ction{\fil@{*\space\the\mulooseness\space\the\linegoal}% - \mulooseness\z@\relax \linegoal\z@}% - -%\def\pass@I{\def\@nds@ction{\fil@{*\space\the\mulooseness}\mulooseness\z@}% -%% -% Redefine \t@rmskip to include a macro for writing a record to a file, -% and define the macro -%% - \def\fil@termskip{% - \fil@{\the\barsinpi@c@\space\the\widthtyp@\space\the\x@skip}% - \widthtyp@\@ne}% -%% -% Redefine part of debutmorceau to write header information to file -%% - \def\fil@begin{% - \fil@{S}% Startindicator - \fil@{\the\line@width}% - \fil@{\the\parindent}% - \fil@{\the\beforeruleskip}% - \fil@{\the\afterruleskip}% - \fil@{\the\@l@mskip}% - \fil@{\the\clef@skip}% - \fil@{\the\sign@skip}}% -% -% -> \writ@newsigns -% - \def\fil@signs{% - \maxsign@skip\z@ - \n@loop \s@l@ctsigns - \sign@skip\tw@\Internote - \sign@skip\a@s\sign@skip - \ifdim\sign@skip<\z@ \sign@skip-\sign@skip \fi - \global\advance\sign@skip\smallvalue\Internote - \ifdim\maxsign@skip<\sign@skip \global\maxsign@skip\sign@skip - \fi - \repeat - \global\sign@skip\maxsign@skip - \fil@{s\space\the\sign@skip}}% -% -% -> \Contpiece -% - \def\fil@indent{\fil@{\the\barsinpi@c@\space0 \the\parindent}}% -% -% when a line is stopped with a zbar, to the next bar is added the amount -% of afterruleskip -% -> no line break during Pass 1 and indicate musixflx a zbar -% - \def\zbar{\zn@wbar\fil@{z \the\barno}}% -% -% \leftrightrepeat behaves different in mid of line and end of line -% -> no line break during Pass 1, get the widths and -% indicate musixflx a leftrightrepeat -% - \let\leftrightrepeat\leftrightrepeat@I - \let\zleftrightrepeat\leftrightrepeat@I % RDT 1.28 -% -% s.a. -% - \let\leftrepeat\leftrepeat@I - \let\zleftrepeat\leftrepeat@I % RDT 1.28 -% -% -> \hardspace -% - \def\fil@spc{\fil@{h \the\y@v}}% -% -% makes the .mx2 more transparent -% - \def\fil@barno{\fil@{b \the\barno}}% -% -% break line if value of \lin@pos (exclusive parindent, signs and clefs) -% is larger than 0.5\hsize -% - \def\T@bil{\getcurpos \ifdim\y@v<\h@lf\line@width}% -% -% close the file -% - \def\endmuflex{\immediate\closeout\outmux}}% - -%% -% Macros to set up the second pass -%% - -\newread\inmux - -%% -% Main macro: \pass@II -% Function: %%%(a) Open the .mx2 file -% %%%(b) Set the number of lines per page to #1 -% (c) Set the \everystaff macro to read and decode line -% parameter settings -% %%%(d) Define end of bar, end of line and repeat macros -% %%% according to \autolines -%% - -\def\pass@II{\def\ragg@d{\hfilneg\ }% -% \def\everyst@ff{\everystaff\read\inmux\@to\inline \inline}} % ancient - \def\everyst@ff{\read\inmux\@to\inline \inline\relax \everystaff}} - -%% -% \inline expands to \lineset#1#2#3#4#5, so define the latter -%% - -\def\lineset#1#2#3#4#5{\ifx\no@l\empty \message{<#1>}\fi - \maxbarsinlin@#2% - \@l@mskip#3% - \elemskip\@l@mskip - \afterruleskip#4% - \beforeruleskip#5} - -\def\musicparskip{\parskip\z@ plus\fiv@\Interligne minus\Interligne} - -\def\endcatcodesmusic{% - \catcode`\&\catcode@and - \catcode`\|\catcode@vert - \catcode`\>\catcode@gt - \catcode`\<\catcode@lt - \catcode`\!\catcode@excl - \catcode`\*\catcode@star - \catcode`\:\catcode@sc - \catcode`\.\catcode@pt - \let\bar\@@bar - \catcodesmusicfalse} - -\endcatcodesmusic - -%...\let\wlog=\@wloG - -\catcode`\@=\catcodeat -\endinput - diff --git a/musixtex/tex/musixtmr.tex b/musixtex/tex/musixtmr.tex deleted file mode 100644 index 16f48a6..0000000 --- a/musixtex/tex/musixtmr.tex +++ /dev/null @@ -1,201 +0,0 @@ -%% -%% musixtmr.tex : Times-series fonts definition for MusiXTeX -%% -%% usage: -%% \input musixtex -%% \input musixtmr -%% ... -%% -%% This file is public domain. -%% -%% Author: -%% Hiroaki MORIMOTO -%% Tokyo, Japan -%% URL(en): http://homepage1.nifty.com/kuuku/pub/musixtex/index-e.html -%% (jp): http://homepage1.nifty.com/kuuku/pub/musixtex/index.html -%% Extensions: Bob Tennent (rdt@cs.queensu.ca) 2016-02-22 -%% -%% reference: musixtex.tex (0.99) 268-508 -%% MusiXTeX: (c) Daniel Taupin, et al. -%% -%% History: see trailer. -% -\immediate\write16{MusiXTimesFonts\space<2017/02/10>} -\ifx\undefined\startpiece\errmessage{Input musixtex.tex before musixtmr.tex}\fi -% -% 7pt roman, bold, italic, bold italic, slanted and small-cap -\font\sevenrm=ptmr8t at 7pt -\font\sevenbf=ptmb8t at 7pt -\font\sevenit=ptmri8t at 7pt -\font\sevenbi=ptmbi8t at 7pt -\font\sevensc=ptmrc8t at 7pt % artificial small-caps -% -% 8pt roman, bold, italic, bold italic, slanted and small-cap -\font\eightrm=ptmr8t at 8pt -\font\eightbf=ptmb8t at 8pt -\font\eightit=ptmri8t at 8pt -\font\eightbi=ptmbi8t at 8pt -\font\eightsc=ptmrc8t at 8pt % artificial small-caps -% -% 9pt -\font\ninerm=ptmr8t at 9pt -\font\ninebf=ptmb8t at 9pt -\font\nineit=ptmri8t at 9pt -\font\ninebi=ptmbi8t at 9pt -\font\ninesc=ptmrc8t at 9pt -% -% 10pt -\font\tenrm=ptmr8t at 10pt -\font\tenbf=ptmb8t at 10pt -\font\tenit=ptmri8t at 10pt -\font\tenbi=ptmbi8t at 10pt -\font\tensc=ptmrc8t at 10pt -% -% -% 11pt -\font\elevenrm=ptmr8t scaled \magstephalf -\font\elevenbf=ptmb8t scaled \magstephalf -\font\elevenit=ptmri8t scaled \magstephalf -\font\elevenbi=ptmbi8t scaled \magstephalf -\font\elevensc=ptmrc8t scaled \magstephalf -% -% 12pt -\font\twelverm=ptmr8t scaled \magstep 1 -\font\twelvebf=ptmb8t scaled \magstep 1 -\font\twelveit=ptmri8t scaled \magstep 1 -\font\twelvebi=ptmbi8t scaled \magstep 1 -\font\twelvesc=ptmrc8t scaled \magstep 1 -% -% 14pt -\font\frtrm=ptmr8t scaled \magstep2 -\font\frtbf=ptmb8t scaled \magstep2 -\font\frtit=ptmri8t scaled \magstep2 -\font\frtbi=ptmbi8t scaled \magstep2 -\font\frtsc=ptmrc8t scaled \magstep2 -% -% 17pt -\font\svtrm=ptmr8t scaled \magstep3 -\font\svtbf=ptmb8t scaled \magstep3 -\font\svtit=ptmri8t scaled \magstep3 -\font\svtbi=ptmbi8t scaled \magstep3 -\font\svtsc=ptmrc8t scaled \magstep3 -% -% 20pt -\font\twtyrm=ptmr8t scaled \magstep4 -\font\twtybf=ptmb8t scaled \magstep4 -\font\twtyit=ptmri8t scaled \magstep4 -\font\twtybi=ptmbi8t scaled \magstep4 -\font\twtysc=ptmrc8t scaled \magstep4 -% -% 25pt -\font\twfvrm=ptmr8t scaled \magstep5 -\font\twfvbf=ptmb8t scaled \magstep5 -\font\twfvit=ptmri8t scaled \magstep5 -\font\twfvbi=ptmbi8t scaled \magstep5 -\font\twfvsc=ptmrc8t scaled \magstep5 -% -% large fonts for titles -% (If you prefer Times-bold, use \bf) -% (If you prefer small-caps, use \sc) -% -\def\bigtype{\bigfont\rm} -\def\Bigtype{\Bigfont\rm} -\def\BIgtype{\BIgfont\rm} -\def\BIGtype{\BIGfont\rm} -% -% -\font\ppfftwelve=ptmbi8t at 8pt -\font\ppffsixteen=ptmbi8t at 10pt -\font\ppfftwenty=ptmbi8t scaled \magstep 1 -\font\ppfftwentyfour=ptmbi8t scaled \magstep2 -\font\ppfftwentynine=ptmbi8t scaled \magstep3 -% -% -\def\f{{\ppff f}} -\def\ff{{\ppff ff}} -\def\fp{{\ppff fp}} -\def\fff{{\ppff fff}} -\def\ffff{{\ppff ffff}} -\def\mf{{\ppff mf}} -\def\p{{\ppff p}} -\def\pp{{\ppff pp}} -\def\ppp{{\ppff ppp}} -\def\pppp{{\ppff pppp}} - - -% -% sl fonts needed by musixsty -% -\font\eightsl=ptmro8t at 8pt -\font\ninesl=ptmro8t at 9pt -\font\tensl=ptmro8t at 10pt -\font\twelvesl=ptmro8t scaled \magstep1 -\font\frtsl=ptmro8t scaled \magstep2 -\font\svtsl=ptmro8t scaled \magstep3 -\font\twtysl=ptmro8t scaled \magstep4 -\font\twfvsl=ptmro8t scaled \magstep5 -% -% - -\edef\catcodeat{\the\catcode`\@}\catcode`\@=11 -% -\def\sF{{\ppff s\p@kern f}} -\def\sfz{{\ppff s\p@kern f\f@kern z}} -\def\sfzp{{\ppff s\p@kern f\f@kern z\p@kern p}} - -\def\mp@{{\ppff mp}} -\let\mezzopiano\mp@ - -% -% Redefine accented characters for 8-bit font, suggested by David Carlisle: -% -\ifx\documentclass\undefined -\def\ProvidesFile#1[#2]{} -\def\DeclareFontEncoding#1#2#3{} -\def\DeclareTextAccent#1#2#3{% -\def#1##1{% -\expandafter\ifx\csname T1\string#1-\string##1\endcsname\relax -{\accent#1 ##1}% -\else -\csname T1\string#1-\string##1\expandafter\endcsname -\fi}} -\def\DeclareTextCommand#1#2{\xdtcmd}%not today -\def\xdtcmd#1#{\xxdtcmd}%not today -\def\xxdtcmd#1{}%not today -\def\DeclareTextCompositeCommand#1#2#3#4{}%not today -\def\DeclareTextSymbol#1#2#3{% -\def#1{\char#3\relax}} -\def\DeclareTextComposite#1#2#3#4{% -\expandafter\def\csname T1\string#1-\string#3\endcsname{\char#4\relax}} -\edef\catcodeat{\the\catcode`\@}\catcode`\@=11 - -\input t1enc.def - -% \c needs special treatment -\def\c#1{\leavevmode\ifx c#1\char231 \else\setbox\z@\hbox{#1}\ifdim\ht\z@=1ex\accent11 #1% - \else{\ooalign{\unhbox\z@\crcr - \hidewidth\char11\hidewidth}}\fi\fi} -\catcode`\@=\catcodeat -\fi - -\normtype -\endinput -%% -%% History -%% -%% 2001/08/21 -%% first publish -%% 2004/12/24 -%% no functional change. (email & real address change) -%% 2007/06/11 -%% no functional change. (email protection, real address change, URL change) -%% 2008/08/01 -%% Font assignment change on PMX. -%% 2009/10/15 -%% small update for MusiXTeX 1.14 final release. -%% 2015/02/06 -%% 8-bit encoding and extensions, similar to musixplt.tex -%% 2015-07-25 -%% change to ptmr8t fonts and use t1enc.def to re-defined accented characters -%% 2016-07-11 RDT -%% \catcode`\@=11 before inputting t1enc.def diff --git a/musixtex/tex/musixtri.tex b/musixtex/tex/musixtri.tex deleted file mode 100644 index 52375e1..0000000 --- a/musixtex/tex/musixtri.tex +++ /dev/null @@ -1,64 +0,0 @@ -% -% This file is part of MusiXTeX -% -% MusiXTeX is free software; you can redistribute it and/or modify -% it under the terms of the GNU General Public License as published by -% the Free Software Foundation; either version 2, or (at your option) -% any later version. -% -% MusiXTeX is distributed in the hope that it will be useful, -% but WITHOUT ANY WARRANTY; without even the implied warranty of -% MERCHANTABILITY or FITNESS FOR A PARTICULAR PURPOSE. See the -% GNU General Public License for more details. -% -% You should have received a copy of the GNU General Public License -% along with MusiXTeX; see the file COPYING. If not, write to -% the Free Software Foundation, Inc., 59 Temple Place - Suite 330, -% Boston, MA 02111-1307, USA. -% - -\immediate\write16{MusiXTRIplepoint 1.05\space<30 April 2002>} - -\ifx\undefined\hlppp \else \endinput \fi - -\edef\catcodeat{\the\catcode`\@}\catcode`\@=11 - -\def\lppt{\g@pt\m@ne\tw@} - -\def\whppp{\def\w@h{\musixfont\nin@\roffset\qu@rt{\C@Point\tw@\raise}}% - \y@v\wn@width \g@w} -\def\zwppp{\advancefalse\whppp} - -\def\@quppp{\let\st@m\upst@m \g@qppp} -\def\@qlppp{\let\st@m\downst@m \g@qppp} -\def\@zqppp{\let\st@m\setst@m \advancefalse\g@qppp} -\def\@nqppp{\let\st@m\resetst@m \g@qppp} - -\def\q@uppp{\q@u\C@Point\tw@\raise} -\def\g@qppp#1{\getn@i#1\relax \let\n@fon\g@qppp \let\n@sym\q@uppp - \y@v\qn@width \writ@note} - -\def\@qbppp#1{\s@l@ctbeam#1\relax \let\st@m\beamst@m \g@qppp} - -\def\@cuppp{\n@vii\@xl \let\st@m\up@flag \g@qppp} -\def\@clppp{\n@vii45\let\st@m\down@flag \g@qppp} - -\def\huppp{\h@symbol\@quppp} -\def\hlppp{\h@symbol\@qlppp} -\def\zhppp{\h@symbol\@zqppp} -\def\zhuppp{\advancefalse\huppp} -\def\zhlppp{\advancefalse\hlppp} -\def\quppp{\q@symbol\@quppp} -\def\qlppp{\q@symbol\@qlppp} -\def\zquppp{\advancefalse\quppp} -\def\zqlppp{\advancefalse\qlppp} -\def\zqppp{\q@symbol\@zqppp} -\def\cuppp{\q@symbol\@cuppp} -\def\zcuppp{\advancefalse\cuppp} -\def\clppp{\q@symbol\@clppp} -\def\zclppp{\advancefalse\clppp} -\def\qbppp{\q@symbol\@qbppp} -\def\zqbppp{\advancefalse\qbppp} - -\catcode`\@=\catcodeat -\endinput diff --git a/musixtex/tex/musixvbm.tex b/musixtex/tex/musixvbm.tex deleted file mode 100644 index 9a2898c..0000000 --- a/musixtex/tex/musixvbm.tex +++ /dev/null @@ -1,212 +0,0 @@ -%% -%% musixvbm.tex - MusiXTeX Extension, Vectorized Beams (& crescendos) -%% by tpic specials / pdfTeX raw literal -%% -%% Copyright (C) 2000-2007 Hiroaki MORIMOTO (Kuuku) -%% 2021-05-17: RDT added comments on the tpic \specials -%% -%% This program is free software; you can redistribute it and/or -%% modify it under the terms of the GNU General Public License -%% as published by the Free Software Foundation; either version 2 -%% of the License, or any later version. -%% -%% This program is distributed in the hope that it will be useful, -%% but WITHOUT ANY WARRANTY; without even the implied warranty of -%% MERCHANTABILITY or FITNESS FOR A PARTICULAR PURPOSE. See the -%% GNU General Public License for more details. -%% -%% You should have received a copy of the GNU General Public License -%% along with this program; if not, write to the Free Software -%% Foundation, Inc., 59 Temple Place - Suite 330, Boston, MA 02111-1307, USA. -%% -%% \def\domain{nifty.com} -%% Author: -%% Hiroaki MORIMOTO -%% Tokyo, Japan -%% URL: http://kuuku.no.coocan.jp/pub/musixtex/index-e.html -%% -%% based on musixtex.tex T.104, line 3255-3290. -%% MusiXTeX : (C) Daniel Taupin et al. -%% -%% January 1, 2007 version 1.20-beta6 -%% This is a successor of `musixtpb.tex' ver.1.10. -%% -\ifx\ifvectorizedbeam\undefined\else\endinput\fi -\immediate\write16{MusiXTeX Extension, Vectorized Beams and crescendos <2007/01/01>}% -% -\edef\catcodeat{\the\catcode`\@}\catcode`\@=11 -% -% Allocation of registers -% No register is required except for scratch (\dimen@, \count@) -% -% Modes definition (default: true) -\newif\ifvectorizedbeam \vectorizedbeamtrue -% -% Operation mode automatic selection (v1.20) -% -\let\@beammodesel\relax% -\ifx\pdftexversion\undefined\else% - \ifnum\pdfoutput>0\relax - \immediate\write16{musixvbm: uses pdfTeX raw literal}% - \edef\@beammodesel{pdftex}% - \fi -\fi -\ifx\@beammodesel\relax - \immediate\write16{musixvbm: uses tpic specials}% - \edef\@beammodesel{tpic}% -\fi -% -% Overriding beam termination code (v1.20) -% -\let\@beam@font=\@beam\relax -\def\@beam{% - \ifvectorizedbeam - \csname @beam@\@beammodesel\endcsname - \else - \@beam@font - \fi -}% -% -% Main routine for tpic-version beam -% \y@ii : length, \b@p : slope, \y@i : altitude -% -\def\@beam@tpic{% - % X of end - \@dimentomil{\y@ii}{\@Xend}% - % Y of start - \y@iii\y@i - \advance\y@iii -\b@amthick - \@dimentomil{-\y@iii}{\@Ystart@l}% - \advance\y@iii \tw@\b@amthick - \@dimentomil{-\y@iii}{\@Ystart@u}% - % Y of end - \y@iv\y@i - \dimen@=\b@p\y@ii \divide\dimen@ \tw@nty% \tw@nty=20 def'd in musixtex.tex - \advance\y@iv \dimen@ - \advance\y@iv -\b@amthick - \@dimentomil{-\y@iv}{\@Yend@l}% - \advance\y@iv \tw@\b@amthick - \@dimentomil{-\y@iv}{\@Yend@u}% -% \special{pn 1}% - \special{sh 1}% RDT: set beam shading to black - \@addbeampath{0}{\@Ystart@l}% RDT: add points to define the beam perimeter - \@addbeampath{\@Xend}{\@Yend@l}% - \@addbeampath{\@Xend}{\@Yend@u}% - \@addbeampath{0}{\@Ystart@u}% - \@addbeampath{0}{\@Ystart@l}% RDT: close the perimeter - \special{ip}% RDT: draw the beam (without the outline) - \kern\y@ii -}% -% -% -% Subroutines for tpic-version beam -% -\def\@dimentomil#1#2{{% - % 1m-in = 0.07227pt, 1pt = 13.837m-in - % \count@=\count255 \dimen@=\dimen0 def'd in plain - \dimen@=#1\relax\dimen@=13.837\dimen@\relax - \count@\dimen@ - \ifnum\count@>0 - \advance\count@ by 32768 - \else - \advance\count@ by -32768 - \fi - \divide\count@ by 65536 - \xdef#2{\the\count@}}}% -% -\def\@addbeampath#1#2{\special{pa #1 #2}}% -% -% -% Main routine for pdfTeX -% -\def\@beam@pdftex{% - % X of end - \edef\@Xend{\strip@pt\y@ii}% - % Y of start - \y@iii\y@i - \advance\y@iii -\b@amthick - \edef\@Ystart@l{\strip@pt\y@iii}% - \advance\y@iii \tw@\b@amthick - \edef\@Ystart@u{\strip@pt\y@iii}% - % Y of end - \y@iv\y@i - \dimen@=\b@p\y@ii \divide\dimen@ \tw@nty% \tw@nty=20 def'd in musixtex.tex - \advance\y@iv \dimen@ - \advance\y@iv -\b@amthick - \edef\@Yend@l{\strip@pt\y@iv}% - \advance\y@iv \tw@\b@amthick - \edef\@Yend@u{\strip@pt\y@iv}% - \pdfliteral{q 0 g 0 \@Ystart@l\space m \@Xend\space\@Yend@l\space l \@Xend\space\@Yend@u\space l 0 \@Ystart@u\space l 0 \@Ystart@l\space l f Q}% - \kern\y@ii -}% -% -% Subroutines for pdfTeX -% (taken from latex.ltx 2003/12/01) -\begingroup - \catcode`P=12 - \catcode`T=12 - \lowercase{% - \def\x{\def\rem@pt##1.##2PT{##1\ifnum##2>\z@.##2\fi}}}% - \expandafter\endgroup\x -\def\strip@pt{\expandafter\rem@pt\the}% -% -% -% vectorized version of crescendo, decrescendo (under construction) -% -\let\C@cresc@font=\C@cresc\relax -% -% for tpic-version crescendo -% #1=length (any TeX dimension, no limit)) -\def\C@cresc@tpic#1{% - \y@iv#1\relax -% \rlap{\vrule width\y@iv height1pt}% - \@dimentomil{\y@iv}{\@Xend}% - \dimen@=2.5pt \advance\dimen@ by.00125\y@iv\relax% see musixspx.mf - \@dimentomil{\dimen@}{\@Yend@l}% - \special{pn 6}% 0.4pt=5.5348mil see musixspx.mf - \ifnum\n@ii=\@cxv% decrescendo see musixtex.tex T.112 line 3870 - \@addbeampath{0}{\@Yend@l}% - \@addbeampath{\@Xend}{0}% - \special{fp}% - \@addbeampath{0}{-\@Yend@l}% - \@addbeampath{\@Xend}{0}% - \special{fp}% - \else - \@addbeampath{\@Xend}{\@Yend@l}% - \@addbeampath{0}{0}% - \special{fp}% - \@addbeampath{\@Xend}{-\@Yend@l}% - \@addbeampath{0}{0}% - \special{fp}% - \fi -% \C@cresc@font#1% -}% -% -% for pdfTeX-version crescendo -% #1=length (any TeX dimension, no limit)) -\def\C@cresc@pdftex#1{% - \y@iv#1\relax -% \rlap{\vrule width\y@iv height1pt}% - \edef\@Xend{\strip@pt\y@iv}% - \dimen@=2.5pt \advance\dimen@ by.00125\y@iv\relax% see musixspx.mf - \edef\@Yend@l{\strip@pt\dimen@}% - \ifnum\n@ii=\@cxv% decrescendo see musixtex.tex T.112 line 3870 - \pdfliteral{.4 w q 0 g 0 \@Yend@l\space m \@Xend\space 0 l S Q q 0 g 0 -\@Yend@l\space m \@Xend\space 0 l S Q}% - \else - \pdfliteral{.4 w q 0 g \@Xend\space \@Yend@l\space m 0 0 l S Q q 0 g \@Xend\space -\@Yend@l\space m 0 0 l S Q}% - \fi -% \C@cresc@font#1% -}% -% -% Overriding crescendo (v1.20) -% -\def\C@cresc#1{% - \ifvectorizedbeam - \csname C@cresc@\@beammodesel\endcsname#1 - \else - \C@cresc@font#1 - \fi -}% -% -\catcode`\@=\catcodeat -\endinput diff --git a/musixtex/tex/tuplet.tex b/musixtex/tex/tuplet.tex deleted file mode 100644 index 8ea0dfc..0000000 --- a/musixtex/tex/tuplet.tex +++ /dev/null @@ -1,27 +0,0 @@ -% -% This file is part of MusiXTeX -% -% MusiXTeX is free software; you can redistribute it and/or modify -% it under the terms of the GNU General Public License as published by -% the Free Software Foundation; either version 2, or (at your option) -% any later version. -% -% MusiXTeX is distributed in the hope that it will be useful, -% but WITHOUT ANY WARRANTY; without even the implied warranty of -% MERCHANTABILITY or FITNESS FOR A PARTICULAR PURPOSE. See the -% GNU General Public License for more details. -% -% You should have received a copy of the GNU General Public License -% along with MusiXTeX; see the file COPYING. If not, write to -% the Free Software Foundation, Inc., 59 Temple Place - Suite 330, -% Boston, MA 02111-1307, USA. -% -% -% tuplet.tex -% -\immediate\write16{tuplet.tex <2017-03-16>}% -% -% (nothing to do. - T.116 or later provide the definitions -% by Col. Sicherman formerly in tuplet.tex) -% -\endinput